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"batons" poems
**The band starts playing at a ***** and crowded backyard. Rebellious youth gather to cast their vote with the stomping of their doc martin boots. Beer cans everywhere, everyone's trying to let loose the raw stranglehold their society has produced. The guitars go off and the ritual begins. First they assemble in the heart of the pit. In the center individual tragedies bring fourth the wrath of a God's army. Anarchy you call it, Ha! I call it reassurance, reassurance that this anger is surely communal. I never saw it more clearer, the youth's power to resist: If the government wont hear us, we will create our own sound even under the batons of fascism, we spit on your rule, your control of our art. We wont bow down to a law with our names written all over it, while another politician walks free from corruption. While another officer guns down an un armed child and calls it self-defense. While suspicious mass shootings continue to occur and mass cameras grow in recording. While you send more people off to war for another countries resources. These thoughts explode out of me into shoves, screams, ****** cuts, reckless behavior, and then finally release. Pure psychiatric release.**
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Jul 18, 2014
Jul 18, 2014 at 5:36 AM UTC
The Pit
Life clings on In deserts, ice sheets and hot acid pools. Those selfish genes persist: Batons in a Marathon relay race. Generation follows generation. Clone adds to clone. So life spreads: The mightiest empire, Covering all the globe. A world full of living wonders. All manner of plants, insects and animals. Oceans teeming with fish. From tropical paradise To awesome glaciers. We must be mindful Of this glorious beauty. Mother Nature reigns supreme. Sing and rejoice, Party hard And put aside The awful truth - That in the end Everyone dies. Paul Butters © PB 26\7\2018.
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Jul 26, 2018
Jul 26, 2018 at 4:10 AM UTC
Everyone Dies
I will stand in the shadow of the sun which burns a scar on the back of people who like to shift in the shadows of the night and blame everybody for giving them a homeland for their excuses. I will stand where the teargas melts my eyes and the batons write their scars on my coloured skin because I asked for bread. I will stand in the light and hum my soulful music that echoes off the walls of pop charts and make everybody dance because they do not understand my words. I will stand in the pools of streetlights and sell my body, my baby, my beauty- because nobody cared to ask me a human question on want. I will stand before God and question why he taught me the language of worship amd wisdom to know the difference between skin and colour and asking and read the book he has to offer that says the truth in so many pages. I will stand alone. I will stand alone. Author Notes ? © Marshall Gass. All rights reserved.
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Apr 1, 2014
Apr 1, 2014 at 1:39 AM UTC
Ghetto
A big fire breathing robot boom box played loud dance music while a ******** clad girl danced twirling fire batons.
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Nov 4, 2012
Nov 4, 2012 at 10:05 PM UTC
Voodoo
The boys marched off to war one by one, They thought that war would be very fun. Hunting and killing bad guys, Destroying the ones that plot our demise. The boys marched off to war, O' war. The second squad came in two by two, They heard that the first squad went, "kablew". Scared a little they marched on, Spinning their little tiny batons. The second squad marched off to war, O' war. Body bags came back three by three, Blood dripping down to their knees. Mothers and fathers gather around, As their children are put in the ground. We just let them die, for lies.
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Aug 9, 2011
Aug 9, 2011 at 4:49 PM UTC
Marching
matt’s hats tom’s tools & tobacco lou’s liquors fred’s beds dale's doors frank’s planks bill’s drills jane’s drains & panes chuck’s check cashing cheryl’s barrels hank’s tanks tina’s trucks & tractors walt’s asphalt sean’s pawn rick’s rifles mom’s guns terry’s tires charlie’s harleys rhonda’s hondas jim’s rims art’s parts gus’s gas mike’s bikes frank’s feed gwen’s pens ann’s cans nancy’s nursery joes‘s clothes jess’s dresses bert’s skirts steve’s sleeves paul’s shawls michelle’s shells & bells al’s pails & snails sam’s hams & jams patty’s pancakes phil’s chili don’s donuts betty’s spaghetti bob’s burgers alycia’s quiches jean’s beans jerry’s berries anna’s bananas andy’s candies cathy’s taffies tony’s ponies roy’s toys ron’s batons kim’s whims marty’s parties jill’s pills rick’s tricks alice’s palace debbie’s disposal dave’s graves
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May 23, 2010
May 23, 2010 at 5:53 AM UTC
rodeo drive tucson
thinking about how cops are beating protestors senseless not even 20 minutes from where i live. thinking about how they block off the streets and stand unmasked, batons in hand, other hand resting pointedly on their gun. thinking about how it could be me next— another unspecified black face and black body and black existence snuffed out— a hashtag, a mural. (and those are the lucky ones.) thinking about how a memorial is the best case scenario for a black life. thinking about the bodies in the street. thinking about blood splattering the ground, mixing with paint and obscuring the “black lives matter” lettering on the road. thinking about the chalk art and loud music in a neighborhood soon-to-be-gentrified. thinking about how we’ve grown used to the stench of rotting flesh outside our doors. thinking about the taste of blood in my mouth from my nearly-severed tongue i didn’t realize i was biting. thinking about the tension in my neck and jaw. thinking about the way my eyes never seem to close. thinking about the eyes that will never again open. thinking thinking thinking.
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Sep 27, 2020
Sep 27, 2020 at 4:27 PM UTC
11:23 pm
"Teachers tear-gassed,lathi-charged "-- Reads a bold-letter news item. One law binds the teacher, not to cane, another law canes, flogs and batons them. With frustration writ large they still teach. India, only in India, where teachers demonstrate and lie prostrate where scientists commit suicide where a teacher grows bald and blind in hope where but to teach is to be full of sorrow.
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May 28, 2017
May 28, 2017 at 1:03 PM UTC
THE NATION-BUILDERS
The unstoppable war The cause of suicidal rage Twirled batons connected to saw blades Carriages for the dead well-prepared Shields are nowhere Only offense Everything to the center All come in None go out Sounds of organic materials being cut Precious ****** fluids spilt Fire surrounds all Charmander stands near his throne "Charmander-Char" in a high squeaky voice The dictatorship ruled by a monster who could have fit into his slaves' jeans He was now the master and these humans were his to command to fight. "Ember Amber, I choose you!" Trainer **** it...
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May 21, 2011
May 21, 2011 at 11:38 PM UTC
A Charmander's Dream
She ran a boarding house in Boston, But they used her size to terrorize men And lead them to the lock-holes. Or was she a lady clad in black ruffles, Presented to the Queen in 1844? Perhaps she was a racehorse Foaled in Harlem and won a prize. She had peddled drugs and run a gang In the chaos of Civil War, Black Mariah escaped from the darkness Of Edison’s studio to roam the world, But in it found herself re-imagined. They named police wagons after her It’s said, but no one knows the truth. Did she cross the battle lines again, To tread on civil rights? Or swing the batons in Chicago And fire rifles at Kent State? She seems to take time out to charm Gruff-voiced men who sing her praise. She prowled the streets of Brixton, In 1983, with truncheons at her side. Through gas clouds, dragging men to jail. Black Mariah is with us still, Helping to create tyrants and traitors, To stop the mouths of those who defy She’s an accessory to the killing.
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Jun 30, 2023
Jun 30, 2023 at 7:09 PM UTC
Black Mariah
The white noise has direct interface with the synapses in my brain making ants sketch across my skin in a drunken address. Bellicose shadows raise their fists and wrap me in flags of color while merging into a large edifice with a wide open mouth and protruding nose. Wrenching my feet from the baloney trap go take a round of the mulberry bush counting the pennies dropped on the ground by the ones who crossed onward with the ferryman on the boat. Footprints on soft mud thud like batons against a hard thigh easy to miss but not to be dismissed they are like camouflaged quarry in a kept heap of rye.
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Nov 24, 2012
Nov 24, 2012 at 1:41 PM UTC
Wary Creepers
1. You can never go home, not to the home you left. When you leave, you get bigger. Not necessarily in girth, but in consciousness. When you come back,  everything, even the walls of your parent's house, seem to have shrunk. 2. Look..... Here comes the parade. With its paper mache floats and twirling batons. Cub scouts and boy scouts, all in a neat blue and drab green row, followed by a high school marching band playing "Stars and Stripes Forever". From bygone wars, limbless surviving soldiers flinch with every cymbal crash. 3. I watched billows of cottonwood clouds swirl down a summer hometown avenue, they met on the street corner for a song........ "Alley Oop", or "I Like Bread And Butter" These ghostlike voices will live there forever, innocent, asleep, numb, waiting. Soon, the postman will bring your future. Soon, you will be just a number on a lotery ball. Soon, you will have to dissect luck or fate. 4. I took my 87 year old Father to gather his tools from his long time place of work. The instruments of his livelihood. He did not need them anymore, he had retired. Some tools he had used since World War II, some he made for a specific job.... never to use again. All neatly placed in toolboxes built in the 30s and 40s, yet not a trace of rust. These were the tools of a tradesman, a (Tool and Die Man). He once told me, “Son, if I can’t fix it because I don’t have the right tool, I will make the tool”. I thought him to be Superman. But there I was, loading up my Father’s history, to take home, to be sold to the highest bidder.   I myself have made my living playing music for audiences. I also have tools. Guitars, amplifiers, harmonicas, microphones. There will come a day, in the not too distant future, when I will have to “retire” the instruments of my livelihood. Though I will not be as stoic as my World War II Father, I will go kicking and screaming to the pawn shop, remembering every song that fed me, and every chord that made people dance.
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May 29, 2014
May 29, 2014 at 8:38 PM UTC
A Visit Home (in 4 Acts)
1. You can never go home, not to the home you left. When you leave, you get bigger. Not necessarily in girth, but in consciousness. When you come back,  everything, even the walls of your parent's house, seem to have shrunk. 2. Look..... Here comes the parade. With its paper mache floats and twirling batons. Cub scouts and boy scouts, all in a neat blue and drab green row, followed by a high school marching band playing "Stars and Stripes Forever". From bygone wars, limbless surviving soldiers flinch with every cymbal crash. 3. I watched billows of cottonwood clouds swirl down a summer hometown avenue, they met on the street corner for a song........ "Alley Oop", or "I Like Bread And Butter" These ghostlike voices will live there forever, innocent, asleep, numb, waiting. Soon, the postman will bring your future. Soon, you will be just a number on a lotery ball. Soon, you will have to dissect luck or fate. 4. I took my 87 year old Father to gather his tools from his long time place of work. The instruments of his livelihood. He did not need them anymore, he had retired. Some tools he had used since World War II, some he made for a specific job.... never to use again. All neatly placed in toolboxes built in the 30s and 40s, yet not a trace of rust. These were the tools of a tradesman, a (Tool and Die Man). He once told me, “Son, if I can’t fix it because I don’t have the right tool, I will make the tool”. I thought him to be Superman. But there I was, loading up my Father’s history, to take home, to be sold to the highest bidder.   I myself have made my living playing music for audiences. I also have tools. Guitars, amplifiers, harmonicas, microphones. There will come a day, in the not too distant future, when I will have to “retire” the instruments of my livelihood. Though I will not be as stoic as my World War II Father, I will go kicking and screaming to the pawn shop, remembering every song that fed me, and every chord that made people dance.
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Stone hall with concrete walls Perched with colours of the crown Ripped down for united minds Dole queue patriots hyped with delusions of grandeur Camped upon corners, moaning ****** ****** Laying claim to title of white line champions Still the law sheath batons Sharing guarded desire With debased brethren So united the occupied stand Defying foreign lords who oppress ancestral land Awaiting the day the crown falls defiled And high flies the green, white and gold.
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Apr 16, 2015
Apr 16, 2015 at 6:55 PM UTC
Never mind the protests
Found on the corner of sleeping dogs lie Came to the spotlight with one crooked eye Painted a portrait in spite of the light Hoping the canvas was centered and tight Poured off the foam before going to bed It’s easy to sleep when you don’t have a head Dreams are the reason I tend to escape Picking up pieces that fell off the cake Coupled with sailors now off on a trip Some sunken treasure on some sunken ship Last time the cannons did roar at the sea Green was the canvas of the canopy Blown into port with a quart in your bag Looking quite close at the half masted flag Wondering who might have swam with the fish And ended up sinking and getting their wish The mist in the air hung so thick on the ground The bell in the lighthouse could broadcast the sound Ringing that rang as the tide wandered in As night storms from southern most points did begin Anchors were dropped to the depths of the deep Big leaks were fixed but the little ones seeped Batons were hatched or whatever that means Opening gaps welded closed at the seams Swabbing the deck seemed like pure wasted time As buckets were emptied with rain in the sky Sails were pulled down, pulled in, put away While clouds housed a marvelous lightening display A bottle of *** and a parrot named bill They drank and they sang until they had their fill When off now to sleep they did fall with a thud Tomorrow the war and the spilling of blood The enemies’ close they could feel in their bones Because of the bank and some late payment loans They shuffled us off to some brightly lit rooms And offered low interest in brand new doubloons They had us signing here page after page As if fountain pens were just coming of age Now put them away this place sure is a mess Or move them to somebody else’s address If the dog is not home and the cats on the chair Licking his tail with the long flowing hair For after this voyage we look up above And whisper a poem that doesn’t speak love
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Nov 26, 2013
Nov 26, 2013 at 7:30 AM UTC
Anchors-a-Weigh
Found on the corner of sleeping dogs lie Came to the spotlight with one crooked eye Painted a portrait in spite of the light Hoping the canvas was centered and tight Poured off the foam before going to bed It’s easy to sleep when you don’t have a head Dreams are the reason I tend to escape Picking up pieces that fell off the cake Coupled with sailors now off on a trip Some sunken treasure on some sunken ship Last time the cannons did roar at the sea Green was the canvas of the canopy Blown into port with a quart in your bag Looking quite close at the half masted flag Wondering who might have swam with the fish And ended up sinking and getting their wish The mist in the air hung so thick on the ground The bell in the lighthouse could broadcast the sound Ringing that rang as the tide wandered in As night storms from southern most points did begin Anchors were dropped to the depths of the deep Big leaks were fixed but the little ones seeped Batons were hatched or whatever that means Opening gaps welded closed at the seams Swabbing the deck seemed like pure wasted time As buckets were emptied with rain in the sky Sails were pulled down, pulled in, put away While clouds housed a marvelous lightening display A bottle of *** and a parrot named bill They drank and they sang until they had their fill When off now to sleep they did fall with a thud Tomorrow the war and the spilling of blood The enemies’ close they could feel in their bones Because of the bank and some late payment loans They shuffled us off to some brightly lit rooms And offered low interest in brand new doubloons They had us signing here page after page As if fountain pens were just coming of age Now put them away this place sure is a mess Or move them to somebody else’s address If the dog is not home and the cats on the chair Licking his tail with the long flowing hair For after this voyage we look up above And whisper a poem that doesn’t speak love
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People say I’m loud, I just wish my voice would carry with the wind and into the ears of everybody who’s not asking to hear what I’m talking about. You didn’t invite yourself, I invited you to hear me out. You won’t hear me, you’ll hear my object of choice held high with two hands, to the sky, to the spray of your tear gas in my eyes, but be not blinded in sight as you are deaf to the ear, loud and clear you see my poison spilled on the mattress my body was mutilated on, shoving out through my sweaty hands, drip, drip, dripping onto the streets you defend with your devices of destruction. My words weight is less than a million dollars, less than a tuition, less than my fore father’s current colleagues who are counting down days from suits to polo shoes, making face on the last of their public legacy, they don’t want a face like me writing slogans on their cities about ignorance and inconsistency. I guess I’m not loud enough, it takes more than volume to raise The roof the roof the roof is on fire. Save the pen, the paper, your voices and chairs, your mattress and umbrellas that protect us from your outrage at my outrageous voice Silenced by a shield. Silenced by batons. Silenced by political power without political people, incorrect intentions, raging with rovers 100 feet above my head exploding like an overfilled balloon. You can beat my words down but you can’t burn my furniture, bigger than you, bolder than you, screaming louder through a mouth it doesn’t even possess, looking on the face of a choir, a whole choir, asking to cure our disease. I will hold my symbols of faith, **** and freedom in my right hand and swear to tell the truth, the whole truth and nothing but the truth until our protest has made a difference, until my metal chairs have molded your thoughts into signatures on a page of on a page of social justice. It just is, bigger than you, bolder than you, louder than me, Don’t test me, Test my furniture. It will always be heard. People say I'm loud. I just wish my voice would carry into the ears or everybody not asking to hear what I am talking about. Well, I'm not talking, My object speaks pretty loud.
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Apr 6, 2015
Apr 6, 2015 at 1:15 PM UTC
Furniture
People say I’m loud, I just wish my voice would carry with the wind and into the ears of everybody who’s not asking to hear what I’m talking about. You didn’t invite yourself, I invited you to hear me out. You won’t hear me, you’ll hear my object of choice held high with two hands, to the sky, to the spray of your tear gas in my eyes, but be not blinded in sight as you are deaf to the ear, loud and clear you see my poison spilled on the mattress my body was mutilated on, shoving out through my sweaty hands, drip, drip, dripping onto the streets you defend with your devices of destruction. My words weight is less than a million dollars, less than a tuition, less than my fore father’s current colleagues who are counting down days from suits to polo shoes, making face on the last of their public legacy, they don’t want a face like me writing slogans on their cities about ignorance and inconsistency. I guess I’m not loud enough, it takes more than volume to raise The roof the roof the roof is on fire. Save the pen, the paper, your voices and chairs, your mattress and umbrellas that protect us from your outrage at my outrageous voice Silenced by a shield. Silenced by batons. Silenced by political power without political people, incorrect intentions, raging with rovers 100 feet above my head exploding like an overfilled balloon. You can beat my words down but you can’t burn my furniture, bigger than you, bolder than you, screaming louder through a mouth it doesn’t even possess, looking on the face of a choir, a whole choir, asking to cure our disease. I will hold my symbols of faith, **** and freedom in my right hand and swear to tell the truth, the whole truth and nothing but the truth until our protest has made a difference, until my metal chairs have molded your thoughts into signatures on a page of on a page of social justice. It just is, bigger than you, bolder than you, louder than me, Don’t test me, Test my furniture. It will always be heard. People say I'm loud. I just wish my voice would carry into the ears or everybody not asking to hear what I am talking about. Well, I'm not talking, My object speaks pretty loud.
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Stiff-spined pigs clawing at shins, thighs, torso; arms and head. Effervescent atoms spit from pressurised cans to clouded, burning eyes. Batons drop, judging my ever rolling sins; breaking bland sheet of skin into blue, black, red, swelling  purple canvas: mounds of flesh, batted time and time again. Arm twisted, mud faced being, sinking. Face first dirt. Cuffed, bony wrists annoy broken-back shoulders: unforeseen angles. Frustrated muscles stretch bemused tendons. Freedom demolished, kicking screams provoke further chest knocks, ambushed four to one your body flops; sagging over tight-gripped, blue and black jackets, helmets, batons, badges. Tossed to the backseat; prisoner of the siren.
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Apr 14, 2014
Apr 14, 2014 at 2:23 PM UTC
Awe & Order
do i want to lie flat in your prison cells? perhaps not. but i do know that the curse of our words is that they will one day swap out our air for oxygen, and we will breathe ink down our throats; gasping for sound. it is inevitable. these vestiges of mind matchless to those who give chase - we who disappear like ghosts - one day to resurface - our bodies in exchange. we will be beaten by batons, cut open by silver: a cuff for a tongue. we perish for our speech.
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Feb 22, 2016
Feb 22, 2016 at 12:39 PM UTC
quick exercise of freedom
Amandla! Locked in societies cages where the sunlight streaked in with black and white uniforms with bars and batons to hold them in place shackled to their destines to die in policies polluted by skin and colour these people fought against The oppressors determination to reduce An entire nation to subservience Until one man swam against the apartheid tide To a prison of meaning. At last in the wide open spaces Where freedom grew with the flowers With chains of people dancing in the streets Of hope in the future Alas the high tide turned against Them and those at the front row who lead The back row to brutality soon found The dancing invited the shackles again And they all locked themselves in the same suffering As before, one by one. Except no one they could blame somebody else but his own black brother.
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Feb 19, 2014
Feb 19, 2014 at 7:33 PM UTC
Amandla!
First of May. That peach tree you planted now blooms, flushes pink, the cherry ones burst purple. Umpteen types of daffodil sprout up to gulp sunlight, flower beds house seeds, beans and peas in abundance in your vegetable garden. Plum batons of rhubarb protrude, threaten your little portion of Devon. But the finest thing is the girl, the daughter, a great blossom skipping from spring to summer, beaming like a lighthouse to guide both of you home.
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Mar 11, 2014
Mar 11, 2014 at 10:25 AM UTC
The Great Blossom
You hear the sound of couples dressed high and fancy, mingle as their souls tap the floor outside, to the sound of strings, brass, and percussion tempering themselves for the heat of music. The passionate movements of bows, batons, and fingers, to form the wonderful elegance, behind the masterful music composed by fellows now long gone. Ah, to the sounds of majors and minors my heart feels at ease, to the subtle creaking of chairs, to the rhythmic chimes and strums of instruments within the skilled orchestral ensemble. All this, topped by the eccentric and emphatic movements of the swift conductors hands, and arms, watch the spring, when the crescendo arrives his spring is let loose, and jolts, currents, swift, sleek, fluent motions, baton in one passionate turning of pages as music flies on by, at 4/4 pace. Oh, the fine thunder of the percussion, and deepest strums of bass at the right, combined in a movements finale, to make an awe-inspiring harmony, that one does not really expect, with two previous movements just elegant and peaceful, such a quickened pace and depth of drum and strum takes us all by surprise. Then, Silence, joyful applause, continuous applause, then its all over, and we head home.
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Mar 29, 2012
Mar 29, 2012 at 11:12 PM UTC
At the Symphony.
Pop culture died off but media executives were pretty attached to that horse and they have one hell of a swinging arm they got their bats, paddles, batons, and fists and they really let that horse have it breaking bones and crushed organs a pool of blood held by gravity rests lazily in a bloated stomach and after the melee is all over with all we are left with are shoes and reality t.v. shows what an achievement
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Mar 27, 2013
Mar 27, 2013 at 1:47 PM UTC
poor dead horses
I gone fishin', ma Cheri I built us a house on Blues Bayou And set it on batons To keep out the water And Mister Raton But the bayou gets bluer As new days come to view, Cher It was me, you once adored, Hugged and cherished Me, you've lately ignored I thought real hard 'bout it Decided it weren't worth it To go huntin' for squirrel So today I just go fishin' See a vision of my next expedition Ignorin' the light is impossible Forever; you're bound to notice Especially when it's not there Even a flickerin' candle furnish Enough light to see, I no longer care So I step out the back door Feel the rush of my fall Into Blues Bayou for a quick swim I'll dry out soon in my boat, Find Mister Raton and trick him
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May 10, 2016
May 10, 2016 at 12:56 AM UTC
Gone fishin'
Before we were born, the earth was ravaged Then came man, a proud desperate savage And all that was good, he came to disparage For the earth and man formed an unhealthy marriage. We spend our whole lives in search of bliss, But there is no jinn who can grant this wish And its in this search that our purpose is missed We stab one another with knives made by the Swiss. They order the crowds, to cease and desist For if they do not they will cease exist Gas and metal slugs bring forth the red mist Knuckles are shattered as batons connect with the fist. Man embraces fear in response to innovation, Beating down thinkers into deepest degradation Unable to stomach these new variations, He herds himself like cattle into old formations. Evil inspiration born from futility Laying aside all thoughts of humility, Manufactured our own creative sterility Crushing ideas in the name of stability. Yet the from the rubble of all we despise, When many are dead, and the stars are aligned Will our species awaken, stumble and rise? Look up to the cosmos and then our open our eyes. Not to God but to our own coalescence Or will we choose to embrace our own evanescence? We expect truth to emerge from the heavens, But only through virtue can we hope to find essence.
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Jul 17, 2010
Jul 17, 2010 at 7:44 AM UTC
Coalescence
A Feller's Opera She sits upon a bracken grave with arms like twisted thorns, weeping in the undergrowth the soprano widow mourns, singing haunting melodies portentous and forlorn, the dying forest will gaze no more on sunsets nor misty dawns. Her haunting voice will echo 'tween hollow trees she calls, a crescendo of crotchet splinters over timber acres sprawl, to summon silent her aria as mighty oaks then fall, to rise no more in glory, to stand no more so tall. Whirring, snapping, crashing down as the whip of progress cracks, rolling, beating like a drum, carving its gruesome track, a tympany of lumberjacks wave their batons like an axe, to the rythmn of a wooden heart as the wistful chorus hacks. Sweet the sound of wailing song across the land does sweep, devastating landscaped eyes in eerie silence shall weep, 'tis her prelude to the end of time, that was never hers to keep, she sits upon a bracken grave to cry herself to sleep. ©RJVHorton2014
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Jun 28, 2015
Jun 28, 2015 at 3:34 AM UTC
A Feller's Opera
for Kate and Nicola and Wayne and Paul and Cameron and Skye and Kylie and Nathan and Cameron and the weird guy next door.   Here’s to you, my crazy friends You ******** misfits too cool for my school But you liked me anyway, you let me read you my book of poems You played Bone Machine while I was tripping We walked through the suburbs looking for fairies, We slept with each other despite my huge crush on you You liked me anyway. You taught me to smoke **** To stop hating on op shop clothes while I wore Country Road and cashmere vests. We watched the sun come up, smelling of sweat and drugs and DJs’ last hurrahs and dark old warehouses, kerosene fire batons and your menthol cigarettes. I gave you Siddhartha and Guildenstern and Rosencrantz, though it wasn’t the first time. I loved it all: the guitars, the punk chords, the dodgy old houses in run down parts of West End, the random houses, the secret nights smoking your Champion Ruby in my old *** pipe because we’d run out of **** and Henry Miller wouldn’t settle for just plain ***** Bohemian Cafés and curries, girlfriends turned turncoat then lesbians, your secret *** parties that I never found out about ‘till years later your Mezz Mezzrow typewriter and bright candles of novel beginnings that never saw the light of day.  Her sweet little hips showing a little too clearly with the the shining light from inside as it lit her silhouette on your balcony. I miss you guys, with your madness your friendships and deep inner hipness that wasn’t in me. So it’s years later now, we’re old and I ain’t seen you in years. Wayne showed up in a café one day with CDs of his latest, still cool I was studying Mandarin, and I wanted to reconnect He gave me his number but I didn’t call him, I can’t explain why. You showed up one day, “weren’t you going to come and say hello?” I was but I still don’t know how.
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Dec 16, 2015
Dec 16, 2015 at 6:50 AM UTC
Ride
for Kate and Nicola and Wayne and Paul and Cameron and Skye and Kylie and Nathan and Cameron and the weird guy next door.   Here’s to you, my crazy friends You ******** misfits too cool for my school But you liked me anyway, you let me read you my book of poems You played Bone Machine while I was tripping We walked through the suburbs looking for fairies, We slept with each other despite my huge crush on you You liked me anyway. You taught me to smoke **** To stop hating on op shop clothes while I wore Country Road and cashmere vests. We watched the sun come up, smelling of sweat and drugs and DJs’ last hurrahs and dark old warehouses, kerosene fire batons and your menthol cigarettes. I gave you Siddhartha and Guildenstern and Rosencrantz, though it wasn’t the first time. I loved it all: the guitars, the punk chords, the dodgy old houses in run down parts of West End, the random houses, the secret nights smoking your Champion Ruby in my old *** pipe because we’d run out of **** and Henry Miller wouldn’t settle for just plain ***** Bohemian Cafés and curries, girlfriends turned turncoat then lesbians, your secret *** parties that I never found out about ‘till years later your Mezz Mezzrow typewriter and bright candles of novel beginnings that never saw the light of day.  Her sweet little hips showing a little too clearly with the the shining light from inside as it lit her silhouette on your balcony. I miss you guys, with your madness your friendships and deep inner hipness that wasn’t in me. So it’s years later now, we’re old and I ain’t seen you in years. Wayne showed up in a café one day with CDs of his latest, still cool I was studying Mandarin, and I wanted to reconnect He gave me his number but I didn’t call him, I can’t explain why. You showed up one day, “weren’t you going to come and say hello?” I was but I still don’t know how.
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