"basins" poems
1 THE KIDS
it’s a simple toy
that’s all they want
these gypsy kids
Plastic discards
cups and basins
consumers-people throw away
change into toys and inventions
in the hands of the gypsy kids
Simple inventions
unique in the change
a life of the imagination
free, unencumbered
just a place on the earth
the space they play in today
That’s all the kids want this moment
not confined walls of classrooms
2 THE PARENTS
Just like the kids
Just these dads and moms
who still revel in the infancy of the earth
And their women
who cook a meal
with what the wild might offer
who are content with what’s in the basket
And who can see into the sky
and see what‘s the weather coming
this season
And so when it is time to move, and where
3 GYPSY BEAUTY
Gypsy beauty
dance your body for me
swirl it like water
spin it like a top
fly it like a kite
O gypsy beauty
with your knowing smile
and your distant eyes
O you beauty
who wears the colors of the earth
twirl the elements for me
like the winds show what’s
behind the clouds
4 GYPSY SINGER
O gypsy singer
your voice in the air
like the voices that filled
the first days of the earth
that still echo down
the crags and valleys of the mind
O gypsy singer, sing the earth to peace
Sing hard hearts to gentleness
Raise that voice of yours
that voice pure
always so unencumbered
and bring back vision
to these tired spirits
that possess and ravage the world
sing these city-organized minds to calm,
sing all living beings into clarity
Nov 22, 2012
Nov 22, 2012 at 5:58 AM UTC
I approached my *****
The tender charisma of something unholy haunted
Carved with my fingertips
the sacred verses
While my temple anointed fresh basins
Preparations waining
an exorcism
Chanted through pulsing
Pressure to release haunts
Hours of screams
Days of lusting
For the body that no longer begs
Wants
Where I birthed an age
Without your dark haze embedded in the sides of my rib cage
Allowed new lovers to taste
The fresh fruit
I no longer hollowed out
Begs of you
Oct 10, 2018
Oct 10, 2018 at 10:36 PM UTC
It was well trained cats in the cattery calling, pats on the back, back door, kicked in, mooring boats on the mooring in the morning and the phone call, cost cut, cold calling, and we're falling, falling, we're falling in love.
My best friends are criminals, and the jail cell crying is trying at times but trying sometimes feels tiring. The tire track tiling is abysmal, freewheeling in reverie, revving engines readily, sitting, settling and stirring imaginary cups of tea until eternity gives up delinquently.
I fail to recognise the narcissist in me until the inadequate rantings fall of the page at me. I want to be free, I want to be me, I want solidarity and I want that cup of tea, I want patriarchy, I want matrimony, I want monogamy and none of this is hyperbole. I have no apologies, especially not for the words I string together so irrationally. What else could you ask of me?
What else indeed, if I can't be naked I can't be free, if I alter the way I write I relinquish personality.
It doesn't seem right to me.
Dada is too crass for me, I need a cult of spontaneity. The English language is too brash to be...
Philosophical ideology and the books I read, all tell lies to me, are all absurd you see, I embrace the monotony, let the waves of the sea wash over me. I let the dictionary pages fall off the quay, like that moth on me, like the sloth i've been and cloth on screens. A dead dog can't scratch it's fleas, but to appease the beast we must first release, all creativity and return to being.
Jun 30, 2013
Jun 30, 2013 at 7:34 PM UTC
because our dreams of leaf-canopies and lignin
arrive at a certain variety of green, we will zither
anew with song
here in Bulacan; all the leaves are capsized
brandishing inflorescences as naked as
the scent of petrichor girdled
on the cobblestones: they are forsaken not by
trees but by seasons only, a twofold deliberation
of caprice: there is only two of what is spoken.
such is the warmth and coldness,
missing their obvious targets, hesitant and abstruse,
scattered and at long last, never collected
deftly camouflaged in the familiar drapery,
“Tantusan mo!” as they cry for marks to remember,
we touch the cicatrix to measure with our jagged hands
how much we have forgotten.
what we cease to remember descends deep, as wash-hand basins
concur such depth,
into the well of ourselves, later to discover such
perilous foundling in the squall of either morning or evening,
still devoid of sense: still arguing whether there is much
to reconcile with what has been found and what has been pictured
now, altered by such loss: this is danger, and so is nothing,
swollen and tender, the waters of the estero reek of such
remembering – we cannot ignore its perfume, oddly taking the shape
of the next dagger slowly making its way towards the back
of the skull to pare with river-run precision, what we all
try to hold back inside; so as if to say,
“Tantusan mo!” to remember
where we last took off, like a heron,
or a bird, wary of distances.
Jan 26, 2016
Jan 26, 2016 at 12:59 AM UTC
Humble gestures of chasten
Crumbling meek shifts to jotted chivalry
Into wrongly seemed semi-finite basins
Grim faces accused by chromo authority
fault at last by accursed impalement
days into mourn and far bliss
and darkness zeal in snide basements
thawed searing into crest
how is chaos' show Humble gestures of chasten
Crumbling meek shifts to jotted chivalry
Into wrongly seemed semi-finite basins
Grim faces accused by chromo authority
fault at last by accursed impalement
days into mourn and far bliss
and darkness zeal in snide basements
thawed searing into crest
how is chaos' show
deepened to cyro void
gone to confluence row
Yearned by those overjoyed
and quip smith's crooked dagger
lanced from pure ways
pride into back alley's sober
goodbye love of sparked days
deepened to cyro void
gone to confluence row
Yearned by those overjoyed
and quip smith's crooked dagger
lanced from pure ways
pride into back alley's sober
goodbye love of sparked days
Feb 6, 2015
Feb 6, 2015 at 5:25 AM UTC
The emptiness inside, resides within my eyes
Like basins full of water, strung up to high tide
Its full of all your lies-- on boats your secrets hide
My hopes and dreams, here falters -- and dies.
But on one day , abysmally in dismay
Your Heart thawed, just enough to Say
three little words; that brings my heart decay
"I hate you" -- sword wounds left uncured
My empathy drained; insides left on display
Nov 15, 2021
Nov 15, 2021 at 3:55 PM UTC
I want to plant foothills by the stairs. Broad basins on the chipping white paint. Flaking from the ceiling in droplets. Watering the drought of steps of vacated conversation, inner tongues flicking pleasured thoughts. Touches sprawled on black sand paper are compressed by our synced footsteps. Intertwined by laced fingers and hungry thrusts. Backpedaling to the peak, it causes cautious urches. The snowy ridges still chipping off, lips sealed together puzzled by whom will break first. Or if the sprouting seed inside is blooming in the other……….I still can’t figure out when you walk down the steps.
Mar 26, 2013
Mar 26, 2013 at 11:18 AM UTC
she asked him: why did you leave Edinburgh? and he didn't reply, but upon thinking out his reply to a deaf ear: because i didn't come here for you; 'lona 'lona, whisper sometimes, and i'll give you a cat's whisker.
i was in venice,
yes,
i drank absinthe the wrong
way
on a beach,
spent three nights in a hostel
with a bunch of girls,
took a hebrew girl
for a taste of tourism,
listened to the shofar
before i entered a synagogue
outlet extension reading
the 613 commandments
on a computer screen...
venice's pavement traffic and eating
pistachio gelato,
nothing much,
i still preferred the Gothic distancing
of Edinburgh's nights
where i could be with cold-hands
and warm heart inviting;
basically i don't like tourist basins,
or tourist wombs for that matter...
am i looking at something predictable?
yes, i am, a billion other sperms
will see the same thing
and perhaps write about it to insinuate
poetic ambitions - too clogged up
your thinking is to redeem yourself
in poetry - you're hardly dislodged
for the art - get a guitar and couplet it
for a star-riddled pop music hit,
go on, on your way, elbow push through
the queue... go on, on your way...
oh wait, you need clapping to spur
you on?
here's my clapping onomatopoeia:
blah blah, blah blah, blah blah;
yes, i was in venice,
didn't really care to write much about it -
i actually didn't, just now,
a sobering memory,
not the type of memory that gets
you drunk...
well it's there, a bit like the Maldives,
and it drives the delusion
that global warming isn't creeping
about the place like Nosferatu.
Mar 6, 2016
Mar 6, 2016 at 7:31 AM UTC
I, Kinmgo Kaput, Lord of the Three Grand Lands
that Sink Every Time there is a Flood;
I, Lord of the Queen of The All Basins that Deliver
Rich Harvests and Rice and Lentils and that rules
the Nether Rooms in the Mansions;
I, Pharaoh and Lord of All Kingdoms
that ever existed before my Time on this Wretched Earth;
I, Lord of the Rich Lands and Lord of Wood and Metal
and Lord of a Thousand Such Designations;
I, King, Emperor, Pharaoh, Son of Heaven
and Descended of Stars;
I do solemnly swear and declare
you a Nincompoop for reading this, wasting your time idly
looking at lines not worth the space they inhabit;
You, waster of time reading lines of second-rate verse
rather than feeding the poor
or offering your hours at the House of the Wretched;
You, waster of time reading poems and verse
not worth the alphabet the language inhabits –
You, I declare a Nincompoop
and may you waste your hours in the Underworld
translating the lives of Ants into clay tablets of verse
that disappear after each line you carve;
and may you, nincompoop who wastes such time reading such empty verse,
may you so waste eternity
And thus have I spoken and thus is it recorded on this wall,
the Solemn Words (no laughing or sneering there!)
Of Kinmgo Kaput, Lord of the Three Basins
That have been left Unwashed
by the Queen who lords over Home
Oct 2, 2010
Oct 2, 2010 at 2:57 AM UTC
you remind me of a dark place-
my mother’s village
far away,
first day of third grade
blonde girl cried through eyes
the color of my country’s basins.
she wasn’t new to this world,
she wasn’t lonely and confused,
tripping through a concrete forest of
false idols and plastic shadows,
just missed her brothers.
a pitiful excuse for survival.
and i
(olive skinned, hair on my legs,
stubborn, reckless,
fire chugging aries,
everything a jagged rock to scale,
all the bodies must be sniffed
before i release my eyebrows)
always hear your muffled whisper,
coating the air like dew
the intimidated glances
hit me blunt in the face.
but holding my tongue is not an option.
your baffled countenances nothing but
fans tickling flames.
you people are connected like iron on a magnet
and god forbid one of you steps out of the line
one of you speaks your sick mind
one of you opts not to shock the man behind the wall
and devours the corpses instead.
i want to cry, i want to throw things at your face,
i’d want to show you my tribe is better than yours,
if i had a tribe to speak for.
i want to walk into a portal and never see
any of you again.
you think your smile conceals your malice
your innocent voice a curtain at intermission,
but the aliens see everything and
when they arrive, they will only take me
back with them.
Oct 25, 2011
Oct 25, 2011 at 1:41 AM UTC
I never meant to fall
but sunrise greased your chassis.
The crest and fall of your jaw—
the blade and bend of it,
mudslide contouring of it—
dropped me ribless at your feet.
O promising land, crisp field
of flesh, whose fireflies
steered my eyes in the darkness—
your land, where my eyes had strayed—
scaled over eolian caves, the slick
basins of your clavicle, onto
the hexa hillocks clustered
like honeycomb chambers
on your abdomen.
I never meant to fall,
but the cursive lines of you,
I might have trod with loose eyes—
even now, there is a voice
drawing them to strike
at the aquifer beneath your waistline,
voice of vined thirst,
of torso and tug—
with them, I struck and drowned
Jul 31, 2021
Jul 31, 2021 at 4:28 AM UTC
For some reason, it’s a crime almost these days to care about things
and get emotional
at the state the world is in—it seems that most would have
apathy be a virtue
and would declare that caring
leads only to a Weltschmerz of the most abominable sort.
But I say different.
I say there are some things worth crying for,
and I see rain coming down every day.
I see rain coming down in big & little drops,
hard rain
soft rain
never-ending rain that comes from all directions
it makes puddles and muddles the umbrellaless,
ruining hair and suits
It doesn’t just rain on the just and the unjust
It just rains and rains and rains and rains
It rains fire and it rains blood
It rains bullets and people die and ****
and nobody gives a **** which is really
a sort of rain itself, you know?
And the water runs in torrents
it forms streams off of mountains
collects in basins
becomes rivers and salvation-lakes
and ponds with Lilly pads where
more than sorrows are drowned.
(It rains in open windows, too.)
And then there are the ******* oceans,
a whole other problem all together
It just rains and rains and rains and rains.
and with all that water pouring down,
it’s worth (from time to time)
a little water
of our own.
Jan 16, 2014
Jan 16, 2014 at 11:19 PM UTC
For the longest time, words were like bricks in the mouth. Weighing down, suffocating and harmful.
For the shortest time, words flowed like so many rivers headed home through drying basins, rising rivers, past gargantuan sheets of ice and through the town one may call home.
Sealed shut.
The words build again.
Thoughts, memories, ideas, the resentful wave of hiemal turquoise waters crashing upon the furrowed brow of inconsequence. To tell truths would be dignified, one isn't always able to choose such an ideology. Often an ideology is ****** upon the undeserved. Perhaps through social conditioning or other such time honoured institutions. History should not and yet does often repeat itself.
Although each generation is different,
as is every single person that,
does walk this planet,
has walked this planet,
and ever will walk this fine planet.
Cosmos over Chaos
For those that choose to read, the world is yours, the plants, the animals, every Microorganism, each and every grain of sand that litters the shorelines like a googolplex of fine jewels for an undecided amount of monarchs, rulers of lands and emperors of distant planets that in no way resemble our own. For you are such people.
For those that choose to love, amour you shall receive, every kiss that screams of desire, every touch of heavenly organs, every man woman and child that has ever felt the imperious desire to hold another body closer than is physically possible. In this dimension at least. Every time one embraces another you shall feel love. You shall experience me as I experience you. Worlds apart, countries apart, towns, villages, houses apart, metres apart... atoms apart.
You will be of one ever tender consciousness.
The truest of all consciousness.
One.
Dec 23, 2012
Dec 23, 2012 at 6:39 PM UTC
your poetry is the
timid surgeon's
blade
your brainwashed disfigured filth
posing as poetry, glitter sprinkled
over horse ****
parasitic eager beavers
rattling off hollow sanitary words
from suburban armchairs
when you speak of passion...
I want the ivory joy
of licking teeth in black
cold nights of February
grabbing fistfuls of flesh
and desire
not your stiff ******** advertisement,
marketing zombie climaxes and red roses
of compulsion
when you speak of loss...
I want the acrid smell of burnt
hair, a scene of cinder and ashes,
a house of dreams smoked
by the arsons of addiction
and stupidity
not your camouflaged metaphors
of two dollar sunrises and legislated
loneliness, echoing off the empty walls
of narcissism
when you speak of hate...
I want cold bacon grease and blood
stuck to my tongue and dripping from
my mouth, to become a carnivore of ******
and liberated violence
not your confused assault
of cheap mouthwashed words
spat in basins of shallow
************
ah, **** it,
write what you will
but give more
poetry should
Dec 27, 2018
Dec 27, 2018 at 2:42 PM UTC
I’ve been waiting for so long,
On the road that never ends
Migrating between seasons to my
Pastoral lands north and south
Searching for your unfamiliar face
In forest foothills, swarming buses
And basins next to the Ganges.
I can wait till the moon hits the sea
The time- till you come, till you come.
Flashing lights, chiming bells,
Inscent sticks and a peculiar charm-
You carried, they said.
But you’re flesh and blood for me
Truth and reality knotted between
My garland of jasmine flowers.
I can wait with full heart and glistening eyes
Till you come, till you come.
There is no haste, I’m anticipating an upcoming
There is no starry blanket or mount chariot
But there are fireflies and a summer sun
Playing peekaboo with my shadow
Behind the mangrove forest
Envisaging your ticket to this world.
A crew of lasses claims and expects you
But you’re beyond love they could conceive.
Let the world scream, cry and yell
I still can wait till you come, till you come.
You’re a friend, philosopher and guide
I adore, worship and awaits your arrival.
Merchant ladies who walked my hut
Asked me all day to keep a ghee lamp
I lit a thousand lamps and still you dint-
Walk my shed. This life is not long enough
To witness thy face, eternal and mysterious
I can wait till you come, till you come.
The journey is beautiful, endless and offhand,
Walking through lanes strangely acknowledged
But there’s a feeling familiar still so odd.
The walk is not to say good bye but it’s a quest,
A prayer to reach your mountain nest.
There is the world- cirrus and starry nights
I can escape for the time forever from tides-
That counts the time- to the unknown!
I can’t wait, till you come, till you come.
Sep 3, 2015
Sep 3, 2015 at 11:44 AM UTC
L'heure verte
The mountains. The heaps of their bountiful gravels, and earth, and soil, large oversized masses of half-frozen water teetering on the precipice of subzero masculine ******* Francophilic cleavage jetting out of this deserted white pastoral dressing. The inaugural bawl, wanton fixations of putting the imperialist foot on every spot of tree, each and every shrub, until the limbs' cast reaches each dimple that foliage braves, where that blue eagle of patriotism dredges its claws to form every river, rill, estuary, creek, channel, flume, littoral, and waterway where the iron-rich gullies once brimmed in the interamnian basins, rich crimsony waters riffling through fruitful and extravagant aquifers. Beyond that, where an inexplicably feral wind rips vines from their dendritic housings, where barely an eye can see, this place of exsanguination and abysmal phytocide.
At the end of this lamentable torture, only a desert of human interest remains. There is no reason to laugh, or smile, or cheer, or put a leg up, to call on a friend, or to have ice cream. There will be no more ice cream. There is only the loathsome incredulousness and avarice in the semblances and familiarity of those with whom we thought we once knew. Little can ever be known, for there is much to gain in the absence of knowledge, and even greater that can be acquired in the alms of wisdom through patient examination and thorough silence. Here on the buttes and cornices, the thwacking gavels of evil power deities throw down their lust for more and soon become adjoined to these grand discrepancies greed mistakenly loses to a lack of awareness and to self-aggrandizement.
Power is the weapon of inexperienced wielders. Passion is the immortal frequency that is worn by artisans and artists, poets and painters, it is the business of quietness to learnedly evolve to protect our tomorrows from personal needs, but to instead preserve the integral parts of society. The words of languages, artifacts, and cultures, rather than the skeletons of ****** and the deeds of possession. Each who sleeps knows their bedfellows to equally be at peace. For no wealth can exceed that of comfortable pillows, soft quilts, and sheets. We are all the same while we sleep.
Jan 9, 2017
Jan 9, 2017 at 6:52 AM UTC
Dainty frill below the waist
Elegance—a chalk line around her body
Warmth still there today
Even though she’s not
There’s a single stain,
“shush,” there was a stain
Now just folds of blankets
Mountains upon valleys
Caverns and river basins
All the way to him
In her spot, alone,
Finger on the stain
With ***** nails,
And foam eyes.
Feb 23, 2011
Feb 23, 2011 at 12:10 PM UTC
It was a wild alto-wielding sax man, screeching with halted notes and dissonant disregard for the folks and their fortune that awoke the birds, and the unyielding flock would mask the sky as two lovers kiss on a bench with flaking paint. The shores are prevailing, the yoking eggs would seep through cracks in the counter while children squeal and leave stains on the walls. Walking through forsaken habitats and dingy rats are bastardising the progression of time and in turn, they confuse a poet as he composes the castigated texts of his forlorn memories.
It was here that piano keys shook the core of the Earth with trembling recompense, and furthermore would eventually seek to unify the tribes of long suffering lands into the rambling herd that stampede through river basins, with alphabets falling from their back pockets. Ah black sky, with your inherent displeasure and disquiet, why are you crying on me tonight? The stars are as despairing as I.
I take your hand and lead you through green-light flickering corridors, as the rats are congregating and confusing us once more. Water drops overhead and we fall into chasms of disparity, holding onto piping that scolds our waning fingers, leaving us foreboding and dumb. Numb to the illicit sirens and the implications of urban living. And your body is sullen, as the Antelope are liberated, but with woe I could feel the icy chill that radiates from you and your once heated body.
Tire tracks, hurried, and the rats find no suspect, so with wringing hands I step into the sunlight and feel the blue sky ramifications and remember your name.
Gravel track buried, the flocks would return to nest in romantic trees, and I find myself alone as the sun rescinds its gaze, placing me in darkness once more.
And the alto-man continues to sing through tubular declaration, as the steadily raging war provides rhythm to the desolate streets and I feel disconnected.
May 30, 2013
May 30, 2013 at 12:51 PM UTC
My skull is a compact living space
There isn't much room to house this jungle of jumble
It's too full of empty places
Spaces sheltered in glass spheres
These marbles of lonliness roll around the floor
and around the corners of this maze
never stopping for the silence
Because peace is impossible to achieve
when stillness is constantly attemped
The marbles quiver in themselves
creating a twister that trembles
my temples
They toss information into the different basins of facts
Mixing the senses until a new liquid is created
and poured into a coffee mug
and waits for a slide to throw itself down
So it sits in my head
Until I'm ready to drink in down.
Nov 29, 2011
Nov 29, 2011 at 5:52 PM UTC
From my balcony I can smell the change of seasons
wood smoke and salt and damp leaves,
long-sleeve shirts stale from the bottom drawer
and clouds bunched like sailors to the west
promising whisky and a hornpipe.
who will mourn the hot sun’s scent on plastic
the pallor of long afternoons
bored blind and dull as paint
spattered on old shoes
beside the door
leading to the courtyard
built to watch summers with disinterest
and clay tiles, the perpetual chat
of water in basins with wind in branches
plump with crows.
light the candle from punk
left over from July Fourth,
unstop the bottle of strong water
then scent your neck with the old apples of it
the wise apples and the flat ones
and the pears of autumn red as a nun’s wimple
soft as wet hay
sweet as a kiss in the shade of fruit trees
the sun arching into evening
the insects silent and dead
and your hand
with its long fate and short, tight girdle
its quick Mercury
resting upon mine
as if to say: here is the work of winter.
Sep 15, 2016
Sep 15, 2016 at 8:22 AM UTC
The morning sun shines
Through the filigree shutters.
A wind full of light
Blows open her thin gauze robe.
A sly smile comes on her lips.
Her moth eyebrows arch
Over her beautiful eyes.
The new peach blossoms are glowing.
They fill the world with perfume.
Swallows fly through drifting petals.
The young leaves have a bitter smell.
Flying petals settle in the dew basins.
We arrange the branches in vases
And fill the house with beauty.
The petals sprinkle the old willow by the window
With vivid pink and white
Like rouge and powder.
My Beloved lives deep within my heart
She's in my arms yet moving through my soul
Part of me even though we're separate
I hold her tight and she will not let go
Oh my love, my heart burns hot with fire
And you are the one of my desire
Beloved, you are the crystal stream
That quenches my great thirst
Stepping lightly like I'm in the air
Your touch is velvet and your lips are dew
You are with me always everywhere
For you fill my heart and mind and soul
Oh my love, my voice sing to you
As you walk across my thoughts and dreams
Lightly touching me the way you do
As I long to touch you more
May 26, 2010
May 26, 2010 at 12:55 PM UTC
Her face was middle-class regal,
With clear, winter skin of cotton
And a blush,
A blush that rose naturally,
Like a pink fog
Across her sharp cheekbones.
I traced the gentle curves
Of her gentle lips.
Thick hair
Fell to thin shoulders
In sunset-red waves.
Her almond eyes
Were basins of liquid emerald,
Dancing and bright,
Shaded by luxurious lashes
That fluttered delicately like the down
Of a black velvet swan.
Critiques and comments are much appreciated
Dec 6, 2012
Dec 6, 2012 at 12:36 AM UTC
Haze scatters blue light on a planet.
Frought women, livid, made into peonies by Aphrodites that caught their men flirting and blamed the women, flushed red.
Frought women, livid, chrysanthemums, dimmed until the end of the season, exchanged and retained like property.
Blue women enter along the sides of her red Torii gates,
belayed, branded and belled,
a plangent sound.
By candles, colored lights and dried flowers,
she’s sitting inside on a concrete floor,
punctures and ruin burnished with paper,
boiling burnt lime from lime mortar.
Glass ***** on the ceiling,
she moves the beads of a Palestinian glass bead bracelet she holds in her hands.
She bends light to make shadows against thin wooden slats curved along the wall
and straight across the ceiling.
A metier, she invents tinctures,
juniper berries and cotton *****
Loamy soil in the center of the room,
a hawthorn tree stands alone,
a gateway for fairies,
large stones at the base protecting,
its branches a barrier.
Its leaves and shoots make bread and cheese.
Its berries, red skin and yellow flesh, make jam.
Green bamboo stakes for the peonies when they whither from the weight of their petals
and lime in the soil,
she adds wood chips to the burnt lime in the kiln,
unrolled paper, spools, and wire hanging.
Wood prayer beads connect her to the earth;
the tassels on the end of the beads connect her to spirit, to higher truth.
Minerals, marine mud and warm basins of seawater on a flower covered desk,
she adds slaked lime to the burnt lime and wood chips.
The lime converts to paper,
trauma victims speak,
light through butterfly wings.
She’s plumeria with curved petals, thick, holding water.
Apr 26, 2021
Apr 26, 2021 at 2:48 PM UTC
The transient nightfall lingers on worn clothes draped over forlorn branches and magnetic pulses pull the once ebbing forest into the singularity
The traveler astounded looks upwards as the skies sing the Earth eclectic
Possums and pretty leaves settle
the river rolls backwards
- imitation of time
Her body felt warm by the asphalt's dark light gleaming
and his body felt tired; aching bones whimper
Fizzy hollows cower, turn to you, and speak some avid gospel
Remember your immortality is limited
but tonight we fly
and fall
This is how it feels
When the embrace of flaxen foe feeds the eternal encumbrance of esotericism
When dark locks clamber through foggy basins, up river banks and over foliage of the forest floor
When the name on a thousand lips is vivid yet inscrutable, how you pronounced the consonants under the bank's stale light
When the masquerade ends and we're imprisoned in a kiss
When the dusty moon places a celestial hand on yours, and sighs, for the night one day may never return
When you danced naked under cherry coloured clouds and the rains beguiled the flesh of your breast
Remember to never forget
as the harsh morning sun will make amnesiacs of us all
Mar 28, 2014
Mar 28, 2014 at 3:09 PM UTC