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tread May 2013
Eyes like massive clanks- gazes morphed to lanced boils, lungs ache and the tumour of hopeless alien weird melts an old painting we used to call 'existence.'

Ankles dry, calloused thoughts, skin peels to reveal oozing flesh. **** sinks in and swallows floating zinc; immune. Consuming ex-cadavers in mall parking lots and pushing the crippled in shopping carts, an ankle twisted, a mother swallowed monetary *****, the stock market became the shelf market, and creation wondered if we were okay with frozen pizza for dinner.

Life dragged on and on, the world swirled on twitter feeds and Facebook statuses, the streets completed laps around our better judgements and our better lives, we sank to scheduled escapism and believed that one day we would find the light despite our never left-look.

Massive intention swelled to disjointed shark search. A witch-hunt to burn unhappiness in it's own angry passion. Bones; cost efficient at the least and designed in the weirdness of erosion-return. Miniature intention swelled to grabs solidarity. A manhunt to freeze stillness in it's own endless silence.

What complete? What shatter-tastic ******?

Eyes like massive clanks- gazes morphed to lanced boils, lungs ache and the tumour of hopeless alien weird melts an old painting we used to call 'existence.'
farhan Dec 2015
Shinchan, Shinchan we are his fan
He’s a tot but swanks as a man

He is too minute and he is so cute
Shot in the arm can put you in dispute

He pranks and clanks with pals or alone
Be it his school or be it his home

Mitsy his mom shouts as a norm
Harry his dad scouts to reform

Pranks and clanks both gets flop
When Mitsy gives him a pop on his top

Our fun gathers when he does not stop
And another one goes on top on his pop

Pops and shops is what he gets from his mom
We never go sad be whatever his form

Shinchan, Shinchan we are his fan
We will love him as much as we can
This is a song to celebrate banks,
Because they are full of money and you go into them and all
you hear is clinks and clanks,
Or maybe a sound like the wind in the trees on the hills,
Which is the rustling of the thousand dollar bills.
Most bankers dwell in marble halls,
Which they get to dwell in because they encourage deposits
and discourage withdrawals,
And particularly because they all observe one rule which woe
betides the banker who fails to heed it,
Which is you must never lend any money to anybody unless
they don't need it.
I know you, you cautious conservative banks!
If people are worried about their rent it is your duty to deny
them the loan of one nickel, yes, even one copper engraving
of the martyred son of the late Nancy Hanks;
Yes, if they request fifty dollars to pay for a baby you must
look at them like Tarzan looking at an uppity ape in the
jungle,
And tell them what do they think a bank is, anyhow, they had
better go get the money from their wife's aunt or ungle.
But suppose people come in and they have a million and they
want another million to pile on top of it,
Why, you brim with the milk of human kindness and you
urge them to accept every drop of it,
And you lend them the million so then they have two million
and this gives them the idea that they would be better off
with four,
So they already have two million as security so you have no
hesitation in lending them two more,
And all the vice-presidents nod their heads in rhythm,
And the only question asked is do the borrowers want the
money sent or do they want to take it withm.
Because I think they deserve our appreciation and thanks,
the ******* who go around saying that health and happi-
ness are everything and money isn't essential,
Because as soon as they have to borrow some unimportant
money to maintain their health and happiness they starve
to death so they can't go around any more sneering at good
old money, which is nothing short of providential.
Easterly Sep 2018
My soul clanks when the hammer of Truth hits
And beflats my whole existence, that rusty one sits
On the anvil, there I lie half conscious, half sleep stricken,
My Smith hurls and my soul clanks!
Had I been plastic rust wouldn't dare to touch it!
I would be perfect to be moulded into a dummy,
A gentle lifeless creature, dancing on the notes of their fingers,
Loved and longed, and the sleep's harbinger;
In a sick fluke as metal I was sent,
Strong against storms yet vulnerable to the wind.

O my Smith! Would you make a tool out of me?
Or am I long gone? An useless fish out of the pond?
Are my pores too many? O my Smith! Hit me
Until I be the sword of a king's pawn.
Grey Rose Nov 2020
Tell me
That gun that you're so proud of
Why does it tremble so much?
Is your hand following your unstable mind?
Is that the same hand that holds your child's?

Your emotions
Fragile enough to be crushed with a hug
Insecure enough to attack a compliment
Corrupt enough to endlessly reload on lies and deceit
Are those the same emotions you shoot into your wife at night?

Your bullets roar so loudly
What voices are you trying to drown out?
Your heartbeat clanks at the speed of the fallen shells
What are you so afraid of?
A man armed and ready to go off at any moment like you?

Tell me
What can you manage to defeat?
With those trembling hands
Uncertain of what to take aim at
You shoot down anything that moves
Uncertain of where the trigger is
You pull at anything you can reach
Uncertain of how much enemies are left
You forever stay in the trenches
I now know that when you bow your head at church that it's not for prayer

Then hoping to nullify your senseless you refuse to leave the battlefield
And take no-mans-land everywhere you go

You wear your bulletproof vest and rifle to the supermarkets, schools, offices, dinner tables, churches, and funerals

Forever firing
Forever charging
Forever defending
Forever fighting
Yourself.
Prabhu Iyer May 2013
I.

I knew she liked me much,
the way she blushed and
went cold, every
morning at my touch;
I love her too, my favourite
cereal bowl: she's
all ceramic, a queen
among bowls. So, I decided
to break ice and ask her,
this morning, when this space
is resonant in unusual
calm amid the buzz
of clumsy bikes, kitchen clanks
and crowbar knocks: tell me,
dear bowl, I say, tell me more
about yourself: I want to
know your story.

II.

She blushed again: really?
Why would you want to know
this my sad story?
Everyone I ever loved,
has been cleaved from me
and here I wait today,
polished and reflecting
the mad whirl of the tireless
fan every sombre morning.
Silence. I gave her a caress:
an empathetic, loving one,
and nudged her on.
She stuttered. I gazed intently
at my interested face
reflected off her beaming eyes.
Well, where shall I begin?

III.

I was the soft clay
lining the shore of this
beautiful lake, in some remote
haven untouched by betrayal:
a far off land, where
people just loved and expected
nothing back.
China? Mongolia?
I was about to ask, excited,
but then kept quiet,
how would a clump of clay
tell one country from another?

IV.

I loved her soft smile
rippling past me every morning
and deep night, and we
loved each other this way
in waves and caresses
for aeons, when one day
this menacing contraption
a monster, cleaved me off
and transported me
to a boiling cauldron. I wept
for pain and roiled on
until hardened and cast
into this shape.

V.

Earlier, my dear bowl,
still earlier I wish to know,
what were you, before
being the sand on the lake?
She got thoughtful for a while.
Well, I was the mountain
that fell in love with the sky.
O, her beauty that
came alive when she wore
a tunic adorned of twinkling
stars and the crescent moon
adorned her forehead; But,
the jealous winds
cleaved me off her: bit by bit
scraping me off they
deposited me by the lake.

VI.

Earlier, dear bowl, what
were you, before being the
mountain that loved the sky?
Now it seemed like I was
in communion with an ancient
deity: a being so vast, that
all existence was in her throb.
Ah, those searing depths
where I flowed simmering
by ragged channels, I was
the pain that the primordial
planet carried in her womb.
Before exploding over the land
and rising to the ashen skies.

VII.

I could not ask her more.
We both were lost in a
trance-like moment. I just
touched her and we felt
every event that pulsed in her.
The giant star that exploded;
Spreading gases and dust
all over vast distances.
Gathering together and
growing all over again, through
and through time, since
numberless cycles of creation.
Stardust. Here in my humble
bowl, is gathered,
the seed of all existence.
Another experiment here...do excuse the length!
Wrenderlust Oct 2013
The café rumbles like the belly of a fasting saint,
voices competing with the clanks of silverware.
In the tearoom a boy with a tangle of wires
leaking from an unzipped backpack
struts between tables, billing himself as a "human hotspot".
He wears the same glasses you do;
they slip down his nose as he leans over to flirt with the waitress
in the red apron, who taps her nails against the cash register
and laughs at his bad jokes, she tells me, because
he wears his pants too high, just like her brother used to.

A man with a soup-stained button down and a bald spot
introduces himself as Peter Ling, proprietor,
oracle of the inner city rummage sale,
advisor to the lost and hungry.
He doles out pithy wisdom and lentils into mismatched bowls-
"You want therapy? Try your ex boyfriend."
The four of us hide our grins, and flee
to his cavernous basement. As we go spelunking
through the puddles left by a burst pipe,
clambering past bloated books and warped furniture,
Emma Miller swears that she slept here once-
on a moldy brown sofa crouched like a hibernating bear
among empty Heineken bottles.

The expedition yields four boxes of acupuncturist leaflets
and a damp antique suitcase filled with seeds,
who seized the opportunity to germinate,
their tiny roots searching fruitlessly
in the mildewed silk lining.
Ling says he's going to try gardening this year,
serve up spaghetti squash grown out back by the garage.

We sowed pea shoots and salad greens
in glass jars pilfered from a claw-footed armoire
that lay on its side, defeated, like the last of the saber-tooths.
I named one for you, tucked Eruca vesicaria sativa
into potting soil, and set it on the balcony railing-
tempting fate and gravity, because you always liked a little excitement
with your afternoon cup of rooibos.
I didn't see the girl who knocked you off your perch,
saw only the sun's sharp gleam off the glass
as the jar plunged, graceful as a slow-motion train wreck
on its arc toward the concrete,
and Peter Ling reached up with his big, calloused hand
to break your fall.
Travis Dixon Sep 2012
understand
make it stand
let it in
grasp it tight
find the heart of the light
give it water for more
hear it beat and sweet
release the flow throughout
seeping doubt
squelched in blackened drought
listened under moonlit ponds
broken by lingering clouds
shrinking
growing
morphing
exploding shrapnel hits
the streets in domino lines of
clings, clanks
against pavement
green with feeling
tentacles outstretched
grabbing downpour
more griping
a wiping the slate clean
a new approach to a one way road
sweeping away the swept under
forgotten
the last day, a cleansing
sweaters donned for greater betterness
less impressiveness, bored aggressiveness
regressing
to under intelligence, minor importance
broken vases line the halls
flowers gasp soaking last remains
crying death
its toll rising infinite forms
everywhere
everyday
every
second
this moment
emptiness
misery’s hand clenched tight
suffocating life, energy bound
and wound so small and tight
bound to explode any moment
epiphany epiphany
epiphany
ephemeral projected instance
prism hemmed answers
nullifying yourself
The big teetotum twirls,
And epochs wax and wane
As chance subsides or swirls;
But of the loss and gain
The sum is always plain.
Read on the mighty pall,
The **** of funeral
That covers praise and blame,
The -isms and the -anities,
Magnificence and shame:--
"O Vanity of Vanities!"

The Fates are subtle girls!
They give us chaff for grain.
And Time, the Thunderer, hurls,
Like bolted death, disdain
At all that heart and brain
Conceive, or great or small,
Upon this earthly ball.
Would you be knight and dame?
Or woo the sweet humanities?
Or illustrate a name?
O Vanity of Vanities!

We sound the sea for pearls,
Or drown them in a drain;
We flute it with the merles,
Or tug and sweat and strain;
We grovel, or we reign;
We saunter, or we brawl;
We search the stars for Fame,
Or sink her subterranities;
The legend's still the same:--
"O Vanity of Vanities!"

Here at the wine one birls,
There some one clanks a chain.
The flag that this man furls
That man to float is fain.
Pleasure gives place to pain:
These in the kennel crawl,
While others take the wall.
She has a glorious aim,
He lives for the inanities.
What come of every claim?
O Vanity of Vanities!

Alike are clods and earls.
For sot, and seer, and swain,
For emperors and for churls,
For antidote and bane,
There is but one refrain:
But one for king and thrall,
For David and for Saul,
For fleet of foot and lame,
For pieties and profanities,
The picture and the frame:--
"O Vanity of Vanities!"

Life is a smoke that curls--
Curls in a flickering skein,
That winds and whisks and whirls,
A figment thin and vain,
Into the vast Inane.
One end for hut and hall!
One end for cell and stall!
Burned in one common flame
Are wisdoms and insanities.
For this alone we came:--
"O Vanity of Vanities!"

Envoy
Prince, pride must have a fall.
What is the worth of all
Your state's supreme urbanities?
Bad at the best's the game.
Well might the Sage exclaim:--
"O Vanity of Vanities!"
The big teetotum twirls,
And epochs wax and wane
As chance subsides or swirls;
But of the loss and gain
The sum is always plain.
Read on the mighty pall,
The **** of funeral
That covers praise and blame,
The--isms and the--anities,
Magnificence and shame:--
'O Vanity of Vanities!'

The Fates are subtile girls!
They give us chaff for grain.
And Time, the Thunderer, hurls,
Like bolted death, disdain
At all that heart and brain
Conceive, or great or small,
Upon this earthly ball.
Would you be knight and dame?
Or woo the sweet humanities?
Or illustrate a name?
O Vanity of Vanities!

We sound the sea for pearls,
Or drown them in a drain;
We flute it with the merles,
Or tug and sweat and strain;
We grovel, or we reign;
We saunter, or we brawl;
We answer, or we call;
We search the stars for Fame,
Or sink her subterranities;
The legend's still the same:--
'O Vanity of Vanities!'

Here at the wine one birls,
There some one clanks a chain.
The flag that this man furls
That man to float is fain.
Pleasure gives place to pain:
These in the kennel crawl,
While others take the wall.
She has a glorious aim,
He lives for the inanities.
What comes of every claim?
O Vanity of Vanities!

Alike are clods and earls.
For sot, and seer, and swain,
For emperors and for churls,
For antidote and bane,
There is but one refrain:
But one for king and thrall,
For David and for Saul,
For fleet of foot and lame,
For pieties and profanities,
The picture and the frame:--
'O Vanity of Vanities!'

Life is a smoke that curls--
Curls in a flickering skein,
That winds and whisks and whirls
A figment thin and vain,
Into the vast Inane.
One end for hut and hall!
One end for cell and stall!
Burned in one common flame
Are wisdoms and insanities.
For this alone we came:--
'O Vanity of Vanities!'

Envoy

Prince, pride must have a fall.
What is the worth of all
Your state's supreme urbanities?
Bad at the best's the game.
Well might the Sage exclaim:--
'O Vanity of Vanities!'
Nora R May 2015
Her bare feet and palms are the shade of half ripe maroon dates.
Her strong silhouette, a gazelle at sunset.
Eyes are dark brown granules of coffee.
The clanks of gold jewellery on her forehead and ankles,
her sweet aroma of roses fused with jasmine saturate air.
Her fiery soul - a wild Arabian horse yet untamed by bedouins.
Her sun kissed skin glimmers under sunlight;
falcons are constrained with the touch of her fingertips.
She stands tall as she carries her pride,
tall as she hums with the gentle birds.

We ancient women, are an unbroken chain of tribal ancestry,
interlinked by blood and soul. Our lineage, a mother's lullaby,
carried by the wind that disperses sand,
wind that shakes  the core of oceans.
https://soundcloud.com/nora-r-4/ancient-women
The skies are strown with stars,
The streets are fresh with dew
A thin moon drifts to westward,
The night is hushed and cheerful.
My thought is quick with you.

Near windows gleam and laugh,
And far away a train
Clanks glowing through the stillness:
A great content's in all things,
And life is not in vain.
Hayley Neininger Apr 2013
They say we have two halves of a whole brain.
Two sections that govern our actions
Like tyrants that ride horses with reigns made
Of nerves and weald weapons that shoot out sparks
Of neurons across our synapses
The lands of our minds that dips and rises like the Andes mountains
Amoung cerebellum fields
Where nervous horses hoofs trample
Nervous systems flowers and bend their stem
Into an L shaped pendulum that swings
Unevenly over corpus callosum oceans
That separate left and right.
Art and reason.
Two separate sets of war torn warriors fighting,
One with methodically measured maps
Marked with red flags between concurred lands of logic
And one with holistic metal armor that clinks and clanks
Around soldiers making music for them to march to
They fight over proper ways of reason
And creative formulations
Of treasons that ought not be crossed
Their trenches the rivens in our brains
That wet rot their feet with slimy blood and
Membrane juices
The left speaking in tongues
That right cannot hear when not
Set on staff lines
Or painted onto animal skin canvas
That once covered similar brain battles
Between right and left
Only to be cut and sectioned off
In improper fractions that yearn to be whole.
If only the sides would sign treaties of peace
With pens that pinch fibers together and bind
Halves into wholes.
Geno Cattouse Sep 2014
Nights are are quiet and cold to the touch
Gloomy lights in dusty rooms cast spectral doom as whirr and clank.
You took.
You pulled and ripped our love apart at the seams
Now powered by steam.

Dashed and splintered
So I Labour late and long into wintery nights to build from scraps of wood  iron  and steel.
A semblance so that I can once more feel and care.

A shiney gift to pull from
my chest. An offering.
Something that tics and clanks. Cold and dead ouside
Instead of pumping love
My Steampunk heart can only  cry  and scream .The loss of flesh and love for a loveless lifeless thing...my offering
The Steampunk Heart.
Lawrence Hall Jun 2017
Restless Hope Syndrome

At two in the morning the great ideas
Are fluttering shadows on the moonlit lawn
The old clock clanks, the new clock hums, and hours
Are an accusation against one’s works

At three in the morning one’s ambitions
Are not even shadows as the moon sails on
The old clock clanks, the new clock hums, and hopes
Crowd around the bed in disappointment

At four in the morning the silent noise
Begins withdrawing before the stale new day
Here’s a locked box of anagram shazam
(Don’t open it
The crazies might come out)
There’s a sealed sack of angsty crank-clanks
Take it, go away
I’m simply not myself today
**! Yes, it’s true
I am sinking sads for you
Letting drinkies drown
My Anger Banger frown
Cryptic? Klik-kwik, and no, no
I was never there
Avaunt, begone, beware
I love words
John Thomas Aug 2010
Individually notes and sounds are just hums, clanks, bangs, tweets, and twangs but together they offer us so much more.. like the ingredients to a fine gourmet meal, once assembled they dance passionately upon the palate with reckless abandon.. mingling for a second in a intricate pattern then changing forms the next, with each shift progressively stirring the elegant movements of the soul.. notes hang like climbers on the highest cliffs, inspiring the heart to race, while the feet move slowly or in accordance with the tempo.. seemingly commanded by some unseen human instinct that fires muscles into rhythmic action, man and music share the same brief moment of precious time and space.. I can think of no better way to spend 3 minutes and 30 second than sinking headlong into the skirmish of sounds to join the dancing souls they inspire.. what marvelous creations can be made from uniquely combining such independently lonely reverberations! Together, strung compellingly along with the woeful cry of a human voice displaying their bare soul in tune, they exist solely for your listening pleasure.. a release for them from the chains of imagination, and a capture for you.. carnal rhythmic instinct again makes the head bob with the tempo as the brain soaks up the sounds like a thirsty sponge on a baron sea floor.. two souls, perhaps distant in time and space, sharing love, joy, pain, and sorrow against a hauntingly beautiful auditory backdrop.. whether it’s the echo of piano strings being hammered by a man on one side of the earth, or air being delicately gifted from a woman’s lungs to a flute on the other side, the captured echo still compels a soul somewhere stranded in the middle.. and I am that soul! since the days of baying by cavemen to the progressive indie electro funk hop movement the feelings of the willing recipients of sound remain the same.. elevated, motivated, frustrated, sedated, or simply just in tune, and nothing matters until the beat slides away softly into the past.. in days gone by it only survived in the memory, the whistle, the heart, and the soul of the listener but now we are lucky enough to be able to hit “rewind” and resurrect the very same soul stirring ballad that plucked our heartstrings with just the right timing and rhythm.. we can play it over and over and dance close with it until the stars fade away and return to shine again the next day.. there’s no worry about life boorishly cutting in and stealing the next dance, leaving you lonely in a quiet corner.. now the notes of each song are captured and enslaved.. ours forever.. or at least until our own final hymn is sung at a solemn funeral procession.. until then, selfishly I continue my eternal love affair and dance with rhythm.. an open soul and a humble partner is all I can offer it in return..
By John Thomas

http://johnsbigpicture.blogspot.com
Jess Sidelinger Jan 2016
It’s 9 AM and I’ve been drinking
since before the sun came up.
The sound of the rain outside hitting that patched up window is nothing but an echo
of the liquor splashing its liquid into a never ending glass
until yet another empty bottle clicks and clanks in the trash.
It’s 12 PM and I’ve been drinking
since before the rain stopped.
The light from the warm sun peaks through the cracks in that window that broke
the last time I drank and reminds me of the day
leading up to that big fight when everything changed.
It’s 3 PM and I’ve been drinking
since that night two weeks ago when you screamed about me buying that new sofa
and walked out on the only thing that was keeping me
happy, alive, and sane.
It’s 6 PM and I’ve been drinking
since after the door slammed and you walked out
on me, on the little country house in the woods, and the little family we’d been
planning late at night after the sun set over the tree tops.
It’s 9 PM and I’ve been drinking
since before the sun traded places with the moon and illuminated the outline of the scar
on my left arm from the night we drank too much and drove too fast
on those road we didn’t know were dead ends.
It’s midnight and I’ve been drinking
since I knew where those roads took us.
All the twist and turns I thought were just part of the fun
ended up destroying us like they did that car when we hit the tree because we didn’t see the ice
below the new blanket of snow that was only interrupted
by the wavy tire tracks from what we thought was just innocent fun.
It’s 3 AM and I’ve been drinking
since I learned that being innocent and having that kind of fun is nothing more than a joke.
It’s 4 AM and I’ve been drinking
since I realized that the rain leaking in through that smashed window won’t ever wash away the things that we’ve done
or the regrets I can never take back.
It’s 5 o’clock somewhere and I’ve been drinking
but I’ve never felt more sober.
Andrew T Jun 2016
Toni Morrison wrote the Bluest Eye, but why does Kanye wear blue contacts at the Met Gala in front of the whole world who have their phones out, ready to snap a photo?
The window to that life of fortune is half-way open and all the doors to success in this townhouse are closed shut, so it doesn’t make sense for me to cook these eggs and hash browns, when no one is coming over to eat and to share the blueprint with me.
Because, I don’t know whether to squat down and roll the dice outside in the alleyway,
or keep climbing the fire escape until I reach the clouds of heaven.
The air-conditioner rattles and clanks nothing but old air. And it’s a heatwave outside.
Bodies sizzling on the pavement like the pancakes baking on the frying pan.
Pop told me the white man is unholy, and then he goes and wears a cross around his neck.
Radio, oh radio, oh radio; if it keeps playing the same, **** rap and pop songs,
My mind will become a turn-table.
No scratches.
Just the crisp sound of decay.
Please be quiet Pop, let me watch this program.
Control me another day.
Thank you for the heartache.
What happened? Is that what you’re asking me?
A lot did, lots of stuff.
You want me to tell you?
I don’t know if you want me to excavate this ish from my mental,
Or tell it to you in the raw and gritty.
You sure?
Okay then.
I remember the white bag covering my head while my eyes were open wide, closing my vision and shrouding me in my own blackness. The brackish, heavy water from the James River rushed and flowed over stones and broken branches as my friends hummed gospel hymns to unite us across this journey of baptism. We walked barefoot along the muddy ground filled with tiny rocks and snapped twigs and followed one another, our chests convulsing from the anxiousness of the unknown, arms drooped into a V with one hand over the other to keep our fingers from shaking. When brotherman put his palm on my chest, I could feel my heart exploding with excitement, as he dipped my body gently backwards. Immediately, freezing water flooded the bag and my head became soaking with a coldness that was like a flat of the hand striking my tender cheek. When I emerged from the shallows of the dark river, still dripping with water, my lungs expanded as I gasped for air, for relief, and for an opportunity to restore my tarnished soul, a soul that is inside of a body, the same body that sits on this couch with lumpy cushions, staring at a TV screen showing black boys getting murdered in cold blood and not a ******* thing I can do about it, and why worry about a cycle of bad news, when I can just buy these clean, white boat shoes. But, I remember the coldness of the river as I stood knee-deep in rolling water, which seeped into my red shirt and my shorts, my feet caked in mud. Glad, I took my kicks off. Paid way too much money to mess up my new boat-shoes and that’s real **** to be perfectly honest.
Don’t worry Pop, I used my own hard-earned money to pay for these.
So I’m white now?
Would it make a difference if I switched from laces to Velcro?
If I took a brush and painted a black swoosh over the sailboat?
If I wore tall white tube socks instead of going barefoot in these shoes,
Then would that change your opinion?
Okay, the silent treatment, right, lay it on me.
Wow, now you’re making hand-gestures.
Talk too much? Me talk too much?
This house talks too much! The floor creaks and the faucets leak.
The shutters clatter and clang from the wind.
Pop, all I want to do is go outside, cuz I’m going crazy right now.
The sun is shining a bright light over this house,
And I know I can’t see a **** thing.
Because my eyes have yet to
Fully
Open
Up
Wrote this for a friend to be used in a screenplay; the character is supposed to be a young, black male dealing with whiteness and identity.
Lady Narnia Jul 2016
I knock on the door, mellowing around the porch
Wondering when the clouds will turn over
With their distant display of arduous flight
Will they fall out of the sky? I wonder

The door opens with clicks and clanks
The seconds have passed and so the sky shatters
Not by some cataclysmic or destructive force
But by the woman operating the barrier

A spectacle of gold catches my eye
Emanating from ten earrings and a nose ring
A greeting that far exceeded my expectations
But a worthwhile one for it is my sister

She greets me warmly and leads me inside
Her Egyptian style hair flapping around her head
I look through the open gateway
And step into the ominous black

Into my old home where fear strikes me
I measure my distance continuously from the door
Each step treading against the cold, white tiles
Hoping the cold and white stays in the ground

Tiny taps welcome my sandals
As little Jeremy's wet nose sniffs my toes
A curious little ferret he's always been
And my sister's favorite furry critter

My sister examines me, reading my expression
Gifting me with peace by assuring me she is not here
I relax at being spared reliving those memories
They were always inflaming or violent

She would battle with me, screaming and fighting
Push me into a chair, claiming "the truth"
Shove a white door into me and my grandmother
Drive me to the point of sprinting away in the night

I'd battle back, fighting and screaming
Defending my will, my right to my being
Holding back against her "loving" strength
Breaking enough to throw a fist at her once

This whirlwind of a home...
"Mami turned over a new leaf, sis. She changed a lot"
My eyes grew wide as I turned to my sister
I could say nothing to the lie but close my eyes
Lawrence Hall Nov 2018
A space casino painted on its sides
Its airbrakes hissing and spitting against the wheels
The charter bus clanks to a ***** stop
Its hatches open to discharge aliens

Optimistically rattling their walkers
And dragging their oxygen machines along
Spongy shoes challenged by the parking lot
Knobby white knees all rattling through the dawn

The moustache in his cool gas-station shades
Admires himself in the big West Coast mirror
(Casino gambling is illegal in Texas, thus the charter busses zooming to the Louisiana border.)
Rosemary Turpin Feb 2016
First the signs and then the noise -
Insistent, honking, grinning boys
Announcing City snow-ploughs

What's this raucous clarion call,
This four-note trumpet klaxon?
It's the boys who tell the world
To move its Ford, Corvette or Datsun.

A snowfull truck on squeaky chains
Creaks off to dump its ***** crystal load.
And four more trucks parked right behind
Sashay one notch along the road.

Truck number two clanks up beside
The blower which spews salt and snow
Into its built-up box beside.

See, grinding now, a baby plough,
With red-faced driver tucked inside,
Trundles bundles of frozen stars
Into someone's shoveled drive.

While upon this clanking ballet
Lacy snowflakes lazy drift
Lightly swirling fluffy piles
For moving by tomorrow's shift.
I don`t think Datsuns are made any more and now we have a two-note "trumpet klaxon".  Other than that, little has changed since 1973.
Neil Brooks Jun 2018
The humdrum of machines. A missed cycle, a bad bearing, a bent fan blade.
It makes a music like no one would believe. The electric hum of powerlines and transformers. The clanks and jeers of a crowded bar, the cheers of an arena.

The construction on your neighbors houses while you set in humble shame. Jackhammers, swinging hammers. Little handlebar bicycle rings from the children you never had.

Sometimes, you want to say **** it, and burn the world down. Then you remember, some people aren't unhappy. It's not your place to sabotage their trampoline. Sometimes you're just who you are, and no one else, and nothing else matters.

Sometimes you're you. The rest of the times you're just trying to be.
betterdays Apr 2014
The verdency has long been bleached from the grass.
It is now hollow straw and chaff.
It soughs and rattles it's
sorrow in whispering distress.

The livestock, ***** smudges
of skin and bone.
Stand listless, under the stick
bare branches, of the ghost gum .
Waiting for the rumble
of the feed truck to come.

The dust swirls, red fine
and irritating to skin and eyes.
The only creature to thrive
are the buzzing horde of
flies.

The bore pump clanks to life
and the water allotment
flows.
The sheep arise and drink
the trough, bone dry.
Before resettling into hungry
repose,
under the white ghost gum west of Gundagia.

This is drought, this is the
wait for rain, this is the daily
struggle, the farmers lonesome refrain.

All but the sturdiest stock
sold, shot or long gone dust,
to the unforgiving heat. Nuturing the best,
saved from starvations
questing hold.
To rebuild the farm
and complete Job's test.

After the rains have come,
all will be good again.
And if they don't come.
Doesn't matter, soon we'll
all be dead.
written after a conversation
with farming friends.
Fenix Flight Jun 2014
Take center stage
in this play called life.
where the script is
lost to you

The main act
is your self destruction.
For all the world to see

Your dagger held close
scars spanning every inch of skin.

Should I end it? Should I stay?
The ****** of this life's play

Bring it down to your wrist
the pulse rising as your delima grows

the world holds its breath
everything slows down

The turning point

throw down the dagger
it clanks to the wooden floor
Stand on this stage
look life in the eye

*I quit it with the suicidal recital
I got the name of this poem AND the Last Line
from the song GET WELL by Icon for Hire
tread Feb 2013
it was exactly a week ago but it feels like
Waters have paused to ask directions from air and lava
And lava, in it's lost hots, slinking its way down Mount St. Helens
Couldn't hear water

yellin'.

It's still as if
there were no Mexico
and as if
you ceased to swallow the clanks
of arachnid 'where'd-ya-go's'
in favour of
where the wild river flows

This oval prose is not a rose
It's cheaper
and I'm tellin ya
Count the rocks connected on the second front of sidewalk and that's how you might forget
how much
it costs
to miss you.
4 days.
Shalini Nayar Sep 2014
The apple’s shot through,
Wormy and brown but it is her lunch.

Through her hood, she sees the buzzing market.
She is condoned as always, the ***** brown

That harbours near the fruit man, like an unwanted
Sofa, lumpy and ******. Only her grandma-fingers palm through.

Her mane of rags render translucent pebbles of benevolence:
A rare cinematic view of the world, her weary eyes absorbs every colour.

It is gentle and kind these holes: a myopic happiness
That triggers this lady to jump about, and holler and

Holler until the random clanks in her stainless steel
Plate drum up impressive beats. It is encouraging to her,

This sympathetic validation. Though she knows
false hopes don’t hold up too long. It is her sunrise,

The kind of thing we often take for granted.
She cradles the apple (the raggedy couple symbiotic in nature),

Smoothing out its ciders. It is her afternoon’s asset,
Tasting as foreign as mother’s milk.

Shalini Nayar
© 2002
Johnnie Rae Jul 2016
Sometimes I drag you down.

Can't handle it when you go out
because your freedom unintentionally mocks
my caged-in state, clanks a mug against the bars
of my prison. I didn't pick this.

Didn't pick an age that came with limitations,
but I guess I'm stuck with it
and **** you're stuck with me,
stuck with my shaky words that come from
shakier hands. Stuck with breathy phone calls
when I'm sad and don't have the heart to tell
you that no one actually has the power to fix it.

Stuck with these eyes that imitate thunderstorms when I'm being just
a tad bit melodramatic.
What do thunderstorms look like
through those kaleidoscope eyes of yours?
I bet they look like depression in a bottle,
ready to be forced down like shots of anything
that'll make me forget.
I'm beginning to understand why people
become alcoholics and that's terrifying.

You're stuck with everything I've ever been
and everything I'll ever be. Truth is I've ruined
every good time you've tried to have since you
got together with me. And I'm sorry.
I'm sorry for being a buzzkill. I'm sorry for worrying. I'm sorry for wishing I could just go with you and I'm sorry I can't.

You swear my age doesn't bother you but I'm
afraid sooner or later it might begin to.
Your age means freedom, mine means
nine o'clock curfew on school nights
and eleven o'clock ******* bedtime.

I'm an adult in a child's body. Betrayed by the number of years I've been alive.
Tryst Apr 2015
This child of mine is falling
And the future looks quite grim,
Down steep-sided ramps, where hooks and clamps
Will try to fit it in

This heart of mine is calling
And is pleading for a chance,
When the sorting stops, and the baby drops,
Let it be in safe hands

The boxes wait, all made of glass,
With see-through lids and golden clasps
And they each rest on a table,
With a neatly written label

This child of mine is rolling
Through the whirring clicks and clanks,
And it passes by with a muffled cry,
Towards the waiting banks

This heart of mine consoling
For the future yet foretold,
When the baby drops and the glass lid locks
Beneath the clasps of gold

The boxes wait, all made of glass,
With see-through lids and golden clasps
And they each rest on a table,
With a neatly written label
Amanda Dec 2015
Layers upon layers
Of not only sheets
But hands
Limbs
Bare to hairy legged ratios
Creating symphonies of friction
Laughs outweighing *******
Clanks of teeth forgetting the catastrophe
Of love over lust.

Innocence is better preserved in a glow in the dark jar
Stuffed with children's movies
Until heavy-lidded two am’s
Versus using creaks of beds
To drown out the white noise
Of are we really happy?
Buzzing in our ears
Like gaudy flies with lightning blue wings
That we wish to swat away
squish between the two of our lips
until we taste subduing blood
or better yet
disguise the insect in a pretty costume
and play pretend.
Deyer Oct 2014
The bus whirrs and shakes and brakes and errrs
and I think of you.
It stinks and clanks and clinks
and I think of you.
Its silence is screaming, its distance is gleaming
and I think of you.
I'm far away and exhausted and the bus excretes exhaust
and I think of you.
I burr and shake and brake
and I think of you.
and I think of you.
and I think of you.
Cazador Jan 2016
I kick off my boots and remove my uniform
This my first year but its taking a toll
I hold a gun in my hand kick doors in and after drink
I drink
laugh
wash it away
Ive been away from my mom for awhile now
I lost my girl
My dad

Its all starting on pile on now
Its watching a train derail
Its watching them run from there homes
Its watching a bullet force you to bleed like sand  in an hourglass
But i still saddle up
Look into the mirror at the metal on my chest that clanks because  i refuse to silence them
They have become a part of me
But im afraid it mine next they will be bringing home
All ****** and warm
Like the body of the deer the man next door brought home
I wake up sore not physically but mentally
My dreams argue for a time to broadcast my memories but the sleep just creeps over and fall into the abyss

— The End —