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I did it, I ain't proud.
If you felt de pain in my urethra,
You'd know.

Had a flashback to me pirate days.
The ocean's waves crash upon de shore.

swish, swish

Me bask in da cool breeze.
Of de Zion Waterfall.

swish, swish

Me hands bleedin' from me wounds.
Turn on de tap and me can't take it no more.

swish, swish

Me urges take a hold of me.
Where to release? How? When?

swish, swish

I'm stuck in de corner, belly churning.
Bottle in de corner of me eye, me start turning.

swish, swish

I'm face-to-face wit salvation.
Fly down, piece out, release de flow!

pssssssssssss

Ahhhhhh, ohhhhhh.
What's an island boy to do?

*No toilet, Mo' problems
Sorry boys, don't drink from dat.
Lotus Jul 2012
Swish swash

Swish swash

Stare down into the

Soapy swirl

Of artificial detergent and bleach

A good place and space for lone thought

Contemplation

Swish swash

Swish swash

Soapy molecular

Foamy activity

Your clothes are being washed

For you to wear again

Why not wash through your head?

Wash away

The muck and yuck that sticks to your brain

Swish swash

Swish swash

It really helps, try it

Swish swash

Swish swash
Raj Arumugam Sep 2010
1
*** dum da da ***
moom moom
swish glish
sa sa sa lum
hey, hey, hey
I’m coming there
where you are
with a he he he
and a hu hu hu
la, la **!**!**!
Who’s me?
I’m the superest-ever clown
I’m coming right now
*** dum da da ***
moom moom
swish glish
sa sa sa lum
hey, hey, hey
I’ll be there!

2
I’m coming with a lot of noise
I’ll come with laughs
and cheers
I’ll come unseen and with joy
hey! hey! hey!
you can start laughing now
O you can smile
come on now
la la la di di da da
sum sum sum
sim sim sim
I’ll be as good as dim sum!

3
*** dum da da ***
moom moom
swish glish
sa sa sa lum
hey, hey, hey
I’ll be like the moon
when I come
seen by the first humans
for the first time
and everyone looking in wonder and love
and laughing, laughing
for what else can one do
when there’s so much radiant lunacy?
ha, ha ha
he he he
*** dum da da ***
moom moom
swish glish
sa sa sa lum
hey, hey, hey



4
*** dum da da ***
moom moom
swish glish
sa sa sa lum
hey, hey, hey
I’ll flower there
right inside your hearts
like a smile, a laugh
a happy feeling you don’t even know is there
and then suddenly it’ll all blossom
in your skin and your face and in your limbs and organs
and you’ll all laugh too
and your neighbors too
and strangers too
for you are me and I you
and everyone too
hey, hey, hey
*** dum dad a ***
he he he he he he
Ha ha ha ha ** **
we’ll be laughing
we’ll be all laughing at one another
and we’ll be laughing at ourselves
for I ‘m coming
O I’m ever coming
superest-ever clown ever
like delicate music
like an exotic flower
and we’ll all laugh
like kookaburras
*** dum da da ***
moom moom
swish glish
sa sa sa lum
hey, hey, hey
for I’m the happy Universal Clown ever
just like you
just like me
hey hey hey
*** dum da da ***
moom moom
swish glish
sa sa sa lum
hey, hey, hey
Wide Eyes Sep 2016
(Part 1: http://hellopoetry.com/poem/738250/almond-eyes/)

Come spring, she leaped across the grassy dune.
In her ageing almond eyes, fresh wisdom strewn.
Unthought of now- he who had once been her all.
In a forbidden forest, a smiling lean buck stood tall.

Come summer, standing afar she did quietly spy;
Studying his ways from the curious corner of her eye-
How chilled he liked his water, how green his grass…
A polite little nod if ever he happened to pass.

Come monsoon, away she cast the lessons of the past.
Throughout their graze, on him her gaze.
Playful fights they feign; adorable moments in the rain.
She’d fallen tame; her clumsy hooves not to blame.

Come winter, cold truths in the icy winds blew her way.
Her lean, smiling buck wasn’t really hers per se.
He smiled much the same at myriad doe and antelope,
Yet, in her shivering heart flickered the scantiest of hope.

Come fall, she finally forsake her futile trail.
Turned her back with a swish of her bushy tail.
Beaming with sheer joy, she hummed a halcyon tune twice over.
For bucks would come and bucks would go, but the river’d go on forever.
A sequel.
Stephen E Yocum Oct 2013
The Island Moorea,
backpacking Tahiti,
In the heat, the sun,
The rhythm of my footfalls
crunching loose gravel road,
The swish of pack swaying
in conert to my measured pace.

Breeze pushing branches of Palm,
Ocean waves breaching shoreline long.
Island vehicles passing, occupant's laughing,
a man laboring under large pack, alone walking,
Who could have been freely riding,
Unthinkable to Island Folk,
in hot tropical places.

Some humble homes passed along the way.
Greetings exchanged with smiling faces there.
Not long afterward a new sound approaching,
crunching gravel, rolling up behind me.

A lovely young girl, perhaps nineteen,
long brown naked legs bike a peddling.
Hair jet black, long to her waist, wearing
a sarong, split up the side,
Shoulders bare and brown.
Dark eyes of wonder, sparkling of youth.
A radiant smile adorning a splendid face.

We went for a time at my even pace,
looking and smiling each in our place.
"Hello there," I said, she giggled, beamed
even bigger. Perfect teeth displayed.

"Why you walk?" She asked in heavily
accented puzzlement.

"To get to where I'm going". I replied
This response producing a pleasant laugh
from the girl. In which I too joined in.

"You go One Chicken?" She asked
I stopped then and turned to her.
"Where is One Chicken?" I questioned
with a grin.

She raised her graceful arm,
one finger pointing up the road.
"One Chicken there," she informed.

It was a store/bar, sort of place,
In the very midst of nowhere.
Indeed, more than one chicken roamed,
Many chickens did and a pig or two,
mingling free and doing their thing.

We entered out of the bright daylight,
into the deepest of darks,
Like in a movie theater, when arriving late.
Eyes adjusting slowly to what lay ahead.

A few Island Beers later,
I had acquired several new friends,
The girl my invitation to the party of
already happy people a little drunk on beer.
The Music was mostly of French persuasion,
With a bit of Bob Dylan thrown in.
The Beatles also had a tune or two.
The Liverpool beat resounding down Tahiti way.

Before the light did fail, I shouldered my pack
and walked some distance from Chickens and Pigs.
Found the beach, hung my Hammock for the night.
Built a small fire and opened a can of Spam delight.

She appeared again about ten,
looking beautiful in the new moonlight.
Newly washed hair, still damp and
smelling fresh of Lilacs,
Or some such aromatic scent.
We did not speak, no words were needed,

Made love on the sand, 'till the retreat of the
tide and sand ***** did come out, in their
eerie numbers, to eat what was at hand.
I suppose even us if we were still and let
them.

We retired then both to my hammock,
A pretty neat trick if you can swing it.
And we did.

She was so childlike and yet,
very much a woman grown.
There was no pretense shown,
no false inhibitions rendered.
These were not limitations of her culture.
people that respond to their emotional
impulses. An open and free spirited
people living passionately within each
minute shared.

It all felt more akin to a dream than real,
All around me there was beauty,
Loving and being loved without hurry,
Free of guilt or even a single expectation.
Living in that wondrous moment,
of uncomplicated human splendor.
Like some Garden of Eden surrender.
A real-life Gauguin painting.

In the morning, we swam naked in the sea,
frolicked like kids having a day at the beach.
Made love in the sand, I dozed in the sun.
Upon awaking she was gone.

I waited an hour or two, packed up my camp,
shouldered my load and returned to the road.
A few minutes later, again I heard the now
familiar crunch of rubber tires, rolling road
surface and there she was, a straw basket in
her Bike's basket, a huge smile on her
unforgettable, beautiful face.

We sat in a grove of trees, among birds singing,
in sight of the sea, upon a Palm log and ate fresh
bread and fruit. Drank strong black coffee
(French Roast I presume,) nibbling some
marvelous cheese.

We tried to talk, but she understood little of
what I tried to say, my French was nearly
nonexistent, only adding to confusions sake.

She leaned her head on my shoulder,
the way lovers do and tenderly held
my hand within her two,
As if not wanting to let go,
Those gestures said all there was to say,
And we savored each silent moment.

We parted there, she on blue, rusty bike
and me on "shanks mare",
Off in two different directions,
Each out into the depths of our own lives,
Gone just like that. . . And yet,
Indelible, never to be forgotten or replaced.
Some days and nights, that young maiden of
Moorea does still visit me, in dreams as real
as can be. She never grows old, nor does the
beauty we shared for that one brief moment in
time immortal.

Someplace among the Islands of Tahiti
there is a woman in her sixties, most likely
a Mother, even a Grandmother yet living.
I hope she recalls as fondly the American blond
man with the big Orange Backpack, that in 1972
she met upon the road, near "One Chicken" and
loved freely and completely for two days and a
night, as that man does so fondly remember her.
Bo Tansky Sep 2018
Love is not a possessive noun
Oh, but all too often it is.
When does the possession begin,
When does the flame become hell,
the hell become swell,
the swell
farewell?

Paw patch scratch
One floor down
Below ground
Where the ***** waters flow
Never knowing its ugliness
Thinking its loveliness
Brown water, groundwater
Brown groundwater swell
Groundswell hell
Makes a lovely sound
Maybe not
Swish, Swish
Below ground
Hush, can you hear a single sound?
Swish, Swish
Swish, Swish
A rumbling, swishing, wishing sound
a grating, whining, pathetic, hissing sound
a howling, fouling, roaring, boring sound.
A scowling, prowling, naught allowing
Unfounded sound
Doesn’t matter sound
Putrefied sound of the underground

Paw, patch scratch
Lonely still sound
Underground pounding
Punching bag sounding
Alphabet rhyming
Say something
I’m crying


The attentions’ not on me
What a pity
What a ******* pity
Because I’m so pretty
Don’t you agree
And if it weren’t for me
Where would you be
Pity, I don’t guilt
I’m so good at it.
Come on. Admit it.
But, I’m not above pointing out
Without doubt
Everything you’re doing wrong
But, that’s not what it’s about
But, don’t take this wrong
I’d much rather listen to a song
Then have a petty quarrel
Your hands can’t hide your thoughts
How caught up
How caught
If there was ever a cookie jar
You wouldn’t get far
You think you would never get caught
But, you give yourself away
Away, away, away
And the queen’s slave shall obey, obey, obey
So you make- thought- a thought-
Ok, but
A line you’d never cross.
And you shall remain boss,
Your good guy status is still intact
I’ll catch up to you on that
But, your thought crossed with mine
(we have a sorta party line)
I never agreed to that line
That really is fine, me I opine
That’s fine
That’s ******* fine
But not mine, not mine

Why am I yelling
Because I’m in hell with you
And I don’t know what to do
I fear it’s a small point I make
Because you never agreed to the premise
What the **** are you
A guru, a nemesis
***** you
And ***** you, too
I laid the premise
It is my poem after all
I can be ******* Cinderella if I want to be
Because ******* Cinderella is me
Anyone can see
That’s it’s true
I have met a prince
And it’s not you


He’s charming
And he loves me from afar
He worships the ground I walk on
He greets me with candles and candy
He serenades me with Rhapsody and brandy
We engage in exciting conversation
And it all comes so naturally


And he doesn’t ******* exist!
Don’t mind my cursing
There are worse things
For me
That’s probably the worse thing
No use confessin
To what you’ve been quessin
But, don’t ruin my fairytale
Don’t ever email
Or text me
Or talk  
Or look at me
See if I ******* care
You were no-where before I met you
Before I met you, I was without you
and I didn’t miss you and
I didn’t know you and I didn’t care,
Surely, I can get back there.
before I met you
I brake for my thought
What am I trying to say
Beyond having it my way
(If it’s ok for frank
frankly, it’s ok for me)
That’s it, I guess
If this ******* mess is mine alone
Why won’t you tell me
I hate messes
And try to fix them every day
But karma catches up to me
Because I make more than I fix
Could be a trick
Or could be me
hiding from me under a storybook tree
Hugging a tree
That can’t hug me  


I love my fairytale confessional
It’s so unprofessional
Obsessional
Impressionable
Digressional
Expression­ able
You know what I mean
If I haven’t explained
No need to complain
No ******* familiar refrain
Just maintain the pain
the unvoyagable pain
Let’s you know you’re real
You can feel
You can bleed
Indeed, you can cross the river
Of pain, once again
But never the thought that never crossed the line
Because you are blind


You are free to go
You already know that
Whenever you choose to go
You can go
You know
Just go, go, go
It’s just



I’m waiting for the crescendo
The ******* endo
When does it end oh?
The thought- that never crossed the line
The star-crossed line was never mine
And all the errant thoughts that followed mindlessly
Telling you what you should and shouldn’t do
Reminding you of the awful consequences, too
Good guys could fall from grace
Good guys don’t fall from grace
Nobody could put Humpty-dumpty together again
Better not to begin

So, I agree
There is no you and me
Stay where you are
Better from afar
So safe from a distance
No social insistence
Take the line of least resistance

There should be a quarrel.
Between us
But, there is not
I’ve censored nothing,
Saved some things-
For surprise
Should it ever get too familiar
And I don’t see that look in your eyes


It’s apple pie in the sky
Why even the apples have browned
But, I like them like that.
I, no culinary aristocrat
So, I baked them in a crusty shell
Told them they're doing swell
And hell,
it was the best apple pie in the sky
as far as I could tell.
Daniel Quigley Nov 2017
By the sill sit still;
Listen to the wash on the roof;
Specks and sheets form a symphony
so complete to hush you quiet,
Even still.

An inundation.
This libation to parched earth has
been a meditation since birth;
to ponder under the pitter-patter
hiss and swish of exponential scales
At the wrongness of raindrops in a sunbeam.

Sit still, brood like the clouds that came
to darken a June day, so silent they gathered
over a land hard with memory,
With fear for passing years and
worries that grew like weeds in summer showers.

Brief as thought these drops like jewels
are set ablaze then strike the dirt; done.
They flash for an instant in time,
with no way back to an azure sky.

There is no telling the distance,
How high these clouds climb.
Just the sound of falling rain,
Listen.
Lauren May 2019
By. Lauren

Swish.
Swash.
Swish
Swash.
Faster,
Swishidy.
Swashidy.
My mind is a washing machine gone rouge.
A high speed chase for sanity.
I've lost my own key to that of which I once owned.
A homeowner locked out for the 10th time in a day.
For now I will keep searching until the
Swishidy,
Swadiding,
Becomes a calm
Swish,
Swash,
Swish,
Swash,
Once more.
Michelle Jun 2014
the ocean
it’s calling me.
its sweet longing,
tugs at the echoes of the beach.

the water is the greatest illusion,
seemingly blue and seamless,
it washes up,
clear as crystal.

the water stretches for miles
like millions of diamonds
floating on the transparent linen
blurred by the glint of the sun.

sailboats glide past
creating the only dents
in the flawless sheet of foam
haunting the blue ink.

swish

my eyes close
and i lean back
and i let the arms of the waves
catch me

the tides pull me down
until my head is no longer above the surface
and i do not struggle
but say my farewell to the sunlight.

swish

the sounds are fading
and my vision is receding
i try not to fight
and i let my body lie limp

the world will never know i am gone.
the sky will never spill a tear.
insignificant
insignificant

when you hear the echoes of the ocean
or see the million diamonds lined up along the shore
i hope you think of me
and i hope you know,

i am free

*swish
originally written on november 10th 2013 on my private blog chatoyantailurophile.wordpress.com
Sonja Eliason May 2012
There’s a meadow with the grasses growin’
Where my true love and I ran with the winds blowin’
But now a-days I walk alone
And all the grasses are done grown
The laughing winds that swish and sway
Wipe my hopeless tears away

There’s a river where there’re children playin’
Who scream and shout till the sun is settin’
My love and I used to sing and wade
Now it’s just me where the children played
The laughing winds that swish and sway
Wipe my hopeless tears away

In my dreams my love’s come home
She is mine from soul to bone
And she whispers her pretty smile
Which takes me away from this world awhile
Her silken skirts that swish and sway
Tucking all my fears away

In the morning, in the dawn
I see again my darling’s gone
Stars shine bright, but brighter was she
One mistake and they took her from me
I hear the whistle and whip’s hard crack
All my tears come rushing back
Grahame Jun 2014
’Twas in the nineteen-twenties, when young people were bright and gay,
A flapper left Southampton, on a cruiser bound for Bombay.
Her fiancé was a subaltern, in India, in the cavalry,
And she had taken passage there, intending, him to marry.

She shared a cabin with a girl, ’cause money was quite tight,
And though they had met as strangers, they were getting on all right.
The flapper had met some nice people, and things were going fine,
Until they reached the equator, and had to ‘cross the line’.

People who before, had never the equator crossed,
Paraded around in fancy dress, and some into the pool were tossed.
The crew were dressed as pirates, and one as King Neptune,
And some of the passengers ‘walked the plank’, it was all done in fun.

During the proceedings, cocktails and champagne were drunk,
And the pirates, lots of passengers, into the pool did dunk.
The flapper’s chosen costume was that of a mermaid,
And with her legs placed in the tail, she hopped in the parade.

Because of her restricting costume, she hadn’t been tossed in the pool,
Now eventime was coming on, the air was turning cool.
She thought she’d look at the wake of the ship, so she hopped to the after-rail,
And stood there drinking a Planter’s Punch, whilst balancing on her tail.

Standing there, under the stars, she gazed down at the sea,
And saw something jump out of the water and wondered what it could be.
Then, leaning over further, to try to make it out,
She lost her balance and fell overboard, no time to even shout.

She crashed to the water on her front, and couldn’t clearly think.
She was winded and rather drunk, because of all the drink.
She struggled hard to keep afloat, her arms were all a-flail,
And for a time she was helped by air trapped in the tail.

Back on board the ship, her cabin-mate was drunk,
And didn’t think that she’d be able to get back to her bunk.
She went to a saloon, and stretched out on a sofa,
Then closed her eyes and went to sleep, the drunken little loafer.

In the morning she awoke and staggered to her berth,
With a frightful headache, no longer full of mirth.
She took some Alka Seltzer, in a glass of water,
Then slept again, not missing the flapper, although she should have ought to.

In the sea the flapper was floundering and thought that drowned she’d be.
The ship showed no sign of turning back, and went on its way steadily.
Her tail was slowly losing air and filling up with sea,
Her last thoughts, as she started to sink, were, “Why is this happening to me?”

Her past life flashed before her eyes, it didn’t take too long.
She’d really led a quiet life, and had done nothing wrong.
“That, I’ll rectify,” she thought, “if ever I get back.”
Then the air bubbled out of her lungs, and everything went black.

“Am I in heaven?” were her first thoughts, assuming she was dead.
When she heard a quiet voice, which unto her, it said
“I thought you were a mermaid, now I think you’re a mortal,
If I’d known, I never would have brought you through my portal.”

The flapper struggled to sit up straight, ’cause her legs were still in the tail.
She opened her eyes, tried to see in the gloom, and then she started to wail.
“Please tell me just where I am, whatever is this place?”
Then she tried hard not to scream, when in front of her eyes loomed a face.

In the dark it seemed to glow with a phosphorescent light,
And this was the reason it had given her such an awful fright.
Then, as she scrutinised it, she thought it did look kind,
So asked, “Why did you think me a mermaid? Are you out of your mind?”

The face moved back and regarded her, and then to her it said,
“Aren’t you at all curious to find you are not dead?
Luckily for you I was on the surface, looking at your ship,
When I saw you standing staring down, and then I saw you slip.”

“I swam back under the water, so I would not be seen,
And heard you splashing in the water, and wondered what it did mean.
Then, looking at you from beneath, as you your arms did flail,
I saw to my surprise, that instead of legs, you’d a tail!”

“I could not work out why a mermaid was on that boat,
Nor why you seemed to not be able to swim or even float.
Then you started sinking and your gills I couldn’t see,
And you obviously weren’t breathing, so you needed help from me.”

“Then I thought of the quickest way that your life I could save.
I towed you to the sea-bed, and brought you to my cave.
There is lots of air in here and I saw to my relief,
When I laid you on my bed, you started then to breathe.”

The flapper was quite shocked at this and couldn’t believe her ears.
She thought she was trapped with a lunatic and her mind was filled with fears.
So sitting up, she undid the belt that held her tail on tight,
Then wiggled a bit and pulled it off so her legs were now in sight.

“There are no such things as mermaids!” the flapper then did shout.
“Why are you keeping me captive? Oh won’t you let me out?”
“You really are then human,” the mermaid, startled, said,
“And I brought you here inside my home! I really feel afraid.”

“I don’t believe in mermaids,” the flapper again did wail.
“So far I’ve only seen your face, I haven’t seen a tail.”
The mermaid said, with trembling voice, “If that is what you wish.”
She then lay back upon the bed, and gave her tail a swish.

“No, no, it’s just your fancy dress, like mine for the parade,”
The flapper said, and like the mermaid, she was sore afraid.
They both sat up and looked at each other,  tears running down their faces,
And each, feeling sorry for the other, each, the other embraces.

As they hugged together, they started to calm down,
And the flapper said to the mermaid, “I think that you have shown
Great compassion in saving me and bringing me safely here.”
And though overcome by emotion, she managed to sound sincere.

The mermaid said, “You’re trembling, may I be so bold
As to ask if you’re still frightened?” The flapper said, “I’m cold.
I’m shivering to warm myself, my clothes are chilly and wet.”
The mermaid told her, “I know what, some dry clothes I will get.”

Sliding down from off the bed, into a pool she slipped,
And swam to the far side of the cave, and there a case she gripped.
Rolling over onto her back, she balanced it on her chest,
Then swam back to the flapper, who hoped it hadn’t squashed her breast.

The flapper helped to lift the heavy case onto the bed.
“I hope you haven’t hurt yourself bringing it here,” she said.
“Oh no,” replied the mermaid, “I’m stronger than I look,”
Then she opened it, and from the inside, several garments took.

The flapper then looked thoughtful and said, with a little frown,
“I hope this case hasn’t come from someone who did drown.”
“Oh no!” said the mermaid, as she that thought abhored,
“I often find stuff from ships that has fallen overboard.”

The flapper quickly then took off all her sodden clothes,
And picked up a lace hankie, and on it blew her nose.
She dried herself upon a towel, and sorting out clothes to wear,
Picked out some silken knickers and a strapless brassiere.

Then the flapper noticed that the mermaid was quite bare.
She obviously wouldn’t wear knickers, so she held out the brassiere.
“What is that?” the mermaid asked, “Do you wear it on your head?”
“Turn around, lift up your arms and I’ll show you,” the flapper said.

The mermaid swivelled round and raised her arms up high,
While the flapper knelt behind her, putting her arms round her to try
To fit her with the brassiere, and though she did her best,
She managed, inadvertently, in each hand to clasp a breast.

The flapper and the mermaid both froze there in that place.
The flapper felt a crimson flush, blush across her face.
The mermaid slowly lowered her arms, each covered a flapper’s hand,
And she murmured, “What are you doing? I just don’t understand.”

The flapper’s arms were locked in place and the mermaid she leant back.
The flapper felt her ***** flattened as the mermaid squashed her rack.
The mermaid muttered, “Don’t get dressed, I’ve a better idea instead.
Why don’t we lie down together? I’ll warm you up in bed.”

The mermaid released the flapper’s hands and slowly turned around.
Then she saw the flapper’s eyes looking down upon the ground.
The flapper spoke. “I know you meant the offer kindly, though
While I’m really flattered, in India, I’ve a beau.”

“I was on my way to meet him at Bombay, to be married.
I’d still be on my way there, if the cruise had not miscarried.
You have been so kind to me and managed to save my life,
Now will you help me on my way so I can be a wife?”

The mermaid looked unhappy, however, she concurred,
Albeit quite reluctantly, and then spoke so she’d be heard,
“I will try to help you, though yet we must delay.
There will be many sharks outside at this time of day.”

“If I take you outside now, to try to get you back,
There’s a real chance that the sharks they will attack.
Why don’t you finish drying yourself and find clothes to get dressed,
Then lie back down upon the bed and try to get some rest?”

The flapper started dressing and put on the brassiere,
And helped the mermaid put one on, who felt awkward not being bare.
When the flapper stood up, and stepped into the knickers,
The mermaid couldn’t help but stare, her eyes made up-and-down flickers.

“Please show me how you use your legs,” the mermaid did implore,
“It’s strange to see you standing up,  not lying on the floor.”
The flapper bent and stretched her knees to show how they did work.
Then turned around and squatted down and got her *** to twerk.

Then as the flapper, legs apart, upon the bed did kneel,
The mermaid, stretching out her arm, between those legs did feel.
And then very slowly, rubbed her hand forth and back,
And murmured, “It must feel very strange, because a tail you lack.”

The flapper, with a quavering voice, said, “It’s quite normal for me.
Now, though, what about you? May I your tail closely see?”
And with that, the flapper stretched out flat upon the bed,
Then on the mermaid’s tail, gently rested her head.

She put her hand upon the tail and stroked it up and down,
And feeling it crissate, gave a little frown.
It felt smooth when caressed downwards and rough the other way,
And then the mermaid arched her back and suddenly did spray.

From somewhere at the tail’s front squirted forth a spout.
That the mermaid did enjoy it, the flapper was not in doubt.
The liquid jet subsided and the mermaid gave a moan,
And a quite delightful odour suffused throughout the room.

The fluid showered the flapper, who wasn’t sure what to do.
Though when she wiped her hair, it foamed up like shampoo.
She rubbed it to a lather, and washed her body too,
And felt totally refreshed, as though she had washed in dew.

She stood, removed her underwear, because she thought she ought to
Rinse off the mermaid’s glorious shower by washing in some water.
She walked to a fissure in the cave where the water ran down in rills,
And as she rinsed her face and neck, she felt a pair of gills.

In shock she stumbled backwards and fell upon the floor,
Where her legs fused into a tail, which wasn’t there before.
She looked at it in horror and then with fear she cried,
When instantly, the mermaid lay down by her side.

The mermaid clasped her in her arms and rolling across the floor,
Pulled the flapper to the edge of the pool and pushed her in, before
Sliding in to the water herself, and pulling the flapper under,
Where, to her surprise, the flapper could breathe, it really was a wonder.

The flapper hung suspended, floating there in shock,
Then gradually realising she was all right, started to take stock.
Thinking that now, perhaps, she could swim just like a fish,
She gathered up her strength, and gave her tail a swish.

Unwittingly, she flapped her tail with all the strength she’d got,
And happening to be facing the cave door, right through it she shot.
Then coming out in daylight, she stared in disbelief
At all the spectacular marine life round about the reef.

There was coral in profusion, as far as the eye could see,
Of many shapes and colours, like a garden beautifully
Laid out on the sea-bed, with fishes swimming round,
Each of them making it their home; the sea-life did really abound.

The mermaid caught up with the flapper and took her by the hand,
Then said to her, “I’m confused, I just don’t understand
How you became a mermaid, then I saw you couldn’t breathe,
So I pushed you underwater, to try to give you ease.”

“I realised that you’d grown gills and couldn’t breathe in air,
So I thought that being in water was best, because it’s where
We mermaids live, so that is the place you had better be.”
“Thank you, you’ve saved my life again,” said the flapper gratefully.

Then, although still puzzled, they swam on, hand-in-hand,
The mermaid helping the flapper, ’til she could understand
How to use her tail well, to control where she did swim,
And to make fine adjustments, by using the tail’s fin.

Eventually the flapper grew tired, so to the cave they both swam back,
The flapper taking the lead, because she’d got the knack
Of how to control her tail, and adjust direction and speed,
Then a thought suddenly struck her, in air, her lungs she would need.

They reached the cave and while in the pool, the flapper to the mermaid said,
“How am I going to breathe back in air? I can’t get it into my head.”
The mermaid replied, “I think you should try, we mermaids can manage ok.
Just try to do what comes naturally, that will be the best way.”

“In for a penny, in for a pound,” bravely declared the flapper.
She hauled herself out, then she choked, the mermaid, on her back did slap her.
The flapper coughed, and gave a gasp, then shouted in relief,
“I think I’m going to be all right, my lungs have started to breathe.”

They both lay there in silence, thinking of what had passed.
Then the flapper turned to the mermaid, and she said, “These last
Few hours I’ve spent with you have been just like a dream.
Now I’m tired, shall we go to bed? I think you know what I mean!”

They pulled themselves into the bed, and together they did huddle.
The mermaid put her arms round the flapper and together they did cuddle.
And this time, as the two of them laid together in rest,
It was now the mermaid who cupped the flapper’s breast.

The mermaid asked, “Remember when you stroked my tail and I gushed?”
The flapper felt embarrassed and again on her face she blushed.
The mermaid said, “It was really nice, wouldn’t you like to try?”
The flapper replied, “I’m afraid it’s too late, and here’s the reason why.”

“That would be an experience I’d really like to try.
However, it is too late now, ’cause as my tail got dry,
I felt it metamorphosise, have a feel, I beg.”
The mermaid reached down with her hand, and felt the flapper’s leg.

Nevertheless, she stroked it, and rubbed it up and down,
And accidentally touched some hair, which caused her then to frown.
“I think you’ve got a problem, you’d best hear it from me.
Stuck between your legs, I think there’s a sea anemone.”

The flapper remembered the last time that the mermaid there had felt.
She’d had on silken *******, so had seemed smooth and svelte.
Now, she’d got her legs back which were absolutely bare,
And of course, instead of feeling silk, the mermaid felt her hair.

“That’s not an anemone, in fact, it is my......frizz.
I am used to it being there, that’s just the way it is.
I try to keep it neatly trimmed, so there is not a lot,
Besides, I think it’s there to protect the entrance of my grot.”

“When you say you’ve got a grot, I assume you mean a cave.
Is it as big as this one, holding all the treasures you have?”
The flapper answered the mermaid, “Oh no, it’s very small,
And held safe within it is my most precious possession of all.”

“I have carefully guarded it so that it won’t get lost.
I expect my husband to have it soon, a few weeks at the most.
And so, my dearest mermaid, until I am a bride,
Nobody will ever know just what I keep inside.”

The mermaid gently smoothed the ‘frizz’, and said, “I understand.
Now, don’t you think it’s time we got you back to land?”
I would like to help you, and I think I know a way
Of quickly getting you safely all the way to Bombay.”

“Thank you,” responded the flapper, “however, if we may,
I’d like to go to another port, one before Bombay.
Then, if at all possible, I can rejoin my cruise ship there,
And may I take some of your clothes, so I’m not on
Robin Carretti Jul 2018
E-Emotion
Angry, E-book hunger
Tear diamond drop

      Join Me
@ The Body-book shop

The Gold bonds his book Hot Rods
She reads about the Angels and Gods

He covers her mind and book
with his lotion

Are we ready for the E-book
In tip-top condition motion
Someone is mysteriously trying to tell me something?

How the moon hangs low
The book made her eyes
Open to really know?

I phone to book she's the grab bag
I'm leaving on a Jetplane
One chosen E-Book
Was Scarlet love flame


How the book needs to grab you
The day you were born or reborn
Never to lose your sight
But why does he split your pages

In a hot rush* money wages

The heart is bleeding out words
Feeling so crushed the bookend
Energetic stare or the blank stare
Your enticing book
What happens underside me
The pages one-sided

You're the sweet of the complicated
getting bittersweet to be love mated


The sundae banana split
*My ring book marker my lovely curls


I couldn't share my book what it said
Do you really love me
The spinning wheel
Feminity of book so girly but
Love so dizzy

To be told overstocked to be sold
But someone loved it
Its been properly viewed
Buying and reselling hearts of
book timeshare

His workout
he loves his curls
Ebook he sees he memorized
all his European beauty
turning do you love her books madly
The beast  is inside Jekyll
Girls needed to hide but got
Hyde
The book seeing our life
From a blinded pageview
What's beside our words
We need to be upfront
Once in a million chances
The whole planet of funny books
beach house turned
Blank page
of a clown funhouse tree stalk

What is the point of view
Like an adult book raided
If you're the unadulterated
The innocents being naive
Wanting him so much
Whats the use it's like a
the blank page
Like your hairstyle
the sixties pageboy
You need book law and order
Like the Feng Shui book surrender
Be focused Graphically cool artist
And paint it colors no
gun it blanks no favors
My book place has the ambiance
Different mysteries
and suspense behaviors

Somehow it thickens
like "French" roue paste

You didn't want one
page to waste
E for the Exodus
A blank page is love minus
You're hitting a plateau
E- love of kiss-book
French Chateau
Ebook has a pattern the same thing
It repeats and devours your thoughts
The ancient Grecian her structural
form of statues
That rip page needed words to capture

The Clean-Slate page to restart
your flight
The prize
Emprise
Empire to the book hire
E-book desire
E-lust
It sets an example
we need to trust
Not to mislead your mind
Whats behind the book
Exhumed or to be doomed
Like Witchcraft magical hands

This wasn't the Godly land
The blank page had a spell
"The Burned Book" no one
will ever know
Can we take it back what was written inside
We need to restore give more (Cat and Mouse) chase

As my equal poison mind of sugar
Equally or naturally book gifted
Wrap silk ribbons or too much
the anxiety of red tape
Explosion of E=books
Elixir eyes to the Ebook doorway
But the blank pages were
still inside

E-book and the text
Whats next *** journalism
The kingdom of Elust
E-book became all excuses
Those blank tweets of
Hummingbirds
Like you got some
earwax all codes and emblems
My blank form income tax problems?

Storming damage to the max of my book

Hitting rock or book bottom
You're still living in a shape
of an eggcup

And reading by your nook
Your Ebook swish wish a nymph
floating mermaid

Things turn (Retro) just go
The book was the turn of events
More pages to heart mend

We are not experts or philosophers
Get inside the greener grass
like a grasshopper

Your lovely book a tranquil place
You were booked into your gown
But your ebooks is being
transported to other towns

Her heart was skipping his pages
She never got the chance to read
His chosen page
Life is so the open book
Eyes wide shut
E-book a cozy nook and where does it begin or end did I see some blank pages in between. I need a new for a taste for something on my speed I love to read it fascinated me every page but something stopped me to continue I wonder how long will this go on being fun and retro just go to the bookstore you may be pleasantly surprised of what you might see
Lucianna Nov 2018
Gunshots boom in my ears
Cannons, my life anthem
Smoke and fog are part of the sky now
But in my home I shall stay.

I still remember oh-so-long ago
Colors bursted all around
No gunshots, no cannons
Sweet music playing outside.

A gunshot rings, a cry of pain
Blood is spilled before me
My mother lay there, cold and still
My eyes don’t want to believe.

People tell me to leave
To board their boat
Why should I? Who are you!
Mother, what shall I do?

You expect me to sail away with you?
No more sweet music, no more cooked rice?
Months and months in the big, cold sea?
Why should I?

They say look out for number one
But if survival is all that matters, what is the point of life?
I somehow manage to board your boat
I wish my mind worked as fast as my body.

Bodies clumped together
Little food I nibble on
My sibling squeezes my hand
Swish swish, the waves mock me.

I hug my knees as darkness surrounds me
Mother, please come back
Swish swish, swish swish
Quiet, waves, I need not to be mocked.

The captain calls
The boat comes to a stop at a bay
Apples and Oranges and Rice and Water, sweet sweet Water
The waves no longer mock me.

Mother, I made it!
I survived!
Aren’t you proud of me?
Should you be?

Watching people blow out their brains?
Was that a prize I wished to claim?
Was it worth it in the end?
If I saved my own life along the way?

People say it’s salvation
Is it really, though?
Having a language shoved down my throat?
Strangers spitting at me on the streets?

My mother’s blood still lingers on my hands
No matter how many times I wash it
Guilt swallows me up like a tidal wave
Could I have saved her?

So many lives I’ve loved and lost
Haunting memories still the front cover
of my terrorized mind
I will never be the same.
This poem is based on Refugee Resettlement and may not be 100% accurate.
Ashley Oct 2014
black as night
chiseled stone
spirits ramble
orphans roam

lover's eyes
masquerade
9 to 5
come out and play

drop of blood
alabaster
frozen heart
encased in plaster

open mouth
parted lips
shared breaths
sway and dip

swish and flick
atmosphere
moody blips
no need to fear

stormy skies
vivaciousness
gentle touch
tenacious kiss

cotton candy
flushed and wild
sapphire eyes
mother's child

wide grin
break apart
fleshy dawn
beating heart
Sam Hawkins Mar 2016
Carefree in leisure time, one blasé tourist,
almost happy, I once had collected a complicated stone;
after the sunny hours had ended and last opportunity
for keepsakes began.

In my hand the stone had kept all of its mouths sewn shut,
holding its amalgamated story, and likewise in the car,
on the plane, through US Customs where it was not
in the least suspected.

A thumbnail identity I now should guess at, marking an old date,
and fixing it to, with reasonable estimate, a map location:
Plot No. 243, East end of the island, slave sugar plantation,
the stone from the corner of a ruined sugarmill stair—
broken free by my criminal hand.

The stone like a bleached out mini-monolith,
square rectangular, could be stood on end;
was swollen at its center like a pulled cork.

What could have moved this sequestered world to opening?
That was not for me to exactly discover,
except what came on Christmas Day,
two days after my returning.

Slave watercourses, the sight of innumerable Dutch ships,
ballasted with human flesh and hewn rock
for sugar works buildings.

The drop at-arms-swish of the Driver’s bullwhip.
Flecks of spirit splayed on vegetation.

A mongrel dog barked beyond the windless wall of sugarcane
in centipede and mosquito heat.

Seaside, beautiful seaside impressions;
distant coral light shadows, etched deep azure;
snowy colored breakers that pencil-marked the sea.
The staid, vibrant, mocking power
of visual symphony backdrop.

So little of aid for the slaves, but for those dangerous secrets,
un-housed in the fallen coolness of the night:
demonstratively crystalline heaven of stars;
a ragged moon, clouds scudding eastward toward Africa.
And there -- Orion’s Belt, mid-sky, illustrious bright,
with its three centering star points in rational line,
as if Hope could have flung its anchor onto Life
engendering sanctified resistance.

Christmas morning, 5 a.m.
I had awakened from a stuck place, shapeless and dark,
half in dreaming and half knowing I was in no dream.

I was sobbing, yet strangely, because there were no tears.
I had only put the stone inside my pajama top onto my heart.
a story of what happened...a feeling and vision I had, in 2008. written then. the stone is piece of mortar...
Claire Elizabeth Oct 2013
With leaves so rainbowed
And sky like ice
In the heart of fall the trees
Bear witness to true loss
With veining gold fronds
Of deepening red
Fluttering to dormant soil
Met by sleeping grasses
Whispering in the cool breeze
swish swish
Swaying to and fro
In the hard packed ground
As I trudge thru
The crumbling leaves
That disintegrate underfoot
Like drying sugar
Lay down and inhale
That warmth of fall
With colours flowing
Thru the currents on the wind
Brown and red
Orange and yellow
Fire licking the senses
And hearing the birds
Winding down for the winter
Fall
Valsa George May 2016
With the peak of spring in the month of May
In the early hours of a pleasantly sunlit day
Two kids sat cuddled on a swing
Feeling as though they were taking on wing

Swinging in the air, they began to sing
Their sweet lay breaking the silence with its ring
They kicked their legs in rising delight
And felt like thistledowns ever so light

Up and down on the swing was fun
They closed their eyes on being face to face with the sun
Felt the swish and sway of the buoyant air
And knew the light tug of breeze on their curly hair

As the air got caught in the frills of their frock
Their eyes gleamed bright in delightful spark
Imagining themselves to be astronauts in space,
An ebullient excitement lit up their face

From a raised angle, they saw the Earth in green folds lie
Watched the surrounding hills standing awfully high
Saw a small stream flowing as a slow moving train
With trees lined up on its banks in unbroken chain

Longingly I watched these children free of all worry and pain
Also their aerial feats, not tainted by any melancholy stain
How I miss these childhood days of innocent fun
As my hours, towards the sunset, quickly run
I envy little children and their care free days......! They leave me immensely nostalgic as I had a joyous childhood in a large happy family !
Robin Carretti Apr 2018
Those coffee heads
better than
Couch Potato 2 B
wed
One bad chip 3 2 C
Walking dead

Dream chocolate,
Coffee Latte
On the web late
The fourth cup
He knows all the 5 lips
On Live five sips
Her ruffles he's the
fidget spinner whip cream
Sprayed 6 times
Drinking her coffee over the
Brooklyn bridges 7 wishes
Coffee is for brainers
8 sides of the coffee moon


Swinging  Perculator
Streaming all over Adolf
dictator

Like a monkey ***
in cages
High overflowed wages
The pub pix pom girls
Tom like  apud
Coffee like mud with Tod
Eeeee He
  Coffee of God
Two pals I pad


Steaming out mouth
like a hot rod
She is sipping and he is
mouth roaring

Wiped you out
wicker -chair
You mind erased like the
terminator game pair

"I will be back"

Coffee or me__?
That calculator's fingers
Fine pressed coffee
Stirring the Dagar
Superbowl  maneaters
The women coffee lovers
They need another cup

Stocking up Christmas
chimes  ringing
The cafe Jazz chimes

Pazzazz--

6 cups
All gone Girl
666
Not a drop of coffee
Summoned by a spell

Went razzamatazz

The third eye
1-2-3 pouring
The coffee sounds like its
forever snoring 4-5-6

I need a new coffee maker
Lucky 7*
Rock and roll coffee of fame
Tootsie roll truffles

Going Whoopee

Do some French presses or
Roman Cappuccino style
dresses 14 he and he
The Keurig more hugs
She and me

Sugar trail of blackmail
Single served deserved
Party multi-cup you spilled
her beans

Easter feels jumpy
College stud or wimpy
"Humpty Dumpty"
Jitterbugs
Presidential jelly beans
Hot male mugs
Coffee beans

the mountain you can not
top her flavors
He's the hot diver
I will wait to wake him

He fits the"Ferocious Falcon'
Hey pork and beans
The wrong beans stir
Alice, I will fly you too
the moon
They have better coffee
Jackie Gleason
looks worried

He's cupping away from
the lagoon never on a
Sunday to be married

Bring the coffee truly
love flavor
website
streaming
He's the
hothead the chimes
beaming
The boiling bold brave
How it intensified
The heart melting
microwave lucifer

Please wave Sir
The bubbling brew
Chimes R streaming
But Robin's coffee
is steaming classified
What's to be justified

His pacemaker,
she did a whole
new makeover went
snorkeling what the heck
Ringing his neck
The multi-cup  she is
seated
He's the single cup
every morning
Chimes and coffee never boring


Swish swatch stir and spoon
He was born like streaming ***
way too soon
Coffee is a part of our life having a single cup or multi-cup it keeps our secrets quiet so relax enjoy the chimes ringing I will bring your coffee steaming
Ams May 2010
Pop*
goes the cork
Glug
goes the bottle
Swish
goes the wine
Clink
goes the glasses
Laughter
goes the girls

Pop goes the cork
Glug goes the bottle
Swish goes the wine
Clink goes the glasses
Cheers! goes the memories

Pop goes the cork
Glug goes the bottle
Swish goes the wine
Clink goes the glasses
Love goes the friends
Tumelo Mogotsi Sep 2012
(Inspired by the poetry, music, culture and rhythm of black people in the movie "Love Jones". As i play my imaginary guitar, enjoy.....)


I wanna be my own definition of a real woman
it’s in the way my hips sway to the beat
Or the way I smile when something touches my heart
It’s my excited face that I make when something inspires me
The look of adornment in something I love
I wanna be that classy lady at work
That's in full all black suits
strutting around in her heels like a real boss should
I wanna be that woman with ***** hair who isn't afraid of her curls
Who rocks her hair, untamed and wild like the first day she was born
I wanna be that woman who is street and unsophisticated
Who talks her mind as she pleases and holds nothing back
I wanna be that woman to screams when she wants to and doesn't care who listens and who doesn't
Who cares and who does not
I wanna wear skin tight little black dresses
Like they do in all first dates in every single movie
I wanna wear the smallest pair of cut-off jeans
I want to embrace my sexuality and push the limits of what I can and cannot do
I want to do what my soul speaks to me
And listens to that quiet song my heart sings to me when I'm alone
And best of all, I wannz laugh louder that the lion can roar
I want my melody to be felt higher than the giraffe can see
I wanna be on that stage performing the words most of us are scared to admit
I want to be the locksmith that fixes all locks
I wanna be the all in one
The nubian queen and the classic timeless beauty
I want the mountains to echo my statements and the sand dunes to quietly whistle with me
I want the swish-swash of the waves in the sea to bear testament of who I want to become
And I want you all to witness
Attest
and help me achieve
My quest..To be
my own definition
of what a real woman should be.
I wanna be that woman that defines a mother
whether I define it as letting my breast hang so that my child can suckle on it
Or feeding them a bottle
Whether a mother’s love lies solely in breast feeding or in shaping your child’s character
I wanna be that woman who refuses to labour extensively on hot coals in the scorching African sun to prepare a meal for a man who shall never wholly be mine
just because its expected
I wanna be the brave woman who dares tell her in-laws "Nay"
That brave woman who dares to rock up at her first meeting with her to be in-laws in pants
And refuses to wear a skirt on days her blissful soul doesn’t tell her to
Simply because a man who never wears a skirt has defined that as womanly
I want to be that daughter in law
My husband's mother hates because she never does as she is told
My husband’s sisters shall despise me as they shall know
That I don't believe in that stone age tradition that the amount of house work they do shall be reduced upon my arrival
I wanna be that woman, my own uncles hate for not allowing them to take part in my bogadi negotiations
I wanna be that woman who will have no bogadi negotiations
I am that woman who doesn't need a man to whistle at me
Like a man would calling a hound dog
Or a man still living in the rough west would calling  their horse
To know that I am beautiful
I want to be that woman whose character and words will stand the test of time
An oracle of enchanting wisdom in my old age
And a pillar of strength for generations
Which shall come after me
I am going to be that woman who refuses to let her boss take credit for the I did
Especially after spending years sleeping a four hour night working on my college degree
I wanna be that woman, my neighbours wife hates
Because I salsa my way to the dustbin to empty my trash
I wanna be that woman who doesn't need a cameras flash to know their eyes are upon me
Watching me as my move my melodious  *****
In total and absolute bliss at the woman I can be..
So then I want you all to witness
Attest..
And help me achieve
My own definition
Of what a real woman should be.
Hustle hard remix freestyle by : junior

(Rap)
Yea young junior baby
Work hard, get paid
Put foods on the table
Pay bills for my parents
My daughter need a kandle
***** I can't handle
Imma hustle hard
If you **** stop me
I will ******* up
Snap my fingers and money come to me
******* im the boss
That what I do
I'm so addict to money like honey *****
Imma making raining on this hoes
******* bend over and touch your toes
Get rich or dying trying
******* I told my dad if I didn't make money
Imma die trying
My daughter is my inspiration
Her smile is my motivation
******* are not my level
I see them pedal their bike
I'm on my Lamborghini  ******
I see my ***** kimbo
Watzup ***** how are u doing
50 cent said, hey homie swish your style up but if they hate let the money pile up.
**** all my ******
Yea kisss my ***
I just miss your funny jokes
If you keep talkin **** behind my back
Imma come and choke you ******
******* I'm not playing
I'm gettin money like 50cent
You *** hoes
I'm ******* *****
***** ****** say, yo jr **** this *****
Yea imma do that ****
While my daughter swimming with the fish
I call her mermaid ******
I'm making money money
You ****** ******* *****
*****
******* ****** wat wrong with this haters
I used to chase ***** until my dad told to chase money
***** ain't my time
Bro, it good tho
I'm wearing bing chain until girls call me **** while ****** hate on me
Let them hate but they can't touch me
Let me take you in the past
When I was a kid
I love big things
Big cars, big house, big ***** and big ****
Dad asked me, son what your fave car
I said, Lamborghini
He said, ****, son this **** is expensive
I said, dad I got this
To all this ****** shot my bro cause he was tryin to get money to feed his daughter
*******, I'm here to ******* up
I'm your ****** nightmare
If you try to get money
Imma come to rob you and **** you
Show no love cause love will get you **** that what 50cent say
All day I'm right here
I'm not goin nowhere
Imma hustle hard until I died
God forgives but I don't ******
Perig3e Feb 2011
Another twenty-four hours have passed
which you and I will never reclaim
so much of one's life
is spent oblivious
to the grains
of time
swish
grit
by
g
r
i
t
thru
the hour glass.
All rights reserved by the author
JParker Feb 2015
I remember the first shot.
It was one of those silly bank shots.
Right on the corner,
From my favorite spot.

My first real shot.

I remember the game.
It was one of those movie-like games.
All *******,
and a buzzer beater take.
The best kind to make.

I remember the jersey.
It was one of those real baggy jerseys.
Number on the back,
and the matching shorts.
Playing on the bigger court.

And I remember the shot.
It was one of those three point shots.
I knew it was my last one,
So I had one last wish.
I watched that shot go in with a swish.

It fell through the basket,
all scooped by the net.
And I finally realized,
that this was the end.

The endless crowds and shoes and shows.

But tonight was the final of five good years.

and I watched the door

close.
It's been good. I'll miss you basketball.
Ashley Sep 2015
in the sweeping sepia tones of my monotonous,
rushed life, my chest aches to be sprung free.

the urge of flight has never been more viscerally real,
more capable of pinning me to the spot
until my very bones burst from this body bag
suffocating my chest. never have i felt
so wickedly sick, so obviously the cliche
broken fragile thing bleeding out all over the page.

never have i felt so devoid of words.

it's like before, i was full -  brimming with half-thought
ideas and plots and characters, thrumming with
elementary concepts and words but at least i was flooded,
at least my soul was alive.

with the pain came a different flood, a tidal wave in the dead of
night, a cool soaking of the wicked flames that etch in
the monster's shadows. with a muse came my best
works, my raging thoughts, my torment and despair
and bloodthirsty butterflies battering my guts. with
the depression came the rawness that they lapped up,
crowed about, choked back tears. with another muse, i found
desire and passion and lust in the sinful tonguelipsteeth,
the bony handshipsframe. with all these things i found
the words and found a freedom, however temporary.

with change, i found an empty cavern.

the bottom of the grand canyon, less spectacular up close than from the top. less than. empty. hollowed out.

there is before the fall, there is during. they don't talk about the after.
or rather, they do, but there's aftermath - there's cracks and broken
bones and heaving chests and blood gushing, rushing
to the surface to see the light of day.

i bled out before i hit the ground. what happens when you get
the perfect ten, when you land with ease? what happens
when the potential is there, but the words dry up?

i feel potential in the moments wasted,
the beauty in all the strangeness,
the agony of existence. i see the people and
i want to be their storytellers, their cartographers,
their artist. i want them all as my muses.
i collect them and name them and tuck them away
in pockets too full of secrets, putting them aside for tomorrow,
another day, when i get back to the room but find
myself drowning out my words in other worlds.

i know the potential like the sailor knows the seas.
i see the beauty like the diamond in the rough.
i feel the agony in every second like the swish of
the guillotine.

swish. swish. swish.
out of time, out of mind
existence was a phase; here is the end
of our glory days.
Skittles Jul 2015
Sky drops down sheets of rain
Giving metal a rich stain
Brings a memory to the mind
Soft and warm and kind
Warm but cool as motion
Like the rhythm of the ocean
Pitter patter swish splat
The leaf upon which sat
A tiny little caress of blue
Sweet drops of dew.
There’s a scurrying sound of something, burrowing,
Down in the depths of the dungeons, hurrying,
Skittering, pittering-pattering, scattering
When there’s a footstep, hear them chattering:
‘Here come the lords, and here comes the vassal,
Tripping their way through Cockroach Castle.’

Here come the ladies, all in their finery
Tripping and sipping the wine from the winery,
Trailing their silks, their satins and bustling,
Up in the ballroom, while the rustling
Army beneath the sounds of their razzle
Is down in the depths of Cockroach Castle.

Spilling their millions up in the glooming
Out from the flagstones, terror is looming,
Up on the awnings, hung from the ceiling
Under the swish of the skirts they’re stealing,
Dropping in hair, and burrowing faster,
Cockroach Castle is set for disaster.

Suddenly all of the room is screaming
Flapping of hands, the roaches are teeming,
Myriad hordes in the Carbonara,
Candles are tipped from the candelabra,
Choking smoke from the candles guttered,
Flames leap up from the ones that stuttered.

Clothing and flags and the awnings razing
Silks and satins flare up, and blazing,
Roaches in eyes and ears, they’re rasping
Clogging their throats, to leave them gasping,
There isn’t a lady or lord, or vassal
To come out alive from Cockroach Castle!

David Lewis Paget
claire Mar 2016
[new moon]
Moon girl is breath and curve. She catches light and throws it back to the universe. You see her and tremble, falling, as she once must have done from some heavenly place.

[waxing crescent]
Moon girl is wild. You follow her into the forest where she steps barefoot into a stream and takes your hand, water swirling over her feet and hers. She talks about roots and branches and flight. You are in love.

[first quarter]
Moon girl is dancing. Moving her body, dynamic, unpracticed elegance, shaping space, graceful, unafraid of audience, unafraid of pause, unafraid to bend and swish and rise, flying, electric, boundless. She gets everywhere. In your morning tea, clouds, April storms, wrapped in sparkling strung-out melodies, and especially in your head. You dream of waist, skin, movement holding her and warmth, closeness, desire kissing her and your heart burns soft inside your chest, a lantern lit by lunar beams.

[waxing gibbous]
Moon girl gives you violets. You give her your hands, open; your heart, open; your soul, open. You give her everything, or you try.

[full moon]
Moon girl is with you, always, this silver fire here in the filth and blood and terror, head on your shoulder, palm on your skin, speaking to you in ways language cannot, grounding you, saving you, saying your name, holy, lifting you up, repeated tenderness, voice low, eyes deep, glorious, and she is steel, she is iron, she is endless.

[waning gibbous]
Moon girl smiling. Moon girl watching. Moon girl brave. Moon girl rough and sweet. Moon girl creating. Moon girl radiating. Moon girl moving, toward you.

Moon girl.
Moon girl.
Moon girl.
Drake Brayer Nov 2014
Wine was cheap
Food was ****
Sat like a creep
And tried to fit

Sleepy as hell
Drank too much
Can't even spell
Wall is a crutch

The girls are cute
Music is loud
Might as well be mute
Another face in the crowd

Swim with the fish
Drink like'em too
Swig and a swish
I'm ******' through

Smile as you will
Grin as you like
But outta my grill
Ain't feelin so tight

Puke in the street
**** by the pole
Limbs feelin weak
Sleep in a hole

Rhymes not so pretty
Style not so sweet
Opposite o' pretty
Not really that deep

Hate most parties
Hate the people that go
Sit at home with a bag o' smarties
With a **** TV show
dj Dec 2012
tented World of Bubbles and
critters, monkey-wild,
the slant-
off,
the fathoms of a depth,
of Worlds whose histories end
in a fraction of what nature does do.

Amola mola, designator
a bulb of light dangling down to the nauticals,
the bubble armoured polyps.
The lively cesspool of micro-seamounts, where,
once there stood strong
a sea-green zoo,
now vaguely stands a mineral vestige.
Gaia shut off the vent
everyone goes away.

visited by wraiths --
These black lampreys, hooded and veiled,
clustering, cloistering,
the successors who
they and they only
the new deepsea robbers.

now a lighter sinking feeling,
the demigod sinks hitherto like nature does do.
a giant ***** whale dies above
Casting its shadow of hope

and the wraiths appear in the umbra
pushing & shoving for a spot
food arrives with a thud;
a castle of whale bones as their home
they were never so happy.

so crazily, thoughtlessly food-driven
deepsea "things"
swish-swash swish-swash goes the weird fish circus,
and then, crazily so
upon their trophy, the mirror wraiths,
of a bubbled World
feed in frenzy.
Penne Feb 2019
A dictionary of words
Thousands---infinites!
Little marks to describe a vast world
Lest not care of lacking logic
Aroused by imagination is my magic
Lemon zests the cornucopia of citrus
Are not they a splash of kalopsa?
Charisma, karma, euphoria?
Not allowed to bleed in blanc
Wail in rosy franc
Puddles of messed reflection
Fictions wonder reaction
Wander in the wildest wilderness
Describe the autumn, fall
Moist, solitary
Fawn on the lawn
Reality is the contrary
Refuge in the creamed sugar
Like a cup of iced kiss
Deep burrowed in the mapled hiss
Wait for its marmalade bliss
Head exploding in fireworks
Magnificent, what about nightfall?
Showers and streaks befall
Stars shoot smoke of ball
Cry tears of meteorites
Sprinkle the blinking sprites
Flow streams of sparkling silence
Swim the chasing glares
Enchant me in your chemise, evangelic skin
Leitmotif of mimes' maim, mean?
Speculate the pixelled fairies
Hide in the fruits of Alice
Spark at the dance of hands
Paint the faint trees
Baskets of floating sheep
Bounce in the enigmatic realm
Drooling in
As they transgress the egress
In chiffon blush flushed
Bittersweet caress
Bare grasslands with strangers
Wet the glory shine
Morning then hoots for sleep
Shush, weeping willows
Flowers of your scent hover the grove
Voices sweetly surrender
Linger for tender
Gloam or roam
River of innocence soul
Reaping the afterglow
Aglow my fountained lockes
Blur for it to be clearer
Illusions of ambiguity
As its lips meet the prism
Of brilliant optimism
Breathtaking fauvism
Breathless onism
Succumb in the limitless reverie
Rare of not having aneurysm
Persephone's persepolis
Blood of perenelia
Where Opheus court Eurydice
Winter solace holies
Lakes of beating lights
Bloom irregularly
As the sesquipedalian crawl out from its vine
In the Brobdingnagian it creeps
Line between sublime and wine
Harmony weave in palette
Rhythm rose from my red
Fresh breeze hush the roulette
Leaves blade the crafted well-made
Dusk, dawn to diiferentiate
Eclipse the hysteria and the impeccable
Love waltz
Glide the glistened clarity
Perfume lilies
Stares of lavenders
Rain the clouds of keys
Crystallizing and fractalizing
Mesmerize, astonish, aghast!
Rise your mile
Fragile my rile
Bridge this moonlit immeasurable, fantasia distance
Repertoire of piano choir
Luxury in the polychrome noir
Royal in the loyal wintermelon
Poppies color the spring
Butterflies fly in the effervescence
My painting sings a summer fling
Jump in the pantones
Rest your all
Stones amble swish scone
Wishes twinkle then hone
Will-o-wisps chill your bone
Lend me a wing
Let not be done in a ding
What I fear, free from the fringes of meek
My, this lexicon is not enough!
How to occupy the million, jillion, eternal galaxies
Shout in the rave
Echoing in the waves
Marvel at the bejewelled revel
Image my imagery
Oh, dive away child!
Let us drive in the garden of glaze
Careful not to be too amazed in the maze
In the hummed woodglade
As the critters flutter and flute
No way to chain me out of this loop
Pool of pretty astonishments
Diamonds of nature
Endure, not inure
Words alone are insufficient
These are just mere fantasies
Some are unexplainable
Some needs to be felt
Some needs to be seen
Not just read
Not just dreamt
I may sound dubious
But this is incredulous
Just a random collection of pretty words º-º
COME swish around, my pretty punk,
And keep me dancing still
That I may stay a sober man
Although I drink my fill.

Sobriety is a jewel
That I do much adore;
And therefore keep me dancing
Though drunkards lie and snore.
O mind your feet, O mind your feet,
Keep dancing like a wave,
And under every dancer
A dead man in his grave.
No ups and downs, my pretty,
A mermaid, not a punk;
A drunkard is a dead man,
And all dead men are drunk.
Lily Espy Oct 2014
there's seven steps to the making and drinking hot cocoa process.

prepping: grab the mug, make sure you use tap water, grab the hot chocolate and spoon and begin the process down below

step one: pour the tap water into your mug, nearing to the top of the mug and place it in the microwave

STEP ONE: you're scrolling on facebook and you see the most handsome man you've ever seen and you automatically hit the friend button and start messaging him. he responds back, almost as quickly.

step two: press the general two minutes into your microwave and "patiently" wait for your hot chocolate

STEP TWO: you've been talking to her for a good month online now, you both mutually decide to meet up and instantaneously become very close. you start dating him.

step three: take out the flaming hot mug of water and proceed to put it on the counter. grabbing the spoon, put two to four spoonfuls of hot chocolate mix into the mug. begin to stir until there are not any "chocolate dust bunnies" floating around, dissolved.

STEP THREE: a month into the relationship, you're both very much in love. you've had your fourth kiss recently-but who's counting?

step four: immediately go to a comfy spot near you, pull up YouTube and watch people sexually assault women on the street and pass it off as a prank. as you are giggling along, take a sip of your dri-gasp! ouch, that really hurt.

STEP FOUR: three months in. he takes your virginity. it really hurt. you weren't ready but you didn't want to disappoint him.

step five: continue slowly drinking your hot chocolate, it's good to savor it. you notice it starts to get cold. you swish it around in your mouth and let it rest for a minute... it doesn't taste like hot chocolate anymore. it's cold, bitter and the mix from the bottom is floating around giving it the taste of dirt.

STEP FIVE: five months in. he started hitting you two weeks and three days ago. you said you wanted to stop having *** so often because it hurt and you weren't having a good time anymore. he said, "you're asking for it, looking so **** hot all of the time" and proceeds to force himself on you for the first time.

step six: you decide, **** this, im done with my hot chocolate and begin to wash it out in your sink.

STEP SIX: seven months in. you break up with him, he tells you he's sorry and you get back together with him. this has been a reoccurring pattern for a month now. but this time, you're done, for good. and turns out, you are.

step seven: you finish off cleaning the mug and spoon that was used to mix the powder and the weight on your shoulders is free. no more ******, cold hot chocolate for you.

STEP SEVEN: you are free, out of a treacherous relationship. "you were too good for him" your friends tell you, "he's disgusting and wasn't even that attractive". you feel unwanted, until one day you see someone staring at you while you're walking into a coffee shop. you begin to get creeped out after an hour and go to talk to him. you exchange numbers with this older man.

step one on: the process of making and drinking apple cider.
·currently drinking hot cocoa while writing this· slam poem· BY LILY ESPY·
Dita Oct 2018
Spines curve as sweetly as drops from a honeysuckle
Notes in a melody fill the void spaces
Gentle rushes stir like the swish of rustling leaves
Flushed as red as the cherry who’s stem is knotted
Time stolen from the hands of a frozen clock-
Still like snow fallen from a winter shower

Senses fully awaken to chase alluring aromas  
Repetitive jolts of candied sin trickle throughout the body
Electric flow in the veins sparks an extended invitation
Contagious appetite will mirror aches of desire

Surges of shock in the body join the mind and soul
Accelerating spikes in heart rate kiss private secrets
Boundless longing branded to one another
Yearning indulged by limitless exchanges of energy-
Transfers immune from harm

Pressure from oneness loosens the tremble in pleading breaths
Hands close around each hip to clench their hollows
Credible fingers drenched in admiration coat mingled skin
One is composed by the gravitation of two
Defying moonlight to surrender at an immeasurable ******

Reaching for the highest point to let go
Sharing traces of untamed wind with soaring wings
Collecting innocence altered by ecstasy
Choosing vulnerability to expose what cannot be said
Fantasies traded through the rhythm of touch
Nigel Morgan Dec 2012
When the engine rattled itself to a stop he opened the driver’s door letting the damp afternoon displace the snug of travel. He was home after a long day watching the half hours pass and his students come and go. And now they had gone until next year leaving cards and little gifts.
 
The cats appeared. The pigeons flapped woodenly. A dog barked down the lane. The post van passed.
 
The house from the yard was gaunt and cold in its terracotta red. Only the adjacent cottage with its backdoor, bottles filling the window ledges, and tiled roof, seemed to invite him in. It was not his house, but temporarily his home. He loved to wander into the garden and approach the house from the front, purposefully. He would then take in the disordered flowerbeds and the encroaching apple trees where his cats played tag falling in spectacular fashion through the branches. He liked to stand back from the house and see it entire, its fine chimneys, the 16C brickwork, the grey-shuttered living room, and his bedroom studio from whose window he could stretch out and touch the elderberries.
 
Inside, the storage heaters giving out a provisional warmth, he left the lights be and placed the kettle on the stove, laid out on the scrubbed table a tea ***, milk jug, a china mug, a cake tin, On the wall, above the vast fireplace, hung a painting of the fields beyond the house dusty in a harvest sunset, the stubble crackling under foot, under his sockless sandals, walking, walking as he so often felt compelled to do, criss-crossing the unploughed fields of the chalk escarpment.
 
Now a week before St Lucy’s Day he sat in Tim’s chair and watched the night unmask itself, the twilight owl glimmer past the window, a cat on his knee, a cat on the window ledge, porcelain-still.
 
He let his thoughts steal themselves across the table to an empty chair, imagining her holding a mug in both hands, her long graceful legs crossed under her flowing skirt. When she lay in bed she crossed her legs, lying on her back like the pre-Raphaelite model she had shown him once, Ruskin’s ****** wife, Effie. ‘I was in a pub with some friends and I looked out of the window and there he was, painting the church walls’, she said musingly, ‘I knew I would marry him’. He was older of course; with a warm voice that brought forth a childhood in the 1930s spent at a private schools, a wartime naval career (still in his teens), then Oxford and the Slade. He owned nothing except a bag of necessary clothes, his paints of course and an ever-present portfolio of sketches. Tim lived simply and could (and did) work anywhere. Then there was Alison, then a passion that nearly drowned him before her Quaker family took him to themselves, adoring his quiet grace, his love of music, his ability to cook, to make and mend, to garden like a God.
 
Sitting in her husband’s chair he constantly replayed his first meeting with her. Out in the yard, they had arrived together, it was Palm Sunday and returning from Mass he gave her his palm as a greeting. He loved her smile, her awkwardness, her passion for the violin, and her beautiful children. He felt he had always known her, known her in another life . . . then she had touched his hand as he ascended the kitchen stairs in her London home, and he was lost in guilt.
 
Tonight he would eat mackerel with vicious mustard and a colcannon of vegetables. He would imagine he was Tim alone after a day in his studio, take himself upstairs to his bedroom space where on his drawing board lay this work for solo violin, his Tapisserie, seven studies and Chaconne. For her of course; of the previous summer in Pembrokeshire; of a moment in the early morning sailing gently across Dale sound, the water glass-like and the reflections, the intense mirroring of light on water  . . . so these studies became mirrors too, palindromes in fact.
 
The cats slept on his sagging quilted bed where he knew she had often slept, where he often felt her presence as he woke in the early hours to sit at his desk with tea to drag his music little by little into sense and reason.
 
When Jenny came she slept fitfully, in this bed, in his arms, always worried by her fear of rejection, always hoping he would never let her go, envelope her with love she had never had, leave his music be, be with her totally, rest with her, own her, take her outside into the night and make love to her under the apple trees. She had suggested it once and he had looked at her curiously, as though he couldn’t fathom why bed was not sufficient unto itself, why the gentleness he always felt with her had to become hurt and discomfort.
 
He had acquired a drawing board because Elizabeth Lutyens had one in her studio, a very large one, at which she stood to compose. He liked pushing sketches and manuscript paper around into different configurations. He would write the same passage in different rhythmical values, different transpositions, and compare and contrast. After a few hours his hearing became so acute that he rarely had to go downstairs to check a phrase at the piano.
 
Later, when he was too tired to stand he would go into the cold sitting room, light some candles, wrap himself in a blanket and read. He would make coffee and write to Jenny, telling her the minutiae of the place she loved to come to but didn’t understand. She loved the natural world of this remote corner of Essex. Even in winter he would find her walking the field paths in skirt and t-shirt insensible of the cold, in sandals, even bare feet, oblivious of the mud. He would guide her home and wash her with a gentleness that first would arouse her, then send her to sleep. He knew she was still repairing herself.
 
One evening, after a concert he had conducted, Jenny and Alison found themselves at the same table in the bar. Jenny had grasped his hand, drawing it onto her lap, suddenly knowing that in Alison’s presence he was not hers. And that night, after phoning her sister to say she would not be home, she had pulled herself to him, her mass of chestnut hair flowing across her shoulders and down his chest as she kissed his hands and his arms, those moving appendages she had watched as he had stood in front of this student orchestra playing the score she had played, once, before this passion had taken hold. At those first rehearsals she had blushed deeply whenever he spoke to her, always encouraging, gentle with her, wondering at her gauche but wondrous beauty, her pear-shaped green eyes, her small hands.
 
He threw the cats out into the chill December air. He closed the door, extinguished the lights and climbed the stairs to his bedroom. In bed, in the sheer darkness of this Ember night, the house creaked like an old sailing ship moored in a tide race. For a few moments he lay examining the soundscape, listening for anything new and different. With the nearest occupied house a good mile away there had been scares, heart-thumping moments when at three in the morning a knock at the door and people in the yard shouting. He carried Tim’s shotgun downstairs turning on every light he could find on the way, shouting bravely ‘Who’s there?’. Flinging open the door, there was nothing, no one. A disorientated blackbird sang from the lower garden . . .

He turned his head into the pillow and settled into mind-images of an afternoon in Dr Marling’s house in Booth Bay. In his little bedroom he had listened to the bell buoy clanging too and fro out in the sea mist, the steady swish, swash of the tide turning above the mussled beach.
Chelsea Rae Sep 2016
I didn't realize how much I missed the sounds of a busy road.
Cars rushing past,
Swish, swish,
Swish, swish.

It was comforting to listen to as I slept,
Like how others enjoy the pitter patter of rain.
Might just be preferred childhood habits,
Who knows?

I think I missed feeling closer to home too.
Even though I was so sure I could always live without them,
Maybe..
I was wrong.

They were full of expectation,
Harsh opinions that sometimes stabbed like knives when they came out,
And they didn't ever really see the way I'd wince at the papercuts.
The subtle sting left afterwards.

Yet, I needed them like they preached their need for me and I guess I can say...
I
Love
Them.

Sometimes blood isn't always thicker than water
But water is a simple drink that passes through you,
And blood,  
Stays.
Blood runs in your veins.
The Crash of the Waves ,
The Stillness of the Sand ,
Life at the Ocean is a Contrast Grand .
~~~~~~~~~~
The Depth of the Sea ,
The High and Low Tides
The Ocean gives Positive Vibes.
~~~~~~~~~~~
The School of Vibrant Fish
A distinct Wave Swish .
~~~~~~~~~
The Bright , shining Sun ,
The Cool Breeze over the Ocean.
~~~~~~~~~
The Vastness of the Aquamarine that Nestle,
The Diminutiveness of the Cruising Vessels .
~~~~~~~~~~
Small ,Thatched Hutments under the Tall Green Coconut Grooves,
In Tranquility here the Day Moves.
~~~~~~~~~~~
Smell the Sea , Feel the Sky
A PostCard Perfect Mixture  ,
The Beauty of the Ocean has a Winsome Contrast Picture !
~~~~~~~~~~~
© Mrunalini.D.Nimbalkar
Inspired to write when i scrolled through the picture gallery of our recent holiday to #The Seychelles#Happy memories #Beauty of the Ocean...23.04.2019
O, but needst I to listen to t'ese wishes, benign as t'ey are, but wild and inevitable-yet inaudible as dreams. Burnt by sophisticated passion, and whirring hells of torpid astonishment as my being at t'is moment, but smooth and glowing tenderly with affection-as thy love still I long for, woven so secretly ye' neatly alongst th' tangled paths of my mind! Yes, and its layers-turbulent patches of skin, yellow skin, crafted passionately by whose Creator, and imbued with unconquerable infatuation just like 'tis now. But no breathing soul canst I bestow it on-this overarching destiny, healthy and red as t'ose garden plums-impatient in t'eir wait for the shiny May summer-aside from thee, as 'tis but always thee, Kozarev! Uninvited as I am, by any other'ness' t'at might as well enrich my love story, as enough I feel, about t'at unrelenting history! Thou art th' sole man, th' only justified heart whom I adoreth, and want, so selfishly, to marry! As ripe as t'eir lips might be-but stifling, and immature in constitution, thinkable only when juxtaposed merrily with t'ose squirming nymphets about yon schoolyard; corrupted not as a newborn fern-with thighs carefully fastened to greedy-looking material, basked in immaculate sunlight, and so fresh to human sight, when all t'ese circumstances art but chaste no more, but beg, beg our hearts, and implore our worrying souls, to stay.

O Kozarev! Startled wasth I, to enter into thy proceedings, yester! Like an imbecile now my whole countenance-and its entire, ****** constitution-ah, but depleted, harmfully depleted, by laughter. What a raft of cynical conflagration! How grimly sadistic, ye' poetic in some ways! And t'ese remarks, and praises of love-begin but to dwelleth upon me all over again. Distracted is my firmness-by thy invincible power, guileless as thou hath always been, seeming not to hath heard my volatile heartbeat; and how doth I uttereth t'ose chuckles to my own mirrors upon flinging back into my bedchamber whenst our exchanges areth over. But indignant art thou not to my reddish blushes-which, like t'ose thorns of morning roses-enliven my soul up from within, after t'eir bleak winter!-and blanch darkly all my griefs away. In a thousand years and I shalt still miss thee, just like t'is, but 'tis just now t'at futility seemeth no more capable of wooing my calamity-and indulge it so adversely t'at it shalt turn towards me! Yes, how thou hath, with holiness, touched and entrapped my amorous passion, my love! In t'ese dreams-flourishing dreams, just like th' greenish pond and its superficial foliage outside, I but walk by thy moonlight and be blessed in thy fascination. Mighty and balmy shalt be th' sky overhead, hanging aloft with its mild arrogance, smelling like roofs of restrained rain-musty and soaking with glittering reproof; and wan abomination. But pure! Purity is but its sanctity, and protected by miraculous heavens, dwindling about like whitewashed statues being shoved around by a deadly lagoon of children-unknowing of what tomorrow shalt baffle us on, with faces of steel-like jubilance. And th' trees! Tropical wands be t'eir refuge-but horrifying as t'eir remorse-ah, in which souls shalt be brought about whirls of contemptuous winds, enslaved and stupefied all th' time-by mounds and havens of gruesome cruelty. But no care doth I fix on yon mortification-as thou art t'ere with me, Kozarev! Strolls shalt we take-t'ose encompassed by purplish and cheerful verdure, who admire us from t'eir gold-like stems afar-and into each other's cleavages shalt we retreat, by th' means of stories-yes, my love, stories of glee, pleasure, and yet-uneasiness, in order t'at t'ey shalt be wounded away and superseded by joy. Our love, rings of love, t'at is to come as immediate as nature might permit, and shalt allow us to admit-as yester hath unfolded, by bracing my feet for bouncing outside, across t'ese carpeted tiles-into th' very vicinity of thy chamber. Ah, thy handsome face! As white as pearls-yet frail as th' bulbous chirping snow. May I console 'em, my love, by my hands proffered-in th' most honourable marriage I desireth to come? But look, look afar, how t'ose stars-in t'is merciless universe, whispereth to one another, and talk gaily between t'eir wicked souls, of plans on bewildering our love-our bonds of vivid, mature fragrant compliments! How t'eir jealousy is mockery, and a swelling threat to us. And th' moon t'at is combing the hair, again, of t'at vicious ethereal princess-with a snooty swish of anot'er black hair-which is but a sea of anguished torment to me, should she descend the steps of her own ***** maidenhood-and carry herself off into our earth. Hark, how she doth it! How heathen, and indecent! But canst thou hear that-Kozarev? Canst thou be knowing of her shamelessness-and her counterfeit jewels? And her claws, her foster claws-ah, sharp as bullets, and notorious as her own evil heart! Luxury t'at is fake, ye' miserably auspicious! How I loathe her! Boil doth my temper at her genteel sight-and hostile auras, with t'at pair of necklaces t'at wasth born from falsehood, and ah! concealed deceit by portraits of clever contentment. How should thou hath seen her lips twitch over and over again, upon her setting t'at blackening imbecile gaze on me-me, who albeit from th' same brethren, but far from her flawless marches and stately refinement. And a creature, just a minuscule part of th' others, t'at she deems unworthy ye' deserving of torture! Silver and gold is she exclusively acquainted with, whenst torches in my garden art not even set alight. But look! How thou proudly saunter forward to welcome her, and salute her unforgiving cordiality with th' marks of thy lips, on her hand! And how t'is view scythes my chest, my heart, and tears it open just like th' blade of a sneaky knife shalt do. I am dying, dying from t'is tampered heart! And t'ese candles of my heart t'at hath been heartlessly watered-look how t'ey art brimming with sweat in cold demise. O Kozarev! Hath I been too late to seek thy love? Thy hands, my faultless prince, art but th' only mercy I canst pray for! Hath nature been so unfair as to savour all my dreams, ah, and even t'is single longing-and bequeath onto me a tragic life of undesired ghostlike mimes-in th' wholeness of my future? Thou art th' lost charm of t'at wholeness, my love, and should be I bereft of thee again, I shalt but be robbed of my entirety-and pride, womanly pride t'at I sadly out'ta hath. Ah, Kozarev, in thy movements doth I find bliss-a creaking blow to my wood-like stillness, and a cure for my sickly contrivances. I came here for thee, and always didst! Canst thou hear t'at-and satisfy this fierce longing with just a second of thy soundless touch? Lights flicker, and smile in t'eir subsequent death-but t'is is a token of subservient passion. And I shalt not give up like 'em-as t'is life greets us once only, before transporting us into regions of th' unknown-yes, it doth, my love, wherein eerieness is still questioned and overtly unfathomed. Ah, and before death I long to have you-Kozarev, and sit as we shalt-side by side, charmed by our generous yet moronic affection, until th' earth doth make us part, and shalt then we retreat into our most dimmed apertures.

Thou art my blissful paradise, Kozarev! Thy presence but bringst out my well of solemn cheers and proud, sun-like congeniality. And in t'is warm, gentle spring I shalt write but merely on thy vivacity! O imagination-blame, and curse her as thou might do, is in fact, my key, to my newborn triumph and infallible victory; th' marks of glimmering satisfaction-and visible restoration of my sin, my soul. T'is is because I believe, strongly, with all th' forlorn might of my heart, t'at sincerity shalt forever tower over every tweak of malevolent innocence and repressed wishes for destruction. 'Tis, Kozarev, is th' voice emanating towards me from within; and bracing t'ese lips, and *****, for facing her-t'at accursed rival of mine, with bravery and independence I hath never been brought to acknowledge. Ah, petrified as my customs let me be, conviction shalt stay within my hands; and t'at shadow-o, picture of our old days together, on th' veranda-yes, decorated with lights of our love, spur me on. Thy love is born as, and devoted to mine, my love! Crafted, shaped, and designated for me only-and to be mine, only mine-for evermore. We art but a chain of perfect concord, as God hath so sweetly decreed! And I shalt doth nothing else as remarkable as determine to retrieve it-with all th' charms and intellect t'at I possess-and my words as sugar sweet, as well as th' leaves of grace and my becoming, comely wit.

— The End —