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"walt" poems
Walang sukat ang damdamin at wala rin itong tugma, Ang wagas na pag-ibig o nagbabagang galit ay walang ritmo, Lahat ng ito ay dapat na lumaya. Sumabog na tulad sa bulkan Kung kinakailangan o di kaya ay dumaloy na tulad sa agos ng ilog. Ganito ang malayang taludturan na aking tinatangkilik, oo alagad ako Ni Walt Whitman at hindi ko ito ikinakahiya. Hindi ko kinakailangan na bumilang ng mga araw, lingo at buwan, Hindi ko kailangan na pagandahin ang mga salitang isusulat ko. Totoo na gusto ko ring sumikat at makilala ng balana ang maging tanyag Na tulad ng iba. Subalit wala akong balak na itakwil ang aking tunay na Saloobin, hindi ko isasakripisyo ang aking nararamdaman para lang Tanggapin at kilalanin ng iba. Minsan mala-sutala pero mas madalas ay magaspang na tulad sa sako Ang mga salitang ginagamit ko. Hindi ako nanunuyo sa halip madalas ako’ng Nagmumura at nang-uusig. ‘Pagkat yan ang laman ng aking dibdib at hindi Ko ito ikinakahiya. Malaya ako na tulad sa malayang tauldturan na itinataguyod ko. Putang-ina ko man kahit hindi ako ma-publish gagawin ko parin ito. Hindi ko pakikinisin ang magaspang na katotohanan, hindi ko pababanguhin Ang nangangalingasaw na kaganapan ang isusulat ko ay ang tunay lamang. Magiging tapat ako sa aking damdamin, hindi ko uulolin ang aking sarili at hindi Ako mag-iinarte sapagkat hindi naman ako artista. Hindi ito Sunugan o Flip Top ito ang Tunay na ako na s’yang nagsasalita. Hindi ko kailangan na magpatawa. Ang tunay na makata ay naglalahad ng katotohanan hindi ng mga salitang Gustong mapakinggan lamang ng mga taong bumabasa ng kanyang mga tula. Walang sukat at walang tugma ganito ang tunay na demokrasya. Damdamin ko Ang magdidikta, ito ang panginoon ng aking panulat.
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Dec 2, 2017
Dec 2, 2017 at 7:08 AM UTC
WALANG SUKAT AT WALANG TUGMA
Walang sukat ang damdamin at wala rin itong tugma, Ang wagas na pag-ibig o nagbabagang galit ay walang ritmo, Lahat ng ito ay dapat na lumaya. Sumabog na tulad sa bulkan Kung kinakailangan o di kaya ay dumaloy na tulad sa agos ng ilog. Ganito ang malayang taludturan na aking tinatangkilik, oo alagad ako Ni Walt Whitman at hindi ko ito ikinakahiya. Hindi ko kinakailangan na bumilang ng mga araw, lingo at buwan, Hindi ko kailangan na pagandahin ang mga salitang isusulat ko. Totoo na gusto ko ring sumikat at makilala ng balana ang maging tanyag Na tulad ng iba. Subalit wala akong balak na itakwil ang aking tunay na Saloobin, hindi ko isasakripisyo ang aking nararamdaman para lang Tanggapin at kilalanin ng iba. Minsan mala-sutala pero mas madalas ay magaspang na tulad sa sako Ang mga salitang ginagamit ko. Hindi ako nanunuyo sa halip madalas ako’ng Nagmumura at nang-uusig. ‘Pagkat yan ang laman ng aking dibdib at hindi Ko ito ikinakahiya. Malaya ako na tulad sa malayang tauldturan na itinataguyod ko. Putang-ina ko man kahit hindi ako ma-publish gagawin ko parin ito. Hindi ko pakikinisin ang magaspang na katotohanan, hindi ko pababanguhin Ang nangangalingasaw na kaganapan ang isusulat ko ay ang tunay lamang. Magiging tapat ako sa aking damdamin, hindi ko uulolin ang aking sarili at hindi Ako mag-iinarte sapagkat hindi naman ako artista. Hindi ito Sunugan o Flip Top ito ang Tunay na ako na s’yang nagsasalita. Hindi ko kailangan na magpatawa. Ang tunay na makata ay naglalahad ng katotohanan hindi ng mga salitang Gustong mapakinggan lamang ng mga taong bumabasa ng kanyang mga tula. Walang sukat at walang tugma ganito ang tunay na demokrasya. Damdamin ko Ang magdidikta, ito ang panginoon ng aking panulat.
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26
“Whatever satisfies the soul is truth” - Walt Whitman Sadyang mapaghimagsik ang iyong panulat ‘pagkat nilabag nito ang lahat ng tugma at sukat. Isa kang tunay na rebolusyunaryo sa larangan ng panitikan ng tulaan. Sinalungat mo ang tradisyunal na konsepto ng panulaan. Binigyang laya mo ang galaw ng damdamin upang ganap na kumawala ang tinig ng kaluluwa at sinabi mo na ito nga ang wagas na kahulugan ng tunay na tula. Na ang tunay na tula ay hindi dapat limitahan ng sukat, tugma at ritmo sapagkat ito ang sigaw ng kaluluwa’t damdamin. Bagama’t hinamak ka nila at inusig noong ikaw ay nabubuhay pa subalit napatunayan mo naman sa lahat na tama ang doktrina mo’t pananaw. Ngayon ikaw ang tinitingala at binabathala ng lahat ng mga makata, ikaw ang itinanghal na ama ng Malayang Taludturan. Salamat sa Leaves of Grass at Song of Myself kung saan ipinagdiwang mo ang pag-ibig mo sa buhay, kalikasan, kaibigan, pamilya at sa lahat ng mga bagay. Sabi nila bastos daw ang mga tema at paksang iyong tinalakay palibhasa’y nagpakatotoo ka sa iyong sarili at pagsasalarawan ng buhay. Salamat mahal na **** sa iyong ginintuang pamana sa amin, salamat sa Malayang Taludturan, salamat sa pag-ibig mo sa panuluan. Ikaw na nga talaga ang humalili kina Dante, Homer at Ovido. Mananatili kang buhay sa aming ala-ala mahal na pantas.
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Nov 15, 2017
Nov 15, 2017 at 3:59 AM UTC
ODA PARA KAY WALT WHITMAN (Isang pagpupugay sa Ama ng Malayang Taludturan)
what were Walt Disney's nefarious purposes behind inventing a cartoon landscape where children are subjected to an intense media driven recapitulation of childhood; a technology-driven experience of childhood; does a child know what constitutes its own childhood & what is corporate psychological product placement; coming from Middle America how did Walt Disney not find Jesus? in the  Transcendentalist American religion, Hollywood is Heaven & Vegas is Hell; therefore Disneyland is Purgatory - - I totally get that; Forbidden Planet & The Ten Commandments both had their special effects done by Disney; that Disney owns Marvel Comics means that half of all super heroes are Disney characters    the protagonists  in each of  the above mentioned films are            respectively: the Id monster & God
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Jul 27, 2018
Jul 27, 2018 at 11:35 PM UTC
Walt Disney was the Antichrist [666]
“Yesterday is gone. Tomorrow has not yet come. We have only today. Let us begin.” ― Mother Teresa May mga panahon sa buhay ko na nasayang, may mga darating pa siguro pero baka hindi ko na maabutan, tanging ang ngayon ang tangan ko sa aking palad. Sisiguraduhin ko na hindi ito masasayang. Gagamitin ko at pagyayamanin ang ngayon ko sapagkat ito lang ang oras na hawak ko. Magsusulat ako ng mga salitang matulain kahit hindi nila ito tanggapin. Kahit ako lang ang tunay na aangkin sa aking simulain. Kahit malalim ang dagat na aking lulusungin kapos man ang bait ito’y aking gagamitin at titimbulanin. Walang yumayaman sa pagsusulat ng tula at ang buhay ng isang makata sa panukat ng lipunan ay laging salat. Pero wala na akong magagawa napasubo na ako, matagal ko na itong nilimot at tinalikuran subalit para itong isang sumpang anino na laging nakasunod ayaw akong tantanan. Mabuti pa ang nag-uulat sa radyo at telebisyon dahil may nakikinig pero sa sumusulat ng tula bihira lang ang lumilingap. Putang-Ina bakit ba kasi ito pa ang nakahiligan ko? Siguro dahil dito ako sumasaya, kasi nagagawa kong bigyang tinig ang tahimik kong isipan. Bakit kasi hindi na lang ako naging payak sa lahat ng bagay lalo na sa gawaing pag-iisip? Bakit kasi masyado akong mapagmasid, mausisa at malikhain sa pagsasalarawan ng mga bagay-bagay? Bakit ayaw magpahinga ng aking diwa? Hindi naman ako magaling sa tugmaan at sa pagkatha ng mga kinakailangang sukat kaya kinalimutan ko na ito. Pero may ulol na bumulong sa akin “ok lang yan may free verse naman e kung hindi mo kaya ipahayag sa tugmaan gamitin mo ang malayang taludturan”. Kaya ito nanaginip na naman ako ng gising at tinatawag ang sarili ko na isang “makabagong makata”. Putang Ina makatang walang pera at laging nangungutang. Buti man lang sana kung makukuha ko kahit ang kalahati ng tagumpay nina Walt Whitman, Amado V. Hernandez, Jose Corazon De Jesus at Francisco Balagtas o kahit na si Emilio Mar Antonio na lang – e tiyak na hindi naman.     Kanina pa tumatakatak ang tiklado ng aking computer, ayaw ko nang magsulat pero may demonyo na tumutulak sa akin para gawin ito. Ayaw akong patahimikan ng putang-ina. Kaya’t heto ako at nagpupursige parin. Ang makabagong makata ay hindi na muling tatalikod sa tawag ng tulaan. Kahit walang pera magpapatuloy ako kasi dito ako masaya, masaya pero malungkot din. Ewan, madalas hindi ko maintindihan. Hindi ko na muling sasayangin ang natitirang oras ko.
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Nov 9, 2017
Nov 9, 2017 at 3:31 AM UTC
MAY PANAHON SA BUHAY
“Yesterday is gone. Tomorrow has not yet come. We have only today. Let us begin.” ― Mother Teresa May mga panahon sa buhay ko na nasayang, may mga darating pa siguro pero baka hindi ko na maabutan, tanging ang ngayon ang tangan ko sa aking palad. Sisiguraduhin ko na hindi ito masasayang. Gagamitin ko at pagyayamanin ang ngayon ko sapagkat ito lang ang oras na hawak ko. Magsusulat ako ng mga salitang matulain kahit hindi nila ito tanggapin. Kahit ako lang ang tunay na aangkin sa aking simulain. Kahit malalim ang dagat na aking lulusungin kapos man ang bait ito’y aking gagamitin at titimbulanin. Walang yumayaman sa pagsusulat ng tula at ang buhay ng isang makata sa panukat ng lipunan ay laging salat. Pero wala na akong magagawa napasubo na ako, matagal ko na itong nilimot at tinalikuran subalit para itong isang sumpang anino na laging nakasunod ayaw akong tantanan. Mabuti pa ang nag-uulat sa radyo at telebisyon dahil may nakikinig pero sa sumusulat ng tula bihira lang ang lumilingap. Putang-Ina bakit ba kasi ito pa ang nakahiligan ko? Siguro dahil dito ako sumasaya, kasi nagagawa kong bigyang tinig ang tahimik kong isipan. Bakit kasi hindi na lang ako naging payak sa lahat ng bagay lalo na sa gawaing pag-iisip? Bakit kasi masyado akong mapagmasid, mausisa at malikhain sa pagsasalarawan ng mga bagay-bagay? Bakit ayaw magpahinga ng aking diwa? Hindi naman ako magaling sa tugmaan at sa pagkatha ng mga kinakailangang sukat kaya kinalimutan ko na ito. Pero may ulol na bumulong sa akin “ok lang yan may free verse naman e kung hindi mo kaya ipahayag sa tugmaan gamitin mo ang malayang taludturan”. Kaya ito nanaginip na naman ako ng gising at tinatawag ang sarili ko na isang “makabagong makata”. Putang Ina makatang walang pera at laging nangungutang. Buti man lang sana kung makukuha ko kahit ang kalahati ng tagumpay nina Walt Whitman, Amado V. Hernandez, Jose Corazon De Jesus at Francisco Balagtas o kahit na si Emilio Mar Antonio na lang – e tiyak na hindi naman.     Kanina pa tumatakatak ang tiklado ng aking computer, ayaw ko nang magsulat pero may demonyo na tumutulak sa akin para gawin ito. Ayaw akong patahimikan ng putang-ina. Kaya’t heto ako at nagpupursige parin. Ang makabagong makata ay hindi na muling tatalikod sa tawag ng tulaan. Kahit walang pera magpapatuloy ako kasi dito ako masaya, masaya pero malungkot din. Ewan, madalas hindi ko maintindihan. Hindi ko na muling sasayangin ang natitirang oras ko.
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What thoughts I have of you tonight, Walt Whit- man, for I walked down the sidestreets under the trees with a headache self-conscious looking at the full moon. In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations! What peaches and what penumbras! Whole fam- ilies shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes!--and you, Garcнa Lorca, what were you doing down by the watermelons? I saw you, Walt Whitman, childless, lonely old grubber, poking among the meats in the refrigerator and eyeing the grocery boys. I heard you asking questions of each: Who killed the pork chops? What price bananas? Are you my Angel? I wandered in and out of the brilliant stacks of cans following you, and followed in my imagination by the store detective. We strode down the open corridors together in our solitary fancy tasting artichokes, possessing every frozen delicacy, and never passing the cashier. Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight? (I touch your book and dream of our odyssey in the supermarket and feel absurd.) Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we'll both be lonely. Will we stroll dreaming ofthe lost America of love past blue automobiles in driveways, home to our silent cottage? Ah, dear father, graybeard, lonely old courage- teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe? Berkeley 1955
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A Supermarket In California
What thoughts I have of you tonight, Walt Whit- man, for I walked down the sidestreets under the trees with a headache self-conscious looking at the full moon. In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations! What peaches and what penumbras! Whole fam- ilies shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes!--and you, Garcнa Lorca, what were you doing down by the watermelons? I saw you, Walt Whitman, childless, lonely old grubber, poking among the meats in the refrigerator and eyeing the grocery boys. I heard you asking questions of each: Who killed the pork chops? What price bananas? Are you my Angel? I wandered in and out of the brilliant stacks of cans following you, and followed in my imagination by the store detective. We strode down the open corridors together in our solitary fancy tasting artichokes, possessing every frozen delicacy, and never passing the cashier. Where are we going, Walt Whitman? The doors close in an hour. Which way does your beard point tonight? (I touch your book and dream of our odyssey in the supermarket and feel absurd.) Will we walk all night through solitary streets? The trees add shade to shade, lights out in the houses, we'll both be lonely. Will we stroll dreaming ofthe lost America of love past blue automobiles in driveways, home to our silent cottage? Ah, dear father, graybeard, lonely old courage- teacher, what America did you have when Charon quit poling his ferry and you got out on a smoking bank and stood watching the boat disappear on the black waters of Lethe? Berkeley 1955
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Be composed—be at ease with me—I am Walt Whitman, liberal and ***** as Nature; Not till the sun excludes you, do I exclude you; Not till the waters refuse to glisten for you, and the leaves to rustle for you, do my words refuse to glisten and rustle for you. My girl, I appoint with you an appointment—and I charge you that you make preparation to be worthy to meet me, And I charge you that you be patient and perfect till I come. Till then, I salute you with a significant look, that you do not forget me.
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To A Common **********
The sun bakes down heavily on a plastic micro planet in Orlando, Florida where crowded trams drop American bushels of tourists into an alien world. Quickly fantasy comes alive through a corporation of disguise. The workers mask themselves in a drapery of familiar life -like costumes to charm little children’s hearts. They smile wildly, carving a clear dimple line on the but of their cheeks. Walt’s Disney World must have driven every one of America’s circuses out of business. The flying trapeze is too elegant, people now want to be strapped in, buckled up and whipped around to forcibly experience the true velocity of entertainment. Even the participant’s attire is geared for this third world oblivion. Neon ***** packs rest like bloated kangaroo pouches on fat sweaty old lady’s round hips, their plump fingers holding on to leashed harnesses reined to their child’s small chest. This is vacation, strangers of people in massive conglomerations with confused expressions and burnt faces. Even the food seems wickedly unnatural, like an artificial order of burning plastic and sour dough surprise. Waiting is the enthusiast’s pastime as parades of anxious voyeurs are captivated by a trance fixation of lights and whistles. They line up like schools of lemming, plunging on rides, one by one. This is the place Where memories are made And dreams come true
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Sep 25, 2010
Sep 25, 2010 at 12:25 PM UTC
Walt Disney World, Orlando Florida
To Struga Festival Golden Wreath Laureates & International Bards 1986 Stand up against governments, against God. Stay irresponsible. Say only what we know & imagine. Absolutes are coercion. Change is absolute. Ordinary mind includes eternal perceptions. Observe what's vivid. Notice what you notice. Catch yourself thinking. Vividness is self-selecting. If we don't show anyone, we're free to write anything. Remember the future. Advise only yourself. Don't drink yourself to death. Two molecules clanking against each other requires an observer to become scientific data. The measuring instrument determines the appearance of the phenomenal world after Einstein. The universe is subjective. Walt Whitman celebrated Person. We Are an observer, measuring instrument, eye, subject, Person. Universe is person. Inside skull vast as outside skull. Mind is outer space. "Each on his bed spoke to himself alone, making no sound." First thought, best thought. Mind is shapely, Art is shapely. Maximum information, minimum number of syllables. Syntax condensed, sound is solid. Intense fragments of spoken idiom, best. Consonants around vowels make sense. Savor vowels, appreciate consonants. Subject is known by what she sees. Others can measure their vision by what we see. Candor ends paranoia. Kral Majales June 25, 1986 Boulder, Colorado
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Cosmopolitan Greetings
To behold the daybreak! -Walt Whitman, Song of Myself from Leaves of Grass In days like this one, when rain drops so light & everything dips into weeping grey my sanity longs for memories. My sanity longs like impulsive recalling of plummeting sadness in greying day sashaying mournful recollects from sunrise to daybreak. Remembering vanishes in the joyful marrow of life. There, forgetting lives. Tell me the last time bliss comforts your soul. It is a transient tick too stiff to evoke. What about the last time pain feigns your saneness. Memories turned into bullets slitting shrapnel warping into my soul. Happiness lasts for a second. Sadness, a lifetime. Tell me how to get rid the hurting clout of ache existing as a blunt fragment benign yet reminisced. Daybreak pours so hard and my sanity like a waning light crawls back in a miasmatic cave along the river known to be a home of a witch & her cursing narrative of throwing silver saucers making her a spotless shadow through vestal times never again a thriving spirit. Forget Blake. Forget Whitman. Only in daybreak where everything churns into life, my sanity shrinking back collapsing into surreal gaps. Here & there, my sanity longs for memories.
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Dec 9, 2016
Dec 9, 2016 at 10:31 PM UTC
The Day my Sanity Longs for Memories
One room away is a woman who wants me to **** her. She is beautiful, intelligent, and drunk. I am ugly, intelligent, and sober. Even though my highest and best tells me to walk away with a smile, my core screams for a ruining. One room away is a drunk, ***** dripping work of art who is also very, very lucky. Charles tells me to listen to my **** and Pablo whispers a reminder to remember the smell of early morning wheat and your eyelashes while Walt and I gaze at the stars and think of death. I smile to myself, soaking in the after glow of vanilla chai, good **** and dead poets. One room away is a woman who's fate was in my sadistic hands. Two rooms away is a twelve year old who is dreaming of flag football and Vans and getting to level 37 of Skyrim and one day, after he wakes up and after we have our toaster strudel, and somewhere in between me stopping for coffee and dropping him off, I'll remind him that good ***** is everywhere so take your time and do it right and when you just don't want to look at their face, make some tea, catch a buzz, and read some poetry.
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Apr 24, 2013
Apr 24, 2013 at 1:09 AM UTC
Maybe then I'd sleep
Dreams of young girls and boys, grew up between the happy endings of a tragic story, that is written by a hand who let mouses speak, and ducks suffer from ADD, an unknown was created by a man who died between the same walls i am in, staring at those walls entering the realm of his thoughts trying to solve the mystery of darkest most depressing riddles, i talked to his lost but not dead voice, leaving me with pictures moving fast, creating a message holds the answer to the voice’s master door, knees of mine touched the ground, a world of his own creation, a world he escape to, when his soul loses it’s light, forcing that world to enter the real world, one of many “once upon a time” buried myths that hold no happy endings, merging night dreams with the real world is the worst forbidden act, walt disney you were so naive to coast your soul it’s home.
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Apr 30, 2014
Apr 30, 2014 at 9:26 AM UTC
Sacrifice
What will you do when the clocks no longer tell? After you smash to pieces Cronos' clock And you slip into the stillpoint as the Eye opens In the palm of your hand; after you cross The Threshold and return to offer up your Boon To man. When the ego falls away and you begin your Gift of servitude. When the trees drip light, and each child you See has around their head a circle of light. Light surging up and over, Bleeding from eyes and hands; Oceans of light illuminating beaches; Lovers enveloped in a cocoon of light; The crow blasting through photons, Climbing currents into the face of the sun To erupt in all-consuming flame; Like William Blake driving Apollo's Chariot into a supernova; Walt Whitman pulling from the River Why a fish erupting and igniting his Beard, showering him in corpuscles of light; Like a Devish whirling, shooting off sparks And laughing like a madman dancing and Burning in the Dragon's jaws. And Vincent, in your dreams, deep in a Sea of sunflowers looking up at you With the wondrous eyes of a child And waving his arms like a Sorcerer Conjuring and you see what he sees: Heaven in a wildflower.
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Oct 30, 2010
Oct 30, 2010 at 6:50 AM UTC
Heaven In A Wildflower
You, saying love You, shaman's road You, a bird You, a yellow sun You, Emperor You, lovely door You, my Walt Whitman You, Neal You, Sal Paradise You, Pancho Villa You, La Revolución Mexicana You, navajo You, the border You, the river You, chicana You, Mafia You, redemption You, poetry You, Salvador Dalí You, Picasso You, stereo You, love You, *** You, youth You, America You, América You, español You, english You, country side You, cat You, fire You, books You, E. E. Cummings You, Bukowski You, Octavio Paz You, Coca-Cola You, Coke You, India You, Mississippi You, jazz You, Miles You, Davis You, water You, rain You, lagoon You, chest You, car You, road You, reading You, lines You, Paris You, Baudelaire You, Poe You, japanese You, katana You, Mishima You, gun You, rifle You, cam You, can You, can't You, Durango You, Arizona You, desert You, gonzo You, mezcal You, alcohol You, drive You, crush You, alive You, again
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Jun 3, 2013
Jun 3, 2013 at 3:16 PM UTC
Down with law
Walt Whitman was a ****** That's what we say when we cross his bridge from South Philly to Jersey and see what he would see: the river solid waveless with trees green around feeding from the water on the left and far beyond the watertable real for a minute from the arched metal and the city visible wholly with warehouses rowhomes inches apart and glass buildings and all burnt orange by four o'clock sun but clear on blue sky but you know he was a ****** and the city all one in your eye if you want it to be and the languages together between the buildings all the blacks asians whites itlalians irish polish moving together and talking and eating the food working and riding cars and buses around the liberty bell and independence hall it is brooklyn ferry it was his prophesy but you know he was ****** a big jersey boy *** yea
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May 28, 2014
May 28, 2014 at 10:29 PM UTC
Walt Whitman was a ******
This will be no sad song, I don’t want to overflow the rivers of tears with a flood of my own. We have all seen enough to fill oceans, In dark corners I have seen the fates sitting around and smile. Some rivers overflow, and other scrap together every last penny just to fight another day. You die, I die, the president will die. Our voices will not crawl along the edge of a river rasping at the others to accept the waters. We will trumpet the tail of the glory of life from the after-party. Chatting casually with a soldier wearing the wrong colors. Is there one among us who does not bear the blood of countless souls? The best champagne will not open to the highest bidder. Nor will it be enjoyed by one, but by the prostiuite by the cop by the technician, yourself and I. All of us enjoying each other’s stories, none shall be left from the table, the best champagne all shall toast with it. An epic of a fight with a lion and the wind, of living through time and the difficulties of never cutting the delicate surface no struggle greater than either. The old skeletons will find new life and I will dance freely with them arm in arm, for a second or eternity. We will stand proud together singing and dancing before the after party. Then we shall toast to it all. We shall toast the ever so careful historians, did they really think they could fit, even the after party on any number of pages?
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May 21, 2015
May 21, 2015 at 10:37 PM UTC
Walt Whitman imitation poem
all day long, their banging disturbed me at my work startling me from my reverie, lost deep in the world of I Wish I Had A Heart Like Yours, Walt Whitman the birds, returned early from wherever it is they hide during the long winter, have come to fling themselves against the over-sized picture window in my living room, songbird pitch themselves into my poet's dull daytime so that i am moved to rise from my desk, to look out, to seek a bird flying away, or peer down to search for the tiny body maybe roosting among the stalks of the overgrown hydrangea, which captured  autumn’s maple leaves, worn like a Chicago matron's mink to keep the winter chill at bay and, as the spring surrenders to the warmer days, i mow the brightly greened grass, innocently cutting row after row, to turn finally to the narrow strip nearest the picture window, a mixture of grass, dried leaves and tiny twigs, all mulched by the power mower, where i discover these dessicated bodies   exhumed from shallow graves at the base of the newly leafed hydrangea, their stiff, dry feathers bristly, colored a washed out grey, tiny feet tightly balled, with all the soft parts missing and the beaks a startling white, as though bleached, bright against the dullness of the little corpses which seem to have sunk into the mosses of the yard, so that they lay preserved below the blade for the first late-spring chore -- mowing the bird bone garden i sleep with the bedroom window ajar despite the overnight chill and dream of the memory of birds, their shapes, their white beaks and, still, the bird songs wake me in the cool green spring morning
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May 18, 2012
May 18, 2012 at 8:56 AM UTC
mowing the bird bone garden
all day long, their banging disturbed me at my work startling me from my reverie, lost deep in the world of I Wish I Had A Heart Like Yours, Walt Whitman the birds, returned early from wherever it is they hide during the long winter, have come to fling themselves against the over-sized picture window in my living room, songbird pitch themselves into my poet's dull daytime so that i am moved to rise from my desk, to look out, to seek a bird flying away, or peer down to search for the tiny body maybe roosting among the stalks of the overgrown hydrangea, which captured  autumn’s maple leaves, worn like a Chicago matron's mink to keep the winter chill at bay and, as the spring surrenders to the warmer days, i mow the brightly greened grass, innocently cutting row after row, to turn finally to the narrow strip nearest the picture window, a mixture of grass, dried leaves and tiny twigs, all mulched by the power mower, where i discover these dessicated bodies   exhumed from shallow graves at the base of the newly leafed hydrangea, their stiff, dry feathers bristly, colored a washed out grey, tiny feet tightly balled, with all the soft parts missing and the beaks a startling white, as though bleached, bright against the dullness of the little corpses which seem to have sunk into the mosses of the yard, so that they lay preserved below the blade for the first late-spring chore -- mowing the bird bone garden i sleep with the bedroom window ajar despite the overnight chill and dream of the memory of birds, their shapes, their white beaks and, still, the bird songs wake me in the cool green spring morning
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27
I make a pact with you, Walt Whitman— I have detested you long enough. I come to you as a grown child Who has had a pig-headed father; I am old enough now to make friends. It was you that broke the new wood Now is a time for carving. We have one sap and one root— Let there be commerce between us.
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3.8k
A Pact
plants do not require papers that state from where they came they are caught and pulled by the bite of birds, seduced by the between-legs of bees, seized on the legs of the wind and animals by thistles and burrs and the blessed are pollinated by the hummingbird I do not know where I came from (really?) (really.) or where nature and nurture intertwine within me, precarious balance from discipline and my genes I twist bunches of grass between my fingers, feeling the good in a strain racked on top of white bones, pushing sheets of freckled skin out, spreading cancerous aluminums under my arms because an artificial flower smells better during *** than human sweat, what a pity, we are unable to reveal with the bursts of Walt Whitman (!) in our own organic mechanism's ability to produce salt. The ultimate flavor. I grin. Inhaling deeply while alone and unwashed, Whitman would've been into it. Maybe I can find someone into it too. Someone who'll read me Henry Miller. But instead I'll wear expensive perfume. I grin, again. Sardonically. And I've been told I have a beautiful smile. I should, that smile cost blood and five grand for something cosmetic and quirky, train-tracks over teeth, I now stain yellow with obsolete cigarettes. I wait in the tropical heat, languishing while I bake, a freckle factory and tan--adrift--awash with memories recalled by the smell of green and the fearful hum of bees. Why did I start smoking again? I look at the red hummingbird feeder, and wish I could trade standing still as a hummingbird, I lie and say I cannot wait.
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Jun 23, 2013
Jun 23, 2013 at 5:16 PM UTC
Stand Still Like a Hummingbird
plants do not require papers that state from where they came they are caught and pulled by the bite of birds, seduced by the between-legs of bees, seized on the legs of the wind and animals by thistles and burrs and the blessed are pollinated by the hummingbird I do not know where I came from (really?) (really.) or where nature and nurture intertwine within me, precarious balance from discipline and my genes I twist bunches of grass between my fingers, feeling the good in a strain racked on top of white bones, pushing sheets of freckled skin out, spreading cancerous aluminums under my arms because an artificial flower smells better during *** than human sweat, what a pity, we are unable to reveal with the bursts of Walt Whitman (!) in our own organic mechanism's ability to produce salt. The ultimate flavor. I grin. Inhaling deeply while alone and unwashed, Whitman would've been into it. Maybe I can find someone into it too. Someone who'll read me Henry Miller. But instead I'll wear expensive perfume. I grin, again. Sardonically. And I've been told I have a beautiful smile. I should, that smile cost blood and five grand for something cosmetic and quirky, train-tracks over teeth, I now stain yellow with obsolete cigarettes. I wait in the tropical heat, languishing while I bake, a freckle factory and tan--adrift--awash with memories recalled by the smell of green and the fearful hum of bees. Why did I start smoking again? I look at the red hummingbird feeder, and wish I could trade standing still as a hummingbird, I lie and say I cannot wait.
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27
Excitement (stressed parents) Endless fun to have (bickering couples) Days of joy and laughter (screaming children) It's the happiest place on earth (you'll slowly miss being home)
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Apr 27, 2016
Apr 27, 2016 at 11:40 AM UTC
Walt Disney World
On a long journey across the night of an America I drove into the desert landscape and beheld Elvis and Morrison, Hendrix and Dylan In a ditch to the side of the road, with trash bags in their hands. They seemed to whistle while they worked, But the notes just wafted into the night, not nearly fast enough to catch my speeding Cadillac. In the morning, I stopped into a diner With my breakfast and coffee, I saw a newspaper that was guaranteed by the Andy Warhol himself to be one hundred percent truthful. I didn't read it. Had to get back on the road The desert went on forever, and in the oil fields I saw Jackson Pollack, standing by a gusher, Wearing a cheshire grin. I smiled back at him, secure in the knowledge that I would have enough gas to get where I was going. The announcer's voice blasted through my car's radio. He said Poe had solved overpopulation, and that Emerson, Thoreau, Uncle Walt and Miss Em had got their hands ***** and fed the entire continent of Africa. I shut him off and bore my eyes down on the asphalt ahead. I passed a drive in theater on the left side of the road and caught a glimpse of Scorsese accepting the Nobel Prize for Peace. Someone told me later that he and DeNiro had stopped genocide. I politely nodded and got back in my car. Out there was America and I was going to find it. Out there was industry and capital. Out there was ingenuity and hard work. Out there were my own bootstraps waiting for me to pull them up. Out there was America, and I was going to find it fast.
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Sep 11, 2012
Sep 11, 2012 at 3:49 AM UTC
Out There Was America
On a long journey across the night of an America I drove into the desert landscape and beheld Elvis and Morrison, Hendrix and Dylan In a ditch to the side of the road, with trash bags in their hands. They seemed to whistle while they worked, But the notes just wafted into the night, not nearly fast enough to catch my speeding Cadillac. In the morning, I stopped into a diner With my breakfast and coffee, I saw a newspaper that was guaranteed by the Andy Warhol himself to be one hundred percent truthful. I didn't read it. Had to get back on the road The desert went on forever, and in the oil fields I saw Jackson Pollack, standing by a gusher, Wearing a cheshire grin. I smiled back at him, secure in the knowledge that I would have enough gas to get where I was going. The announcer's voice blasted through my car's radio. He said Poe had solved overpopulation, and that Emerson, Thoreau, Uncle Walt and Miss Em had got their hands ***** and fed the entire continent of Africa. I shut him off and bore my eyes down on the asphalt ahead. I passed a drive in theater on the left side of the road and caught a glimpse of Scorsese accepting the Nobel Prize for Peace. Someone told me later that he and DeNiro had stopped genocide. I politely nodded and got back in my car. Out there was America and I was going to find it. Out there was industry and capital. Out there was ingenuity and hard work. Out there were my own bootstraps waiting for me to pull them up. Out there was America, and I was going to find it fast.
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33
I am a vast dichotomy of tasteful ideals. I desire to dream the dreams most people deterred. Paintbrushes touch canvases then lift as if unsure if they should grace the world with their beauty or hold back with chagrin. Bodies burrow under blankets with banned books instead of men. I warm myself with beverages in a coffee mug on a rainy day rather than a body lying next to me.
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Feb 27, 2016
Feb 27, 2016 at 12:58 AM UTC
Song of Myself (a ****** imitation of Walt Whitman)
learn your questions. discern the myriad as One, and console your misery with service. pour your fumes into the heart of mars; press pause when your gods make you nervous.  and when they don't exist, you whistle while you hurt... as if the Master Plan had jokes. but know this. your cathedrals have killed people, and your faith was crushed - whenever sincere. so i bid you peace. a peace with tranquil thoughts and night lemmings; squealing right over the Cliffnotes to Oblivion, in vapid terror and happy herds. their little parachutes; cumbersome, with snapped threads to a forum, that unpack, once filled with air and parents . you inherit the edge of your vague notions.... that expand upon dissent . heretic tick BOOM ! then make love, all day Wednesday learn your questions. gain the gist of your out-risible ignorance and invent the humor of  "precise submission" as humility will boast , enthroned above the kingdom of desire aching hermetic in a mob. but knobs - that turn,  despite severed hands turn Truth's ***** learn your throat. hold only the notes to your music to a golden standard ! Brandish your exile, like a rogue - from it's sheath of Turin [ and flash! ]   it's blade of grasp in Walt Whitman's Verile Phase... face your loved ones, but only with the face that got away. return... return unbridled and unkempt. more windswept than lost and found   haunted... and remember eat whatever you **** well please because " **** Dr. Phil, Really ? " Have you ever  seen an anorexic Buddha ? and bought that one ? if you have... you might be ascetic.
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May 29, 2013
May 29, 2013 at 12:57 PM UTC
Pass The Hat To All But Headless Men
learn your questions. discern the myriad as One, and console your misery with service. pour your fumes into the heart of mars; press pause when your gods make you nervous.  and when they don't exist, you whistle while you hurt... as if the Master Plan had jokes. but know this. your cathedrals have killed people, and your faith was crushed - whenever sincere. so i bid you peace. a peace with tranquil thoughts and night lemmings; squealing right over the Cliffnotes to Oblivion, in vapid terror and happy herds. their little parachutes; cumbersome, with snapped threads to a forum, that unpack, once filled with air and parents . you inherit the edge of your vague notions.... that expand upon dissent . heretic tick BOOM ! then make love, all day Wednesday learn your questions. gain the gist of your out-risible ignorance and invent the humor of  "precise submission" as humility will boast , enthroned above the kingdom of desire aching hermetic in a mob. but knobs - that turn,  despite severed hands turn Truth's ***** learn your throat. hold only the notes to your music to a golden standard ! Brandish your exile, like a rogue - from it's sheath of Turin [ and flash! ]   it's blade of grasp in Walt Whitman's Verile Phase... face your loved ones, but only with the face that got away. return... return unbridled and unkempt. more windswept than lost and found   haunted... and remember eat whatever you **** well please because " **** Dr. Phil, Really ? " Have you ever  seen an anorexic Buddha ? and bought that one ? if you have... you might be ascetic.
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56
“and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.”   Walt Whitman <> having recently been on standby for a permanent-entry residency visa to over & just beyond death’s door, Walt’s prescient prescription strikes my broken breastbone even harder much, than the persistent periodic pains confirming the breaking and the healing of this man’s mending of the human centric poetic ***** for this warped heart mine, now rejoicingly rejiggered with some threads and wires to deliver a new but fresh bloodied wisdom, begs me, eggs me to torrent word streams, but Whitman’s wisdom cautions a new slowness, the wisdom of mortality’s hot breath urges careful consideration of every letter that my second chance, consignment shop flesh, eagerly embraces, to both prescribe and proscribe inside-insights tween the deafening sounds of eyelashes beating synchronized to the revived heart rates rapid renewal and last second-chances…. torn tween minute torso sensations and the running silence of a new battery’s internal rapid intervals, the silent timing gaps tween beats leaves-just-enough-space to ask over and over again, from whence will come my richest fluency? (1) at 300am, I lay carefully caressing and chewing well each transitory thought, absent the former energetic ability to just spill, though highly desired, now requires, like me, steady re-piecing together the steady drumbeat of now-nearer-my-god-than-thee Titanic reflections demands a slowing rapidity this I thought before and now ken, even and ever better, that our primary endeavor shall always be the giving, the disbursement of the act of love…for therein lies the healing of each, and wet eyes, make necessarily concluding this poem about nothing and everything and I comprehend Walt’s dictum: my very flesh is a poem, every sensation a lyric, every breath taken and returned to the atmosphere so unconsciously are my oldest and newest 3:00 AM poetry companions
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Aug 18, 2023
Aug 18, 2023 at 4:41 PM UTC
the breaking and the healing...(“your very flesh shall be a great poem”)
“and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.”   Walt Whitman <> having recently been on standby for a permanent-entry residency visa to over & just beyond death’s door, Walt’s prescient prescription strikes my broken breastbone even harder much, than the persistent periodic pains confirming the breaking and the healing of this man’s mending of the human centric poetic ***** for this warped heart mine, now rejoicingly rejiggered with some threads and wires to deliver a new but fresh bloodied wisdom, begs me, eggs me to torrent word streams, but Whitman’s wisdom cautions a new slowness, the wisdom of mortality’s hot breath urges careful consideration of every letter that my second chance, consignment shop flesh, eagerly embraces, to both prescribe and proscribe inside-insights tween the deafening sounds of eyelashes beating synchronized to the revived heart rates rapid renewal and last second-chances…. torn tween minute torso sensations and the running silence of a new battery’s internal rapid intervals, the silent timing gaps tween beats leaves-just-enough-space to ask over and over again, from whence will come my richest fluency? (1) at 300am, I lay carefully caressing and chewing well each transitory thought, absent the former energetic ability to just spill, though highly desired, now requires, like me, steady re-piecing together the steady drumbeat of now-nearer-my-god-than-thee Titanic reflections demands a slowing rapidity this I thought before and now ken, even and ever better, that our primary endeavor shall always be the giving, the disbursement of the act of love…for therein lies the healing of each, and wet eyes, make necessarily concluding this poem about nothing and everything and I comprehend Walt’s dictum: my very flesh is a poem, every sensation a lyric, every breath taken and returned to the atmosphere so unconsciously are my oldest and newest 3:00 AM poetry companions
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30
*it's not exactly Walt Whitman's o captain my captain in reference to Abraham Lincoln.* to społeczeństwo jest gnój... to społeczeństwo jest... szambo, daj mi kandydata na prezydenta z koła Navajo! dawaj kurwa! bo tego nigra nie zdołam przetrawić w ramach jego Nobla! pierdolona kukła białasów! o tak panie prezydencie, no tak panie prezydencie... dziecko chcem wysłać na Harvard... może pan pomoże z wojęnką na bliskim wschodzie? pięknie panie prezydencie, dziękujemy za zbieranie włókna larw ciem. ah panie prezydencie, jaka piękna sciema! jaka piękna mgła! ah tak panie prezydencie... kultura nie była asz tak zgodnie zparowana z siłą! hip hop hooray nad top z pana wagarami władzy chodem po cmentarzu!
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Apr 8, 2016
Apr 8, 2016 at 9:08 PM UTC
Navajo presidential Candidate
We believe we must be gregarious. In communal bonds families annoint One another in a precarious Need to follow one leader at the point. Individuals are not relevant. Momentary solitude makes us run. In silence we find nothing elegant . Time to search for innerpeace has begun. "Oh' Catain, My Captain," cried Walt Whitman. The captain is dead. There's no one we need. We don't have to group to stop the hitman. The single flower's a rose, not a **** We, need to be I, hear this confession: Farewell friends, I am my new obsession.
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Feb 11, 2013
Feb 11, 2013 at 7:17 PM UTC
Sonnet (Bouts-Rimes)