I.
The moon sings the languid flower,
  to bloom at midnight hour
Harmonious feast transpires -
  luminescent choir

Petals mirror la hue de Luna,
  but pale below her glow
Though the desert sweet aroma,
  is fragrance plus photo

Neither causing nightly failure,
  in idyllic charm
In fact, those powers are greater,
  together than apart

II.
The moon a long gone distant rock,
  yet pulls on ocean tops
Cereus lures with sweetest tricks,
  and stings with countless licks  

Battered holy asteroid face,
 woos flawless solar gaze
And even though it causes mire,
  lunar eclipses fire

The cactus thrives in driest sands,
  and chokes in fertile lands
Alluring lonesome wanderers,
  promising mere water

The lucid beauty bewilders,
  as much as it can haunt
In fact, those powers are greater,
  together than apart

III.
You, once my cereus and moon,
  were drowned in my love well
Perhaps, I was this to you too,
  though your hole I’d not delve

However, what was first velvet,
  morphed into devil’s horns
Winter shed those thorns in my chest,
  now spring gifts hope and more

The icy grips of each winter,
  provides spring fuel to spark
In fact, those powers are greater,
  together than apart

IV.
Although we've gone on our own ways,
  I wouldn’t change the past
For each step was necessary,
  to find true love at last

We were once greater together.


I’m now greater apart.

On Raglan Road on an autumn day I met her first and knew
That her dark hair would weave a snare that I might one day rue;
I saw the danger, yet I walked along the enchanted way,
And I said, let grief be a fallen leaf at the dawning of the day.

On Grafton Street in November we tripped lightly along the ledge
Of the deep ravine where can be seen the worth of passion's pledge,
The Queen of Hearts still making tarts and I not making hay -
O I loved too much and by such and such is happiness thrown away.

I gave her gifts of the mind I gave her the secret sign that's known
To the artists who have known the true gods of sound and stone
And word and tint. I did not stint for I gave her poems to say.
With her own name there and her own dark hair like clouds over fields of May

On a quiet street where old ghosts meet I see her walking now
Away from me so hurriedly my reason must allow
That I had wooed not as I should a creature made of clay -
When the angel woos the clay he'd lose his wings at the dawn of day.

O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous *****, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,--weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.

                        Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav'd rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous *******
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character'd strange things,
For with wide eye he wonders, and smiles oft.

  Lightly this little herald flew aloft,
Follow'd by glad Endymion's clasped hands:
Onward it flies. From languor's sullen bands
His limbs are loos'd, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem'd he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O'er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain's side
That, near a cavern's mouth, for ever pour'd
Unto the temperate air: then high it soar'd,
And, downward, suddenly began to dip,
As if, athirst with so much toil, 'twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb'd his gloomy rest?
It was a nymph uprisen to the breast
In the fountain's pebbly margin, and she stood
'**** lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: "Youth!
Too long, alas, hast thou starv'd on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I ****
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail'd, or finn'd with silvery gauze;
Yea, or my veined pebble-floor, that draws
A ****** light to the deep; my grotto-sands
Tawny and gold, ooz'd slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me,--for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I've been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans't be ta'en
From every wasting sigh, from every pain,
Into the gentle ***** of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell."

  Hereat, she vanished from Endymion's gaze,
Who brooded o'er the water in amaze:
The dashing fount pour'd on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening's sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath'd he to himself: "Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when 'tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there's refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are sill the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land--
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to 't;
I'd rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than be--I care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper'd light
Into my *****, that the dreadful might
And tyranny of love be somewhat scar'd!
Yet do not so, sweet queen; one torment spar'd,
Would give a pang to jealous misery,
Worse than the torment's self: but rather tie
Large wings upon my shoulders, and point out
My love's far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty, for thy silver prow
Not to have dipp'd in love's most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burst--that I
Am sailing with thee through the dizzy sky!
How beautiful thou art! The world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Is airy goal, haply some bower veils
Those twilight eyes? Those eyes!--my spirit fails--
Dear goddess, help! or the wide-gaping air
Will gulph me--help!"--At this with madden'd stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain'd o'er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion'd moan
Had more been heard. Thus swell'd it forth: "Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl'd
As from thy threshold, day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp'dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!"

  He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.

  'Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
Along whose track the prince quick footsteps told,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan's rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lightning, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o'er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His ***** grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: 'twas like the sun
Uprisen o'er chaos: and with such a stun
Came the amazement, that, absorb'd in it,
He saw not fiercer wonders--past the wit
Of any spirit to tell, but one of those
Who, when this planet's sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear'd
To search it inwards, whence far off appear'd,
Through a long pillar'd vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver'd Dian. Stepping awfully,
The youth approach'd; oft turning his veil'd eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch'd his forehead, he began to thread
All courts and passages, where silence dead
Rous'd by his whispering footsteps murmured faint:
And long he travers'd to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim
To wild uncertainty and shadows grim.
There, when new wonders ceas'd to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the ***** of a hated thing.

  What misery most drowningly doth sing
In lone Endymion's ear, now he has caught
The goal of consciousness? Ah, 'tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil'd,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg'd with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
"No!" exclaimed he, "why should I tarry here?"
No! loudly echoed times innumerable.
At which he straightway started, and 'gan tell
His paces back into the temple's chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. "O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe'er it be,
'Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil'd mortal, sounds its pleasant name!
Within my breast there lives a choking flame--
O let me cool it among the zephyr-boughs!
A homeward fever parches up my tongue--
O let me slake it at the running springs!
Upon my ear a noisy nothing rings--
O let me once more hear the linnet's note!
Before mine eyes thick films and shadows float--
O let me 'noint them with the heaven's light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
Oh think how I should love a bed of flowers!--
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!"

  Thus ending loudly, as he would o'erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow'd his face
Desponding, o'er the marble floor's cold thrill.
But 'twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide--
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav'd anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv'd foam, all ****,
Bursts gradual, with a wayward indolence.

  Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goes--he stops--his ***** beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc'd him walk tiptoe:
For it came more softly than the east could blow
Arion's magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron'd Apollo, could breathe back the lyre
To seas Ionian and Tyrian.

  O did he ever live, that lonely man,
Who lov'd--and music slew not? 'Tis the pest
Of love, that fairest joys give most unrest;
That things of delicate and tenderest worth
Are swallow'd all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. 'Twas even so with this
Dew-dropping melody, in the Carian's ear;
First heaven, then hell, and then forgotten clear,
Vanish'd in elemental passion.

  And down some swart abysm he had gone,
Had not a heavenly guide benignant led
To where thick myrt

But some good Triton-god had ruth, and bare
The boy’s drowned body back to Grecian land,
And mermaids combed his dank and dripping hair
And smoothed his brow, and loosed his clenching hand;
Some brought sweet spices from far Araby,
And others bade the halcyon sing her softest lullaby.

And when he neared his old Athenian home,
A mighty billow rose up suddenly
Upon whose oily back the clotted foam
Lay diapered in some strange fantasy,
And clasping him unto its glassy breast
Swept landward, like a white-maned steed upon a venturous quest!

Now where Colonos leans unto the sea
There lies a long and level stretch of lawn;
The rabbit knows it, and the mountain bee
For it deserts Hymettus, and the Faun
Is not afraid, for never through the day
Comes a cry ruder than the shout of shepherd lads at play.

But often from the thorny labyrinth
And tangled branches of the circling wood
The stealthy hunter sees young Hyacinth
Hurling the polished disk, and draws his hood
Over his guilty gaze, and creeps away,
Nor dares to wind his horn, or—else at the first break of day

The Dryads come and throw the leathern ball
Along the reedy shore, and circumvent
Some goat-eared Pan to be their seneschal
For fear of bold Poseidon’s ravishment,
And loose their girdles, with shy timorous eyes,
Lest from the surf his azure arms and purple beard should rise.

On this side and on that a rocky cave,
Hung with the yellow-belled laburnum, stands
Smooth is the beach, save where some ebbing wave
Leaves its faint outline etched upon the sands,
As though it feared to be too soon forgot
By the green rush, its playfellow,—and yet, it is a spot

So small, that the inconstant butterfly
Could steal the hoarded money from each flower
Ere it was noon, and still not satisfy
Its over-greedy love,—within an hour
A sailor boy, were he but rude enow
To land and pluck a garland for his galley’s painted prow,

Would almost leave the little meadow bare,
For it knows nothing of great pageantry,
Only a few narcissi here and there
Stand separate in sweet austerity,
Dotting the unmown grass with silver stars,
And here and there a daffodil waves tiny scimitars.

Hither the billow brought him, and was glad
Of such dear servitude, and where the land
Was ****** of all waters laid the lad
Upon the golden margent of the strand,
And like a lingering lover oft returned
To kiss those pallid limbs which once with intense fire burned,

Ere the wet seas had quenched that holocaust,
That self-fed flame, that passionate lustihead,
Ere grisly death with chill and nipping frost
Had withered up those lilies white and red
Which, while the boy would through the forest range,
Answered each other in a sweet antiphonal counter-change.

And when at dawn the wood-nymphs, hand-in-hand,
Threaded the bosky dell, their satyr spied
The boy’s pale body stretched upon the sand,
And feared Poseidon’s treachery, and cried,
And like bright sunbeams flitting through a glade
Each startled Dryad sought some safe and leafy ambuscade.

Save one white girl, who deemed it would not be
So dread a thing to feel a sea-god’s arms
Crushing her ******* in amorous tyranny,
And longed to listen to those subtle charms
Insidious lovers weave when they would win
Some fenced fortress, and stole back again, nor thought it sin

To yield her treasure unto one so fair,
And lay beside him, thirsty with love’s drouth,
Called him soft names, played with his tangled hair,
And with hot lips made havoc of his mouth
Afraid he might not wake, and then afraid
Lest he might wake too soon, fled back, and then, fond renegade,

Returned to fresh assault, and all day long
Sat at his side, and laughed at her new toy,
And held his hand, and sang her sweetest song,
Then frowned to see how froward was the boy
Who would not with her maidenhood entwine,
Nor knew that three days since his eyes had looked on Proserpine;

Nor knew what sacrilege his lips had done,
But said, ‘He will awake, I know him well,
He will awake at evening when the sun
Hangs his red shield on Corinth’s citadel;
This sleep is but a cruel treachery
To make me love him more, and in some cavern of the sea

Deeper than ever falls the fisher’s line
Already a huge Triton blows his horn,
And weaves a garland from the crystalline
And drifting ocean-tendrils to adorn
The emerald pillars of our bridal bed,
For sphered in foaming silver, and with coral crowned head,

We two will sit upon a throne of pearl,
And a blue wave will be our canopy,
And at our feet the water-snakes will curl
In all their amethystine panoply
Of diamonded mail, and we will mark
The mullets swimming by the mast of some storm-foundered bark,

Vermilion-finned with eyes of bossy gold
Like flakes of crimson light, and the great deep
His glassy-portaled chamber will unfold,
And we will see the painted dolphins sleep
Cradled by murmuring halcyons on the rocks
Where Proteus in quaint suit of green pastures his monstrous
flocks.

And tremulous opal-hued anemones
Will wave their purple fringes where we tread
Upon the mirrored floor, and argosies
Of fishes flecked with tawny scales will thread
The drifting cordage of the shattered wreck,
And honey-coloured amber beads our twining limbs will deck.’

But when that baffled Lord of War the Sun
With gaudy pennon flying passed away
Into his brazen House, and one by one
The little yellow stars began to stray
Across the field of heaven, ah! then indeed
She feared his lips upon her lips would never care to feed,

And cried, ‘Awake, already the pale moon
Washes the trees with silver, and the wave
Creeps grey and chilly up this sandy dune,
The croaking frogs are out, and from the cave
The nightjar shrieks, the fluttering bats repass,
And the brown stoat with hollow flanks creeps through the dusky
grass.

Nay, though thou art a god, be not so coy,
For in yon stream there is a little reed
That often whispers how a lovely boy
Lay with her once upon a grassy mead,
Who when his cruel pleasure he had done
Spread wings of rustling gold and soared aloft into the sun.

Be not so coy, the laurel trembles still
With great Apollo’s kisses, and the fir
Whose clustering sisters fringe the seaward hill
Hath many a tale of that bold ravisher
Whom men call Boreas, and I have seen
The mocking eyes of Hermes through the poplar’s silvery sheen.

Even the jealous Naiads call me fair,
And every morn a young and ruddy swain
Woos me with apples and with locks of hair,
And seeks to soothe my virginal disdain
By all the gifts the gentle wood-nymphs love;
But yesterday he brought to me an iris-plumaged dove

With little crimson feet, which with its store
Of seven spotted eggs the cruel lad
Had stolen from the lofty sycamore
At daybreak, when her amorous comrade had
Flown off in search of berried juniper
Which most they love; the fretful wasp, that earliest vintager

Of the blue grapes, hath not persistency
So constant as this simple shepherd-boy
For my poor lips, his joyous purity
And laughing sunny eyes might well decoy
A Dryad from her oath to Artemis;
For very beautiful is he, his mouth was made to kiss;

His argent forehead, like a rising moon
Over the dusky hills of meeting brows,
Is crescent shaped, the hot and Tyrian noon
Leads from the myrtle-grove no goodlier spouse
For Cytheraea, the first silky down
Fringes his blushing cheeks, and his young limbs are strong and
brown;

And he is rich, and fat and fleecy herds
Of bleating sheep upon his meadows lie,
And many an earthen bowl of yellow curds
Is in his homestead for the thievish fly
To swim and drown in, the pink clover mead
Keeps its sweet store for him, and he can pipe on oaten reed.

And yet I love him not; it was for thee
I kept my love; I knew that thou would’st come
To rid me of this pallid chastity,
Thou fairest flower of the flowerless foam
Of all the wide AEgean, brightest star
Of ocean’s azure heavens where the mirrored planets are!

I knew that thou would’st come, for when at first
The dry wood burgeoned, and the sap of spring
Swelled in my green and tender bark or burst
To myriad multitudinous blossoming
Which mocked the midnight with its mimic moons
That did not dread the dawn, and first the thrushes’ rapturous
tunes

Startled the squirrel from its granary,
And cuckoo flowers fringed the narrow lane,
Through my young leaves a sensuous ecstasy
Crept like new wine, and every mossy vein
Throbbed with the fitful pulse of amorous blood,
And the wild winds of passion shook my slim stem’s maidenhood.

The trooping fawns at evening came and laid
Their cool black noses on my lowest boughs,
And on my topmost branch the blackbird made
A little nest of grasses for his spouse,
And now and then a twittering wren would light
On a thin twig which hardly bare the weight of such delight.

I was the Attic shepherd’s trysting place,
Beneath my shadow Amaryllis lay,
And round my trunk would laughing Daphnis chase
The timorous girl, till tired out with play
She felt his hot breath stir her tangled hair,
And turned, and looked, and fled no more from such delightful
snare.

Then come away unto my ambuscade
Where clustering woodbine weaves a canopy
For amorous pleasaunce, and the rustling shade
Of Paphian myrtles seems to sanctify
The dearest rites of love; there in the cool
And green recesses of its farthest depth there is pool,

The ouzel’s haunt, the wild bee’s pasturage,
For round its rim great creamy lilies float
Through their flat leaves in verdant anchorage,
Each cup a white-sailed golden-laden boat
Steered by a dragon-fly,—be not afraid
To leave this wan and wave-kissed shore, surely the place was made

For lovers such as we; the Cyprian Queen,
One arm around her boyish paramour,
Strays often there at eve, and I have seen
The moon strip off her misty vestiture
For young Endymion’s eyes; be not afraid,
The panther feet of Dian never tread that secret glade.

Nay if thou will’st, back to the beating brine,
Back to the boisterous billow let us go,
And walk all day beneath the hyaline
Huge vault of Neptune’s watery portico,
And watch the purple monsters of the deep
Sport in ungainly play, and from his lair keen Xiphias leap.

For if my mistress find me lying here
She will not ruth or gentle pity show,
But lay her boar-spear down, and with austere
Relentless fingers string the cornel bow,
And draw the feathered notch against her breast,
And loose the arched cord; aye, even now upon the quest

I hear her hurrying feet,—awake, awake,
Thou laggard in love’s battle! once at least
Let me drink deep of passion’s wine, and slake
My parched being with the nectarous feast
Which even gods affect!  O come, Love, come,
Still we have time to reach the cavern of thine azure home.’

Scarce had she spoken when the shuddering trees
Shook, and the leaves divided, and the air
Grew conscious of a god, and the grey seas
Crawled backward, and a long and dismal blare
Blew from some tasselled horn, a sleuth-hound bayed,
And like a flame a barbed reed flew whizzing down the glade.

And where the little flowers of her breast
Just brake into their milky blossoming,
This murderous paramour, this unbidden guest,
Pierced and struck deep in horrid chambering,
And ploughed a ****** furrow with its dart,
And dug a long red road, and cleft with winged death her heart.

Sobbing her life out with a bitter cry
On the boy’s body fell the Dryad maid,
Sobbing for incomplete virginity,
And raptures unenjoyed, and pleasures dead,
And all the pain of things unsatisfied,
And the bright drops of crimson youth crept down her throbbing
side.

Ah! pitiful it was to hear her moan,
And very pitiful to see her die
Ere she had yielded up her sweets, or known
The joy of passion, that dread mystery
Which not to know is not to live at all,
And yet to know is to be held in death’s most deadly thrall.

But as it hapt the Queen of Cythere,
Who with Adonis all night long had lain
Within some shepherd’s hut in Arcady,
On team of silver doves and gilded wain
Was journeying Paphos-ward, high up afar
From mortal ken between the mountains and the morning star,

And when low down she spied the hapless pair,
And heard the Oread’s faint despairing cry,
Whose cadence seemed to play upon the air
As though it were a viol, hastily
She bade her pigeons fold each straining plume,
And dropt to earth, and reached the strand, and saw their dolorous
doom.

For as a gardener turning back his head
To catch the last notes of the linnet, mows
With careless scythe too near some flower bed,
And cuts the thorny pillar of the rose,
And with the flower’s loosened loneliness
Strews the brown mould; or as some shepherd lad in wantonness

Driving his little flock along the mead
Treads down two daffodils, which side by aide
Have lured the lady-bird with yellow brede
And made the gaudy moth forget its pride,
Treads down their brimming golden chalices
Under light feet which were not made for such rude ravages;

Or as a schoolboy tired of his book
Flings himself down upon the reedy grass
And plucks two water-lilies from the brook,
And for a time forgets the hour glass,
Then wearies of their sweets, and goes his way,
And lets the hot sun **** them, even go these lovers lay.

And Venus cried, ‘It is dread Artemis
Whose bitter hand hath wrought this cruelty,
Or else that mightier maid whose care it is
To guard her strong and stainless majesty
Upon the hill Athenian,—alas!
That they who loved so well unloved into Death’s house should
pass.’

So with soft hands she laid the boy and girl
In the great golden waggon tenderly
(Her white throat whiter than a moony pearl
Just threaded with a blue vein’s tapestry
Had not yet ceased to throb, and still her breast
Swayed like a wind-stirred lily in ambiguous unrest)

And then each pigeon spread its milky van,
The bright car soared into the dawning sky,
And like a cloud the aerial caravan
Passed over the AEgean silently,
Till the faint air was troubled with the song
From the wan mouths that call on bleeding Thammuz all night long.

But when the doves had reached their wonted goal
Where the wide stair of orbed marble dips
Its snows into the sea, her fluttering soul
Just shook the trembling petals of her lips
And passed into the void, and Venus knew
That one fair maid the less would walk amid her retinue,

And bade her servants carve a cedar chest
With all the wonder of this history,
Within whose scented womb their limbs should rest
Where olive-trees make tender the blue sky
On the low hills of Paphos, and the Faun
Pipes in the noonday, and the nightingale sings on till dawn.

Nor failed they to obey her hest, and ere
The morning bee had stung the daffodil
With tiny fretful spear, or from its lair
The waking stag had leapt across the rill
And roused the ouzel, or the lizard crept
Athwart the sunny rock, beneath the grass their bodies slept.

And when day brake, within that silver shrine
Fed by the flames of cressets tremulous,
Queen Venus knelt and prayed to Proserpine
That she whose beauty made Death amorous
Should beg a guerdon from her pallid Lord,
And let Desire pass across dread Charon’s icy ford.

silence is a song
most beautiful
she woos her lovers
far from the crowd

computers are fun but can be frustrating

you see you may call it challenging

]but a tad frustrating

but i am battling my voices of being called a woosey

but i am not a woos, i am a poet, a fantastic poet

woosey woosey woosey says my old school mates

as i don’t want to be called a woos all my life

i don’t think i am new and improved, i am a writer

i don’t believe in violence, i don’t believe in guns

ik want to keep my conservative friends right up the ***

you see i am not a hooligan, i am not a woos

please leave me alone you big *******

i don’t want to be treated like a baby young dude, so leave me alone

my school mates don’t understand that i really liked computers

look what i done, i fooled everyone

because i never ever wanted to be treated like a hooligan, NEVER

For lust is a tightrope,
soldering fickle hearts, sewing passion.
Fade at its end,
or tumble into love.
Some hope woos smother,
contemplates the fall
To stir a velvet landing,
and dances slow.

She in her unbidden trance,
her golden hair littered,
sits in prayer, fidgets;
snuffed from the fall.
Forlorn, for an indulgent sliver.
Now lies a cold lover,
in her morphine bedlam.

The Pigeon Gent,
He woos and coos around the river bent.
Pursues his muse with artful dance and skillful prance,
With inflated neck and ruffled plumage, until his energy or luck is spent.
He then resides by ebbing tides to ponder on his next advance.

"Now Now", "Whats This" the gent exclaims,
A shadow looming from the skies.
With ***** and claps he glides and lands with  full surprise,
He spies the intruder, "A fellow Brooder".
Pigeon gent cant believe his eyes.

Pigeon Gent cannot believe the sauce,
The scurge seems intent on taking his prize by force.
At once he knows he must respond,
And force this illbread vagabond to abscond.

At once chest puffed and muscles flexed,
With wild eyes he jabs and pecks.
To teach this ruffian respect,
So on his actions he may later reflect.
He stands his ground both large and proud,
To make example of this foul winged burglar from the clouds.

"You insult me sir" he shouts aloud,
To make his intentions clear for all the crowd.
For several rounds they fight and scuffle.
With intruder retreating, feathers ruffled.

Then bested suiter fairly parted,
The quarrel ends as fast as started.
The vanquished victor displays and grooms,
As peace and honour now resumes.

Soon the ripples upset the green,
An armada of ducks come on the scene.
Alerted by the heightend coos,
They race to see what act insues.

The mighty mallards, Kings of the river,
None contest their right of way.
Their ways of conduct such generous givers.
Majestic river royalty, the law is always what they say.

On bank or shallow pebbled river they have always been,
They love to feed and breed amongst the river scene.
There royal cape made up of browny reds and shimmering greens,
reflects and intejects on mirrored water skies and evergreens.

To their mates for life and lady lovers,
The mallard gent is like no others.
Such loyalties are seldom seen,
In modern times and different dreams.
Fine and lean with striking features,
Best examples of river teachers.

But at any moment no matter how abrubt,
A river duel may easily erupt.
Battle can ensue and rage,
As both apponents approach and engage.
For they mate for life as duck and wife,
A rarity in any age or life.

As dark clouds thunder on a grey day,
Resounding across the arid plains,
I hear the loud cries of a bird,
It cuts across the rhythmic drumming of the clouds,
He's quiet for a moment, then I hear him again.

Through the trees I see him,
Royal, an electrifying metallic  blue,
A peacock, stunning, strutting,
Fanning his train of feathers,
Eyespots of majesty, stroked with mossy hues.

He dances in a flamboyant display,
In spot light, as lightening flames the sky above,
Nonchalant, a blue crested head turns with pride,
His ornate train, shimmering, beckoning, to and fro,
His moves, a courtship ritual of love.

His iridescent trail woos in style,
A life of its own in its opaline shades
Golden, blue, brown and green,
Colors of the earth, gloriously resplendent,
A gathered spectacle in  his plumage.

As drops of rain touch the earth,
He is still high on the wings of romance,
His feet in motion,
His feathers spread for his mate,
Quivering, glimmering a love dance.

357

God is a distant—stately Lover—
Woos, as He states us—by His Son—
Verily, a Vicarious Courtship—
“Miles”, and “Priscilla”, were such an One—

But, lest the Soul—like fair “Priscilla”
Choose the Envoy—and spurn the Groom—
Vouches, with hyperbolic archness—
“Miles”, and “John Alden” were Synonym—

Let the Dealer take to his Gambles spend
Such that his Boots would limit to arcade
Which two-fold bets cast odds on top descend
And his Service strikes without much delay
I meant the Italian you happened to wear
And strip for Happy Golgotha delight
You wanted Admirers in Cheerful bear
Then their Smiles came true for their ****** Sight
After all, Talk Show's a Norm-for-the-Woos
Which indeed supplements the Popular
Which you desired; And asked you turn loose
To be one of those Studs Spectacular.
Happy for you. Since your own Flesh at stake
As you are now Ripe; Your Best Rind you make.

{My Soul} I summon to the winding ancient stair;
Set all your mind upon the steep ascent,
Upon the broken, crumbling battlement,
Upon the breathless starlit air,
"Upon the star that marks the hidden pole;
Fix every wandering thought upon
That quarter where all thought is done:
Who can distinguish darkness from the soul

{My Self}.  The consecretes blade upon my knees
Is Sato's ancient blade, still as it was,
Still razor-keen, still like a looking-glass
Unspotted by the centuries;
That flowering, silken, old embroidery, torn
From some court-lady's dress and round
The wodden scabbard bound and wound
Can, tattered, still protect, faded adorn

{My Soul.} Why should the imagination of a man
Long past his prime remember things that are
Emblematical of love and war?
Think of ancestral night that can,
If but imagination scorn the earth
And interllect is wandering
To this and that and t'other thing,
Deliver from the crime of death and birth.

{My self.} Montashigi, third of his family, fashioned it
Five hundred years ago, about it lie
Flowers from I know not what embroidery --
Heart's purple -- and all these I set
For emblems of the day against the tower
Emblematical of the night,
And claim as by a soldier's right
A charter to commit the crime once more.

{My Soul.} Such fullness in that quarter overflows
And falls into the basin of the mind
That man is stricken deaf and dumb and blind,
For intellect no longer knows
Is from the Ought, or knower from the Known --
That is to say, ascends to Heaven;
Only the dead can be forgiven;
But when I think of that my tongue's a stone.

{My Self.} A living man is blind and drinks his drop.
What matter if the ditches are impure?
What matter if I live it all once more?
Endure that toil of growing up;
The ignominy of boyhood; the distress
Of boyhood changing into man;
The unfinished man and his pain
Brought face to face with his own clumsiness;
The finished man among his enemies? --
How in the name of Heaven can he escape
That defiling and disfigured shape
The mirror of malicious eyes
Casts upon his eyes until at last
He thinks that shape must be his shape?
And what's the good of an escape
If honour find him in the wintry blast?
I am content to live it all again
And yet again, if it be life to pitch
Into the frog-spawn of a blind man's ditch,
A blind man battering blind men;
Or into that most fecund ditch of all,
The folly that man does
Or must suffer, if he woos
A proud woman not kindred of his soul.
I am content to follow to its source
Every event in action or in thought;
Measure the lot; forgive myself the lot!
When such as I cast out remorse
So great a sweetness flows into the breast
We must laugh and we must sing,
We are blest by everything,
Everything we look upon is blest.

What large, dark hands are those at the window
Lifted, grasping in the yellow light
Which makes its way through the curtain web
At my heart to-night?

Ah, only the leaves! So leave me at rest,
In the west I see a redness come
Over the evening's burning breast --
For now the pain is numb.

The woodbine creeps abroad
Calling low to her lover:
The sunlit flirt who all the day
Has poised above her lips in play
And stolen kisses, shallow and gay
Of dalliance, now has gone away
-- She woos the moth with her sweet, low word,
And when above her his broad wings hover
Then her bright breast she will uncover
And yeild her honey-drop to her lover.

Into the yellow, evening glow
Saunters a man from the farm below,
Leans, and looks in at the low-built shed
Where hangs the swallow's marriage bed.
The bird lies warm against the wall.
She glances quick her startled eyes
Towards him, then she turns away
Her small head, making warm display
Of red upon the throat. Her terrors sway
Her out of the nest's warm, busy ball,
Whose plaintive cries start up as she flies
In one blue stoop from out the sties
Into the evening's empty hall.

Oh, water-hen, beside the rushes
Hide your quaint, unfading blushes,
Still your quick tail, and lie as dead,
Till the distance covers his dangerous tread.

The rabbit presses back her ears,
Turns back her liquid, anguished eyes
And crouches low: then with wild spring
Spurts from the terror of the oncoming
To be choked back, the wire ring
Her frantic effort throttling:
Piteous brown ball of quivering fears!

Ah soon in his large, hard hands she dies,
And swings all loose to the swing of his walk.
Yet calm and kindly are his eyes
And ready to open in brown surprise
Should I not answer to his talk
Or should he my tears surmise.

I hear his hand on the latch, and rise from my chair
Watching the door open: he flashes bare
His strong teeth in a smile, and flashes his eyes
In a smile like triumph upon me; then careless-wise
He flihgs the rabbit soft on the table board
And comes towards me: ah, the uplifted sword
Of his hand against my *****, and oh, the broad
Blade of his hand that raises my face to applaud
His coming: he raises up my face to him
And caresses my mouth with his fingers, smelling grim
Of the rabbit's fur! God, I am caught in a snare!
I know not what fine wire is round my throat,
I only know I let him finger there
My pulse of life, letting him nose like a stoat
Who sniffs with joy before he drinks the blood:
And down his mouth comes to my mouth, and down
His dark bright eyes descend like a fiery hood
Upon my mind: his mouth meets mine, and a flood
Of sweet fire sweeps across me, so I drown
Within him, die, and find death good.

come to me little one,
come into the fold.
far away from the world
that doesn't understand you
and
that doesn't want you.

there is nothing left for you there
my sweet.
the only thing out there
is more rejection,
more pain.

come to me
little one,
escape in me
and don't question the dark.

don't worry about tomorrow
or the day after that.
only see me,
and us
and let the only thought
that shimmers across your mind
be of our love
and our life together,
till death
due us part.

they hate you,
i love you
they reject you,
i bring you in
ever closer.
wrapped together in our burning arms
heavy with fever,
we are one.
just you and me
and a lifetime of us
against them.
they will try and pull us apart,
but you won't let them...
will you?

they tell you i'm bad for you
but who hurt you?
and who made it better?
that constant babble of
the crowd...
they are desperate to make you
a project,
a rescued reject
they can pat on the head
and polish up for strangers
so they can be commended on their
massive hearts.
all those plastic smiles
stretched wide
trying to hide the pity for you.
they ask
where would you be without so and so...?
you must be so grateful....
why, you would have been dead without us....
like the life they offer
is any real life at all.

i say drink deep of me
and do what you want
cause you want to do it.
be wildly wicked
if you want to.
be bitterly brooding
if you want to.
be a puddle on the floor.

they can't understand like
i can.
they can't cure
they can't help
they can't possibly see
or ever accept
the person i know,
the person
you really are deep inside.
the person
i have grown to love.

come closer little one.
and i will tell you tales
of great men
and strong women,
of lives lived
quick and fast.
come little one,
live among them
they are eager to share
the secrets of the
world
as it really is.
and help you cast off the chains
of the world that you have been forced fed.

O BID the minstrel tune his harp,
And bid the minstrel sing;
And let it be a perfect strain
That round the hall shall ring:
A strain to throb in lady's heart,
To brim the warrior's soul,
As dew fills up the summer rose
And wine the lordly bowl!

O let the minstrel's voice ring clear,
His touch sweep gay and light;
Nor let his glittering tresses know
One streak of wintry white.
And let the light of ruddy June
Shine in his joyous eyes,
If he would wake the only strain
That never fully dies!

O what the strain that woos the knight
To turn from steed and lance,
The page to turn from hound and hawk,
The maid from lute and dance;
The potent strain, that nigh would draw
The hermit from his cave,
The dryad from the leafy oak,
The mermaid from the wave;
That almost might still charm the hawk
To drop the trembling dove?
O ruddy minstrel, tune thy harp,
And sing of Youthful Love!

As Moon comes
To Earth every night
To court her affection
In the presence
Of a million Stars
Yet oblivious of their stare
Only focused on his love
Scaling her in circles
Never tiring, ever following
In orbital woos...

So will I circle you my love,
Till you say yes...*


© Raphael Uzor

A loved one lost leaves us with less in life,
not a loss to death and his scythe, rather, love’s untimely death.
At first a soul severed does not suffer, numbness reigns over .
For hope, that foolish feeling, whose feigned friendship forges a trust,
woos without warning, whereby a weak body—in disbelief,
hears Hope’s healing message with haste and hardly heeds her coy hint:
“Toil with Time;” therefore, Hope, through truthful trials with Time, teaches.

Time’s quite an omnipotent entity—an ever-morphing force.
The stages of Love’s relations—from first sight to last—change
the flow of Time. When Love starts it trickles from the mountain’s source;
slow and steady, but gains speed as each shared interest adds on.
These streams form a river, Time passes by—Love keeps you busy.
Eons seem to pass in the blink of an eye, noticed only
when that love departs. Time’s effect returns, languishing the void;
that drop of water trickles over your soul making time lull.
The mind replays the broken record of Love’s last visit till
Time’s drop drips from its place onto the rose’s petal, splashing
that prison of longing open, for Love’s return sets you free.
If that drop lands on the posy, for your rose was picked by one
whose hand is unknown, Time causes unfamiliar drought as
that posy shrivels under the sun. Time, now vapor, ascends—
with others joining we form a cloud of soles—growing denser still.
Up here we watch the world revolve, Time’s presence perceived no more.
This Union of Soles float in a blur, each learns from a neighbor.
Knowledge gained heals the sole, but is useless if employed alone.
We pray, forlorn—hearts still torn, till we fall to an earthly shore;
so keep Faith close, along with Hope, for Time will take course once more.

At this point I must disclose that I still need to elevate,
by descending from the misty fog of Time’s timeless smokescreen;
however, my time spent is not in vain. The lessons I learn
shape my view on life’s inner workings—cognition reigns over.
Over and over, I’ve seen the world revolve, patterns appear.
I see sole souls enter this realm alone, then leave as quickly,
for few remain stuck here, jailed in the prison of the timeless.
Most move on— graduated, learned, and having passed Time’s tests.
Alas, I am a mule in a stable—stubborn and restless.
This aside is ending as a descent’s beginning takes flight.

Love is only truly lost when one cannot overcome change.
A switch, which demotes loves to a plane of platonic tenor.
With faithfulness, a likeness to those before the Fall furthers
the Sole’s doles—now brighter—they exonerate Love’s loss of love.
When the soul, driven, has forgiven, then friendship’s re-obtained.

She has a special Siren's song
Pastel paisley, passion's Dawn.
She's aloof, she takes on airs,
Wearing seashells in her hair.
Abalone, mother of pearl
Arms that take in all the world!
She Chuckles softly
with the birds
She speaks to stars
without a word.
She bids them run!
She bids them hide!
She tucks the mountains
to her side.
Then, whispering,
she turns to wink
The morning Sky
will blush to Pink!
Yes! Desert Thrashers
laugh out loud!
She's Tangled in
the pewter clouds!
She whistles low
her magic tune,
The dew soaked desert's
her perfume.
Though it's the Sun
she courts and woos
She entices all...
the morning muse.

Catherine jarvis
Write of Passage aka
SoulSurvivor
2018

Beside an ebbing northern sea
While stars awaken one by one,
We walk together, I and he.

He woos me with an easy grace
That proves him only half sincere;
A light smile flickers on his face.

To him love-making is an art,
And as a flutist plays a flute,
So does he play upon his heart

A music varied to his whim.
He has no use for love of mine,
He would not have me answer him.

To hide my eyes within the night
I watch the changeful lighthouse gleam
Alternately with red and white.

My laughter smites upon my ears,
So one who cries and wakes from sleep
Knows not it is himself he hears.

What if my voice should let him know
The mocking words were all a sham,
And lips that laugh could tremble so?

What if I lost the power to lie,
And he should only hear his name
In one low, broken cry?

When you wake in your crib,
You, an inch of experience--
Vaulted about
With the wonder of darkness;
Wailing and striving
To reach from your feebleness
Something you feel
Will be good to and cherish you,
Something you know
And can rest upon blindly:
O, then a hand
(Your mother's, your mother's!)
By the fall of its fingers
All knowledge, all power to you,
Out of the dreary,
Discouraging strangenesses
Comes to and masters you,
Takes you, and lovingly
Woos you and soothes you
Back, as you cling to it,
Back to some comforting
Corner of sleep.

So you wake in your bed,
Having lived, having loved;
But the shadows are there,
And the world and its kingdoms
Incredibly faded;
And you group through the Terror
Above you and under
For the light, for the warmth,
The assurance of life;
But the blasts are ice-born,
And your heart is nigh burst
With the weight of the gloom
And the stress of your strangled
And desperate endeavour:
Sudden a hand--
Mother, O Mother!--
God at His best to you,
Out of the roaring,
Impossible silences,
Falls on and urges you,
Mightily, tenderly,
Forth, as you clutch at it,
Forth to the infinite
Peace of the Grave.

You mean if I don't go extinct,

I guess I'm free,

as free as anyone is in this world,

with Destiny glaring at me from her Window,

Her eyelids fluttering in anticipatory teases,

and yet to flirt with her is to invite Doom into your pocket,

Even if she does gaze the glance of her blessing on you,

your date with her is, ultimately, set

the supper is bitter, and her wine that which lulls in the sleep of the ages,

until thence, she changes tables, and woos another suitor.

we all must have that sour meal with her sitting quaintly across, smiling demurely, yet knowingly,

So, until the time comes to sit at her table, wrest free from her shackles the very smallest bits of will

tho it make her jealous, her envy 'tis thus of you still.

Gospel Heirs  

This unique clan of gospel workers consisted of a father a mother and son and daughter the origins
Reach back to Plymouth the first settlers are their forbears and from this tough stock in these end times
The lion of Judea would give birth to a lion cub his head of red fiery hair suited him well it was a mane
That pronounced to the enemy war was at hand to long the bleating of lambs had not been answered
Now all would be different Bruce Wakefield was quarried from rare marble he had hardness for battle
But inner gentleness that could sway crowds of men and women show them his heart reveled was one
Of combustible fire in the cold a world where people didn’t matter as much as the bottom line their
Frailty their inherit need of being protected an guided came to complete and utter fruition in his life it
Came from a soul that stole away in to private encounters with spiritual magnificence he brimmed he
Glowed from the inner soul that had been much with the father he gathered the residue of life made it
Of no value in so doing he was the rich depository of what was real and true it resonated among those
That wondered and were confused it was like being on a long journey arduous and moments of great
Despair but at a cross roads you met in this single life a man of autumn austerity like the season also
He brought glories colors out of darkened glens and shadowed harshness leaves would fall in the
Dooryard of the hurting they breathed in the customary silent grandeur that lay on the now brown
Grasses it was a colorful display it meant the end in one sense but a beginning in another he didn’t just
Walk about the church platform he charged forward into Hells gate keepers he put them on notice the
Way things usually are had come to an end he spoke of love but he advanced it this way through the
Building blocks of creation not just simple but the essential God repeated what he did at the beginning
Of our worlds creation in one instance he shows the breadth and depth of He who makes everything
Then nurtures it carries it on to perfection a barren piece of land to start then his greatest creation in my
Opinion he joins two through romantic drama and dreams and a little thing called love you take
Infatuation the pleasing pleasure of thoughts and smite the heart in that cosmic moment the planets do
Collide two worlds are being redefined and made into one this will be the essence of their whole lives
They build relationships they build a dwelling and then the most gorgeous ribbon of all sets it off when
their love makes a little one in distant time not believing it possible this is out done when the first
Grandbaby comes that infancy that extended love at first now gives the gift that has cherish written all
Over it and your fully awake dreams do come true when they speak to you your heart melts it’s the
Greatest trick you are this adult and in seconds you are a marshmallow if we could package and sell it
There would be no more conflicts just tell the opponent to bite smell this and in moments all would be
Fun and joy so not to leave you to sad that this can’t be the day is coming when the lion will lie down
With the lamb you’re just living its precursor you set and live among miniature wonders maybe you even
Were involved in picking out their names Bruce uses this to great effect in this swirl and hoopla you find
Your center and know the ideal of life and then the shift must occur not is all sweetness the barrister of
The wind makes the argument that this great structure this family has fissures and brokenness a young
Father told of the great pain he suffered when is son was abducted and taking into another country
By other family members he since has created a international program that visits this issue and gives
Hope to people that are helpless against governments of other nations Bruce explains this is Gods
Predicament and oh how so many more of His children are missing taking into a world that subtly woos
Them by every artifice that plays on their weakness and in those areas they have a tendency to fail the
Dark Part of a painting in art greatly needed for contrast and mood sensibility but disaster in following
And living a Godly life there are restrictions in normal living all manner of give and take that make
For happier more successful living he ends with this ultimate truth I am the way and the life all of this
Is factored in and it is of gravest concern that we act on it when we hear it and that night a goodly
Number heard and responded to the very changing of their eternal destiny Bruce had words he used to
Say my morning sky used to only hold dread without question I knew my soul so precious was truly
Dead but then He spoon fed to my feeble lips Himself as the word it told in detail the darkness that is to
Everyone a plague he stole deep within captured my heart and soul changed this man alone into a
blessed vessel that cared only for His children so fare made me fearless in pursuit of them gave me the
Ability to allow them to see dreams that were their own lives after the tender mending done with hands
That bare the nail prints and imprinted on tender children the expressed love of the father that started
At the beginning and will never cease please we bid thee come to him lost ones

The man in the moon swallowed me whole,
Just as I began to admire his soft glow;
There he was, knowingly smiling over
The scary affairs of my teenage cares.
Apparently, I should mention
My attention was too much,
The perfect remedy for pro-love prevention.
Just in case it was neglected,
I must warn you,
Affection to your reflection sways you
To believe your giggle is perfection.
But when you are presented with rejection,
You’ll step back with a confused expression,
Wondering what happened to his original affection.

Now, I proceed.
I concede
Wooing the moon is harder than
Shaving a true hippie on ecstasy or ***
In the middle of the sea.
Why do I love someone who constantly
Turns around and hides himself
Whenever seconds pass
Only to tease me with peeks of his soul?
Oho what a divine mystery!
He’s a maze with infinite doors,
More complex than hallways,
More intriguing than apple cores, skin pores, folklores, or antique stores.

But
He wears a different face every day,
Masks of white, amethyst, and grey.
And
He seduces a variety of personalities,
Of intellectual minds, of our kind.
With his charm that, more than good, does harm
To us; who have put forth increasing
Efforts to make his eyes glitter,
We who pride ourselves on mental capacity, titter
With giggles,
Because we cannot think of a better reaction,
We are so consumed with him.

Freedom from the man in the moon’s
Enticing effect came only when I saw:
His redundant, repetitive cycles of beliefs and views,
Only sometimes were they new;
His aloof disconnection from others,
Even when I carefully showed the best parts of my soul;
And
The Fact
That so many others found him
Captivation, enchanting, and beautiful
Without the knowledge or understanding
Of his desires, values, or issues,
Of his dreams, sorrows, or needs.
Ignorant, blind, obsessive aspects of infatuation
Sicken me.

Now, for the better, I relay with
Content at this little success that it is
Much easier to tease, to debate,
To befriend the man in the moon
Now that I can resist his effervescent
Glow.

Still, I acknowledge, anticipate, and dread
The algae, the residue of my ephemeral love,
The waves and cycles of my affection;
Still, I crave a lucid connection to his mind, to his soul,
For I know enough
To embrace his being as consistently
As the sea kisses the sky.

But hardly does he ever show all of himself to one,
But always does he offer smiles and woos to all;
So, patience is my haven.
Empathy is my understanding;
Distraction, my refuge, my remedy.

Eventually, the man in the moon
Might attempt to love me
Fully.
Who knows with such an
Inconsistently predictable being?

I can't really say for sure if I ever knew true love, because I have never understood a clear definition of what it is.  I see in the movies - guy meets girl, woos her, they fall in love & live happily ever after;  I see family / friends seemingly in love but bickering, fighting, unfortunately sometimes never reconciling.  I can truthfully say I have known many loves in its innumerable forms. I have opened my heart only to close it again due to fear, uncertainty, doubt or deceit.  I have promised my undying love to not just a few, only to steal my heart back treacherously as if it would cause them no pain.  How could it possibly - they lived successfully before they knew or loved me - yet, what if it did?  and why am I so "numb" to that pain.  Why don't I feel the sting of ripping my OWN heart out of my OWN chest and trampling it every time someone tries to love me? I don't want to be loved - because that leaves me vulnerable to getting hurt.
But I DO want to be loved - God only knows where I'll find it.

© 2012

It has kindled all by the force of its immeasurable depth
Leaving friendly feet lathered with foam
Never losing a single breath
On the sandy beaches
Where it roams

You can hear it speak in the sound of crashing joy
A thousand thoughts rushing your way
Endurance so alive and beautiful
In an accent understood
As displayed

A voice, which woos winged creatures to dip and dive
Bravely leave their mother’s side
Traces of murmurs of harm
All leave their hearts
As they glide

What wonderful treasures lie beneath this force I see
All those secrets vehemently call out to be heard
Time stands still in my fast running day
As I am charmed by this voice
Crashing out to me

I thrill at the hope of time never passing away again
To always, behold these sights and sounds
My friendly feet lathered in the foam
Of this immeasurable force
I have found

With brain bashing into head cavity,
the gelatinous mass of neurons screams out
to white blood cells swimming in eyeballs
to evacuate before drowning.
"Quit clowning around in there and
save yourselves!"
The moody mistress creates her own hells:
congratulations!
Sleeping alone in a sweat covered bed,
she spins saccharine thoughts and pollutes her head
with taffy, thick like molasses,
cooking sugar in the kitchen with
the wrong end of a spoon in her mouth.
Dried up *** stains litter her couch
as she wakes up to turn the cushions
and search for loose change
to fill up her coin pouch.
"Ouch! Ouch!"
She calls out, clean
sheets on a new day,
his fingers firing in a frenzy
and introducing the fusion of
pleasure and pain.
He smells of benzene and
she's afraid of burning,
stomach churning and
using gasoline as lubricant.
He hit her, she said, and it felt like a kiss.
She misses him at her day job
when she runs around town
robbing banks and
picking up handkerchiefs
that grandmothers drop on the ground.
He would pound
his manhood into a brick wall
if it moved like her,
but the skin-and-bones combo
woos him to coo at her
as swarms of sparrows
nest in her ***** hair.
Spit shined shoes and
riding leaves blown on the air,
she dreams of him awake,
listless eyes alive and pulsing
behind a film of glassy, viscous mucus.
She makes magic potions out of the scents
left over on one of her
mismatching pillow cases.
He tastes like roasted red peppers
and lingering mace:
her eyes water as she
chokes back ***** daintily,
like a queen.
His eyes gleam mean as
he steals her breath to
add it to his bursting bank account,
releasing her to give her back only gasps,
the 2% interest.
She crafts road maps of his back bone while he sleeps,
but he sees her as a phantom,
creeping through the floorboards,
a faceless specter with an ace up her sleeve.

Young and old people sipping beer, with hands in pockets and heads nodding to the rock music, standing in a crescent around the stage.

Some 30 year-old guy in a cut-off is on stage playing a bright red guitar which is shining silver. He finishes his set.

I'm sitting here alone and nobody seems to mind. Actually a couple of people have smiled and said hello.

One of the drunker guys sitting at the bar yells "Encore" first and then the rest of the room starts echoing him. Encore. I even let out a few "Woos!"

This man probably trades his cutoff for a collar during his day job. But we liked listening to him. He take a long drink of his PBR.

Then, he starts playing his bright red guitar again. The rest of the room is cast  in red lighting with blue-christmas tree lights dangling around the room.

The bar itself looks like we are on the inside of the hull of a ship.
Woody, damp, safe. Decorated by a collector of whisky bottles and olden times posters.

I'm in a booth and to my right is the act which just ended and to my left, books. "Can I buy you a book," I ask a beautiful woman at the bar motioning to the books with a smooth wink.

Just kidding, maybe next time. But as the act ends I see a drunken, happy, young man with a girl who looked like she was his girlfriend.

In his drunken courage he attempts to take her hand and bring her to the dance floor, now empty. He pulls a rare for college, Charlie Brown dancing, sort of moveset and she is laughing. It's still red blue and dim but she's probably blushing.

He keeps dancing by her till she stands up and dances near him, both of them laughing and enjoying and somehow dancing to the rock music that is playing.

He keeps motioning his finger for her to "come here" as he backs in the center of the dance floor, until eventually she follows.

For one song, the two dance by-themselves to this music, in the center of the dance floor and lights, bobbing in and out, and just jamming.

Alexander K  Opicho
(Eldoret, Kenya;aopicho@yahoo.com)

She is an anti-thesis to Maya Angelou’s conscience
She stretches Maya’s awareness beyond rudimentary perfection
She is a public commoner with her insatiable palatability,
She eats French fries and pork like a carnivorous queen
Her instinct cannot save her from curse of pinching,
She is tall and slander with all virtues of beauteous individuality
Which the sagacious Friedrich von Schiller saw in frivolous Cassandra,
She has tattooed nose and ornamented death, not white in taint of alcohol hue
Chains of jewellery around her neck and hands, sea corals as beads around her waist,
She loves rough men like Alexander Pushkin who died in Duel, and the militant Othello
Who only woos by using the vaginal ******* of the alligator  
As his Casanova’s love voodoo bequeathed to him by his mother,
She spends money from a foreign sweat, in thrifts and thrifts,
She commands unilateral faculty of non-numerical learning
With her indelibility dominating the world of Music and painting,
She dares not to dream of true love, but her faith is in weakness of men
Hot in bed like an Italian pizza oven and cold in reason like tundra climate.

The non phenomenal woman the mother of my first born son,
I took him to Oxford University for a degree course in land law
He came back with a diploma in being a barber, good in shaving!
He is so handsome in pettiness with mighty athletic mediocrity
Vices redolent of maternal genetics in the non phenomenal woman,

The moon makes you cold
but therein lies its remote wonder
You soon become a devotee
trapped in the grip of its allure
and wondering how it is
that this oft silvery orb
is at once so cold and yet so warm
it leaves many a lover
moonstruck and abstracted
On a leafy night like tonight,
with a tropical moon up on high
dancing phantoms peep through
the gaps in the palm fronds
and the moon woos them
with its promise of worlds unknown
She looks at me face up-tilted, and
eyes consumed with heart-fresh passion
I have a foreboding feeling,
and a fearful certainty of loss
for time the unyielding enigma
promises  you everything
but seldom delivers
what you ordered
in the heat of the moment
Tonight the shadows are dancing
the dance of silhouettes,
ethereal yet as real as the moon that shines
and the stars that beckon
I am a wandering disciple of life's mysteries
recruited on leafy nights such as this one is,
and I'm tied to you  by  an unebbing desire
to plant an idea on your tempting lips
and hear you dispense what my fate is
in this so changed world of our time

The leaves in winter, they all fall in place.
In endings hidden, embers of a new life.
Every once in a while an unknown girl
walks up close on a smoggy night;
And an awkward lank woos her with
half-withered roses by the south bank;
Going after severed kites,
landing now by the memory lane:
by the Thames, holding a palmful,
saying, this river's named after you:
she has a dimpled smile;
By the lakes, deep at night, when the moon
walks over the waves, dancing with the swans;
Where the Lee bends around the corner,
a red bus emerges out of the mist,
a hero on chilly nights of the early autumn,
when the dhak welcomes the Goddess home.
Teals, wobbling out of the pond, by
the temple of love, closed for ages now;
Crimson paint dripping from the evening
sky at the corners;
Every day when loving this way
seems like a picture painting away,
get lost walking by the Thames;
Whirling back like the descent from the Eye,
time and crackers light the sky,
on a Guy Fawkes night.

Having him near and not touching
Was decidedly tough.
In the end I realized that loving him
Was just not enough.
He liked making love and exploring
The bodies we had
But not enough to fall in love with me
And that was sad.

I knew this heart-pounding affair was
Just for a few days.
And while I was falling very hard, he
Would son walk away.
He mumbled something one time
About being a free spirit
But in those moments I didn’t know
What to do with it.

It was not information I could take
And put someplace real.
It was a kind of romantic connection
That I could not feel.
It didn’t fit with the movies and books
And the fairy tales.
It didn’t end with a swell of music.
It ended with sad wails.

It made no sense at all to me then
How anyone could be
A totally involved ****** machine
And act so shallowly.
How can someone throw themselves
Into such wild action
And have it not mean more than just
Physical satisfaction?

He was the first, there were more.
This kind of guy shines,
And knows how to attract the fools
With attitudes like mine;
People who persuade themselves
To proceed blindly
When these one-night lotharios
Treat lovers unkindly.

Of course, it was not love, I know,
Not even for me.
It was just something called lust
That captivated me.
A gorgeous body and talented talk
Easily woos youth
With so much seduction I would not
Look hard for the truth.

Braced,
For the rough, graceful sandpaper offered
by the saxophonist while he woos you with
outright randomness arpeggiated.
The titanic soul of the double-bass
quivers my body,
it lives in the catacombs of my ribs.
And,
I'm jazzed.
Pure chaos,
with a complete understanding of order
but a gleeful disregard.
"I could do that."
Then do it.
And, exhale.

Taking stock
I tuck this year inside
the first little furrow-line
across my brow.

Hm. Skin's changing.
I'm changing.

There was more anguish in 24
than the Doc ordered.
Somehow, the endless easy wealth
endless easy employment
and eager entertainment
evaded me.

But there are also little dents on either side of my mouth now.
A ripple between lip and dimple.
There was joy on this face-
enough to carve its name forever.

24 and time has begun to speed up,
people talk a bit quicker
fleeter of foot
and calendar has begun
to foxtrot-

And I sit on the side of the Hall
watching the days dance on and on
how selfish they seem
How quickly Spring woos Summer
How fickle is Summer, as she whirls to Autumn
How chilly, Autumn as he falls for Winter,
How feverish, they dance.

24, a left-footed wallflower.
24 with wide eyes that try to capture
the entire world and hold it STILL.

This ball lasts forever and never.
There's no break.
24, I guess it's time to give Life my dance card
surrender and cut in,
24, ready, steady-

*let the dancing begin.

Those pretty wrongs that liberty commits
When I am sometime absent from thy heart,
Thy beauty and thy years full well befits,
For still temptation follows where thou art.
Gentle thou art, and therefore to be won;
Beauteous thou art, therefore to be assailed;
And when a woman woos, what woman’s son
Will sourly leave her till he have prevailed?
Ay me, but yet thou mightst my seat forbear,
And chide thy beauty and thy straying youth,
Who lead thee in their riot even there
Where thou art forced to break a twofold truth:
    Hers, by thy beauty tempting her to thee,
    Thine, by thy beauty being false to me.

Let him wait,
she says,
drying under arms
after her bath,
the towel rubbing the skin,

talcum powder
on the side
ready to be applied,

he downstairs waiting,
impatient no doubt,
pacing up and down
or sitting smoking,
cursing under his breath.

A woman’s privilege
to take her time.
Beauty cannot be rushed.

She moves the towel
further down,
rubs between her thighs.  

Even as a child
she imagines
he was impatient,
unable to wait,
unwilling to be kept
against his will
until the time was right.

She smiles.
She senses
the towel’s roughness,
the rub of skin.

She recalls the wedding night,
the shyness *******,
she blushing,
he awkward all
fingers and thumbs,
she turning her back on him

to put on her night dress,
he looking away,
unwilling to view,
she in bed
covered to the neck,
he *******
bit by bit
avoiding her eyes,

she studying
the ceiling
the patch of grey,

he with night attire on
climbs into bed,
she feels him near,
his body nigh touching,
his hand out stretched.

In the dark,
she recalls,
they fumbled
and searched
and touched,
with grunts
and moans,
and woos
and ahs,
the night went on

until sleep
eased them
to a settled bliss,
ending with
that sticking kiss.

She has a special siren song
Pastel paisley passion's dawn

She's aloof, but takes on airs
Wearing seashells in her hair

Abalone, mother of pearl
She has her arms 'round half the world

She chuckles softly with the birds
She speaks to stars without a word

She bids them run! She bids them hide!
She tucks the mountains to her side

When whispering she turns to wink
The morning sky will blush to pink!

YES! The thrashers laugh out loud!
She's tangled in the pewter clouds!

She whistles low her magic tune
The dew-soaked desert's her perfume

Though it's the sun she courts and woos
She entices all... the morning muse!


SoulSurvivor
(C) 7/7/2016