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"gipsy" poems
His Grandparents were Romany people from his maternal side In Countries of Eastern Europe they travelled far and wide But the most basic human right their right to life of them even denied In Belzec Concentration camp where a million people died. I never knew my maternal Grandparents with sadness he recall Due to circumstance of birth and their way of life misfortune them did befall My gift of music such a marvellous gift to them I feel I owe In Belzec Concentration Camp they were murdered decades ago. A tall and handsome man in his early thirties with wavy raven hair With the marvellous gift of music a great accordion player In silence we sat and drank our beer as we listened to him play The beautiful old gipsy tunes from Countries far away. That all things do come to an end in some cases a lie In Belzec Concentration camp the gipsy music did not die But that the gift of music does live on should not come as a surprise Something that those who commit crimes against humanity seem to fail to realize. He played at the pub on passing through him I never more may see But the beauty of his music will live in my memory His maternal Grandparents who died at Belzec their lives were not in vain Their music in their Grandchild has come to life again.
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Aug 10, 2010
Aug 10, 2010 at 6:09 PM UTC
In Belzec Concentration Camp
Your hair was full of roses in the dewfall as we danced, The sorceress enchanting and the paladin entranced, In the starlight as we wove us in a web of silk and steel Immemorial as the marble in the halls of Boabdil, In the pleasuance of the roses with the fountains and the yews Where the snowy Sierra soothed us with the breezes and the dews! In the starlight as we trembled from a laugh to a caress, And the God came warm upon us in our pagan allegresse. Was the Baile de la Bona too seductive? Did you feel Through the silence and the softness all the tension of the steel? For your hair was full of roses, and my flesh was full of thorns, And the midnight came upon us worth a million crazy morns. Ah! my Gipsy, my Gitana, my Saliya! were you fain For the dance to turn to earnest? - O the sunny land of Spain! My Gitana, my Saliya! more delicious than a dove! With your hair aflame with roses and your lips alight with love! Shall I see you, shall I kiss you once again? I wander far From the sunny land of summer to the icy Polar Star. I shall find you, I shall have you! I am coming back again From the filth and fog to seek you in the sunny land of Spain. I shall find you, my Gitana, my Saliya! as of old With your hair aflame with roses and your body gay with gold. I shall find you, I shall have you, in the summer and the south With our passion in your body and our love upon your mouth - With our wonder and our worship be the world aflame anew! My Gitana, my Saliya! I am coming back to you!
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6.6k
La Gitana
Your hair was full of roses in the dewfall as we danced, The sorceress enchanting and the paladin entranced, In the starlight as we wove us in a web of silk and steel Immemorial as the marble in the halls of Boabdil, In the pleasuance of the roses with the fountains and the yews Where the snowy Sierra soothed us with the breezes and the dews! In the starlight as we trembled from a laugh to a caress, And the God came warm upon us in our pagan allegresse. Was the Baile de la Bona too seductive? Did you feel Through the silence and the softness all the tension of the steel? For your hair was full of roses, and my flesh was full of thorns, And the midnight came upon us worth a million crazy morns. Ah! my Gipsy, my Gitana, my Saliya! were you fain For the dance to turn to earnest? - O the sunny land of Spain! My Gitana, my Saliya! more delicious than a dove! With your hair aflame with roses and your lips alight with love! Shall I see you, shall I kiss you once again? I wander far From the sunny land of summer to the icy Polar Star. I shall find you, I shall have you! I am coming back again From the filth and fog to seek you in the sunny land of Spain. I shall find you, my Gitana, my Saliya! as of old With your hair aflame with roses and your body gay with gold. I shall find you, I shall have you, in the summer and the south With our passion in your body and our love upon your mouth - With our wonder and our worship be the world aflame anew! My Gitana, my Saliya! I am coming back to you!
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26
We lie amidst Ripe mountain herbs, The nightingale has just begun its summer trill, This hymn for golden vocal cords Composed no owner of a writing quill So sweet were melodies produced That I mistook the front row lady’s cheap perfume For blossoms, above which haunting hornets mused; For an aroma of our Shakespeare love in bloom. The serenading cardboard creatures – Those thieve their voice from birds with no address. Meanwhile a glass raised in a playhouse features But colored water, as red as gipsy’s dress. When the last spectator goes, Having not found at least one genuine sun, As actors, we recede into descending roles; Electric blood in lamps’ capillaries feels numb.   A lovely ladybug, I doubt, I will ever catch, A lifelike flower, dipped in a painting fusion: All this, fine artists tenderly attach   To lifeless decorations, for aid they do us in a willful staged illusion. Three burnt sienna pearls run down your spine Yet after a big round of applause These jewels are no longer signs of the divine, But witches’ marks or, rather, unalluring flaws. After the play I went to buy a notebook from my shopping list To store the overgrowing verses, such as these; A sheet of paper guarantees To treat them like extinguishing bees Cashiers ****** the change into my hand, You purchased hothouse roses with; And up those pretty useless beauties stand In someone’s vase, whose name remains a myth. They give me back those polished dimes You traded for a pair of shoes. I’ve seen you marshal through onstage lifetimes, Yet to disclose personas’ traces the theater walls refuse. Your chocolate hair has just fallen from the hairdresser’s hand,– That’s how I know the summer’s coming to a bitter end.
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Apr 6, 2019
Apr 6, 2019 at 7:02 PM UTC
“A fictional confession”
We lie amidst Ripe mountain herbs, The nightingale has just begun its summer trill, This hymn for golden vocal cords Composed no owner of a writing quill So sweet were melodies produced That I mistook the front row lady’s cheap perfume For blossoms, above which haunting hornets mused; For an aroma of our Shakespeare love in bloom. The serenading cardboard creatures – Those thieve their voice from birds with no address. Meanwhile a glass raised in a playhouse features But colored water, as red as gipsy’s dress. When the last spectator goes, Having not found at least one genuine sun, As actors, we recede into descending roles; Electric blood in lamps’ capillaries feels numb.   A lovely ladybug, I doubt, I will ever catch, A lifelike flower, dipped in a painting fusion: All this, fine artists tenderly attach   To lifeless decorations, for aid they do us in a willful staged illusion. Three burnt sienna pearls run down your spine Yet after a big round of applause These jewels are no longer signs of the divine, But witches’ marks or, rather, unalluring flaws. After the play I went to buy a notebook from my shopping list To store the overgrowing verses, such as these; A sheet of paper guarantees To treat them like extinguishing bees Cashiers ****** the change into my hand, You purchased hothouse roses with; And up those pretty useless beauties stand In someone’s vase, whose name remains a myth. They give me back those polished dimes You traded for a pair of shoes. I’ve seen you marshal through onstage lifetimes, Yet to disclose personas’ traces the theater walls refuse. Your chocolate hair has just fallen from the hairdresser’s hand,– That’s how I know the summer’s coming to a bitter end.
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38
In whiskey sodden dreams I feel silky bedclothes encompass my flimsy pretty negligee clad body Whimsy takes a hold, bold dreams drape my mind My dimly lit boudour welcomes the vibrancy of the dream Unblushingly dis inhibited by the sweet sickly whiskey I feel frisky, risky, risqué I want the silkiness of the dark dimly lit night to ignite, I want flimsy, gipsy, filthy, ***** love. In whiskey sodden dreams I feel my inner ***** in dreams I can open the door.
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Apr 21, 2014
Apr 21, 2014 at 2:55 PM UTC
Whiskey dreams
Old Meg she was a Gipsy, And liv'd upon the Moors: Her bed it was the brown heath turf, And her house was out of doors. Her apples were swart blackberries, Her currants pods o' broom; Her wine was dew of the wild white rose, Her book a churchyard tomb. Her Brothers were the craggy hills, Her Sisters larchen trees-- Alone with her great family She liv'd as she did please. No breakfast had she many a morn, No dinner many a noon, And 'stead of supper she would stare Full hard against the Moon. But every morn of woodbine fresh She made her garlanding, And every night the dark glen Yew She wove, and she would sing. And with her fingers old and brown She plaited Mats o' Rushes, And gave them to the Cottagers She met among the Bushes. Old Meg was brave as Margaret Queen And tall as Amazon: An old red blanket cloak she wore; A chip hat had she on. God rest her aged bones somewhere-- She died full long agone!
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2.3k
Meg Merrilies
The Story of Gypsy of Wind dust has dissipated When it rained Gypsy sang With his guitar, which he inherited from his father .. The last farewell song ... As he crosses the Earth Without thinking of a terminal to reach ... A fugitive from modernity. From every paved road .. Of all the twinkling constellations .. From the noise of cities .. From the gloom of government buildings. The gypsy diverges, Evading sandy roads. He meets the boys of the villages .. He sings and they dance.. He passes near the peasant women with red hair covers. He plays love tunes for them. Until their cheeks flush ... He meets the shepherds ... and avoids them ... he receives the wide plains With bright eyes And on his back He hung up his guitar, which he inherited from his father. ..... The gypsy meets the girl of his dreams. But he leaves her to continue trekking. Gypsy knows no boundaries .. He does not know what warm rooms mean. He does not know what daily work means. He does not know what school means .. Because he does not want to learn .. Rather, he should live on the road. .... The gypsy has no identity papers. But he does not know what the meaning of stained papers and seals. The gypsy does not know power .. when he meets the mayor of the village he Whoops: Why do they obey you when they are free .. The gypsy knows no hunger .. Because he eats anything in nature. Flowers and butterflies .. Rivers mud ... Then he pulls his guitar from his back. And he goes on trekking He plays a song that tells about a dream With the warmth of a beautiful woman's chest. Gypsy travels after the spring. as if he tied with a rope.. He does not like winter .. He does not like summer .. He does not like autumn .. Like birds in the sky .. Gipsy follows the scent of silt and nectar. He points with his finger to the distant horizon: - It rained there.. He plays a rain song ... ..... What do you have, gypsy? The bar girl asks him In transit hours standing He says: What do you mean by the word "you have"? The gypsy has nothing .. Because he has everything. He has his freedom .. A girl spends a night with him Then she expels him from her arms in the morning So he takes up his guitar And he sings in tears over his broken heart. Passing through plains and mountains .. To where he does not know .... Truck drivers meet him They offer to get him to where he wants.. But he refuses .. He doesn't want to miss a moment without being in the heart of nature ... Sings Consuming time with his guitar His guitar, which he inherited from his father .. His father who does not know him ... But what his mother told him before her death when they were traveling on the way .. He buries her .. And he prays for her soul.. Without knowing which god he is praying to.. He smiles .. And he goes on its eternal journey ..... When crossing forests.. He is surrounded by hyenas. He pulls his guitar and sings. The hyenas watched him in amazement. they remain amazed as they snaps his flesh.. And he is still singing Playing his guitar His guitar, which he inherited from his father .. His father who never knew him ..
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Aug 28, 2020
Aug 28, 2020 at 2:06 PM UTC
The Story of Gypsy of Wind
The Story of Gypsy of Wind dust has dissipated When it rained Gypsy sang With his guitar, which he inherited from his father .. The last farewell song ... As he crosses the Earth Without thinking of a terminal to reach ... A fugitive from modernity. From every paved road .. Of all the twinkling constellations .. From the noise of cities .. From the gloom of government buildings. The gypsy diverges, Evading sandy roads. He meets the boys of the villages .. He sings and they dance.. He passes near the peasant women with red hair covers. He plays love tunes for them. Until their cheeks flush ... He meets the shepherds ... and avoids them ... he receives the wide plains With bright eyes And on his back He hung up his guitar, which he inherited from his father. ..... The gypsy meets the girl of his dreams. But he leaves her to continue trekking. Gypsy knows no boundaries .. He does not know what warm rooms mean. He does not know what daily work means. He does not know what school means .. Because he does not want to learn .. Rather, he should live on the road. .... The gypsy has no identity papers. But he does not know what the meaning of stained papers and seals. The gypsy does not know power .. when he meets the mayor of the village he Whoops: Why do they obey you when they are free .. The gypsy knows no hunger .. Because he eats anything in nature. Flowers and butterflies .. Rivers mud ... Then he pulls his guitar from his back. And he goes on trekking He plays a song that tells about a dream With the warmth of a beautiful woman's chest. Gypsy travels after the spring. as if he tied with a rope.. He does not like winter .. He does not like summer .. He does not like autumn .. Like birds in the sky .. Gipsy follows the scent of silt and nectar. He points with his finger to the distant horizon: - It rained there.. He plays a rain song ... ..... What do you have, gypsy? The bar girl asks him In transit hours standing He says: What do you mean by the word "you have"? The gypsy has nothing .. Because he has everything. He has his freedom .. A girl spends a night with him Then she expels him from her arms in the morning So he takes up his guitar And he sings in tears over his broken heart. Passing through plains and mountains .. To where he does not know .... Truck drivers meet him They offer to get him to where he wants.. But he refuses .. He doesn't want to miss a moment without being in the heart of nature ... Sings Consuming time with his guitar His guitar, which he inherited from his father .. His father who does not know him ... But what his mother told him before her death when they were traveling on the way .. He buries her .. And he prays for her soul.. Without knowing which god he is praying to.. He smiles .. And he goes on its eternal journey ..... When crossing forests.. He is surrounded by hyenas. He pulls his guitar and sings. The hyenas watched him in amazement. they remain amazed as they snaps his flesh.. And he is still singing Playing his guitar His guitar, which he inherited from his father .. His father who never knew him ..
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100
WHEN the sea is everywhere from horizon to horizon .. when the salt and blue fill a circle of horizons .. I swear again how I know the sea is older than anything else and the sea younger than anything else. My first father was a landsman. My tenth father was a sea-lover, a gipsy sea-boy, a singer of chanties. (Oh Blow the Man Down!) The sea is always the same: and yet the sea always changes. The sea gives all, and yet the sea keeps something back. The sea takes without asking. The sea is a worker, a thief and a loafer. Why does the sea let go so slow? Or never let go at all? The sea always the same day after day, the sea always the same night after night, fog on fog and never a star, wind on wind and running white sheets, bird on bird always a sea-bird- so the days get lost: it is neither Saturday nor Monday, it is any day or no day, it is a year, ten years. Fog on fog and never a star, what is a man, a child, a woman, to the green and grinding sea? The ropes and boards squeak and groan. On the land they know a child they have named Today. On the sea they know three children they have named: Yesterday, Today, To-morrow. I made a song to a woman:-it ran: I have wanted you. I have called to you on a day I counted a thousand years. In the deep of a sea-blue noon many women run in a man's head, phantom women leaping from a man's forehead .. to the railings ... into the sea ... to the sea rim ... .. a man's mother ... a man's wife ... other women ... I asked a sure-footed sailor how and he said: I have known many women but there is only one sea. I saw the North Star once and our old friend, The Big Dipper, only the sea between us: "Take away the sea and I lift The Dipper, swing the handle of it, drink from the brim of it." I saw the North Star one night and five new stars for me in the rigging ropes, and seven old stars in the cross of the wireless plunging by night, plowing by night- Five new cool stars, seven old warm stars. I have been let down in a thousand graves by my kinfolk. I have been left alone with the sea and the sea's wife, the wind, for my last friends And my kinfolk never knew anything about it at all. Salt from an old work of eating our graveclothes is here. The sea-kin of my thousand graves, The sea and the sea's wife, the wind, They are all here to-night between the circle of horizons, between the cross of the wireless and the seven old warm stars. Out of a thousand sea-holes I came yesterday. Out of a thousand sea-holes I come to-morrow. I am kin of the changer. I am a son of the sea and the sea's wife, the wind.
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1.8k
North Atlantic
WHEN the sea is everywhere from horizon to horizon .. when the salt and blue fill a circle of horizons .. I swear again how I know the sea is older than anything else and the sea younger than anything else. My first father was a landsman. My tenth father was a sea-lover, a gipsy sea-boy, a singer of chanties. (Oh Blow the Man Down!) The sea is always the same: and yet the sea always changes. The sea gives all, and yet the sea keeps something back. The sea takes without asking. The sea is a worker, a thief and a loafer. Why does the sea let go so slow? Or never let go at all? The sea always the same day after day, the sea always the same night after night, fog on fog and never a star, wind on wind and running white sheets, bird on bird always a sea-bird- so the days get lost: it is neither Saturday nor Monday, it is any day or no day, it is a year, ten years. Fog on fog and never a star, what is a man, a child, a woman, to the green and grinding sea? The ropes and boards squeak and groan. On the land they know a child they have named Today. On the sea they know three children they have named: Yesterday, Today, To-morrow. I made a song to a woman:-it ran: I have wanted you. I have called to you on a day I counted a thousand years. In the deep of a sea-blue noon many women run in a man's head, phantom women leaping from a man's forehead .. to the railings ... into the sea ... to the sea rim ... .. a man's mother ... a man's wife ... other women ... I asked a sure-footed sailor how and he said: I have known many women but there is only one sea. I saw the North Star once and our old friend, The Big Dipper, only the sea between us: "Take away the sea and I lift The Dipper, swing the handle of it, drink from the brim of it." I saw the North Star one night and five new stars for me in the rigging ropes, and seven old stars in the cross of the wireless plunging by night, plowing by night- Five new cool stars, seven old warm stars. I have been let down in a thousand graves by my kinfolk. I have been left alone with the sea and the sea's wife, the wind, for my last friends And my kinfolk never knew anything about it at all. Salt from an old work of eating our graveclothes is here. The sea-kin of my thousand graves, The sea and the sea's wife, the wind, They are all here to-night between the circle of horizons, between the cross of the wireless and the seven old warm stars. Out of a thousand sea-holes I came yesterday. Out of a thousand sea-holes I come to-morrow. I am kin of the changer. I am a son of the sea and the sea's wife, the wind.
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93
“when you get up in the morning you must take your heart in your two hands. You must do this every morning.” Grace Paley fall into me on blackout days for something beautiful is here is everywhere is nowhere you knew it Borges used it beauty is a physical sensation the axis mundi piercing the palms of my hands memory like a gipsy woman who reads palms beauty, yes, it draws the soul ascetic I figured it out in the smiling of your sleep like babies smile to angels, they say this game that keeps us alive is hers golden beetles die for it of for the love of dust pastimes of gods its archives everyday the light tastes differently the body moves where the mind is or the other way round I'll read Cartarescu to you half naked one page a day beauty is the quest, this spiral of wonder filling up the rest & my nails
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Feb 10, 2023
Feb 10, 2023 at 1:42 PM UTC
something beautiful
You do not do, you do not do   Any more, black shoe In which I have lived like a foot   For thirty years, poor and white,   Barely daring to breathe or Achoo. Daddy, I have had to **** you.   You died before I had time—— Marble-heavy, a bag full of God,   Ghastly statue with one gray toe   Big as a Frisco seal And a head in the freakish Atlantic   Where it pours bean green over blue   In the waters off beautiful Nauset.   I used to pray to recover you. Ach, du. In the German tongue, in the Polish town   Scraped flat by the roller Of wars, wars, wars. But the name of the town is common.   My ****** friend Says there are a dozen or two.   So I never could tell where you   Put your foot, your root, I never could talk to you. The tongue stuck in my jaw. It stuck in a barb wire snare.   Ich, ich, ich, ich, I could hardly speak. I thought every German was you.   And the language obscene An engine, an engine Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen.   I began to talk like a Jew. I think I may well be a Jew. The snows of the Tyrol, the clear beer of Vienna   Are not very pure or true. With my gipsy ancestress and my weird luck   And my Taroc pack and my Taroc pack I may be a bit of a Jew. I have always been scared of you, With your Luftwaffe, your gobbledygoo.   And your neat mustache And your Aryan eye, bright blue. Panzer-man, panzer-man, O You—— Not God but a ******** So black no sky could squeak through.   Every woman adores a Fascist,   The boot in the face, the brute   Brute heart of a brute like you. You stand at the blackboard, daddy,   In the picture I have of you, A cleft in your chin instead of your foot   But no less a devil for that, no not   Any less the black man who Bit my pretty red heart in two. I was ten when they buried you.   At twenty I tried to die And get back, back, back to you. I thought even the bones would do. But they pulled me out of the sack,   And they stuck me together with glue.   And then I knew what to do. I made a model of you, A man in black with a Meinkampf look And a love of the rack and the *****   And I said I do, I do. So daddy, I’m finally through. The black telephone’s off at the root,   The voices just can’t worm through. If I’ve killed one man, I’ve killed two—— The vampire who said he was you   And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now. There’s a stake in your fat black heart   And the villagers never liked you. They are dancing and stamping on you.   They always knew it was you. Daddy, daddy, you ******* I’m through.
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Dec 7, 2014
Dec 7, 2014 at 2:45 AM UTC
Daddy by Sylvia Plath
You do not do, you do not do   Any more, black shoe In which I have lived like a foot   For thirty years, poor and white,   Barely daring to breathe or Achoo. Daddy, I have had to **** you.   You died before I had time—— Marble-heavy, a bag full of God,   Ghastly statue with one gray toe   Big as a Frisco seal And a head in the freakish Atlantic   Where it pours bean green over blue   In the waters off beautiful Nauset.   I used to pray to recover you. Ach, du. In the German tongue, in the Polish town   Scraped flat by the roller Of wars, wars, wars. But the name of the town is common.   My ****** friend Says there are a dozen or two.   So I never could tell where you   Put your foot, your root, I never could talk to you. The tongue stuck in my jaw. It stuck in a barb wire snare.   Ich, ich, ich, ich, I could hardly speak. I thought every German was you.   And the language obscene An engine, an engine Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen.   I began to talk like a Jew. I think I may well be a Jew. The snows of the Tyrol, the clear beer of Vienna   Are not very pure or true. With my gipsy ancestress and my weird luck   And my Taroc pack and my Taroc pack I may be a bit of a Jew. I have always been scared of you, With your Luftwaffe, your gobbledygoo.   And your neat mustache And your Aryan eye, bright blue. Panzer-man, panzer-man, O You—— Not God but a ******** So black no sky could squeak through.   Every woman adores a Fascist,   The boot in the face, the brute   Brute heart of a brute like you. You stand at the blackboard, daddy,   In the picture I have of you, A cleft in your chin instead of your foot   But no less a devil for that, no not   Any less the black man who Bit my pretty red heart in two. I was ten when they buried you.   At twenty I tried to die And get back, back, back to you. I thought even the bones would do. But they pulled me out of the sack,   And they stuck me together with glue.   And then I knew what to do. I made a model of you, A man in black with a Meinkampf look And a love of the rack and the *****   And I said I do, I do. So daddy, I’m finally through. The black telephone’s off at the root,   The voices just can’t worm through. If I’ve killed one man, I’ve killed two—— The vampire who said he was you   And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now. There’s a stake in your fat black heart   And the villagers never liked you. They are dancing and stamping on you.   They always knew it was you. Daddy, daddy, you ******* I’m through.
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80
THERE is something terrible about a hurdy-gurdy, a gipsy man and woman, and a monkey in red flannel all stopping in front of a big house with a sign "For Rent" on the door and the blinds hanging loose and nobody home. I never saw this. I hope to God I never will. Whoop-de-doodle-de-doo. Hoodle-de-harr-de-hum. Nobody home? Everybody home. Whoop-de-doodle-de-doo. Mamie Riley married Jimmy Higgins last night: Eddie Jones died of whooping cough: George Hacks got a job on the police force: the Rosenheims bought a brass bed: Lena Hart giggled at a jackie: a pushcart man called tomaytoes, tomaytoes. Whoop-de-doodle-de-doo. Hoodle-de-harr-de-hum. Nobody home? Everybody home.
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1.6k
Eleventh Avenue Racket
You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. Daddy, I have had to **** you. You died before I had time-- Marble-heavy, a bag full of God, Ghastly statue with one gray toe Big as a Frisco seal And a head in the freakish Atlantic Where it pours bean green over blue In the waters off beautiful Nauset. I used to pray to recover you. Ach, du. In the German tongue, in the Polish town Scraped flat by the roller Of wars, wars, wars. But the name of the town is common. My ****** friend Says there are a dozen or two. So I never could tell where you Put your foot, your root, I never could talk to you. The tongue stuck in my jaw. It stuck in a barb wire snare. Ich, ich, ich, ich, I could hardly speak. I thought every German was you. And the language obscene An engine, an engine Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen. I began to talk like a Jew. I think I may well be a Jew. The snows of the Tyrol, the clear beer of Vienna Are not very pure or true. With my gipsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew. I have always been scared of you, With your Luftwaffe, your gobbledygoo. And your neat mustache And your Aryan eye, bright blue. Panzer-man, panzer-man, O You-- Not God but a ******** So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you. You stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not Any less the black man who Bit my pretty red heart in two. I was ten when they buried you. At twenty I tried to die And get back, back, back to you. I thought even the bones would do. But they pulled me out of the sack, And they stuck me together with glue. And then I knew what to do. I made a model of you, A man in black with a Meinkampf look And a love of the rack and the ***** And I said I do, I do. So daddy, I'm finally through. The black telephone's off at the root, The voices just can't worm through. If I've killed one man, I've killed two-- The vampire who said he was you And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now. There's a stake in your fat black heart And the villagers never liked you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you ******* I'm through. -sylvia plath 1932 -1963
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Sep 23, 2015
Sep 23, 2015 at 3:00 PM UTC
Daddy - Sylvia Plath
You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. Daddy, I have had to **** you. You died before I had time-- Marble-heavy, a bag full of God, Ghastly statue with one gray toe Big as a Frisco seal And a head in the freakish Atlantic Where it pours bean green over blue In the waters off beautiful Nauset. I used to pray to recover you. Ach, du. In the German tongue, in the Polish town Scraped flat by the roller Of wars, wars, wars. But the name of the town is common. My ****** friend Says there are a dozen or two. So I never could tell where you Put your foot, your root, I never could talk to you. The tongue stuck in my jaw. It stuck in a barb wire snare. Ich, ich, ich, ich, I could hardly speak. I thought every German was you. And the language obscene An engine, an engine Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen. I began to talk like a Jew. I think I may well be a Jew. The snows of the Tyrol, the clear beer of Vienna Are not very pure or true. With my gipsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew. I have always been scared of you, With your Luftwaffe, your gobbledygoo. And your neat mustache And your Aryan eye, bright blue. Panzer-man, panzer-man, O You-- Not God but a ******** So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you. You stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not Any less the black man who Bit my pretty red heart in two. I was ten when they buried you. At twenty I tried to die And get back, back, back to you. I thought even the bones would do. But they pulled me out of the sack, And they stuck me together with glue. And then I knew what to do. I made a model of you, A man in black with a Meinkampf look And a love of the rack and the ***** And I said I do, I do. So daddy, I'm finally through. The black telephone's off at the root, The voices just can't worm through. If I've killed one man, I've killed two-- The vampire who said he was you And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now. There's a stake in your fat black heart And the villagers never liked you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you ******* I'm through. -sylvia plath 1932 -1963
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81
What, what shall I do with you? My gipsy, my fix, my oyster, sea — only a few spiritual members gather in front of you, speechless: my eyes, lips, ***** hands… — And the heart, my love, where is the heart? Here and here, and there, my love, in every place that your lips touch. Amir Or from Let's speak you
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Oct 9, 2015
Oct 9, 2015 at 4:11 PM UTC
"Here"
Once a Seafarer I was thinking of my life as a seafarer endless voyaging like a gipsy of the seas. It was the best of times because I was young but was also the worst of times being without a woman for months on end. I was a lousy ****** really didn't blend in Preferred reading in my cabin and got a higher education without trying or knowing it, yes I'm grateful to so many writers they gave my life a meaning on the ocean of colossal ennui. I came alive when the ship docked, and I could go ashore, cold lone star beer in Houston and dance with a cowgirl or a midnight swim with a woman in Honduras. As I got older little could assuage my boredom the drink became both friend and enemy, washed up on the shore of Portugal, here I got up drank a cold beer built my house on solid earth and dreams.
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Sep 19, 2016
Sep 19, 2016 at 3:14 AM UTC
once a seafarer
Tonight i have no shoes and it feels alright nothing like my dreams i like feeling the cold on my feet tonight i must be a gipsy or something more to feel so Seconal in this dream for sure that must be just me in no shoes this night and feeling things the ground so sure.
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Sep 30, 2012
Sep 30, 2012 at 5:16 PM UTC
My shoes.
god created the sun god created rain rain and sun slept together a rainbow evolved every being has a double, somewhen i'm half gipsy and jewish bleedin' blueish wise man told me lies about trueness smell the fragrance of ghosts relax, feel, love yourself i will be praying for you in rainbows
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Dec 25, 2020
Dec 25, 2020 at 3:18 PM UTC
Creation & Self-Love
Let me dance. Rain will see me free As a gipsy would be. Let me dance Rain the rhythm will keep Wind gonna howl so deep Let me dance Me and gipsy shall dance some more Let the silk of het skirt never touch the floor
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Oct 7, 2016
Oct 7, 2016 at 12:09 PM UTC
Rain dance
7,000 's gipsy's swung together and hijacked that starship and it gave it music and dreams even though it was ones self have you seen the star's tonight and are you not surprised by the wasted light years which now we call our own so move your mind and come with me and ride into a space sHip past Mars.
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Feb 1, 2013
Feb 1, 2013 at 4:53 PM UTC
Life man in the 60's was so so easy.
Aquí paz, y después gloria. Aquí, a orillas de Francia, en donde Cataluña no muere todavía y prolonga en carteles de «Toros à Ceret» y de «Flamenco's Show» esa curiosa España de las ganaderías de reses bravas y de juergas sórdidas, reposa un español bajo una losa:                                                                 paz y después gloria. Dramático destino, triste suerte morir aquí                       -paz y después...-                               perdido, abandonado y liberado a un tiempo (ya sin tiempo) de una patria sombría e inclemente. Sí; después gloria. Al final del verano, por las proximidades pasan trenes nocturnos, subrepticios, rebosantes de humana mercancía: manos de obra barata, ejército vencido por el hambre                                               -paz...-, otra vez desbandada de españoles cruzando la frontera, derrotados -...sin gloria. Se paga con la muerte o con la vida, pero se paga siempre una derrota. ¿Qué precio es el peor?                                                   Me lo pregunto y no sé qué pensar ante esta tumba, ante esta paz                             -«Casino de Canet: spanish gipsy dancers», rumor de trenes, hojas...-, ante la gloria ésta -...de reseco laurel- que yace aquí, abatida bajo el ciprés erguido, igual que una bandera al pie de un mástil. Quisiera, a veces, que borrase el tiempo los nombres y los hechos de esta historia como borrará un día mis palabras que la repiten siempre tercas, roncas.
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854
Camposanto en collioure
Aquí paz, y después gloria. Aquí, a orillas de Francia, en donde Cataluña no muere todavía y prolonga en carteles de «Toros à Ceret» y de «Flamenco's Show» esa curiosa España de las ganaderías de reses bravas y de juergas sórdidas, reposa un español bajo una losa:                                                                 paz y después gloria. Dramático destino, triste suerte morir aquí                       -paz y después...-                               perdido, abandonado y liberado a un tiempo (ya sin tiempo) de una patria sombría e inclemente. Sí; después gloria. Al final del verano, por las proximidades pasan trenes nocturnos, subrepticios, rebosantes de humana mercancía: manos de obra barata, ejército vencido por el hambre                                               -paz...-, otra vez desbandada de españoles cruzando la frontera, derrotados -...sin gloria. Se paga con la muerte o con la vida, pero se paga siempre una derrota. ¿Qué precio es el peor?                                                   Me lo pregunto y no sé qué pensar ante esta tumba, ante esta paz                             -«Casino de Canet: spanish gipsy dancers», rumor de trenes, hojas...-, ante la gloria ésta -...de reseco laurel- que yace aquí, abatida bajo el ciprés erguido, igual que una bandera al pie de un mástil. Quisiera, a veces, que borrase el tiempo los nombres y los hechos de esta historia como borrará un día mis palabras que la repiten siempre tercas, roncas.
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55
"i have been suffering under a loss. can you help me?" "ain't no big deal you gotta pass avenue h then you have to make a left to reach starbucks when you're standing in front of it move your head to the right and focus the end of the block you'll spot a lantern (not the one with the rectangular shape but the one that looks like a strange cone; mind that difference my man) yeah and when you have reached that lantern you walk 25 blocks to catch a ride ain't no cab i need you to look out for a gipsy car ridden by a female driver (can't tell you why now would be too early and will be explained later on the phone) hand out $ 7.000,00 to the driver and tell her to take you to emigration oaks; that's close to salt lake city in utah (never ever try to get there by plane my man) after you'll have arrived you gotta dial a certain number –– 1-800-reveal-a-secret ––  and listen to a voice you have been fearing its message will be relating to you personally let everything go show courage become yourself one year later smile about your former life. do you understand that?"
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Feb 2, 2020
Feb 2, 2020 at 11:37 AM UTC
Directions To Overcome A Loss
Blue lights on the memories still, That we are, that we are, that you are to hold. Winter froze the autumns' feel, But the snow here isn't cold.. See, your heart is your own land, With colored hills of sand, Grass and rivers flowing free, Red birds hidden in the trees. No man is a wave alone, This says all, But if I must fall, Know that you have been a blue sea, While I was just a stone. Blue lights on the memories still, That we are, that we are, that you are to hold. Winter came against my will, And every story should grow old. I may be a traveler, A Gipsy tainted face, But the road'll be wearier, With another in your place. No man is a house warm, This says all, But if I must fall, Know that your stars in my skies, Are windows in my home. And I don't wanna burn your face red, And you don't want to come to me, But when I was a stone in grey shreds, You were the waving blue sea.
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Dec 10, 2018
Dec 10, 2018 at 12:30 PM UTC
"Blue Sea"
Gipsy take me Away away Far from bethnal green Ten years old wanted away away Near sixty lord let me go
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May 24, 2016
May 24, 2016 at 3:46 AM UTC
Kidnapped
It’s not enough to make believe And after all is really frustrating Not feeling the way I do But here we go: I never felt no trace of pity when she died No hate no nothing for this sad news from a stranger All I remember is that I was unemployed Not able to find a **** job for a long time So she offered me a place to sleep And the daily bred as a reward for my hand labor Carried out all day long near his house It was the kind of slavery of which The most stupid animals can be horrified But I did it Yes sir I did it out of pity for her solitude sickness and despair After a while I even hated her hobby to collect nothing but things This car this house this garden of paranoid miracles All sold in loss after her burial to some gipsy lover Who was actually greedier than she ever dreamed I also remember she cursed me when I left her place ”You ******* she said ”You will never be able to find a home of your own” ”You may rot in hell working for strangers!” ”It’s ok” I said ”You never felt anything more delusional of me” ”But if strangers would feel that way” I said ”At least they will pay me big time for my trouble” So I was far away in the land of Nowhere when she died And I knew that for me she was gone long time before When I didn’t felt no pity no hate no trace of any sadness When I decided to leave the house of my sister Which was not my home anymore When I felt my real sister was gone far away And anywhere else in the world
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Jun 4, 2016
Jun 4, 2016 at 1:17 AM UTC
Things are Sold in Loss to Despair
Battered Similes As an ABCDERIAN poem. ~~~~~~~~~~~~~~~~~~ As battered as an aspen leaf a tremble. Bad pennies just keep turning up Clean as a signal from a whistle Deaf as a post or daft as a brush Easy like Sunday mornings epistle Fit as a gipsy upon an old fiddle Good as the gold you pan from the river Happy as the longest day , a joy to be living Innocent as a new born babe in its weaning Jack of all trades mastering none Keen though as mustard, is that keen enough? Liken as two peas in the greenest of pods Memory like that rusty old sieve Nervous as a cat on a hot tin roof Obstinate as a Mule with a stone in the hoof Pretty as a picture , the one in my head. Quick as a flash then the picture is dead. Read like a book that mind of the poet. Sharp as a razor,though he don’t even know it Talk to the hand, just like my Dutch uncle Ugly like sin with the face of the devil. Vague battered similes to drive poets mental Wise as King Solomon but you must beware Xenophobian as a dislike of foreigners Young in years of training still to understand Zion’s a million miles from any promised land ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Written by Philip December 5th 2018.
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Dec 5, 2018
Dec 5, 2018 at 6:24 AM UTC
A collection of Battered Similes.
I suppose not being there yet is what you get when you wish on a dried up well. The gipsy told me that folding paper felt better than coins in her palm, trying to palm me off on the promise of better times? but it's what you fall for that tends to cost more, and I play Monopoly and so I should know.
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Nov 17, 2022
Nov 17, 2022 at 1:54 PM UTC
Throwing it out there
Some feel safe within a name- gipsy, sea traveller And all that is fine And some must be acknowledged without going anywhere Some are time travellers long ago they knew What everyone runs from is pointless You will find it eventually
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Aug 10, 2015
Aug 10, 2015 at 6:07 PM UTC
no doubt