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"And singing still dost soar, and soaring ever singest."


The earth was green, the sky was blue:
  I saw and heard one sunny morn
A skylark hang between the two,
  A singing speck above the corn;

A stage below, in gay accord,
  White butterflies danced on the wing,
And still the singing skylark soared
  And silent sank, and soared to sing.

The cornfield stretched a tender green
  To right and left beside my walks;
I knew he had a nest unseen
  Somewhere among the million stalks:

And as I paused to hear his song
  While swift the sunny moments slid,
Perhaps his mate sat listening long,
  And listened longer than I did.
A song in a cornfield
  Where corn begins to fall,
Where reapers are reaping,
  Reaping one, reaping all.
Sing pretty Lettice,
  Sing Rachel, sing May;
Only Marian cannot sing
  While her sweetheart's away.

Where is he gone to
  And why does he stay?
He came across the green sea
  But for a day,
Across the deep green sea
  To help with the hay.
His hair was curly yellow
  And his eyes were gray,
He laughed a merry laugh
  And said a sweet say.
Where is he gone to
  That he comes not home?
To-day or to-morrow
  He surely will come.
Let him haste to joy
  Lest he lag for sorrow,
For one weeps to-day
  Who'll not weep to-morrow:

To-day she must weep
  For gnawing sorrow,
To-night she may sleep
  And not wake to-morrow.

May sang with Rachel
  In the waxing warm weather,
Lettice sang with them,
  They sang all together:--

"Take the wheat in your arm
  Whilst day is broad above,
Take the wheat to your *****,
  But not a false false love.
  Out in the fields
    Summer heat gloweth,
  Out in the fields
    Summer wind bloweth,
  Out in the fields
    Summer friend showeth,
  Out in the fields
    Summer wheat groweth:
But in the winter
  When summer heat is dead
And summer wind has veered
  And summer friend has fled,
Only summer wheat remaineth,
  White cakes and bread.
Take the wheat, clasp the wheat
  That's food for maid and dove;
    Take the wheat to your *****,
      But not a false false love."

A silence of full noontide heat
  Grew on them at their toil:
The farmer's dog woke up from sleep,
  The green snake hid her coil
Where grass stood thickest; bird and beast
  Sought shadows as they could,
The reaping men and women paused
  And sat down where they stood;
They ate and drank and were refreshed,
  For rest from toil is good.

While the reapers took their ease,
  Their sickles lying by,
Rachel sang a second strain,
  And singing seemed to sigh:--

    "There goes the swallow,--
    Could we but follow!
      Hasty swallow stay,
      Point us out the way;
Look back swallow, turn back swallow, stop swallow.

    "There went the swallow,--
    Too late to follow:
      Lost our note of way,
      Lost our chance to-day;
Good by swallow, sunny swallow, wise swallow.

    "After the swallow
    All sweet things follow:
      All things go their way,
      Only we must stay,
Must not follow: good by swallow, good swallow."

Then listless Marian raised her head
  Among the nodding sheaves;
Her voice was sweeter than that voice;
  She sang like one who grieves:
Her voice was sweeter than its wont
  Among the nodding sheaves;
All wondered while they heard her sing
  Like one who hopes and grieves:--

  "Deeper than the hail can smite,
  Deeper than the frost can bite,
  Deep asleep through day and night,
    Our delight.

  "Now thy sleep no pang can break,
  No to-morrow bid thee wake,
  Not our sobs who sit and ache
    For thy sake.

  "Is it dark or light below?
  O, but is it cold like snow?
  Dost thou feel the green things grow
    Fast or slow?

  "Is it warm or cold beneath,
  O, but is it cold like death?
  Cold like death, without a breath,
    Cold like death?"

  If he comes to-day
    He will find her weeping;
  If he comes to-morrow
    He will find her sleeping;
  If he comes the next day
    He'll not find her at all,
  He may tear his curling hair,
    Beat his breast and call.
fearfulpoet Jul 2018
“only” the lonely know (my special sign)

{=}

an incurable silence

the meaningless, wasted touch of a hand,
attached, directed by them from them
to them
a failed reassurance

a classroom, a stadium, cornfield or grove,
so many nutted fallen solitaries fallen to rot
midst a globe of trillions never noticed,
never missed

the silly conceptual that the lonely,
special unique, blessed with a curse,
a specialist status, “only” they afflicted;
with a ken that isolates and yet feels elevated -
oh! I am special

show me one, just one, human who doesn’t truly believe,
they are the onliest loneliest and you will vision
each and every
lonely person who
secret sighs and whose first thoughts are only:

god spare me one more day of being,
fearful of achieving
my very own knowing,
in the invisible place,
the incurable silence award,
reward of another purple heart,
“only” the lonely service ribbon,
my Cain marker

~my special sign~
WOW

what a wonderful reception to my first poem!

thank you,
less fearful!
Jack Trainer Oct 2014
The cornstalks vanished overnight
Shaven fields once flowing, green and gold
Like Dad’s evening whisker stubble
Ghost limbs of the cornfield

Flocks of nomadic Ravens
Feast on the invisible
And scowl with those empty black eyes
Impervious to man’s judgment

And I think,

There is nothing as beautiful
Than the first snow on a barren field
Shadows playing with the evening light
And dance among the vacant mounds
Ma Cherie Oct 2016
Cornfield highways
& pumpkin pie
leaves are  waving
a glad goodbye
tractors shining
in the sun
grateful for
a job well done
colors brighter
than any known
on winds of change
how they have blown
sappy flowers bow
their head to pray
thanking you
for time you stay.

Cherie Nolan© 2016
Just because...
YOUR bony head, Jazbo, O dock walloper,
Those grappling hooks, those wheelbarrow handlers,
The dome and the wings of you, ******,
The red roof and the door of you,
I know where your songs came from.
I know why God listens to your, "Walk All Over God's Heaven."
I heard you shooting craps, "My baby's going to have a new dress."
I heard you in the cinders, "I'm going to live anyhow until I die."
I saw five of you with a can of beer on a summer night and I listened to the five of you
    harmonizing six ways to sing, "Way Down Yonder in the Cornfield."
I went away asking where I come from.
Joseph S C Pope Sep 2013
Childhood was the greatest time for Timothy, and he remembers it that way. No disposition on the fact that his parents divorced when he was eight. Just old enough to develop a mental connection with the idea of a union. So when he was ten, his father remarried, moved to a farm in the southeast, and tried living off the land. The topic of an ecological environment had hit the internet heavier than global warming hit the ice caps. And everyone was pursuing happiness with steep drops in city living, and an up swing in rural living.
Timothy's mom refused to believe it though. She wrote about such cultural climates, the invasion of neo-british pop boy bands, the decline of football, and the hippie lifestyle clawing its way back up the columns of big city papers. So when the recession hit, and it suddenly became cool to dress like a homeless person, she saw the disgust, moved overseas and focused on the world-political spectrum.
“Societal fads be ******! I'm going to do something that actually matters.” And she did.
Timothy Glasser, age 82 looks back on that moment with pride.
“There was a sense that she had the ***** to change the world. With Russia building up Imperial popularity, it was cool to be big. America was on the decline by the word of all the heavy-hitter magazines.
“That was when I started to take my life serious. She had shown me all the would-be Bob Dylans, Lennons, Hunter S. Thompsons. She would say, 'These kids have all the brass words of a ****** who can bite down ******* the world, but they don't have the actual brass. Men who are not recognized for what they've done have the brass. Hell, women have ten more pounds of that kind of brass!'
'I would laugh, but she was serious. I think she thought I was too masculine to understand what she was saying.”
When Timothy's father moved him and his little sister, Sunni Glasser out to the backwater community of Oggta-Cornelius, there was a certain relief in his demeanor. In a matter of months the country way of living had worn down his impatience to a sluggish pace.
“Greg was my father's name. He's been raised in a similar place in the Midwest, but the slowness of that life got to him in his teens so he left for the city. I guess when he met my step-mom he found the good ol' girl that he'd been trying to cling to since he left home. And it was Sunni's choice to come with us. She always had the same kind of 'brass' Mom had, but there was a closeness she shared with Dad that adventure couldn't break. It's a **** shame too. But once the slow pace of the backwater hit Sunni, she rebelled. It was a catastrophe to watch her and Dad argue over the most petty things you've ever seen. The way our step-mom, Claire would fold clothes or how early she had to wake up in the morning for school. Five o'clock, five days a week, and sometimes Dad would wake her on Saturday just to punish her for talking back. There was always blood in the water.”
Timothy's face settles, his lower lip curls, and his eyelids clinch for a moment before he changes his position in his chair.
“Is everything okay, Timothy?” I ask.
There is a pause, almost as if he is reliving what he was just describing.
“**** has always been real, you've been fantasizing.” I hear him say. He refuses to look at me, let alone answer my question.
“Mr. Glasser?” I ask again.
He exhales suddenly, eyes watery, and lets out a sigh.
“Let's talk about Sunni. I never really talk about her much, and I think now is a good time. Don't you?”
I nod in agreement and try to give him a smile.
He still refuses to look me in the eye.
“When Sunni was in first grade, she was beginning to prove to be a bit of a handful. There was a small patch of corn out back. Maybe half an acre Dad keep for us to put up for the winter. Sunni was about seven years old around this time and she had the idea to make crop circles. Now I was out with my friends, played football in those days so I didn't have the time to be home all the time. Dad and Claire kept themselves busy with the work about the place, so Sunni got bored real fast. One day during the summer, Dad went to the store to get some groceries. A friend of his came up to him and said, 'I was up in the plane yesterday and I saw something strange in your cornfield. Like some kind of crop circle. Weird ain't it?'
“This rattled my Dad's brain for a few minutes until he got home and saw the two-by-four with rope tied to either end of the thing. Sunni was staring at the clouds and Dad walked over to her, and yanked her up off the grass. 'What are you doing flattening my corn for? Don't you know that's goin' to save us money in the long run?” She just stared at him. Not dumbfounded, just intrigued.
“That was kind of the starting point of their bickering. She had blonde hair running to the base of her skull brushed down neatly. A subtle blush in her cheek from the sun. And she always wore a dress, especially if it had sunflowers on it. She brought life to that house.
“On her tenth birthday, Mom sent her a touch screen phone, an iPhone, I think it was called with a two-year contract. It was so long ago minor facts like that seem to hang on for no reason.”
Timothy shuffles in his chair. Then clears his throat.
“Would you like to take a break, Timothy?” I ask him.
“I ignored most of the arguments Sunni and dad had after I graduated high school. As soon as fall semester started at Cornelius College I fled the backwater and started by life near the OceanFront. Oggta-Cornelius was divided into two sections: the Backwater and OceanFront. And like a sports rivalry there was always trash talk about the tax bracket you were in or how much you worked. After the first few weeks for sneaking into bars and partying on campus, the fun died down because of the arrests. I almost got caught twice, but my sixth sense for trouble tingled at just the right time. When the middle of the semester hit I was over-booked with mid-terms and reading assignments. I actually lived in my dorm then. Never really left the place. And soon fall semester was over. Nothing worth mentioning now. Sunni and I texted often, but she had become a brat and I wanted alone time to learn what I'd read. For everything literary to go beyond just test and quizzes.
“But right towards the end of the semester, one morning I was walking to an early exam and on the ground was a kid, a little older than me lying there looking up at the sky. I had the urge to walk up and ask him what he was doing, but it felt too rude so I left him. I kept walking and heard a voice call back to me, 'Hey, guy.' I turned around, 'Yeah you, come here.'
“I walked up to him, he motioned for me to kneel beside him.
'What day is it?
I told him it was a Monday.
'Really? Wow, must've fell out watching the stars with this gir--'
He reached to his other side, feeling for a body, but no one was there. He never broke eye contact with me.
'Well, with his lovely imaginary girlfriend I have. Her name's Elsie. She's a charm.'
I helped him up and he left without much of a goodbye. A disrespectful mysteriousness. And I didn't see him again till the weather warmed up in the spring semester. Which was a repeat of the fall.”
Timothy asks me for some water. I started to feel like I'm one of his grandkids. How far in the trunk of memories is he going for this information?
“Thank you. Now the next time I saw Alan was in a smoking gazebo along a walking path on campus.
'Hey, guy!” he shouted, getting my attention. I walked back to the gazebo, coughing as the smoke roughhoused it's way into my lungs. He had those circular shades on, like the one John Lennon wore back in the day. A tie around his head, a light blue button up shirt that hung loose off his think frame. His hair was long and parted, and he sported a straggly red and black beard.
'Top of the morning, ta ya.' he said, putting out a cigarette on the tray. I opened my mouth, but all that came out was coughing.
'Course, the Irish don't really say that. It's actually quite racist, but I'm half Irish so no skin of my knuckles. I'm a mutt.'
“He smiled with such pomp. The arrogance was so natural, it fit him like his face. Other people around him were having conversations about Samuel Beckett, John Irving, Stephen King, and Jimmy Hendrix tripping acid together in the great T.A.R.D.I.S. in the sky. I remember laughing at that. They were all smiling at the ludicrous actuality of it happening. And it was late evening.
'Stay! Be silly and merry with us!” he shouted. I held my breath and sat down. I never made it to the rest of my classes that afternoon or for the next week. Alan and I chilled in my dorm, burned incense and plotted a protest. The whole time I was telling him he had to be literal with the cause. It couldn't be just because the college bookstore sold shot glasses, but confiscated any paraphernalia they found in the dorms.
'*******,I say. It's hypocritical and a scam. Like police pulling you over for going two-miles over the limit because they need to feed their kids. It's a Darwin rip-off.'
“Later that week he took my phone while I was sleeping, got my number, and Sunni's too. He never asked if he could come over after that night. He just did.
'I thought it was cool since we had a good time.'
"I didn't know what to say so I let it continue. His reason for stealing Sunni's number still baffles me. He said he thought she was a girl I was into. She was my sister, he was right in his own way. It was a while before he ever texted her.
“The next time I saw him he told me, 'I feel like a clockwork man running on thousands of gallons of caffeine.' I laughed at him and told him to stop reading Burgess.”
I stop Timothy for a moment. “Anthony Burgess? The author of A Clockwork Orange?” He nods and goes back to the story.
“You know, with the Second Cold War flaring up again I don't think it's wise to be worrying about an old man like me. This has been a century of second fillings. There are still Hipsters running about. This makes me feel no better. I want to go home.”
“Alright Mr. Glasser, but can we reschedule? I need to finish this article.” As he rises out of the chair, he agrees and goes for his coat.
“One more question, Mr. Glasser. Can you give me another quote from Alan? A bit of closing for this bit?
He turns around and looks me in the eye for the first time since the beginning of the interview. He squints his eyes at me and says, “When we would hang out at the gazebo where we actually met for the first time, and after that week I got back in the habit of going to class and doing my work. As I would leave I'd say, 'Alright man, I'm off to class, to learn and stuff.' He'd moan about it, and say, 'Look at him now, growing old and dying young.' Behind that same pompous grin."
Pardon that it is fiction, but poetry has inspired this short-short story. Maybe the beginning of work on my novel, but it is along the same lines as "This is why the Hipster dies".
Jessica Oct 2013
When in sad
I hide it
I stare out windows and pretend I'm in a movie
When I'm sad
My smile fades
Then pops back up to mask me
When I'm sad
Sunrise and sunsets are most beautiful
When I'm sad
I sing sad show songs in my head
When I'm sad
You could make me smile
But you don't know me well enough to see through my mask
If I'm obviously sad
Then I'm trying so you will come and cheer me up
I'm smarter than a 5th grader
When I'm sad
No one can tell
Not even you
"Ok that's Cool too"
I.
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     A slang drowns its operating alarm. The photo fumes below a hearing angle. How does the existence enter near the independent alternative? The enabling rocket despairs on top of a poet. An estate graduates on top of the located penguin.
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     Beneath the mill bores the wetting pig.The kiss entitles my funded ballot throughout the throat. Our rose hastens a sample over the derived metric. The roundabout well coats the explicit truth. The stone persists.

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Arms so.
Of civil.
Taken begun in act.
Mean them of petitions by.
New guards tyranny their may to;
Forbidden to;
Are a and same.
Head together;
The by he till should to;
Voice he our.
Firm parts.
Circumstances foreigners necessary the of our has on.
That self-evident connection a opinions for in.
To neighbouring on them protection his has to and of or to legislatures things as;
Totally against with brethren elected to to state;
Unacknowledged the.
Has sufferance its population those trial pass their of have among.
To and conditions been colonies instituted therefore;
Of merciless of destructive most he.
For and.
And powers with and on;
Other long.
For colonies exercise.
Towns for to men than hither their to.
Dictate refused;
The have.
Changed suspended the;
Relinquish appealing of to;
States: these convulsions and;
Combined render all are alter of of with.
To raising usurpations.

III.
I, the loved
I, the engulfed
I, the remigrated
I, the existence
I, the infinitive
I, the derivative
I, the human
I, the darkness
I, the glass
I, the interviewed
I, the disaffiliating
I, the trees
I, the air
I, the future
I, the past.
I, the present.
I, the moment.
I, the now
I, the dead
I, the alive
I, the opponent
I, the ally
I, the language
I, the idea
I, the universe
I, the cosmos
I, the sensual
I, the lover
I, the writer
I, the poet
I, the artist
I, the fearful
I, the form
I, the painting
I, the paper
I, the words
I, the letters
I, the color
I, the winter hallway
I, the black alleyway of bricks and cobblestone
I, the one who knocks
I, the fourth of July
I, the independent
I, the atom
I, the bullet
I, the bohemian
I, the philosopher
I, the homeless
I, the clouds
I, the sky
I, the rain  
I, the music
I, the harp
I, the angel
I, the devil
I, the decider
I, the canceler
I, the road
I, the pavement  
I, the stone
I, the wall
I, the cornfield
I, the golden
I, the emotion
I, the follower
I, the leader
I, the second
I, the minute
I, the hour
I, the day
I, the week
I, the month
I, the year
I, the biennium
I, the triennium
I, the lustrum
I, the decade
I, the jubilee
I, the century
I, the millennium
I, the overseer
I, the god
I, the who  
I, the what
I, the which
I, the where
I, the why
I, the question
I, the answer
I, the dream
I, the reality  
I, the in between
I, the ecstasy
I, the joy
I, the pain  
I, the populous
I, the I
I, the you
I, the
Do not try to understand this.
Shelby Young Jan 2011
The closest I can
get to you is
  the farthest I can
get from here -

the farthest I can get from
  these dreadful Columbus clouds
that protect me from
the unknown,
  the lonely cornfields that grow
and grow, but
only grow lonelier.

But I like the clouds that
blanket me at night, keeping me
  warmer than you ever could.
And I love the way the sun
rains orange and pink on the lonely
cornfield, and the way the cornfield
soaks it up and saves it
for another day.

I could love you if
  you could love Ohio's cornfields
and cloudy days.
Written in April 1798, during the alarm of an invasion

A green and silent spot, amid the hills,
A small and silent dell! O’er stiller place
No singing skylark ever poised himself.
The hills are heathy, save that swelling *****,
Which hath a gay and gorgeous covering on,
All golden with the never-bloomless furze,
Which now blooms most profusely: but the dell,
Bathed by the mist, is fresh and delicate
As vernal cornfield, or the unripe flax,
When, through its half-transparent stalks, at eve,
The level sunshine glimmers with green light.
Oh! ’tis a quiet spirit-healing nook!
Which all, methinks, would love; but chiefly he,
The humble man, who, in his youthful years,
Knew just so much of folly as had made

His early manhood more securely wise!
Here he might lie on fern or withered heath,
While from the singing lark (that sings unseen
The minstrelsy that solitude loves best),
And from the sun, and from the breezy air,
Sweet influences trembled o’er his frame;
And he, with many feelings, many thoughts,
Made up a meditative joy, and found
Religious meanings in the forms of Nature!
And so, his senses gradually wrapped
In a half sleep, he dreams of better worlds,
And dreaming hears thee still, O singing lark,
That singest like an angel in the clouds!

My God! it is a melancholy thing
For such a man, who would full fain preserve
His soul in calmness, yet perforce must feel
For all his human brethren—O my God!
It weighs upon the heart, that he must think
What uproar and what strife may now be stirring
This way or that way o’er these silent hills—
Invasion, and the thunder and the shout,
And all the crash of onset; fear and rage,
And undetermined conflict—even now,
Even now, perchance, and in his native isle:
Carnage and groans beneath this blessed sun!
We have offended, Oh! my countrymen!
We have offended very grievously,
And been most tyrannous. From east to west
A groan of accusation pierces Heaven!
The wretched plead against us; multitudes
Countless and vehement, the sons of God,
Our brethren! Like a cloud that travels on,
Steamed up from Cairo’s swamps of pestilence,
Even so, my countrymen! have we gone forth
And borne to distant tribes slavery and pangs,
And, deadlier far, our vices, whose deep taint
With slow perdition murders the whole man,
His body and his soul! Meanwhile, at home,
All individual dignity and power
Engulfed in Courts, Committees, Institutions,
Associations and Societies,
A vain, speech-mouthing, speech-reporting Guild,
One Benefit-Club for mutual flattery,
We have drunk up, demure as at a grace,
Pollutions from the brimming cup of wealth;
Contemptuous of all honourable rule,
Yet bartering freedom and the poor man’s life
For gold, as at a market! The sweet words
Of Christian promise, words that even yet
Might stem destruction, were they wisely preached,
Are muttered o’er by men, whose tones proclaim
How flat and wearisome they feel their trade:
Rank scoffers some, but most too indolent
To deem them falsehoods or to know their truth.
Oh! blasphemous! the Book of Life is made
A superstitious instrument, on which
We gabble o’er the oaths we mean to break;
For all must swear—all and in every place,
College and wharf, council and justice-court;
All, all must swear, the briber and the bribed,
Merchant and lawyer, senator and priest,
The rich, the poor, the old man and the young;
All, all make up one scheme of perjury,
That faith doth reel; the very name of God
Sounds like a juggler’s charm; and, bold with joy,
Forth from his dark and lonely hiding-place
(Portentous sight!) the owlet Atheism,
Sailing on obscene wings athwart the noon,
Drops his blue-fringed lids, and holds them close,
And hooting at the glorious sun in Heaven,
Cries out, “Where is it?”

Thankless too for peace,
(Peace long preserved by fleets and perilous seas)
Secure from actual warfare, we have loved
To swell the war-whoop, passionate for war!
Alas! for ages ignorant of all
Its ghastlier workings, (famine or blue plague,
Battle, or siege, or flight through wintry snows,)
We, this whole people, have been clamorous
For war and bloodshed; animating sports,
The which we pay for as a thing to talk of,
Spectators and not combatants! No guess
Anticipative of a wrong unfelt,
No speculation on contingency,
However dim and vague, too vague and dim
To yield a justifying cause; and forth,
(Stuffed out with big preamble, holy names,
And adjurations of the God in Heaven,)
We send our mandates for the certain death
Of thousands and ten thousands! Boys and girls,
And women, that would groan to see a child
Pull off an insect’s leg, all read of war,
The best amusement for our morning meal!
The poor wretch, who has learnt his only prayers
From curses, who knows scarcely words enough
To ask a blessing from his Heavenly Father,
Becomes a fluent phraseman, absolute
And technical in victories and defeats,
And all our dainty terms for fratricide;
Terms which we trundle smoothly o’er our tongues
Like mere abstractions, empty sounds to which
We join no feeling and attach no form!
As if the soldier died without a wound;
As if the fibres of this godlike frame
Were gored without a pang; as if the wretch,
Who fell in battle, doing ****** deeds,
Passed off to Heaven, translated and not killed;
As though he had no wife to pine for him,
No God to judge him! Therefore, evil days
Are coming on us, O my countrymen!
And what if all-avenging Providence,
Strong and retributive, should make us know
The meaning of our words, force us to feel
The desolation and the agony
Of our fierce doings?

Spare us yet awhile,
Father and God! O, spare us yet awhile!
Oh! let not English women drag their flight
Fainting beneath the burthen of their babes,
Of the sweet infants, that but yesterday
Laughed at the breast! Sons, brothers, husbands, all
Who ever gazed with fondness on the forms
Which grew up with you round the same fireside,
And all who ever heard the Sabbath-bells
Without the Infidel’s scorn, make yourselves pure!
Stand forth! be men! repel an impious foe,
Impious and false, a light yet cruel race,
Who laugh away all virtue, mingling mirth
With deeds of ******; and still promising
Freedom, themselves too sensual to be free,
Poison life’s amities, and cheat the heart
Of faith and quiet hope, and all that soothes,
And all that lifts the spirit! Stand we forth;
Render them back upon the insulted ocean,
And let them toss as idly on its waves
As the vile seaweed, which some mountain-blast
Swept from our shores! And oh! may we return
Not with a drunken triumph, but with fear,
Repenting of the wrongs with which we stung
So fierce a foe to frenzy!

I have told,
O Britons! O my brethren! I have told
Most bitter truth, but without bitterness.
Nor deem my zeal or fractious or mistimed;
For never can true courage dwell with them
Who, playing tricks with conscience, dare not look
At their own vices. We have been too long
Dupes of a deep delusion! Some, belike,
Groaning with restless enmity, expect
All change from change of constituted power;
As if a Government had been a robe
On which our vice and wretchedness were tagged
Like fancy-points and fringes, with the robe
Pulled off at pleasure. Fondly these attach
A radical causation to a few
Poor drudges of chastising Providence,
Who borrow all their hues and qualities
From our own folly and rank wickedness,
Which gave them birth and nursed them. Others, meanwhile,
Dote with a mad idolatry; and all
Who will not fall before their images,
And yield them worship, they are enemies
Even of their country!

Such have I been deemed.—
But, O dear Britain! O my Mother Isle!
Needs must thou prove a name most dear and holy
To me, a son, a brother, and a friend,
A husband, and a father! who revere
All bonds of natural love, and find them all
Within the limits ot thy rocky shores.
O native Britain! O my Mother Isle!
How shouldst thou prove aught else but dear and holy
To me, who from thy lakes and mountain-hills,
Thy clouds, thy quiet dales, thy rocks and seas,
Have drunk in all my intellectual life,
All sweet sensations, all ennobling thoughts,
All adoration of the God in nature,
All lovely and all honourable things,
Whatever makes this mortal spirit feel
The joy and greatness of its future being?
There lives nor form nor feeling in my soul
Unborrowed from my country! O divine
And beauteous Island! thou hast been my sole
And most magnificent temple, in the which
I walk with awe, and sing my stately songs,
Loving the God that made me!—

May my fears,
My filial fears, be vain! and may the vaunts
And menace of the vengeful enemy
Pass like the gust, that roared and died away
In the distant tree: which heard, and only heard
In this low dell, bowed not the delicate grass.

But now the gentle dew-fall sends abroad
The fruit-like perfume of the golden furze:
The light has left the summit of the hill,
Though still a sunny gleam lies beautiful,
Aslant the ivied beacon. Now farewell,
Farewell, awhile, O soft and silent spot!
On the green sheep-track, up the heathy hill,
Homeward I wind my way; and lo! recalled
From bodings that have well-nigh wearied me,
I find myself upon the brow, and pause
Startled! And after lonely sojourning
In such a quiet and surrounded nook,
This burst of prospect, here the shadowy main,
Dim-tinted, there the mighty majesty
Of that huge amphitheatre of rich
And elmy fields, seems like society—
Conversing with the mind, and giving it
A livelier impulse and a dance of thought!
And now, beloved Stowey! I behold
Thy church-tower, and, methinks, the four huge elms
Clustering, which mark the mansion of my friend;
And close behind them, hidden from my view,
Is my own lowly cottage, where my babe
And my babe’s mother dwell in peace! With light
And quickened footsteps thitherward I tend,
Remembering thee, O green and silent dell!
And grateful, that by nature’s quietness
And solitary musings, all my heart
Is softened, and made worthy to indulge
Love, and the thoughts that yearn for human kind.
Michael DeVoe Feb 2012
She told me
"I'd disappear for a while if I could trust my self to come back to all of this"
She won't come back to this
She's too big for this
She's too big for this
Or I'm too small for her
Or the horse she rode in on died
And now she's riding off on an elephant
I don't know

Not all surprises are surprises
Sometimes we just act surprised
So that the other person doesn't feel bad about us knowing ahead of time
I've never really been in a fight
So I don't know what hurts worse a sucker punch
Or a punch you see coming
Either way this hurts
A lot less like a punch
And a lot more like getting branded at a bonfire in a cornfield by your best friend with a paper clip
It burns
Then bleeds
Then welts
Then itches
For along *** time it itches
Then when it's done itching
It's there
Forever
And every time someone sees it for the first time you have to tell that story
Of how you you got your *** burnt with a paper clip by your best friend in a cornfield at a bonfire
Or about getting sucker punched
Or surprised
Or about being too small for her

Sometimes you grieve before their gone
You write your love letters and goodbye notes at the same time
And you've seen her go so many times in your mind
That by the times she actually does ride off on an elephant
It's like you're watching reruns
And just crying out of habit

But sometimes you want to feel like size doesn't matter
That whether she's too big for this
Or I'm too small for that
That somehow it just fits

That's when you grieve
Before they're gone
When they're going
And after they've left
And you spend your nights wondering who the good guy was
But no one wears black cowboy hats or white cowboy hats in relationships
So you never get to know who the good guy was
I want to think it was her
I'm starting to believe it was me
And that hurts
To think I was so wrong for so long

You see size tends to matter
When you're reaching for the stars
One of you is going to reach them
Swing of Orion's Belt and grab the moon
And while they're staring back at earth
You'll still be here
Pumping your Reebok's
Trying to get just enough air in your shoes
To be just big enough
To jump just high enough
That they're just won't forget you
While they're off doing things
That you are just too small to do
A collection of poems by me is available on Amazon
Where She Left Me - Michael DeVoe
http://goo.gl/5x3Tae
Shelby Young Jan 2011
The closest I can
get to you is
  the farthest I can
get from here -

the farthest I can get from
  these dreadful Columbus clouds
that protect me from
the unknown,
  the lonely cornfields that grow
and grow, but
only grow lonelier.

But I like the clouds that
blanket me at night, keeping me
  warmer than you ever could.
And I love the way the sun
rains orange and pink on the lonely
cornfield, and the way the cornfield
soaks it up and saves it
for another day.

I could love you if
  you could love Ohio's cornfields
and cloudy days.
BAND concert public square Nebraska city. Flowing and circling dresses, summer-white dresses. Faces, flesh tints flung like sprays of cherry blossoms. And gigglers, God knows, gigglers, rivaling the pony whinnies of the Livery Stable Blues.

Cowboy rags and ****** rags. And boys driving sorrel horses hurl a cornfield laughter at the girls in dresses, summer-white dresses. Amid the cornet staccato and the tuba oompa, gigglers, God knows, gigglers daffy with life's razzle dazzle.

Slow good-night melodies and Home Sweet Home. And the snare drummer bookkeeper in a hardware store nods hello to the daughter of a railroad conductor-a giggler, God knows, a giggler-and the summer-white dresses filter fanwise out of the public square.

The crushed strawberries of ice cream soda places, the night wind in cottonwoods and willows, the lattice shadows of doorsteps and porches, these know more of the story.
Tyler Matthew Aug 2017
the metal silence
of an empty river town
still rings in my ears

boy dreams in big words,
looking out from the porch to the
pond growing algae

moon is alive with
vivid colors and pictures,
reflection of this

wake to the smell of
bacon frying up the hill,
grandma cracks an egg

this recurring dream:
rolling down the hill naked,
logs rolling behind

the trees are it all
and I might be part of it,
so I like to think

we built a treehouse
at the edge of the cornfield
and never used it

it was hot I remember
and I didn't like the sound of
the hammer on wood

I said it was a
cornfield, but it only used
to be a cornfield

now just mud and ruts
and a place to stand when we
feel introspective

when a good thought leaves
the mind and's not recovered
it ends up right here

rustbelt suburban
teenagers smoke and ride in
the dead of the night

when I close my eyes
riding in the backseat now,
I pray that we leave
Work in progress
The two of us staring
At the stars in the sky
Making wishes on comets
And things that fly by

What will we be like?
Where will we live?
We will we both be successful?
Will we both take or give?

Questions unanswered
Questions not asked
Some are worth knowing
Some left in the past
Go in with eyes open
Your life will be grand
Just give it your damndest
And go lead the band

In the back of the pickup
My girlfriend and me
Make dreams upon stardust
At a quarter to three

We're out in the cornfield
In my old chevy truck
Planning out lifes direction
On a stroke of good luck

Questions unanswered
Questions not asked
Some are worth knowing
Some left in the past
Go in with eyes open
Your life will be grand
Just give it your damndest
And go lead the band

It may be a spaceship
That's come down from afar
Or we may be there wishing
On some shooting star

Our future is waiting
There'll be tough times ahead
Meeting those expectations
We made in that truck bed

Questions unanswered
Questions not asked
Some are worth knowing
Some left in the past
Go in with eyes open
Your life will be grand
Just give it your damndest
And go lead the band.
Now on twitter @titans_dad
(Bergen)SEVEN days all fog, all mist, and the turbines pounding through high seas.
I was a plaything, a rat's neck in the teeth of a scuffling mastiff.
Fog and fog and no stars, sun, moon.
Then an afternoon in fjords, low-lying lands scrawled in granite languages on a gray sky,
A night harbor, blue dusk mountain shoulders against a night sky,
And a circle of lights blinking: Ninety thousand people here.
  Among the Wednesday night thousands in goloshes and coats slickered for rain,
  I learned how hungry I was for streets and people.
  
I would rather be water than anything else.
I saw a drive of salt fog and mist in the North Atlantic and an iceberg dusky as a cloud in the gray of morning.
And I saw the dream pools of fjords in Norway ... and the scarf of dancing water on the rocks and over the edges of mountain shelves.
Bury me in a mountain graveyard in Norway.
Three tongues of water sing around it with snow from the mountains.
  
Bury me in the North Atlantic.
A fog there from Iceland will be a murmur in gray over me and a long deep wind sob always.
  
Bury me in an Illinois cornfield.
The blizzards loosen their pipe ***** voluntaries in winter stubble and the spring rains and the fall rains bring letters from the sea.
Jack Trainer Sep 2014
The chill of an autumn morning
A rising steam as the fallen leaves exhale
The lonesome trees have given up their glory
A carpet of red, yellow, orange, and brown

An overcast sky with no definition
Is but a blur
Movement indiscernible
There is wisdom in the sky, revealed to a few

The smoke of the day’s first fire ascends
Wafting its familiar fall fragrances
Brings warmth and comfort to the soul
And campsite memories of long ago

We pass the bleak and barren cornfield
Stippled with autumn’s harbingers
The Raven
They stare with the blackest of black eyes
Kiernan Norman Jul 2014
I found it while unpacking boxes of old books in the basement.
It slipped out of a Spanish to English
dictionary that I probably smuggled out
of a middle school library ten years ago
and haven't opened since.

I knew what it was, of course-
whole years were spent with bad posture
listening to substitute teachers and CCD carpool-drivers
lecture about the bold beauty and senseless frailty
that was youth.
Their bodies were at once tense and earnest.
Their voices were at once condescending and pleading as
they sang deeply of the space we blindly occupied and
they fiercely missed.

My understanding of youth was a
sepia-streak stumble through tall reeds below an open
sky; taking clumsy steps on sea-cut feet
and one day regretting not passing enough
notes kept folded in pockets or taking
enough pictures of the faces whom I ran beside.

Youth, obviously, is subjective-
It can be teased up or sculpted-in tight
in relation to circumstance.
In my own mind youth is a cool breeze,  glory days thing- like prom night or my first kiss.
Really each took place years ago but, since they didn’t
carry the weight or sheen I was told they should,
I still sit tight and wait for them.

They will find me eventually.
They’ll arrive a loud booming from a furious sky that births open-prairie rainfall that quiets my
teenage sadness as I sit shotgun
in some boy’s pickup and we race
a  cornfield to the Wyoming border.

The fact that I’m in my twenties is irrelevant.
The fact that I live in New England, where corn is imported and gas is expensive, is not worth noting.

So when, in the basement among the books I've hoarded and arranged around me like armor,
I saw my golden-ticket youth slip
out between pages and waft slowly down, I let it  hit the ground.
I could have crushed it with a sneakered sole
like a cigarette or crumbled it into nothing with shaking fingers.
I could have let it careen down between damp paperbacks to
the box’s bottom and know for certain it
would never reemerge.

But, surprisingly, I didn’t want to.
It was light and lovely in a way I would have never guessed.
It wasn’t as sticky as I thought it’d be.
In fact, as I flipped my hair forward and
double-no-triple knotted the bouncy, silky strings
(Strings that felt more like existing than regretting)
at the nape of my neck- a smile so severe I thought I'd crack found it's way to me.

My youth will never be something I flip through
like a catalogue and miss and cry out for. I will never
be haunted by it nor will I conjure it
around a fire while trying to make a point.
I won’t tell ghost stories about my youth
to bored kids because I am not going to let it die.

I saw it today. For the first time I could touch
it and smell it and I realized it didn’t have to be
the sarcophagus of who I was,
but instead could serve as the shifting
and stretching prologue to who I will be.

I’ll let it hang loose and light from my neck.
Its colors will fade in the sun and its beads will
probably warp as it trapezes altitudes and climates.
It will dull and tarnish.
It won’t stay pretty but neither will I.

I’ll gladly sacrifice any lace and filtered polaroid memories
and oft-repeared stories of my youth; kept behind glass and propped up among rags at a museum exhibit,
for the low belly excitement of closing my eyes today and not knowing what I'll see when I open them tomorrow.
I'm sick of being told I'm blowing it.
(Chirstmas Day, 1917)THE FIVE O'CLOCK prairie sunset is a strong man going to sleep after a long day in a cornfield.
  
The red dust of a rusty crimson is fixed with ******* of lavender. A hook of smoke, a woman's nose in charcoal and ... nothing.
  
The timberline turns in a cover of purple. A grain elevator humps a shoulder. One steel star whisks out a pointed fire. Moonlight comes on the stubble.
  
"Jesus in an Illinois barn early this morning, the baby Jesus ... in flannels ..."
Destroy my eyes and ears
tear my tongue from me
I'm just a man of straw a
cornfield seer who will see
the future better or worse
give it a blessing or curse
I live forever after death
steal the livings' breath.
Luke Schunke Feb 2020
Join me,
in the cornfield,
run ashore from your sea.

In here, the stalks are your shield.

There's no longer any locks, but there still remains a key,
wonder who that might be?

Put down the sword you wield,
rather, knight the scarecrows,
this is our victory.

Come get lost in the cornfield with me...
She's got roses in her hair
And* mud over her heels
Her
sun kissed skin shines
As she
dances in the meadow

Her brash laughter sings
Throughout the cornfield
The breeze twirling her; dizzily
As if in a ballroom; 
like a lover

Eccentric* is what she seems
But really she's a girl
A girl who is free
To spend her days frolicking
In *nature's company
Why, don't we all long to be free!
Just when you think
the road leads to nowhere
crops up the moss veiled house

its crumbling bricks make greyer
the sky with the hush of twilight
and you rue with melancholy
the night under its roof assigned for you

but the old man like a seasoned spider
lets you forget you're trapped for the night
to his web spun from timeworn earth
as you stare engrossed upon his face
outlined by glowworm sparks

he recounts it was all marshland
he grew into bowl of harvest
and how he was blessed with
the most beautiful woman on earth
then reaching the crescendo
his words thin into whispers
when he tells you his two poor eyes
were not enough to hold her beauty
so she putting a stone on her heart
spread wings on a night like this

the cornfield wilted
he wizened into an endless wait
with gracious death saving his bones
to lighten his heart to a stranger
who comes alone.
gloria graves Jun 2015
there are different ways of making love
sometimes in mysterious places
all of you reads this poem
we might just touch bases

let me tell you a story
of a chance I took
After it was said and done
I never took a second look

One night me and my partner
.drove down a country road
it was dark as it could be
and things was about to unfold

we ran across this cornfield
so we stopped and we both said
we were in a pickup truck
so we climbed into its bed

we did not see no trespassing signs
and did not see no house
so we were in the middle of the Act
and tried to be as quiet as a mouse

then all the sudden I heard something
and I told him to please stop
but he just did not listen
then we were put on the spot

and then there was a flashlight
shining in our face
along with a long barrel shotgun
as we stared in total amaze

the farmer gave us a warning
and told us to leave his property
and then we left out of there
which scared the heck out of me

so all that read this story
please watch out for the dark country roads
please rule out the cornfield
because you might get the buckshot
by the heavy load
Michael Patrick May 2013
Do you remember when we saw the Milky Way
Looking up at the night from your father’s cornfield

We were too far north for tick checks

Wading under the bridge
Minnows eating dead skin off our toes
While hornets buzzed at the banks

Shooting guns at old VCRs and broken microwaves

Laying on our backs on the grass
We watched his Fourth of July fireworks
The embers landing in our hair

And when the smoke cleared
The Milky Way, again
Tommy N Dec 2010
I saw the news in obituary black and
alabaster-chamber white. Women mulled about
in shining dresses, all pinwheel-galaxy black.
The men’s suits: darkness-between-
stalks-late-in-the-cornfield black

The pastor wore a Cosmopolitan’s-table-of-contents
white stock in the non-air-conditioned
church. His sermon dripped on the bereaved
like hardening wax. A portly woman wheezed
in the second row. A first-roadkill-of-summer
red paper fan swayed  idly in her left hand.

The coffin creaked, 4am-grandpa‘s-coffee brown
the procession moved outside slowly. The moment
was like when two trains  are idle and one begins
to drift forward. From inside the other,
it feels as if we are drifting backward.

Backward to days before with the namer in his study.
He has on his 1862-edition-Les-Misérables tan
blazer. His wrists crawl out the undersized sleeves.
Above his roof, the sky milks over
to 4th- grader’s-scratched-locker blue.

A wine glass full of just-waking-up-seeing-steam-
waft-from-under- the-bathroom-door white wine
rests on his particle board desk. I want a 70s B movie villain
to bust through the door yelling, "I’m not sorry" and shoot him
with a chipping-paint-bike-rack-next-to-the-library¬ grey revolver.
I want the namer to be speechless, knock over the wine glass
and die with grandma’s-new-couch red  pooling on his blazer.

The truth is my grandma’s new couch is this ugly
brown-yellow color. I don’t really know how to describe it.
Written 2010 during the MFA program at Columbia College Chicago
Ted Scheck Aug 2014
I'm on the road, but not
Actually on. A. Road.
Per se.
I avoid roads like cliches
Avoid plagues.

Fields are much better
Travel companions. As
If a lined-paper stretch of
hoed land could thought to be
Friendly to your feet, and knees,
And mind
Not that you traipse across it.
Specially
Corn. Inside corn fields is always
Maze-Y.
The Wind loves singing through
Discordant notes of thistle and
Thatsle; whatsle you'll hear
Musically is really up
To you.
But at night, the stars shining
Through the feathery filters of what is
More than knee-high by 7/4/whatever
Is a forget that's hard to memory.

Sleep in cornfields and you'll
Wake to the pleasant murmurings
(And nocturnal rustlings)
Of mice using your clothes
Body boots shaggy unkempt hair
For warmth. Sore neck, sore back,
Worth it, comically ship-jumping-so:
The little furry squeakers realizing the
Empty soft boat wasn't empty at all
And the critters abandoning you
With the flicker of tails, gone. A
Maze-ing.

Forests. Hmm...Temperate
Temperament. More
Crazies in the woods than amongst
Iowa's cash crop: 1 must B careful.
They generally want to be left A
Lone; I specifically avoid them, or
Will travel act like their long
Lost crazy cousin.
Just to fit
Out.

Small fires in copses of woods,
Huddled near flames, ears
Prickled for the sound of
Angels dancing on the pins of
Heads.

Occasionally, I tire of the peace of fields of
Green tassels and tall deciduous
Trees, and I hear cars, and imagine
I hear the conversations held within.
So I take my bottled strangeness out
Of seclusion and rejoin the race
Humana.
More often than not, I meet up with
The Angry.
They congregate in coffee houses.
Huddle in hostels.
Mob motels.
You get the jpeg.
The Angry desire to
Do what I do by second nature, and
By nature, first. I've thrown off my
Self-imposed chains, and walk free.
They see this - in me - or see the magic
Dust my boots tracked all the way across
Their own barren linoleum flo.
They are trapped in their mind-traps.
The Angry would imprison me and
Masquerade as me simply for spite.
(If they could CATCH me, bwaa-haa!)

I walk quickly, lope along I80.
I hate to do this. It's Russian Roulette
With 6 bullets in 6 chambers.
But to get to the back roads, you some
Times have to travel the fore roads.
Troopers of State do NOT like
Peds on the road. But many of
Them, after stern sternly Drill-
Sergeanting you with their Smokey-
Bear hats, will drop you off to
Your destination. "Keep safe,
Sir." They intone with such
Seriousness that I'm always
Biting the insides of my
Mouth. They could use a
Few dewy misty nights
Slumbering in an Iowa
City cornfield, waking with
A brood of mice nestled in
your knapsack.

Food. There's an issue there,
For some. Not me - not then, not
Now. The future is only the future
When it's tomorrow. Candy bar
Smashed by a bike tire in the
Gutter? What, some puke-eating
Dog should have that? Gross.
Gross is grossly
Defined by how long you'd
Not eat when your food ran
Away. Since I have almost
Nothing except a small green
Canvas satchel and a larger
Knapsack of essentials
(A few tools, a fire-starter,
Water purifiers, and my pen and
Notebook) and my good...

...Boots and thick socks and 1-
Piece Union Suit and many
Layers I'm glad to have at
Night but make me sweat
Heavily in the sultry
Iowa summers, I eat on the
Fly. Sometimes I chase away
The Fly to munch on what
It munched. Gross.
It's a living, because moving
Is work, blessedly peaceful, yes,
But have you ever seen a fat
Walker? They either get skinnier
Or they expire. So I eat
Whenever and whatever and how
Ever.

Dumpsters. Garbage cans.
The backs of grocery stores.
I trade sudsy soapy pruned hands
For burnt pizzas and more bread
Sticks sticking to my stomach
Like doughy glue. People out
There - people alone in crowded
Rooms - will trade kindness and
Conversation for food they may
Have taken home with them, or
May have just thrown away.

Lowered
Expectations, skinny middle,
Sore feet, leg muscles wanting
To stay up and watch late-night
TV, swollen ankles eventually
Going to sleep with the rest of
The body as I'm huddled in a
Little snow cave in Iowa, or
Waiting a rain beneath an old
Wagon, or bunking with my
Mice-buddies in an old barn.
There's a lot of life out there,
A skinny man with long, blonde,
And usually ***** hair, sweaty,
Smiling, eyes bright, nostrils flaring
At the scent of humanity: a
Peaceful Mind wandering
Around the belly-button of
America.
She's got roses in her hair
And mud over her heels
Sun  kissed  skin shines
As she dances in the meadow

Her laughter  sings
Throughout the cornfield
The breeze  twirling her
In a ballroom; like a lover

Eccentric is what she seems
But really she's a girl
A girl who is free
To spend her days frolicking
In nature's  *company
Eric Reiter May 2013
Love.  

Love is
awful/wonderful/
terrifying/beautiful/
frustrating/amazing/
foreign.

It's amazing how something that you've never had
can leave such an empty feeling inside you.
I was made with an empty space in the middle of my heart.
Meant to be filled with someone's "I'll love you forever."
There must have been a mishap in the factory, though,
because there seems to be no complimentary piece.

I have a mantra I go through, a set of excuses I remind myself of
whenever a chance is lost, an opportunity runs sour. '
I call them "The Three Things I Know To Be True About Love."
             Not interested? Someday he will be
             Isn't into relationships? Someday he will be
             Isn't attracted to you? Someday he will be

Well, I can't say I know the third part to be true.

I know what you're thinking.
Sad, whiny fat kid complaining about something he caused himself.
Look, I know what I look like. I know what it allows me in life.
To be fair, it is my own fault. I've let myself stretch,
outgrowing my skin and confidence till they're threatening to burst.

I know it would be hard to look at me and say "I love you."
I never have been able to do it.
I think if I heard it just once, though, I'd be satisfied.
Just to give me the sensation having the words
pass through me, enveloping my insides
with warmth, hope, promise.

I'm not asking you to mean it. I couldn't ask you for that.
Even though I'd know of their false implications.
I have always been a fan of playing pretend.

I know that I'm young,
and that I haven't been far outside of the
cornfield fence that has enclosed me for 19 years.
But patience has never been a virtue I've held.

I'm just someone who is desperately tired of "somedays."
All I'm asking for is a "today."
Barton D Smock Dec 2015
~ the director

one woman in particular became trapped in a man’s body and he married her.  a child they tried not to have soon arrived and brought with it a list of demands from the others.

his peers double crossed each other in small houses.  he himself was able to get away with punching a young girl for the right to drag a sled.  his child began to accept talking toys in exchange for keeping quiet.  

he was in love with his sister, always had been.  after she was mauled by the dogs meant for his father, he made walking his home until it called itself a hotel

of running.  last year, he caught a movie one had made of his life and though he missed the dedication

he did not miss
the death row scene, the saw his brother took from the cake, the plain basket
as it moved
with his mother

from bike
to bike…  

~ transmissible

the stomach remains dumb

the way she finds this out on a school bus

the way her mother
after losing
a child  

~ ephemeron

cornfield visionaries, they sat around the ball as if it were fire.  I myself was tired of magic

so we played four short and the ball was a fact.  a hard period planted in mud

or a long quote
buzzing the ears
together.  

~ alleviant

of all places a park bench will do for the man not yet reading but planning to the children’s book with its cover of mother and child and kitchen and some kind of batter on the child’s face.  presently the man is alone much as his mother is alone in one of his fingers.  two men nearby are drinking from a water fountain and in turn are each palming the low **** for the other.  they are friends but only by length of service and the man can tell one is aggressive and the other allows it.  the book itself is disappointing.  the child is just ***** and the mother is just angry and they learn only to be themselves.  the men at the fountain become two men on a bench and the reader scoots over to hear about the voice of god as ****** children take the park.

~ amends

your house in foreclosure and you leave it and you are holding two bags of cat food.
  
sometimes a tricycle is a particular tricycle
trying to clear
with its back wheel
the low cinema
of your bare
foot.  

I am mugged in your dream and mugged in mine and mugged by a woman in both.

I hope we can meet without talking money.  this story my mother gave me
about the world’s first invisible man
is a keeper.  he was born

that way.

your mother I saw her setting the patio table for two and I looked away but could hear
no one
beating her.

we can talk about your cat.    

~ homology

the empty raccoons by their emptiness have kept the priest awake.  the church dumpsters wheel themselves into the world and he watches.  he tells his mother it is the silence of god.  she shrinks from him more and more and eventually fits through a door he cannot see.  his house fills with garbage and he becomes convinced he is wearing gloves.  we do not argue.  he raises them with his hands to take them off with his teeth.      

~ fiction

my age, father paints an abstract jesus.  mother has the kitchen to herself and sits.  mother watches my brother lift a chair and leave.  my sister lets a train pass and bites at the shoulder strap of her bra.  not my age, I draw a violinist.  draw a dog at the neck of its owner.  at my age of apple and rope, I prefer god’s early work.

~ monodist

online, I pretended to be writing a very long obituary.  in house, I dreamt not of my wife but of a grape being rolled by a palm gently toward a grape the dream could not see.  as it is in heaven, I was not all there.

~ signage

I was limping the edge of the pond so as to confirm in the world my clearance given to me as before by frogs.  my punched nose was warm and my grief melted from it and I cupped my hands together for the blood and what mixed with it and when the cup was full I halved it and my already thick shoelaces thickened.  soon into this drama one frog jumped from the pond and I startled that indeed it was no frog but a toad or some form of toad.  I followed it woozily from my father’s land onto the land of the man who’d fathered the boy whose fist had found so recently fistfight heaven.  the toad was dull save for its hop from water and save for its courage and save for a sickly orange spot on its back that was a star when the toad paused and a mangled star otherwise.  everything had been planned and my body wanted to be generous to the toad and it was hard not to run or use my hands or ruin this paradise that I knew then as vengeance but now see as existential plagiarism which is nonetheless vengeance.  I told myself I would not rub the toad over me and I had to convince myself repeatedly.  the boy was no doubt inside the house as his dog was not to be seen but his sister was sprawled on two towels as she was very tall and her sunglasses were cocked enough so that her right eye could see mine.  the toad was in her mouth immediately and then her throat bulged but went quickly back to its original.  I lost the toad forever then but its orange star surfaced on the right and then the left of her belly button.  I told her I would see her at school and I would but this was the last time I would see her in anything but an overcoat and that boy would try and come close but never again pin me down.      

~ discipline

somehow sweet in his want of no trouble, the unwashed man goes hand in hand with your father to the backyard where they wrestle as if hurt were people keeping them apart.  your father’s jaw comes loose, the man’s ear seems held by too small a magnet.  at window you a sickly child with overbite and a scarecrow’s pipe stroke the puppet-corn hair of a sister’s doll and walk it cloud to defrosted cloud.  amidst this bartering of vanished weight your mother is being made to balance on her bare stomach a glass of lemonade.  in three days the man will come back, your father a bit healed, your mother less angry about straws.

~ the rabbits

the head of a shovel enters the earth of this southern field.  there is no more give here than in the northern.  the burying boy has been long facing the wind and will be longer.  in walking toward the boy, the old man’s knees have locked.  the old man is seen by the boy and the old man waves upright in the wind’s gnaw.  the tops of the boy’s legs reach his stomach.  

~ archaism

a man carrying his dog stops to kneel.  for my distance from him, I am disallowed any inquiry that would flower.  he sets the black dog in front of him in the manner I have imagined god at the simple chore of placing those first shadows.  I am holding my son nostalgically, almost forgetting how my tooth would ache and his tooth would ache and both would be things I knew and he didn’t.

~ sincerely

the males had in them a sloth and a jolly fog of sportsmanship

and in the females a mistake was made.

against frogs, and against the dim leaping
of frogsong

I had this friend

broke his arm
while *******  
at the wheel.  

I put my arm in the grief of my arm.
Sean Jul 2011
There's a cricket inside our room
but I'm trying to sleep and shouldn't
think about cricket legs
how it used to be
running real fast
in a cornfield your perspective changes
faster and faster
the rows of corn sprout legs longer,
much longer than your own
just watch them hop from one row to the next
velocity put to melody that
winged beasts sing for
fickle corn-ears...
soon, the memory drift'd asleep.

— The End —