Submit your work, meet writers and drop the ads. Become a member
Gordon Helms Feb 2013
I would gladly eat anything you set before me
Devour any idea you cook inside your head
There's not much food because there's not much money
Yet I'm a rich man every night I bed
Because you're all mine and mine only
By a little lucky twist of fate
No, I will never ever be hungry
I will gladly eat from our chipped plate

You can buy chocolate, cigarettes, and whiskey
Cook it all up into a stew
Sure, my stomach might feel frisky
But it gets better anytime you say "I do"
Now you're all mine and mine only
See, I'm the fullest man alive
Everything you make is so wholly
I'll eat it all up until the day I die

We don't have credit but we have each other
What billions could never buy
Repeat to me "baby, I'm your lover"
And watch my worth rise
Because now you're all mine and mine only
I could never go hungry again
Our cupboards they might be empty
But our eyes are full until the end
You know you're only that chipped black nail polish, right?
Stephen E Yocum Nov 2022
Like my life, all my kitchen crockery
is used, worn and chipped,
Maybe I could buy replacements,
but sadly, they do not make them
like that anymore. Or me either.

Aging and time are unavoidable.
Sure, new dishes I can buy, but can
anyone sell me another 25 or 30 years
of healthy life? Now wouldn't that be
great! Let see I'm 77, 30 more years
would be 107. Naw, that may be a bit
greedy. I'll just plug along with the
wear and tear as it comes naturally.
One day at a time. Grinning all the way.
Amy Irby Jul 2012
island summer heat
big backyards
shared by three families
with rambunctious kids
sundresses, sandals, swim trunks
a big mango tree and
a merry-go-round with red chipped paint
geckos and mud baths
"boy's got cooties!"
  
mid-west plains' dry, summer heat
Mr. Sun is our lamp well past 9:00pm
Dow St., a giant hill covered
in uniform houses, filled with the uniformed sacrificial
spinning wheels, acre-wide hide and seek
nintendo and donkey kong, fireflies in jars
front yard mulberry trees
pippy longstocking "lets' go into this 'cave' of vines"
poison-ivy
  
southern peninsula, humid, summer heat
above ground pools and trampolines
a red brick house; the first home
the first CD collection, Filipino food
THE PARK,
the sandbox lid drowning in the bayou
sleeping in guest rooms, sleepovers a sign of status
pelicans, ducks, fishing,
sleeping in the boat; camping on the beach
Being a Navy brat, my childhood was spread out over the world. The first stanza was during our time in Guam, the second Nebraska and the third Florida.
Nik Bland Oct 2018
You and I will crack one day
The smoothness will all go away
And as our hairs fade into grey
Will the love still stay?

We promise love until the dust
But so often forget the rust
Failing frequently to discuss
What happens if nothing happens to us

The porcelain will splinter and chip
Marking, for some, where the veil rips
But my love lasts more than just a stint
Of smooth skin on my fingertips

For if the twilight fades the blue
It replaces it with countless hues
And so will grow my love for you
In seeing, remem’bring what we’ve gone through

You and I will crack, no doubt
But my love will faithfully pour out
To endless bound, in copious amounts
A quenching water from an undying spout
“I believe when I fall in love with you, it will be forever...” -Stevie Wonder

“When I give my heart, it will be completely, or I will never give my heart...” -Nat King Cole

“In time the Rockies may tumble, Gibraltar may crumble, they’re only made of clay. But our love is here to stay...”
Lauren R Feb 2017
I watch myself fade and wilt in your eyes like valentines flower petals from their vase, falling onto the white desk dirtied with graphite and candy wrappers below. There's thirty one letters from colleges and three love notes left there to peel up at the corners and get stuck with bubblegum but nothing leaves the taste of metal in my mouth more than "Michigan". I'm terrified every day of you leaving. I'm more terrified of your hair being out of place and your smile not being the way I remember it. Do you ever think of the way it would be if you loved me back? Sometimes I wish you'd force yourself into things the way I always do when I'm fitting into prom dresses or looking into my own eyes in the mirror, trying to decide if they're green or hazel like my mom insists every time I fill out a passport application. Think of how my hands would look in yours, the way my chipped nail polish would match your veins, thinly creeping up your arms like you haven't tried to carve them out with office supplies and hours of crying in circles. Sometimes I think I ought to just kiss you, remind you that it's easy to fake things. You should know. Sometimes I dream of holding the side of your face in the bold and silently rotting static of my room and saying "let's run away" and we don't really go anywhere, it's just us, the very edge of the half moon of our shoulders touching, warm like sunshine on pebbles. Most of the time, I don't wish for much. I just wish I could stare into your eyes for even a second without feeling the blood run into my face. Or just that I could look at you. You feel like forever and a universe away and I don't know if that's because you're so perfect or because I only ever see you after your hockey games, which ended exactly five days ago, by the way. Not that I'm counting or anything. And not to say that I miss the way that when I hugged you, I could feel your shoulder blades and the gentleness of your hand on my back, but I'd give anything to feel that again. I never knew if it was as awkward for you as it was life saving for me. You still have no idea how much I looked forward to seeing you even for those painful few minutes where, despite us not making eye contact once, you'd smile at least three times, every time. Again, not that I've been counting. Maybe it was just because you were anxious, but that's okay. They say it helps. I don't know who "they" are, but at this point, I trust anything that holds hope to make you happy. To be honest, I'm not really even sure what your voice sounds like, but I know your laugh like I know the crooked tip of my nose or the smell of vanilla incense. It's all I can think about when I go to sketch anymore, but I can't get the lines right. Amen to that, because I never want to be so in love with a single moment again and because really, I never want it to be over. I just want to make you laugh forever. I just want to see the way your eyes crinkle like that until the sun swallows itself whole and then we all can't see anything ever again. I'd want it just like that, the last light flickering as you come as close to happy as you can be. I'll make you laugh until you're dumb and dizzy and maybe then you'll love me. And maybe you would have to be dumb to love me. But I'll still kiss your nose every night in my dreams and pretend I mean anything to you like you do me.
This is as honest as it comes
Ken Pepiton Aug 2018
Weave we've woven a web...
What I said, what I said, what I said
we been sayin all a long

Oh the futurists mythed the inter-resting-time

This man fears population explosions, he is speaking in 1991,

I'd built my great 100 by 75 miles ten stories building resting place where ten billion story tellers could hide and watch whaat's
comin' down.
By then, decades before, in the desert twixt Vegas and L.A.
I asked this guy who actually wanted in my pants,
I sat on the window silly V double you, did he know,
I asked, no, I told him, after I had been starring at the stars for some time, this time that'ime, when I think about it,
I told that guy the whole world was waiting,
suffering,
await'n' the frontal cortex maturation of the sons 'oGod.
I said "and I'm one." Don't touch.

My private calfornia became my private arizona and neo and river chose idaho, ( no, that idaho, that was a movie-story)... not part of the rite

that was the legend of the clan, when we had electrix. That ride set an I'll-go-rythm of if/then/else switches to HIGH honor if-ic.
If.
If you can keep your head... the rest, true rest, is history.

we know a voice who swore he was there when "Been there, done that"
became an
eternal cliche of the gods.

We are participating in the future. We are thinking.

---
that hapt the same night as the discovery of the perfect-ish
four sided pyramid of charcoal brickets burning one
at at at a time
touch another to the glowing pile on the sand...
(audio)
=====
why are ficts so far from the facts in the matters that matter

re-lig-em leg-it-am-it-all, damitalkenslowdown

so re-lig me to my ide-idea, beware

We seen this coming do you? This is thirty years ago we know, this we know this we

we are in sanity, as insanity is the only way to packitin
sane sorts of things that all must touch in order
to re
main sane. You know, you know. That makes lying im-possible or null-possil-be
per se.
Word.Righton. Trooph truckah! ToA allaway Found

a calico cat of the old school sawdust variety.
if you,
if you see her, please de-if her re-onance, it's chipped.
You can keep her, if I can say such things here and not be thought an ownery old cuss,
clammering through empty lobster tails to see what the attraction may have been,

Back. Then we are not
off track or trail, etched acid canyon of silicon paved with godelsufferingold, by golly, I'd be live if I could see my way clear to walk such streets at
the speed of light
no, gravity and no, too slow,
thought.
ought... that's a thought
not... that's a thought
ought... that's a differ'nt thought, takes time...
that's a thought you could spend thinking it. You get nowhere.
now and then we find clusters of ideas in time, as if they buble from some spring in the headwaters of the mind we matter in

Der Lesenmann, bitte, kanst do lesen? O h, dear reader, take my hand, my phantom hand, the one I never lost, tell me

did you enjoy our journey, so far...

Weave a ways, weave a ways to go. If this and that cross
again
we may hear what that preach meant to say, thaat day
o'visitation, way back when.

olden time. grand mals time to meditate sign-ate de-sign-ate,

Dada do we know when we know, when we are two and the past is, too.
Papa do you know the big bang is the answer everyone found, in the olden days when you were ten?
Oh I read about that backthen, I was twelve. Weekly Reader kept my gang informed, or Me, and I told all my friends, my listeners who did not read but needed to pass the current events test.
Now, we all a passin' those ****** one time at atime

Upon my word, begin...
This sprang from a 1991 discussion about the world wide web, in which Terrence McKenna  Ruper Sheldrake began to imagine the world we live in post Y2K and  9-11 and 420 and Prop 64, where are you
Darbi Alise Howe Jan 2013
Imagine loving a sober alcoholic Gemini biker with a chipped tooth.


After you are together for eight months, let that sober alcoholic Gemini biker with a chipped tooth take you out in to the ocean, when the waves are cresting at six feet and you are terrified.  You almost drowned when you were a child.  He tells you to come out further.  Turns his back on the wave, just like your father said never to do. He looks you in the eye and says I will never let anything happen to you, I am not him, you can trust me, I will not hurt you.  
So you dive under the wave and he has you in his arms and the sun is expanding through the water droplets on your eyelashes.  It’s cold but not too cold and it feels clean.  You believe him, and believe that nothing is truer than this moment right now with the salt drying our lips and tangling our hair, nothing is braver than trusting someone despite the past.  This is one of the greatest days of your life and you never want to leave the coast or his tattooed heart because this is what is real.  

Imagine that you two part several weeks later.
Imagine that he begs for forgiveness.
Imagine that you go back.

Because you remember the beach and that day.  And every day in its consistency when you are together, and how your anxiety subsides, just for a little while.  Things do change, for a week, maybe, but then the past arrives reading The Book of Power and she is hungry.  Wrapped up in memories, she plants a green kiss on his cheek and he leaves you in the water to drown.  You are treading water trying to seem like you are swimming but you are failing, failing miserably, and when he finally drags you to shore he doesn’t pump your lungs with oxygen, he watches you choke as everything comes up.  He tells you that he loves the past and he is waiting for her to come home and always has been.  
So now, you do not even have the past.  He took it from you and everything you thought was real.  You cannot tell the difference now and ask and ask Could he have loved the present, just for a small while? Does he look at your chair in his house with his dog and think of her? When he looks at the ocean, does he taste you?
You are the past, too, just not the right one.  

Imagine this but do not live it.
Short story I wrote a few months back
Maha Salman Jan 2016
A feather
gently pats the broken roof tops
in hopes of
Clinging to the suburban warmth
of illuminated glass.
I can see that this feather
(For a single second)
subtends by the chipped door
But even time is not strong enough,
For slowly that feather
falls prey to the enchantment of
A breeze.
Celine Ngo Feb 2021
W: Waves crashed against 2020 pebbles
A: against the shoreline. Colliding with one another, the pebbles slowly chipped away at each other, breaking apart. And
Y: yet, seven constellations twinkled above them in the midnight sky. The constellations of the captivating cat, sophisticated sheep, benevolent bear, unfaltering unicorn, dynamic dragon, lively lion, and curious chick shone brightly through the dark expanse, as if signaling to the pebbles below,
V: "Venture out beyond the horizon, for there you will find the 2021th pebble and be able to turn the tides. Even if storms darken the sky, the sun will always shine again. The celestial bodies will always be here for you, shining bright in the cosmos but even brighter when midnight strikes."
my submission for WAYV's calendar giveaway :3
Robin Carretti Aug 2018
So nice to be praised like a
state honor
Giving your heart to a donor

"Broadcasting romance forecasting"

The brain the heart is the
everlasting mind control
"Outlasting getting the taste
of food* the best treatment to
the soul well behaved to
Her voice plays the webcasting"

   EvEr
__LaSTing
Life of miracles

The strong will heart heroes
No time for fasting
  The contrasting the colors
Neverlasting beats
the story knows to heat
Pieces build the right parts

Minds of selfish needs
pulled together wishful
thinking
Bring me the seven wonders
of the fish family Trump towers

Like estate will who will?
Open book in progress
the leader
But reading behind the lines
Do we trust the believer
Book of love can be
a game of mystery meeting
the deceiver

Never wanting this to end
Around the bend
"Who is on first"
Or the oldest Estate someone
leaves a comment at last

Saying just stay no rest
Like the wary
Estate schedule feels
like a tightrope
We cannot cope became
an estate neverending line
Bird wire you're always
*Welcome

Rotary phones
The pain excruciating tones
Just tweet cat got your tongue
The will hat off yellow canary
How your pride had you
The sensitive side your tooth hurt
Still flying Angelic fairy dessert


The Messenger
Kick in the pants
unknown passenger
Signed and delivered
Cruel documents the
hell wheel so fevered
Emotions to remember
the utmost condition
Like something so new
never touched

But something was there
and someone
else felt quite the experience
The feelings were overplayed
But the lover stayed eyes
Into her movie screen
King Estate pages from
her book unusual scene
Words she spoke delicately
pronounced but rushed

Not an ounce of gold
coming from the weight
of his belt like he vanished
Estate the beauty of the tree
everlasting from the root
Of his mind the greed got evil
Transcending "God" sending
We are the world blessings

The estate sale there were rules
Raised hands commending
Dinning like the Royal Queen
In her divine "Estate chair" hum
The whole entire spectrum
Predisposition in relation
Sum of all fears
His dark shirt with
suspender pants
That old Estate set two minds  
were perfectly set was not
a twinset or any bet

The everlasting kissing the
Sunset spiritual picnic
She's his peach everlasting
sunrises tic tac or nick nacks
And Plum's bunch of Irises
Those whispered promises
Estate lovebirds cage-free
Everlasting conclusion Oh! me
Eyes got blurry chipped white
picket fence
Last will everlasting dance
The state of mind ski *****

Her envelope got licked to elope
So tethered everlasting pearls
of Grandmas strings
Feeling her fingers
Rapunzel hair whispers the
harp tranquil bright tealight
Nine lives of a cat nap
Twin set laptop Estate house flip

Robin redbreast everlasting
Estate she sings South trip
She wakes up from her dream
She got the "Estate" in her hands
Everlasting Holylands
Everlasting estate like a mind leaving things precious behind. whats in our wills confusion and feeling being pulled like pearl string necklace. What else to face gave you the chills have an Estate cup of my coffee its the best brew my watchdog is watching
The month of crescent moons and indigo flamed candles.  
Of burning sage and twinkling hooded lights flickering in frosted windows.  
Of chipped nail varnish and lips chapped with bitter cold.
Of darkened mornings with knitted scarves wrapped beneath pink noses and wet lashes.  
Of lonely evergreens and sleigh bells a distant howl in the wind.
Jared Eli Dec 2013
There once was a boy who was but a slender
Line in a portrait or a smudge on a fender
Nothing more than would be passed by your eye
Was the boy so young who did nothing but cry

The world was a cruel one, but he wasn't so tainted
His picture more perfect than of David's statue painted
But the world would soon tear this boy apart
It would end in the mind what began in the heart

You see, innocence thrives where ignorance rules
For blissfulness is the kindest of the ignorant's tools
But this boy would be taught to feel and to hurt
His tears turned to ash as they fall from lips to dirt

He was now cold and ****** and swore
His opinions had changed when his brother died in the war
There was no point to heaven and less point to hell
When they called out your name, you either stood up or fell

Chipped bricks covered in posters past
Graffiti from people of phrases that last
Like one-liners, humourless, gaining a laugh
And the three-word with the sketch of a heart cut in half

The best philosophes of this past generation
Write thoughts on the wall from their closed imagination
And the boy with his eyes red grew darker
As he reached in his pocket and pulled out a marker

With a couple quick slashes a ballot was drawn
And he labeled the man in the voting booth "pawn"
Underneath it he wrote what might be a phrase
That just didn't catch on in those olden days:

It said, "A stone cast down as in defeat
Will hit thine foot before the street
For he who gives up his voting right
Will have no say in where we fight."

The boy capped the pen and he walked away
He had written down all that he wanted to say
His hands now were smudged from the marks on the wall
And he thought to himself, "In short time, it'll fall"

Right around the corner he was halted by the law
"You thought no one was watching, but guess what, kid? I saw.
The truth is, you're right, we vote for our wars
But the man up on top of the nation? He's yours."

The boy smiled slightly, for this cop was wrong
And he reached deep past the tears in himself to be strong
"That man isn't mine; he approved of this war
And congress has made my brother break the oath that he swore"

The cop looked at boy and the boy at the cop
They weren't talking graffiti, but the man up on top
Two strangers, two people, agreeing the fact
That the choice on the ballot was a serious act

"Most kids don't realize just what a vote can mean
They don't attribute the choice to the step in between
Old ideas corrupted or improved upon
All they know is their voice can make the other guy gone"

The boy nodded and looked the cop right in the eye
Saying, "This president let my brother ship out to die
If you try to make us think that his empathy wasn't fake
Contradiction in contrite diction will no conviction make

"You can't justify death because the harder you try
The more your arguments fade like the clouds in the sky
But before they dissolve and assimilate with the air
They leave behind pain to show that they were there"

The cop nodded, waved, and went back to the beat
More hoodlums and lost souls to help off the street
He passed a dark alley and his instincts erupted
His mind yelling to him, "Check for something corrupted!"

So he turned down in darkness to check out the spot
It looked like a place where blackmarket is hot
The fungus and mold that once grew peeled off
Leaving yellowish stains and the urge to cough

A voice near the brickwork called out saying, "Hey,"
"If it's not to much trouble, mister, couldja stay?
See honest to goodness, mister, I tried to stay clean
But when you take your own product, separation is mean"

"I don't know exactly who is to blame"
Said cop to the girl he could see but not name
"There's no one to blame," said the girl to the man
"There's things that will happen, and with time they all can

"For a creature that thrives on flesh alone
Will bite through the skin to steal the bone
And he must be careful, lest he find
That he's been feasting upon his own behind"

"Yes, sometimes it's true: Desire drives us too fast
Sometimes to places where sanity's long since passed
But sanity's fleeting and must be sought after
Come; let me find you some lodgings and laughter"

"No, mister! I'm a lost cause, my fate's without hope!
Permit me now to symbolize: I'm at the end of my rope!"
"Now miss don't you think like that, No one's soldered to their fate
Such thinking will confine you like a cage with bitter bait!"

This world's harsh and confusing and you've had the short stick
But don't let hopelessness be the only thing that's gonna make you tick
Like treading water in the ocean, panic makes you die
Find beauty out of terror, spread your arms and fly!"

The girl sat there blinking. She'd never heard such talk
She'd never been another thought on anybody's walk
"Now let me tell you, I'm not short on self doubt
But I've got to say: that's not what it's all about

See I met this boy earlier, who told me his story
About how the status of the world often makes him worry
This boy's actin' out, but he'll turn out just fine
But if you're giving up hope, then you're crossing the line

Because we've never needed Merry Men and Robin Hood
To stand up at bugle-call to turn the world good
We just need to remember: We're in it forever!
Fight the urge to look upward and shout angrily, 'Never!'

The world, good and bad, is mixed unto itself
And you can't take you your recipe book from the shelf
And add pinches of falsehoods like seasonings for a mask
You must fix it internally, for that is your task

See, though you've given up, that's something I just won't allow
You're gonna go out and fix it, let somebody show you how
Because there's more than one way to a proper conclusion
Some ways are hard and still others illusion

But become obsessed with the truth, with doin' things right
Become a shining green beacon to lead others at night
Promise me, here and now, in this alley proclaim!
That you will set forth and make good of your name."

The girl gently nodded and as time's hands were wound
She grew like a flower from that dank piece of ground
It's the tiny conversations that can so alter life
And cut the crust of complication like a peace-bringing knife

The boy with his brother who'd gone up in the fight
Was just like the cop said: he turned out alright
He put his mind to better things, gave up the childish art
And in the realm of history, his bio did its part

Because he realized how tangible the change he wanted was
He set aside resentments as the true reformer does
He spoke of love, acceptance. . . And then switched to compromise
Because when you're just a visionary, the vision always dies

He used the good and bad to weld a better, stronger, net
To catch the lost and lonely, his was the best support to get
He filled the heads of others with the change that he once viewed
And little inch by little inch corruption and violence met with feud

A verbal dispute filled with picketing people
Who shouted, "Change!" from their electronic steeple
And the media members had themselves a field day
As they caught on the camera what the boy had to say:

"Too often we forget, that apathy isn't peace
But we allow ourselves to be served it by the leaders filled with grease
And we skip along, ignoring things that should rightly upset us
Bombs abroad are wholly fine but not the one that's gonna get us

We've got to think of the whole picture, got to figure out the puzzle
Though you think the lion's fierce, it always has time to nuzzle
So let's switch the view and take on that trait
And put aside the thought that nuzzling can wait."

The cop saw the boy who was on T.V.
And said to himself, "that kid talked to me!
He smiled a bit, "his speech is pleasing as a wren
And in the case of my boasting, I'll say I knew him when!"

The girl wasn't taped, but she was out changing lives
By having conversations that we've likened to knives
And so it was when time was up on the impending revolution
Armed with words she voyaged forth to fufill her resolution

The boy and she stood side by side and led the people on
And using power words of choice, the old regime was gone
What started out as compromise, effloresced to peace and love
And the cop the two had talked to nodded at boy and girl above

A change in heart, a change in mind, can spark a worldly change
Though originality is difficult, ideas can rearrange
To fit the modern times, and indeed to mold it best
And the answer's sometimes difficult, but as we all know: life's a test

This boy and girl were lost, then found, and so was their whole world
And their string of conversations were around their finger curled
Reminding them that there was out there a better way to live
And revolution was the message that the cop had had to give
destiny Jan 2018
Dear life, you could say we don’t have the best relationship,

You are dark, you are hard, you are unfair, and you are even suffocating at times.

You make me feel small, you make me feel helpless and you make me feel broken.

You throw things at me, you are mean to me and you give me heart ache.

But you are also light, you are also beautiful and you are also extraordinary.

Dear life,
You are the reason that I laugh,
You are the reason that I see light,
You are the reason that I feel the warmth of hugs, and you are the reason I am here today.

Dear life, I will survive you.

I see darkness because I know light, I feel sadness because I’ve felt joy. I feel broken because I’ve felt whole. And anyway, some of the best cups of coffee are chipped.

You throw things at me because you know Im good at catching.

Dear life,
You are not unfair, without all of the wicked seeming things that you toss my way I would not be able to recognise the good and the beautiful in you.

Dear life, I love you.

You are a journey, an adventure, you are excitement, mystery, joy and love all bundled up in one.

You are a roller coaster, you are scary, you are fun, you make me scream with fear and with joy.

Dear life,
Thank you for giving me my lows so I can recognise my highs.

Thank you for giving me late night car rides with the music blasting, for giving me stomach aching and breath taking laughs, for giving me 2nd chances.

Thank you for creating babies and puppies and art and music and love and even pain.

Thank you for giving me the chance to live you.

Dear life,
The most beautiful things always hurt, even roses have thorns

Sometimes there seems to be more dark than light in you these days but there is light and I will heal and sometimes the healing is the aching.

Dear life, you are worth living
Nigel Morgan Jan 2014
Today has been a difficult day he thought, as there on his desk, finally, lay some evidence of his struggle with the music he was writing. Since early this morning he’d been backtracking, remembering the steps that had enabled him to write the entirely successful first movement. He was going over the traces, examining the clues that were there (somewhere) in his sketches and diary jottings. They always seem so disorganised these marks and words and graphics, but eventually a little clarity was revealed and he could hear and see the music for what it was. But what was it to become? He had a firm idea, but he didn’t know how to go about getting it onto the page. The second slow movement seemed as elusive today as ever it had been.

There was something intrinsically difficult about slow music, particularly slow music for strings. The instruments’ ability to sustain and make pitches and chords flow seamlessly into one another magnified every inconsistency of his part-writing technique and harmonic justification. Faster music, music that constantly moved and changed, was just so much easier. The errors disappeared before the ear could catch them.

Writing music that was slow in tempo, whose harmonic rhythm was measured and took its time, required a level of sustained thought that only silence and intense concentration made properly possible. His studio was far from silent (outside the traffic spat and roared) and today his concentration seemed at a particularly low ebb. He was modelling this music on a Vivaldi Concerto, No.6 from L’Estro Armonico. That collective title meant Harmonic Inspiration, and inspiring this collection of 12 concerti for strings certainly was. Bach reworked six of these concertos in a variety of ways.

He could imagine the affect of this music from that magical city of the sea, Venice, La Serenissima, appearing as a warm but fresh wind of harmony and invention across those early, usually handwritten scores. Bach’s predecessors, Schutz and Schein had travelled to Venice and studied under the Gabrielis and later the maestro himself, Claudio Monteverdi. But for Bach the limitations of his situation, without such patronage enjoyed by earlier generations, made such journeying impossible. At twenty he did travel on foot from Arnstadt to Lubeck, some 250 miles, to experience the ***** improvisations of Dietriche Buxtehude, and stayed some three months to copy Buxtehude’s scores, managing to avoid the temptation of his daughter who, it was said, ‘went with the post’ on the Kapelmeister’s retirement. Handel’s visit to Buxtehude lasted twenty-four hours. To go to Italy? No. For Bach it was not to be.

But for this present day composer he had been to Italy, and his piece was to be his memory of Venice in the dark, sea-damp days of November when the acqua alta pursued its inhabitants (and all those tourists) about the city calles. No matter if the weather had been bad, it had been an arresting experience, and he enjoyed recovering the differing qualities of it in unguarded moments, usually when walking, because in Venice one walked, because that was how the city revealed itself despite the advice of John Ruskin and later Jan Morris who reckoned you had to have your own boat to properly experience this almost floating city.

As he chipped away at this unforgiving rock of a second movement he suddenly recalled that today was the first day of Epiphany, and in Venice the peculiar festival of La Befana. A strange tale this, where according to the legend, the night before the Wise Men arrived at the manger they stopped at the shack of an old woman to ask directions. They invited her to come along but she replied that she was too busy. Then a shepherd asked her to join him but again she refused. Later that night, she saw a great light in the sky and decided to join the Wise Men and the shepherd bearing gifts that had belonged to her child who had died. She got lost and never found the manger. Now La Befana flies around on her broomstick each year on the 11th night, bringing gifts to children in hopes that she might find the Baby Jesus. Children hang their stockings on the evening of January 5 awaiting the visit of La Befana. Hmm, he thought, and today the gondoliers take part in a race dressed as old women, and with a broomstick stuck vertically as a mast from each boat. Ah, L’Epiphania.

Here in this English Cathedral city where our composer lived Epiphany was celebrated only by the presence of a crib of contemporary sculptured forms that for many years had never ceased to beguile him, had made him stop and wonder. And this morning on his way out from Morning Office he had stopped and knelt by the figures he had so often meditated upon, and noticed three gifts, a golden box, a glass dish of incense and a tiny carved cabinet of myrrh,  laid in front of the Christ Child.

Yes, he would think of his second movement as ‘L’Epiphania’. It would be full of quiet  and slow wonder, but like the tale of La Befana a searching piece with no conclusion except a seque into the final fast and spirited conclusion to the piece. His second movement would be a night piece, an interlude that spoke of the mystery of the Incarnation, of God becoming Man. That seemed rather ambitious, but he felt it was a worthy ambition nevertheless.
Jim Sularz Jul 2012
(Omaha to Ogden - Summer 1870)
© 2009 (Jim Sularz)

I can hear the whistle blowin’,
two short bursts, it’s time to throttle up.
Conductor double checks, with tickets punched,
hot glistenin’ oil on connectin’ rods.

Hissin’ steam an’ belchin’ smoke rings,
inside thin ribbons of iron track.
Windin’ through the hills an’ bluffs of Omaha,
along the banks of the river Platte.

A summer’s breeze toss yellow wild flowers,
joyful laughter an’ waves goodbye.
Up ahead, there’s a sea of lush green fields,
belo’ a bright, blue-crimson sky.

O’er plains where sun bleached buffalo,
with skulls hollowed, an’ emptied gaze.
Comes a Baldwin eight wheeler a rollin’,
a sizzlin’ behemoth on clackin’ rails.

Atop distant hills, Sioux warriors rendezvous,
stoke up the locomotive’s firebox.
Crank up the heat, pour on the steam,
we’ll outrun ‘em without a shot!

‘Cross the Loup River, just south of Columbus,
on our way to Silver Creek an’ Clark.
We’re all lookin’ forward to the Grand Island stop,
where there’s hot supper waitin’, just befor’ dark.

On our way again, towards Westward’s end,
hours passin’ without incident.
I fall asleep, while watchin’ hot moonlit cinders,
dancin’ Eastward along the track . . . . .

My mind is swimmin’ in the blue waters of the Pacific,
dreamin’ adventures, an’ thrills galore.
When I awake with a start an’ a **** from my dreamland,
we’re in the midst of a Earth shatterin’ storm!

Tornado winds are a’ whirlin’, an’ lightnin’ bolts a’ hurlin’,
one strikes the locomotive’s right dash-***.
The engine glows red, iron rivets shoot Heaven sent,
it’s whistlin’ like a hundred tea-pots!

The train’s slowin’ down, there’s another town up ahead,
must be North Platte, an’ we’re pushin’ through.
Barely escape from the storm, get needed provisions onboard,
an’ switch out the locomotive for new.

At dawn’s first light, where the valley narrows,
with Lodge Pole’s bluffs an’ antelope.
We can all see the grade movin’ up, near Potter’s City,
where countless prairie dogs call it home.

On a high noon sun, on a mid-day’s run,
at Cheyenne, we stop for grub an’ fuel.
“Hookup another locomotive, men,
an’ start the climb to Sherman Hill!”

At the highest point on that railroad line,
I hear a whistle an’ a frantic call.
An’ a ceiling’s thud from a brakeman’s leap,
to slow that creakin’ train to a crawl.

Wyomin’ winds blow like a hurrican’,
the flimsy bridge sways to an’ fro.
Some hold their breath, some toss down a few,
‘till Dale Creek disappears belo’.

With increasin’ speed, we’re on to Laramie,
uncouple our helper engine an’ crew.
Twenty round-house stalls, near the new town hall,
up ahead, the Rocky Mountains loom!

You can feel the weight, of their fear an’ dread,
I crack a smile, then tip my hat.
“Folks, we won’t attempt to scale those Alps,
the path we’ll take, is almost flat.

There ain’t really much else to see ahead,
but sagebrush an’ jackalope.
It’s an open prairie, on a windswept plain,
the Divide’s, just a gentle *****.

But, there’s quite a few cuts an’ fills to see,
from Lookout to Medicine Bow.
Carbon’s got coal, yields two-hundred tons a day,
where hawks an’ coyotes call.

When dusk sets in, we’ll be closin’ in,
on Elk Mountain’s orange silhouette.
We’ll arrive in Rawlins, with stars burnin’ bright,
an’ steam in, at exactly ten.

It’s a fair ways out, befor’ that next meal stop,
afterwards, we’ll feel renewed.
So folks don’t you fret, just relax a bit,
let’s all enjoy the view.”

Rawlins, is a rough an’ tumble, lawless town,
barely tame, still a Hell on wheels.
A major depot for the UP rail,
with three saloons, an’ lost, broken dreams.

Now time to stretch, wolf down some vittles,
take on water, an’ a load o’ coal.
Gunshots ring out, up an’ down the streets of Rawlins,
just befor’ the call, “All aboard!”

I know for sure, some folks had left,
to catch a saloon or two.
‘Cause when the conductor tallies his final count,
we’re missin’ quite a few!

Nearly everyone plays cards that night,
mostly, I just sit there an’ read.
A Gazetteer is open on my lap,
an’ spells out, what’s next to see –

‘Cross bone-dry alkali beds that parch man an’ beast,
from Creston to bubblin’ Rock Springs.
We’re at the backbone of the greatest nation on Earth,
where Winter’s thaw washes West, not East.

On the outer edge of Red Desert, near Table Rock,
a bluff rises from desolation’s floor.
An’ red sandstones, laden with fresh water shells,
are grooved, chipped, cut an’ worn.

Grease wood an’ more sagebrush, tumble-weeds a’plenty,
past a desert’s rim, with heavy cuts an’ fills.
It’s a lonesome road to the foul waters of Bitter Creek,
from there, to Green River’s Citadel –

Mornin’ breaks again, we chug out to Bryan an’ Carter,
at Fort Bridger, lives Chief Wash-a-kie.
Another steep grade, snow-capped mountains to see,
down belo’, there’s Bear Valley Lake.

Near journey’s end, some eighty miles to go,
at Evanston’s rail shops, an’ hotel.
Leavin’ Wahsatch behind, where there’s the grandest divide,
with fortressed bluffs, an’ canyon walls.

A chasm’s ahead, Hanging Rock’s slightly bent,
a thrillin’ ride, rushin’ past Witches’ Cave.
‘lot more to see, from Pulpit Rock to Echo City,
to a tall an’ majestic tree.

It’s a picnic stop, an’ a place to celebrate –
marchin’ legions, that crossed a distant trail.
Proud immigrants, Mormons an’ Civil War veterans,
it’s here, they spiked thousand miles of rail!

We’re now barrelin’ down Weber Canyon, shootin’ past Devil’s Slide,
there’s a paradise, just beyon’ Devil’s Gate.
Cold frothy torrents from Weber River, splash up in our faces,
an’ spill West, to the Great Salt Lake.

It’s a long ways off, from the hills an’ bluffs of Omaha,
to a place called – “God’s promised land.”
An’ it took dreamin’, schemin’, guts an’ sinew,
to carve this road with calloused hands.

From Ogden, we’re headin’ West to Sacramento,
we’ll forge ahead on CP steam.
An’ when we get there, we’ll always remember –
Stops along an American dream.

“Nothing like it in the World,”
East an’ West a nation hailed.
All aboard at every stop,
along the first transcontinental rail!
This is one of my favorite poems to recite.   I wrote this after I read the book "Nothing Like It In the World" by Stephen Ambrose.  The title of this book is actually a quote from Seymour Silas, who was a consulting engineer for the Union Pacific railroad.  Stephen's book is about building the World's first transcontinental railroad.   Building the transcontinental Railroad was quite an accomplishment.   At it's completion in 1869, it was that generation's "moonshot" at the time.   It's hard to believe it was just another hundred years later (1969) and we actually landed men on the Moon.   "Stops Along an American Dream" is written in a style common to that period.   I researched the topic for nearly four months along with the Union Pacific (UP) train stops in 1870 - when most of the route's stops were established.    The second part of the companion poem, yet to be written, will take place from Ogden to Sacramento on the Central Pacific railroad.   That poem is still in the early formative stages.   I hope you enjoy this half of the trip on the Union Pacific railroad!   It was truely a labor of love and respect for all those who built the first transcontinental railroad.    It's completion on May 10th, 1869 opened the Western United States to mass migration and settlement.

Jim Sularz
Aaron McDaniel Nov 2012
It was 2 a.m. The moons rays shone brighter than a diamond in it's showcase. The 'thump-thump' of my heartbeat seemed to echo through my body. The forest was quiet that night. Quieter than it should have been. Not even a crickets back and forth harmony. Drops of sweat began to carve their way down my face. One thought repeatedly resonated  in my mind.
'Where is he?'
I started to question if the fallen tree I had taken shelter under, was hiding me well enough in this lightest of darks. I could see the moonlight dance on the keys of my cab, but if I could see it, so could he.
Snap!
I felt my heart stop beating. The sound was so close. A lot closer than I would have liked.
'Should I make a run for it?'
As I gained the courage to flee, I felt a cold leather glove on my shoulder. The glove yanked me towards him. Fear sank deep within me as I tried to shake free. His strength much mightier than mine, there was no fighting him.
He placed a cloth bag over my head with two mismatched holes cut out of them. They were meant for my eyes, but only my left managed to see through it's designated hole.
I saw my assailant.
He was not alone.
There were three others accompanying him.
All three were disguising their faces with white robes from their head to their toes.
It all came to a point at the top.
I noticed another white cloaked person, a lot shorter, hiding behind the leather gloved man.
That's when I felt it.
It snaked around my neck, it's threaded components piercing the cloth bag over my head, and jutting into my skin. It irritated and itched, but they arrested my hands together with a zip tie, so itching was impossible.
I felt one of the men grab me fiercely by the waist, and lift me onto what felt like my own cab.
I confirmed it by the yellow chipped paint out of the bottom left of my vision from when I backed into one of my clients mailboxes.
They said nothing the entire time.
Neither did I.
My tears were telling them everything that I wish I could scream.
One of the men nodded, followed by the approval nod of the leather gloved man.
He slowly raised his leather glove high into the air, confident of himself.
My stomach dropped.
I heard the cabs horn flare, and the tires squeal.
Gravity made an appearance.
I felt the snap of my neck, yet no pain followed.
The flaring horn silenced.
I opened my eyes. My vision was blurred.
The smell of my mothers pancakes, told me exactly where I was.
This was a prompt in my English class. I decided to take it a step further.
For James Weldon Johnson**


the clock fast approaching
an appointed midnight click
it was time to punch in
for my avocational shift

we sauntered up creaky steps
of the old weathered rectory
its planks loose, its bricks chipped,
the gabled roof still leaking

a CDC on the outer verge
leaning over a bankrupt precipice
catastrophic failure predicted
from chronic cash flow distresses

we’ve  been on the ropes
since doors swung open
to fulfill a sacred mission,
25 years in the hood
keepin the devil in remission

a young ED with firebrand cred
emerged from a cubicle partition
his erudition and abundant zeal
would save many from perdition

he commenced his brief
in the entrance hall
laid out maps of the Silk City
articulating a canvasse plan
bereft of fear and blithe pity

he stood ***** announcing
the surety of his calling
handsome face and balding spire
lent a stern presence of authority

The PIT a Point In Time
Homeless Census annual review,
to root out and count the heads
of the lost and out of view

from Bed Stuy to Boston
Baltimore and DC
San Antone, Windy City Frisco
vols be countin to see

what happening with
America’s homeless folks
who, what, how they got there;
what can we do to help them
besides a hot, a cot and a prayer

last week in January  
in cities all over the nation
missioners fan out  to uncover
the most lowly of station

we’ll discover and recover
lost lambs and prodigal sons
we’ll find street walk daughters
falling through cracks
and criminals on the run

some junkies and crack pied pipers
be yodelling sickness, death and fear
mental illness, castaway children
may licit sorrowful tears

like gnats strained
through the gaping
holes in failing
social safety nets
this night is about
good shepherds
gone forth with no regrets

this mission
is most important
to our agency as well

each head you count
every calf you cull
the coffers of the
agency will grow

program grants are tied
to an index of misery
our streets give ample evidence
of an abundant presence in this city

no poverty pimps
work harder to improve
the blighted human condition
the quality of our work
speaks for itself
its no liberal sedition

we got a dog in the fight
that's undoubtedly true
tending to add an urgency
to the critical work we do

our shelter, food pantry
and job training programs
keep jumpers off the ledge
we attempt to arrest fallers
its the agency’s solemn pledge

for what profit a man
if he inherits the earth
and finds only strife
and devastation?;
community development
our diligent charge
workin hard to build
a better nation

so as your
caravansaries
cross the city’s
food deserts

to search the oases
of supermercados
surreal revelations
may manifest a few
midnight bizarros

E 18th St bonito bodegas
where long shot scratch offs
and stale coconut macaroons
staples of community sustainability
the hoped for lift from poverty soon

busy parsing the three squares
bagged in paper thin brown balsa
cool ranch dorito, a teriyaki slim jim
frothy Colt quart to chase
the winkin sip of dog hair gin

that's where this
story begins...

yes beloved
the road is wide
the gate is narrow
for the many prodigals
off the path living
a life of shadows

they're out there
trudging
making a way
through the  gloom
hoping to be given
one more day

sojourning on
trying to get back
to the ***** of love
searching for the room
lit with light from above

take courage beloved
know that Jesus walks
the streets with you tonight

he’ll be your
present helper
as you mine
the dank waste
of the desolate
factory shells
the post industrial
monuments to the
expended labor of
six dead generations
now squatter
encampments
for urban nomads
moving through
the sarcophagi of
a nations
wasted labor

remember
afterall, we are
all fallen people
hurtling downward
into torn safety nets
slipping into the
tattered threads of
a handy hangman's
noose

who among us
has not fallen
through yesterdays
best expired dream?
waking to find yourself
in a midnight
nightmare scream

we'll catch them
round em up
as their falling
to build em up
lost sheep knows the
voice of the masters calling

Jesus will
walk before you
as you enter the
closed parks
were swings
of life fly
high and low
merry go rounds
zip by like a terrible
carousel that won't stop
to let you go

and may the
Good Deliverer
guard you as
you descend
into the screaming
rooms of
condemned
crack dens

here the fallen
angel finds comfort
in the resounding
chorus of misery
woefully regretted

Lucifer eloquently
hums beguiling
holy smoke tunes
to his doleful
acolytes sadly
lamenting
bluesy
blue
blues

you are the
Good Shepherds
leading the lost
back through
the gate

tell the beloved prodigal
children that the good
news of salvation
patiently awaits

we lucked out
its warm tonight
for the past few years
its snowed

heres a clipboard
filled with questions to ask
a box of supplies for lost sheep
and a yellow plastic poncho
so the cops know
you're one of God's own


Mary Lou Williams
Black Christ of the Andes
Praise the Lord

Paterson
1/30/13
jbm
Part 2 of extended poem Silk City PIT.  PIT is an acronym for Point In Time.  PIT is an annual census American cities conduct to count the homeless population.  The Silk City is a nickname for Paterson NJ.  An ED is an acronym for Executive Director.  A CDC is an acronym for Community Development Corporation, a non-profit agency that provides development services to urban communities.  James Weldon Johnson is an African American poet.  This piece is written in a style and manner of God's Trombones.
Anonymous May 2014
I am a tea cup delicate and intricate.
There are beautiful patterns covering my surface,
but if you look closer you'll see the cracks.
Every time you fill me up just to leave me empty again,
those cracks grow.
They grow and they grow and they grow,
and eventually they grow so big that I am no longer a cup.
I am just pieces of a cup, chipped and broken.
And you, having left me like this, having caused my utter and complete destruction, will not see the value in my remains.

But someone will, and when they do they'll help piece me back together understanding that the gold they use to mend my wounds only adds to my beauty.
Richard Riddle Aug 2013
I wish to share a story
of when I nearly met my fate-
A tale of an adventure,
and a quest I had to make

A story of an abandoned mine-
A search for silver and gold-
Of prospectors, and the miners-
And the secrets they must hold

My father used to pan for gold
in the mountains and their streams-
And found enough of the elusive stuff
to make my mother's wedding rings.

I thought that I would try my hand-
to see what I could find-
So I set out to seek the entrance
to an old, abandoned, mine

I left for Arizona,
     to Prescott, I wished to go -
    Crossed the Rio Grande,
   on thru New Mexico.

Finally got to Phoenix -
   800 miles and count'n,
     then north, up to Prescott,
        Thumb Butte, and Granite Mountain.

            I pitched my tent on Granite Creek,
          with great anticipation-
           Checked the notes from my father's quotes,
                and began the exploration

   With my father's tin pan packed in a bag-
and his pic-ax at my side-
I felt like a real "old timer",
with heaven as my guide.

           I found the one I was looking for-
                with a darkened cave as the entrance door-
           And a handmade sign on a rotting board, said
"Welcome Friend, 1894."

Well, I picked and I chipped! and I chipped and I picked!
til the sores on my hands ran red-
             When I felt some dirt, drifting down on my shirt-
and some pebbles hit my head.

It only took a second-
for the ground to start to quake-
The dirt was falling faster,
and the walls began to shake.

I ran as fast as I knew how,
toward that entrance door-
When the last crosstimber broke in half,
and came crashing to the floor!

Now, I don't know how much time had passed-
since all of that began-
But felt as if I had been in a trance-
when someone took my hand.

I grabbed my shirt-tail, wiped my eyes-
tilt my head to see-
And saw a sun-dried, weathered face,
looking down on me!

He wore a wrinkled old hat,
an old flannel shirt-
Raggedy old pants, and a mile's
worth of dirt-

He had a beard of silver threads,
with a tinge of ginger root-
His hands were thick, and calloused,
and their color matched his boots.

He gave me a jug of water
that came from the nearby creek
As I began to take a drink-
he began to speak-

"Strange thing about abandoned mines-
they wish to be left alone,
To keep the souls of all of those-
who often called them home."

His voice began to tremble-
as he spoke those woeful words,
He seemed to be recalling
many things he'd seen and heard.

"It isn't greed that brought you here,
I can see that, in your eyes,
it's not just ore, you're looking for-
But another kind of prize."

"You must go back to your domain,
and you'll find that treasure chest-
For it lies deep within your heart-
and in those folks you favor best."

I shut my eyes, said a prayer-
  and asked, if what I did was wrong?
When I finished, and said "amen",
that old man was gone.

I never asked him for his name-
    or the place from whence he came-
    Some things are better left in silence-
and not to be explained.

I went back to take another look,
and gather up my gear-
Tried to find that “Welcome” sign,
but, it too, had disappeared.

I stood in "awe,and wonder,"-
of the place that I had found-
And with my eyes, realized,
I had trod on hallowed ground.

Going home I pondered,
'o'er the words that old man said-
But, did all that really happen,
   or was it from the "bumps" upon my head?

I got back home, and cracked a smile,
As I strode up to the door-
And there, hung a handmade sign
on a rotting board, said-
 "Welcome Home, 1894!"
Jordan Harris Jun 2014
Every brush is a first as a spark to a fire;
though the ashes still fall from limb and leaf,
each blaze sizzles an original melody:
forever unique and soulfully sole.

A delicate comfort envelopes me,
wreathing my pieces with a gentle autumn breeze,
mending me whole when I was never broken.

Her ambiance dances as rays of shattered moonlight,
slipping beneath a sky of the arctic dawn.
She gathers my fragments,
even when they had never been chipped away.

I lay unprotected, yet entirely safe.

She bends until the space separating us is airless with tender yearning.
I taste a thin sea-foam of maple sugar.
Dyspnoea remains fluid in our slumberous desire.

When I close my eyes, submitting to the quiet rush,
I am welcomed by an island universe.
Stardust spirals as the cosmos beams above our heads.

A sylvan petrichor swirls about the fall
as I am consumed with pure euphoria.
Poemasabi Aug 2012
Hidden under the honeysuckle
and hibiscus
Lies a stone.
And as I sit, drinking a gin and tonic
Looking over the spent plates
where crusty bread
fried calamari, which is a fancy word for squid,
and two Oysters Rockefeller
sat
until recently consumed by two parents
both in that awkward state of freedom
and longing
when their child is at camp,
out past the ducks on granite rocks
puffing themselves up
flapping their wings
towards afternoon sun on Winnipesaukee
my thoughts and eyes are drawn back
to the wheel of stone
leaning against the rotting wall of railroad ties
covered in a remoulade of Honeysuckle
Rose of Sharon
and other viney things
that are unidentifiable to me.
It has been painted during its time
but the paint is faded and chipped
and the feeling is that the stone
has outlived the painter.
Yet I do wonder.
What was its job 50, 100, 200
years ago?
Was it in a mill?
Did it lie flat, grinding?
Did it roll, upright, crushing things?
What else did they use round stones for?
Is this what retirement for a working stone is?
Cast to the side,
forgotten
hidden under the honeysuckle
and hibiscus
in an alley next to a waterside Wolfboro restaurant
where parents sit
Looking at Winnipesaukee
over spent plates of bread, squid and Oysters Rockefeller
thinking of a child at camp.
Ria Bautista Jan 2011
I
There once was a boy who lost his smile
His name was Colin Trench, born evil & vile
A pale-skinned young lad, tall, wide-eyed and frail
His ashen hair quite unkempt, but sometimes he puts it in a pony-tail
Always dressed in a proper black suit, bow tie & all
"It makes me look more evil" says he, standing proud and tall
He lived in a dark & dingy tower up on Dreadful Hills
Where birds refuse to sing and a mere glimpse would give anyone chills
His only consort is a cat named Lacrimose, vile & evil as he
Both love the taste of ginger bread, strawberry ale & rose tea

II
One dreary morning in November when Colin woke
He realized that he missed his smile, lost since he was a little bloke
He stepped out of his room and summoned his loyal cat
"O Lacrimose" he said, "Today we will find where my smile is at!"
They began searching the tower, high & low, left & right
"It's just around here somewhere" he whispered, "I probably lost it in the dead of night"
They pulled out old drawers, empty cupboards & dusty cabinets
But all they found were cobwebs, memorabilia & broken trinkets
"Ah Lacrimose!" shouted Colin, "Look what I found here!"
"This wind-up jumping frog was given to me by mother dear!"
They searched behind the curtains, under the bed and beneath the sheets
But all they found was another toy, a little black bird that tweets
"This little bird" he remembered, "I gave it a name"
"Ah yes, it's Horus and hide & seek was her favorite game."
He put both toys in his pocket and continued searching, never giving up
Colin & Lacrimose were determined to find the lost smile before the sun was up

III
They left the bedroom floor and down the basement they went
A dark & sinister place with walls of chipped cement
Colin turned the light on and a rusty typewriter is what they saw
“This clunky old machine” he said, “used to leave me in absolute awe.”
Pointing at the corner, he went on, “This is where father used to write”
“He read to me his wonderful adventures much to my delight.”
“Let’s go to the attic” he told Lacrimose with a sigh
“There’s nothing left to see here but half-written stories & goodbyes.”
So up the attic they went, but as they entered the floor began to creek
“This won’t take long, Lacrimose” he assured the cat, “We’re just going to have a little peek.”
“The last time I went up here” he recalled, “I was a little boy aged 7.”
“It was that fateful day I was told that my loving parents went to heaven.”
He looked at Lacrimose feeling somber as ever
And noticed his cat nibbling on what seems to be an old letter:
“Colin, our dear son” he read out loud, “We love you with all our hearts.
We’re sorry we had to leave you, in the morning we must part.
The choice is not ours to make, we have to fight for our country.
We’ll be home after the war is over, just in time for your birthday party.”


IV
As he held the letter in his hand, he sat on the floor and started to weep
His parents’ death he tried to forget, in his heart he buried it deep
“A few months after receiving this letter” Colin remembered completely,
“3 men in military uniforms informed me that my parents died valiantly.”
“They never made it to my 7th birthday, I had no reason to celebrate.”
“In my heart there used to be joy & love, but since that moment I replaced it with hate.”
And the days after that, Colin not once did cry
But today was different, he knew it was time to say goodbye
He went down the attic and walked to the garden behind the tower
Carrying with him Lacrimose, he picked up a tiny little flower
He approached his parents’ final resting place with hardly an upward glance
Colin yearned for forgiveness and this was his perfect chance

V
From his pocket he pulled out the wind-up frog & Horus, the little black bird
Along with the letter found in the attic and without saying a word
He neatly placed the items on the ground with the tiny flower on the side
Today Colin learned about acceptance; there is nothing left to hide
He began to speak and this is what he had to say:
“Forgive me mother & father, but your passing has left me in complete disarray.”
He kneeled on the ground and cried like he never did before
Tears streamed down his face and it didn’t stop ‘till his eyes were sore
His hands were shaking as he covered his face
He never did forget the loss he tried so hard to erase
As soon as he stood up and slowly opened his eyes
He saw on the horizon a beautiful & magnificent sunrise
Stepping through the field, wiping his tears away
To his loyal companion he said: “From now on we will have better days.”
“Lacrimose, my dear friend, we shall no longer be evil & vile”
Ah, it is a great day indeed for Colin Trench began to smile.
My first Children's Rhyme!

01.12.11
david badgerow Aug 2015
our coolest babysitter lit a long joint and drove us to church
in her well worn '87 oldsmobile with chipped gold paint
a drooping side mirror and a tape player
that smelled like stale london gin mothballs
and a sunset butterfly heart at the same time
it had a deep ocean green calcite mandala
dancing from the windshield mirror
and a steal-your-face tattooed on the back glass
she used to blare brit-pop trying
to make the speakers bleed

that day when they finally oozed she swerved us
left through the other lane and sunday morning fog
to cut a jagged path through thick woods and into an oak tree
with a soundtrack of slow motion oasis and screeching tires
i clammored to the backseat to block the window
glass from your beautiful angelic blonde head as
dew sprayed into the vacancy from the ditch and
when i pulled the seatbelt spiderweb out of your mouth
and lifted you out of the car i was standing
barefoot in a cluster of bright red sumac next to
an ant hill pile of twisted steaming metal
and you were dripping blood from your eye and knees
asking me if we'd be late for sunday school
but you were awake and trying to smile so
we followed the powerlines back to the main road
holding hands dizzy and sweating
worried no one would ever find us
limping while the springtime songbirds
held their tongues for us but
when the hot ringing in my ears finally stopped
the sirens grew loud and close and the
birds too began their wet lipped eulogy

sometimes i think about
missing church that day
when the weather's bad
on nights like last night
sometimes i remember
our babysitter when
the fog rolls in over
the road in the morning
i wonder if she still
gets high on the
good stuff while
she drives or
if she's just
a treehugger
Christian Grover Jun 2010
This  dog has a death grip on me
This dog,
That use to have fine beautiful coat,
       now is matted and flea infested fur
Who use to rule the pack and lead the hunts
       is now living off of table scraps

This dog has a death grip on me
The mutt that is kicked and starved,
       neglected and used
He lost his love for the moon,
       his intimacy with the stars

This is the dog that has a death grip on me
Teeth chipped and broken
       can still set deep in
Teeth chipped and broken
       need to bite harder yet

To pull him by the tail
       is to offer more of the meat on my arm
Yanking on the tail and ears
       is provoking redundant mutilation
Because this dog has a death grip on me

Because this dog has a death grip on me
I look up to the moon
       And cry silently to the stars
PH Jul 2011
Through that hole in the roof,
devoid of tar and shingle, I
                                              drip.

From that shower head
that needs just a wrench twist, I
                                                      drip,
   ­                                                   drip.    
    ­                                                            
That­ patch on the driveway,
beneath the car, just tuned up, I
                                                      drip,
   ­                                                       drip,
    ­                                                   d r i p.

In the back of a dream,
that stirs us to wake, I
                                     drip,
                    ­                               drip.

When that old dog only
gets older, sicker, I
                                drip,
                         ­                   drip.

Where nose ends and
cheeks turn into chin, I
                                       drip.

On the counter top a bottle- tipped,
chipped. I can't recall, but I
                                               drip,
                                                drip.
­
Overflowing and fraught with guilt,
a kettle of doubt, one carelessly spilt, I
                                                               drip,
                                                          ­    drip,
                                                      ­       **d r i p.
revised slightly 11/2/11
Margot Apr 2019
A bowstring stretched, in claret dipped,
Bestowing smile upon а white day,
That's when my heart was slightly chipped
And winter got away

A dark dress wraps around my body
I thumb through periwinkle leaves
The words wore nothing gaudy
But for a trace, that sunshine gives

The iris greenery of my eyes
Is praying to the queen, who stars chalk
In pupils the kingly light abides
Until the rays replace a warning moonbroch

And with this granted magic for a night
That's piercing a human vision
Like ruby roses pierce the soil under the might
Of а happening high above celestial collision

I'll plant to blossom Milky Ways
And let the stained glas branch out to startle
Most souls grow dim in a dairy haze
Kaleidoscope like yours ****** with a sparkle

A hand on marble fences,
Embracing all my senses
To Rumple from “Once Upon a Time”
Eagle Poetry Nov 2014
Potatoes
Mashed
Frenched
Fried
Baked
Sauted
Whipped
Tatered
Boile­d
Hashed
Hasslebacked
Chipped
Roasted
Potatoes
made out of boredom and curiosity of how many way there are to prepare potatoes
Eriko Oct 2015
heedlessly spun out of control*
caress the flickering heat
which seethes into ruby monasteries
freshly flushed of an intimate cheek
the chatter of flashing white teeth
in the darkness encompassing
the silhouettes  of our laughter
and the giddy vigor
drifting, lurking unforeseen
the melting pool of stares
glimpsed through the chatter
of padded reminiscent sighs
and the lingering melody
of our glinting
*chipped feelings
Jerry Desbrow Nov 2013
OLD HOUSE

They retain precious memories,
intimate feelings of inhabitants
passing through its sagging doors.

Romantic are seekers of forgotten times
memories encased in hard wood floors;
as lath plastered walls ooze remnants of a
history while we; when inclined listen.

We don't go very often, to abandon houses,
perhaps on a dare, or at Halloween.
Are we passed enjoying extremes into this
another world, musty energy a curious child.

That was the yesterday
which now waits behind
musty, dusty, derelict halls.

I stand I stand at paint chipped banister,
a faded worn carpet once carried dancing feet,
children playing before they sleep. The
broken coat tree on the floor.

From the third floor murmuring,
a wind storm jars
loose fears, of time
once lost to dreams.

Echos billow from
each room, curtains hanging
yellowed by a sun where
dancing light through holes in damask lace.

Mice gremlin's artful droppings,
tracks of nature on dirt strewn floor.
Broken shards from window
panes, confetti after New Years day.

Branches scratched
etched paths, tracks like graffiti
on sill its unread words, a glif
eerily cast shadows trigger echos from the past.

Jagged memories protrude from every corner
mixing with new, enriching our fantasies
bringing us closer renewed;
these musty memories long forgotten.

Like waves rushing back;
flooding a mind like broken
dikes they crash into our world,
Rembrandt's paintings on canvas fading.

Silent footsteps outside a door,
we hear laughter from bedroom walls;
a smell a whiff of hot butter ***, silent
conversation coming our way.

Old Doc Masters listened at my chest, as
I read all by candle light, Sherlock detective stories
or the Tell Tale Heart of Poe or
Othello; all masters in the past.

A Grandfather clock
stands silent, keeping time,
lost its tick yet still striking,
it stands tall, upon a clueless floor.

Knowledge lost to a past
in a house so worn,
births, deaths, wars, wrapped
forgotten, encased by neglect,

I visited a house besotted,
neglected waiting to be
remodeled into another century
moving it to present times.

Ajerry
Archival Jan 5, 2011
Edited and rewritten Nov 1 2013 / ajanon/ Jerry
Shalini Nayar Sep 2014
the hundred year old stairs
wakes up from its dreamless slumber
to find the world has spun
for an infinity too long

it once roamed
and ruled
the household of Chathanathodi
making way to the rooms
upstairs
that conspired a thousand
whispered secrets

simultaneously
sprawling its termite-infested legs
to make way
downstairs
that injected an aura of
omnipotence

its laddery body was now a little chipped
and its creaky joints, a little shaky
but it didn't matter
as it was still conspicuous
and strong
like Hercules
leading unsuspecting mortals
upstairs and downstairs
to its universe of Gods

Shalini Nayar
© 2001
Shannon McGovern Aug 2011
My friend died last night,
his mother said,  
so you should probably stop smoking.
But he was more concerned with giving
away his dog and shooting himself in the face.
 
Blowing raspberries didn’t stop
the advancing train that left bruises
on either of her shoulders,
or left her compacted
and hung-over the next morning.
 
And she was screaming like a banshee
trapped inside a locket,
when he finally bent her over
and said You are beautiful,
do not let anyone ever tell you any different.
 
She might have lost the polish
from driving a stick shift for an hour
or chewing them, worried about
deer leaping into windshields,
but that is why lesbians don’t paint their nails.
 
So when he finally slammed her foot
into the side of his dresser,
all she could do was lay there
and bite, losing more of her sheen
into the divots she dug in the skin on his back.
Kevin Apr 2017
my hands are stained with signs of turmeric, fading yellow orange
my nose is filled with tickles of aromatic roots, ***** fibrous tubes
but these don't represent anything, except some signs of life.

my skin is inked from colorful dyes, as symbols of my truth
my face is freckled from the summer sun, as symbols of my youth
but these don't represent anything, except some signs of life.

my bones and joints, at varying places, ache
my brain and mind, at varying times, pang
but these don't represent anything but, some signs of life.

my heart has known each side of our endless tragedy
my love has discovered our infinite acts in jest
and these things don't represent anything but, some signs of life.

i'm aware of my insignificance, in my limited existence
i'm aware that that can change, as easily as it cannot
but i don't represent anything, except my experience of life.

i've come close to knowing death, more times than i'd like to count
i've come close to knowing love, more times than i'd like to count
but these don't represent anything, except some signs of life.

i've met grace and kindness in the eyes of the forgotten
i've met hate and insecurities in the faces of those with influence
but i know they don't represent anything more, than some signs of life

i know that nothing is exclusive or ultimately controlled
i know that people are stones being smoothed until they reach  round
and i know this represents nothing more, than some signs of life

i wonder deeply about the state, of our humans being.
i wonder deeply how far we've secluded ourselves from each other
and i know, sadly, this represents nothing more, than some signs of life

but i know we are that so called stone, waiting to be round.
cut from sharp abstract forms, drifting down the riverbed,
washed over loquacious time, smoothed of our shearing sides

but as long as there are signs of life
imbalance will sway our ways, time will be like running water,
endlessly working to smooth our shearing sides.

and this, as i think i know it, are the signs of life.
and this, as i know it, will change. hopelessly smoothed.
and this represents nothing more, just experience. not life.
katie Jul 2015
My nails are a mess,
but not a mess like a 2 week perfect manicure 'mess',
a mess like chipped old blue nail varnish
where I have picked away at it.
A mess like peeling skin
when anxiety from deep within
has resulted in me absentmindedly scratching
until I am awoken by crimson blood,
pooling on pale flesh.
I grab a cloth and sigh,
as I realise I will now have to hide
my hands from onlookers,
who will probably tut disprovingly
because I'm a girl you see,
and it's my duty to present myself beautifully.
To be perfect on the outside, but how can that be?
You see my hands bear the scars that are inside of me.
You can't just paint over scars and expect to be free.
epictails May 2015
Impermanence
—the shadow of everything that once was
the visitor who only sipped a little tea
dead leaves in autumn
someone who got away
despite begging him to stay
chipped paint in old walls
butterflies in their cocoon
trends that fill voids of the moment
but leave after they are forgone
suspended words in whispered talks
a child's wonder
faces with remarked lines
empty laughters turned into glistening tears
flesh to ashes, ashes to flesh
wines in glass bottles

—a beginning of everything that are to be,
cradle of brighter, better stories to come
as the pieces of long agos
are laid to rest
100th HP  poem . So glad to have been a part of this wonderful site where wonderful people just find wonderful reasons to write. 4 months into poetry and my love for writing could not be better. Thank you for everyone who made me grow and realize my  capacity. :)

— The End —