In the mid-1990s I worked as a bartender
on the second floor of a local hotdog joint
near the University of Pittsburgh.
I poured beers and mixed simple drinks
for working class drunks.
The felons always had a game or a magic trick
they’d use to milk rubes for a free gin and tonic.
College students mostly stayed away,
but the ones who stumbled in ordered drafts,
paid for by daddy’s allowance
or the petty drug rackets they ran on campus.
In the summer, the best ***** came around,
**** pushed out of their tops,
*** cheeks crept below their skirts.
They knew how to find action
every single night.

Except one overweight girl named Susie
from the all girl’s school down the road.
She’d come to the bar alone,
her lips caked with dark red lipstick.
Like many students, Susie wanted to be older.
She’d order ***** martinis,
drink quietly, and she’d patiently wait
for one of the older drunks to make a move.
It never happened.

Sometimes Susie complained to me
about other girls at her college,
that they were aggressive lesbians.
All of them wanted to eat her ******.
‘Those ******* are as bad as the men,’ she’d say.
But then she’d laugh it off.
‘I really love ****,’ she told me.
‘I think about **** and *** all the time.’

One night Susie owed the bar $27.50.
She always tried to flirt her way past the tab.
I never let her get away with it.
‘Do you like me?’ she said.
I laid down my trademark response,
‘You’re the best.’
‘No, do you really like me?’
I figured she deserved a real compliment.
‘You have the sexiest lips here.’

She climbed off the barstool
and walked to the backdoor, the fire escape.
She then curled her finger at me to join her.
Outside on the small rusted iron landing,
above the roach-filled dumpster,
Susie crouched between my legs.
Both of us worked to unbuckle my belt.
A swarm of hands pulled down my jeans.
I looked up at the few stars between buildings
as those red lips and soft tongue became my drug,
a back alley escape from a ******* life.
When I unloaded, she refused to let go.
She swallowed it all. $27.50 paid in full,
plus tip.

That’s how we went for a while.
I gave Susie small escapes from lesbians.
Susie gave me small escapes from life.
Eventually, she stopped coming around.
I figured she graduated.
Perhaps her classmates finally got their wish.
Either way, I never saw her again.

On World Hijab Day, which was on February 1, you didn’t have to be a Muslim to wear one. The designated day was first announced in 2013. Founded by activist Nazma Khan, the story behind World Hijab Day is an emotional one which speaks of the bullying, prejudice, physical and racial abuse Khan endured as a young child who migrated to the US from Bangladesh. These unkind imputations were all because she wore a hijab.

Since launching an online store in 2010 to sell hijabs, Khan has received an outpouring of support from hijab-wearing women across the globe who have shared with her their own terrifying stories because of their headscarves.

Today, World Hijab Day is celebrated in 116 countries around the world. Although the declaration received negative criticisms from some who saw it as a “well-financed effort by conservative Muslims to dominate modern Muslim societies,” others respect the day. One such person was New York Assemblyman David Weprin, who in his feature address on World Hijab Day, said: “As the prime Assembly sponsor of the Religious Garb bill in New York State, A2049, I stand with all Americans of faith, regardless of their choice, to wear a hijab, kippah, turban, or cross. All Americans of all faiths should be allowed to freely exercise and display their religious choice without the fear of violence and bigotry.”

Here at home, women’s rights activist and model Naballah Chi has not been quiet about her love and honour for the true meaning of the hijab. In an interview with the T&T; Guardian, Chi explained the meaning of the hijab and why it’s worn.

“The literal meaning of hijab is to veil, to cover, or to screen. Islam is known as a religion concerned with community cohesion and moral boundaries, and therefore the hijab is a way of ensuring that the moral boundaries between unrelated men and women are respected,” said Chi.

She added, “In this sense, the term hijab encompasses more than a scarf and more than a dress code. It is a term that denotes modest dressing and modest behaviour. Wearing the hijab is a commandment from Allah. The majority of Muslim women wear hijab to obey God, and to be known as respectable women.

“The basic requirement of the hijab is that a Muslim woman should cover her head and ***** (chest) and her body. So in the last 30 years, hijab has emerged as a sign of Islamic consciousness and women’s assertion to obey their lord. A woman wearing hijab becomes a very visible sign of Islam.

“The aura of privacy created by hijab is indicative of the great value Islam places upon women. Therefore, hijab is not a symbol of oppression. The hijab does not prevent a woman from acquiring knowledge or from contributing to the betterment of human society. While those who seek to ban hijab refer to it as a symbol of gender-based repression, the women who choose to don a scarf, or to wear hijab, in the broadest sense of the word, view it as a right and not a burden,” she explained.

She said wearing the hijab has given her the freedom from constant attention to her physical self.

“My appearance is not subjected to scrutiny, my beauty, or perhaps lack of. Instead it has been removed from the realm of what can legitimately be discussed,” she said.

Chi comes from a world of beauty pageants where she once felt pressured to put down her hijab in exchange for a crown.

After understanding the true meaning behind the hijab, and why she wore a hijab as a Muslim woman, she decided to design a fashionable collection called Classic Woman—not the conventional headscarf, but rather, beautifully coloured pieces which bear intricate artwork. They can range from embroidery to sequins or even tie-dye. The sky is the limit when she puts her fashionable sense into motion.

Chi said the collection was inspired by both The Great Gatsby and the Renaissance eras of power dressing.

“My collection features designs showcasing the powerful but elegant and well-tailored woman.

Chi Collection’s trademark fabrics are soft, beautiful silks, chiffon, sequins, embroidery and bridal laces. Distinctive attributes are the colours scarlet red, white and black, in keeping with the classic fashion palette and to pay homage to my country as a Trinbagonian designer,” said Chi.

Her collection was launched in November 2015 at the Red Runway Fashion Gala held in Port-of-Spain. The collection will be available for purchase via Chi’s upcoming website.Read more at:www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/formal-dresses-2015

In light of the recent flood of indie designers coming forth to call foul on fast fashion retailers for copying their designs (paired with a few not-so-fast fashion brands, which have been called out for copying, as well), a common question seems to be: Why is this ok? In particular, why is it perfectly acceptable for Zara to copy these designers’ work? How is this practice legal?

Well, put simply, copyright law is not necessarily a friend to fashion in the United States. This is a blanket statement, of course, but it bears quite a bit of truth, nonetheless. Since copyright law, the sect of intellectual property law that protects "original works of authorship,” such as books, paintings, sculptures, and songs, does not protect useful things, such as clothing and accessories, it provides little protection for those things in their entirety. Creative elements of a design that can be separated from the functional elements are subject to protection, which is why elements of a garment, such as a print that covers it, may be protected (as Pictorial, Graphic or Sculptural Works). This protection-by-separation method, however, does little to ward off copiers.

Moreover, unlike in most cases of the copying of garments, the copying of original jewelry designs often tends to give rise to legal ramifications as jewelry is afforded greater copyright protection in its entirety than garments are. However, as evidenced by Nasty Gal’s continuous sale of infringing jewelry designs, for instance, this also does little to deter copycats.

Other forms of intellectual property protection (think: trademark and patent protection) arguably are not ideal for fashion designs either. Trademark law only protects a designer’s name or logo – with some exceptions under the doctrine of trade dress which are relatively rare. Patent protection – namely, by way of design patents – is not terribly useful for designers because it is expensive (patent protection costs thousands of dollars to achieve) and takes a relatively long time (upwards of one year) to obtain. That’s simply too long for most fashion brands, whose business models depend on trends and season-specific wares. Taken together, this is why fast fashion retailers make hundreds of millions of dollars by copying high fashion designs and only are very rarely sued – let alone penalized – for doing so.

It is worth noting that this is not the case in other countries – namely, in the countries of the U.S.’s international fashion competitors. Copyright protection in the UK is not terribly dissimilar from that in the United States. However, the European Designs Directive introduced a unified system of industrial design rights for both registered and unregistered designs throughout the European Union. This allows for the protection of garments and accessories in their entirety.

Due to its history as the home of innovation in terms of high fashion, it is not surprising that France enjoys the most extensive and longstanding legal rights in connection with fashion designs. The country’s copyright system provides protection for garments and accessories. The same type of protection also applies to Italian designs.

So, it is within these loopholes that retailers like Zara, Forever 21, H&M;, and the like can operate legally (for the most part) and profit from the designs of others.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/****-formal-dresses

Every week we bypass each other



As if neither of our existences





Matter much to one another









From across the room



We gaze at each other



Time further elapsing





How my mouth just waters



By the way you sway your hips



As you perform your **** walk





****... Would I ever love



To softly smack that backside



The way you flaunt drives me wild





And then you turn to flash



That lovely trademark smile



Seducing me over the edge





Purring like a naughty kitten I say:



'I want you...'



'I need you...'



'Come play with me I don't bite.'







Upon my lap she jumped



In her sexiest tone she whispered



'Let our bodies take the shape of lust.'





© 2011 (All rights reserved)

Months of stale, cigarette smoke
and spilt **** water pleasantly
offset the stench of cheap cologne
and ratty, abused furniture.
    
Fictitious stories occupy this tiny, dim
apartment, birthed on the lips of
rebellious juveniles whose tongues
pierce the ears of our elders.

In a forsaken corner, Jeremy lounges
awkwardly on a grubby-plaid sofa that
suitably complements his button-down shirt.  
I join him.

Behind his right ear rests a lonely cigarette, while
another sits snug between his lips, set ablaze
by the 1968 Slim Model Zippo he inherited from
his beloved grandfather.

His transparent sense of self-worth emanates
from his grubby, grease-stained hands, scuffed boots,
blotchy-checkered flannels, and faded blue jeans
that are completely obliterated with holes.

I look into his pale blue eyes, the depth of which
often goes unrecognized.  Jeremy is a soft-hearted,
pudgy youngster with the kind of chunky cheeks
that all grandparents love to torture.  

But his marred, acne-ridden face betrays the transition
that has been forced upon him.  Slowly, his trademark
grin appears across his face – subtle, mischievous, and
typically without reason.  But this time it appears justified.

Jeremy takes a moment’s break from his cigarette to drop two
hits of acid.  A new drug for him, he hopes to find relief from
his seething anxiety, evidenced now by the wide expansion of his
chest as he takes another, more lengthy and powerful pull from his cigarette.

The mundane chatter that fills the room continues, a seeming
necessity to offset any potential awkward silence. I feel as if
this noise is closing in around us.  But just as suddenly as I
feel overwhelmed by this sensation, the noise stops.

I look around, noticing everyone’s eyes staring in my
direction.  Jeremy is still next to me, now giggling
like a little school girl.
I begin to feel sick.

Jeremy swiftly leans forward, giving his
cigarette a premature but honorable
death, eliminating its glow as he smashes
the cherry into tiny bits against the ashtray.

As he sits back against the couch, I can see that
his eyes are now indifferent. Foreign.  With a perplexed
and fascinated stare, he watches the pearly-white smoke
slowly slither upwards towards the ceiling.

There’s no question in my mind that his
soul has fled. Jeremy sinks further into the
couch, turning his vacant eyes in my direction.
I want to *****.

His high-pitched giggle has now subsided into a
low whimper.  Gradually extending his left arm into
the air, he tilts it from side-to-side, examining it as if
an infant discovering his genitals for the first time.  

Bike wheels appear in the corners of the room.
Entertained, his eyes rapidly zigzag from the
corners of the walls to his hands. He asks me
if I can see the wheels. I don’t respond.

Intervals of psychotic emotion begin to cycle. Jeremy’s eyes
fill with tears as he tries to understand the hallucinations
engulfing him.  The expression on his face betrays the reality that
he has stepped onto the never-ending theme-park ride from hell.  

Together we leave and walk to the bus station, Jeremy
walking slowly and whimsically. The bus arrives,
and I hand him a few crumpled, single-dollar
bills as I attempt to instruct him where to get off.  

All I can envision is his mother’s first reaction to her son’s arrival.  
Would she collapse at her son’s knees, crying like a mother whose boy
has come home from war?  Would he forever be an awkward guest
at the dinner table? Would she disown him?  Would he become a feral child?






I no longer know what day it is. I am surrounded by lockers
and students, trapped in a tunnel of shadowy walls.  As I stand
alone, I find myself entranced by the blinding, January sunlight
that floods through the double doors a mile away.

My vision is unexpectedly blocked by a figure
standing in front of me. Clothed in little but jeans
and a bright, white t-shirt, Jeremy stares at me, his eyes
mirroring the emptiness I now feel.  

“Do you have a lighter?”  My hands pointlessly search my pockets for
what I already know is not there. “No, man. Sorry.” A look of confusion
spreads over his face, and I suddenly cannot help but notice the sick irony
of the scene in front of me - Jeremy flooded in light as if born again.  

My thoughts linger here too long, and just as swiftly as Jeremy
appeared, he is a mile away sauntering out through those double
doors. Estranged, I continue to stand here, hoping with
futility that this isn’t the last time I have looked upon him.

My heart it feels, the scar tissue form
The engraving of TM, forever trademark
The light in my soul goes out
It will remain, forever dark

So broken down, I finally know true pain
For it showers me, like the May rain
You brought me up, and threw me down
Hope I can swim, or in my tears I'll drown

So I hope your happy, and you can get by with ease
For my trademarked heart, will always tease
For you I'd stay sober, except for tonight
This ***** in me, will erase the scar tissue, out of sight

Two, of course there are two.
It seems perfectly natural now——
The one who never looks up, whose eyes are lidded
And balled¸ like Blake's.
Who exhibits

The birthmarks that are his trademark——
The scald scar of water,
The ****
Verdigris of the condor.
I am red meat. His beak

Claps sidewise: I am not his yet.
He tells me how badly I photograph.
He tells me how sweet
The babies look in their hospital
Icebox, a simple

Frill at the neck
Then the flutings of their Ionian
Death-gowns.
Then two little feet.
He does not smile or smoke.

The other does that
His hair long and plausive
*******
******* a glitter
He wants to be loved.

I do not stir.
The frost makes a flower,
The dew makes a star,
The dead bell,
The dead bell.

Somebody's done for.

Sag my corpse
in 32 degree weather
through the city of God
where paraplegics dream of running.
“Oh Rhodesian mercenary,”
humble my soul again
like in C(hi)(ca)ongo.
But remember
The revolution starts
on my mama’s bed
at half past six.

So excuse me while I smoke my drink like a Brooklyn Leftist from the 40’s tramples
burning cigarettes on cold pavements where codeine and Sprite
make any Tuesday fabulous because we already suffered from (and for) the goods of mankind.
But before you read me the history of Hatchepsut;
I learned the art of man within the confines of FCC regulations after my ‘Pa threw ******* out the window and made life in the cell not mundane by telephoning philosophical-entendres    
that tomorrow never happened.

He too was from the blood of the ancestors whose bodies were charred on as goods—
whose children now char their bodies with the goods of the goddess of Victory—
the official trademark for the lost Exodus—the blood and blue moribund—
sagging pyrrhic victories in 32 degree weather as homage to their charred ghost (fore)fathers
who preyed to the city of God for bread

The people have endured hardships for a while now. They have prayed and fasted for a better day but none has come. Prophesy has been given but has not been fulfilled. There have been moaning and groaning in every heart, in every home and in all the streets. Tyranny and misrule have become the trademark of the Mugabe rule. Finally our hope is at an end and our patience faded. It is time for a new Zimbabwean renaissance!
Zimbabwe does not belong to a few, it is not an aristocratic organisation. No one inherited the birth right to the white house. No one person is entitled to the presidency alone. It is the people who make Zimbabwe and it is they who rule. The president is nothing but a glorified civil servant. He or she works for the people and not against them. The people are the masses and they have the ultimate power. The Police and Army are mandated to serve and protect the interests of the people and not to fight them. The government should be for the people. Governments are nothing without the people!
Mugabe is the most shameful of African leaders. He was a beacon of light that turned into an apocalyptic darkness. He was the colourful and joyous son of Africa now turned into a ruthless dictator. The unlikely and even undeserving candidate who now imposes himself to be the king for life. The incorruptible one who has now become the father and a haven for the **** of corruption. Mugabe is a man disillusioned by his own grandiose imaginations that have been brewed by his over-prolonged stay on the seat of power. He has become the educated man who turned into the most foolish amongst us. Lost all sense of morality and cannot distinguish between what is right and wrong. This icon of a man has ****** on his own legacy. He has torn down his own statues. No longer shall he be remembered as a great revolutionary, he shall forever be vilified for the political villain that he is. The angel sent by God to redeem us has become the devil to us.
Mugabe is a testament that education and wisdom can be parallel. Maybe he has succumbed to the vices of old age and lost his original senses. Or maybe he is now just a stooge and stage puppet controlled by others behind the scenes. It could be that he suffers from dementia or some form of schizophrenic condition. He has a deranged personality void of all manner of reason and decency. Maybe he has become blinded and cannot see the reality of the Zimbabwean condition.
I am neither Zanu PF nor MDC or any other sham. I am red, white, black, green and yellow. I am a Zimbabwean. I cannot believe how I supported this madman and his cronies blindly for a time. I was once deluded and believed in the sovereignty dogma and the right for Zimbabwe to influence its own politics. All the time the country was deteriorating as the Zanu PF cancer was spreading across all corners of this beautiful nation. Those in power were busy abusing it and looting wealth for themselves. They looted farms, properties, companies, gold, platinum and diamonds. Everything they touched was stained with failure.
Some of the most educated people in Africa have now become nomads and sojourners in this world. The beauty and grace that distinguished Zimbabwe from the rest has been greatly compromised and diminished.  Zimbabwe has become nothing to write home about. Our previously less prominent neighbours have outgrown us.
The people go hungry, the banks have no money, industry has lost its footing, unemployment at its highest, crime and discord rampant, nothing but lawlessness and disorder. No electricity everywhere and  water supply is erratic. The roads are in dire condition. The industries of Bulawayo have suffocated to death. White collar workers have been reduced to vending. We are now a nation of scavengers and families grow hungry. Exports are a thing of the past and the Zimbabwean dollar is nowhere to be seen. The whole economy is in a constant state of illness and misery. The health sector has been hit hard. Zimbabwean youth have become jobless and confused. The working class goes on without receiving wages and salaries. In the meantime the police has become more corrupt and draconian, ZIMRA keeps squeezing the little money the poor have and there is mass censorship everywhere. The man who was tasked to manage this country has failed and must step down. These are more than enough reasons for change.
Mugabe and his government have turned the reputation of Zimbabweans to nothing. Zimbabweans are now seen as weak and destitute people all across the world. In certain places they have become pariahs who survive by hustling, robbing and conning. We are scattered all over and it is not by choice.
The pride and dignity of the Zimbabwean flag has been tainted by this man. As heinous and evil was the Ian Smith regime and his supremacist government, Mugabe is worse. We will never wish to go back to white rule but we wish for a black competent government that is effective. We just want things to work in Zimbabwe. We want to restore the beauty of our glorious nation. We want Zimbabwe to be better than it was ever before. One thing is clear, Mugabe has done his part and has run out of ideas. His time is done! We need fresh thinkers in the white house. We need real change in Zimbabwe. A new dispensation with none of the failed old guard. They have served their role and it is time to resign and retire.
Mugabe is not a uniting force anymore. He has become a symbol for division pretty much like Adolf ******. He is just an old man hiding behind a suit and his hordes of security men and puppeteers. Even the great Fidel Castro relinquished power! South Africa has seen more democracy than Zimbabwe. Change has swept across most of Africa and it is now knocking on the door in Harare.
We the Zimbabweans across the globe unite and in one great voice we shout, “Enough is enough, No more Mugabe and his regime, No more suffering, we want a new and better Zimbabwe! We want a government for the people! We want jobs! We want local industries! We want agricultural growth! We want a country that works!”
My recommendation to Mr. Mugabe is that he researches about the Seppuku ("stomach- or abdomen-cutting") or harakiri (“cutting the belly") and practises it. This is a form of Japanese ritual suicide by disembowelment. It was originally reserved for samurai. Part of the samurai bushido honour code, seppuku was used either voluntarily by samurai to die with honour rather than fall into the hands of their enemies (and likely suffer torture) or as a form of capital punishment for samurai who had committed serious offenses, or performed because they had brought shame to themselves.
Change is coming to Zimbabwe whether the old guard want it or not. The police black boots will not able able to intimidate this away. No oration or rhetoric will sweep this change under the carpet. This is different from the attempted changed introduced by the MDC a few years back. This change is not sponsored by the British or Americans. This change is motivated by the gross incompetence of the sitting government and it is empowered by the resolve of every true Zimbabwean to see a better and healthier Zimbabwe that offers a lucrative future for our children. This change is 100% Zimbabwean and is not about colour, creed or background.

I purchased a trademark a few weeks ago...
I am developing a Intelecutual Property
Called IP

Tokyo Surf
Have fun.  Ttyl

When you were five            
Your mom told you you could do anything
That you could reach new heights
That the stars were just a mile marker
Your life was just beginning
That you were unstoppable

My pep talk was a little different
You see no matter how high my heart soared
My body was scarred
My mamma said you can walk today
That sitting up won't feel as bad today
That the scar down my back was my beauty mark
That one day it may even be my trademark

Well that might be true mamma but i don't need a trademark i need a childhood
One full of sticky fingers and princess stickers
One of training wheels and a smile made of orange peels

To say i never had these things would be a lie
I've seen disney
I've had a mud fight and said you missed me
But through every laugh through every smile i had the hospital on speed dial
After 15 surgeries and about as many years my life began to change
Because with every scalpel
And even more taxing battles

My body became mine again
After three months of hospital jello
And promises of it will get better tomorrow
My legs finally belonged to me
When i said zig they didn't say zag
When my foot hit the floor i didn't wanna burst open like a chip bag

It's been 12 years since my life truly began
Everytime i walk in the room i hear the choirs of angels singing
Because I walked into a room
When i think about my life
I'm not clinging to a maybe
All that pain is nothing but a memory
But i will not forget my journey

I will never walk a straight line
Or run a marathon
But there are some things that i will do
I will be sure my past does not define me
I will not be ashamed of my disability
I will tell the world my story

Cerebral Palsy is not a disease
When you walk down the street and see me there is no need to flea
No you will not feel sorry for me

Cerebral Palsy is not a burden
It's a challenge
IT is a struggle
But it is one i happily will carry because this is who i am

Love,
It can enjoying,
Being in the company of someone,
It's like,
U like to be with them,
Makes you happy,
U consider them family,
A person to trust,
It's everything good thats there,
And yet we find it so bad,
Poisonous,
Why?,
It is something so simple,
It is an emotional twinkle,
The reason it's considered bad,
Evil, malicious,mad,
Is because from the start,
Millennials have considered,
More than a feeling or simple emotion,
A trademark

Poetry,
Get's me so high every day...







©Brandon nagley- ( Lonesome poet's poetry) trademark

We embark on a new journey,
Let our travels never end,
Keep us heading in the same direction,
Though the track may sometimes bend,
Let happiness be our destination,
Let our trademark be a smile,
Let us enjoy every footstep,
Not begrudge a single mile,
Let us revel in new discoveries,
Greet each fresh dawn with pleasure,
Let us find our inner-wealth and know ...
The true meaning of treasure.

Dear Ed.
You'll have to forgive me if I
stop favoriting most of your work.  It's all spectacular,
and if good poems were gravy,
I'd need more bread.  
And a bucket.

But you see,
33 years ago, despite my uncontainable appreciation
for the many high school graduation checks,
I broke me sense of gratitude
while handwriting out scores of "thank  you notes.”
Now, I’m unable to offer even the slightest compliment
with these ungrateful fingers.  

So forgive me, if I'm hard-pressed
to as much as click a “heart”
or a “thumbs up” button;
for even one more of your upgrades to the Holy Grail.

And don’t bother clicking my stuff.  There are no more
thank-you fish in Walden pond;
I’m ingrate enough for the both of us.

Just know
as my mouse goes quiet, your **** is **** good.  
**** good.
"And that goes for the rest of you
poems."

Everyone has a secret trademark
known to him alone
it makes him what he is
that brand he singularly does own

it will last for ever
from it  he will never part
it is his most precious diamond
it rules his soul and heart

A touch of Synthetic Blue
drips
down our tear battered frames
before it catches on
a match made in hell
Becomes an oily
twisting
saffron cold flame
Redefines love
as a pact to collectively
fall apart
Redefines hate
as a pop cultural norm
As it smolders
strife imitates art
Another massacre
Another overdose
Another malignant mass media circus
and maybe now
you understand
inevitability


*Synthetic Blue is a registered trademark of White Spider Pharmaceuticals, a division of the White Spider Corporation, and is used without permission.

The horn moans
inconsequently
like a train
baring
down
on a car with no wheels.

A bass
can rumble
across my heart
like thunder
rolling across the sky
in circling f-16s.

The trademark of war
is loss.

The trademark
of peace
is complacency.

I would rather
drop bombs
on your heart,
than rest in the obesity
of redemption
and graves.

So when the jazz
begins
in the jazz club,
I feel nothing
but war,
no peace,
no knowledge,
just a war of teeth-*******,
mind-*******
drenching
limb-*******
hope
that
I
will
see
you
again,
when I know that no peace treaty
has ever been signed
without a loss
on
all
sides.

What peace is there
for a love-sickened heart?

What dreams reside
in the memories
of kisses?

Aneeth Arora refers to herself as a ‘textile and dress maker’ rather than a fashion designer. That’s because she makes her own fabrics, a process she enjoys, and says that if it’s only designing, then there is not much left to it other than giving shape to the fabric. Aneeth will be showcasing her collection in the city at an exhibition titled Nayaab, which features creations by 12 handpicked designers, who work with craftsmen to produce intricate garments.

Aneeth’s collection is entirely in off-white with gold and silver details. She’s transformed luxurious brocade and wispy Chanderis into shimmery jackets, summer dresses, flowy maxis and tunics, smart scarves, skirts of varying lengths and long kurtis. Adding a dash of colour to the display is the capsule featuring clothes with hand embroidery and beads. Her trademark anti-fits find their place here. The collection is laidback, with a few elements of androgyny and some downright girly.

A part of what’s on display here was showcased at the Amazon India Fashion Week Spring Summer 2016, where she put together the famous pyjama party with sleeping bags and models in comfortably trendy shorts and dresses.

For Nayaab, she’s also specially created a few outfits that are not available at the stores.

Pero, which started in 2009 with one tailor and one runner out of Aneeth’s house in Delhi, now has 80 people working out of a bigger space. “If you count the weavers I work with, the number is far more,” she says.

Right from the beginning, the 32-year-old has worked with handlooms from all over India. For example, the block prints are done with weavers in Gujarat and Rajasthan, ikat is done in the South and the woollens are from Himachal… “We are inclined to anything that’s handmade,” she says. This includes Mexican braids, lace from Europe and crochet from Afghanistan.

The last decade has seen a revival in handloom, with more designers incorporating them in their designs. This has, in turn, brought about a change in the buying pattern of clients.

“There was a point when weavers didn’t see a future in what they were doing and sent their children to work with construction companies. Now, they know there is a market for weaves and they are confident. Their families are getting involved in it again. It’s all going uphill from here,” says Aneeth, contented.Read more at:www.marieaustralia.com/purple-formal-dresses | http://www.marieaustralia.com/long-formal-dresses

Taos Pueblo fashion designer Patricia Michaels returns to New York City for “Style Fashion Week NYC”on September 10th to present her latest 30 piece collection at aspecial RSVP eventat Hammerstein Ballroom, 311 West 34th St, Midtown Manhattan.

Michaels was a finalist on season 11 of the Lifetime reality TV show, “Project Runway”, and “Project Runway All-Stars”, gaining thousands of admirers as the media world followed her success along with an excited and proud Indian country.

Michaels will present her trademark PM Waterlily line and her latest collection for Spring/Summer 2017. Known for her use of Native-themed fabrics, hand painted or hand dyed, cut and fabricated at her Taos, New Mexico studio, Michaels says she is inspired by nature walks at Taos Pueblo among the trees, wildflowers and water plants, and “seeds” are important symbols of her designs and concepts.

The following description is from the website, speaking of the “Modern Native” who inspires and wears her designs. “Patricia Michaels...will have a few pieces for colder climates as her woman travels to regions where during the summer the climates tend to be cold. She is a world traveler so one may made need that special look to freshen her palette.”

Those living in or near the New York area that are interested in attending can visit toEventbrite to RSVP for the September 10 event. Seating is limited.

We wish Patricia Michaels and PM Waterlily success in New York City and beyond.

According to their site, Style Fashion Week, producer of globally recognized fashion events, provides top designers a world class platform to showcase their collections. Each year Style Fashion Week presents the season's must see shows, unforgettable performances and exclusive installations. Our expansive Style Marketplace immerses guests in fashion as well as art and design. Guests directly engage with brands throughout the week.Read more at:http://www.marieaustralia.com/formal-dresses-brisbane | www.marieaustralia.com/backless-formal-dresses

I imagine, this is what I’ll trademark
The impossibly early morning commute
I’m still drunk
It’s 6AM
And I’m still wearing my shoes

My phone sings with an urgency
It ferries the exhausting burden of responsibility

It’s 6AM
I’ll keep reminding you
Or myself
Because I have to

sigh

****

I have to make The Commute

6am

My body hangs from my brain
In a disjointed way
A detached manner
Like a consciousness manifesting through a coma

If I could forge the willpower
Gather some strength in my arm
To push my phone off of the desk
And silence the alarm

I’ll regret it in some way
Not even a second thought considered
It wasn’t even a hard decision

7:20am

As I inhale, and sigh
For maybe the seventh time
I’m suddenly aware
That in this very moment, I’m being held prisoner
I’m being forced to make a choice
I’m being forced to consider

My mind is awash in the buzz of last night
And the fade of this morning

Austere
Varying shades of whites & greys
Ohio in December
Ohio, the way I’ll remember

This is bleak
Wearing all of my previous evening
Inside and out
I feel like sandpaper
I smell like 3am
Friday night
Saturday morning
It’s Monday morning
And its a dreary 7:30

7:32am

I’m wearing this to work
This is how well I wear exhaustion
I’ll flaunt it in a professional setting
In a professional manner
A white collar show & tell

I’ll groom the bare minimum
But I MUST shave my face
Just to save face
So it doesn’t look like I have a drinking problem
Because I don’t
I just like to party

I treat my body like a machine
It’s regarded like a car I can’t afford to keep gas in
But I can afford to drive to New York at night and explore

A special kind of neglect

7:35 am

A single apple
A bowl of cereal
A bag of chips
Some energy to pursue The Commute

Literally, running on fumes
Literally, every morning
Between 6am to 1pm
Literally, running late
Everyday

Responsible living escapes me

7:41am

GO! GO! GO!
I hit the basement
I braced my knees
I covered my hands
Adjusted to bike the streets

Covered in gear
Drunk and exhausted
The idea of just staying here
Is so attractive and real

I can ******* doggedness
I can still taste the air in my bedroom
While I’m in the basement
I can also taste….unemployment
So, I go.

7:45am

Bleak
Varying shades of whites & greys
Ohio in January
Ohio, all the time really
Atleast it has the feeling
Biking in the elements

The air I breath stings something awful
In my chest
Ice cubes
In my breath
Snowflakes

The blue collar effort
Two feet of snow
And its still coming
This workout//THE COMMUTE
For a white collar job
Dealing with billing disputes
The upkeep of my finacial cause

I’m a pest
The snow is deep
Almost up to my knees
I’m a menace
I’m an obstacle among perpetual obstacles
And we’re all just trying to avoid each other

MARKET//MAIN ST.

As I start to pick up speed
My body begins to adjust
My senses waken up
And narrowly avoid
This, assaulting Mack truck
Speeding on a 10speed
Down the wrong side of the street

Whoops.

I’ve got no choice really
I can’t see or hear what’s behind me
Behind my own panting
And Kendrick Lamar’s ranting
So down the opposite side of the road I go
Around Mack truck smoke & mounds of snow

I reach the edge of the street
And depending on the day of the week
And how generous those patrons are, of St V
I could exercise the sidewalk

No such luck,
So, **** it
I’ll fight traffic
I’ll keep to the streets
And dogde the fleets

This is the real challenge
This is the adventure…
Side to side with traffic
Hand in hand with danger

Car horns & headlights
This lifestyle might really **** me

7:42am
Oh, hey look
Another *******
Middle aged driver
Righteous anger
Righteous motorist

STOP!
It was on Old Main St.
At 7:47am
I was almost on the news
This is a stanza of dediction to the man in the grey Toyota
I’ve developed wonderful instincts
I almost died
This man sped through the incorrect traffic light

So I stopped!
Or else I would’ve been on the news
At roughly 8:38am
Vehicular manslaughter would probably be the charge
Probably a hit and run
I would not have stopped either
I’m this ******* in the middle of the street
On a bike
I’m an early morning, urban menace

I hit the pavement

Desolate
Varying shades of whites & greys
Ohio in February
Ohio all the time really
Atleast it has the feeling
Sprawled, laying in the elements

My mind is awash in the buzz of the night
Before
And the fade of this morning

*******!
I’m shouting now
On the ground, at the sky
In the snow, to the ice
At these ******* motorists, at my ******* bike
A special kind of entitlement

I was born in the wrong state, in the wrong place

I hit the pavement
I skinned my knees
And scraped my hands
Numb & exhausted
The idea of just laying here & giving up is so attractive and real
But I can’t…because bill$

I treat my body like a machine
I regard it like a toy I can’t put down
Even if I choose
If afforded the chance, I wouldn’t know what to do

Dreary
Varying shades of whites and greys
Ohio in March
I won’t even ******* start

8:01am

I show up to work
Half drunk and overworked
Sleet and snowy down my side
And rehearse this white collar ritual
After my blue collar effort
I’m so ******* tired

Living on the edge has this embrace
Like something most people couldn’t stomach
Most people aren’t built for it
Most people aren’t meant to

Don’t take this as a challenge, gentle tweeter
Or take it as one
I’m not saying it can’t be done
I accomplish this, twice a day, four in a row, and roughly an odd fifth one.

This writing was found in Italian among
my father's papers, when he passed away
___________
*Dedicated to F. Murray Abraham, whose
performance as Shylock, rent open my chest.
and with deep apologies to Shakespeare*
and gifted to Liz Balise
__________

The True Tale of Shylock's Pound
(Did Shylock pay his pound of flesh?)

A peculiar circumcision,
into the Jew's chest
shall now be commenced,
by the Medico Legale of Venizia,,
his instruments blessed, ready.

Dual purposed, to extract  
an accursed payment,
in service to the Court and
in furtherance to man's
greater scientific knowledge.

Incise a body prone before him,
but it's not a body at rest,
the cut, the trademark coroner's
inquiring and most appropriate Y,
(his pleas to Yehovah go unanswered)
shall be executed just so,
both as legal tender,
his debt to pay,
and to answer queries varied,
shall we,
this living body, dismember
while coincidental, alive.

Tho we injure with pleasure,
t'is recorded fair,
t'is at the behest of a
court-ordered scientific inquiry,
ordered to measure,
answer questions
from the trial's record
that having been posed
to the Duke,  
and for answers,
impatiently,
the Court and Duke,
now awaits:

By the unholy virtue of his
guile and trickery,
a trifling pound
shall be ours,
for the Jew's resource,
and fortune
have been most
legally reversed.

His due, most legitimate,
more than forfeit,
is now ours to keep.

Hath a Jew hands,
organs, dimensions,
senses, affections, passions?

If you ***** the Jew,
doth it bleed?

How much doth a Jew's
pound of flesh weigh?

Doth it weigh more or less
when his unholy soul
yet contaminate
his writhing body?

What color doth his heart,
exposed, reveal
or simpler yet,
does the accursed,
this dog's vessel,
even a heart contain?

What powers the Jew's cunning,
inspires his deceptions,
so he prospers despite  our
many constant degradations?

Come wise councillors of
most notable lineage,
let's us put our heads together,
like the olden Egyptian sorcerers
who tried yet failed.

Have at it skilled Da Vinci, you
and your scienziato brethren,
do assay well the potions
that doth taint the Jew's blood,
so that we may,
his secrets maketh,
our own notions.

Come Medicos,
discover how the Jew
maketh precious stones
from coals, spit and hate,
for the bene proviso of the
citizens of our city-state,
dearest Venice!

Our brothers who from
Spain and Portugal hail,
have much knowledge
in these matters,
so let make haste,
cut deep and true, Doctors
the Jew physic treasures discover,
lest the Spanish Alchemistos
the secrets earn,
their inquisitories reveal
how Jews turn
dross into ducats!

Take measurements fine,
observe most accurate
his corde vocali,
the infernal instrument
projecting these shrieks, cries,
so horrible peculiar,
we need to ascertain
the wherefore of such
wails and moans.

All knoweth,
Jew cries are lies,
yet they haunt and crucify
our most perfect, noble demeanor,
**** them.

Attention pay, dear ones,
examine with great care,
the tongue that populates
his now most deformed features.

Its secrets many,
for it speaks guile
so fluently and elegante,
and in so many lingua,
a skill, our brothers Borgia
hold exceedingly valuable!

Our introspection today
in Heaven's service performed,
this pound,
its value exceedth
its countermeasure in
gold and jewels

When has Justice
and science
simultaneous,
been served so well?

Only one quest remains
unknown and alas,  
as yet unresolvable:

**What maketh a Jew,
this Jew, all Jews,
choose death
over our warm and willing embrace?

The ten count is over
He's down for the count
The Greatest is gone from this world

But, we will remember
He will stay here forever
As we think of the quips that he hurled

As fast as his fists flew
His lip was much faster
He rhymed with the greatest of ease

Parkinson's slowed him
But, we will remember
The Greatest of All...ALI

Known by the masses
After his time in the ring
He was an angel sent to this earth

He had his convictions
Became a man of the people
He showed what a real life was worth

A true gentle giant
With the speed of a mongoose
The Louisville Lip...that was he

We all know his trademark
How he floated and stung
The Greatest...Muhammad Ali

I’d have to be really quick
to describe clouds -
a split second’s enough
for them to start being something else.

Their trademark:
they don’t repeat a single
shape, shade, pose, arrangement.

Unburdened by memory of any kind,
they float easily over the facts.

What on earth could they bear witness to?
They scatter whenever something happens.

Compared to clouds,
life rests on solid ground,
practically permanent, almost eternal.

Next to clouds
even a stone seems like a brother,
someone you can trust,
while they’re just distant, flighty cousins.

Let people exist if they want,
and then die, one after another:
clouds simply don't care
what they're up to
down there.

And so their haughty fleet
cruises smoothly over your whole life
and mine, still incomplete.

They aren't obliged to vanish when we're gone.
They don't have to be seen while sailing on.

Wisława Szymborska, translated from the Polish by Stanisław Barańczak and Clare Cavanagh.

before you start reading, please not that the Barbie in this poem is not the registered trademark that is the Barbie doll (all is revealed in the notes)*

When Barbie wakes up in the morning
Even the birds stop chirping in fright
She makes her way to the wardrobe knowing
What is inside will start the day right

First to be donned is her barbarian bra
It takes quite a task to fill
She really is ever so grateful for her bra
It keeps all the best bits subdued and still

The bras must always go on first
Without it she would be in trouble
If the briefs went on first without the bra
To this day she’d still be bent over double

Next on are the bountiful bootylicious briefs
She worries that they may have shrunk
Mayhap she should stop putting them in the dryer
They are essential to keep all her junk in her trunk

Over the top of the barbarian bra
Goes a sweater with the deepest V neck you’ll find
The cleavage that is on display is important
It keeps the focus from straying to her behind

On go the boots and laced up tight
These babies were made for walking
But most days they are just for comfort
Unless she’s up for some stalking

Last of all on her perfectly coiffed head
She settles her beautiful hat
It looks a little like a large table umbrella
In fact, once upon a time, it was actually that!

She’s now ready to start her day
And the birds resume chirping like a choir
Barbie is ready to face the world dressed in her
Barbarian Bra and Bountiful Bootylicious Briefs and
Other Amazing Attire

...
..
Much before the door closed
Can be seen regularly when walking on the road
Though dark, see the mass of trash
But did not hear any noise ever

On the side of the sky touch wall
My constant movement
Though shadow yet trademark cynicism
I can go away even closed eyes

Closed eyes within the dark
Yet unbelievable, but brings a dream
A dream within the dark,
See a diamond crystal
Where only light and light dispersion
From each dimension

Suddenly, in dream
I am in front of the closed door,
See a footprint,
Known voice with tune,
Can hear the illusive song

Now neither there exists any tall wall
Nor any closed door in the mind
...
..

With guilt writ all over your face,
Twiddling your fingers just like you would
When as a little child
You'd make some mistake,
Shuffling your feet nervously
Like you would when you'd fail a test
Or get a note from school,
You stood in front of me,
My precious, my beautiful,
Who I'd caught hidden under the quilt,
Head buried beneath pillows,
Crying muffled cries of pain.
You finally made eye contact, I know
You waited for my trademark eye roll
For an admonishment, for a
"See, I told you so!"
But dear, before you declared me
As your fiercest enemy, did you ever wonder
That you, the girl- broken, shaken, yet defiant,
Once lived inside of me?
Love created you
And for the following thirty seven weeks
And twenty two
Days you grew within me,
Bit by bit, cell by cell,
Each moment we spent together,
Sealed our souls,
We were best friends even before you were born.
I'd be lost, forlorn all day at work
When I'd leave you behind at home,
You too would find contentment when finally
You'd feed from your mother's *****.
I've seen you crawl,
Seen you stumble,
Helped you on your feet when you'd fall,
I've laughed when you've cackled,
I've cried when you have shed a single tear,
I'm a being conjoined to every emotion you feel,
So, my Inaayat dear,
Instead of crying behind closed doors,
And saying "It's okay" without
meeting my gaze,
You should've walked up to me,
Informed me about the time and place,
And mother-daughter, we'd embark
To bash up that ruthless villain
Who broke your delicate heart.

At sunrise the dew melts into nothing
and the field loses its silver glow
while retaining a tranquility
unbecoming of most minefields.

Brushing his face against
heavy denim material
the curious son hears his father's words,
Soon you will walk across
this field. I will educate you
to step here and step there,
to avoid the hidden dangers
beneath the grassy slopes
and native flowers.

Trust flows from innocent eyes,
uncreased by worry
or the wear of fear,
as the son requests,
Why are there mines among
the lavender and milkweed?

Because the fox must be hunted,
and the deer harvested
as food for our hungry ambitions.
These mines are triggered
by those who justify their sport
as signs of bravery and courage.

At times crazed men ignite the mines
as a show of their rage.  They ****
others among us, even children.

What if there were no mines?
We must keep our freedom,
freedom to walk anywhere,
to say anything
and to plant mines in the field
despite their dangers.

The eye of the eagle
will guide you each
step amid the lavender
and coneflowers until
you are safely to the other side.

Glancing upward, gazing ahead
the boy shares his wonder,
Will I continue to plant mines in the fields
for my children to walk?
A heavy masculine voice
cracks the north wind

If I train you well, . . .
If I train you well.

(with Eddie Eagle)
http://eddieeagle.nra.org/
(information about the Eddie Eagle GunSafe Program of the National Rifle Association,  
Eddie Eagle is a registered trademark of the NRA