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RAJ NANDY Jul 2018
Dear Readers, concept of Time has bewildered our ancient sages, philosophers, poets, artists,  including our famous scientists and physicists even to this day. It has no doubt also impacted my    
mind in several ways! Therefore, this series about the ‘Enigma of Time In Verse’ is now being composed and posted to share my thoughts with my Poet friends on this Site. If you like it kindly re-post this poem. Thanking You, - Raj Nandy from New Delhi.
             

   THE ENIGMA OF TIME IN VERSE : PART ONE
                           BY RAJ NANDY

                 A  SHORT  INTRODUCTION

During my childhood days, time appeared to be joyful and endless.
Though my parents had observed the clock all the while,
Telling me when to rise, when to eat, play, do my homework, -
till it was my bed time.
Alas, my childhood days as cherished memories are now left behind.
With rest of the world  I am now chasing that winged arrow of Time!

Those Management Gurus say, that our twenty four hours day,
Is time enough for those who can manage time from day to day.
Yet I do find, that I am generally chasing time, not to be left behind!
Hoping that a full time job will provide, some quality time, with the desired comforts of life.
Therefore, I abide my time, hoping to have the time of my life one day, with some quality time coming my way.
But in this mad race against time, while chasing that butterfly of happiness,
I must learn to cool down and breathe, before time decides to elude me!
For with patience and perseverance, that butterfly of happiness, will alight gently on my shoulder in good time, and perhaps at
the right time!
While time is universally regarded as the fourth dimension by our physicists,
It is said to flow at different rates for different individuals as mentioned by Shakespeare the English dramatist.

          FEW  LITERARY  QUOTES  ABOUT  TIME

In ‘As You Like It’ Act 3, Shakespeare refers to ‘the swift steps’ and the ‘lazy foot’of time  in a relativistic way.
Time ‘trots’ for a young woman between her engagement and marriage when a week feels like seven years for her every day!
Time ‘ambles’ for a priest who doesn’t know Latin and a rich man without gout;
Since the priest is spared the burden of exhausting study, and the rich man is spared the burden of exhausting poverty - no doubt.
But time ‘gallops’ for a thief walking to the gallows, for even if he walks slowly, he happens to gets there too soon!
While time ‘stands still’ for lawyers on vacation, since he sleeps his holidays away!

Now moving forward to Einstein who once described his ‘Theory of Relativity’ very humorously in the following way; -
“When you sit with a nice girl for two hours you think it’s only a minute, but when you sit on a hot stove for a minute, you think it’s two hours,” he had said with a chuckle!

Getting back to Shakespeare’s ‘Macbeth’ Act One on that blasted heath,
Macbeth asks the three witches, “If you can look into the seeds of Time,
And say which grain will grow and which will not,
Speak then to me, who neither beg nor fear…”
And finally that brilliant piece of soliloquy about Time by Macbeth in Act 5:
“To-morrow, and to-morrow, and to-morrow,
  Creeps in this petty pace from day to day
  To the last syllable of recorded time,
  And all our yesterdays have lighted fools
  The way to dusty death….”

John Milton’s poem ‘On Time’ composed in 1930 ends with his optimistic lines:
“Fly envious Time, till thou run out thy race,
  Call on the lazy leaden-stepping hours,
  Whose speed is but the heavy Plummets pace …..
  When once our heavenly-guided soul shall clime,
  Then all this Earthly grossness quit,
  Attired with Stars, we shall forever sit
  Triumphing over Death and Chance, and thee O Time.”

Alexander Pope in his ‘Imitations of Horace’ (1738) writes:
“Years following years steal something every day,
  At last they steal us from ourselves away.”
Romantic poets have dealt with the transience of time, which got popularised by the Latin phrase ‘Carpe diem’ which tells us to ‘seize the day’;
This Latin phrase has been borrowed from the Roman lyrical poet Horace of ancient days.

Charles Dickens’ novel ‘Hard Times’ is an autobiography describing his difficult childhood days.
While the famous opening lines of his historical novel ‘A Tale of Two Cites’ take us back to 18th century London and Paris under times sway.
I quote Dickens’ memorable opening lines:
"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us ......”

We have the Nobel Laureate Tagore’s well known poetic lines on the subject of Time:
“The butterfly counts not months but moments, and has time enough.”
“Let your life lightly dance on the edges of Time like dew on the tip of leaf.”
He described the Taj Mahal as “a tear drop on the cheek of Time,” in his unique poetic style!

TS Eliot’s ‘Four Quarters’ of 1935,  include extended rumination on the nature of Time:
“Time present and time past,
  Are both perhaps present in time future.
  And time future contained in time past.
  If all time is eternally present,
  All time is unredeemable.
  What might have been is an abstraction
  Remaining a perpetual possibility,
  Only in a world of speculation….”
(Notes: This concept will become clearer in my Part Two, presently under construction.)

Next I have a quote from WH Auden’s poem ‘As I Walked Out One Evening’composed in 1937:
“But all the clocks in the city
  Began to whirr and chime:
  O let not Time deceive you.
  You cannot conquer Time.”

Subject of Time forms an important part of science fiction even to this day.
HG Well’s ‘The Time Machine’ (1895) interests both the layman and the Scientific community even today!
Finally, I would like to conclude my Part One on ‘The Enigma of Time in Verse’ with my favourite poem composed by the British poet Ralph Hodgson:
  
TIME, you old gipsy man,
  Will you not stay,
Put up your caravan
  Just for one day?
  
All things I'll give you
Will you be my guest,
Bells for your jennet
Of silver the best,
Goldsmiths shall beat you
A great golden ring,
Peacocks shall bow to you,
Little boys sing,
Oh, and sweet girls will
Festoon you with may.
Time, you old gipsy,
Why hasten away?
  
Last week in Babylon,
Last night in Rome,
Morning, and in the crush
Under Paul's dome;
Under Paul's dial
You tighten your rein—
Only a moment,
And off once again;
Off to some city
Now blind in the womb,
Off to another
Ere that's in the tomb.
  
Time, you old gipsy man,
  Will you not stay,
Put up your caravan
  Just for one day.

In Part Two I shall cover the Concepts of Time along with its Philosophical speculations.
Before moving on to Einstein’s concept of Time, and its present Scientific interpretations.
Thanks for reading patiently, from Raj Nandy of New Delhi.
Francis Duggan Aug 2010
His Grandparents were Romany people from his maternal side
In Countries of Eastern Europe they travelled far and wide
But the most basic human right their right to life of them even denied
In Belzec Concentration camp where a million people died.

I never knew my maternal Grandparents with sadness he recall
Due to circumstance of birth and their way of life misfortune them did befall
My gift of music such a marvellous gift to them I feel I owe
In Belzec Concentration Camp they were murdered decades ago.

A tall and handsome man in his early thirties with wavy raven hair
With the marvellous gift of music a great accordion player
In silence we sat and drank our beer as we listened to him play
The beautiful old gipsy tunes from Countries far away.

That all things do come to an end in some cases a lie
In Belzec Concentration camp the gipsy music did not die
But that the gift of music does live on should not come as a surprise
Something that those who commit crimes against humanity seem to fail to realize.

He played at the pub on passing through him I never more may see
But the beauty of his music will live in my memory
His maternal Grandparents who died at Belzec their lives were not in vain
Their music in their Grandchild has come to life again.
WHO knows what I know
when I have asked the night questions
and the night has answered nothing
only the old answers?
  
Who picked a crimson cryptogram,
the tail light of a motor car turning a corner,
or the midnight sign of a chile con carne place,
or a man out of the ashes of false dawn muttering "hot-dog" to the night watchmen:
Is there a spieler who has spoken the word or taken the number of night's nothings? am I the spieler? or you?
  
Is there a tired head
the night has not fed and rested
and kept on its neck and shoulders?
  
Is there a wish
of man to woman
and woman to man
the night has not written
and signed its name under?
  
Does the night forget
as a woman forgets?
and remember
as a woman remembers?
  
Who gave the night
this head of hair,
this gipsy head
calling: Come-on?
  
Who gave the night anything at all
and asked the night questions
and was laughed at?
  
Who asked the night
for a long soft kiss
and lost the half-way lips?
who picked a red lamp in a mist?
  
Who saw the night
fold its Mona Lisa hands
and sit half-smiling, half-sad,
nothing at all,
and everything,
all the world ?
  
Who saw the night
let down its hair
and shake its bare shoulders
and blow out the candles of the moon,
whispering, snickering,
cutting off the snicker .. and sobbing ..
out of pillow-wet kisses and tears?
  
Is the night woven of anything else
than the secret wishes of women,
the stretched empty arms of women?
the hair of women with stars and roses?
I asked the night these questions.
I heard the night asking me these questions.
  
I saw the night
put these whispered nothings
across the city dust and stones,
across a single yellow sunflower,
one stalk strong as a woman's wrist;
  
And the play of a light rain,
the jig-time folly of a light rain,
the creepers of a drizzle on the sidewalks
for the policemen and the railroad men,
for the home-goers and the homeless,
silver fans and funnels on the asphalt,
the many feet of a fog mist that crept away;
  
I saw the night
put these nothings across
and the night wind came saying: Come-on:
and the curve of sky swept off white clouds
and swept on white stars over Battery to Bronx,
scooped a sea of stars over Albany, Dobbs Ferry, Cape Horn, Constantinople.
  
I saw the night's mouth and lips
strange as a face next to mine on a pillow
and now I know ... as I knew always ...
the night is a lover of mine ...
I know the night is ... everything.
I know the night is ... all the world.
  
I have seen gold lamps in a lagoon
play sleep and murmur
with never an eyelash,
never a glint of an eyelid,
quivering in the water-shadows.
  
A taxi whizzes by, an owl car clutters, passengers yawn reading street signs, a *** on a park bench shifts, another *** keeps his majesty of stone stillness, the forty-foot split rocks of Central Park sleep the sleep of stone whalebacks, the cornices of the Metropolitan Art mutter their own nothings to the men with rolled-up collars on the top of a bus:
Breaths of the sea salt Atlantic, breaths of two rivers, and a heave of hawsers and smokestacks, the swish of multiplied sloops and war dogs, the hesitant hoo-hoo of coal boats: among these I listen to Night calling:
I give you what money can never buy: all other lovers change: all others go away and come back and go away again:
I am the one you slept with last night.
I am the one you sleep with tonight and tomorrow night.
I am the one whose passion kisses
  keep your head wondering
  and your lips aching
  to sing one song
  never sung before
  at night's gipsy head
  calling: Come-on.
These hands that slid to my neck and held me,
these fingers that told a story,
this gipsy head of hair calling: Come-on:
can anyone else come along now
and put across night's nothings again?
  
I have wanted kisses my heart stuttered at asking,
I have pounded at useless doors and called my people fools.
I have staggered alone in a winter dark making mumble songs
to the sting of a blizzard that clutched and swore.
It was the night in my blood:
  open dreaming night,
  night of tireless sheet-steel blue:
The hands of God washing something,
  feet of God walking somewhere.
Your hair was full of roses in the dewfall as we danced,
The sorceress enchanting and the paladin entranced,
In the starlight as we wove us in a web of silk and steel
Immemorial as the marble in the halls of Boabdil,
In the pleasuance of the roses with the fountains and the yews
Where the snowy Sierra soothed us with the breezes and the dews!
In the starlight as we trembled from a laugh to a caress,
And the God came warm upon us in our pagan allegresse.
Was the Baile de la Bona too seductive? Did you feel
Through the silence and the softness all the tension of the steel?
For your hair was full of roses, and my flesh was full of thorns,
And the midnight came upon us worth a million crazy morns.
Ah! my Gipsy, my Gitana, my Saliya! were you fain
For the dance to turn to earnest? - O the sunny land of Spain!
My Gitana, my Saliya! more delicious than a dove!
With your hair aflame with roses and your lips alight with love!
Shall I see you, shall I kiss you once again? I wander far
From the sunny land of summer to the icy Polar Star.
I shall find you, I shall have you! I am coming back again
From the filth and fog to seek you in the sunny land of Spain.
I shall find you, my Gitana, my Saliya! as of old
With your hair aflame with roses and your body gay with gold.
I shall find you, I shall have you, in the summer and the south
With our passion in your body and our love upon your mouth -
With our wonder and our worship be the world aflame anew!
My Gitana, my Saliya! I am coming back to you!
(PIANO DI SORRENTO.)

Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes—
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail’s crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider’s back,
As I told you last night,—
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could ******
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that’s known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o’er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle—
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain’s driving,
Your girls that are older,—
For under the hedges of aloe,
And where, on its bed
Of the orchard’s black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,—
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they’ve brought you,—
The rain-water slips
O’er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence—
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion’s, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,—
And end with the prickly-pear’s red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
…Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one’s track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,—
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.

O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-*****, black, glossy and luscious,—
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the *******, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e’en grudged
’Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-****
That clung to the path,
And dark rosemary, ever a-dying,
That, ’spite the wind’s wrath,
So loves the salt rock’s face to seaward,—
And lentisks as staunch
To the stone where they root and bear berries,—
And… what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves—
Over all trod my mule with the caution
Of gleaners o’er sheaves,
Still, foot after foot like a lady—
So, round after round,
He climbed to the top of Calvano,
And God’s own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you—
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them—
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E’en the myrtle-leaves curl, shrink and shut—
All is silent and grave—
’Tis a sensual and timorous beauty—
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses—
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds’ quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life’s secret,
I hear and I know!

Ah, see! The sun breaks o’er Calvano—
He strikes the great gloom
And flutters it o’er the mount’s summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews’-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot’s own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow’s the Feast
Of the Rosary’s ******, by no means
Of Virgins the least—
As you’ll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but’s dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest’s hoarse,
Will strike us up something that’s brisk
For the feast’s second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a *** on the plaster
Till out there shall fall
A scorpion with wide angry nippers!

…”Such trifles”—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If ’tis proper, Scirocco should vanish
In black from the skies!
Margot Apr 2019
We lie amidst Ripe mountain herbs,
The nightingale has just begun its summer trill,
This hymn for golden vocal cords
Composed no owner of a writing quill

So sweet were melodies produced
That I mistook the front row lady’s cheap perfume
For blossoms, above which haunting hornets mused;
For an aroma of our Shakespeare love in bloom.

The serenading cardboard creatures –
Those thieve their voice from birds with no address.
Meanwhile a glass raised in a playhouse features
But colored water, as red as gipsy’s dress.

When the last spectator goes,
Having not found at least one genuine sun,
As actors, we recede into descending roles;
Electric blood in lamps’ capillaries feels numb.  

A lovely ladybug, I doubt, I will ever catch,
A lifelike flower, dipped in a painting fusion:
All this, fine artists tenderly attach  
To lifeless decorations, for aid they do us in a willful staged illusion.

Three burnt sienna pearls run down your spine
Yet after a big round of applause
These jewels are no longer signs of the divine,
But witches’ marks or, rather, unalluring flaws.

After the play I went to buy a notebook from my shopping list
To store the overgrowing verses, such as these;
A sheet of paper guarantees
To treat them like extinguishing bees

Cashiers ****** the change into my hand,
You purchased hothouse roses with;
And up those pretty useless beauties stand
In someone’s vase, whose name remains a myth.

They give me back those polished dimes
You traded for a pair of shoes.
I’ve seen you marshal through onstage lifetimes,
Yet to disclose personas’ traces the theater walls refuse.

Your chocolate hair has just fallen from the hairdresser’s hand,–
That’s how I know the summer’s coming to a bitter end.
This poem I dedicated to a local theater actor Julian. During one of his plays I thought of this fictional plot. Thank you for reading!
In whiskey sodden dreams I feel silky bedclothes encompass
my flimsy pretty negligee clad body
Whimsy takes a hold, bold dreams drape my mind
My dimly lit boudour welcomes the vibrancy of the dream
Unblushingly dis inhibited by the sweet sickly whiskey
I feel frisky, risky, risqué
I want the silkiness of the dark dimly lit night to
ignite, I want flimsy, gipsy, filthy, ***** love.
In whiskey sodden dreams I feel my inner *****,
in dreams I can open the door.
© JLB
They had long met o’ Zundays—her true love and she—
   And at junketings, maypoles, and flings;
But she bode wi’ a thirtover uncle, and he
Swore by noon and by night that her goodman should be
Naibor Sweatley—a gaffer oft weak at the knee
From taking o’ sommat more cheerful than tea—
   Who tranted, and moved people’s things.

She cried, “O pray pity me!” Nought would he hear;
   Then with wild rainy eyes she obeyed,
She chid when her Love was for clinking off wi’ her.
The pa’son was told, as the season drew near
To throw over pu’pit the names of the peäir
   As fitting one flesh to be made.

The wedding-day dawned and the morning drew on;
   The couple stood bridegroom and bride;
The evening was passed, and when midnight had gone
The folks horned out, “God save the King,” and anon
   The two home-along gloomily hied.

The lover Tim Tankens mourned heart-sick and drear
   To be thus of his darling deprived:
He roamed in the dark ath’art field, mound, and mere,
And, a’most without knowing it, found himself near
The house of the tranter, and now of his Dear,
   Where the lantern-light showed ’em arrived.

The bride sought her cham’er so calm and so pale
   That a Northern had thought her resigned;
But to eyes that had seen her in tide-times of weal,
Like the white cloud o’ smoke, the red battlefield’s vail,
   That look spak’ of havoc behind.

The bridegroom yet laitered a beaker to drain,
   Then reeled to the linhay for more,
When the candle-snoff kindled some chaff from his grain—
Flames spread, and red vlankers, wi’ might and wi’ main,
   And round beams, thatch, and chimley-tun roar.

Young Tim away yond, rafted up by the light,
   Through brimble and underwood tears,
Till he comes to the orchet, when crooping thereright
In the lewth of a codlin-tree, bivering wi’ fright,
Wi’ on’y her night-rail to screen her from sight,
   His lonesome young Barbree appears.

Her cwold little figure half-naked he views
   Played about by the frolicsome breeze,
Her light-tripping totties, her ten little tooes,
All bare and besprinkled wi’ Fall’s chilly dews,
While her great gallied eyes, through her hair hanging loose,
   Sheened as stars through a tardle o’ trees.

She eyed en; and, as when a weir-hatch is drawn,
   Her tears, penned by terror afore,
With a rushing of sobs in a shower were strawn,
Till her power to pour ’em seemed wasted and gone
   From the heft o’ misfortune she bore.

“O Tim, my own Tim I must call ‘ee—I will!
   All the world ha’ turned round on me so!
Can you help her who loved ‘ee, though acting so ill?
Can you pity her misery—feel for her still?
When worse than her body so quivering and chill
   Is her heart in its winter o’ woe!

“I think I mid almost ha’ borne it,” she said,
   “Had my griefs one by one come to hand;
But O, to be slave to thik husbird for bread,
And then, upon top o’ that, driven to wed,
And then, upon top o’ that, burnt out o’ bed,
   Is more than my nater can stand!”

Tim’s soul like a lion ‘ithin en outsprung—
   (Tim had a great soul when his feelings were wrung)—
“Feel for ‘ee, dear Barbree?” he cried;
And his warm working-jacket about her he flung,
Made a back, horsed her up, till behind him she clung
Like a chiel on a gipsy, her figure uphung
   By the sleeves that around her he tied.

Over piggeries, and mixens, and apples, and hay,
   They lumpered straight into the night;
And finding bylong where a halter-path lay,
At dawn reached Tim’s house, on’y seen on their way
By a naibor or two who were up wi’ the day;
   But they gathered no clue to the sight.

Then tender Tim Tankens he searched here and there
   For some garment to clothe her fair skin;
But though he had breeches and waistcoats to spare,
He had nothing quite seemly for Barbree to wear,
Who, half shrammed to death, stood and cried on a chair
   At the caddle she found herself in.

There was one thing to do, and that one thing he did,
   He lent her some clouts of his own,
And she took ’em perforce; and while in ’em she slid,
Tim turned to the winder, as modesty bid,
Thinking, “O that the picter my duty keeps hid
   To the sight o’ my eyes mid be shown!”

In the tallet he stowed her; there huddied she lay,
   Shortening sleeves, legs, and tails to her limbs;
But most o’ the time in a mortal bad way,
Well knowing that there’d be the divel to pay
If ’twere found that, instead o’ the elements’ prey,
   She was living in lodgings at Tim’s.

“Where’s the tranter?” said men and boys; “where can er be?”
   “Where’s the tranter?” said Barbree alone.
“Where on e’th is the tranter?” said everybod-y:
They sifted the dust of his perished roof-tree,
   And all they could find was a bone.

Then the uncle cried, “Lord, pray have mercy on me!”
   And in terror began to repent.
But before ’twas complete, and till sure she was free,
Barbree drew up her loft-ladder, tight turned her key—
Tim bringing up breakfast and dinner and tea—
   Till the news of her hiding got vent.

Then followed the custom-kept rout, shout, and flare
Of a skimmington-ride through the naiborhood, ere
   Folk had proof o’ wold Sweatley’s decay.
Whereupon decent people all stood in a stare,
Saying Tim and his lodger should risk it, and pair:
So he took her to church. An’ some laughing lads there
Cried to Tim, “After Sweatley!” She said, “I declare
I stand as a maiden to-day!”
Let me dance.
Rain will see me free
As a gipsy would be.
Let me dance
Rain the rhythm will keep
Wind gonna howl so deep
Let me dance
Me and gipsy shall dance some more
Let the silk of het skirt never touch the floor
Old Meg she was a Gipsy,
    And liv'd upon the Moors:
Her bed it was the brown heath turf,
    And her house was out of doors.

Her apples were swart blackberries,
    Her currants pods o' broom;
Her wine was dew of the wild white rose,
    Her book a churchyard tomb.

Her Brothers were the craggy hills,
    Her Sisters larchen trees--
Alone with her great family
    She liv'd as she did please.

No breakfast had she many a morn,
    No dinner many a noon,
And 'stead of supper she would stare
    Full hard against the Moon.

But every morn of woodbine fresh
    She made her garlanding,
And every night the dark glen Yew
    She wove, and she would sing.

And with her fingers old and brown
    She plaited Mats o' Rushes,
And gave them to the Cottagers
    She met among the Bushes.

Old Meg was brave as Margaret Queen
    And tall as Amazon:
An old red blanket cloak she wore;
    A chip hat had she on.
God rest her aged bones somewhere--
    She died full long agone!
WHEN the sea is everywhere
from horizon to horizon ..
  when the salt and blue
  fill a circle of horizons ..
I swear again how I know
the sea is older than anything else
and the sea younger than anything else.
  
My first father was a landsman.
My tenth father was a sea-lover,
  a gipsy sea-boy, a singer of chanties.
  (Oh Blow the Man Down!)
  
The sea is always the same:
and yet the sea always changes.
  
  The sea gives all,
  and yet the sea keeps something back.
  
The sea takes without asking.
The sea is a worker, a thief and a loafer.
  Why does the sea let go so slow?
  Or never let go at all?
  
  The sea always the same
  day after day,
  the sea always the same
  night after night,
  fog on fog and never a star,
  wind on wind and running white sheets,
  bird on bird always a sea-bird-
  so the days get lost:
  it is neither Saturday nor Monday,
  it is any day or no day,
  it is a year, ten years.
  
  Fog on fog and never a star,
  what is a man, a child, a woman,
  to the green and grinding sea?
The ropes and boards squeak and groan.
  
On the land they know a child they have named Today.
On the sea they know three children they have named:
  Yesterday, Today, To-morrow.
  
I made a song to a woman:-it ran:
  I have wanted you.
  I have called to you
  on a day I counted a thousand years.
  
In the deep of a sea-blue noon
many women run in a man's head,
phantom women leaping from a man's forehead
  .. to the railings ... into the sea ... to the
  sea rim ...
  .. a man's mother ... a man's wife ... other
  women ...
  
I asked a sure-footed sailor how and he said:
  I have known many women but there is only one sea.
I saw the North Star once
and our old friend, The Big Dipper,
  only the sea between us:
  "Take away the sea
  and I lift The Dipper,
  swing the handle of it,
  drink from the brim of it."
  
I saw the North Star one night
and five new stars for me in the rigging ropes,
and seven old stars in the cross of the wireless
  plunging by night,
  plowing by night-
Five new cool stars, seven old warm stars.
  
I have been let down in a thousand graves by my kinfolk.
I have been left alone with the sea and the sea's wife, the wind, for my last friends
And my kinfolk never knew anything about it at all.
  
Salt from an old work of eating our graveclothes is here.
  The sea-kin of my thousand graves,
  The sea and the sea's wife, the wind,
They are all here to-night
    between the circle of horizons,
    between the cross of the wireless
    and the seven old warm stars.
  
Out of a thousand sea-holes I came yesterday.
Out of a thousand sea-holes I come to-morrow.
  
I am kin of the changer.
  I am a son of the sea
  and the sea's wife, the wind.
irinia Feb 2023
“when you get up in the morning you must take your heart in your two hands. You must do this every morning.” Grace Paley

fall into me
on blackout days
for something beautiful
is here is everywhere
is nowhere
you knew it
Borges used it
beauty is a physical sensation
the axis mundi piercing
the palms of my hands

memory like a gipsy woman
who reads palms
beauty, yes, it draws the soul
ascetic
I figured it out in the smiling of your sleep
like babies smile to angels, they say
this game that keeps us alive is hers
golden beetles die for it
of for the love of dust

pastimes of gods its archives
everyday the light tastes differently
the body moves where the mind is
or the other way round
I'll read Cartarescu to you half naked
one page a day

beauty is the quest,
this spiral of wonder
filling up the rest &
my nails
amal Aug 2020
The Story of Gypsy of Wind





dust has dissipated
When it rained
Gypsy sang
With his guitar, which he inherited from his father ..
The last farewell song ...
As he crosses the Earth
Without thinking of a terminal to reach
...

A fugitive from modernity.
From every paved road ..
Of all the twinkling constellations ..
From the noise of cities ..
From the gloom of government buildings.
The gypsy diverges,
Evading sandy roads.
He meets the boys of the villages ..
He sings and they dance..
He passes near the peasant women with red hair covers.
He plays love tunes for them.
Until their cheeks flush ...
He meets the shepherds ... and avoids them ...
he receives the wide plains
With bright eyes
And on his back
He hung up his guitar, which he inherited from his father.
.....

The gypsy meets the girl of his dreams.
But he leaves her to continue trekking.
Gypsy knows no boundaries ..
He does not know what warm rooms mean.
He does not know what daily work means.
He does not know what school means ..
Because he does not want to learn ..
Rather, he should live on the road.
....

The gypsy has no identity papers.
But he does not know what the meaning of stained papers and seals.
The gypsy does not know power ..
when he meets the mayor of the village
he Whoops:
Why do they obey you when they are free ..
The gypsy knows no hunger ..
Because he eats anything in nature.
Flowers and butterflies ..
Rivers mud ...
Then he pulls his guitar from his back.
And he goes on trekking
He plays a song that tells about a dream
With the warmth of a beautiful woman's chest.
Gypsy travels after the spring.
as if he tied with a rope..
He does not like winter ..
He does not like summer ..
He does not like autumn ..
Like birds in the sky ..
Gipsy follows the scent of silt and nectar.
He points with his finger to the distant horizon:
- It rained there..
He plays a rain song ...
.....

What do you have, gypsy?
The bar girl asks him
In transit hours standing
He says: What do you mean by the word "you have"?
The gypsy has nothing ..
Because he has everything.
He has his freedom ..
A girl spends a night with him
Then she expels him from her arms in the morning
So he takes up his guitar
And he sings in tears over his broken heart.
Passing through plains and mountains ..
To where he does not know
....

Truck drivers meet him
They offer to get him to where he wants..
But he refuses ..
He doesn't want to miss a moment without being in the heart of nature ...
Sings
Consuming time with his guitar
His guitar, which he inherited from his father ..
His father who does not know him ...
But what his mother told him before her death
when they were traveling on the way ..
He buries her ..
And he prays for her soul..
Without knowing which god he is praying to..
He smiles ..
And he goes on its eternal journey
.....

When crossing forests..
He is surrounded by hyenas.
He pulls his guitar and sings.
The hyenas watched him in amazement.
they remain amazed as they snaps his flesh..
And he is still singing
Playing his guitar
His guitar, which he inherited from his father ..
His father who never knew him ..
THERE is something terrible
about a hurdy-gurdy,
a gipsy man and woman,
and a monkey in red flannel
all stopping in front of a big house
with a sign "For Rent" on the door
and the blinds hanging loose
and nobody home.
I never saw this.
I hope to God I never will.
  
  Whoop-de-doodle-de-doo.
  Hoodle-de-harr-de-hum.
Nobody home? Everybody home.
  Whoop-de-doodle-de-doo.
  
Mamie Riley married Jimmy Higgins last night: Eddie Jones died of whooping cough: George Hacks got a job on the police force: the Rosenheims bought a brass bed: Lena Hart giggled at a jackie: a pushcart man called tomaytoes, tomaytoes.
  Whoop-de-doodle-de-doo.
  Hoodle-de-harr-de-hum.
    Nobody home? Everybody home.
Jana Chehab Dec 2014
You do not do, you do not do  
Any more, black shoe
In which I have lived like a foot  
For thirty years, poor and white,  
Barely daring to breathe or Achoo.

Daddy, I have had to **** you.  
You died before I had time——
Marble-heavy, a bag full of God,  
Ghastly statue with one gray toe  
Big as a Frisco seal

And a head in the freakish Atlantic  
Where it pours bean green over blue  
In the waters off beautiful Nauset.  
I used to pray to recover you.
Ach, du.

In the German tongue, in the Polish town  
Scraped flat by the roller
Of wars, wars, wars.
But the name of the town is common.  
My ****** friend

Says there are a dozen or two.  
So I never could tell where you  
Put your foot, your root,
I never could talk to you.
The tongue stuck in my jaw.

It stuck in a barb wire snare.  
Ich, ich, ich, ich,
I could hardly speak.
I thought every German was you.  
And the language obscene

An engine, an engine
Chuffing me off like a Jew.
A Jew to Dachau, Auschwitz, Belsen.  
I began to talk like a Jew.
I think I may well be a Jew.

The snows of the Tyrol, the clear beer of Vienna  
Are not very pure or true.
With my gipsy ancestress and my weird luck  
And my Taroc pack and my Taroc pack
I may be a bit of a Jew.

I have always been scared of you,
With your Luftwaffe, your gobbledygoo.  
And your neat mustache
And your Aryan eye, bright blue.
Panzer-man, panzer-man, O You——

Not God but a *******
So black no sky could squeak through.  
Every woman adores a Fascist,  
The boot in the face, the brute  
Brute heart of a brute like you.

You stand at the blackboard, daddy,  
In the picture I have of you,
A cleft in your chin instead of your foot  
But no less a devil for that, no not  
Any less the black man who

Bit my pretty red heart in two.
I was ten when they buried you.  
At twenty I tried to die
And get back, back, back to you.
I thought even the bones would do.

But they pulled me out of the sack,  
And they stuck me together with glue.  
And then I knew what to do.
I made a model of you,
A man in black with a Meinkampf look

And a love of the rack and the *****.  
And I said I do, I do.
So daddy, I’m finally through.
The black telephone’s off at the root,  
The voices just can’t worm through.

If I’ve killed one man, I’ve killed two——
The vampire who said he was you  
And drank my blood for a year,
Seven years, if you want to know.
Daddy, you can lie back now.

There’s a stake in your fat black heart  
And the villagers never liked you.
They are dancing and stamping on you.  
They always knew it was you.
Daddy, daddy, you *******, I’m through.
Bre Steele Sep 2015
You do not do, you do not do
Any more, black shoe
In which I have lived like a foot
For thirty years, poor and white,
Barely daring to breathe or Achoo.

Daddy, I have had to **** you.
You died before I had time--
Marble-heavy, a bag full of God,
Ghastly statue with one gray toe
Big as a Frisco seal

And a head in the freakish Atlantic
Where it pours bean green over blue
In the waters off beautiful Nauset.
I used to pray to recover you.
Ach, du.

In the German tongue, in the Polish town
Scraped flat by the roller
Of wars, wars, wars.
But the name of the town is common.
My ****** friend

Says there are a dozen or two.
So I never could tell where you
Put your foot, your root,
I never could talk to you.
The tongue stuck in my jaw.

It stuck in a barb wire snare.
Ich, ich, ich, ich,
I could hardly speak.
I thought every German was you.
And the language obscene

An engine, an engine
Chuffing me off like a Jew.
A Jew to Dachau, Auschwitz, Belsen.
I began to talk like a Jew.
I think I may well be a Jew.

The snows of the Tyrol, the clear beer of Vienna
Are not very pure or true.
With my gipsy ancestress and my weird luck
And my Taroc pack and my Taroc pack
I may be a bit of a Jew.

I have always been scared of you,
With your Luftwaffe, your gobbledygoo.
And your neat mustache
And your Aryan eye, bright blue.
Panzer-man, panzer-man, O You--

Not God but a *******
So black no sky could squeak through.
Every woman adores a Fascist,
The boot in the face, the brute
Brute heart of a brute like you.

You stand at the blackboard, daddy,
In the picture I have of you,
A cleft in your chin instead of your foot
But no less a devil for that, no not
Any less the black man who

Bit my pretty red heart in two.
I was ten when they buried you.
At twenty I tried to die
And get back, back, back to you.
I thought even the bones would do.

But they pulled me out of the sack,
And they stuck me together with glue.
And then I knew what to do.
I made a model of you,
A man in black with a Meinkampf look

And a love of the rack and the *****.
And I said I do, I do.
So daddy, I'm finally through.
The black telephone's off at the root,
The voices just can't worm through.

If I've killed one man, I've killed two--
The vampire who said he was you
And drank my blood for a year,
Seven years, if you want to know.
Daddy, you can lie back now.

There's a stake in your fat black heart
And the villagers never liked you.
They are dancing and stamping on you.
They always knew it was you.
Daddy, daddy, you *******, I'm through.

-sylvia plath 1932 -1963
irinia Oct 2015
What,
what shall I do with you?
My gipsy, my fix, my oyster, sea —
only a few spiritual members
gather in front of you, speechless:
my eyes, lips, *****, hands…
— And the heart, my love, where is the heart?
Here and here, and there, my love,
in every place
that your lips touch.

Amir Or from *Let's speak you
Once a Seafarer
I was thinking of my life as a seafarer endless
voyaging like a gipsy of the seas.
It was the best of times because I was young
but was also the worst of times being without
a woman for months on end.
I was a lousy ****** really didn't blend in
Preferred reading in my cabin and got a higher
education without trying or knowing it, yes
I'm grateful to so many writers they gave my life
a meaning on the ocean of colossal ennui.
I came alive when the ship docked, and I could go
ashore, cold lone star beer in Houston and
dance with a cowgirl or a midnight swim with
a woman in Honduras.

As I got older little could assuage my boredom
the drink became both friend and enemy, washed up
on the shore of Portugal, here I got up  drank a cold
beer built my house on solid earth and dreams.
Paul Hardwick Sep 2012
Tonight
i have no shoes
and it feels alright
nothing like my dreams
i like feeling the cold  on my feet tonight
i must be a gipsy or something more
to feel so Seconal in this dream
for sure that must
be just me
in no shoes
this night
and feeling things
the ground so sure.
L Seagull Jun 2016
You do not do, you do not do  
Any more, black shoe
In which I have lived like a foot  
For thirty years, poor and white,  
Barely daring to breathe or Achoo.

Daddy, I have had to **** you.  
You died before I had time——
Marble-heavy, a bag full of God,  
Ghastly statue with one gray toe  
Big as a Frisco seal

And a head in the freakish Atlantic  
Where it pours bean green over blue  
In the waters off beautiful Nauset.  
I used to pray to recover you.
Ach, du.

In the German tongue, in the Polish town  
Scraped flat by the roller
Of wars, wars, wars.
But the name of the town is common.  
My ****** friend

Says there are a dozen or two.  
So I never could tell where you  
Put your foot, your root,
I never could talk to you.
The tongue stuck in my jaw.

It stuck in a barb wire snare.  
Ich, ich, ich, ich,
I could hardly speak.
I thought every German was you.  
And the language obscene

An engine, an engine
Chuffing me off like a Jew.
A Jew to Dachau, Auschwitz, Belsen.  
I began to talk like a Jew.
I think I may well be a Jew.

The snows of the Tyrol, the clear beer of Vienna  
Are not very pure or true.
With my gipsy ancestress and my weird luck  
And my Taroc pack and my Taroc pack
I may be a bit of a Jew.

I have always been scared of you,
With your Luftwaffe, your gobbledygoo.  
And your neat mustache
And your Aryan eye, bright blue.
Panzer-man, panzer-man, O You——

Not God but a *******
So black no sky could squeak through.  
Every woman adores a Fascist,  
The boot in the face, the brute  
Brute heart of a brute like you.

You stand at the blackboard, daddy,  
In the picture I have of you,
A cleft in your chin instead of your foot  
But no less a devil for that, no not  
Any less the black man who

Bit my pretty red heart in two.
I was ten when they buried you.  
At twenty I tried to die
And get back, back, back to you.
I thought even the bones would do.

But they pulled me out of the sack,  
And they stuck me together with glue.  
And then I knew what to do.
I made a model of you,
A man in black with a Meinkampf look

And a love of the rack and the *****.  
And I said I do, I do.
So daddy, I’m finally through.
The black telephone’s off at the root,  
The voices just can’t worm through.

If I’ve killed one man, I’ve killed two——
The vampire who said he was you  
And drank my blood for a year,
Seven years, if you want to know.
Daddy, you can lie back now.

There’s a stake in your fat black heart  
And the villagers never liked you.
They are dancing and stamping on you.  
They always knew it was you.
Daddy, daddy, you *******, I’m through.

Sylvia Plath, “Daddy” from Collected Poems. Copyright © 1960, 1965, 1971, 1981 by the Estate of Sylvia Plath. Editorial matter copyright © 1981 by Ted Hughes. Used by permission of HarperCollins Publishers.
Source: Collected Poems (HarperCollins Publishers Inc, 1992)
#sylviaplath
Paul Hardwick Feb 2013
7,000  's   gipsy's swung together
and hijacked that starship
and it gave it music and dreams
even though it was    ones self
have you seen the      star's tonight
and are you not surprised by
the wasted light years
which now we call our own
so move your mind and come with me and ride
into a space sHip past Mars.
VV Lettish Mar 2018
everything is poetry
if you fancy
calling it
that
simply because
ah
come on now
nothing ever rhymes
Max Neumann Dec 2020
god created the sun
god created rain
rain and sun slept together
a rainbow evolved

every being has a double, somewhen
i'm half gipsy and jewish
bleedin' blueish
wise man told me lies about trueness

smell the fragrance of ghosts
relax, feel, love yourself
i will be praying for you
in rainbows
Aquí paz,
y después gloria.
Aquí,
a orillas de Francia,
en donde Cataluña no muere todavía
y prolonga en carteles de «Toros à Ceret»
y de «Flamenco's Show»
esa curiosa España de las ganaderías
de reses bravas y de juergas sórdidas,
reposa un español bajo una losa:
                                                                paz
y después gloria.
Dramático destino,
triste suerte
morir aquí
                      -paz
y después...-
                              perdido,
abandonado
y liberado a un tiempo
(ya sin tiempo)
de una patria sombría e inclemente.
Sí; después gloria.
Al final del verano,
por las proximidades
pasan trenes nocturnos, subrepticios,
rebosantes de humana mercancía:
manos de obra barata, ejército
vencido por el hambre
                                             
-paz...-,
otra vez desbandada de españoles
cruzando la frontera, derrotados
-...sin gloria.
Se paga con la muerte
o con la vida,
pero se paga siempre una derrota.
¿Qué precio es el peor?
                                                  Me lo pregunto
y no sé qué pensar
ante esta tumba,
ante esta paz
                            -«Casino
de Canet: spanish gipsy dancers»,
rumor de trenes, hojas...-,
ante la gloria ésta
-...de reseco laurel-
que yace aquí, abatida
bajo el ciprés erguido,
igual que una bandera al pie de un mástil.
Quisiera,
a veces,
que borrase el tiempo
los nombres y los hechos de esta historia
como borrará un día mis palabras
que la repiten siempre tercas, roncas.
Mike Adam May 2016
Gipsy take me

Away away

Far from bethnal green

Ten years old
wanted away away

Near sixty lord
let me go
BlueInkDitty Dec 2018
Blue lights on the memories still,
That we are, that we are, that you are to hold.
Winter froze the autumns' feel,
But the snow here isn't cold..
See, your heart is your own land,
With colored hills of sand,
Grass and rivers flowing free,
Red birds hidden in the trees.

No man is a wave alone,
This says all,
But if I must fall,
Know that you have been a blue sea,
While I was just a stone.

Blue lights on the memories still,
That we are, that we are, that you are to hold.
Winter came against my will,
And every story should grow old.
I may be a traveler,
A Gipsy tainted face,
But the road'll be wearier,
With another in your place.

No man is a house warm,
This says all,
But if I must fall,
Know that your stars in my skies,
Are windows in my home.

And I don't wanna burn your face red,
And you don't want to come to me,
But when I was a stone in grey shreds,
You were the waving blue sea.
Paul Hardwick Apr 2017
Who is Assad
does he think
that killing people is the way
does he think that
it's makes him look big
his body moves like a crack of a wipe
he stands and sags
while placing Russa
on it's knees
Putin puts up no fight
smiles and says yes

Come on Russa we more than this.
Love P@ul.  ***.
Paul Hardwick Apr 2017
Who is Assad
does he think
that killing people is the way
does he think that
it's makes him look big
his body moves like a crack of a wipe
he stands and sags
while placing Russa
on it's knees
Putin puts up no fight
smiles and says yes

Come on Russa we more than this.
Love P@ul.  ***.
Max Neumann Feb 2020
"i have been suffering under a loss. can you help me?"


"ain't no big deal you gotta pass avenue h
then you have to make a left to reach starbucks

when you're standing in front of it
move your head to the right and focus the end of the block you'll spot a lantern

(not the one with the rectangular shape but
the one that looks like a strange cone; mind that difference my man)

yeah
and when you have reached that lantern
you walk 25 blocks to catch a ride

ain't no cab i need you to look out for a gipsy car ridden by a female driver

(can't tell you why now would be too early and will be explained later on the phone)

hand out $ 7.000,00 to the driver and tell her to take you to emigration oaks; that's close to salt lake city in utah (never ever try to get there by plane my man)

after you'll have arrived you gotta dial a certain number –– 1-800-reveal-a-secret –– 
and listen to a voice you have been fearing

its message will be relating to you personally

let everything go
show courage
become yourself

one year later smile about your former life.

do you understand that?"
Today is a good day.
nivek Aug 2015
Some feel safe within a name-
gipsy, sea traveller
And all that is fine

And some must be acknowledged
without going anywhere

Some are time travellers
long ago they knew

What everyone runs from
is pointless

You will find it
eventually
I suppose not being there yet is what you get when you wish on a dried up well.

The gipsy told me that folding paper felt better than coins in her palm,
trying to palm me off on the promise of better times?

but it's what you fall for that tends to cost more,
and I play Monopoly and so I should know.
It’s not enough to make believe
And after all is really frustrating
Not feeling the way I do
But here we go:
I never felt no trace of pity when she died
No hate no nothing for this sad news from a stranger

All I remember is that I was unemployed
Not able to find a **** job for a long time
So she offered me a place to sleep
And the daily bred as a reward for my hand labor
Carried out all day long near his house

It was the kind of slavery of which
The most stupid animals can be horrified

But I did it
Yes sir
I did it out of pity for her solitude sickness and despair
After a while I even hated her hobby to collect nothing but things
This car this house this garden of paranoid miracles

All sold in loss after her burial to some gipsy lover
Who was actually greedier than she ever dreamed

I also remember she cursed me when I left her place
”You *******” she said
”You will never be able to find a home of your own”
”You may rot in hell working for strangers!”

”It’s ok” I said
”You never felt anything more delusional of me”
”But if strangers would feel that way” I said
”At least they will pay me big time for my trouble”

So I was far away in the land of Nowhere when she died
And I knew that for me she was gone long time before
When I didn’t felt no pity no hate no trace of any sadness

When I decided to leave the house of my sister
Which was not my home anymore
When I felt my real sister was gone far away
And anywhere else in the world
Oliver Philip Dec 2018
Battered Similes
As an ABCDERIAN poem.
~~~~~~~~~~~~~~~~~~
As battered as an aspen leaf a tremble.
Bad pennies just keep turning up
Clean as a signal from a whistle
Deaf as a post or daft as a brush
Easy like Sunday mornings epistle
Fit as a gipsy upon an old fiddle
Good as the gold you pan from the river
Happy as the longest day , a joy to be living
Innocent as a new born babe in its weaning
Jack of all trades mastering none  
Keen though as mustard, is that keen enough?
Liken as two peas in the greenest of pods
Memory like that rusty old sieve
Nervous as a cat on a hot tin roof
Obstinate as a Mule with a stone in the hoof
Pretty as a picture , the one in my head.
Quick as a flash then the picture is dead.
Read like a book that mind of the poet.
Sharp as a razor,though he don’t even know it
Talk to the hand, just like my Dutch uncle
Ugly like sin with the face of the devil.
Vague battered similes to drive poets mental
Wise as King Solomon but you must beware
Xenophobian as a dislike of foreigners
Young in years of training still to understand
Zion’s a million miles from any promised land
    
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Written by Philip
December 5th 2018.
An A to Zee of Battered Similes
Paul Hardwick Apr 2017
Who is Assad
does he think
that killing people is the way
does he think that
it's makes him look big
his body moves like a crack of a wipe
he stands and sags
while placing Russa
on it's knees
Putin puts up no fight
smiles and says yes

Come on Russa we more than this.
Love P@ul.  ***.
Evening and horses
I'm walking on the bottom of an ancient sea
The bottom is flat and rich in grapes and cabbage.
The used to be a lake here, but it disappeared
What is left is a small stream that gets its water from
Water below. On the lake that was, and no longer is
Helicopter pilots practice take-off and landing
Some gipsy horses graze nearby and ignore the noise
The choppers make- I took a picture of one going in
For landing, it belongs to the fire department, many fires
During the hot summer, some fires need to burn
And some fires are caused by pyromaniacs.
But never mind I will see my doctor at the hospital tomorrow
She is like a beautiful race horse on the wrong side of fifty,
She is forever telling me what not to eat; she told me curry
Was fattening once and I said nothing on her desk there is
A picture of her husband he is a pilot.
Nargis Parveen Aug 2019
I see me in mirror,
Feel happy tremor!
Where is my pain?
Only hear sound of rain!

Hey gipsy lad!
Your cyclonic eyes make me mad!
This desert is all smiling sand!
That thrills my mind and gland.

What a direct stare!
Should I avoid or care?
I feel like leaping deer!
Will I advance toward near?

O past! let me forget you!
My tears won't be morning dew.
Now I will embank my eyes!
And my mind will break all ties.

Come up Deluge! float my mind!
Let past memories and Love be ruined.
Gipsy boy! Let's leave home!
Only we'll frantically love and roam.
it is said that a relative married
a gipsy lady who lived at
redhill common in a tent

it is said she had two thumbs on each hand
like anne boleyn i think . too

that is why long sleeves were fashion then
to hide things

i think now we say romany

in kinson the jeffs lived round the corner
milhams

the men were lovely and i loved them
the ladies sold flowers, went to the square
by bus
and stayed all day
unless sold out early

it was nice to find
all their photos
on social media

as it was all a long
time ago

even then
things had started

we played with the gipsy folk
up on turbary common & julian
went with them when
they left their camp at
the brickworks

the police brought him back
they felt they knew best

they did not know the half of it

things took a turn
at the studio yesterday
&
left me tired

it is a different day today
with other plans

hows the job going?
how are your legs now?

6.55 am
raining
Thoughts and Democracy

When I was a boy, I was naturally left handed but was forced to
write with my right hand, and I put this down for the great difficulty
I have written in my language
English is better for me I know I often mix words together that is,
but having been laughed at I give a **** my problem, often because
The brain works faster than my hands. When we had writing test the teacher
usually –with the correction- read my work nevertheless I got low grades
because of my spelling mistake but no one ever said continue to write
You have talent. I didn't write anything before I was fifty and all the people
who had put me down was safely dead.
In my head live several persons some are nice give money to the gipsy outside
the supermarket another one hates them they smell.
Then we have the most pompous of all the pretence to be intellectual
because I have read many books –hundreds actually- not to forget the great
a psychologist who understand mind but know not what he is; the weighty
books were mainly read when on a ship to stave off boredom No forget
the communist he once as a child wrote a couple of lines from the manifesto
“The Dictatorship of the masses” we know how that ends the party rules over
the people day and night. I will not mention the other voices in my head only say
that a voice says the safest bet is the democracy, not the way it is practised
now when it is good for those with the money we the people are ignored, and
that was why the Trump victory pleased me not for him to be like lukewarm
Obama sitting in the basement deciding who to drone **** he may stop being
a policeman and concentrate re- building the America of yore and in case you
wonder this is not a poem
Mateuš Conrad Jan 2020
i... i'm finding myself bound to having
a green fetish...
a green fetish for gomorrah...
Zoe Saldana....
no please... no cinnamon skins...
no copper skins... no brass...
no rust... none of the chocolate skin...
nothing milky-way...
i'm in it for the green...
perhaps ol' me porky skinned -
hapless white when i scortch via
pink is all evesdropping via
the glaswegian route via
carntyne west and haghill -
north barlanark and easterhouse south:
otherwise better to import foreign
perspectives... from salty Sou -
and d'lan...
but i still have green fever...
i'm tired of liking the copper,
the cinnamon,
i'm tired of burnt butter antics...
just give me the alien green ***-whip...
how else will ever befriend the chance
to escape this oriental onslaught
of the... less than courteous
mr. Hiab and happen via Mrs. Gipsy
and the latest: motiff in ****** of Kan-tow!
bow.. ****** better bow...
it's still a fetish for green...
you paint me as pink as,
what i really am...
paint me crimson curious...
emerald skin aged nearing my 60s
and with a furious nose...
you know what comes across as most disagreeable
to me?
essex girls teasing a suntan in winter...
with prokofiev's oranges...
i wouldn't lament... milktooth
milk skin of some sun deprived
aristrocratic wannabe st. petersburg beauty...
when you can look
at the veins like maps of roads
that extend outside the curriculum
of a "nation"...
but the green, the green...
i'm just so into the green skin!
i'd **** a green skinned girl...
prior to the copper cinnamon and the cumin /
coriander powder earthling...
sign me up for green skin
and ****** ***** of feeding a suckling of
an octopus humanoid morph...
god knows what else will wash up
with the next tsunami...
this is my wave...
this is my skateboard and this is my ramp's
worth of a reef...
and this not not anything...
that otherwise comes with
the "molotov" cocktail of
interracial breeding... the casual Cassie...
perhaps the porky skinned beauties
of casual oh-so...
forgot to keep their: dear diaries...
and i somehow demanded myself
to keep mine...
however you look at it:
big fetish for green.

— The End —