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"skiff" poems
A small skiff drifted in the harbor guided by the eazy oars of a fisherman standing in the hull to better view the shimmering reflection of the orange circle hovering overhead- dancing with the gentle waves in the morning mist. Monet had to name it something so he called it what it was:           "Impression, soleil levant." A critic, wanting poison for his pen, seized Monet's title to squeeze a lethal dose into the radical veins of the artist and his fellows of the gallery           (Renoir, Pissarro, Cezanne). With scathing indignation he dubbed the lot of them,            "Mere Impressionists." The label endures (minus one word) but how many recall or care to know the righteous critic's name? November, 2011
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Jul 7, 2015
Jul 7, 2015 at 4:40 AM UTC
Monet's Harbor Sunrise
its unmistakable not just another caravan of faces not just another passing year under a strange sky iv reached the edge of the world nothing but open sea to my back as far as the mind can see and i'm riding a west wind on a quickness breeze on a middle of the night skiff to the the small island where she waits for me where she sleeps tonight the bold song gone soft an slow the guarded smile relaxed into a champion of joy and conquers all her sadness with a single tilt at the windmills like a knight in shining armor nothing but deep sea nothing but night salt and sea and as i draw near she sings from her soul to mine come to me lover laugh yes cry out loud with all your joys laugh pure and easy i'm the mood for you boy i'm in the mood for your hand in mine dance in my heart its a warm night in the tropics and we got the world to ourselfs so may i have this dance spin dip ballroom of sand laugh with me run with me we are free all our lives people have tried to put us away keep us down now look at dancing in the stars look at us free and easy dance with me baby make love with me honey on this ballroom of sand laugh pure and true with simple joy here by salt and sea be young with me tonight on this ballroom of sand come home to me warm me with your touch comfort me with your eyes iv waited so long come home to me nothing but open sea at my back and i feel so alive i feel so free and my lover is near iv never been so alive running a western quickness breeze on a skiff heading home to her jezebel
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Sep 10, 2013
Sep 10, 2013 at 6:00 AM UTC
no windmills but will a coconut tree do?
its unmistakable not just another caravan of faces not just another passing year under a strange sky iv reached the edge of the world nothing but open sea to my back as far as the mind can see and i'm riding a west wind on a quickness breeze on a middle of the night skiff to the the small island where she waits for me where she sleeps tonight the bold song gone soft an slow the guarded smile relaxed into a champion of joy and conquers all her sadness with a single tilt at the windmills like a knight in shining armor nothing but deep sea nothing but night salt and sea and as i draw near she sings from her soul to mine come to me lover laugh yes cry out loud with all your joys laugh pure and easy i'm the mood for you boy i'm in the mood for your hand in mine dance in my heart its a warm night in the tropics and we got the world to ourselfs so may i have this dance spin dip ballroom of sand laugh with me run with me we are free all our lives people have tried to put us away keep us down now look at dancing in the stars look at us free and easy dance with me baby make love with me honey on this ballroom of sand laugh pure and true with simple joy here by salt and sea be young with me tonight on this ballroom of sand come home to me warm me with your touch comfort me with your eyes iv waited so long come home to me nothing but open sea at my back and i feel so alive i feel so free and my lover is near iv never been so alive running a western quickness breeze on a skiff heading home to her jezebel
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62
winters day getting a tan in my yard i can feel the ocean of the spring breeze taste its intoxicating salt and sand on the air feel its breathtaking beauty as the sea washes up on me only a few hundred feet through that tangle of palms and tangles of quick brush lay wide open lush sands and forever summers soft light and the beautiful breaking waves in staunch hand needed but the deeply tanned smile on the old mans face as he holds out a greeting and offer to run out to your skiff but you'd rather swim at last the days full face comes to bear a hippie family roasts hot dogs in a pit fire and you share some white wine music plays from a transistor radio that has seen better days but this is the land of forever summer and nothing can taint the smile you share with your lover nothing can touch the soul deep expression of joys
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Mar 15, 2014
Mar 15, 2014 at 2:23 PM UTC
soul deep expressions of joys
the long day has given itself into evening she and i lay in eachother's arms beneath the traces of stars watching the lights of passing ships in the sea listen to the waves rock our skiff taste the salt air in our every sense and slowly the rest of the worlds fades from view to just us as our soft talking drifts through the hours she caresses my arm and laughs i breath her hair and all the scents of her womanhood and i feel like i could break with all the love i feel inside of me for her like a window to all the hopes and dreams i ever had telescopes into one moment any moment she and her hippie girlfriends are gonna roll in with sandwich's and green tea for the hungry masses and smiling they will pass the time talking and laughin with young voices and my neighbor catches them in watercolor a bright flowing device and masterpiece his old fingers dart over the canvas and you can feel the sunlight in his images you can hear the sweet laughter we wander long the back street with the open air market they are callin out in happy voices in the strong trade winds and don't cha know that its so easy to forget all your troubles and leave the whole world behind here in the ocean breeze here under a tropical moon they all end up sleeping in a pile on the bed i slept there too one hippie chick is living on a carnival ride with lifetime supply of cotton candy a couple of hippie chicks is nothing short of well....everything you could have ever wanted rolled up on your bed a tangle of dreadlocks arms and legs
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Sep 28, 2013
Sep 28, 2013 at 4:41 PM UTC
tangle of dreadlocks
the long day has given itself into evening she and i lay in eachother's arms beneath the traces of stars watching the lights of passing ships in the sea listen to the waves rock our skiff taste the salt air in our every sense and slowly the rest of the worlds fades from view to just us as our soft talking drifts through the hours she caresses my arm and laughs i breath her hair and all the scents of her womanhood and i feel like i could break with all the love i feel inside of me for her like a window to all the hopes and dreams i ever had telescopes into one moment any moment she and her hippie girlfriends are gonna roll in with sandwich's and green tea for the hungry masses and smiling they will pass the time talking and laughin with young voices and my neighbor catches them in watercolor a bright flowing device and masterpiece his old fingers dart over the canvas and you can feel the sunlight in his images you can hear the sweet laughter we wander long the back street with the open air market they are callin out in happy voices in the strong trade winds and don't cha know that its so easy to forget all your troubles and leave the whole world behind here in the ocean breeze here under a tropical moon they all end up sleeping in a pile on the bed i slept there too one hippie chick is living on a carnival ride with lifetime supply of cotton candy a couple of hippie chicks is nothing short of well....everything you could have ever wanted rolled up on your bed a tangle of dreadlocks arms and legs
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41
Small barge go to meet honoured guest Leisurely lake on come At railing face cup alcohol On all sides lotus bloom On a skiff I meet an honoured guest, Slowly, slowly, it comes across the lake. Facing at the railing, we drink a cup of wine, On all sides, lotus flowers are in bloom.
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3.2k
At the Lake Pavilion
Dreamless sleep - the dusky Eagles nightlong rush about my head, man's golden image drowned in timeless icy tides. On jagged reefs his purpling body. Dark echoes sound above the seas. Stormy sadness' sister, see our lonely skiff sunk down by starry skies: the silent face of night.
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2.4k
Klage
she turned the questions in her eyes aside and stealing away in the quiet of the pine forest winters day the taste of wood smoke was tangible on the sharp cold air and his eyes hunted the ridge crest for sing of flames as they hurried their steps along the rough hewn track she carried the child whos silent contemplation showed his understandings of the gravity of this flight the bundle of possessions on his shoulder weighed upon his mind counselling himself not to regret casting it all aside should need arise the woman and child so fragile and dear to his heart mean so much more than mere trinkets of gold he would surrender without pause life and limb to spare them she was a smoky version of bobby dylan complete with winged snakes in each hand complete with a crown of jewels and the thousand words dance he was a seafaring man they reached the shore of the sea and found the wreckage of a sailing ship her fine line speaking clear of her swiftness and her appointments show without shyness that she was of the finest portugal shipyards they spent days making her seaworthy laying up in the harsh tropical sun neath the palm trees drinking *** from her stores they put to sea in the birth of the new year singing 'goodbye spanish ladies' the three of them on the skiff tacking up-channel trying to determine latitude by sighting but a fog rolls in off the coast of grande bahama as dawn breaks man woman and grown child the miles and the treasures cast aside each wore on open hearted face but neath the weary of sea miles was their joys in the true riches of eachothers soft hand entwined as they sailed into a golden dusk of a lesser throne a kingdom of the sea
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Mar 10, 2014
Mar 10, 2014 at 11:30 PM UTC
of a lesser throne
she turned the questions in her eyes aside and stealing away in the quiet of the pine forest winters day the taste of wood smoke was tangible on the sharp cold air and his eyes hunted the ridge crest for sing of flames as they hurried their steps along the rough hewn track she carried the child whos silent contemplation showed his understandings of the gravity of this flight the bundle of possessions on his shoulder weighed upon his mind counselling himself not to regret casting it all aside should need arise the woman and child so fragile and dear to his heart mean so much more than mere trinkets of gold he would surrender without pause life and limb to spare them she was a smoky version of bobby dylan complete with winged snakes in each hand complete with a crown of jewels and the thousand words dance he was a seafaring man they reached the shore of the sea and found the wreckage of a sailing ship her fine line speaking clear of her swiftness and her appointments show without shyness that she was of the finest portugal shipyards they spent days making her seaworthy laying up in the harsh tropical sun neath the palm trees drinking *** from her stores they put to sea in the birth of the new year singing 'goodbye spanish ladies' the three of them on the skiff tacking up-channel trying to determine latitude by sighting but a fog rolls in off the coast of grande bahama as dawn breaks man woman and grown child the miles and the treasures cast aside each wore on open hearted face but neath the weary of sea miles was their joys in the true riches of eachothers soft hand entwined as they sailed into a golden dusk of a lesser throne a kingdom of the sea
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42
Addiction's innocent cousin ***** needling into my veins infected me seasons ago the ache I once felt still strong as mast's girth From wind to wind sea to sea we internally roamed in my mind the map was a treasure trove for exploration i never was bound to lake shore wind whipping tide tussling rousing mornings and dusky nights My mistresses my pleasure gliding goddess drift lazily and let me sing praise with shouts "Boom" but coy or not I coil spry aged not with time but lessons learned The youngest have yet to grow knowledge of the mystery fables tell of beautiful passings Land's unreachable without proper direction rudderless a hair's breadth magnified out of reach cool autumn leaves fall on my skiff She tugs at my heart and at your golden hemp locks they have all my love stolen from your deck your bow your stern your timber your core but let us sail evermore
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Sep 27, 2013
Sep 27, 2013 at 11:06 PM UTC
Sail
To the tune "As in a Dream" I have long remembered the pavilion on the stream the falling sun so deep in wine we did not know the way home how pleasure spent late returning the skiff thoughtless entered a lotus deep place and struggling through struggling through we scared up from the sand gulls and herons.
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2k
Tz'u No. 2 (Wine Joy)
To the tune of "Wu Ling Spring" Wind ceased, the dust is scented with the fallen flowers. Though day is getting late, I am too weary to attend to my hair. Things remain as ever, yet he is here no more, and all is finished. Fain would I speak, but tears flow first. They say that at the Twin Brooks spring is still fair. I, too, wish to row a boat there. But I am afraid that the little skiff on the Twin Brooks Could not bear the heavy load of my grief.
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2k
Tz'u No. 17 (He Is Gone)
In the caste of what the fir trees denoted what should be or what should not be, I clasped the fig twigs and watched them split as if to say that all must come to an end. And in the end, who can the charred leaves blame if there should be tire rods and hubcaps strewn                                  across the forest's floor? After totaling the costs of what should not be, the last mast of yesterday's trade boat could skiff along the shore, with flag flailing like the playground children's hands. Irrationality piquing: birds dip and dive like a boxer's fists made of shadow from one powerline to the next. Training for the changing, biting winds, watching the unconscious cars staring. And the skiff oozing through the unmentionables littered in the creek : what will become of him? Lodged in stale, fossil bones -- floundered between the swingset and the droning, dusty traffic at 3 a.m. Metamorphic scarabs stolen from the gusts and pants of too much play. Basketballs stained with carrion, precarious gusto in the wake of money suckling and ripping alongside                                     the skiff. Cross here with two pennies. Goaded by the solitary abandonment of the 1930's, the used condom's mouth gaping open like hungry carp, dusty trails of light from the past lamplight hanging in the air Birds measured up along the powerlines, moving mindlessly along with the flock Bird drones, feathery spines Birds perched along the playground. Bird play so far as to say         does this not look familiar? Bobbing, weaving, slathered in cadence and involuntary muscle jerks. First we were here Then we were not.
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Jan 14, 2013
Jan 14, 2013 at 8:33 PM UTC
All Play in These Times
In the caste of what the fir trees denoted what should be or what should not be, I clasped the fig twigs and watched them split as if to say that all must come to an end. And in the end, who can the charred leaves blame if there should be tire rods and hubcaps strewn                                  across the forest's floor? After totaling the costs of what should not be, the last mast of yesterday's trade boat could skiff along the shore, with flag flailing like the playground children's hands. Irrationality piquing: birds dip and dive like a boxer's fists made of shadow from one powerline to the next. Training for the changing, biting winds, watching the unconscious cars staring. And the skiff oozing through the unmentionables littered in the creek : what will become of him? Lodged in stale, fossil bones -- floundered between the swingset and the droning, dusty traffic at 3 a.m. Metamorphic scarabs stolen from the gusts and pants of too much play. Basketballs stained with carrion, precarious gusto in the wake of money suckling and ripping alongside                                     the skiff. Cross here with two pennies. Goaded by the solitary abandonment of the 1930's, the used condom's mouth gaping open like hungry carp, dusty trails of light from the past lamplight hanging in the air Birds measured up along the powerlines, moving mindlessly along with the flock Bird drones, feathery spines Birds perched along the playground. Bird play so far as to say         does this not look familiar? Bobbing, weaving, slathered in cadence and involuntary muscle jerks. First we were here Then we were not.
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26
A storm is raging on the frothy sea Mountainous waves toss the vessel all around The ravaging gales impale with a deafening blow Raucous sheets of salty spray soak and pelter             to and fro A bucket bails the raged sloop She moans and groans as she’s flung about A sailor sails ― A sailor endlessly bails Engulfed alone in the perfect storm Two oars are manned on the stormy seas The halyard torn and ripped from mast To row and bail is an impossible feat It’s hard to tell when you've sprung a fateful leak The captain mans the forlorn skiff There'll be No white flag of surrender flown ;    " I will go down with my ship! "   A furious soul             laments life’s toil As violent waves crash the gunnels hold He screamed out loud,              ***" My time has come ! "                   " My ship is sinking!!! " " Her broken pieces ne'er to be found ..."*** The rampart boat, well fortified yet built to fail Plummets from hills of oceans pitifully tall Cracks are leaking where the lurid light gets in But so does the briny water, will drowning soon begin? Lost hope floats the helpless, fearless one man crew His soul now guides the ether voyage ― A vessel drifts lifeless on the empty calming sea Nothing but it can be seen for miles of skies The free board is deep the salty water high Two apathetic oars lay silent, is a lost soul inside?                      ©  Harlon Rivers
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May 20, 2017
May 20, 2017 at 1:15 PM UTC
Stormy Seas
A storm is raging on the frothy sea Mountainous waves toss the vessel all around The ravaging gales impale with a deafening blow Raucous sheets of salty spray soak and pelter             to and fro A bucket bails the raged sloop She moans and groans as she’s flung about A sailor sails ― A sailor endlessly bails Engulfed alone in the perfect storm Two oars are manned on the stormy seas The halyard torn and ripped from mast To row and bail is an impossible feat It’s hard to tell when you've sprung a fateful leak The captain mans the forlorn skiff There'll be No white flag of surrender flown ;    " I will go down with my ship! "   A furious soul             laments life’s toil As violent waves crash the gunnels hold He screamed out loud,              ***" My time has come ! "                   " My ship is sinking!!! " " Her broken pieces ne'er to be found ..."*** The rampart boat, well fortified yet built to fail Plummets from hills of oceans pitifully tall Cracks are leaking where the lurid light gets in But so does the briny water, will drowning soon begin? Lost hope floats the helpless, fearless one man crew His soul now guides the ether voyage ― A vessel drifts lifeless on the empty calming sea Nothing but it can be seen for miles of skies The free board is deep the salty water high Two apathetic oars lay silent, is a lost soul inside?                      ©  Harlon Rivers
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33
The Little Skiff Slips through the water, following Swamp Trails. Soft Light of a Bayou Moon in the Mist, on right the splash of Gator Tail As it hunts in the Moonlight,  Twinkle of Neon Blares through the reeds, From a Swamp bar Southeast of Lake Charles, Fiddle and Wash board, Scrap , over Sweet Chords of Accordian Tunes drifting in the mist, As a Patron of the Bar stirs coals on the bonfire, Drunken Guests Cut a Rug On rolled out linoleum, Et Toi a Night of Bon temp Roulle on the Bayou Inside the door, for some Cat fish and Red Beans & Rice with a cold brew The Old Juke Box Plays Aaron Nevilles "If Tear Drops were Diamonds" As the Band takes a Break, fiddle laying at Bars end Winks in Orange To the flash of the Beer Sign, Uncle Solacess Raises his glass to the Moon A high toast to La lune ete Amour de Coure, A Drunken Fight breaks out Old Family issues, the contenders hugging and laughing over fresh Beers As I Stumble out the door, just as the Zydeco strikes up I crank up the skiff As I float into the fog, Bon Temp Roulle under Bayou Pale Moonlight C'est bien de te voir, A bientot Au Revoir Bonne Nuit et Beau Reves.... .................................................................JMF 10/114
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Oct 3, 2014
Oct 3, 2014 at 10:01 AM UTC
GATOR ALLEY
Beware young and old alike for the place that is a scary sight. Its the Pirate's Cove sure enough, by jove. Protected by Sunset Reef, raiders there will come to grief. There amongst the shoals many here have lost their souls. Daring ones who venture there by skiff, often fail to spy their shack, under the cliff. The shack is there though hard to see. Tattered and weathered and leaning alee. Their fighting ship is hard to seek, for its hidden well up the nearby creek. Bloodthirsty pirates ready to take your life, to poke you or stab you with their long, sharp knife. In the early morning they may be snoring, after a wild night of drinking and sporting. Pray not wake them or you risk your life, by tasting the bite of their trusty knife. Seeking their chests filled with gold may land you down in the depths so cold. So lads and lasses stay away and live to see another day.
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Feb 7, 2020
Feb 7, 2020 at 6:48 PM UTC
Beware the Pirate Cove
A grey goose above me Calls strident-high, Alone and looking down, While I walk toward the lake, Looking up to find His silhouette against gray sky. We're miles from town On a middling winter day, Shortest hours of light Within the year. We two are lonely here. Skies gray promise Neither rain nor snow; A warming wind is blowing; Perhaps the silver skiff Will melt again, And let the grey flier in. Where are his loved ones? I'd like to know; And why he flies alone, Scanning from his skimming height, And yet I think I know. I used to hunt his kind, To lie in wait beneath a blind, And rise to meet Descending flocks, Wings set, Until I knew The goose I'd brought To ground And the goose above Remained inseparable, One mate for life, Death do them part, And after, live alone. A chill is setting in tonight, And I am heading home; A fire and my wife waiting. Some comfort as the evening ends I hope the grey one finds, In the company of friends... I'd see he weren't alone, If I could make amends.
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Dec 22, 2015
Dec 22, 2015 at 1:43 PM UTC
Short Days; Gray Skies
Hanging in a leaden sky Gulls, in tight formation, fly. Heavy snow's cascading flare Sodium sharpness filling air. Heaving waves carousing fen Ocean's scent, aloft.. .and then The skiff with oarsman pulling tight Materializing from the night Braving, now, a heavy sea Puffing pipe, irreverently. Oblivious of mounting gale Abandons oar to set a sail Skimming sharp to gravel beach Shrugs aside hazards reach. Wading into pounding foam Smiling thought of *** at home. [email protected]
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Feb 15, 2025
Feb 15, 2025 at 11:13 PM UTC
Irreverently, He Puffs his Curved old Pipe.
in the deadest waters of your cruel swamp we heard your voice sliding on the surface like a perfectly sailed skiff avoiding the murky depths …for an illusive while reaching our ears softly lulling us to sleep on your shell shocked shores we had no need to awake while you sank, a leviathan in red white and blue, making only impotent cries and cyber ripples before your bloated belly zagged and zigged to the black bottom while we slept under the spell of your lost incantations and spoke in dreamlike verse of once great nations
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Nov 20, 2012
Nov 20, 2012 at 12:13 AM UTC
The Americanization of John and Mary, under God, indivisible
I Again the larkspur, Heavenly blue in my garden. They, at least, unchanged. II How have I hurt you? You look at me with pale eyes, But these are my tears. III Morning and evening-- Yet for us once long ago Was no division. IV I hear many words. Set an hour when I may come Or remain silent. V In the ghostly dawn I write new words for your ears-- Even now you sleep. VI This then is morning. Have you no comfort for me Cold-colored flowers? VII My eyes are weary Following you everywhere. Short, oh short, the days! VIII When the flower falls The leaf is no more cherished. Every day I fear. IX Even when you smile Sorrow is behind your eyes. Pity me, therefore. X Laugh--it is nothing. To others you may seem gay, I watch with grieved eyes. XI Take it, this white rose. Stems of roses do not bleed; Your fingers are safe. XII As a river-wind Hurling clouds at a bright moon, So am I to you. XIII Watching the iris, The faint and fragile petals-- How am I worthy? XIV Down a red river I drift in a broken skiff. Are you then so brave? XV Night lies beside me Chaste and cold as a sharp sword. It and I alone. XVI Last night it rained. Now, in the desolate dawn, Crying of blue jays. XVII Foolish so to grieve, Autumn has its colored leaves-- But before they turn? XVIII Afterwards I think: Poppies bloom when it thunders. Is this not enough? XIX Love is a game--yes? I think it is a drowning: Black willows and stars. ** When the aster fades The creeper flaunts in crimson. Always another! XXI Turning from the page, Blind with a night of labor, I hear morning crows. XXII A cloud of lilies, Or else you walk before me. Who could see clearly? XXIII Sweet smell of wet flowers Over an evening garden. Your portrait, perhaps? XXIV Staying in my room, I thought of the new Spring leaves. That day was happy.
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Jul 17, 2015
Jul 17, 2015 at 4:20 AM UTC
Twenty-four hokku on a modern theme by Amy Lowell
I Again the larkspur, Heavenly blue in my garden. They, at least, unchanged. II How have I hurt you? You look at me with pale eyes, But these are my tears. III Morning and evening-- Yet for us once long ago Was no division. IV I hear many words. Set an hour when I may come Or remain silent. V In the ghostly dawn I write new words for your ears-- Even now you sleep. VI This then is morning. Have you no comfort for me Cold-colored flowers? VII My eyes are weary Following you everywhere. Short, oh short, the days! VIII When the flower falls The leaf is no more cherished. Every day I fear. IX Even when you smile Sorrow is behind your eyes. Pity me, therefore. X Laugh--it is nothing. To others you may seem gay, I watch with grieved eyes. XI Take it, this white rose. Stems of roses do not bleed; Your fingers are safe. XII As a river-wind Hurling clouds at a bright moon, So am I to you. XIII Watching the iris, The faint and fragile petals-- How am I worthy? XIV Down a red river I drift in a broken skiff. Are you then so brave? XV Night lies beside me Chaste and cold as a sharp sword. It and I alone. XVI Last night it rained. Now, in the desolate dawn, Crying of blue jays. XVII Foolish so to grieve, Autumn has its colored leaves-- But before they turn? XVIII Afterwards I think: Poppies bloom when it thunders. Is this not enough? XIX Love is a game--yes? I think it is a drowning: Black willows and stars. ** When the aster fades The creeper flaunts in crimson. Always another! XXI Turning from the page, Blind with a night of labor, I hear morning crows. XXII A cloud of lilies, Or else you walk before me. Who could see clearly? XXIII Sweet smell of wet flowers Over an evening garden. Your portrait, perhaps? XXIV Staying in my room, I thought of the new Spring leaves. That day was happy.
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96
The sea slides indifferently. Waves crash, roll and skiff on, My heart between the blue crests That break down in the watered wind. Lonely is my shy overlook, The whole sky falls in tailspin, My love was such a simple thing, Precious as golden water on the moon. On the banks I leave my soul And drift away into balmy voids, Seagulls circle and the tides return, My mind is lost atop the sandy shores.
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Jul 14, 2015
Jul 14, 2015 at 10:44 AM UTC
Overlook
A woman I once worked with Was ordinarily quite intelligent But when it came to pronunciation She could become belligerent. Her way was the right way And she brooked no question. Braving her ire, I decided there Was one I had to mention. She said the word comf-tubble And I said that was incorrect. She got so very irate with me That I feared for my own neck. She called it socially acceptable, Her ghastly mispronunciation. I said it was a sign of the times The slippery slope of our nation. If people were to go on and cease An honored way of speaking Then, we are all of us adrift In a doomed skiff that is leaking. She said some more to me But I quit paying much attention. There were too many “I means” And “you knows” to mention. There were ‘haftas’ and ‘ominas’ And the sad utterance, ‘wannabees”. This poor soul would not pass The first hour of a spelling bee. I wondered if this poor soul Had seen on a computer screen. The words just as she was saying On some website she had seen? I accept that nobody in the USA Or even in Merry Old Blighty Says words like Wednesday Comfortable or February rightly. It’s like there is an international Formal and binding declaration That nobody need say these words Correctly in English speaking nations. We can lapse into hickbonics, We jess *** tah stumble along And say set instead of sit, and Others we so often say wrong. We kin say double pneumonia And quay’s eye and nukeyoulurr, Irregardless and even *** cans, And nobuddy questions wut fur. We c’n say thangs like reel utter, SimmYooLurr, BennaFishErAiry. Innerest, furrmillyurr, Mason Airy, Flustration and shudder LieBerry. But as sure as there is air to breathe And that every day will follow night Most people pronouncing words A certain way doesn’t make it right.
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Sep 22, 2015
Sep 22, 2015 at 11:53 PM UTC
DIALECTAL GENOCIDE
A woman I once worked with Was ordinarily quite intelligent But when it came to pronunciation She could become belligerent. Her way was the right way And she brooked no question. Braving her ire, I decided there Was one I had to mention. She said the word comf-tubble And I said that was incorrect. She got so very irate with me That I feared for my own neck. She called it socially acceptable, Her ghastly mispronunciation. I said it was a sign of the times The slippery slope of our nation. If people were to go on and cease An honored way of speaking Then, we are all of us adrift In a doomed skiff that is leaking. She said some more to me But I quit paying much attention. There were too many “I means” And “you knows” to mention. There were ‘haftas’ and ‘ominas’ And the sad utterance, ‘wannabees”. This poor soul would not pass The first hour of a spelling bee. I wondered if this poor soul Had seen on a computer screen. The words just as she was saying On some website she had seen? I accept that nobody in the USA Or even in Merry Old Blighty Says words like Wednesday Comfortable or February rightly. It’s like there is an international Formal and binding declaration That nobody need say these words Correctly in English speaking nations. We can lapse into hickbonics, We jess *** tah stumble along And say set instead of sit, and Others we so often say wrong. We kin say double pneumonia And quay’s eye and nukeyoulurr, Irregardless and even *** cans, And nobuddy questions wut fur. We c’n say thangs like reel utter, SimmYooLurr, BennaFishErAiry. Innerest, furrmillyurr, Mason Airy, Flustration and shudder LieBerry. But as sure as there is air to breathe And that every day will follow night Most people pronouncing words A certain way doesn’t make it right.
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weeping willows dangling their thin lithesome leafed branches curved in genuflection caressing the   surface of  life giver Aqua   as if the brimming pool perhaps a creation of its own weeping from leaf through root to leaf seeping age old unbroken circle of life memory of fingertips rife trailing ripples that won't collapse Gently did I scull the rented skiff disheartened grief stricken and stiff opposing tomorrow's defeat my heart heavy struggling to beat as if lead had bound it in straps already my mind's in sorrow seeing my sadness on the morrow the Greyhound bus diminishes until it slowly vanishes leaving me standing with our scraps of long hot steamy summer nights holding to each other despite the sweat that passion delivers though in August's heat we shiver cold promenades, foggy wraps through damp dense swirling wraiths we tail pretending to be on the trail of Jack the Ripper in our hood the hammered trilling of our blood when passion and play overlap last spring your pirouettes in flowers demanding all of my powers to not burst in flames of lust my love for you just that robust you kept your feelings under wraps how could our sweet love have come to I need to get away from you a cheap bus ticket to "the Bay" is now an entire world away.
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Mar 19, 2017
Mar 19, 2017 at 1:19 PM UTC
Willows Weeping in Roeding Park
The cumulus clouds built overhead But were dark, and filled with rain, They brought to the sky a sense of dread Of the storm to come, and pain, The wind picked up in the barley fields And the sea beat in to the shore, ‘If you don’t go out and anchor the boat It will land on the rocks, for sure.’ I didn’t want to go out that day But my father said I must, All that my brother did was play So I thought it so unjust. ‘Why is it always me,’ I said, ‘When Fred’s as handy as I, He only goes when the weather’s calm With not a cloud in the sky.’ It made no odds so I had to go, They didn’t give me a choice, I was the child of the family, The one with the weakest voice. I took the skip and I rowed on out Where the Huntsman strained its chain, With the breakers crashing across the prow On top of the driving rain. I seized the rope and clambered aboard Then tied the skip to a post, It was only held by a slender cord To the Huntsman, as its host. I went for the starboard anchor then And slipped it into the sea, That would give it a second hold, I thought, But in truth, there should be three. The waves were crashing across the deck And the Huntsman wheeled around, Now side-on to the waves it heeled With a rasping, creaking sound, If only Fred hadn’t lost the anchor Chained up close to the bow, I would be able to hold the swing But it wasn’t likely now. The swell was something tremendous and The rain came down like sleet, What with the sway and the decks awash It was hard to keep my feet. Slowly the boat had begun to drift and Drag its chains to the shore, Down in a trough, and then the lift As the swell built up once more. Making my way to the cabin door I locked myself inside, Then started the Perkins diesel and Prepared to go for a ride, I thought that if I could turn the bow And point it out to sea, We might be able to ride it out The boat, brute force, and me. I didn’t know that my brother Fred Had borrowed somebody’s skiff, And now was heading on out to help, My father had said ,’What if?’ The diesel roared into life and tugged The anchors in its wake, But wouldn’t respond to the rudder I had made my first mistake. Borne on the swell, the Huntsman roared And headed in to land, Nothing I did would turn the bow Though I had the wheel in hand, I’ll never live down the Huntsman’s loss Or forget that awful sound, That terrible scream like a nightmare dream As I ran my brother down. David Lewis Paget
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Apr 4, 2017
Apr 4, 2017 at 1:37 PM UTC
Go Out and Anchor the Boat
The cumulus clouds built overhead But were dark, and filled with rain, They brought to the sky a sense of dread Of the storm to come, and pain, The wind picked up in the barley fields And the sea beat in to the shore, ‘If you don’t go out and anchor the boat It will land on the rocks, for sure.’ I didn’t want to go out that day But my father said I must, All that my brother did was play So I thought it so unjust. ‘Why is it always me,’ I said, ‘When Fred’s as handy as I, He only goes when the weather’s calm With not a cloud in the sky.’ It made no odds so I had to go, They didn’t give me a choice, I was the child of the family, The one with the weakest voice. I took the skip and I rowed on out Where the Huntsman strained its chain, With the breakers crashing across the prow On top of the driving rain. I seized the rope and clambered aboard Then tied the skip to a post, It was only held by a slender cord To the Huntsman, as its host. I went for the starboard anchor then And slipped it into the sea, That would give it a second hold, I thought, But in truth, there should be three. The waves were crashing across the deck And the Huntsman wheeled around, Now side-on to the waves it heeled With a rasping, creaking sound, If only Fred hadn’t lost the anchor Chained up close to the bow, I would be able to hold the swing But it wasn’t likely now. The swell was something tremendous and The rain came down like sleet, What with the sway and the decks awash It was hard to keep my feet. Slowly the boat had begun to drift and Drag its chains to the shore, Down in a trough, and then the lift As the swell built up once more. Making my way to the cabin door I locked myself inside, Then started the Perkins diesel and Prepared to go for a ride, I thought that if I could turn the bow And point it out to sea, We might be able to ride it out The boat, brute force, and me. I didn’t know that my brother Fred Had borrowed somebody’s skiff, And now was heading on out to help, My father had said ,’What if?’ The diesel roared into life and tugged The anchors in its wake, But wouldn’t respond to the rudder I had made my first mistake. Borne on the swell, the Huntsman roared And headed in to land, Nothing I did would turn the bow Though I had the wheel in hand, I’ll never live down the Huntsman’s loss Or forget that awful sound, That terrible scream like a nightmare dream As I ran my brother down. David Lewis Paget
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73
He sets out from Cape Elizabeth on a little skiff into the silvery Atlantic at dawn; несчастливый, he whispers, and the salty wind throws the word against a cliff. His curse, he swears, is gone. He dreams of fighting fish, of yellow fins, of something more than mottled cod. In afternoon, a bite: too strong to reel. I’ll take you by surprise, the young man thinks. He settles in and prays to God that his fish will equal many meals, that Gretzky will prevail at the rink. I can pull you, fish, but I will let you tire. He eats a bit of bread and takes a final look into the deep. The black of the sea meets the black of the sky; the moon hangs, an empty fishhook, and the young man holds the line and sleeps. He’s awakened by a pull, a smack of nose and bone against the stern; she’s pulling further yet from shore. Blood dripping, palms raw, he holds fast. She’s still on the line. His feet stand firm. Tomorrow, fish. I’ll wait one day more. The next morning sees him rise, prepared to fight. You will come home with me today, fish. In his weathered palms: the line. Sun and salt and sweat collide on bronze muscles blessed by Helios. The fish responds right away: she circles and he pulls, a deep-sea tango until she’s there beside the skiff, blue like tokens worn by brides on wedding days, chain-mail sapphires with a sheen of gold: a more beautiful adversary could not exist. Regret set in. One of us must die today, fish. She pulls him close; his hand lands on her fin. Behind him, the harpoon, too far to reach. One of us must die—I am not sure I care which. His body is broken, somewhere within, an injury he cannot treat. *The Great One played with a broken rib in ’93. I must be worthy of him.* His bones cry and shriek, but he will not rest. He plunges bleeding hands into the sea And wrestles body and fin— She presses against his breathless chest. He pulls her nearer still, Weapon at hand, And as he is about to deliver the fatal wound Her dark eyes **** the need to prove his worth as a man. His fingers drop the heavy harpoon. *We are equals, fish; I cannot take your life. I cannot sell your flesh. I cannot catch you just to boast.* He draws his rusty knife but cannot bring himself to thrash the rope that binds them both. He sits down in the boat. *Fish, take me out to sea. Fish, it’s you and me.*
0
Mar 1, 2019
Mar 1, 2019 at 3:49 PM UTC
The Young Man and the Sea
He sets out from Cape Elizabeth on a little skiff into the silvery Atlantic at dawn; несчастливый, he whispers, and the salty wind throws the word against a cliff. His curse, he swears, is gone. He dreams of fighting fish, of yellow fins, of something more than mottled cod. In afternoon, a bite: too strong to reel. I’ll take you by surprise, the young man thinks. He settles in and prays to God that his fish will equal many meals, that Gretzky will prevail at the rink. I can pull you, fish, but I will let you tire. He eats a bit of bread and takes a final look into the deep. The black of the sea meets the black of the sky; the moon hangs, an empty fishhook, and the young man holds the line and sleeps. He’s awakened by a pull, a smack of nose and bone against the stern; she’s pulling further yet from shore. Blood dripping, palms raw, he holds fast. She’s still on the line. His feet stand firm. Tomorrow, fish. I’ll wait one day more. The next morning sees him rise, prepared to fight. You will come home with me today, fish. In his weathered palms: the line. Sun and salt and sweat collide on bronze muscles blessed by Helios. The fish responds right away: she circles and he pulls, a deep-sea tango until she’s there beside the skiff, blue like tokens worn by brides on wedding days, chain-mail sapphires with a sheen of gold: a more beautiful adversary could not exist. Regret set in. One of us must die today, fish. She pulls him close; his hand lands on her fin. Behind him, the harpoon, too far to reach. One of us must die—I am not sure I care which. His body is broken, somewhere within, an injury he cannot treat. *The Great One played with a broken rib in ’93. I must be worthy of him.* His bones cry and shriek, but he will not rest. He plunges bleeding hands into the sea And wrestles body and fin— She presses against his breathless chest. He pulls her nearer still, Weapon at hand, And as he is about to deliver the fatal wound Her dark eyes **** the need to prove his worth as a man. His fingers drop the heavy harpoon. *We are equals, fish; I cannot take your life. I cannot sell your flesh. I cannot catch you just to boast.* He draws his rusty knife but cannot bring himself to thrash the rope that binds them both. He sits down in the boat. *Fish, take me out to sea. Fish, it’s you and me.*
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I caught a tremendous fish .     .     .     .     .     .     .     . And I let the fish go. —Elizabeth Bishop All the people are old people. Older than me. Granddad took me fishing with one of his friends. They said we’d catch flounder. They killed the engine near the bridge pilings. The lines stayed slack until a red and white floater fell below the bay’s polluted waves. I thought I felt a flounder heaving on the hook. I reeled it up— a fish, cylindrical and silver. Alert, black eyes peered at me. He floundered against the skiff’s side with a barbed hook inside his young, unscarred mouth. The old men laughed: flounder are flat and brown. He was small and nothing special— not a flounder. But they didn't let him go. They ground my catch up into a pink paste, spotted with specs of broken bone. We threw the pieces off the boat to chum the water.
0
Jul 22, 2014
Jul 22, 2014 at 2:53 AM UTC
King Mackerel
Sept. 5th, 2020, 6:35am (wondrous palette) the sun risen, but a solid foothold as of yet unestablished; the new day’s skies borrow coloration from nearby sources, no unique identity bright enough as of yet to call its own; thin cumulus streaks, striate against an unidentifiable blue paleness, more to contrast than to claim,  “here we are! the bay is in labor: multi hues of blue intermingle, as the light illuminates each part differentially; soon enough, one hue will come to dominate, just like you, soon enough, a single hue will dominate, and this day will be distinct, and who knows? perhaps even distinctive enough to be memorialized. minute to minute is the ever changing interplay; unlike a human, this rapidity maturation is unafraid to experiment with new combinations but-based on prior recalled self- examination; something on the water, a small boat low and close flat to the surficial; a skiff, a rowboat with no oars, drifting, languishing on the fishing spot, unmoving unhurried humans aboard, thinking, this is the good way to start living *last comment; tiny hinting shades of violet, pink and orange exist, hard to discern so well blended are they with the norm of broader blue and vanilla white and then all readily apparent! this is the new days message, we are what we appear to be, one earth, one sky, indivisible but born from* a wondrous palette; *and so yet another first poem of the day is created, a verbal prélude, étude, unique but a product of its many ancestral predecessors, just like*, we the people.
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Sep 5, 2020
Sep 5, 2020 at 7:01 AM UTC
Wondrous Palette (Sept. 5th, 2020, 6:35am)
Sept. 5th, 2020, 6:35am (wondrous palette) the sun risen, but a solid foothold as of yet unestablished; the new day’s skies borrow coloration from nearby sources, no unique identity bright enough as of yet to call its own; thin cumulus streaks, striate against an unidentifiable blue paleness, more to contrast than to claim,  “here we are! the bay is in labor: multi hues of blue intermingle, as the light illuminates each part differentially; soon enough, one hue will come to dominate, just like you, soon enough, a single hue will dominate, and this day will be distinct, and who knows? perhaps even distinctive enough to be memorialized. minute to minute is the ever changing interplay; unlike a human, this rapidity maturation is unafraid to experiment with new combinations but-based on prior recalled self- examination; something on the water, a small boat low and close flat to the surficial; a skiff, a rowboat with no oars, drifting, languishing on the fishing spot, unmoving unhurried humans aboard, thinking, this is the good way to start living *last comment; tiny hinting shades of violet, pink and orange exist, hard to discern so well blended are they with the norm of broader blue and vanilla white and then all readily apparent! this is the new days message, we are what we appear to be, one earth, one sky, indivisible but born from* a wondrous palette; *and so yet another first poem of the day is created, a verbal prélude, étude, unique but a product of its many ancestral predecessors, just like*, we the people.
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