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"synthetically" poems
The poem was inspired by a particular photo of the WT C, and after that by my first visit to the 9/11 Memorial.  On the day of 9/11, I was working about a diagonal mile away, and from our windows, we could see people jumping to their death. Open sky annulled to bordered lines of uptown edges, worldview momentarily forcibly redefined by memories of buildings and sadder days, recollections of pillars of biblical smoke rising A photograph makes me look up, and sit down historically, need to catch a breath, to rest mentally, upon a storied small bridge's steps, that I well recall, a disappeared street stoop. all were rubble then and once upon that day. Wear, tear, and older eyes distill perspective, but the hardy heart is hardly stilled by the recognizable gray upon bon vivant gray reflective surfaces of memories of buildings and sadder days So today, on a reborn street, I rest upon reconstituted speckled curbstone, the city's lowered down ledges, the city's lowered down-town boundaries, constantly redrawn, but nonetheless, always rebuilt from their own regenerated stony compost, and the NY passersby doesn't even notice a man, head in hands, silently weeping, thinking that: We throw away so much we should have kept. We keep so much we should have thrown away. Lose keepsakes, but keep our mysterious sadnesses locked away in compartments that open only to benedictions uttered in ancient tongues. Make your own list, be your own curator, catalogue visions of sophomoric triumphs, museum mile pile those early poetic drafts, be unafraid of memories raw and ungentrified, overlaid, buried underneath postmortem of dust-piles of senior critiques Finally went downtown to see where the blessed water falls into catacomb pits that once were the foundations of buildings that ruled the cityscape, downtown anchors for a modern city that exists only because it was built on million year old granite bedrock Stone monuments are stolid, discrete. Memories are of grayed, frayed edge consistency. Negatives resurrected that survive digitally, all blend synthetically, layer upon layer, essence distilled in a single, black and white photograph that serves to disturb complacency,   awaken stilled pain, reflections suppressed, are restored
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Sep 11, 2013
Sep 11, 2013 at 6:36 PM UTC
9/11 Distilled
The poem was inspired by a particular photo of the WT C, and after that by my first visit to the 9/11 Memorial.  On the day of 9/11, I was working about a diagonal mile away, and from our windows, we could see people jumping to their death. Open sky annulled to bordered lines of uptown edges, worldview momentarily forcibly redefined by memories of buildings and sadder days, recollections of pillars of biblical smoke rising A photograph makes me look up, and sit down historically, need to catch a breath, to rest mentally, upon a storied small bridge's steps, that I well recall, a disappeared street stoop. all were rubble then and once upon that day. Wear, tear, and older eyes distill perspective, but the hardy heart is hardly stilled by the recognizable gray upon bon vivant gray reflective surfaces of memories of buildings and sadder days So today, on a reborn street, I rest upon reconstituted speckled curbstone, the city's lowered down ledges, the city's lowered down-town boundaries, constantly redrawn, but nonetheless, always rebuilt from their own regenerated stony compost, and the NY passersby doesn't even notice a man, head in hands, silently weeping, thinking that: We throw away so much we should have kept. We keep so much we should have thrown away. Lose keepsakes, but keep our mysterious sadnesses locked away in compartments that open only to benedictions uttered in ancient tongues. Make your own list, be your own curator, catalogue visions of sophomoric triumphs, museum mile pile those early poetic drafts, be unafraid of memories raw and ungentrified, overlaid, buried underneath postmortem of dust-piles of senior critiques Finally went downtown to see where the blessed water falls into catacomb pits that once were the foundations of buildings that ruled the cityscape, downtown anchors for a modern city that exists only because it was built on million year old granite bedrock Stone monuments are stolid, discrete. Memories are of grayed, frayed edge consistency. Negatives resurrected that survive digitally, all blend synthetically, layer upon layer, essence distilled in a single, black and white photograph that serves to disturb complacency,   awaken stilled pain, reflections suppressed, are restored
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67
through graceless steps and cleavaged twirls, girls shared repost with other girls, and the upper lips of the ladies curled, as the married men all swooned. they got bored all too readily, so drunk their liquid steadily, synthetically coloured blue and green, she'd seen the latest advert. and the boys in their polo shirts, drunk and high on testosterone, they took pictures on their camera phones, and called each other gay. the male claws began to itch, for the feeling of **** and the feeling of **** and the dancefloor was badly lit, so they knew they had a chance. sweaty hands and fluorescent teeth, moved through crowds to find their niche, and the necessity for niceties, was shortly overruled. uninvited gropes from behind, on bellies of those who looked like they might, be easily persuaded to bed that night, without heavy rhetoric. then came the bartering stage, those awkward five minutes in which to arrange, the consummating details, the exchanging of names, the reality of night. there were many things to factor in, tales of lost friends still waiting, I said we'd share a taxi home, and she can't walk alone. and after the barter is all complete, the scorned pick fights in the street, the end draws near finally, so the masses all go home. some walked home solemnly, whilst others share the company, of people they'd knew they'd never see, after the night is through.
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Oct 14, 2012
Oct 14, 2012 at 10:34 AM UTC
sweaty hands and fluorescent teeth
Corroding off in wreckless control Repeated lines stretching infinitely in ambiguity Sharp muscle relaxant mistakes As we career off the road Into a ravenous singularity We are unforgiving, cynical yet synthetically joyous Quick to pardon Whipped with a gold leash Delicate, leaves, Celtic music Rubik's cubes in our throats We're ready to let love in, willing Nova tech, drunk masks and indication Indignation, we clutch, we fail Partial to conditions Stones out of focus Accelerate Engines bleed borders You are the free way Impotent with quartz remnants Ruins to our fantasy You hide history Covered in my burrow Braking until necks break & bags burst Powdered hair, liquid lips Let's drive home Go beyond the limit Break each others bones And crush our entities Suffocate on suffixes Her explanation acquits the doubt As we appear closer than we may actually be Industrial stacks stretch towards invisibility Letting go of their concentrate Gelatin mind levitate into connection Cups turned upside down Entrapping ego in near vacuum Aqua ducts bouncing off feline eyes 2 & a 4 Perfect air in a foreign atmosphere Spinned on axis, ways to conduct Your supply Secede madness Eternal order Lungs sharply inhale with uncertainty Hydroplaning your attempts at adultery Decision was never your thing Unmoving at every turn Passion with objects Reactions flicker between humility It gives gifts Your skin melts to the touch Chocolate in magma Molten sound deafens drench Jealous mess, dividend Hugging and dripping black with stability Back, holy scripture written with integration Sealed with treachery, acetate photography Capturing clear innocence Boredom and sinfulness Spiked militant Pencil drawn neuroses, veil Bow down to schematics, we're radar Sonar structure solar It's all part of the process
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Apr 16, 2014
Apr 16, 2014 at 12:59 PM UTC
...And So The Aurora Guided Them Down The Red Hills Towards The Meadow
Corroding off in wreckless control Repeated lines stretching infinitely in ambiguity Sharp muscle relaxant mistakes As we career off the road Into a ravenous singularity We are unforgiving, cynical yet synthetically joyous Quick to pardon Whipped with a gold leash Delicate, leaves, Celtic music Rubik's cubes in our throats We're ready to let love in, willing Nova tech, drunk masks and indication Indignation, we clutch, we fail Partial to conditions Stones out of focus Accelerate Engines bleed borders You are the free way Impotent with quartz remnants Ruins to our fantasy You hide history Covered in my burrow Braking until necks break & bags burst Powdered hair, liquid lips Let's drive home Go beyond the limit Break each others bones And crush our entities Suffocate on suffixes Her explanation acquits the doubt As we appear closer than we may actually be Industrial stacks stretch towards invisibility Letting go of their concentrate Gelatin mind levitate into connection Cups turned upside down Entrapping ego in near vacuum Aqua ducts bouncing off feline eyes 2 & a 4 Perfect air in a foreign atmosphere Spinned on axis, ways to conduct Your supply Secede madness Eternal order Lungs sharply inhale with uncertainty Hydroplaning your attempts at adultery Decision was never your thing Unmoving at every turn Passion with objects Reactions flicker between humility It gives gifts Your skin melts to the touch Chocolate in magma Molten sound deafens drench Jealous mess, dividend Hugging and dripping black with stability Back, holy scripture written with integration Sealed with treachery, acetate photography Capturing clear innocence Boredom and sinfulness Spiked militant Pencil drawn neuroses, veil Bow down to schematics, we're radar Sonar structure solar It's all part of the process
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The immobile carcasses of plastic babies litter my child's floor, never seeking there birth mother as she was a statue of recycled imagery. Of illegitimate children holding this abortion of weaved construction that sings hollow words of  "mommy, mommy, But they look within me, in cold eyes they stare in to nothingness heeding the words of wanting but their cries diminish to a silent lingering buzz. Barely heard but I white noise succumbs to dreams of a lonely child in stress, but recycled voice spoke. I kicked the abortion of sickening similarity and wonder back as the form of a child, baby, I have just kicked. But still it weeps for a mother that is as fake as the calls its synthetically calls upon a child. Inanimate objects that stir in repetition, I will be long gone when you will still whimper in a landfill, calling in static, batteries last moments and you still call out "mommy, mommy, no one answers your call.
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Jul 31, 2016
Jul 31, 2016 at 6:00 PM UTC
Fetus Of A Plastic Birth
*Bring in the Stash 'No-cache' Spin Them In The Bin Oh Yes, The Recycle Bin Centrifuge The Thoughts Accelerate The Spin Let it Cool Skim The Supernatant Thoughts A~Blend Synthetically Homogenous Words A Quick Stir Win Win Stash The Residue Bottle it Well For a Later Spin Amalgamate A~Miscible Thoughts Repeat The Centrifuge Oh Yes In The Recycle Bin Anew Spin Treasure The Bin Win Win*
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Jul 10, 2017
Jul 10, 2017 at 8:33 AM UTC
Recycle
I search the shambles of my brain For a memory of how it used to be. Before neurons and synapses were synthetically altered. Before emotions knew such peaks and valleys only depicted in the finest of art. Some days my small, open palms come up empty... gripping and grasping at straws feebly ******* at long since evaporated air. But then there are those days, the ones that begin with a shine and end with a glow, On those days I recall the blissfully innocent images of a girl untainted, untouched. Of a stone unturned. Those days, if you see my eyes in passing connection, make note of the lingering glitter of a girl who gave her all To get her all in return.
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Dec 9, 2012
Dec 9, 2012 at 6:34 PM UTC
Shambles
The sparks in the iron sky cannot hope to twinkle like the embers in her eyes the rain has no veil for her radiance it pierces the swirling skys in me the walls bare no meaning now in this heart of mine and I've unhung the paintings here my wounds close in the wake of her every motion and I am free All that there was crumbles Synthetically In the magic of of her autumn smile
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Oct 3, 2018
Oct 3, 2018 at 12:32 AM UTC
The magic of falling
Nature sees what nature sees, And nature does what nature does. Minds believe in memories And sometimes hearts believe in love. When hearts and minds do both agree, Conceived are dreams converged as one, But love of life and logic leaves Our livelihoods left out of luck. Deceived are these who dream of things Composed of money, grease, and blood: Mechanical beings, with cogs and springs, Like clockwork do this planet run. In tightened shifts, devices click, And slowly start to smog the sun, But smoke and fog made synthetically, How many does this bother? None. Machines, you see, they do not breathe The air they leave beneath for us. They call this craft their politics, And leave us here to pay in blood. One by one, by one, we wonder, Where the humans lost their love. When will men begin to see What nature sees how nature does?
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Oct 18, 2017
Oct 18, 2017 at 11:31 PM UTC
Clockwork
I've been down for so long being up feels foreign. I've been down so long I made my way to my ancestors and acquainted with them. I've been down so long I think I need a decompression chamber because my lungs are not used to breathing freely, so used to breathing synthetically. breathe the breathes permitted at the permitted times, but now breathe freely. breathe like my ancestors wanted me too. breathe because i want to. i want to breathe. and now i can.
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Apr 6, 2018
Apr 6, 2018 at 4:47 PM UTC
05/30 Breathe
People ask me what's wrong And when I respond With, "I won't say because I want you to be okay," I'm given this sad, synthetically sympathetic smile. I don't want you to try to understand what it's like for me. I don't need your synthetic sympathy. People say, "It's okay to be not okay," And its just more of your synthetic sympathy for me. How long will it take for you to know I will do whatever it takes to go back. Back to being me without any synthetic sympathy.
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Feb 15, 2018
Feb 15, 2018 at 5:24 PM UTC
Synthetic Sympathy
You feed me lies like cake. They are synthetically sweet but I still can't get enough. Vanilla dreams, laced with black licorice demons. You tell me that you love me, but I can see the chocolate frosting at the corners of your mouth. This is it. I'm too full. This will be my last bite. My last bite - until I ask for another piece of cake.
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May 9, 2017
May 9, 2017 at 5:26 PM UTC
Dessert