Is there a solace for words?
A place to be, asides a page
A space to be, asides a line
Tell me, is there more for words?
Asides the guile of being spoken
Or is speech all there is,
For an art form so golden.

Is there a haven for thoughts?
Like souls, it seeks solace
A page, like flesh, holds it bound
And speech, like death, sets it free
is there more for words,
Asides that which eyes can see
is memory a grave,
And thoughts a curious dig.

Where do read poems go?
The heart, the ears or the soul?
If all there is for a poem is reading,
and all there is for a soul is living,
Where do dead poets go?
The hearth, the ether or a stow?

The village church was built to last.
It would stand until Judgement Day.
Its oak rafters would hold the roof fast
above the faithful who there prayed.

The grey stone is carved with inscriptions
of verses of scripture from Father God
who would grant the faithful benedictions
as they knelt on stone flagstones in awe.

The faithful had built for generations
and for generations still to exalt:
A gold, stone, and mortar salvation
rising up to a heavenward vault.

The stone walls were decorated, gilded,
lined with the lives of the saints
whose blessings had once gently lilted
out of the colorful daubs of paint.

The saints’ faces long faded away
and the statues have hair of green moss
while a few arches still try to stay
up like stone ribs of a body now lost.

The vault now lies open and broken
with a clear view to the old God above
and its grassy shell is now a mere token
of this cathedral built to love.

The broken flagstones are now a green mat
and the nave is barren. Its grey pall
belies the colors in abundance it once had.
There’s no more shine of gold at all.

Yet the grass that grows there is still blessed
by the faithful in ground hallowed below.
I’m touched by their hushed songs still sung, caressed
by soft breath of holy wind which there flows.

Cold walls rise up and ring around
and close in to keep at bay.
Blow off the roof with a thunderclap sound,
then soar off and fly away.

Salt in our wounds,
burning, bleeding

the pain’s not
not enough

but it’s hard to
believe

wounds can’t
heal until

we’re finally
set free.

refusing to believe
we’re still here

falling, tripping
into our own fears

ever-present but
not really here

only existing,
and living
in the afterlife.

reaching the light,
chemicals collide,

we’re one step
closer to the other side.

In you I find the ultimate expression of love In you I inhale the essence of life In you there is serenity In you there is solace In you there is a vision for beauty In you there is a resolution In you there is a rhythm In you there are more solutions than problems In you it is a dance on the edge that spans between faithful and faithless In you there is optimism In you there is conviction In you there is confidence In you there is only us In you there is the whole world and beyond In you it is everything and nothing at once In you there is the ideal harmony In you there is liberty In you there is love In you words are superfluous In you emotions In you evolution In you transcendence In you wholeness

Terror evolves in the pure open space
where sparked by the doubt of one who resents
the consequence of living and knowing
nothing of the terrible, terrible
confrontation, it propounds incessant
problems of being and ceasing until
entangled Reason entangles itself
in implications of implications,

confounding the space, conceiving a place
of refuge bounding Nowhere’s edge,
where ponderous dreams of life without care
augment the power and anger and dread
of Terror itself, thickening like air,
glutting the infinite heart of the head.

I’m not always a fan of poetry - if I actually take time to ponder it
- it can be so irritatingly rhymey, kind of fussy and needlessly intricate.

Compare my love to a summer’s day and I’ll probably yawn and walk away.

Take a nuanced look at the transactions of *** and consent,
and as adults, we may wonder where the romance went.

You know, it only happens once in a while,
that someone with wit and individual style
comes along with something to say
and scribbles it down in a poem or play.

Here’s to the creative visionaries,
to Dickinson's unique and dreamy imagery,
to Shakespear’s highly stylized, run-on sentences
that manage to speak to us over the centuries
or challenge our stifled, bourgeoisie banality
like Nabokov’s use of stunning vocabulary.

it is like
a knife
the ice hot
burning fire edge
the warming glow
of Self embrace
broiling and crackling
like that campfire
by the little lake
you swam
all the way across
only days before
the layer
of being a girl
was stripped away
the tipping point
pointing back to
that black hole fire
that is all the life
there is to live
tipping to one side
with cringing ash
disappearing off the lips
and one way
absorbing into
clear oceans
of infinity

Lay rest your flashing glaze of wishes
Down received for a moment
Breathy bow lifts to hold
and waver across few measures
Sienna and topaz
Sienna and topaz
Singe and simmer
Shine and glimmer against
All the thoughts born and dead

What makes you eager to rise
If it is not sensing gone away stories
or nursing the aches that lunge through anywhere else but here
While you replay and delay all creation
the blossoming goes unseen

She, the maiden is reigning
Une palais à remplir
Une palais à remplir
where she is her own queen
Her oceans made of no time channel open mouths
flooding its spill

She waded into The archer
Downed in his own vessel he mistook himself the pilot of

He, marooned in the surrender of damp and fertile places
where in Death he is still recovering
Soldiering and sullen
Soldiering and sullen
He is choking, and can not stop to see or savor the blossoms rising from his own till