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Mateuš Conrad May 2016
only today i came across what interested Heidegger
after writing being and time, a selection
of essays, revealing that he came to be interested
in language - not knowing this, by mere study
of the introduction some things became apparent -
being quiet democratic in my reading it's a shame
i don't have the academic leisurely pace of becoming
a Heidegger specialist - it's the almost damnable
pulling-apart having to cite many influences and not
focusing on one, but since i don't have academic
leisure, the summary in the introduction
by jeffrey powell (editor) of the book heidegger
and language
will just have to do: apropos this
being an antidote to those bemoaning that we only
write about reading books, carefully choreographic
our lives for mints and espressos and ammoniac
(inhalants in a boxing ring nearing a knock-out) -
hide pretty bird, hide, hide pretty pretty bird
first your song inside a cage, then the cage inside
the heart, and thus the song with the cage,
silenced inside the cage, raging mad inside the heart.
well, the antidote is that i already have some ideas,
and reading the essays contained in this book would
put me off what i was intending to write about,
so, in summary, read the major work, then read introductions
of critical books from those studying the subject,
invent an original approach from that, and elsewhere.
before i venture into the whole affair of having to
reread certain passages from the introduction as to
guide me in this Bermuda Delta i what to do a little
sidewinder interlude:
in chemistry there are two major bonds (for the purpose
of what i'm intending, let us just assume that
we're only talking about π and σ bonds) -
and while psychology dehumanises man to strict
theories without clear proofs to a universal standard,
i want to do what will come later regarding Heidegger's
take on language, for me there's no clear philosophical
vocabulary to be used - i'm not into orthodoxy and
rigidity which says

                piquant sun strokes against
                the bargains of spring's last
                hope for a kept bazaar
                to bloom to then deflower
                petals from trees fall to earth
                like glasses, the tree stands
                as a reflection of shattered glass
                the petals remain the tree intact
                worn at the Royal Ascot
                or in a woman's hair.

obviously something like this is a poem - what i mean,
however, concerning what's identifiable as philosophy is
to me the following:  
                                        blah = monotone x algebraic
                                                    for­ non-differential
                                                    purposes, just filling up
                                                    the page

            blah blah blah blah blah blah subjectivity blah blah blah blah blah blah essentially blah blah blah blah blah blah in-itself blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah thing-external v. thing-internalised blah blah blah blah blah blah blah blah blah blah blah metaphysics blah etc.
                      
                          and so on and so forth, a fixation on using a certain vocabulary to be equivalent or justification to be "apparently" talking philosophy... yet still no gain from the words of grammatical categorisation... for me? too many propositions, the basis of what the academic environment deems to be "pure" verbiage, or none (akin Wittgenstein) - that famous quote about a lion and having tea on Tuesday... or as Buddha would say: said so to shatter thus the fear of ketamine thoughtlessness;

but that's beside the point, i want to return to
how any chemist might treat psychology as a science,
keep it up to date, given that psychology likes
to shove its nose in everyday activities for a strict
expression of equivalent rubric that mathematics already
possesses and shoves into a child's brain to make
the child become accustomed to symbol encoding;
so π and σ bonds, let's say between two carbons atoms...
but in psychology we don't have the luxury of
many alternative examples...
me and language: to write in terms of optics,
to encode images rather than sounds,
language as optometry rather than a hearing-aid...
so what "elements" do we have in psychology,
essentially what defines consciousness, its sub-plot
and its unfamiliar territory - the using the dusty
Freudian units, we know the concept of the superman
(superman was a bad bad boy) from Nietzsche
evolved into the super mm hmm, and we know
there are two other units, mm hmm and the id /
it or that? it is for me, that is for scalpel for the analyst,
the prober, unlucky for the person who took to
objectifying himself, but better than being objectified -
still, remember i'm working with language in terms
of optics rather than phonetics - enough organic chemistry
diagrams and you will see that the bonding between
mm hmm, the super mm hmm and the gemini id
(one the patient, the second the analyst) trapped inside
an electron cloud of bio-electric processes is rigid and
stable due to the opposite of π and σ,
i chose the optic route using the bonds δ and ψ -
symbolically δ is the mathematical term for sum -
summation, the total of - currently i have no clue about
the significance of ψ just yet, but ψ is a symbol of
psychology like caduceus is the symbol of medicine;
a brief expansion on the natures of the bonds,
quack-science δ bonds being all alike meaning uniform
meaning holding every aspect uniformly, meaning
that a δ bond is of the same nature between mm hmm
and super mm hmm in a petri dish within the
solvent of the conscious sub-plot, likewise other variations
δ bonds are uniform bonds, i.e. ensuring one detail
is related to the other, and so to others.
ψ bonds, not much expansion here as promising detail,
asthma the highest research of breath, and all
major theoretical squeezing through the Suez -
depending on the measure of breaths, we can depend
on the internal things - but never so much Pamplona encierro
cleaning-up to do theorising an affirmative sound
like mm hmm, or other affirmative synonyms -
if it were can *****, it would be mince rather than
a clean dissection - mince meat, should mm hmm be
not an *****, let alone a body. so many attachments
to mm hmm these days, it should be attached to zoological
studies than activities of breathing: theory as a cage,
one after the over, eventually not even cages but
the caged animal turning into matryoshka doll -
Kant doesn't venture into the dynamic of his thing-in-itself
represented by the matryoshka as ad continuum -
maybe he does, but to me here merely pinpoints it,
coins the phrase noumenon and ensures the thing
is opened, god or nothing is put in it, the thing is
closed, locked and the key to unlocking it is thrown
away and never found (i'll mention a short process of
his argument some other time, most notably his
three impossibilities concerning proving the existence
of god: ontological, physico-theological and cosmological).
yes, i know, when reading these ****** books
i have to paint the arguments, i need to simplify
them, a poet reading a philosophy has to paint
the words - the best poetic technique applicable to
understanding philosophical books is imagery,
not as a technique of for the purpose of writing my own,
but as a way to paint what was written by some boffin -
precursor to understanding the three impossibilities
of proof, i find it strange that such proof is necessary,
what would you do with it? prove it once on
paper, or in your head, show it to everyone and then
slowly everyone is able, then the so called "man in
the sky" - it seems strange that scientific positivism
of the Enlightenment supposed such a proof, the proof
is more implausible than the existence - Bertrand...
just smoke your pipe and sit in the easy-chair talking
******* with Wittgenstein... more on that later.
i promised quotes from the above mentioned book
(heidegger and language)...

           das wort kommt zur sprache,
             das seyn bring sich zum wort.


working from phenomenology, to later reject it,
thus precipitating the school of deconstruction-ism,
and with Heidegger we do get to atomic elements
from words, from compounds, thank god there are
no sub-atomic ventures with language, quiet impossible
to de-construct language beyond this point,
let's face it, if you go as far as:
'as preparatory for raising the question of being...
language is one of three constituent moments in
the analysis of the being of the da in dasein (being there)'
furthered by equal atom bombardment replacing
the un-compounded sein (verb, be) with seyn (conjunction /
noun, being) - this is modern physics to my understanding,
i'm not particularly interested what he's saying,
i'm interested in painting what he's saying -
i'll spare you the details of what philosophical systematisation
is actually involved in: restricted vocabulary -
a certain limit is allowed, rigid meanings are involved,
rigidity of drilling in of non-deviation, philosophical
systems are not dishonest in that they are consistent with
a limited vocabulary - i will spare you the torture of
seeing one ball being juggled - the shrapnel of the English
language makes it even more distracting to understand,
as with the above, another e.g.?
'every saying of beyng is held in words and meanings
which are understandable in the view of everyday
references of beings, and are exclusively thought in
that view, but which as expressions of beyng,
are misunderstood...' of course i could be cherry picking
Heidegger like a Jehovah's witness cherry picking
the bible, but i'm not interested in what he's saying,
merely painting you the picture, to scale then:

books                      -              celestial objects
chapters                 -               cycles of celestial objects
paragraphs            -               prime features of
                                                 celestial objects
                                                 (e.g. Jupiter's red eye,
                                                  Saturn's ring,
                                                  Earth's oceans
                                                  and continents)
sentences                 -              
words                       -
syllables                   -
letters                        -             atoms / elements  
                                           ah, it was going oh so well,
i think i started too big, and went into too small,
which made visualising sentences and words and syllables
hard to compare what could fit between
Australia and and atoms of RuXe - by chance ruxe is
an actual word, no as stated ruthenium and xenon,
although that too, ruxir (ruxo, ruxin, ruxido) in Galician
meaning to roar.
Michael Caio Mar 2015
*** me up on fire
Trigger my desire
Softly stroke me with caress
and lips

Lovely tongue this of mine
For it’s an explorer
Ready to deflower
Passages into your forest

*** me up into frenzy
Let me be a slave to your seduction
Torture me before eruption
Cunning

Lovely fingers these of mine
For they cannot see but feel
Soft skin below them
Slipping from dry to wet
Landscapes

*** me up until madness
Shivering Trembling Shaking
Bodies of ours, bursting in heat
And Love

Lovely body this of mine
For it is yours for pleasure
Yours to objectify
Yours to seek
Meek

*** me up
*** me
***
PK Wakefield Apr 2010
hot to the touch
like
glowing metal

little bikes
with
tiny pedals

i'll smell your rose
but
eat the petals
AM Aug 2015
Bleeding sounds like
an exotic pleasure
only if you want to be
inside me
veiled behind the barbs of acacia
the river bathes in the lazy sun

she's a thousand years or more
but knocks my heart's door
like a flirtatious teen

come deflower me
bare me in your poetry
wear me on your skin


soon she would be lost to the sky
leaving on the banks echoes of her lust

i pause for a piece of her
before my dream turns to dust!
a river (my cover photo)
Amanda Stoddard Jul 2015
I'm a rap game prodigy
irony like Socrates
that I could spit this philosophy
so flawlessly.
Unmatched like I'm scalene-
scaling my way to the top
so high like I'm a scaffolding
go ahead fold and scowl at me
and watch me cackle sarcastically-
while I tell the masses to become appealing
the apple of my eye is hip-hop do you feel me?
Massive attacks while the males become *****
and subject to the ways of misogyny
oh **** here we go again, this bothers me
what? equality?
Misuse the muse and move through your mind
makeshift mammals mimmicking media monkeys
no wonder half the world's a ******
like you when you see-
the way I spit so fluently
second language, feel the anguish
anger within me resentment
followed by residuals
the world is red and we're all cruel
consumed by corporate corruption
no function left to the fiction of fascism
so fasten your seat-belts and see me belt
way more than 16sixteens, it's sickening
how sick this flow can be so ambiguous
hip-hop is bigger than us-
it's luck, it's lust-
it's a ******* when there's a lack of trust-
it's ****, it's love
it's touch, it's ****
it's drugs and grudges
and beef and *******
it's empowerment, cowards
and records strictly to deflower.
it's appreciation and admiration
and it at one point shook the entire nation-
i'm complacent at the placement of this prophecy
that hip-hop has engrained into me
I'm grateful for the grandfather's
and the sons and the daughters
the step-fathers and mother *******
cut throat music industry
if you don't **** with hip-hop you don't **** with me.
*****.
Ciara Dec 2013
Are you happy now,
that I've figured out I was just a victim,
in a game of lies and lustful tension?**

My love, try to understand me when I say you torture me.
Your lips they beg for me to get you alone.
I want you to know it's the sway of your hips.
You taste so sweet cruel temptress.
I'm at your feet.
I can tell by the way you move that you want me to want you.

Are you happy now that I've figured out I was just a victim?!
In a game of lies and lustful tension?

Your lips they beg for me to get you alone.
I want you to know it's the sway of your hips.
You taste so sweet, cruel temptress.
I'm at your feet.
I can tell by the way you move that your want me to want you.

Are you happy now that I've figure out that I was just a victim?!
In a game of lies and lustful tension?

I can't believe I fell for you!
I was wrong, I am so confused.
A foolish mistake!

I gaze across the chasm that divides me from her, my prize.
And drink in her beauty.
I let the heady aroma of perfume riding on the hot wind saturate me.
I train my ears to the creaking of the bridge spamming the gap to her.
I throw caution into that wind of passion and continue down the path.
The path to the unknown.

I'm losing control and I want all of you.
I ache to swallow you.
I'm losing control, you're body screams for me, it's destroying me!

I can not resist the temptress of the night!
I'm coming for you!, I want you, I need you!
As the earth quakes I will deflower you!
Oh how my head swims, oh how my heart yearns!
I'm coming for you!
Our flesh will become one and we'll never speak of what we've become!
It's what you want. I'm gone! I'm gone! I'm gone!

So it seems that we were nothing.
I'm giving up!

Are you happy now that I've figured out that I was just a victim?!
In a game of lies and lustful tension?
I can't believe I fell for you!
I was wrong, I am so confused.
A foolish mistake.
Alesana- The Temptress.
Naomi Sa'Rai Jul 2013
I would have taken Medusa
Held her in my palms
Freezing you from delicate feet
To high strung arms
I would have knelt to Athena
With a smirk
To deflower a goddess
But you were too wise for that
My flirts would be accompanied with a smack
I would have carried Zeus upon my back
Walking  88,729 miles from the sun
In a race
Where being fifth place
Lets me know I've won
Yes i would have been your reason
Your brown leaves bringing about a new season
I would have brought with me
A silver bow
And golden lyre
Bringing about songs of Apollo
As embers from the fire
Hollow trees
The holes in my heart
I have filled with wine
Dionysus in true of his time
I would have called you mine
I would have loved your beauty
Touched your desires
As i admired
Aphrodite in blue
The color i witnessed
As i kissed you
I would have been clever
As i pulled the levers to your mind
Quick as lightening
To put out the thunders of our fighting
Yes I'd be your Hermes
And I would have named you ****
When your lust for youth was taken
I would have awakened as Aries
Prepared for war
When you had battles within
I would have been a god
To slay your demons
kenzo Jul 2014
Cigarette to her cherry chap stick coated lips again.
She keeps on smoking them saying she doesn't care if she dies, yet she's discreetly afraid of death.
She knows she should probably get off her *** and get a job, but she'd rather listen to the same song over and over and day dream about ******
scenarios.

She'd rather stay up late at night writing and wake up at 3, majority of her day already wasted. Downing coffee and telling herself that she'd wake up
early one day to greet the sun and admire it's beauty but reality devoured her, and she's under her sheets sleeping with her breast pressed against
her cream colored silk sheets.
She fell asleep watching asmr videos, too much of a baby to try astral projection and her window is wide open, bugs with wings flying in her room but yet she doesn't care, she likes the feeling of the cold wind on her legs.
Oh, how she wishes she were in a field somewhere, holding hands with another male or a female that loves her back as much as she loves them. She wishes that whoever loves her would lift up her skirt and lick their fingers after they venture down her legs and inside the blooming flower so many individuals have been trying to deflower.

Rolling naked in the grass, smiling, laughing.
She wants to look deep into someones eyes, not uttering a word, just in silence smiling. She wants to tuck their hair behind their ear, she wants to feel the heat of another person up against her, or the simple pads of anothers fingers cupping her breast. She longs for someone to touch her, yet she's
afraid of being touched. She's afraid of men, she's afraid of many things.

Her picky self thinks she see's the good in people yet they expose their true
colors she were too blind to see. She's so naive. Letting her thoughts unravel her like a Christmas ribbon, placing acid tabs under her tongue, smoking more ****, and drinking too much.
Anything to numb the fact that the ones she desire don't desire her, and the ones that want her she acknowledges, but simply picks up with the pile of clothes on her floor and shoves them in her drawers she keeps telling herself that she'd sort out.
An unorganized, mess.
Her room, her life. Everything.
Tristan Taylor Apr 2017
****
The word’s as American as pie
Some like it
Some don’t
I always use it
I’m not even going to lie
But I always wonder...
What is the real meaning?
What does this word imply?
Most think this word does apply to:
Older women
That age like wine
That happen to have kids
That might be true
But I urge you to use your minds
Remember this word can be misconstrued
Remember before she became a ****?
She was like a beautiful innocent flower
Somebody had to deflower her
Somebody had to be the bee
Afterwards, I don’t know why
But there’s an added beauty to her, you see
I can’t explain it
I guess I’ve been looking at it all wrong
God blessed you with another
While other brothers wanting to be your lover...
That’s a ****.
Terry O'Leary May 2016
The flames of the furnace (well-travelled by wind
slowly glazing the rags of gray women chagrined
at the sight of a hair fleeing tresses now thinned)
sometimes billow like waves flooding naves through the night,
when the lightning peeks in where the tension hangs tight
while the lanterns, alarmed, appear fulgent with fright.

Having lost both his hands, and now dancing for dimes,
Captain Hook haunts the alleyway's rivers of rhymes,
sometimes singing or prancing to mimic the mimes
with white faces contorted to pillars of pain,
as the ringmaster murmurs “we're all the insane”
and the inmates dunk donuts in droplets of rain.

With their hammers in hand, in their plum pinafores,
Satan's soldiers of fortune wield powers of Thor's
leaving blood on bent bodies, the tombstones of wars
lining highways and byways  with manna and gold
for the mastermind movers, survivors consoled
with some pie in Valhalla (or so they've been told).

Above boulevards, battered with batches of bricks,
flys the Duchess of Dawdle on waxed candlesticks;
while she watches, debauches, her ****** tricks
as he talks (on their walks in the summer-day parks
where a parrot kneels praying, a parakeet barks)
’bout the buffed brazen beaks of the latter-day larks.

Hoary goblins glow gruesome, they leap from the loft
to the hard-hearted rues, shedding tears that they've quaffed
through the night of the dead as the clarinets coughed
and the keepers kept watch so that no one escaped
dingy dungeons where priests and their puppets hide caped
behind walls lined with tulips and justice hung draped.

In the Garden of Eaten, where apples once grew,
lie the bones, somewhat blanched, from the last barbecue
and the snakes strut like storks down a lost avenue
along tracks  like the cracks on the mask of the moon
all alight with the shadows that seep down a dune
as the firefly crawls from a crimson cocoon.

Phantom trains travel tunnels (dispatched in all haste),
voiding tickets to nowhere, it seems such a waste
to see roadblocks with red lights at dead ends misplaced
at the base of the bowels of the bottomless pit
where reflections of life seem so ****** counterfeit
from the back of the eyes of the blind hypocrite.

Lady cockroaches, camped in the Countesses' beds,
are commanding crusaders to fit arrowheads
to the ends of burnt bridges suspended by threads
from frayed thongs of diminutive bald balladeers
taunting Cerby, the three-headed dog, serving beers
to the pagan disciples of bold puppeteers.

The oceans lay barren, the garbage dumps filling
with fracking and cracking and lead water spilling,
for milling and drilling are thrilling but killing
the birds and the beasts and the tea leaves, soon falling,
yet gurus roast chestnuts but can't heed their calling
while mauling and crawling on knees while they're brawling.

Unshorn sheep in the meadow are led to the bay
to be brainwashed and fleeced, trusting donkeys that bray
of the virtues of demons that haunt yesterday,
while the vultures deflower the turtle dove lanes
where the blood trickles up and the cruel crimson stains
Easter eggshells and feathers – that’s all that remains.

One eyed bees pilot lines through electrical storms
and blind hornets hum hymns when they're swirling in swarms
while the rest are repressed as the blue marble warms
(regent Queens losing sight that the end has begun)
and for eyes of the ewes, veils of wool have been spun  
and the wasps fly their flags from the **** of a gun.

Seven trumpets (attempting to echo the horns
of the Siamese goats and the three Unicorns
giving birth to the mirth in the temple of thorns)
sound the bugles of sorrow inside of the sea
of crazed lies of the wormwood afloat like a pea
in a pod of dark dolphins that can't disagree.

Often bellowed by barkers, to crowds with no faces,
are words (in their aftermath, leaving no traces)
of picnics and parties in limbo-like places
on paths to perdition where pundits are preaching
and sirens belch bullets while pirates prowl, breaching
the shadow's barbed branches, with whistles blown, screeching.

They're dissecting dissenters that dare to annoy
and then trample with jackboots sent in to destroy,
until taming the toes of the last Gypsy boy
who gets caught in the craw of their cold catacomb
with no rescue by running nor staying at home,
and no freedom to breathe, only rough roads to roam.
Seán Mac Falls Jun 2014
The first ones they killed were the poets.
They crowned themselves, the sterile
And sexless acorns who fell from the felled
And split the air, writing with bark,
Would have us not desire experience
But describing trees.  To the naked kings
The word is a wonder, a tool to be used
Like any other.  With a forge, they called
An altar, they pitted heaven and made miners
Of the Gods.  In high places they read
Their grounded works, sogged with rain
Water from a red wheelbarrow, they list
And bludgeon us with their hammered similes,
Scribe their poems, they are the painters of one
Colour and high priests of alchemy, turning
Salon into echelon.  When the falcon stoops
They name him hawk.  Standing ****, flat-footed,
In bumpy skin, their honks go unanswered,
For they are no kin to the swan that glides
And sometimes they remember that,

The first ones they killed were the poets,
When the sky is etherized, prose made
Verse and their subjects yawn the great
Slaving maw.  Steeped in stale erudition,
They man-scaped the garden, pulled out
The weeds and by their words, they decreed
That only grass should grow, in strident
Chorus they are ringing in the sheaves.
But their poems are only like poems.
The naked kings are clothed in word only.

In the thirsty kingdom, water spills
Stagnant from the stein and the droplets
Echo, "there's no there  .  .  . there."
Incestuously they christened
Each other, one hundred years of virgins
Making love with a dead word
They know not of— Poet!  Asters
Among the daisies, yet on the fields
Of praise, they shall deflower
Themselves and though they strut
And prance as stallions and mares,
You will know them by their brays.
duncanwrite Jul 2013
High art briefly glimpsed be thou
Oh waving, wispish blossom bough
All pink your precious petals preen
Through nature's narrow window seen
Come April sun, thy tresses flush
For we to scent all in a rush
By May thy garlands too soon strewn
Do fade to pale below cold moon
From gaiety to frailty,
'Tis surely nature's cruelty
Why must the wind so urgently
Deflower the gentle blossom tree?
Dark n Beautiful Jul 2014
unlike the sound of falling rain
please don’t put me to sleep.
Dream delivers us to dream
you summoned me and I became
and instant *** ***

Followed me with your bedroom eyes
The boy is now a man
So what ***** men do?
they don't make love like a rooster
deflower me like a teenager

Dreams deliver us to dream
Follow my lead my young cougar
****** me or move over

from miles across the ocean I can feel your presence
your emerald eyes piercing hard... deep into my heart
your hands felt warmer than my duvet
my sad day is forgotten

I need you here my dark night,
along with that old familiar musk

Those sweet, sweet tears form in your eyes
which weaken me to the point of no return:

I watch as you blast your biceps:
while you whispered
“I love you, baby I need you,

here I am making peak upon peak
As you seduces me,
loving you is so easy
stimulation is good for my heart
Seán Mac Falls Dec 2014
The first ones they killed were the poets.
They crowned themselves, the sterile
And sexless acorns who fell from the felled
And split the air, writing with bark,
Would have us not desire experience
But describing trees.  To the naked kings
The word is a wonder, a tool to be used
Like any other.  With a forge, they called
An altar, they pitted heaven and made miners
Of the Gods.  In high places they read
Their grounded works, sogged with rain
Water from a red wheelbarrow, they list
And bludgeon us with their hammered similes,
Scribe their poems, they are the painters of one
Colour and high priests of alchemy, turning
Salon into echelon.  When the falcon stoops
They name him hawk.  Standing ****, flat-footed,
In bumpy skin, their honks go unanswered,
For they are no kin to the swan that glides
And sometimes they remember that,

The first ones they killed were the poets,
When the sky is etherized, prose made
Verse and their subjects yawn the great
Slaving maw.  Steeped in stale erudition,
They man-scaped the garden, pulled out
The weeds and by their words, they decreed
That only grass should grow, in strident
Chorus they are ringing in the sheaves.
But their poems are only like poems.
The naked kings are clothed in word only.

In the thirsty kingdom, water spills
Stagnant from the stein and the droplets
Echo, "there's no there  .  .  . there."
Incestuously they christened
Each other, one hundred years of virgins
Making love with a dead word
They know not of— Poet!  Asters
Among the daisies, yet on the fields
Of praise, they shall deflower
Themselves and though they strut
And prance as stallions and mares,
You will know them by their brays.
Mateuš Conrad Aug 2016
an anatomy of a maxim, originally: the greatest trick the
devil ever pulled was convincing the world the world that
he didn't exist... perhaps, but what
was the conviction, what ontology lay
behind it, was it pre-existential (Cartesian)
or existential (Sartre's)? we're not
talking gambling with Pascal - we're not talking
games anymore - i'll explain later.
i have too many concrete references to throw
at you, where you'll make this whole affair
a scandalous one that i didn't invent myself,
but we're all refining our meanings,
in youth prescribing unknown to us
slang vocabulary to filter through the included
and the excluded, i always wondered where
slang originated, and to what purpose,
the Beat poets and novelists licked the topic
of slang with their addictions to subplot the
demands for a bubble-effect and a non-touch policy...
i was watching the Olympics today,
and i was watching the height of plagiarising Greek
in Pax Romanum, and it felt very civilised,
an equal contest, handshakes of the defeated,
they are after all games, we're not been equal,
let's celebrate Achilles and remember him
for no depressive isolating ******* when drinking
Dionysian epilepsy of refill, refill, so we remain drunk
and memory of him keep us drunk!
but no, oh no, modern men don't know what
to do heroes, or such memories that might
detach us from thinking ourselves likewise;
oh the slur of jealousy, so much angst, among ably
bodied and among the disabled, the disabled have
no sight of a plateau to look up to among the ably
bodied, they're rotten to the core -
and i know where premature dementia stems from...
i was watching the Olympics today, and it felt so
healthy, but then i watched the opening of another
sport... football... and i put on Salem's debut album
on the speaker, songs like sick, release the boar,
trapdoor, and i felt a reminder of the fall of
the western Empire, and when the Norse men
came against the Roman plagiarism of Greek culture
after the Trojan immigration to Italy after the defeat
at Troy, and Hector dying glorious by a glorious
hand of Achilles, and Achilles dying from luck
for the prototype of Tinder man of Paris, ***** licking
boot straps marching to fake debility...
oh, if you don't have a mobile phone, and never used
the Tinder application, you can see the super-charged
desperation of women, porcelain dolls pretending it
was always hard luck and too much eager ****...
they book the cheapest tickets to the Opera house
to see Bolshoi ballet, they even buy tickets that only
allows them to stand... after the second act there's no
sign of them... they disappear, no Tinder swipe
no Pokemon... better chances looking for either
in Auschwitz (as i heard has happened, Auschwitz,
well, thank god people go to fake mourning and a digital
theme park at the same time, at least the hens and stags
have Prague... they call us the forgotten Europeans...
maybe this is the precise intention of what i once
mentioned concerning the ONE LESSON IN TAO:
to aid the world, let the world forget you,
in order that you might forget the world.
seeing la corsaire we had anna nikulina as Medora,
mikhail lobukhin as Conrad, nina Kaptsova as Gulnare,
vitaly biktimirov as Birbanto (the *******),
denis medvedev as Lankendem and alexei loparevich
as Sāid Pasha... the major dances...
- pas d'esclaves by kristina kretova and igor tsvirko,
- danse des forbans by kristina karasoyova (soloist),
                                       anna antropova, anna balukova,
                                       evgeny golovin, denis savin
,
- pas de trois de odalisques by yanina parienko,
                                        xenia zhiganshina, elvina ibraimova
,
- le jardin animé............................................................­........
- grand pas de eventailles......................................................­.....
lonely girls at the opera, phones in the interludes, swiping
left, swiping right, a boy without a phone,
behind me two young women trying to strike conversation
about ballet exclusively, nothing human, just prepared for
the stage... what an awful talk, and talk, and talk...
no talk about excessive clapping... out-of-time clapping...
i'm truly living among barbarians... i might not be as rich
as these barbarians, but i wouldn't care to clap so much,
i guess the logic is: i payed so much money for this ticket
i better make my presence felt.
as i already said, i did take Ezra Pound on the commute,
i should have taken Kant... on the way back from central
London heading into the west i felt patronising
tourist eyes of misguided voyeurism, here one minute,
gone the next... only the devil sweats with shame in hell,
while everyone remains cool and in denial at being in one...
i was just standing on the tube, reading a book of poetry...
i turned into Niagara Falls... sweat on my back,
sweat on my front... while everyone else remained
surprisingly well hydrated, i looked like i just ran a marathon...
so after watching the Olympics i watched the dark ages emerges,
two strands of sport... god almighty and the barbarian's
religiousness of sports, so hellbent-anti-bohemian,
intimate secretes of Onan as a chant with that curled finger
jerking sideways movement... after watching a few days
of the Olympics, the empty seats, the few remaining lights
of this world... i got a cyst pool of ****** bound maggotry...
dad says to son: as my dad said unto me: 'ammer 'em in!
but now i know where premature depression comes from,
under communism we flourished with our imagination,
we played hide & seek into the night,
even when they imported Nintendo and comics we
were hardly moved... hardly the ones to be domesticated
and zoologically probed by anaemic paraphrasing -
we lived outdoors, we slept indoors, we used to eat
sunflower seeds, freshly baked bread, drink
cheap lemonade, go foraging for mushrooms -
idealism of some sort? but none of us were given
pharmacological attractions to treat - we were
given a childhood - even in England we managed to
play with Pokemon cards, to be puberty riddled geeks,
but then things changed... none of this new generation
of youth is given the same childhood chances,
in my youth few already experimented with ***,
teased us all that it was the highest achievement -
back then we still had people to look up to -
strange how i bypassed ****** pubescent development,
when the first boy masturbated he'd be *******
*****... i'd be ******* a sensation aged 8 or 7...
and said it felt good, i didn't involve a church doctrine
that life begun somewhere other than after the birth...
as it might be reasonable inspection that mere death,
sudden, et tu Brutus?, is like an *******,
the fetus later, then birth, the migraine of mourning,
the ***** training (getting used to angels),
the ****... takes us several years to record our
first memory, some might go back as far as being 4
years old... no further, whoever says they can remember
prior is mixing what's presented to them for distortion...
i can't distort my first name and my favourite footballer's
surname in the 1990s world cup (lothar matthäus),
or the satirical sketch show about Solidarity:
**** wałęsa (lew) was the lion, tadeusz mazowiecki (żółw)
the turtle, jacek kuroń (hipopotam) the hippo -
the memory of the "turtle" politician always made me fall asleep.
to be honest, the maxim sounds better not because the devil
denied he existed, but because God denied he existed,
once having proven he did, he denied it with such force
that his marriage to the chosen people became a brief
marriage to the elect / intellectual people... but then that
failed too... we're at the last stage... with Islam teaching
us the original intention of man having to relationship
with god... when Muslims teach us kung fu and judo and
yoga and stop trying to censor our vocabulary,
teach us mutual respect, a divorce from writing poetry
to solely embrace the Koran... when they finally realise
they have become more decadent than anyone would
have thought give their discovery of oil under the dunes...
the greatest trick the
devil ever pulled was convincing the world that
he doubted his own existence
; and all because he knew
that god denied his own, as became apparent in modern
politics, that the sole tactic politicians used to perpetuate
their authority was in the playground of using denial...
but it was never a playground... oddly enough
doubt and denial mingle like the Cartesian mind-body
duality - but when looking at children i know
that children do not understand doubt, too many games
to play to doubt them, hence the crippling uncoupling
from imagination later on, they're real, undoubted games,
hence the child's complete immersion in them:
whether Walt Disney lived and provided for the lost
children is none of my business.... children don't know
doubt, they have no knowledge of thought per se, thought
per se identified as ego... they know only one form of
lie: which is denial, intuitive lying... doubtful lying is
in good interest only a wavering, but nonetheless a straight line...
if ever doubtful lying ever persisted - even the Koran states
something about non-believers... it states nothing about
quasi-believers... the sort of: well... as long as that
martyr walks into a harem, where all the 72 virgins
are actually prostitutes, and he can stomach their piercing
eyes, then we'll think about giving him 72 authentic brides
to deflower.
I am the crab
the star on a slab.
dying,
you're frying tonight.

When you take me
you'll break me
and **** on my legs
devour me
deflower me.
I am a crab
the star on a slab.
Seán Mac Falls May 2015
The first ones they killed were the poets.
They crowned themselves, the sterile
And sexless acorns who fell from the felled
And split the air, writing with bark,
Would have us not desire experience
But describing trees.  To the naked kings
The word is a wonder, a tool to be used
Like any other.  With a forge, they called
An altar, they pitted heaven and made miners
Of the Gods.  In high places they read
Their grounded works, sogged with rain
Water from a red wheelbarrow, they list
And bludgeon us with their hammered similes,
Scribe their poems, they are the painters of one
Colour and high priests of alchemy, turning
Salon into echelon.  When the falcon stoops
They name him hawk.  Standing ****, flat-footed,
In bumpy skin, their honks go unanswered,
For they are no kin to the swan that glides
And sometimes they remember that,

The first ones they killed were the poets,
When the sky is etherized, prose made
Verse and their subjects yawn the great
Slaving maw.  Steeped in stale erudition,
They man-scaped the garden, pulled out
The weeds and by their words, they decreed
That only grass should grow, in strident
Chorus they are ringing in the sheaves.
But their poems are only like poems.
The naked kings are clothed in word only.

In the thirsty kingdom, water spills
Stagnant from the stein and the droplets
Echo, "there's no there  .  .  . there."
Incestuously they christened
Each other, one hundred years of virgins
Making love with a dead word
They know not of— Poet!  Asters
Among the daisies, yet on the fields
Of praise, they shall deflower
Themselves and though they strut
And prance as stallions and mares,
You will know them by their brays.
Seán Mac Falls May 2014
The first ones they killed were the poets.
They crowned themselves, the sterile
And sexless acorns who fell from the felled
And split the air, writing with bark,
Would have us not desire experience
But describing trees.  To the naked kings
The word is a wonder, a tool to be used
Like any other.  With a forge, they called
An altar, they pitted heaven and made miners
Of the Gods.  In high places they read
Their grounded works, sogged with rain
Water from a red wheelbarrow, they list
And bludgeon us with their hammered similes,
Scribe their poems, they are the painters of one
Colour and high priests of alchemy, turning
Salon into echelon.  When the falcon stoops
They name him hawk.  Standing ****, flat-footed,
In bumpy skin, their honks go unanswered,
For they are no kin to the swan that glides
And sometimes they remember that,

The first ones they killed were the poets,
When the sky is etherized, prose made
Verse and their subjects yawn the great
Slaving maw.  Steeped in stale erudition,
They man-scaped the garden, pulled out
The weeds and by their words, they decreed
That only grass should grow, in strident
Chorus they are ringing in the sheaves.
But their poems are only like poems.
The naked kings are clothed in word only.

In the thirsty kingdom, water spills
Stagnant from the stein and the droplets
Echo, "there's no there  .  .  . there."
Incestuously they christened
Each other, one hundred years of virgins
Making love with a dead word
They know not of— Poet!  Asters
Among the daisies, yet on the fields
Of praise, they shall deflower
Themselves and though they strut
And prance as stallions and mares,
You will know them by their brays.
Apachi Ram Fatal Oct 2017
zen manipulate electrons in various states\
migrate matter within range negate radiation\
indicate particles  of ambiguous qualities heart\
rate acceding mean mug gimmickry deflower\
showman stalemate minute of the meeting\
bonsai tree focus attention on mental desertion\
of a post without permission leaving duty\
unconcerned possess contrite phase clout\
initiate conduction butterfly effect\
unconditional require dissertation variation
in the future scale systems of education\
consume clones dogmatic zone emphatic\
wormhole between widely abused encompass\
those sadly disturbing amused separate connect\
ions space time continuum chromium address\
headless tune ⍏ chyme  divine combine celestial\
sign ⍏ bodies pine guide ⍏ shrine unleash\  

out zipper little dipper stick
love without pain set my soul free
Kelley L White Aug 2015
I shall write from a room of my own.
Kick tin at the cat on the roof

“You're one of my favorites”
He said.
And said.
Until he didn’t.

Naiveté’s intoxicating allure
Once duped
Breeds contempt
The mask slips.

I failed to see the hot plate of my goose cooked
For love of kindness
While kissing your ***.

Eviscerations deflower nobler hearts to pay lessors’ intentions
Beyond pale of reason
Power’s addiction

I shall not suffer wisely
A fool indifferent

The secrets we keep safeguarding delusion for hope’s sake.

What we allow?
Continues.
A heart breaks
Until it quakes.

Then heart writes from a room of its own
Kicks tin at the cat on the roof.

©2015 Kelley White
Poetic T Apr 2017
Every motion on new white is like a needing to deflower
the page, my seed is released in syllables verse.
Its never a one night stand I take my time.

Even though I leave in the end there was meaning to
this meeting of you and I. tattoos of our encounter
were left on you, but we took pride in inked verse.

*"Just because one is a flower sometimes we wilt,
Karisa Brown Aug 2018
Grow not
In the vases

They deflower us
They pick us

Let us grow
Roots touching
Mother earth

This soil
Is fertile
And vivid
in the rain
Diána Bósa Sep 2017
Love...
it took away
my sight for life
unheededly,
it rooted into
the eyeholes of mine
till it reached my core of life;
the heart
I already gifted to you.
You see,
I placed it upon
your very hands,
and, for now on, it is ready
to break out into blossom.
It waits for you to deflower it.
I wore a hat of flesh
blood stains a mess
I layed flat on your chest
Carving my name in your *******

You, a delicate flower
No reject girl that's sour
You, a banquet in heels
You whom I may devour

I watched you from my door
I watched you in the showers
Wishing you were more
Wishing you I may deflower
Like a *****
Yet your vestial innocence
Keeps me in ****** suspense
And as I act on it
Smiling as you crawl the floor
I realise this is a little potent..the mood struck me.
Atript Abhinav Aug 2015
How do you not burn in the sunlight?
Are you immune or are you of another kind?
Do you walk the earth with 13 in your mind?
Is that flesh actually a veil hiding the demon inside?
Do you want to deflower virgins and leave them like a sheared sheep?
Does the stench of carcass give you ecstasy?
Do you walk through walls when no-one's around?
Do you vile and walk proud?
Can you get into my brain through my eyes?
Do you camouflage like a chameleon and make us swallow your lies?
Would you bleed if I ***** a needle into your skin?
Or will you drain out everything you had ****** in?
Are you on a seesaw ride with angels like the sun and the moon?
Can you breathe in the vacuum??
Would you come to me when I'm lonely and eat me alive??
WOULD YOU DIE IF I STAB YOUR HEART  WITH A WOODEN KNIFE?????
Would you beg for mercy and cry in pain??
Would YOU promise to NEVER hurt ME again?
Clay Face Apr 2019
Claw a bit closer to me
Embrace my malevolent ability
This will help you feel a reality

You feel so safe without wonder
But pine for authenticity
As you rot inundated by false benevolence
You live in such gleaming
It’s insanity

I’ll pluck you from this numbness
By fogging your false sun with a dismal filter
And I’ll *******

I am not what you expected?!
I am not what you wanted?!
I am truth. What you pine for idiot
I am tonic
I will make you feel something real

You’re scared of such a fiend
Only because you smolder in this apathetic medium

I’ll make you uncomfortable
I’ll make you feel like ****
A relief from your dystopian existence
This dissonance will wake you from your slumber

You will gulp from my malice
It will quench your thirst for authenticity
You will feel emotion
You will feel hatred
You will feel bitter sadness
You shall no longer be vestal like your peers

After I deflower you of such “innocence”
You will no longer mime false emotions
You will venerate happiness
You will cherish sympathy
Because you’ve been uncomfortable
And you’ve been in vacuous darkness

You like darkness.
You need it.
It makes the light more dear to you
In fact.
It illustrates your reality with such a fine and tenacious brush
That if it were replaced. You’d be blinded by the blurry falsity it leaves in its absence

For the sake of reformation
Don’t return to ingesting insipid entertainment
Don’t return to experiencing life through media
Digest honest art. Not pretentious art.
Not dull art either
You’ll live much happier

And I won’t have to violate you again my lamb
Travis Green Apr 2023
He is my infinite heavenly universe
An ardent sparkling treasure
That spellbinds my entireness
That refreshes me with his boundless bright smile
In the mighty, rising, and towering sunshine

I find warm exalted solace in his long, macho arms
My ******, hypnotic, and rock-solid heart-throb
My fierce superior showstopper
I utterly love his boldness, dopeness, and showiness
How he has me bound by his beguilingness
Slowly slipping away from the realm of reality
Into the galaxy of his majesty

Listen to his strong, baritone voice
How I rejoice in all his wondrously
Impressive and poetical majesticness
With profound and appealing charm
So suave, enthralling, and remarkably knowledgeable
So badass and splashy as ****

I wanna caress his full flawless beard
Rub his broad tattooed pecs
Kiss his magnificent, manly-looking shoulders
Treasure him from the top of his head
To the soles of his feet

Taste every passionate incomparable word he speaks
Bewitched by the delicious richness
And slickness of his glistening and thrilling masculinity
When I take him into my innermost
Regions of my existence, stoke my homosexualness

Unleash his intense, relentless heat
Break open my mind, body, and soul
Make me so hopped up and shell-shocked
As he taunts my architecture
Enchant my inner woman

Let me be the only one that manliness craves
Teach me how to please thee
Show me the way into his **** *** sound system
Take into the hottest mind-boggling stages of ecstasy
Stare into the mirror of my queer world

Deflower me, devour me, drown me
In his unrivaled enticing delightsomeness
Draw me into his bright shining enchantment
My gayness suspended in his web of vivid fervent sensualness
I greatly adore his crisp, moist sweetness

Find deep meaning in his chemistry
Delve into the radical chapters
Of his magical page-turning attractiveness
My untouchable succulent drug
He has me so turnt up
Feening for one more hit
Of his desirable high-powered ****
Suresh Gupta Aug 2018
On the Cusp of .....
08/12/2018

Think you can so easily deflower me
Rob me of my innocence
Teach me first, those pleasure zones
That I shall forever explore

Into my adulthood
More and more, you invade my dreams
Soon I will take your ghostly mask
And ..............enslave you!

— The End —