Submit your work, meet writers and drop the ads. Become a member
Cedric McClester Apr 2015
By: Cedric McClester

You call ‘em *******,
Sissys, homos
Like it’s the thing to do
But what has any of that
Got to do with you
Why do you feel threatened
By their lifestyle
And what gives you the right
To attack ‘em anyhow

You call ‘em *******
Though it’s derogatory
Now you got me wonderin
What the hell’s your story

You see a gay guy
And you get so upset
Whether or not
He's approached you yet
Now here’s the question
That you ought to ask yourself
What’s inside your closet
Hidden on the shelf

You call ‘em *******
Though it’s derogatory
Now you got me wonderin
What the hell’s your story

See I’m not advocatin'
Either pro or con
But I believe
Discrimination truly is dead wrong
No one should be attacked
Because of who they are
That’s takin one’s hatred
A giant step too far

You call ‘em *******
Though it’s derogatory
Now you got me wonderin
What the hell’s your story

Live and let live
Is my philosophy
All I ask of anyone
Is to let me be
In return I’ll treat ‘em
With utmost respect
Never mind emotion
I’ll use intellect

You call ‘em *******
Though it’s derogatory
Now you got me wonderin
What the hell’s your story

See I’m not advocatin'
Either pro or con
But I believe
Discrimination truly is dead wrong
No one should be attacked
Because of who they are
That’s takin one’s hatred
A step too far

You call ‘em *******
Though it’s derogatory
Now you got me wonderin
What the hell’s your story



(c) Copyright, Cedric McClester.  All rights reserved.
Elihu Barachel Jan 2015
******* sure don’t like it, when I tell them where they’ll go
They will go to Hell, not a French chateau
-
Forever they will burn, in the Lake of Fire
They will fricassee and fry, their torment won’t expire
-
Especially “Christian” *******…lovey-dovey Queers
They will weep and wail, and cry lamenting tears
-
All the demons wait for them, they’ll jam a red-hot ***** up their ***
Ram it in and out, and they’ll do this with no class
-
Are you a “Christian” ******?…That’s like a ****** *****
You will greet the Horseman, you’ll greet The Horsemen Four
-
The rider on the White Horse, you will take his Mark
Every ****** will…does this seem too stark?
-
Too stark for ******* *******, on their way to Hell
Especially “Christian” *******, who worship their god Bel
-
Does my poem hit a nerve? I sure hope it does
Flag my pretty poem, flag it just because
-
Just because it's true, a lie I will not tell
All you "Christian" *******, are going to burn in Hell
Brad Lambert Oct 2013
(I)

Whose coat is this? Sure as hell isn't my coat. I ain't got no coat with this parka ****, it's *******. I ain't no furry flamin' ******. I ain't no ****** chochy Molly-May-Ze-**** chokin' down chickens and nasalin' a'sniffin' snortin' nasty-*** choch; that ain't me. That ain't me. Look at this coat– I'm like an Eskimo *****. I'm like a butch-**** bull-**** crotch-lappin' a'swimmin' laps in that guy's swimmin' pool. Who's that guy? Who owns that guy? 'Ey, anyone here the owner of this guy– guy ain't got no owner? Whose coat is this? It's nice, real nice. Bet she said, "Does it come from France? Where do I buy one?" I want to buy one, I think I need to buy **** more. I sure as hell need to buy one of these. "And I need one these too and one of them too and I need a petticoat and a tipper-tapper and a whimpratic garfielder and one of them new bartlemores, I need more of them bartlemores. I need more, more, more, more, more, more..." That ain't enough. ****'s from France. ****'s from Paris, that's romantic. You think I'm romantic? I eat hearts for dinner, I chew down nails like nuts for my midnight snack. I smoke cigarettes and spit on concrete slabs, you think that's ****? I'll show you ****. I'll show you Paris, New York City, Rome, romance you in Rome. I'll get real ******' Roman. I'll take you to the desert and make love to you. That's how a free man does a woman, and I'm a real free man. Who's ownin' this guy? It ain't you, it ain't me. I don't own you, you don't own me. I'm a free man:

I said,
"Fire and wood, fire and wood, fire and wood. It is late, it is late, it is far, far too late."

I set
fire to wood, fire to wood; feel that fire fired fresh from that firewood.

I dug the pit,
he gathered the wood,
she started the fire.

She really does make that fire start.

O' how she makes that fire burn,
O' how the wood's wrapped in white hots,
O' how they smoke their smokestacked pipes,
O' tobacco teeming teenagers, tormented by and through youth,
O' adolescence, trending topics, and forget-me-not flowers,
O' old age, Floridan coffins, and coughing  cancers,
O' writers in the mountains writing to be,
O' painters and **** bodies in studies by the sea,
O' thinkers in their mindset, mindsetting the table for dinner,
O' tables set to bursting,
O' wallets so thick,
O' community,
O' society, our social games,
O' hope,
O' peace,
O' that I may be at peace,
O' that I may be content and pray only for peace,
O' how about them true believers,
O' how about that love at first sight,
O' sandstone. My sandstone. That guy sittin' on sandstone.

That's my guy. That's my guy. I own this ****.

Is a man breathing on a mirror the sum of his breaths?
Breaths foggin' a'mistin' my view,
my view of a body and that face,
you're a body.
You're a workin' day's bell,
you're my chill in an Icelandic draft,
you're my spare in a Middle Eastern draft,
you're my pawn in chest-to-chest chess.

You've got this. You've got this. You own this ****.

And it is ****, too. I'd be set, real ******' set, with someone like you. I'll make you a woman, check this parka ****. Coat's mine. I'm a classy igloo runner, runnin' a'ragin' a'czebelskiin' meriteratin', I'll be reiteratin' your points. Check the time, it's late! It's late! ***** was in the grassy knoll turnin' trap tunes on her turntable. Would you listen to that? She sounds late to me, does she sound late to you? I like the music; I like the music. What happened to Woodstock? Where's my watergate, Nixon? Where's my generation, Ginsberg? Where's the meaning? This music's too loud! We're so profound! O' profundity!

Tell me something I didn't know, I'm craving' the new.
Give me the new while I spit on the old,
while I spit on this fine art finely art'd by and for fine artists–
******' fine artists. ******* fine artists.

(You can realize radical-realist realism but you can't be real with me?)

O' fine art!
What fine art!
Which fine artists are dead?



(II)

Looks like they're dead.

Looks like them ******* choked out all them ghettos, choked out all them rednecks, chokin' a'stranglin' by-God-oh-God straddlin' the breeders. I sure did like them babes– babes with their laughin' a'lackin' o' cynicism. They don't know the word "****."

I sure am forgetful–
I forgot that smoke doesn't dissipate,
I forgot how to smell autumn leaves,
I forgot to check the heart against the fingertips,
I forgot why my fingertips went numb,
I forgot to cue in the meaning when the sentence was complete,
I forget to complete my sentences,
I forget who you were wanting when you said, "I want you."

I got as much depth as an in-depth discussion, high hats and electropercussion have got me going. I'm goin' downtown, uptown bourgeois tricked me out, johns and yellow Hummers laid me down and cussed me out. That's not a discussion. That's not my scent scenting my towel, this breath reeks of wintry air– my fingertips went numb.

"I want you."

"Oh would you look at that moon?
Take a look at that moon.
Look at that moon with the ******' mountains.
I love that moon.
That's my moon."

I love darin' a'dusty dareelin' derailin' your dreams, whose dreams are these? They ain't my dreams– ain't no dream derailin' a'nileerad radiatiatin' some hint of joy or Jamison Scotch Liqueur. Drink that ****. That's my ****, I own that ****.
I'm sittin' on this stoop like I own this ****, like this **** owns me; I owed me. I don't own me, you owe me:

Pay up man, feet off the stoop.
Pay up man, be real with me.
Pay up man, you ever thought of a man as a man?
Pay up man, give it in.
Pay up man, give in.
Pay up man, I need you to do me a solid. Do me solid from crown-to-toe, we're toe-to-toe let's do-si-do bro-to-** I'm ready go, **, jo, ko, lo, get low… Now I'm ramblin'. You say, "Ramble in to the stoop and tell me a story."

What's a stoop– who's a stoop? That **** ain't stoop– you ain't stoop. You're stupid. You're a joke, check out the joke. Hey ladies, you seen this joke– joke ain't been seen by them ladies? I'm a joke. We ain't laughin' with you, they're laughin' at you.

O' hilarity!
Such hilarity!
What hilarious histories have passed?



(III)*

"I said I loved him once. I only loved him once."
(
And how long once has been...)

I sure did like them hand-holdins,
them star-gazin' moments,
them moon phasin' nighttime nuances,
them fingertip feelin' a'findin',
them sessions o'meshin' limber legs unto steadfast *****,
heads cocked like guns toward the sky,
beyond the horizon
but well
below the belt.

Them star-gazing moments seeing stars seemin' small, I love how they gleam- gleamin' a'glarin' comparin' shine to shine, shimmerin' a glimmer shone stumblin' her way home from the bar. She's drunk. She's brilliant, brilliance of whit and wantin' a'wanderlustin' gypsy nomads- that ***** gyp'd me, no mad man would take a cerebral slam to the face lest them moving pictures are involved. Read a ******' book, it'll last longer. Kiss me on the collar bones, clavicles shone shining with slick saliva pining for my affections. You're clammerin' to feel me, clammin' up (Just feel me.) I want to run my hands through long hair and peg the nausea nervosa to the wall. The writing's on the wall:

The sun bent over so the moon could rise, chanting,
"Goodbye and good riddance,
I never wanted to shine down
on them seas o' tranquilities anyhow."*

O' what a day. What a day.

And the wind ruffles leaves and it ruffles feathers on birds eating worms in brown soil.

What a day. What a day.

And the men under the bridge gather in traitorous conversation of governments overthrown and border dissolution and poetry with meters bent out of tune.

What a day. What a day.

And the billboards are dry for all the consumers to consume, use, and review.

What a day. What a day.

And hearts break messiest when you're not looking.

What a day. What a day.

And the ego and the id and the redwood trees are talking. They're sitting **** in the marshes, bathing in the bogwater while fondling foreign fine wines and whisperin' a'veerin' conversations towards topics kept well out of hand, out of the game, nontobe racin' in races, rampant radical racists betting bets on bent, bald Bolshevik racists wagging Marxist manifestos in the bourgeois' faces, yes. Make it be. Nontobe sanity as the captain creases his pleats, pleasin' her creases and the dewdrops of sweat trailing down the small of her back– down the ridge of her spine forming solitary springs of saline saltwater in the small of her back. Aye-aye, guy's pleasin' a'makin' choices a'steerin'– government's a'veerin' a hard left into the ice.

'Berg! 'Berg!
Danger in the icy 'berg!
None too soon a 'berg!
Bound to bump a 'berg!
O' inevitably unnerving 'berg!
Authoritative 'berg!
Totalitarian 'berg!
Surveillance of *** and the sexes 'berg!
O' fatalist fetishist 'berg!
Benevolent big brother 'berg!
Homosocial socialization 'berg!
Romanticized Roman 'berg!
O' virginal mother 'berg!
City on a hill on a 'berg!
Subtly socialist 'berg!
Nongovernmental 'berg!
O' illustrious libertine 'berg!
Freedom of the people 'berg!
Water privatization 'berg!
Alcohol idolization 'berg!
O' corrupt and courageous 'berg!
Church and a stately 'berg!
Pray to your ceiling fan 'berg!
Biblically borne 'berg!
O' godly and gorgeous 'berg!
Ferocious freedom fighters launching lackluster demonstrations far too post-demonstration feeling liberty and love, la vie en rouge, revolving revolutionist ranting on revolution tangible as
an ice cold 'berg.

'Berg! 'Berg!
O' the 'berg, the ****** iceberg–
You'll be the death of me.
Gwilled Cheese May 2018
**** the non-believers
**** the ***** and **** the fools
Go grab your Dad's gun and we'll go shoot up the
whole
school.
Yeah.
I got her nudes,
don't you think that's pretty cool?
You know that Jesus loves you,
would you like to see him soon?

You're so offended these days
well **** my **** you ******* *****.
******* licking my Dad's ****
Donny T's alright,
Don't you think?

Jesus loves you.

I don't,
But Jesus loves you.
I was thinking about the saying "People are so offended these days" and how it's generally something an ******* says after they're said something assholish. We aren't more offended these days, we are less tolerant of bigotry, and the ******* who haven't been affected by bigotry feel attacked for being bigots so they say **** like this to feel better about their *******.
People use to get offended by woman's ankles for christ sake! We've come so far, sweet Jesus.
It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that
Bunhead17 Nov 2013
Dope, money, and hoes [x9]

[Verse 1: Da$h]
Ain't write it, thought of this when I was drunk driving
Like I had a license, been swerving through the intersect
Just to make the ******* wet, breakfast: yac and cigarettes
Feds about the only threat, spit nasty like my throat is strep
She working at the pyramid, shake her **** for some bucks from Tut
Pharaoh to the marrow, Cleopatra roll my dutch
Dour blunts they double stuffed, got a ***** stupid chopped
Used to squad these *******' wives, the ******* that I used to pop
Wear the **** I used to cop, respect your elders lil *****
Ain't even of age to drink, I get your ** to buy me liquor
'Linquent ****, I live for it, they tryin but might die for it
These drugs got my brain, money got my mind finding fun in crime
******* love my rhymes, to be honest I love their mouth at campuses
Looking for talents just like I'm a college scout
Ask her what she shout, I’m ashin' her on the ******* couch

[Verse 2: Da$h]
Dope, money, and hoes, getting dope money from shows
She sniff her coke then she blow, **** it, I don’t judge it though
Sugar free, no love for sure, just put 'em on Sepulveda
Benefits and bank rolls, all a ***** really want from her
And when she bring it back, call my brother hit the trap
Invested in a couple packs, will probably see a couple stacks from what he talkin
Money hulking like Bruce Banner
Panarama day dreaming, While she downin' my ***** on camera
Life's in action, piping, smashing whatever you call it
Smoke a 'Port and I'm off but they ******* think I lost it

And my dog facing blunts while I feed my pups bath salts
Infiltrate my castle, take your face like it's a mask boss
Pass raw flesh and bone, money long like small intestines
Homes I'm taking breakfast, long as getting checks involved H´z *****
Cause if you ain't know, AraabMuzik
lyrics to "Dope, Money, and Hoes" by A.$.A.P MOB ft. DA$H, ****. Araabmuzik... these lyrics are good, in my opinion!
-LORD$ NEVER WORRY
Sacrelicious Mar 2012
Sorry you're a worn out bigot.
I Guess I'll see you when I'm six feet under
or six states South.
We can pretend we're family then
=] .


There are two things I will never comprehend.

1. Why people have to have a bewildered reaction upon finding out someone in their life is gay.
Gay people exist and we're not urban legends.

2. Why people feel the need to call gay guys *******, we know what we are. If you're going to make a quick jab at me, tell me something I don't already know. *******.

Ignorance, fear, hatred and differences are what's ******* up the world.

You can say that everything is fine and that it's just a phase I'm in or even on a larger scale you can say that the blatantly ignored ******* hatred doesn't exist.

** Excuses don't explain anything. I know you have trouble sleeping at night, if I was evil, I would have the same problem.


I use to write for my high school newspaper, but after one year, I got kicked off for writing editorials like this.
Edna Sweetlove May 2015
I woke up to a beautiful summer morning. The sun was shining and the rainclouds were far away. I decided I would spend the day on the beach. I always enjoy visiting the beach as it gives me an opportunity to laugh at people's hideous bodies. But where? And then, suddenly, a wonderful idea came to me: why not go to a nudist beach as they always attract the ugliest people with the worst bodies imaginable. And you get to see their naughty bits too, for added humour.

So I rushed to my computer to check the Internet for possibilities and, to my utter amazement, I discovered there was a naturist beach only fifty miles from my beautiful home. As I read the details of the beach and the directions, I had a sense of déja vu; I realised with a frisson of ****** anticipation that it was the very same beach described by Victor the ****** in his wonderful story "Confessions of a ******" which held pride of place on my toilet reading shelf.

I was at the wheel of my incredibly expensive and luxurious car just as soon as my servants had packed my essential requirements: icebox with chilled vintage champagne, lightweight folding gold-plated sun-lounger, vicuna picnic rug and of course my lunch hamper. My chef had rapidly prepared a delicious impromptu luncheon of smoked salmon, steak tartare and a selection of other goodies. I decided to dispense with the services of my chauffeur in the interests of preserving the confidentiality of my destination.

In less than an hour and a half I was there; and the place was exactly as Victor had described it in his immortal novella: a long stretch of mixed sand and pebbles, backed by dunes planted with wild grass, waving romantically in the sea breeze. Idyllic, and crawling with naked perverts as a bonus. I parked my car and transported my equipment to the dunes. I regretted not having brought one of the servants as the hamper and icebox were quite cumbersome and heavy. I was perspiring gently by the time I had unloaded everything and set it all up to my satisfaction.

I took some care in selecting what I felt was the optimum location as I needed to combine the potentially conflicting benefits of wanting to see as many naked people as possible (hopefully including some *** action) with the need for privacy. After all I am famous. I finally chose a spot where there were several ghastly specimens on view for a few laughs and where I could also see a potentially interesting couple who might be exhibitionistic perverts. The man was about 45, shaven-headed, skinny and prematurely wrinkled all over by the sun (yes, I do mean all over) and he had an interesting tattoo on his back: "I love hot ***** ***", which I saw as promising. The woman was plump with pendulous ******* and very prominent buttocks; additionally - how can I put this delicately? - her **** was totally bereft of hair.

Before settling down to my lunch, I felt a little perambulation would not come amiss. So, as bold as brass, off I went for a little **** stroll through the dunes. I will not describe in full detail the visual horrors I encountered: hirsute old men playing aimlessly with wizened, shrunken todgers the size of a thimble; obese old biddies, their rolls of sun-tanned lard hanging round them like rows of bloated udders on a pregnant sow; tattooed bald queens, muscles bulging under lashings of sun-oil, their pierced genitals glinting wickedly in the sunshine; the list was endless. How could such grotesques revel in revealing their corporeal repulsion to the eager world?

And then I saw him! It had to be him! In a dip in the sand dunes lay a middle-aged, paunchy little man, intently watching a couple of old ******* groping each other incompetently. It could only be Victor the One-Legged ******! After all, just how many unipod Peeping Toms are there?

I strolled over to him, coughing discreetly so as to give him a chance to stop his furtive *******. 'Do excuse me for disturbing you,' I said, 'but are you by any chance Victor the famous ****** whose confession I read only last week?'

'Why yes,' he admitted, 'but how on earth did you recognise me?'

I smiled and pointed to the cast-off artificial leg lying next to his beach towel (which, incidentally, was emblazoned by a giant "V", a bit of an identity hint, I felt). He patted his stump ruefully and laughed uproariously so that his average-sized ***** flapped like a pennant in a Force Eight gale. 'I forgot,' he bellowed deliriously.

'I'm just about to have a spot of lunch,' I said. 'My personal Michelin-starred chef, Jean-Claude Anusse, always over-caters ridiculously as he knows I often pick up people on my excursions, so there'll be more than enough. I'm afraid it's nothing special: some smoked salmon and some assorted cold meats, possibly a spot of pâté de foie gras, if I know Jean-Claude. And, naturally, enough champagne to drown a hippo in. Please do say yes, as I have so many questions to ask you about your hobby.'

'That's very kind of you.' mumbled the astonished Peeping Tom, 'I should be very happy to accept your generous offer. Incidentally, to whom have I the honour of speaking?'

I was, frankly, shocked when I realised Victor had not recognised me, and then I remembered I was naked. That explained it. 'Why, I am none other than Edna Sweetlove, poetess to the stars, creator of the Barry Hodges "Memories" poems and biographer to the intrepid and incredible superhero SNOGGO,' I murmured sotto voce, not wishing to be mobbed for my autograph.

'Edna Sweetlove!' he exclaimed, 'you mean THE Edna Sweetlove?' And so saying he glanced down to my genital zone in order to answer the question which so many of my fans have asked over the years. He grinned as he saw the solution to the great mystery.

Victor quickly strapped on his prosthesis and accompanied me (slightly lopsidedly) to my little luncheon site. He helped me unpack our repast and then made himself as comfortable as a naked one legged ****** could reasonably expect to be without a chair.

I must say Chef and his team had excelled himself in the thirty minutes I had given them: smoked salmon roulades, a magnifique plateau de fruits de mer including a three-pound giant lobster, steak tartare, a whole cold pintarde à l'ail, a few dozen sushi rolls, a monster summer pudding, and naturally a Jeraboam of Krug '92. No wonder the hamper had been so ******* heavy. I could see Victor was impressed as I offered him a chilled flute of the most expensive champagne he had ever tasted. 'Better than the pathetic, poverty-stricken muck you were going to gobble, I expect,' I commented in a friendly way.

'Mmmmmmmmm! Absolutely delicious, Edna. I was certainly not expecting this! exclaimed the grateful freak. But before we start on what looks like a truly exquisite nosh-up, I must give you a word of warning.'

'A word of warning? What about, Victor dear?'

'Well, you see, there's no, um....er,' he blushed charmingly.

'No what, Victor? Don't be embarrassed, sweetie. This is Edna you're talking to. Spit it out, baby.'

'Well, um, there's no ******* on the beach, Edna,' explained Victor uncomfortably. 'So, if you need to pump ship, you have to do it native-style "au naturel" in the dunes over there, which can be a bit messy what with all the filth lying about the place in that area, not to mention the lavvo-voyeurs hanging round. Or else you need to swim out a bit and unload into the sea. Judging by what's on offer at your stylish picnic, we'll both be bursting for a good old **** and crap afterwards.'

I shrieked with laughter and explained there was nothing I liked better than a widdle en plein air or a double act dans l'eau. We then tucked into lunch with a vengeance. It was ******* delicious, even though I say so myself. After about fifteen minutes' happy munching, interspersed with witty small talk, Victor suddenly went rigid. 'Look over there!' he hissed and indicated the middle-aged couple by the windbreak.

I looked and I was surprised. The plump woman with the big *** was on her knees in front of her partner, giving him a vigorous *******, and he was lolling back in ecstasy, a broad smile on his face. He seemed to be looking straight at us, almost visibly willing us to watch. He winked repeatedly in a conspiratorial fashion; maybe he had St Vitus’ Dance. Or even worse, he wanted me to get stuck into the action with them.

'They're regulars here, they normally put on quite a good show,' explained Victor excitedly, his hand reaching down automatically to his rapidly stiffening ****.

'Victor!' I admonished him, 'I would prefer it if you didn't **** yourself off during lunch. How about another oyster, you silly old ****?'

'Sorry, Edna, I forgot,' he replied shamefacedly. 'No more oysters thank you; they only make me more randy than I already am. But I'll have another lobster claw if I may. My compliments to your chef.'

So we sipped our champagne and enjoyed our luncheon as we watched the couple give us their little exhibition. After a few minutes *******, the fat lady turned around and leaned forward on her hands and knees and her gnarled bald hubby ******* her doggy fashion from behind with some gusto; this made her beefy buns bounce about like two ferrets fighting in a sack.

I glanced around us and realised that, totally unbeknown to me, the little spectacle had attracted quite an audience. Nine men, young and old, short and tall, fat and skinny, stood staring transfixed by the petite scène erotique before us, all ******* wildly. 'Oi!' I called out. 'Can't you see we're eating?' I admonished them, but to no ******* avail whatsoever.

Victor was visibly torn between his innate desire to watch the copulators and masturbators and with his understandable wish not to offend his lunch companion by manhandling himself unrestrainedly. But, thank God, his natural good manners prevailed and we continued to converse and enjoy our meal in the midst of this Bacchanalian scene of depravity.

I watched dispassionately as the couple came to what sounded like a very satisfactory mutual ******, accompanied by the observers' seminal tributes to their performance. I naturally had filmed the entire scene secretly on my state-of-the-art mobile.

'If you give me your email address, Victor my love, I'll send you a copy of that little show,' I promised. He nodded in gratitude. 'Victor  the ****** at yahoo dot co dot uk,' he mumbled rapidly, 'no dots, Victorthevoyeur is all one word.'

Once we had polished off lunch, I told Victor I would like to interview him with a view to writing a short story about his life's work. He was touchingly flattered and, with a little judicious prompting and probing, told me his saga, which I recorded on my Edna-phone. I naturally don't want to pre-empt my forthcoming mini-biography of Victor, but suffice it to say that Victor told me how and why he became a ******, he regaled me with some of the staggering things he had seen, he gave me a list of some really ace ******* locations, he shared all his best peeping places with me, he gave me the ultimate lowdown on the world of Britain's most celebrated *** snooper and I was touched by his burning honesty. I felt a tear ***** my eye at this tragic tale.

All too soon it was time for us to part. After thanking me profusely and making me promise I would visit him one day so he could repay my generosity, he re-attached his metal leg and limped away towards his beach towel. I knew he was raring to go as the best of the action normally took place in the early evening.

'Farewell, dearest Victor,' I called out as he tripped clumsily over a fellow pervert who had been eavesdropping near us.
Matthew Walker Aug 2013
Flashback to as far back as the mind goes,
Masculinity is mighty and feminism is flawed,
Man is right and woman is wrong,
Boy is strong and girl is weak,
I’m a gentleman as long as I’m on top,
She can’t speak unless spoken to,
No place for women at the pulpit,
Men can’t learn from lesser beings.

Flashback to four years old,
The first time he was told,
Homosexuals will burn eternally,
Because they’re *******,
He said God doesn’t love them,
They’re an abomination to creation.

Flashback to age twelve,
Welcome to the USA,
Export the Mexicans,
Eliminate the rag heads,
Burn the gays.

Flashback to seventh grade,
She left him for her,
The hate talk convinced him,
All gays were wrong always.

Flashback to freshmen year,
It was Halloween,
Debate class in the morning,
She was dressed as a nerd,
But obviously that so wasn’t her,
Because she was Iranian,
He asked where her turban was,
Said her outfit wasn’t complete without it.

Flashback to the close-minded, conservatively, homeschooled child,
Racism was as familiar as his father’s laugh,
Sexism known like the scent of his mother’s casseroles,
Ignorance was his bestfriend,
And hate pumped through his veins.

I don’t know if right wing racist remarks are forgivable,
But the one he was bred to despise showed nothing but forgiveness.

The Iranian girl shed tears,
Which caused him to shed his foggy lens,
For the first time, he saw his own sins,
A joke rooted in hate hurt an innocent girl,
An innocent tear hurt an ignorant boy,
I am an ignorant boy,
I felt her pain,
I stabbed myself with shame,
She befriended me,
She forgave.

Flawed people produced twisted identification,
She isn’t the Iranian girl,
Just a person.

Mexican, black, dark skinned, or light,
Christian, Atheist, Muslim,
Left wing or right,
Straight, gay, man, woman,
Irrelevant.

Mexican, black, dark skinned, or light,
Christian, Atheist, Muslim,
Left wing or right,
Straight, gay, man, woman,
Human.
5/31/2013
Matthew Randell May 2015
Tentpole, stature tall and strong and
Firmly placed between the thin sheets
Members of the boy scouts, boy clan
Flames extinguished, his body heats

At dawn it rises, makes me wake
******* for the fire he gathers
Morning wood, embers of the stakes
Soon home; disapproving Fathers

Morning **** calls, but we're busy
Pack our bags, get all the work done
Juice of life makes me quite dizzy
Mem'ries of our weekend of fun

I'll be dish and spoon to your spoon
Spend nights together o'er the moon
Tommy Johnson Apr 2014
You live with eyes closed
Walk with an arrogant stride
You keep your hands clean
And your nose held high
There's a whole world screaming
But you just walk on by
And ignore the world's trouble
The burdens it bares
Because you dare not interfere
You ignore it because you're scared
It isn't your problem so you don't care

There's racism
And sexism all over the globe
Poverty, human trafficking
And still your shoulder is cold
Drug cartels, corrupt politicians
Murderous rapists without any souls
And you're just as guilty if I may be so bold
You just sit there and stare
Because you dare not interfere
You ignore it because you're scared
It isn't your problem so you don't care

You're busy chasing the American dream
A glorious promise riches and liberty
But the hand that feeds and you wanna shake is giving the bird to you
While it taxes our rights and confiscates our freedom of speech
And you take it like a ******* gimp
As it keeps our inspiration and aspirations out of reach
You should stand up and fight for what's yours
And I urge you to grow a pair
Because you dare not interfere
You ignore it because you're scared
It isn't your problem so you don't care

You have faith in the higher-ups
In our country, in God we trust
It's all a bust
You must protect your privileges
And help in our progression
Equality for and freedom
But you chose instead to be ignorant
And see a society and not a civilization

       -Tommy Johnson
Get a higher education
Go to school
Get a degree in something
No, don't be a fool
Milk the cash cow
Be a work mule
To find a job even with your doctorate
To find employment, is something rare

       -Tommy Johnson

But you dare not interfere
You ignore it because you're scared
It isn't your problem so you don't care

Terrorists instill a sense of fear
So we police the world
Oppress and occupy
Bullets, bloodshed and grenades are hurled
And back home we outsource
As history unfurls
A time of economic recession
And unjust warfare

And of course you dare not interfere
You ignore it because you're scared
It isn't your problem so you don't care

They tricked, murdered and ***** the natives
For all this land
You can say "you wouldn't be here if they didn't"
Well, I feel guilty for living here because they betrayed their fellow man
Then they had those of darker skin as slaves
The decision to free them caused both sides to **** each other
And in the end the chose to segregate
Tell me the equality in that there

Because you dare not interfere
You ignore it because you're scared
It isn't your problem so you don't care

People call each other *******,
*******, spics, chinks they say
A world that loves you if you got social status
But chastise you if your gay
But it's gotten so much better
Looking back on yesterday
But you haven't helped, you just go along
You're views are still parochial, and I'm giving you a disgruntled glare

Because you dare not interfere
You ignore it because you're scared
It isn't your problem so you don't care


You see no beauty in this world
It's like your not even a part of it
You have no idea whats going on around you
You only look out for yourself
You contribute nothing
No ideas
No creations
No light

You just leave the rest of us in darkness
To be destroyed by corruption, hatred, misunderstanding and doubt
While you become just another pawn
Another cog
Another customer
To be accounted for
You are just nameless number
People like you are the reason change takes so long
Open your eyes!
Kevin Collington Jan 2014
This is me, call me a broke *** *****
This is me, trying to make a lil figgas
I’M feeling depressed, unworthily and used
So confused stuck on which road I should choose
As I matter of fact, **** it, im done with this ****
I’m tired of this ****** thinking im a straight up *****
But don’t worry tomorrow it’ll be all said and done
Would you remember me if I got killed by a gun?
Or would you remember me as the money moocher?
The one who would rob the game with a two tone
Word on the street is I need to ******* grow up
Well to the critics who say I should chill shut the **** up
I’m just being me, living life as I should
**** ain’t real if you ain’t real in the hood
It’s because of you I feel like I can conquer the world
It had nothing to do with you becoming a part of my world
I had never been to D.C., OR to V.A., NONE OF THOSE PARTS
I just found someone who gave me a change of heart
Then you say I lied to you but I had to please forgive me
My heart’s been stomped to the ground like Kirk, b
No type of Franklins, just stuck on Aretha
****** called me a loose **** with a severed Urethra
Which means my main vein is damaged, but I know you mean well
How can such a heavenly body cause me so much HELL?
Y’all hear what y’all hear but the sugar daddy blocking it
I deal with colostomy bags often, ******* full of ****
Thirty Three years  so wise so cold
So ill so real so ****** so bold
Still I press forward to beat of my drum
Marching forward to my death Tommy Strong in my song
And I know I fail hard but what else is it to do?
I’ve been looking for something stable for a year or two
Feel like my momma don’t love me so I keep my enemies closer
Sometimes I feel closer to that mu’****** holster
Kiss my girl goodbye tell my daddy I love him
Tell my sis thanks for everything tell my haters **** em
Tell the police don’t shoot, because that’ll ruin it all
Shoot myself thru the nuts and say I had a ball
Then I chopped my **** off since I’m a *******
Shove my **** in your mouth now I’m a *******
And since ****** think im ***** I’ll just grow a ******
Or take a thousand pills until I have an angina
I’m done with the game so Ima bleed what he is
Ima walking talking toilet so I must be the ****
And when I die, bury me on the last train to Paris
Next to Bugs Bunny’s Corpse and basket full of carrots
**** it im outtie my spaceship is waiting
I’ll leave you devils here on EARTH TO DEAL WITH SATAN.
Yasmin Nooren Feb 2015
What if I told you God is gay?
Do you think belligerent bible-belters
Would still holler hate speech to the hilltops
In His name?
Or do you think they would reread the scriptures
They say they swear and survive by
See, I've been reading the Bible again lately
And I think I've taken a leaf from my old holy book,
Picking passages for my purpose
Which is in short
To show you it's very possible God is gay.
I mean think about the book of Genesis
In the beginning God created the heavens and the earth
And it wasn't just good, it was fabulous.
I mean what else is our planet but the pinnacle
Of exterior design, and I don't mean to generalize
But it certainly seems like that the Garden of Eden
Was designed by queer, I mean divine eye for the straight guy
But some Christians would go as far as to call
God's creations abominations
Heretics calling themselves faithful
When their faith is full of belief that only God may pass judgment
Matthew 7:1 Judge and you too shall be judged
Luke 6: 37 Condemn not and you shall not be condemned
Fred Phelps 2006: You're going to hell! God hates ****!
A history lesson: A ****** is a bundle of sticks
Originally used as kindling for fires that engulfed gays
When they were burned at the stake, people were firewood
But Moses came across wood on fire and saw God in it,
What is a burning bush but bundles of branches
On fire, isn't it funny how ******* and God can look the same sometimes?
Keep in mind Jesus had two dads and turned out just fine
In fact, Jesus had two dads and a surrogate mother
That never had *** with either of them,
Maybe Mary was a lesbian
And I remember the prayer going
"Hail Mary, full of grace"
Not full of sin,
"Pray for us sinners"
For we have become blinded by bigotry.
And forgotten that God gave us the rainbow
As a promise that we will never be flooded again
Either with rain or ignorance
And now all the homosexual **** sapiens
Stand more united under God's rainbow
Than all of his denominations do around the cross.
I was brought up believing that my Savior loved us all
And never had to specify "no ****"
But if you have hate in your heart
Say it don't pray it
Don't teach it and for the love of God don't preach it
Because I am tired of these fire and brimstone sermons
Slinging slurs when they're not firing brimstones
From voices that should be filled with love and praise
Instead of raised with hate and rage
I am a Christian, and I believe in saying the Christian thing.
Which used to sound like "Love thy neighbor as thyself"
But now sounds more like hate at the top of your picket signs
The closest thing to God being "Hell, is waiting for you"
They're passing out damnation pamphlets
Filled with out-of-context Bible verses
Trying to define God
When his meaning is clear.
He is acceptance, He is pride, He is humility, He is just,
God is perfection, God is protection, God is love,
But most importantly
God is gay
This is not my own poem, The writer of this poem is Elliot Darrow
https://www.youtube.com/watch?v=V6AQyBEN5fM
Im tired of all these prancing dancing ****
Id rather see them all in bodybags
While i puff zigzags cruisin slow in my jag
Looking for more this ******* ready for war
Look what they doing to kids
******* em up before they learn to walk n talk
But i bat out that *******
Yea i might get haters but i dont give a ****
******* and your agendas
Now every ****** here me i knowya fear me
Cuz im revolutionary i aint scary
To speak my mind **** your pride
Ill slide this chrome upside ya dome
Id rather see yall like orlando in a funeral home
Flag my **** i dont care
Im sick of this madness i got kids
Who gotta deal with this **** on a daily basis
Got me seeing faces of death til my last breath
Imma keep exposing this **** ******* hypocrites
How ya gonna be a gay christian
When it goes against the Most Highs teaching im reaching
Deep into the pits of hell where my soul on earth dwells
They got every nation embracing
Ya **** but africa deny it
Thanks to Obama a hidden ******* ****
Michelle is really man yall know this
So stop acting new to this
***** and Gemorrah aint no ****** fairytale
Though i may be jail but ill still.make bail
All ya see is my enemies in pain as they h
Yell
I got the power of the panther
And the Most Highs army riding with me
Cuz i fear em
But never satan ya only fallin into his death traps
And they laughing at you
While yall fighting to **** each others *****
N chicks so they each others ***** ****
They gone hit ya with a snipers bullet
Know the art of war once the gore comes
Watch how many panic and run
Then theyll claim they have religion to back em.up
But aint nobody gonna hear ya
When ya throwin up
Mad blood i seen many peeps die for a lie
So if you problem with the way i spin
It off my tongue
******* and you ****** loving muthaphukkas
I cant stand yall with a passion
Im blastin
Like a runaway gun yall wont hearme when i come
For death best moments are done in silent violence *****
Fuckgaypride fuckallthis homosexual agenda im an alpha male ill be like Paul in Jail *******
Mahatma Jones Feb 2015
My friend Gerard, (who is alive), looks like an Arabian slave-boy, though swarthier and longer of hair than Tony Curtis; an olive –skinned Mowgli, ape boy of Kipling’s  “Jungle Book”, although I have never seen Gerard swinging through any trees, nor eating any insects, nor even kissing a sultan’s foot. But looks can be deceiving, or receiving, with the proper pen, the zen pen of a poet, this proper poet who lives upstairs with his multitude of books piled on the floors, walking on Whitman, sitting on Shakespeare; tripping over Ginsberg, sleeping on Sartre; not a single shelf for this Jung man.
“A place for everything, and for everything it’s place”, he stands and stares out of a window overlooking the jungle of five-foot high weeds that serves as our backyard and wonders aloud “whither Oregon?”; questions our alleged enlightened sense of awareness, his disposition toward liberalness in a world gone madder than usual. Have I convinced him yet, my naïve, trusting neighbor? Yes, he realizes with a sigh that it is so, now that he has finally succumbed and bought a thirteen inch, black & white television of his own, now he can see with his own brown eyes in his own living room, far off wars, instant coffee & instant karma, depersonalized tragedies, faceless fatalities, insidious soap operas and humorless sitcoms, adverse advertisements, Howard Stern; “whither sanity?” we both cry and laugh out loud at this mediocre media, the global sewage, the Marshall McClueless, me and Gerard Rizza, my friend who is alive.

Gerard, (who is healthy), is gay, yet straighter than most men, and has been complaining quite a bit about the ferry service lately; contemplating a move off of Staten Island, and leaving his sporadic substitute teaching gig at a nearby high school, a mere six block walk from our house atop Winter Hill, where he is trying to convince me, a wide-eyed cynic, that a blank, white, unused canvas, surrounded by a wooden picture frame hung upon his wall is indeed a work of art; the job is very convenient, but again the ******* about the ferry, not the boat ride per se, but the incongruities of the ****** schedule, which anybody who has ever just missed a three a.m. boat and had to wait for an hour in the Hierynomous Bosch triptych known as the Whitehall Ferry terminal ,will definitely attest to; and Gerard has this thing about Staten Islanders, like the homophobes at a recent anti-peace rally in New Dorp, supporting the carpet bombing of an oil rich yet still poor third-world country, throwing beer cans at him and his companions while shouting “we know where you live, *******!”. Rizz came home that evening, visibly shaken and pale, (not his usual olive-skinned self), knocked on my door and pleaded “whither ******?”. I went upstairs, sat on his couch and rolled a joint. Gerard puts on the new 10,000 Maniacs tape and tries, once again, to bait me in a conversation about his “work of art”, my work of naught; he speaks of the horrific details of his day. “Isn’t this picture of Doc Gooden on my refrigerator door proof enough of my manhood, my patriotic intent, for those *******? The ******’ Mets, fuh chrissakes!” We sit out on his porch, watching the sun set over our backyard jungle as Natalie sings wireless Verdi cries, and I pass the burning joint to Gerard, my friend who is still healthy.

My friend Gerard, who is *** positive, was quite possibly a cat in a former life, probably a Siamese, thin, dark and aloof; yes, I can see ol’ Rizz now, sprawled out on an old tapestry rug, getting his belly scratched by his owner, perhaps Emily Dickinson or Georgia O’Keefe, Rizz purring like the engine of an old bi-winged barnstormer; abruptly rolls over, gets on all fours, tail waving *****, slinks over to lap water out of a bowl marked “Gerard”. He’d sleep all day on books and original manuscripts, and play all night amongst oil & acrylic, knocking over an occasional blank canvas, which he, in a future incarnation, will try to convince me, in his feline manner, is art. Sitting and staring from his usual spot on the windowsill, his cat eyes blink slowly as he wonders, “whither dinner?”; and begins to clean himself with tongue and paw, this cat who might be Gerard, my friend who is *** positive.

Gerard, who is sick, recently moved to Manhattan, Chelsea, to be precise, in with his best friend; and has stopped ******* about the Staten Island ferry, having far more pressing matters to ***** about, i.e. the ever-rising cost of homeopathic medicine and the lack of coverage for holistic and alternative care; any number of political and social concerns (Gerard was never the silent type); the lateness of his first published book of poems, entitled “Regard for Junction”; his rapidly deteriorating health, etc., etc.; and is now a true city dweller, a zen denizen, a proper poet with high regard for junction. That’s all that remains when it’s all over anyway, this junction, that junction, petticoat junction, petticoat junction – “I always wanted to **** the brunette sister”, I’d once told him; “I prefer uncle Joe!”, he laughingly replied; dejection, rejection, reclamation, defamation, cremation, conjecture, conjunction, all junctions happening at the same time, at now, a single place, a single moment, this forever junction with Gerard, my friend who is dying.

My friend Gerard, who is dead, officially passed from this life on a Saturday morning in early April, a mere two weeks before his junction with publication, although Gerard my friend passed away much earlier, leaving a sick and emaciated body behind to play host to his bedside guests, to help bear the pain of his family and friends; so doped-up on morphine, no longer able to remember any names, he called me “*****” when I entered the hospital room, where this barely physical manifestation of what had once been Gerard Rizza was being kept alive like the barest glimmer of hope, and displayed like some recently fallen leader, lying in state;  “whither Gerard withers” I thought, saying goodbye to this Rizza impersonator, this imposter, this visitor from a shadow world, an abstraction of a friend, whom the nurses told us, his disbelieving visitors, was our friend Gerard, who though technically still alive, was already dead.

My friend Gerard, who is laughing
My friend Gerard, who is singing
My friend Gerard, who is coughing
My friend Gerard, who is sleeping
My friend Gerard, who is holy
My friend Gerard, who is missed.
(c) 1994 PreMortem Publishing
Mateuš Conrad Nov 2015
with the birth of money the old, ethnically categorised
unity broke apart,
now the rats in banks, now the rats stocking
cheap metal jump the ship called humanity unanimously,
we no longer have tribes of apache, or maori,
we have ethnicity via professions - the ‘i scratch my back
you scratch mine’ lots drawn... the shortest match
gets to be in the philosophy gang of severe individuation:
it’s not that the english languages from philosophy orientated maxims,
the english language is quick on that, quick to spot that,
but in terms of a philosophical narrative like a complex prose book of fiction...
well... its legs are broken, its arms are broken, it’s simply languishing
behind all the truths proofs innuendos and falsities, like an eager puppy.
with the birth of money traditional tribalism died and became
a curiosity prior, the least amazing job in a society with the piston
named money expects us to gratify existential qualms like so:
least responsible most likely to profit... most responsible the type
to be political in salvaging the least responsible role of a postman
or a cashier with lies...
now you... waiting eager for the ear to hear sweater music,
fare well with the anti-communicative charon - ah death
has a boat and a gondolier’s oar, rather than hood wings and a scythe...
see past the pagan burial of putting two coins in the cauldron inferno of
******* stacked to send the signal of the departing soul: partly brain
partly heart... that inverted exoskeleton capacity to feed the idea of soul -
they make break my bones with sticks and stones...
on the outside bruised... but then the surrealism of the inside attracting
an unfamiliar species of thinking: either singing or harking.
with four beers in the churchyard i took the last remnant of my past
with me, a d.c. belt of my ex-girlfriend, and thought about black magic
and voodoo, hanging it on a branch... instead i wrapped it
around the tree and gave it a model’s size 0 circumference,
thus i ended the session thinking about buying new gloves for winter
feeling my hands turn into ivory at the touch of the cold beer can...
but prior i was well aware of the possibilities, when the theft / injury took
place in a frenzy of such jealousy as to acquire theological dimensions of proof:
at least i will leave the world satiated by convenience of the misguided act -
as to answer that famous question: leave numerology aside,
come with me from how you acquired your use of language, your vocabulary,
make me see you turn words to words... away from the jewish tradition
of numerology... let’s face it... would you answer the question:
what’s the meaning of life? with (23 + 8 + 1 + 20 + ~9 +19) etc.?
or would you care to peer in and say:
the question has no verb in it, i.e.: not activity, anyone can ask it
but still prevail in their vector coordination of plumbing or
spanking faraday equations with newton training the monkey to dance:
pronoun (what) 3rd person singular present indicative of be /
you might as well be saying 1st person plural non-present non-indicative of be /
schizophrenic / there’s meaning in the sewer blockage with eager hands to fix it /
the crooked tree with a straight shadow / the badger shrunk from a zebra and became
the petted dalmatian that became a cow (is, i.e. too much is happening) i’m looking at something with myopic directness of the far far blurry / a direct article (the) now open the dictionary and tell me how cave is a ditto of rock and mountain without antonym proximity (noun) prior to me there was ****** and mussolini, pre that while i mind the pro that’s me (of, preposition) the river sooner than soon pours into the ocean and becomes saltwater, it could be called the heraclitus estuary, but it’s the thames we’re talking about; many men became rivers but still the godly wound itched for more bloodshed, and all those that attracted sweet water fish ended up as salt water poisons known as oceans, known as humanity (life).
(PIANO DI SORRENTO.)

Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes—
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail’s crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider’s back,
As I told you last night,—
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could ******
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that’s known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o’er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle—
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain’s driving,
Your girls that are older,—
For under the hedges of aloe,
And where, on its bed
Of the orchard’s black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,—
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they’ve brought you,—
The rain-water slips
O’er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence—
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion’s, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,—
And end with the prickly-pear’s red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
…Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one’s track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,—
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.

O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-*****, black, glossy and luscious,—
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the *******, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e’en grudged
’Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-****
That clung to the path,
And dark rosemary, ever a-dying,
That, ’spite the wind’s wrath,
So loves the salt rock’s face to seaward,—
And lentisks as staunch
To the stone where they root and bear berries,—
And… what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves—
Over all trod my mule with the caution
Of gleaners o’er sheaves,
Still, foot after foot like a lady—
So, round after round,
He climbed to the top of Calvano,
And God’s own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you—
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them—
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E’en the myrtle-leaves curl, shrink and shut—
All is silent and grave—
’Tis a sensual and timorous beauty—
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses—
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds’ quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life’s secret,
I hear and I know!

Ah, see! The sun breaks o’er Calvano—
He strikes the great gloom
And flutters it o’er the mount’s summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews’-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot’s own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow’s the Feast
Of the Rosary’s ******, by no means
Of Virgins the least—
As you’ll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but’s dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest’s hoarse,
Will strike us up something that’s brisk
For the feast’s second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a *** on the plaster
Till out there shall fall
A scorpion with wide angry nippers!

…”Such trifles”—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If ’tis proper, Scirocco should vanish
In black from the skies!
KUSTA BEN LUKA is my name, I write
To Abd Al-Rabban; fellow-roysterer once,
Now the good Caliph's learned Treasurer,
And for no ear but his.
Carry this letter
Through the great gallery of the Treasure House
Where banners of the Caliphs hang, night-coloured
But brilliant as the night's embroidery,
And wait war's music; pass the little gallery;
Pass books of learning from Byzantium
Written in gold upon a purple stain,
And pause at last, I was about to say,
At the great book of Sappho's song; but no,
For should you leave my letter there, a boy's
Love-lorn, indifferent hands might come upon it
And let it fall unnoticed to the floor.
pause at the Treatise of parmenides
And hide it there, for Caiphs to world's end
Must keep that perfect, as they keep her song,
So great its fame.
When fitting time has passed
The parchment will disclose to some learned man
A mystery that else had found no chronicler
But the wild Bedouin.  Though I approve
Those wanderers that welcomed in their tents
What great Harun Al-Rashid, occupied
With Persian embassy or Grecian war,
Must needs neglect, I cannot hide the truth
That wandering in a desert, featureless
As air under a wing, can give birds' wit.
In after time they will speak much of me
And speak but fantasy.  Recall the year
When our beloved Caliph put to death
His Vizir Jaffer for an unknown reason:
"If but the shirt upon my body knew it
I'd tear it off and throw it in the fire.'
That speech was all that the town knew, but he
Seemed for a while to have grown young again;
Seemed so on purpose, muttered Jaffer's friends,
That none might know that he was conscience-struck --
But that s a traitor's thought.  Enough for me
That in the early summer of the year
The mightiest of the princes of the world
Came to the least considered of his courtiers;
Sat down upon the fountain's marble edge,
One hand amid the goldfish in the pool;
And thereupon a colloquy took place
That I commend to all the chroniclers
To show how violent great hearts can lose
Their bitterness and find the honeycomb.
"I have brought a slender bride into the house;
You know the saying, ""Change the bride with spring.''
And she and I, being sunk in happiness,
Cannot endure to think you tread these paths,
When evening stirs the jasmine bough, and yet
Are brideless.'
"I am falling into years.'
"But such as you and I do not seem old
Like men who live by habit.  Every day
I ride with falcon to the river's edge
Or carry the ringed mail upon my back,
Or court a woman; neither enemy,
Game-bird, nor woman does the same thing twice;
And so a hunter carries in the eye
A mimic of youth.  Can poet's thought
That springs from body and in body falls
Like this pure jet, now lost amid blue sky,
Now bathing lily leaf and fish's scale,
Be mimicry?'
"What matter if our souls
Are nearer to the surface of the body
Than souls that start no game and turn no rhyme!
The soul's own youth and not the body's youth
Shows through our lineaments.  My candle's bright,
My lantern is too loyal not to show
That it was made in your great father's reign,
And yet the jasmine season warms our blood.'
"Great prince, forgive the freedom of my speech:
You think that love has seasons, and you think
That if the spring bear off what the spring gave
The heart need suffer no defeat; but I
Who have accepted the Byzantine faith,
That seems unnatural to Arabian minds,
Think when I choose a bride I choose for ever;
And if her eye should not grow bright for mine
Or brighten only for some younger eye,
My heart could never turn from daily ruin,
Nor find a remedy.'
"But what if I
Have lit upon a woman who so shares
Your thirst for those old crabbed mysteries,
So strains to look beyond Our life, an eye
That never knew that strain would scarce seem bright,
And yet herself can seem youth's very fountain,
Being all brimmed with life?'
"Were it but true
I would have found the best that life can give,
Companionship in those mysterious things
That make a man's soul or a woman's soul
Itself and not some other soul.'
"That love
Must needs be in this life and in what follows
Unchanging and at peace, and it is right
Every philosopher should praise that love.
But I being none can praise its opposite.
It makes my passion stronger but to think
Like passion stirs the peacock and his mate,
The wild stag and the doe; that mouth to mouth
Is a man's mockery of the changeless soul.'
And thereupon his bounty gave what now
Can shake more blossom from autumnal chill
Than all my bursting springtime knew.  A girl
Perched in some window of her mother's housc
Had watched my daily passage to and fro;
Had heard impossible history of my past;
Imagined some impossible history
Lived at my side; thought time's disfiguring touch
Gave but more reason for a woman's care.
Yet was it love of me, or was it love
Of the stark mystery that has dazed my sight,
perplexed her fantasy and planned her care?
Or did the torchlight of that mystery
Pick out my features in such light and shade
Two contemplating passions chose one theme
Through sheer bewilderment? She had not paced
The garden paths, nor counted up the rooms,
Before she had spread a book upon her knees
And asked about the pictures or the text;
And often those first days I saw her stare
On old dry writing in a learned tongue,
On old dry ******* that could never please
The extravagance of spring; or move a hand
As if that writing or the figured page
Were some dear cheek.
Upon a moonless night
I sat where I could watch her sleeping form,
And wrote by candle-light; but her form moved.
And fearing that my light disturbed her sleep
I rose that I might screen it with a cloth.
I heard her voice, "Turn that I may expound
What's bowed your shoulder and made pale your cheek
And saw her sitting upright on the bed;
Or was it she that spoke or some great Djinn?
I say that a Djinn spoke.  A livelong hour
She seemed the learned man and I the child;
Truths without father came, truths that no book
Of all the uncounted books that I have read,
Nor thought out of her mind or mine begot,
Self-born, high-born, and solitary truths,
Those terrible implacable straight lines
Drawn through the wandering vegetative dream,
Even those truths that when my bones are dust
Must drive the Arabian host.
The voice grew still,
And she lay down upon her bed and slept,
But woke at the first gleam of day, rose up
And swept the house and sang about her work
In childish ignorance of all that passed.
A dozen nights of natural sleep, and then
When the full moon swam to its greatest height
She rose, and with her eyes shut fast in sleep
Walked through the house.  Unnoticed and unfelt
I wrapped her in a hooded cloak, and she,
Half running, dropped at the first ridge of the desert
And there marked out those emblems on the sand
That day by day I study and marvel at,
With her white finger.  I led her home asleep
And once again she rose and swept the house
In childish ignorance of all that passed.
Even to-day, after some seven years
When maybe thrice in every moon her mouth
Murmured the wisdom of the desert Djinns,
She keeps that ignorance, nor has she now
That first unnatural interest in my books.
It seems enough that I am there; and yet,
Old fellow-student, whose most patient ear
Heard all the anxiety of my passionate youth,
It seems I must buy knowledge with my peace.
What if she lose her ignorance and so
Dream that I love her only for the voice,
That every gift and every word of praise
Is but a payment for that midnight voice
That is to age what milk is to a child?
Were she to lose her love, because she had lost
Her confidence in mine, or even lose
Its first simplicity, love, voice and all,
All my fine feathers would be plucked away
And I left shivering.  The voice has drawn
A quality of wisdom from her love's
Particular quality.  The signs and shapes;
All those abstractions that you fancied were
From the great Treatise of parmenides;
All, all those gyres and cubes and midnight things
Are but a new expression of her body
Drunk with the bitter sweetness of her youth.
And now my utmost mystery is out.
A woman's beauty is a storm-tossed banner;
Under it wisdom stands, and I alone --
Of all Arabia's lovers I alone --
Nor dazzled by the embroidery, nor lost
In the confusion of its night-dark folds,
Can hear the armed man speak.
B E Cults Feb 2019
We, the invisible reasons for your problems, blind ourselves to the
dismal inevitability that we will
suffocate because you refuse to stop
the pillaging of the future for the sake of your own ******* lineage being able to further itself and potentially give you a chance to again close your mind and scream as loud as you can when confronted with your own toxicity

We, the ones who humbly take the bludgeoning from your self-proclaimed pious hand, know these chains are only on your bleeding wrists and ankles.

We, the silent and the broken, know Santa Muerta by the nicknames she had in college and all accompanying wildness she brought in her wake.
We still will stroke your hair while you
throw your tantrums and wail about what is and isn't fair on your deathbeds.

We will burn the mattress and all while cheering you on on your flight into the night sky you ignored for a lifetime.

We, the servants of streaming digits and stewards of bottled stardust, will create stories about how it wasn't your fault and how you shouldn't be hated for bringing the world crashing into the excrement of wasted potential so our children know there was a choice to be made.

We, the overly polite pariahs pry laughs and love and lust and learning from looming catastrophe like Burroughs writing Naked Lunch with a glassy eyed stare that burned holes in the veil hiding the tide of partially coagulated blood and ******* that YOUR world preached as milk and honey.

We, the proof in the moldy pudding still finding time to rot, will burn tobacco fields in your honor just to dance while getting drunk on the breaths you'll never waste.

We, the lovers of questions and haters of creeds, let tears stream in the hope that they are not considered part of our body's 75 percent while fantasizing about your ghosts seeing them and the dehydration they may be in spite of and quiet your tired old yelling and shaking of fists at the clouds when overcome by the slight sadness that whispers "its too late" lovingly into your ear.

We, the lovers, the thieves, the reviled, the *******, the witches, the junkies, the ******, the reptiles and worms under the rocks society deems unusable and misshapen, will be the ones lifting the crowns off your corpses and throwing them high as graduates do when full of a hope only ever dashed by themselves.

We, the drooling monsters you vehemently deny anything besides the cramped closets or the space between bed and floor in childhood bedrooms, will be the Valkyries to descend onto the blood-choked battlefield you set aside for your souls to suffer on and offer you respite in the form of soggy bread and wildflower honey while  ravens and jackdaws bicker over the eyes and fingers of those that once showed us how to ride a bike or drunkenly beat us beneath our favorite trees or touched us in dark rooms in ways that would chase Love away from the shadow of our hearts until we finally climbed high enough to see it all as someone screaming of war and bravery while running from the sound of steel biting steal because their protectors talked so highly of honor and duty that it seemed as if it were God and Adam touching fingertips on the arched ceilings of youth. that, then was painted on the crumbling walls of abandoned houses they would secretly indulge on the forbidden fruit soaking pages of a faded **** magazines or up skirts of blushing  girls who put on their mother's prudishness until fingers pushed past
cotton and virtue alike to the warm center they both melted in.

We, the unsung and numb, walk in spirals while the complexity you rebuked as devil-born becomes the sigils of yet-to-be kingdoms bringing about golden age after golden age in the distant mists rolling over hills and valleys of memories of moments yet to coalesce into rigid experience.

We, the eyes weeping blood atop crumbling pyramids, have seen the walls you want to build in futures dissolved in the winds blowing dust over the dream-roads we skip down and how it resembles the one you built to keep your heart from breaking from the pressing mass of what you can't file away as noise or heresy or communist propaganda;
We drew throbbing ***** and dripping ***** on all the blueprints we came across and tucked them back into the secret compartments of wardrobes and roll-tops passed down through generations.

We, the keepers of the singing stones you traded for cheap concrete, will embrace the tiny souls you neglected out of ignorance to the existential snake oil pitch you broke every tooth biting down on all because the salesman reminded you of your drunk father or mother imposing their wills like you make shadow puppets dance on peeling wallpaper in the silence that ensued after they had passed out on creaky couches reeking of Lucky Strikes and spilled ***** while the shine of the staticky T.V. set covered them like the blanket no one ever put over their slumbering forms because of those infinite lists of excuses used to skirt the skirmishes of showing any kind compassion even if they alone were sole witness to it.

We, the pieces of self the deathbed "you" sent hurtling backwards through time to shine lights on the siege seething at the gates of what you stand for, are only holding those lanterns to show you that fleeing is futile and your death is just a hallway with a door that leads to the knowledge that life is not a cell to watch time morph into tally lines scratched into cold stone as if they were epitaphs for the seconds bet and lost at the roulette table crafted from any slave ship the ocean never swallowed.

We, the flames mimicking those dancing girls you longed to have squeal under the idea of your thrusting masculinity amidst the graffiti on the bathroom stalls in seedy dive-bars or the paupers playing prince you follow giggling with hope in hand like a bouquet of baby's breath and daisies for that one day they would stop and turn and smile so handsomely that your knees would shatter against one another and wedding chapels would bend down to tie tin cans to bumpers of beat up Buicks and Oldsmobiles your fathers give dowry and the crowd could watch "just married" poorly written in shaving cream on the back window grow small until it disappeared over the horizon.

We, the dreamers, are tired of sleeping and are in need of a old tree to swing from, to bury our dreams like beloved pets under, and watch as it lets its leaves fall to the hungry earth that is more patient then anyone closed eyed and humming ancient syllables beneath crooked branches could ever be.

All the trees you climbed and kicked and fell in love under have died from too many hearts around intials being carved into them or were used to make fascist pamphlets you yourself passed out at churchs mistaking the mask with bone structure or the river for the people it swept to sea.

We are laughing;
like a loving mother at her clumsiness on display in her cackling child and not like the crowds gazing at the sideshow stage as the curtains pull back and stage lights illuminating John Merrick's flesh and the intricate dissonance it lent to minds.
Minds that afforded only sips of bliss as monotonous stints on factory floors but were preached about like they were some heaven-sent golden cobblestones laid lovingly all the way
to the beach where Heimdall will one day sound his horn, one foot feeling the grit of the edge of the world and the other washed clean for the grave we will all step in.

So, all these words, all these images, all of it is intended to be a moon so all the stagnate tide pools that have forgotten their origin and the freedom they used to give form to lesser forms they forage forgetfulness from.

We, the ones beneath you on the climb to the summit of our collective potential, beg you to think of something beside yourself when taking a ****.

It is not just ******* in the wind if there isnt wind and we are right below you and dying of thirst.

It is not an inalienable right if someone else is deprived of the same.

It is not Heaven's gate if the brilliant gild has a melting point or if it remains latched to any soul's approach.

It is not "liberal *******" or a myth if whole flocks of birds fall from the sky or schools of fish wash up on beaches while people snap photographs for their feed.

It is not "god" if love dispels it like smoke hanging in the kitchens your great grandmother sat in and told you about a witch shapeshifting into dogs without heads to scare drunks stumbling home because she was a ******* racist.

It is not just food if someone's organs fail from starvation that even the worms and flies are free from.

You wave your banners and let your war-horns echo and you wear your ignorance as armor.

We, the eaters of life and death, will chisel a name into stone and pick your bones clean if you think we should march to the sounds of drums and trumpets just because you were stupid enough to think it was anything other than your masters convincing you to whip yourselves ****** because "at least God hath been kind enough to give you a purpose" or "he works in mysterious ways".

**** that.

Look at what it has brought out of the swirling sea of " all that could be" while you write the same song about how shiny and numerous the scales of the prize are.

We are not responsible for pillaging God's bounty.

We are the bounty and our emptiness and lack of foresight are in jeweled bowls at your feet, but in your hubris you believe it to be the slaves that come to wash the dirt from between your toes.

We are Death and She is the wet-nurse that will give us intimacy to fertilize our hearts by refusing us her breast but turning our heads to your silhouettes shambling off the edge of existence far off in the distance only a decade or less could be confused for.

[AS ONE VOICE WE SING/SANG/HOWL:
Lux amor potentia restituant propositum dei in terris.]

As if it were as easy as holding the hand of a dying tyrant afraid they cannot the luminous terminus while wearing your father's face as a mask to trick radiant angels or the contortions of gods reeking of struck matches by those trembling and their swirling black hearts closed to the breeze carrying leaves celebrating their liberation and caressing a cheek they were too ashamed to kiss when opportunity was their ally.

We shouldn't hate these piles of skulls all parroting the same axioms to those who only show up to add another or leave an empty bottle turned into a candle holder, wax dripped down the neck and froze before any trace of tallow could finally unite with the dirt it longs to become one with;
icicles hanging from the eaves of abandoned asylums.

This place was supposed to be alot of things but that is what lead THEM to drown in the sound of buzzing bees, birdsong, and abundance in all directions.

I suggest we stop trying to squeeze it into a shoebox we scribbled Promised Land on and just let it be the open armed paradise it inherently is.
Let it be the heart and home as well as the hostile territory because it is only ever that and what we wont find in any Oracle's Prophecy.

I'll end my rambling with a question and it's answer.

How do you turn a police station into a hospital and a schoolhouse?

Burn it to the ******* ground.
This is me pushing sentences to the max. Sentences that just shamble on through the space they themselves create.
Monks and magick practitioners use trance states to penetrate deeper.
I stretch these sentences which stretch your conscious mind's attention span well past being interested letting my imagery embed itself somewhere you'll realize is there farther down the ro
Mateuš Conrad Oct 2018
.i can't believe i just wrote a:dictionary entry ******* into this thread... i wrote one... ****... must have been the October night appeal... you know,,, when you're walking from a supermarket, and a woman ahead of you, i'd say 20m, and she stops, in order for you to pass pass by her, so she feel safer, walking in-front of her, rather than behind her... and it's not a foggy October, more like hazy / more like... vague...but i'm the minority report character... like... the "enlightened" British authorities.... are so far off the continental jurisprudence of: guilty until proven innocent.... what?! what?! i asked you... what?! a man and a woman, complete strangers, walking down a street... the woman will stop, and act, a "grievance" (believe me, that is a misnomer, but like swear words act as conjunctions, so do misnomers, in the double bracket English humor exemplars, nuances... insinuations, i thought that English people understood a civility of an intelligence of humor... apparently... they don't). it's still a misty night in October... a woman is walking up-front before a man, the man is walking behind her, drinking a bottle of beer: shh... he's about to finish it... and then smack the woman over the head with it... but sure as **** she stops... and pretends something, so he walks in-front of her... i just want to listen to some roxette, ma'am... can you please ******* with your paranoia... like... now?!

                    last time i checked...
there were only
ortho-
           para-
            and meta- positioning
attachment groups
(CH3 etc.) to what the benzene
ring allows...

what's the antonym of cis?

wait wait wait...
cis- is an adjective,
borrowed from..... chemistry?!

denoting or relating to a molecular
structure in which two particular atoms
or groups lie on the same side of a given plane
in the molecule, in particular denoting
an isomer in which substituents
at opposite ends of a carbon–carbon
double bond are on the same side of the bond...

right...
what's the antonym of cis-?!

pre-post-scriptum:
**** me... dictionary.com is down...
   the primary adjective definition
is now sexually orientated,
primarily... that website is gone!
gone! gone! gone!
down! the end... cue the credits....

phonetically-wise...
how far is...
    cis- from.... a... cyst?
no far, i gather...

         perhaps the, "added" T...

      let's see the antonym...

   woah... wait a minute, wait a minute...

a prefix occurring in loanwords from
Latin meaning “on the near side of; on
this side of” (cisalpine)

reverse-psychology aside...
why am i supposed to play along
to this psychotic scrabble game?
let me get this straight...

so...
whoever is cis-gender is....
no... wait...
aren't the ******* and queers
the ones who are...
on the near side of heterosexuality?!
i'm as far removed from
donning penetrating ****
as i'd like to be...
and yes, Jordan Peterson is right...

i couldn't **** these
pornographic actor women...
i wouldn't know how to begin...
i wouldn't know how to **** them...
going to a Bulgarian *******
i've learned that...
spanking them on the *** was
off limits...
    no... i couldn't and wouldn't
ever **** these women in
***** movies...
   because?
    well... funny thing about prostitutes...
you can't exactly be accused of
****...
not being payment, yes...
****?
    not trimming your ***** hair,
subsequently "forgetting" to take
your genital parts along,
and kissing for an hour            =
****?                good luck.

but i can't believe i'm buying into
this *******...
which happens,
when mad people start talking and
making counter-etymological claims...
to the pressing immediate
usage of a word, or, more importantly,
the focus on the abuse of a prefix...

i'm a simple man...
i could understand the clockwork
of the benzene ring,
with the positioning

         ortho-, para-, meta-....
i could understand that...

                 but this, current pentagram...
of ortho- para-, meta-,
   cis- & trans-                  ?
i call that a hyper-inflation of
a circle into a globe...
                     this...
                          toying with Latin prefixes
only transverses as far as
it still appears,
hardly associated with the ridiculous.
Andrew Rueter Nov 2017
Here comes The Change
That has the range
Of emotions
And demotions
And devotions
Of a perilous populous
That likes to raise a fuss
When they eventually learn who I am
And treat me like I'm the Son of Sam

To be specific
They discover I'm gay
And begin to filet
My mentality
In totality
For fatality
Merely by acting differently

If my sexuality isn't the first thing people know about me
I get to witness The Change
Like a dog with mange
I am shedding my hair
While screaming no fair
Because of the shift I see
Because of the **** I need
To make my heart bleed

There is a steady bellowing burdensome baggage
From those that want to ****** some *******
So I search for weight lifters
But only find shapeshifters
That become great grifters
When The Change occurs
And The Change burns
So The Change turned
Me into an interdimensional changeling
And an unintentional rage king
After they use words like flaming
Because the results are so draining
It becomes hard not to hate people
Who are inspired by hate steeples

They say I'm going to Hell
While I notice the smell
Of being buried in their banal ****
While they play their greatest hits
That are as unoriginal
As they are cynical
They say I'm a degenerate
An embarrassment
A parent's lament

I want to change into a carefree bird
Instead I stay in Hell with the herd
Wanting to escape like Lupin the Third
Rather than be oppressed like the Kurds
But there is no relief
Only re-grief
When changes aren't permanent
But The Change is

There's an illustration of my life
That will change your perspective
The picture is in my words
When the painting is what I choose to say
And the canvas is your mind
Whose textures I could never imagine
So I jump off a cliff blindfolded
Expecting to be changed once I land
LylexRose Oct 2018
Ah its been a while...
Now let's do this...

Oh guess whose back, so just smile, grin and bare it
Downed a side of Jack stepped up to the mic and just killed it
Now whos the kid on the block who writes these maginficant lyrics
I could be some clown rapping about his shoes and I'd wear it
That's just who I am and why I was placed in this position it's scary
We've all just done some nasty **** and only the few have a spirit then use it to create a vision
Now I'm not playing but what they **** I did I do, I guess that's what happens when two uncreative ***** cause a collision
Can't help it that I smoke a little green and now suddenly mommy wants tell the youth I'm swallowed by herion
Feels like I've lost the plot would tell you to look to the sky but now I can't even find it
When I look at these people and seeing my  situation, just a shame I'm staring at the mirror
But away I'm just talking crazy it's not like either of you raised me
I pretty much doubt that you any idea about hard I worked to get here
Im not trying to brag but thanks to you guys I'm a modern day Shakespeare
And on one fateful day you decided to make that decision
Kicked my out on to the streets and you expect me to maintain my innocence
Used me against myself and make my feel like the menace
Oh looks like you've had a couple kids
Mum and dad don't give me that look, it's your job, you're my parents,
Too bad looks I've ****** up a lot a things and that's including your marriage

And do you know why...

It's because I'm the gutter boy (gutter boy!)
Couldn't give up cos I'm going further boy (gutter boy!)
Coming from a place like no other, boy
Turn up the heat no need to shiver boy
No Ice just a chain no need to shimmer boy
Now turn up this beat cos I'm a gutter boy (gutter boy!)

And you know what's funny...

Just take what I say with a grain of salt cos I no politician
But what I say comes from the heart so perk your ears up and listen
I'm not of those city boys I come from a place full of grey skies and an unholy division
A man of God, straight from the heart to mouth yet how can I call myself a christian, just barely
But I won't shed a tear or get offended just because I'm treated unfairly
Posting **** on Twitter just cos life ***** is just unnecessary
Take one for the team and take one to the chin because everyone has a past that people is just ordinary
I've dealt with your **** for long enough, it's time to close the book on this odyssey
Im'ma try to enjoy what's left of my life cos our time on this earth is only temporary
That's why I write the way I should, say what I say and why I do what I do it's just immaturity
You see Im'ma a poet to some, to others I'm getting by barely
But everybody knows I've never been afraid to say what's on my mind I can talk about anything
I sense a great war coming or maybe I'm already living off food stamps
Gear myself up to destroy these enemy camps
I'm the Oliver Francis Ferdinand cos these kids in America feel like they need a revamp
Oh dissing these ice rapping ******* so sourly
I'm the gutter boy begging for bread and just working it hourly
You think I care what you say, I do this my way, I'm not the one to be rapping so cowardly
Cos if you think I do this for the money, well you can kiss my profanity
Because if I do this for anyone, Im'ma do it with all that I have and this one's for what's left of my family....
The horizons ring me like *******,
Tilted and disparate, and always unstable.
Touched by a match, they might warm me,
And their fine lines singe
The air to orange
Before the distances they pin evaporate,
Weighting the pale sky with a soldier color.
But they only dissolve and dissolve
Like a series of promises, as I step forward.

There is no life higher than the grasstops
Or the hearts of sheep, and the wind
Pours by like destiny, bending
Everything in one direction.
I can feel it trying
To funnel my heat away.
If I pay the roots of the heather
Too close attention, they will invite me
To whiten my bones among them.

The sheep know where they are,
Browsing in their ***** wool-clouds,
Gray as the weather.
The black slots of their pupils take me in.
It is like being mailed into space,
A thin, silly message.
They stand about in grandmotherly disguise,
All wig curls and yellow teeth
And hard, marbly baas.

I come to wheel ruts, and water
Limpid as the solitudes
That flee through my fingers.
Hollow doorsteps go from grass to grass;
Lintel and sill have unhinged themselves.
Of people and the air only
Remembers a few odd syllables.
It rehearses them moaningly:
Black stone, black stone.

The sky leans on me, me, the one upright
Among all horizontals.
The grass is beating its head distractedly.
It is too delicate
For a life in such company;
Darkness terrifies it.
Now, in valleys narrow
And black as purses, the house lights
Gleam like small change.
AJ Sep 2013
you say i'm a *****, but you're a misogynist who thinks "*****" is the worst thing you can be
but it's not like you're smart, and you don't have a heart, so drive your *** back to D.C.
the government thinks it's funny, they have all the power and money
ha, honey, let me tell you: your power is nothing, if you don't have that something
that your people are willing to fight for
you kick down the poor
and bully the weak
it's no wonder we hate the words that you speak
and you're not concerned, but the people have learned
we're more clever than you and i think you know it too
and you will  never understand
the courage of a desperate man
so here's to the "*******", the "*******", the "*****"
the homeless, the hungry; who can't stand this country
because of the white men who think they're in charge
well it's time for a change; this needs to end, you must make amends
because the ones you used to spite? well we've got some bite and we're ready to fight
because we're not all men and we're not all white
so clean off your glasses and get off of your *****, boy, are you in for a show
i think you know where this is going; our power is growing
and everyone knows how this ends
the villains will lose and we will pull through
don't underestimate this group of friends
because sure i'm a ***** but i get **** done
**** with me and i'll **** with you
the roles have reversed, turns out there is something worse
now look who's holding the gun
Cody Edwards Apr 2010
"And Abraham drew near, and said,
Wilt thou also destroy the righteous with the wicked?"
- Genesis 18:23

I

There are about four thousand people
Here.
They throng in blasted heat like
Little arid wasps.
Gasping summer rain,
Like the opposite of fish.
Of their individual character
I can give no generality.

They are men and women,
They stand on roofs and
Sleep on their words.
They are hot and cold
And they hate and scold.
They are devils and stars
And ***** and priests
And children of priests.
Orators, they are also:
The speakers of the state (which
Is hotter than they could
Ever know); they steal
And reel and impose their
Splitting fingernails deep into
The varnish of the
Wishing well.

They are men and women,
They stand on roofs and
Smother dreams by spitting on the sky.

II

Fox. Come and light my little room
With your brilliant breath. Have you
Come very far? From the eye of the trees?

I should leave this little town if I were you.
It has its ways and leeches from our
Dangling hands. A tongue named Lethe.

Wake early and flee back to your dark,
Summon that green corpus shell that
You came from and follow its outlying root.

You should know the power of the vine.
It crawls in the blinding night and
Strangles what it cannot feed upon.

Oh my little fox, I beg you turn back,
For in familiarity lies strength and nothing
In this wilderness will give you nourishment.

III

He walks in waterways and crunches bone.
He watches moonlight play on open wounds.
He wishes dearly for the ends of weeks.
I heard him live his life without a sound.

The high school band with a treble clef. The year
Of empty penmanship in which he wrote
A thousand notes and mailed them underground
About which neither parent knew a thing.

Encounters best discovered some years later
Work to redden ears in coffee shops,
Or rather as I’m talking to him now,
With darting speech and halting eyes and all.

Perhaps the atmosphere could lend itself to blame,
The hormones and the collusive ennui.
But little charms the tear ducts quite like saying,
“Why am I this way, do you suppose?”

I haven’t got the heart to make reply
And often pose myself the same question
Before the mirror thinking of my whims,
The muddied roads that led me where they did.

My time has run itself to pieces in
The hope of spreading my horizons, but
Some sand runs faster in the way, some gains
More ground. And mine? This distance is unknown.

I licked the shelves of Hardy, Plath, and Keats.
I lorded over idiots with glee.
I lured the fathoms of my mind to float.
And oh, the things that he must think of me.

IV

The doors know I am coming,
They dart out of my way.
My telekinesis stops there
But I troll forward
And brandish my little iron steed.

****. Adjust my strap
And push the cart onward.
My purse like a little leather
Bundle of swaddling.
I nuzzle it close to my breast.

Frozen foods. Diet says
No carbohydrates, so I adjust
My tastes. In a little town
Like this, they’ll notice if
I don’t.

Magazine aisle. Nothing
But ***-endorsing rags
And godless photo sessions fit
For lining shelves and
little else.

Lord, this vast store!
Give me strength to bet back
To my car. God, look at
That **** at the pharmacy
Asking for birth control.

And I can’t help but
Cluck my tongue at her:
I just tell Ray I have a headache
And turn on my back.
Ha, as if she’s married.

No decency any more.
Men getting married, women too!
God supposedly “Banging” us out of
Star dust. Who are those atheists
To judge my truth?

Checkout. No, self-checkout.
I don’t like that clerk
Staring at me. Receipt.
Probably a ******* anyway.
And for a moment my mind controls the doors and all things.

V

She’s gone a bit insane.
Yesterday in class, she asked
To go to the lavatory
And just went straight home.
(Poor thing, I can’t blame
Her after all that has happened.)

She’s told me about her
Father before. Whether she’ll
End up as warped remains
To be seen. She’s got my sympathy.
(Mother dead at four, brother at
Seven and something else at twelve.)

Senior year is more than
Freedom from Dad, she says.
It’s freedom from myself,
Whatever that means.
(It is her father’s profound wish
That she memorize all of Revelations.)

From the grass, she tells me
That her father explained to her
That non-dairy creamer kills
Ants. She does it with a smile.
(We don’t have to say much more,
Suffice it to say he’s a very loud man.)

She still has an averse reaction
To stories about car crashes.
And I never read her her
Early July horoscope.
(Nightmares are too kind.
Panic sifts through windowpanes.)

Her uncle doesn’t call from
The old hometown, he was
Grabbed from her life and her
Father never says why they moved here.
(Two years her junior, she jokingly
Calls me Grandma because)

She hates her real one. Prom
And graduation. A candle
Ceremony and she’s gone.
Her father left before it was over.
(I’ll miss her, but I made
Her promise not to visit.)

VI

Hot like a miracle breath.
The two seasons: Summer
And February.
We taste the heat
And drive away for the weekend.
Of course the world ends
And the “Welcome to” sign.

Unsurprisingly,
The radio dies as we
Head back to town.
Why should the death of
An intangible surprise me?
Everything else
Dies here.

Pessimism like a mockingbird.
The smoking trees
Ripple like an Ella
Fitzgerald vowel.
Hold your
Miraculous breath
And it still won’t rain.

Our abortion
Welcomes the needle heat
with a  horrifying
Little finger.
That smile,
That smile.
Jesus.

How can it stay so
Hot? No reply,
But I forgot who
Was asking.
The irony of this ****
Town sparks my
Smile.

VII

So where are you from?

        I lived up north
Before I moved down here.
They needed teachers and
I thought “Why not?” Turns
Out this place is a lot
Slower than up where I
Came from. No offense.

(Laughs) None taken.
So what are you teaching?

Senior English. Pretty cool
Subject but I was shocked
How little the kids had been
Exposed to. I hope to remedy
That soon. (Mumbles something)
Any more problems, you know?

The parents have complained?

Oh, just the usual nitpicky
Silliness: “I don’t want my
Christa or Johnny reading
Such-and-such a book.”
After a few years, I’m
Sure the parents will lighten up.
Or, (Laughs) at least I hope.

How are the kids?

Can I actually answer that one?
One or two brights but most
Just seem ready to get out.
They’d better be willing to put
In some actual thought if
They really hope to. (Pause)
It’s not all about sports.

(Laughs) I hope you’re not too
******* the athletes. They do their best.

Well, I certainly hope
They do. I won’t play
Favorites or anything like
That. Hardly fair to the
Others, right? (Laughs,
A pause, tape ends.)

VIII

He can’t breathe.

He’s been running for
Hours.
The trees. The brush.

Wonderful veins blast
Away at their work
To preserve him;
Great fibrous tendons
Work to carry him
Away from the noise.

The murderous streets with
Scoured buildings
And trees inviting the
Convening crowds to lay
Out their burdens, to
String them up and
Ease their hard frustrations.

They have not seen him as yet.
He follows Polaris,
god of the irreverent,
Meager candle for a
Drowning man.

Exposed road; he flags
A car like a madman.
Well, we shan’t go
So far as to call him that.
And has he any bags?
No.
And which way is he going?
North.

Procession. Silence.

The coolish progress
Of a blackish
Summerish
Night.
How many minutes
out of town? and how
many moments in the
rounding cruelty of acting?
The driver smiles in his driver’s
Seat, eyes lit by the green
Display, ears filled suddenly with
Static.

The bruised night
Raises its single, white eye
Like the ponderous pitch
Of a bird.

I suppose he knew from
The second he saw the car:
There was never any sanctuary
In this little cloister.

The towns spreads like
Botulism over both windows.
He stops before the courthouse.
Stops before his jury,
Hanging judges.
And you needn‘t ask yourself
“Who are they?”

I’ll tell you.

They are men and women,
They stand on roofs.

They are boys from California
Who ran like foxes but refused
To run away.

They are musicians who lived
Their lives without a sound.

They are hopeless hags who
Speak in blinding grocery stores
And **** the gossip air.

They are girls with opportunities
Burst like an innocent cell
And violated by the heavy hand
That tucks them deep to sleep.

They are cruel little ******* who
Only wanted something to listen to
While the seasons spun around them.

They are teachers who never learned.
They are hearts that never burned.
They are heads that never cooled.
Not when it’s so hot outside.

They grew uneven like a story
Written in celebration of a meaningless title.
They have every right to be angry,
And yet they level their stones
At one another instead of the
Hell a glass house can become.

They walk so slow the sun
Can stoop and eat them up
Without the briefest guilt.
© Cody Edwards 2010 (Note: The stanzas in section seven should be eight lines with the question hanging and the answer indented in. I couldn't edit it that way on this page but ******, I try.)
Joshua Haines Apr 2017
Leaf spines do their damnedest
to hold onto broken branches.

"These people -- if you could
                      call them that,"
the old man's shoulders pinch
his bubbling neck, "*******,
******* -- these opinionated
women; my god, I have never
seen the like, no sir."

Mother, why have you left me.
I can smell you on the freshly
                           salted roads.
It is so cold here. The snow
may never stop. The wind
has been picking up. I'm
afraid it may ******* away,
somewhere your direction.

"You see, the thing is, this
country -- no, this world --
has changed so **** much.
It's struck me, fearsome, of
what may stay; what may come,"
he runs his thick fingers through
a rather handsome silver patch,
"I wonder if what I mean to say
is that people scare me?
I don't know what that says
about me or about people."

Father, you sit and you drink,
dying in your work boots;
dying in the arms of my dream;
becoming a man slowly razed.
Your eyes are pale hazel
and they grow apart, as your
tongue pushes out, gone for
a few hours; soon missing.

"Mmm. No sir, I suppose this
world ain't for me. Virginia is
hardly the place I once knew...
You know, my wife, she found
the good in everything -- swear.
Found the good in me.
I envied her, in that one way;
she'd see the good in the *******,
*******, and these women who
just, well, don't know their place.
She'd know. But she ain't here.
Hell, I'm hardly here, tell'ya."

And all my anger I harbor for you,
my mother, I give to the women
I sleep with; the women that
break my heart; the women who
love me forever.

And all my anger I harbor for you,
my father, I try to forget, for you
are my idea of God's love, and
I desperately scratch at your surface,
excusing your roughness injuring my
fingers; forgiving you for covering me
in your blood and everything else you.
The horizons ring me like *******,
Tilted and disparate, and always unstable.
Touched by a match, they might warm me,
And their fine lines singe
The air to orange
Before the distances they pin evaporate,
Weighting the pale sky with a soldier color.
But they only dissolve and dissolve
Like a series of promises, as I step forward.

There is no life higher than the grasstops
Or the hearts of sheep, and the wind
Pours by like destiny, bending
Everything in one direction.
I can feel it trying
To funnel my heat away.
If I pay the roots of the heather
Too close attention, they will invite me
To whiten my bones among them.

The sheep know where they are,
Browsing in their ***** wool-clouds,
Gray as the weather.
The black slots of their pupils take me in.
It is like being mailed into space,
A thin, silly message.
They stand about in grandmotherly disguise,
All wig curls and yellow teeth
And hard, marbly baas.

I come to wheel ruts, and water
Limpid as the solitudes
That flee through my fingers.
Hollow doorsteps go from grass to grass;
Lintel and sill have unhinged themselves.
Of people and the air only
Remembers a few odd syllables.
It rehearses them moaningly:
Black stone, black stone.

The sky leans on me, me, the one upright
Among all horizontals.
The grass is beating its head distractedly.
It is too delicate
For a life in such company;
Darkness terrifies it.
Now, in valleys narrow
And black as purses, the house lights
Gleam like small change.
I say **** kanye **** kanye **** kanye yea yea eeeee
I say **** kanye **** kanye **** kanye yea yea eeeee

I say **** kanye **** kanye **** kanye yea yea eeeee
I say **** kanye **** kanye **** kanye yea yea eeeee



So many sellouts claimin' they real when they only want a mass stage appeal
****** swear they be down for the hood? but how while living lavish in the white neighborhoods?
This ***** turned ****** doo ****** where the **** are you? You loosin' ya black views
How the ******* gone say slavery was a choice I remember when you had a voice
Ever since you called Bush out it seems like got drained out
Gallons of blood a spiritual transfusion ***** ya loosin'
Ever since your lips ****** on that white ******* **** **** them Kkkhardashians say it louder once the mic enter my hands enemies get the sweatin' cuz of my verbal weapon
yeah ya been coming out makes me doubt
No wonder why they call you gay fish half of them ******* is really *******
In the celebrity world where boys is girls and girls is boys seduced by the evilness that swirls life ain't about diamonds and pearls
Pandoras box dusty as **** so no need to throw a fit Kanye I got a black polished AK' forty seven ready to send you to heaven
No ladder leaning on a stagger soon to end up a plastic bagger
Coroner's dinner deaths the winner while ya visions growing thinner
**** what ya stand for I take you back through the "wire" throw gasoline all over you then light a fire burning your empire
**** your kids and ya legacy none of us admire
Your coonery I'll crown you with thorns full of barbed wire til your soul transpires

Yeah punk ***** so
I say **** kanye **** kanye **** kanye yea yea eeeee
I say **** kanye **** kanye **** kanye yea yea eeeee
I say **** kanye **** kanye **** kanye yea yea eeeee
I say **** kanye **** kanye **** kanye yea yea eeeee


Also **** them white ***** kkkhardashian once again letting you know how they do brothers in
****** go crazy or end up in the pen or another gender trend
**** making friends **** chasin' ends
And if you wanna join kanye ya casket ready soon to be tucked in ....
Night night you ***** ******* die slow
Christmass is come and every hearth
Makes room to give him welcome now
Een want will dry its tears in mirth
And crown him wi a holly bough
Tho tramping neath a winters sky
Oer snow track paths and ryhmey stiles
The huswife sets her spining bye
And bids him welcome wi her smiles
Each house is swept the day before
And windows stuck wi evergreens
The snow is beesomd from the door
And comfort crowns the cottage scenes
Gilt holly wi its thorny ******
And yew and box wi berrys small
These deck the unusd candlesticks
And pictures hanging by the wall

Neighbours resume their anual cheer
Wishing wi smiles and spirits high
Clad christmass and a happy year
To every morning passer bye
Milk maids their christmass journeys go
Accompanyd wi favourd swain
And childern pace the crumping snow
To taste their grannys cake again

Hung wi the ivys veining bough
The ash trees round the cottage farm
Are often stript of branches now
The cotters christmass hearth to warm
He swings and twists his hazel band
And lops them off wi sharpend hook
And oft brings ivy in his hand
To decorate the chimney nook

Old winter whipes his ides bye
And warms his fingers till he smiles
Where cottage hearths are blazing high
And labour resteth from his toils
Wi merry mirth beguiling care
Old customs keeping wi the day
Friends meet their christmass cheer to share
And pass it in a harmless way

Old customs O I love the sound
However simple they may be
What ere wi time has sanction found
Is welcome and is dear to me
Pride grows above simplicity
And spurns it from her haughty mind
And soon the poets song will be
The only refuge they can find

The shepherd now no more afraid
Since custom doth the chance bestow
Starts up to kiss the giggling maid
Beneath the branch of mizzletoe
That neath each cottage beam is seen
Wi pearl-like-berrys shining gay
The shadow still of what hath been
Which fashion yearly fades away

And singers too a merry throng
At early morn wi simple skill
Yet imitate the angels song
And chant their christmass ditty still
And mid the storm that dies and swells
By fits-in humings softly steals
The music of the village bells
Ringing round their merry peals

And when its past a merry crew
Bedeckt in masks and ribbons gay
The ‘Morrice danse’ their sports renew
And act their winter evening play
The clown-turnd-kings for penny praise
Storm wi the actors strut and swell
And harlequin a laugh to raise
Wears his **** back and tinkling bell

And oft for pence and spicy ale
Wi winter nosgays pind before
The wassail singer tells her tale
And drawls her christmass carrols oer
The prentice boy wi ruddy face
And ryhme bepowderd dancing locks
From door to door wi happy pace
Runs round to claim his ‘christmass box’

The block behind the fire is put
To sanction customs old desires
And many a ******* bands are cut
For the old farmers christmass fires
Where loud tongd gladness joins the throng
And winter meets the warmth of may
Feeling by times the heat too strong
And rubs his shins and draws away

While snows the window panes bedim
The fire curls up a sunny charm
Where creaming oer the pitchers rim
The flowering ale is set to warm
Mirth full of joy as summer bees
Sits there its pleasures to impart
While childern tween their parents knees
Sing scraps of carrols oer by heart

And some to view the winter weathers
Climb up the window seat wi glee
Likening the snow to falling feathers
In fancys infant ******
Laughing wi superstitious love
Oer visions wild that youth supplyes
Of people pulling geese above
And keeping christmass in the skyes

As tho the homstead trees were drest
In lieu of snow wi dancing leaves
As. tho the sundryd martins nest
Instead of ides hung the eaves
The childern hail the happy day
As if the snow was april grass
And pleasd as neath the warmth of may
Sport oer the water froze to glass

Thou day of happy sound and mirth
That long wi childish memory stays
How blest around the cottage hearth
I met thee in my boyish days
Harping wi raptures dreaming joys
On presents that thy coming found
The welcome sight of little toys
The christmass gifts of comers round

‘The wooden horse wi arching head
Drawn upon wheels around the room
The gilded coach of ginger bread
And many colord sugar plumb
Gilt coverd books for pictures sought
Or storys childhood loves to tell
Wi many a urgent promise bought
To get tomorrows lesson well

And many a thing a minutes sport
Left broken on the sanded floor
When we woud leave our play and court
Our parents promises for more
Tho manhood bids such raptures dye
And throws such toys away as vain
Yet memory loves to turn her eye
And talk such pleasures oer again

Around the glowing hearth at night
The harmless laugh and winter tale
Goes round-while parting friends delight
To toast each other oer their ale
The cotter oft wi quiet zeal
Will musing oer his bible lean
While in the dark the lovers steal
To kiss and toy behind the screen

The yule cake dotted thick wi plumbs
Is on each supper table found
And cats look up for falling crumbs
Which greedy childern litter round
And huswifes sage stuffd seasond chine
Long hung in chimney nook to drye
And boiling eldern berry wine
To drink the christmass eves ‘good bye’
Patrick Ensslin Oct 2013
He drinks it up, he drinks the
       **** like it’s water.
There are faces, and files
       and they change with the seasons.
The parking lot has never been this dim, but
        who forgot to turn on the lights?
The friends who gave him trouble
        now just give him help.
The scarred people seem little more than
        pawns in a game, and he must play them, but
        it’s not his choice.

The mirror’s like a caricature,
        it provides more distance than closeness.
I wished he could’ve seen his son
        being born, but.
Somebody slams the table, ****
        something’s going on
We got him, men
we got him, we got him.
Oh wait, oh wait, egg on our face,
we got played, we got tricked
this man is just black.

“I want to prevail,” he says,
“I’m no loser,” he says.
He’s no quitter, but
he sure ****** it up.
The faces get twisted, now the
eyes look the same.
This won’t be the first time
and it won’t be the last.
He blames a lot on others,
but he knows that persistence
is infallible, like the pope.

Nobody really trusts him now, he’s a bit of
everything and everywhere.
Heart’s in the right place, but
where’s your heart?
He keeps downing the brown ****
keeps downing the liquids.
“One day I’ll get him,” he says.
“one day I’ll get the *******.”
At this point, he speaks for himself,
for himself. Nobody, no
one, nobody else.

At dinnertime, he says,
“sing me a song.”
Relax is defeat,
rest is charity, rest is
A deep moral compromise.
a loser needs a bed
A winner needs a mug.
he downs the ****
He downs the ****
god, he downs the ****
like it’s water.

OOGABOOGABOOGA
i’ve got him in my sights
He won’t see it coming
he’ll be shocked as the rest
A **** like that? no
he wouldn’t see a barn.
He didn’t say, didn’t see
his own mother, his mother
When he came out the womb.
didn’t see ****, I say,
didn’t see ****.

SPIRAL espionage ELEGY sang
now or never or ever again.
RAINTIME odysseys
left im babbling rancid
The ragtime freaks giving him looks
from the left of the sandbags,
The night, the night,
too long, too long,
The night’s a *****.
i can’t stay, i can’t stay
to night’s a *****
i can’t stay with this *****
this *****, no
take these ropes off
this *****
***** take these chains off
i will, i will
i, no
you are you
people
you are *******
you are stupid *******
these are chains
i am chained
who
why
god
Joshua Haines Jan 2015
I'm a white, male,
American dreamsicle
who says "****"
way too much
to not be cool.

I read about my father issues
on my mother's face.
I hate things and people
because the news told me to.
Art is ****** and ****** is art;
when Billy killed Sue,
my heart raced.
Do drugs with me
or do none at all;
promise me when we're high
we won't fall.

There are ******* on the street
and the cops are shooting them.
There are ******* kissing
and old, white men are scared.
There are mentally ill people
and they are "seeking attention".
There are women with voices
and old, white men are scared.

I am an American Dreamsicle:
cold, unhealthy, and killing your kids.
You can buy me for 40% off
and I promise to take 60% of your ideals.
I am what my parents don't want me to be
and that is the appeal.
Little do I know, I am every thing you are
and that is my cancer.
Me trying.
Lendon Partain Mar 2013
Let Christ give his final sacrament to us through the holy Eucharist of his jizzum.
He shall raise the skirts of all boys and decimate the trousers of all who fear him.
I was a kid once and i know this.
Don't worry he ***** me too.
Feels good if you know him in the flesh in fruity underwear tighty see throughs.

Death plague.
He brings to us.
Through the work of his *****,
Whacking off each head to ***.

Come one come all,
to the shitshow circus called religion,
**** morals owned by slavery and god,
All fallacy is see through like his ******* nightgown

God is the **** of *******,
Get a ******* from your violence absolvance.
**** one another destroy.
Empathy is for *******.

God is dead.
Shot with led, fed to the Nazis, in their death holes for the unclean,
God is a ***.
The **** of earth isn’t me or you
It's the constructs of dogma,
That they abused us with as children.

Come on now we all aren’t bad guys.
It's the ***** in power.

****, ****,
Follow, follow,
into a pit like the communist.

I had *** with Stalin and created democracy.
Chairmen Mao is necrophagist.
****** was was the savior of the Semites.
The Popes are the largest mass murderers in history.
This is about the atrocities of government and religion. Not for the faint of heart.
Kayla Hicks Feb 2011
This is for those of you who have dreams that never come true
and for you cholas who bang
and you cholos who slang
getting ready to shoot
and after you do
you realize you have two of your own fingers staring back at you
This is for the *******'s and go to hells
you say throwing up a finger
pointed directly to who you go to and pray to at night
If God's so great
why does he take our people away
so we can meet them in another life
which is supposed to be more bright?
This is supposed to be the land of freedom
the land of happy,
but i'm looking around and see only successful immigrants starin' at me
My generation is the one who has to make a difference
because the ones before us had the world in their hands
but let it slip like butter
so everyone else has to be in the gutter
and now we're left to suffer
cleaning up everyone's mistakes
the only question i have is why
and different people answer with the same reply
because
'You Are The Future!!'
This is for all the homosexuals
who are supposed to have rights
but don't receive them
because once gay marriage is allowed
the ******* of the United States of America
are gonna take over the world?
Who are you to tell me and my
gay and lesbian peers that it is wrong to love
I say me as in bisexual
because i am not going to limit my love
to only guys, or only girls
i will love whoever i may choose
because as a citizen of America
I have options
This is for all you pro-lifers
who support abortion
shouting spread peace and love
and the government who makes choices
without the opinion of we the people
but who's we anyway
let me stand on a steeple
and preach to you
We The People
did not want war!

— The End —