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"buskers" poems
It ain’t too bad to be from there Just ask my family and friends But it’s too flat, ain’t no way out The roads are all dead ends. Sometime soon I’ll find a place Where the music I’ll enjoy But for now I keep on tryin’ To escape from Illinois! There’s a river on the border west That moves a lot of dirt Mighty Muddy Mississipp Drowns the pain and covers hurt Yeah, I’m movin’ south to New Orleans Maybe I can find employ In a blues bar down on Bourbon Street Escape from Illinois! Well I stopped a week along the way When I saw the Gateway Arch. But the folks out by the airport Were stagin’ up a march. Seems a white cop fired a shot that killed An unarmed teenage boy Oh yeah, the teenage boy was black, Escape from Illinois. Kept walkin’ to the Landing (Named for Pierre Laclede) It has most every thing you want But nothing that you need Some travelin’ folk told me some news That made me jump for joy Memphis maybe had some work Escape from Illinois! Found the haunted house called Graceland And the grave where Elvis lay Where half a million go each year (Fifteen thousand every day) They all want to pay respects To the rockin’ – rollin’ boy Put their finger in the bullet holes Escape from Illinois. Went downtown, knocked on some doors Once or twice I went inside But Beale Street was broken The travelin’ folks had lied. ‘Cuz there ain’t no jobs in Memphis, Or maybe I’m too coy So I hitched a ride to Nashville Escape from Illinois. Nashville’s a big old meltin’ *** Lots of great ones started here But most end up as tourists Getting’ ****** and drinkin’ beer So money’s at a premium And fame’s a fake decoy End up workin’ in a record store Escape from Illinois? From Asheville to Atlanta From Austin to LA From Biloxi back to Baton Rouge Need a place where I can play I’ll follow all the buskers, Form a musical convoy Livin’ day by day and town by town Escape from Illinois! I’m a minstrel, like a rubber band I keep on snappin’ back I’m gonna make it somewhere Singing somewhere, that’s a fact Got my guitar and my music Gotta do what I enjoy Find a place to sing my songs for you, Hell, it may be Illinois! Phil Lindsey  6/4/15
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Jun 4, 2015
Jun 4, 2015 at 1:46 PM UTC
Escape From Illinois
It ain’t too bad to be from there Just ask my family and friends But it’s too flat, ain’t no way out The roads are all dead ends. Sometime soon I’ll find a place Where the music I’ll enjoy But for now I keep on tryin’ To escape from Illinois! There’s a river on the border west That moves a lot of dirt Mighty Muddy Mississipp Drowns the pain and covers hurt Yeah, I’m movin’ south to New Orleans Maybe I can find employ In a blues bar down on Bourbon Street Escape from Illinois! Well I stopped a week along the way When I saw the Gateway Arch. But the folks out by the airport Were stagin’ up a march. Seems a white cop fired a shot that killed An unarmed teenage boy Oh yeah, the teenage boy was black, Escape from Illinois. Kept walkin’ to the Landing (Named for Pierre Laclede) It has most every thing you want But nothing that you need Some travelin’ folk told me some news That made me jump for joy Memphis maybe had some work Escape from Illinois! Found the haunted house called Graceland And the grave where Elvis lay Where half a million go each year (Fifteen thousand every day) They all want to pay respects To the rockin’ – rollin’ boy Put their finger in the bullet holes Escape from Illinois. Went downtown, knocked on some doors Once or twice I went inside But Beale Street was broken The travelin’ folks had lied. ‘Cuz there ain’t no jobs in Memphis, Or maybe I’m too coy So I hitched a ride to Nashville Escape from Illinois. Nashville’s a big old meltin’ *** Lots of great ones started here But most end up as tourists Getting’ ****** and drinkin’ beer So money’s at a premium And fame’s a fake decoy End up workin’ in a record store Escape from Illinois? From Asheville to Atlanta From Austin to LA From Biloxi back to Baton Rouge Need a place where I can play I’ll follow all the buskers, Form a musical convoy Livin’ day by day and town by town Escape from Illinois! I’m a minstrel, like a rubber band I keep on snappin’ back I’m gonna make it somewhere Singing somewhere, that’s a fact Got my guitar and my music Gotta do what I enjoy Find a place to sing my songs for you, Hell, it may be Illinois! Phil Lindsey  6/4/15
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73
We've got bagpipes and buskers, cannons, and clip. Lots of marijuana, and tons of tall ships. Plenty of seafood, and point pleasent park. It looks pretty lame, until the streets become dark. Weve got the Citadel hill, and pavilion kids. lockups, and lockdown. All things that we did. Plenty of days, where we fell on our *** , smokin dope in the glade, and layin on grass. With colt 45, and 151. Alexander keiths, and malibou *** Weve all jumped a fence, and swam chocolate lake. No other province could handle the risks that we take. Cause were crazy,obviously, were maritimers. Dartmouth, and spryfeild.. Hell, our schools are the worst. But its halifax, Nova scotia. We do it our way. Live like the east coast, Cause i do everyday.
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Mar 1, 2013
Mar 1, 2013 at 3:43 PM UTC
For my Maritimers.
Now sit there, just a minute, hold on, hear my tale for just a minute. One of humanity, sincerity, tragedy Of when I was there, live from the square. Jackson Square. Not the one of Coin Coin, the Nevilles, the Toussaints, Allen or L’Overture. This is one of a momma and her baby in 2008. Three years, three years, three years after the flood, three years after the storm. Let me paint you a picture of Orleans as it stood one day in 2008 as it stands today. 2008, NewOrleans: What happens here, no one will remember in the morning. The buskers, the tunes, why, even the voodoos get the blues. Walking towards Bourbon The lights, the sin, the history New Orleans, where life ain't so easy. There’s a family down there who don't survive so peacefully. You can see them if you walk down Canal St., leisurely. There, sleeping on the courthouse stairs, A mother and her child who own only the clothes they wear. The boy was young, elementary-aged Curious too, I could hear him ask questions: "Mama, why don't we got food?" And her reply, "Son, that's just the way it is, life's just hard for me and you." Sitting there on the courthouse stairs. I take my place on the opposite side of the stoop, Watching the crowds go by. The women in their high-heeled shoes The men with their shirts half-open. Grenades in hand, ***** in the blood, Pockets full of cash and hearts full of lust New Orleans What happens there, no one will remember come morning. The buskers, the tunes, why, even the voodoos get the blues. There’s a family on vacation there In such a sinful city, a family. White, middle-class, suburban, all too WASP-y. mom, dad, a daughter and a son, elementary aged, with a pop in his cheerful step, On the way to a nice restaurant gon’ eat crawfish, gator, red beans and rice, jambalaya. They’ll forget to tip the waiter. New Orleans, What happens here, no one will remember come morning. That happy family, walking down Canal St. Like walking out the gates of hell Where the lost souls sit on the stairs Begging for something, anything at all The happy family had ‘bout reached the courthouse when the young boy asked "Daddy, why don't they have any food?" His father covered his son’s eyes with his white hand and replied, "Here son, let's go and find a toy for you to buy." And the kid shrank after seeing this mom and her son His innocent eyes died and he said, "I don't want a toy. I don't want anything" They walked on by, the happy boys' head turned the whole time, those eyes. Stuck on the family that was stuck on the stairs Mom dad, a daughter and a son, Elementary-aged with a slump in his sunken step. Now, in my mind I wonder: was it more monumental that my life changed or that a had life changed before my eyes New Orleans, two thousand and eight. New Orleans, today, what happens there, no one will remember come morning.
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Aug 2, 2013
Aug 2, 2013 at 11:35 AM UTC
no one will remember
Now sit there, just a minute, hold on, hear my tale for just a minute. One of humanity, sincerity, tragedy Of when I was there, live from the square. Jackson Square. Not the one of Coin Coin, the Nevilles, the Toussaints, Allen or L’Overture. This is one of a momma and her baby in 2008. Three years, three years, three years after the flood, three years after the storm. Let me paint you a picture of Orleans as it stood one day in 2008 as it stands today. 2008, NewOrleans: What happens here, no one will remember in the morning. The buskers, the tunes, why, even the voodoos get the blues. Walking towards Bourbon The lights, the sin, the history New Orleans, where life ain't so easy. There’s a family down there who don't survive so peacefully. You can see them if you walk down Canal St., leisurely. There, sleeping on the courthouse stairs, A mother and her child who own only the clothes they wear. The boy was young, elementary-aged Curious too, I could hear him ask questions: "Mama, why don't we got food?" And her reply, "Son, that's just the way it is, life's just hard for me and you." Sitting there on the courthouse stairs. I take my place on the opposite side of the stoop, Watching the crowds go by. The women in their high-heeled shoes The men with their shirts half-open. Grenades in hand, ***** in the blood, Pockets full of cash and hearts full of lust New Orleans What happens there, no one will remember come morning. The buskers, the tunes, why, even the voodoos get the blues. There’s a family on vacation there In such a sinful city, a family. White, middle-class, suburban, all too WASP-y. mom, dad, a daughter and a son, elementary aged, with a pop in his cheerful step, On the way to a nice restaurant gon’ eat crawfish, gator, red beans and rice, jambalaya. They’ll forget to tip the waiter. New Orleans, What happens here, no one will remember come morning. That happy family, walking down Canal St. Like walking out the gates of hell Where the lost souls sit on the stairs Begging for something, anything at all The happy family had ‘bout reached the courthouse when the young boy asked "Daddy, why don't they have any food?" His father covered his son’s eyes with his white hand and replied, "Here son, let's go and find a toy for you to buy." And the kid shrank after seeing this mom and her son His innocent eyes died and he said, "I don't want a toy. I don't want anything" They walked on by, the happy boys' head turned the whole time, those eyes. Stuck on the family that was stuck on the stairs Mom dad, a daughter and a son, Elementary-aged with a slump in his sunken step. Now, in my mind I wonder: was it more monumental that my life changed or that a had life changed before my eyes New Orleans, two thousand and eight. New Orleans, today, what happens there, no one will remember come morning.
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69
Back behind Gianni's bar The Bluesman sings his tunes To all the local n'er do wells And to the stars and to the moon His voice is coarse as forty grit His playing smooths it out He plays upon an orange crate Comfort is not what he's about Bluesman, Bluesman play a song One sung just for me One that paints pictures in my head A song that I can see Buskers, lined the concourse The street where he was not This was just a place for tourist fare He was where the world forgot His tunes were sung for no one but Himself and to the air Out front, that was another world Bluesman, did not live out there A crowd has gathered slowly More of a group, than a real crowd They heard about the bluesman And out front was too **** loud In back, you heard the feelings Felt the music, heard the strings You experienced the atmosphere That a good old bluesman brings Out of the crowd of fandom Working his way through the mass Was a young, tousled haired boy Everybody let him pass He rocked in one position He felt the music ebb and flow He looked where the notes were airborne He saw the music go The bluesman sat and watched him playing stories, telling tales Of drunks in old Las Vegas And of sailors fighting gales the young boy stood and rocked some always looking at the air He wasn't looking at the bluesman He didn't know that he was there He walked up to the old man staring out into the space that streamed the bluesmans music right into the young boys face the bluesman watched intently As the young lad touched his hand And he held the bluesmans old guitar He became a member of the band The boy moved even closer If that were possible at all He was feeling the sweet music He was having quite a ball The crowd watched as the bluesman and the boy became as one The boy resting his head now On the guitar, having fun He couldn't see the bluesman But the music, it was there The boy was blind, autistic He saw the notes that filled the air The bluesman kept on playing For that was what the bluesman did He was playing for the starry sky And for this wondrous little kid His mother came and held him She took the bluesman by the hand She said thank you for the music For letting him be in your band In a voice as smooth as Bourbon The bluesman told her that her son Could come and feel the music The music makes us one Bluesman, Bluesman play a song One that's only just for me Bluesman, Bluesman play a song That only I can see....
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Feb 4, 2014
Feb 4, 2014 at 11:46 PM UTC
Bluesman and The Boy
Back behind Gianni's bar The Bluesman sings his tunes To all the local n'er do wells And to the stars and to the moon His voice is coarse as forty grit His playing smooths it out He plays upon an orange crate Comfort is not what he's about Bluesman, Bluesman play a song One sung just for me One that paints pictures in my head A song that I can see Buskers, lined the concourse The street where he was not This was just a place for tourist fare He was where the world forgot His tunes were sung for no one but Himself and to the air Out front, that was another world Bluesman, did not live out there A crowd has gathered slowly More of a group, than a real crowd They heard about the bluesman And out front was too **** loud In back, you heard the feelings Felt the music, heard the strings You experienced the atmosphere That a good old bluesman brings Out of the crowd of fandom Working his way through the mass Was a young, tousled haired boy Everybody let him pass He rocked in one position He felt the music ebb and flow He looked where the notes were airborne He saw the music go The bluesman sat and watched him playing stories, telling tales Of drunks in old Las Vegas And of sailors fighting gales the young boy stood and rocked some always looking at the air He wasn't looking at the bluesman He didn't know that he was there He walked up to the old man staring out into the space that streamed the bluesmans music right into the young boys face the bluesman watched intently As the young lad touched his hand And he held the bluesmans old guitar He became a member of the band The boy moved even closer If that were possible at all He was feeling the sweet music He was having quite a ball The crowd watched as the bluesman and the boy became as one The boy resting his head now On the guitar, having fun He couldn't see the bluesman But the music, it was there The boy was blind, autistic He saw the notes that filled the air The bluesman kept on playing For that was what the bluesman did He was playing for the starry sky And for this wondrous little kid His mother came and held him She took the bluesman by the hand She said thank you for the music For letting him be in your band In a voice as smooth as Bourbon The bluesman told her that her son Could come and feel the music The music makes us one Bluesman, Bluesman play a song One that's only just for me Bluesman, Bluesman play a song That only I can see....
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80
everything about it the raising waves of sound and the pluck of the violin the fiddling fingers on the mandolin and the swell of the drums his voice bows like a singing saw and curls down into the depths of his own feeling and art not only in the poetry but poetry in the very sound *i want to see the things you see because i like the way you breathe* it pulls a soul onto its toes both of the mind and of the feet and sends it dashing down the snowy roads lined by broken corn stalks and gray buildings and fairy lights of the city brings us one with the buskers and into the hearts of every other person who has heard it my god, it has made us into a pool of humanity each soul touching in ways deeper than this to my dear violins and violas and basses and mandolins and drummers thank you for the gift of sound
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Oct 8, 2013
Oct 8, 2013 at 6:25 PM UTC
Ode to a Band
Holy Spirits flow freely like the Mississippi down the border of Mississippi. The girls with the purple party beads and the sax buskers on the brown streetcars drink through their Mardi Gras, down streetcars named Desire. Holy Spirits flow freely like the slow jams from the Apollo during Locke's Renaissance. The young gangsters down every block drop their fists sticks knives guns and shake to albee. Holy Spirits move through vast cathedrals and through empty pews. The zealous hearts and the corrupt voices all drink and listen to the voice of the serpent.
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Jun 18, 2013
Jun 18, 2013 at 12:30 AM UTC
Holy Spirits
It's a thousand tiny cuts that you receive From the moment you're born Waiting for someone to tell you that you are beautiful. You yearn to stay youthful You've learned the indisputable fact. Your inherent value as a person Reduced to your physical appearance And given a numerical value online For what is a selfie without it likes? This is enough to make anyone cynical Because everyone is the enemy Like buskers on a busy street All are competing for the attention Of the passing indifferent crowds All singing to be seen, to be known Even just for one fleeting moment It is a strange but primary emotion of the human condition Decreed at birth to need validation And this foundation is firmly instilled in us. We never learn to fuss about it, as society reminds us That there is nothing to discuss. Sign up and accept the terms and conditions. Show yourself to the world. Nothing beats the sensation of adoration. Even now, right now, I am showing myself to you. So tell me I'm pretty, world. Tell me I matter. Tell me I exist.
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Jul 24, 2018
Jul 24, 2018 at 11:45 PM UTC
Tell Me I'm Pretty, World
Just taking time out to see who's on the park. Been here for a while and there are a few guys who know what the board's for. There's a lad from Deptford who can turn a neat Olley on a Grind. Bit of a curiosity with my long board and northern street style. Had a couple of skate offs and found where the cracks are. Pulled the shoulder AGAIN but nothing serious. Thought there might be the odd ramp here seeing as it's London, the South Bank and all. Been working on my rotationals. Three Sixty is just fine but the Five Forty is **** I don't think any of these guys here know what a One Seventy is. Well they do now. Nobody here seems to skate off-park even though there are some well good grind rails and step jumps. Too many people about I suppose.  Saw this lass hitting Toe Edge to Heal Edge turns - VERY bright. Wappo better watch out! She's got him covered. The guys from Wakey would probably clean up down here, but we're guerilla skaters and would probably have the 'ol blue boys on our backs if we did the business. Maybe we should do a recce one weekend? Sleep on my sister's floor. Reckon Paris is better though - there's those parcours guys about to show you the space. When my Dad goes to Centre Pompidou there's all these great buskers - some serious **** Nobody playing anything round here. Ok back to the park and a few Primos I reckon. Seen no one doing a glimmer of a Rail Stand so time to clean up a bit.
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Sep 14, 2012
Sep 14, 2012 at 2:17 AM UTC
Portrait of a Sk8t
I watched from Farringdon as Satan fell; I’ve battled for my soul at Leicester Square; I’ve laid a ghost with Oystercard and bell; I’ve tracked the wolf of Wembley to his lair; I’ve drawn Heathrow’s enchantment in rotation; at Bank I played the devil for his fare; I laugh at lesser modes of transportation. I change at Aldgate East because it’s there. The Waterloo and City cast its spell; I watched it slip away, and could not care, the Northern Line descending into hell until King’s Cross was more than I could bear; he left me there in fear for my salvation, a Mansion House in heaven to prepare: so why return to any lesser station? I change at Aldgate East because it’s there. Three days beneath the earth in stench and smell I lay, and let the enemy beware: I learned the truth of tales the children tell: an Angel plucked me homeward by the hair, to glory from the depths of condemnation, to where I started long ago from where I missed my stop through long procrastination. I change at Aldgate East because it’s there. Prince of the buskers, sing your new creation: the change you ask is more than I can spare; a change of spirit, soul, imagination. I change at Aldgate East because it’s there.
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Nov 8, 2010
Nov 8, 2010 at 3:29 AM UTC
Stations of the Cross
When I'm seeking shade from a relentless sun, And brush a rejected leaf off my shoulder, I feel poetry. When I brought my girls home, From hospital, school, a bad night out, I've experienced poetry. Walking Front St., or  Centennial Park, While the buskers are busy, The children are laughing, The dogs are barking, I've heard poetry. If fortunate to espy a shooting star, Enjoy the fullness of an autumn moon, Witness the dawn light up my lawn, Like a diamond mine, I've seen poetry. I've tasted poetry on my lips With kisses and endearing words, And lingering tastes from what you serve. Yes, I've savored poetry's flavors. Who reads poetry.
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Sep 19, 2017
Sep 19, 2017 at 9:08 AM UTC
Who Reads Poetry
A block from the office the city is tearing down an overpass. Today they're beating the **** out of it with a pneumatic hammer the size of a freight train. Its pounding in time with my heartbeat like the worlds largest metronome suspended from the end of a crane. Bang – Bang – Bang – Bang I keep wondering what’s going to happen to all those buskers and hookers who peddle their wares under that bridge. I'm not seeing it though and no observation means no poetry. No poetry means no catharsis, and my guts are full of hornets. Bang – Bang – Bang – Bang It’s the great whisky **** of the spirit, the all-encompassing lack of passion; the longing for old friends; the desire to lean on old habits the chinks in something resembling old armor. the crease, the seam, the fold. Bang – Bang – Bang – Bang Misfire on eight. Misfire on eight. Misfire on eight. There’s this pain in my head; behind the left eye where the secrets live. driving and grief stricken. (misfire on eight.) The headache has no name, but it sings a song. Bang – Bang – Bang – Bang
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Apr 7, 2016
Apr 7, 2016 at 4:40 PM UTC
Crisis At 6th and Pine
As the guitar plucked the buskers strings The endless space was made of things For many are the few who sing The birth of doom one day did spring The truth I lie through muted speech Without my arms and many legged reach My instructor learned I refused to teach The carnivorous mouth of the vegan peach
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Mar 25, 2015
Mar 25, 2015 at 12:28 PM UTC
An absolute peach
The city buskers don't speak til six; After they've stored the aluminum paint, Their instruments packed, The clever boxes stacked, The clink of coins counted. Now ready for a pint, a blink and stretch. Flame spitters, robots, Victorian mannequins, Chimney sweeps, a Little Bo Peep, All muted on the street. On the steps I asked, Which one are you? I stand on my head in a bucket, he said. Yeah, said I, *I know what you mean. I did the same for thirty years.* (A perfect metaphor, thought I). No, really, I continued, What's your gig? I stand on my head in a bucket, he said. He wasn't being poetic. Here's a man who stands on his head in a bucket, I said, More than once. So many do this on their feet, Hearing the echo of their own voice, Shutting off our daily travails In an insular pail, Seeing one's reflection distorted, With little involvement. He said he learned his trade Watching the pigs on his father's farm, And perfected his talent Watching CNN.
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Nov 24, 2015
Nov 24, 2015 at 11:09 AM UTC
Standing On His Head In a Bucket
Maybe if you leave, we can work it out. I need a permanent blanket of nimbus clouds more oppressive than a Roman Catholic Court. But, moving to London might convict me back to the cityscape of wasted Fridays and Saturdays. Because without it, the Betrand Russell in me might just start to wake up. And then I’d remember - there has to be more to life than the 9 to 5 daze. Washington DC stopped being fun after week two, and now I see it for what it is — a crush of desperate tourists blowing cigarette smoke in your face while you sweat last night’s drinks and Jumbo slice crash. Anywhere that sells Nutella crepes is pretty sweet, and I love all the kite flyers and buskers festivals. I long ago realized that while Christiania has hundreds of market stalls, they’re all selling the same material things on a Groundhog Day loop: baked goods, stolen bikes, old furniture, cheap phones, and bags of open air hash. Climbing up Carcassonne, a fortified medieval French town, probably is the best thing ever, but somehow, the two-hour lines to get into Berghain seem more worth it — all that dirt, grunge, and spinning feels as close to Dante’s Inferno; as close to feeling alive as it gets. But now my Sunday afternoons are spent curled on top of my clean bedsheets, twitching about like a decapitated blue whale - batshit exhausted and depressed but somehow grinning like The Joker, wondering if sleep ever sets.
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Jan 11, 2016
Jan 11, 2016 at 4:02 AM UTC
Nodus Tollens
Falling pink petals Plinking my head A saxophone serenade Kind of kind of blue A solitary birch among many hundreds Of deciduous trees, its paper Bark scored with age White among shadows And the endless breeze takes me up Into Tiffany-blue sky Pollen clumps litter the edges of lawn Calliope streaming from a mared and seahorsed Carousel dances in my head Disobedient canine in exodus Defiant against the silhouette Of a circled dog Line diagonally cutting across Wah wah wah as the ducks in the pond Are chased away. Endless verdant day criss-crossed with Walking paths and robin’s-egg sky punctuated With drifting cotton shapes. Brazen squirrels accustomed to the pleasant Bustle and hustle Bat City, unopened, in my lap Mothers feeding children Hungry mouths to breast. Seeking out a lemonade stand Near Winter Street in spring A yellow burst of sour notes sing On my palate A bargain at a fiver on a day as this Soundtrack peppered by buskers and An ***** grinder turning the crank on his street ***** and Birds and The woo of occasional sirens. A mother wheeling her child along In a stroller Mohawked, tattooed, pierced lip and She smiles on by. Ivied brownstones and balconies railed With wrought iron End our stay On this idyllic day In month of May.
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Feb 26, 2015
Feb 26, 2015 at 3:13 PM UTC
May Day
The Miss Daisy sank She was two hundred feet tall With no worries at all There are buskers all around and about The swamp bar is clean For my good friend Jimmy He's here to play He's come a long way He is music to my ears With my pack of 'Boros and my bourbon glass He straightens the queers The music floods me with joy Like a dark cloud of sunshine I drink to him I'm the last to stay I'm dying to play ***Dauphine cries to the sounds of sunken hope and dread The sound is buried with dying laughter The drummer is dead The band plays on***
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Aug 18, 2015
Aug 18, 2015 at 12:33 PM UTC
New Orleans Pt. III
I feel like taking a tab of acid and disappearing to town in my worn suit. Buskers bathe in the eternal winter, clamouring sounds at passers-by until Jericho falls in on itself, money spilling out of its sides like a fast food waiter on his cigarette break. Trawling through the record shops, I feel as if I've travelled through time; each bootleg, a manuscript, each seven-inch, a sonnet. Pulling fingers through Venetian sounds, I have found my place in the library of New Alexandria. The pigeons are swollen at the ankles. Like humans, they are losing height at the promise of another meal, at another chance to rifle through the crumb. School kids are waiting for the bus as I go walking past. They're unaware of the ease of tread they have over land, unaware of how quickly it can fall and the scathing jealousy I feel for each of them. In eyes wet and wide, I turn to go home, I walk in the rain, before settling for the bus and returning to that familiar, lofted view of the world passing by through a maniac's eyes. It is only then that the world shifts in focus and lotus flowers crop up through the carpet, the world outside has grown far too unreal, to the point hallucinating makes sense of it all.
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Feb 18, 2014
Feb 18, 2014 at 11:05 AM UTC
Quitting My Day Job
The streets will belong to the beggars and buskers who'll paint the ivory towers red and take out the old tuskers who sit and scribe laws in dusty old books.. ..here I shall pause,because I'm not sure of what laws. But these fossils who will us away, the same who turn night into a much longer day and don't pay us no wage are quite sage about this, they knew that the 'kiss off' would kiss them away and have made laws to outlaw the coming of that day. The buskers and beggars can sit playing chequers and make Kings on the boards and on the boards of multinationals where they can rationalise it all, they'll make more ivory towers to refill more empty spaces and more laws to put beggars and buskers in their places. But we are used to this krap and so we sing or we busk for a penny in our flat cap and the streets remain the same, it's just the name that changes.
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Aug 20, 2014
Aug 20, 2014 at 5:12 AM UTC
Once upon a Jerusalem
“He is a dreamer; let us leave him – pass.” Julius Caesar I.ii.24 Strident philosophers at Hyde Park Corner Poor buskers at Queen Victoria’s feet Chalk artists remaking the pavement as Rome A Seventh Sister with her folk guitar These are not dreamers passive in their beds Or supplicants awaiting permission: They are the worker bees; they know of pain And sweat, and sunstroke in the fields - and truth When a sidewalk artist notes that the Ides Have come, Caesar indeed should turn to hear
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Mar 24, 2019
Mar 24, 2019 at 10:50 AM UTC
A Sidewalk Artist Who Knows Who You Were - BEWARE!
In Dublin's mist-kissed streets, we wander, Two souls entwined, hearts aflame, Anam cara, whispered by ancient stones, A love deeper than the Liffey's flow. I. Dawn's Embrace At sunrise, we meet by Ha'penny Bridge, Where copper pennies shimmer on water, Your eyes, twin pools of mossy green, Hold secrets only Dublin's cobbles know. II. Whispers in Temple Bar In Temple Bar's lively hum, we dance, Fiddles and laughter weave our tale, Your laughter, a melody of joy, Echoes through centuries of poets' dreams. III. Trinity's Library of Love Beneath Trinity's ancient arches, We read love letters etched in oak, Your touch, a parchment of longing, Pages turned by winds from distant shores. IV. Stolen Kisses on Grafton Street Grafton Street, where buskers serenade, Our stolen kisses taste of rain and tea, Your lips, like Dublin's cobblestone alleys, Hold the promise of forevermore. V. Cliffs of Howth, Our Sacred Cliff On Howth's cliffs, we stand as one, Wind-whipped and salt-kissed, Your heartbeat, a rhythm of tides, Pulls me closer to the edge of eternity. VI. Guinness Pints and Shared Dreams In snug pubs, we raise our Guinness pints, To love, to laughter, to Dublin's magic, Your whispers, like foam on stout, Intoxicate my senses, leave me spellbound.
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Feb 17, 2024
Feb 17, 2024 at 10:47 AM UTC
Anam Cara in Dublin
The homeless ask for change Not only the spare pence pieces you have in your pocket, But the change that can make them sheltered and warm. The buskers ask for change Not only compensation for their musical vibes But the kind of coinage for a different kind of awareness Atmospheric positive energy And peace The travelers ask for change Aid their way through the world to gain a bit more perspective So they may prove others wrong when making horrendous generalisations Or to see everything with better lenses The activists ask for change Breaking through social etiquette Politeness is overruled by injustice They take the streets their own suggestions Vocal with rage… The man in the suit doesn’t want your change He wants your notes Hard earned money from your wallet to feed his own Grown grotesquely fat with gluttony He wants your sense of self worth blinded with what he envisions Making incisions into your mind Of how you should act And why you should cry. Forget what’s inside. Become a player on the stage of the world and fail to remember that you’re just another teenage girl too impressionable to hide Rather then see you thrive he wants profit Leaving you high and dry Thirsty for nothing you can actually buy. I ask for change. I ask for the power to transform within me To give the change all these people are asking of me. Maybe I’ve not got the money, But I can empty myself with all I have And see if it makes a difference… Kiss the man in the suit goodbye.
0
Jul 5, 2015
Jul 5, 2015 at 7:57 AM UTC
Change
The homeless ask for change Not only the spare pence pieces you have in your pocket, But the change that can make them sheltered and warm. The buskers ask for change Not only compensation for their musical vibes But the kind of coinage for a different kind of awareness Atmospheric positive energy And peace The travelers ask for change Aid their way through the world to gain a bit more perspective So they may prove others wrong when making horrendous generalisations Or to see everything with better lenses The activists ask for change Breaking through social etiquette Politeness is overruled by injustice They take the streets their own suggestions Vocal with rage… The man in the suit doesn’t want your change He wants your notes Hard earned money from your wallet to feed his own Grown grotesquely fat with gluttony He wants your sense of self worth blinded with what he envisions Making incisions into your mind Of how you should act And why you should cry. Forget what’s inside. Become a player on the stage of the world and fail to remember that you’re just another teenage girl too impressionable to hide Rather then see you thrive he wants profit Leaving you high and dry Thirsty for nothing you can actually buy. I ask for change. I ask for the power to transform within me To give the change all these people are asking of me. Maybe I’ve not got the money, But I can empty myself with all I have And see if it makes a difference… Kiss the man in the suit goodbye.
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37
it is my mother’s birthday. we stood and watched punch and judy yesterday, while god was all behind us. he bashed, we laughed, he bashed, laughed more, he bashed. children were removed from the vicinity, others stayed. incorrect musings regrading life and buskers. pastel buildings mask the incorecctness of it all. it is my mothers birthday. sbm.
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Aug 22, 2013
Aug 22, 2013 at 2:11 AM UTC
228. politics.
he has blue eyes and fluffy hair and stands stiff in the town square he gives money to buskers and smiles at people who pass he buys me coffee and looks into my eyes to see my past he knows what i am and he knows what ive done but he said that i am his only one
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Jun 21, 2013
Jun 21, 2013 at 10:25 AM UTC
he
If I could visit magical Kyiv, In the bright effulgence of spring I would feast my eyes on the Architectural splendors That mirror her people’s sturdy souls. Then I’d stroll along the Dnieper Where children frolic in cool waters I’d hear buskers playing fabled songs That sprang from ancestral souls. The intoxicating aroma of fresh borsht, Meats and pastries would so allure That I would gravitate like a magnet To a charming café to savour each delight. Sunflowers and trees would be blossomed full And cheerful birdsongs would grace the air. The streets would be a blur of bikes and autos - All a-scurry with the bustle of daily enterprise. I would exchange the required hryvnia For a chair at the Municipal Opera To weep or laugh with Bohéme or Zauberflöte Or perhaps a Shevchenko work or two. I close my eyes in prayer for the peace That all Ukrainians are meant to have. My burning soul is with you always And aches to tell you, face to face
0
Jul 1, 2022
Jul 1, 2022 at 3:30 PM UTC
Richly to be Deserved