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"saltine" poems
Ephemeral lips blooming fully crimson, loosening Harmonious conjugation of rosewater and saltine sweat Underneath my effigy of innocence 3 brittle thorns stick detached and of no use; pressed precisely, pinned to place Making of me a bumblebee, lifeless in strong uninvited arms
0
May 9, 2013
May 9, 2013 at 9:57 PM UTC
Little Martyr
I walked past my pantry Late one Friday night To the sounds of what appeared to be The goings on of a party inside I grabbed a hold the latches Swung wide open the door With absolutely no earthly idea Of what was soon in store Colorful lights were flashing Somewhere in the back I moved aside the ketchup and mayo To see where it was at I took out the pickles and saltine's So I could better see What all the commotion was inside Of my food pantry That's when I saw the flashing lights Inside the jar of Nutella I picked it up right away Me being a some what curious fella As I held it at eye level It vibrated in my hands In what felt like a driving rhythm From a 70's Disco band Can't say I wasn't nervous As I loosened up the lid No telling what was going on inside What dangers lay ahead With both hands slightly shaking I removed the rounded top There was a party in the making And it was going on non stop The Nutella had it's boogie on Or if you prefer, it's groove Whatever you wish to call it A party was the mood There was a strobe light and confetti Even a tiny Disco ball As I gazed over the edge of the jar I saw banners wall to wall I guess you could say Nutella Is quite the party treat That may cost you at the grocery store But once home the cover charge is free
0
Jul 4, 2014
Jul 4, 2014 at 8:22 AM UTC
~Nutella~
I don't like to call myself anorexic anymore because I no longer skip meals I haven't thrown up over a toilet and I haven't weighed myself in a year but the thoughts still exist my mind still counts calories for example there are 420 in the saltine ******* I just ate which is already half way over my daily calorie intake or would be half way over my daily calorie intake if I was still anorexic which I'm not even though I haven't thrown away my scale yet It just sits in my room like a prized possesion Like a priceless talesmen I gained from my last adventure sometimes I look at thinspiration just to remember how good it felt not that I save the photos to my phone anymore not that I recite the words they say in my head my favorite one though not that I have a favorite one would be having collar bones that collect raindrops because I could do that If I really tried I could get skinny enough to capture the rain to walk outside, feel the drops, and have them stay I still never finish my food not that I'm counting calories anymore but if I was the extra pieces of food on my plate would still count \ even when I eat food just to spit it out not that I do that anymore not that I'm anorexic again because I'm not I still think I'm fat but who doesnt I mean if you saw me in a dress you would know what I mean I started wearing baggy clothes again not that I have to hide how skinny I am Because I'm not even starving myself You know I gained 22 pounds? Not that that's a problem 105 was underweight but being in the 120s is not okay maybe I'll cut back a little on what I eat but I'm not anorexic trust me
0
Feb 26, 2017
Feb 26, 2017 at 1:38 AM UTC
But I'm not anorexic
I don't like to call myself anorexic anymore because I no longer skip meals I haven't thrown up over a toilet and I haven't weighed myself in a year but the thoughts still exist my mind still counts calories for example there are 420 in the saltine ******* I just ate which is already half way over my daily calorie intake or would be half way over my daily calorie intake if I was still anorexic which I'm not even though I haven't thrown away my scale yet It just sits in my room like a prized possesion Like a priceless talesmen I gained from my last adventure sometimes I look at thinspiration just to remember how good it felt not that I save the photos to my phone anymore not that I recite the words they say in my head my favorite one though not that I have a favorite one would be having collar bones that collect raindrops because I could do that If I really tried I could get skinny enough to capture the rain to walk outside, feel the drops, and have them stay I still never finish my food not that I'm counting calories anymore but if I was the extra pieces of food on my plate would still count \ even when I eat food just to spit it out not that I do that anymore not that I'm anorexic again because I'm not I still think I'm fat but who doesnt I mean if you saw me in a dress you would know what I mean I started wearing baggy clothes again not that I have to hide how skinny I am Because I'm not even starving myself You know I gained 22 pounds? Not that that's a problem 105 was underweight but being in the 120s is not okay maybe I'll cut back a little on what I eat but I'm not anorexic trust me
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44
Chocolate & Hazelnut Blended smooth as butter— To delight taste buds, Like no other. Covering Savory, Crisp Saltine. Just one more, Please.
0
Dec 9, 2018
Dec 9, 2018 at 12:13 AM UTC
Taste Test
Bleary-eyed, an old man asks for change, coins rattling in his hand. A woman hands him saltine crackers across the aisle. “God bless you,” he mutters, takes a seat, and unwraps the plastic with shaking hands. He smiles at her before she leaves the train. Tonight, the passengers on the train are surprisingly quiet for a change. We are all staring down at our hands. And then the silence breaks - a woman cackles aloud to herself in her seat. Her laughter travels up and down the aisle. I overhear a conversation across the aisle between a couple who’ve just entered the train, and are searching for a pair of empty seats. They’re muttering “the country is changing” and they say they are afraid. The woman sighs, and reaches for her lover’s hand. I look over at a child holding her mother’s hand. I meet the little girl’s gaze from across the aisle. I see myself as a child too, but to her I’m a woman. I wonder how often the little girl rides the train. Does she long to see something else for a change - something other than the back of a seat? I notice a lady who has started dancing in her seat, snapping her fingers and waving her hands, bobbing to a silent beat. I imagine her changing into a sequined dress and waltzing down the aisle, giving everyone a performance to watch on the train. I imagine standing up and dancing with that woman and then everyone begins to dance with the woman - we all jump up onto our seats and suddenly we are in a ballroom, not a train. We are tapping our feet and clapping our hands to the music - the little girl across the aisle is dancing with the old man who asked for change. The train stops. We’ve arrived at my station. The dancing woman leaves the train. The passengers change and now there are strangers in their seats. I wave my hand goodbye to the little girl as I walk past her down the aisle.
0
Mar 6, 2021
Mar 6, 2021 at 7:50 PM UTC
Metro Expo Link, a Sestina
Bleary-eyed, an old man asks for change, coins rattling in his hand. A woman hands him saltine crackers across the aisle. “God bless you,” he mutters, takes a seat, and unwraps the plastic with shaking hands. He smiles at her before she leaves the train. Tonight, the passengers on the train are surprisingly quiet for a change. We are all staring down at our hands. And then the silence breaks - a woman cackles aloud to herself in her seat. Her laughter travels up and down the aisle. I overhear a conversation across the aisle between a couple who’ve just entered the train, and are searching for a pair of empty seats. They’re muttering “the country is changing” and they say they are afraid. The woman sighs, and reaches for her lover’s hand. I look over at a child holding her mother’s hand. I meet the little girl’s gaze from across the aisle. I see myself as a child too, but to her I’m a woman. I wonder how often the little girl rides the train. Does she long to see something else for a change - something other than the back of a seat? I notice a lady who has started dancing in her seat, snapping her fingers and waving her hands, bobbing to a silent beat. I imagine her changing into a sequined dress and waltzing down the aisle, giving everyone a performance to watch on the train. I imagine standing up and dancing with that woman and then everyone begins to dance with the woman - we all jump up onto our seats and suddenly we are in a ballroom, not a train. We are tapping our feet and clapping our hands to the music - the little girl across the aisle is dancing with the old man who asked for change. The train stops. We’ve arrived at my station. The dancing woman leaves the train. The passengers change and now there are strangers in their seats. I wave my hand goodbye to the little girl as I walk past her down the aisle.
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37
Take me, Satan, for I have sinned. I fell down on the job, fell down on my sword but with no real purpose or cause. A martyr for the sake of martyrdom is as useful as a parka in Mexico. Slit my wrists with a freeform kiss. Cracked teeth, cracked skull, saltine crackers. Counting calories, skipping meals.   Did it hurt to ascend from hell, and how did you wash away the grime? I want to believe that you love me but the world is unkind. I need a shot of reassurance like a shot of eighteen year old scotch, neat. Rapid fire rejection, thunderstorms of doubt. **** me with a smile. Rebuild my psyche, brick by brick. Mortar me, babe, and I'll adore you for it. Melt into my mind and live there, the mice who currently occupy the quarters are hungry for touch. Ride my metaphor like a throbbing **** longing for release; please, release me.
0
Oct 8, 2014
Oct 8, 2014 at 5:02 PM UTC
#9
Music pulls me into its arms, made a bed for me in this sea of white noise and for some reason, it makes sense to sing about crying too loud or unpacking suitcases or open windows or a spider’s web when you are as sad as I am. It comes and it goes as saltine waves or a heartbeat or drumming. I wait for the day when I will become a mermaid, able to breathe underwater everything I have ever felt. Tonight my body does not want to sleep, but drown in a song of existence. She floods my ears through removing lesser known parts of me.
0
Jul 4, 2013
Jul 4, 2013 at 1:32 PM UTC
sea oleena
some mornings even my hair seems to behave, when i don't need it to -- like weather or feelings.                          after today, i was content. i finally got my bed just the way i like it, settled in, surrounded by cush, and plush and (dead insects)                             despite     a growing discomfort in my belly, i'm still fine; saltine remedy, mint tea                               potion. a lovely girl asked                 me to catch dreams for her. of course i will, in jars like fireflies, natural lanterns to light up your imagination.                              but the           aching in my belly     seems intent on staying until addressed appropriately-- sneakily                 creeping up on me like adolescent shenanigans-- acknowledgement is reminiscence, the kind you don't fancy at 1:00 am. so i mulled it over, going home; like a kick in the shins, it made me realize that the little place in me, maybe a vein or vesicle, is still missing.                it used to be an ***** a limb; in months it shrank to an extremity, a digit, finally infinitesimal-- but still missing.      (now) i'm having trouble                 making my peace with the fact that you'll have that artery, or capillary, or soul atom for awhile or forever, maybe. but i think, i posit in fact, perhaps by march, a few months more, i'll forget and be able to say "it's yours."
0
Nov 20, 2012
Nov 20, 2012 at 4:45 AM UTC
for me, and for you/my sweet
some mornings even my hair seems to behave, when i don't need it to -- like weather or feelings.                          after today, i was content. i finally got my bed just the way i like it, settled in, surrounded by cush, and plush and (dead insects)                             despite     a growing discomfort in my belly, i'm still fine; saltine remedy, mint tea                               potion. a lovely girl asked                 me to catch dreams for her. of course i will, in jars like fireflies, natural lanterns to light up your imagination.                              but the           aching in my belly     seems intent on staying until addressed appropriately-- sneakily                 creeping up on me like adolescent shenanigans-- acknowledgement is reminiscence, the kind you don't fancy at 1:00 am. so i mulled it over, going home; like a kick in the shins, it made me realize that the little place in me, maybe a vein or vesicle, is still missing.                it used to be an ***** a limb; in months it shrank to an extremity, a digit, finally infinitesimal-- but still missing.      (now) i'm having trouble                 making my peace with the fact that you'll have that artery, or capillary, or soul atom for awhile or forever, maybe. but i think, i posit in fact, perhaps by march, a few months more, i'll forget and be able to say "it's yours."
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62
We meet in Spring, but began in the Fall. Looking out the window of your car I imagined running my fingers over cornfields like pages of a book. Watching the sunset in the rearview mirror as we moved forward together, needing two of my hands to touch just one of yours. Followed by 120 days of realizing we both love saltine crackers and both drool when we sleep really well. You loved listening to my heartbeat and telling me how it sounded and when I couldn’t sleep you’d pull my head to your chest and tell me to listen to yours. 120 days of you guessing my favorite flower, complementing my favorite cardigan, picking my favorite book off the shelf and reading to me, and attempting to tie my hair in a ponytail or a bun. And you touched like my skin was ice and your hands skates, but that turned into you grasping at me like the room is flames and my body oxygen On the 120th night you crawled into my bed, I could taste the alcohol on your mouth when you told me you loved me and I became addicted to the taste. After a week I was Rory and you Dean and with that began our 39-day happy hour. Until the 159th night when you took back that you loved me and I knew I never could again. My skin regressed back to ice and the next 45 days was our last call, numb to it all. On the 204th day you were Summer and I was Tom eating pancakes in a diner. All I did was stare at the buttons on your shirt and think about the time we saw the moon and you asked for me to write a poem but little did you know I have been this whole time: Iris Moon Marble Moon Missed Moon Monday Blues Button Moon Spring Cleaning. And never moonstruck. We lasted 12 more days and when we ended my first thought was that I can now: cut my hair count again and write again.
0
Jun 22, 2015
Jun 22, 2015 at 2:02 PM UTC
(216) Days of You
We meet in Spring, but began in the Fall. Looking out the window of your car I imagined running my fingers over cornfields like pages of a book. Watching the sunset in the rearview mirror as we moved forward together, needing two of my hands to touch just one of yours. Followed by 120 days of realizing we both love saltine crackers and both drool when we sleep really well. You loved listening to my heartbeat and telling me how it sounded and when I couldn’t sleep you’d pull my head to your chest and tell me to listen to yours. 120 days of you guessing my favorite flower, complementing my favorite cardigan, picking my favorite book off the shelf and reading to me, and attempting to tie my hair in a ponytail or a bun. And you touched like my skin was ice and your hands skates, but that turned into you grasping at me like the room is flames and my body oxygen On the 120th night you crawled into my bed, I could taste the alcohol on your mouth when you told me you loved me and I became addicted to the taste. After a week I was Rory and you Dean and with that began our 39-day happy hour. Until the 159th night when you took back that you loved me and I knew I never could again. My skin regressed back to ice and the next 45 days was our last call, numb to it all. On the 204th day you were Summer and I was Tom eating pancakes in a diner. All I did was stare at the buttons on your shirt and think about the time we saw the moon and you asked for me to write a poem but little did you know I have been this whole time: Iris Moon Marble Moon Missed Moon Monday Blues Button Moon Spring Cleaning. And never moonstruck. We lasted 12 more days and when we ended my first thought was that I can now: cut my hair count again and write again.
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86
i know you said i shouldn’t wait for you but like sandra d when it comes to love, i have nothing better to do every other boy is a dry saltine ******* so let me keep my broken mood ring, babe i don’t care if it’s stuck on blue
0
Apr 10, 2013
Apr 10, 2013 at 12:24 PM UTC
stuck on blue
I was borderline batshit, I hadn't slept for two nights, and every time I closed my eyes, my desperate mind sent itself into R.E.M. The hallucinations were only fun up to a point, as soon as I saw monkeys in gas masks, I fixed another *** drank three or four cups, I promised I'd wait up, and Ms. Gloria had promised to come by last night. My belly began to roar, I ate a saltine, one **** packet left, and then no groceries. I opened the freezer, a couple trays of ice, half a fifth of ***** "Ah, hell," and ****** off the remainder in three or four hits. I turned on the tv, I forgot their was a war going on. It didn't take long for my mind to bite. I took a front row seat for the viewing of my ego's defeat. I was holding up well, using the gunshots as a backing symphony to some poetry I was clumsily penning. It was something about texting girls and semi-trucks, but I lost the ******* notepad I was writing it on, I stood up to go take a **** and my head fell to the soles, back met carpet quickly, monkeys and gas masks, I heard my phone ring, I rolled on my side, in an attempt to crawl to it, then woke up 6-hours later, to someone pounding the **** out of my door.
0
Nov 4, 2010
Nov 4, 2010 at 9:30 AM UTC
Mr. Underground Goes Batshit, Does the Collapse (Pt. II)
In a dream I am standing small between ceiling high cherry wood shelves; books of blue, red, black, white and taupe glow as gemstones set on a neat and comfortable display. I scan my minds library, my nose tensing with the tickle of soft, thick air. A dust has settled over the milky calfskin with the plated gold zipper, cross nestled securely in the fold of the top left corner. Inside gilded pages stand ***** and entombed, making a catacomb of unread stories, of forgotten lives. Once opened, unfamiliar text peels from the page, soon figurines of ink dance for me before hardening into rows of letter like statuettes. After indulging my curiosity my cheeks are left wet with the saltine byproduct of sorrow, bloodshot eyes glazed over. Like the televised open-heart surgery we find ourselves perpetually glancing up at I read on. Brown faces contorted and pallid feature wide eyes whites more yellow than white with spherical black centers. A thousand babies cry to me as if in mourning and with their despair buzzing in my skull and crawling on my skin I shut the book and pull the zipper.
0
Jul 8, 2013
Jul 8, 2013 at 2:02 AM UTC
Sunday night day dream
Title-out of place- by meself. A boor I am to peasantry's sultry disgrace, cargo to be tended, I subsist unamended, how childish I play these games. Liquer buds, saltine love crumbles beneathe day room lock-outs! Eyes stare ablazed, the hued sunset repeadily turns masterpiece of horrid honeymoons idealistic and realistic to discussions seeming strange. Partial bodies secrete the grassed out hills, morning calling awaits.,,,,,
0
May 9, 2015
May 9, 2015 at 11:03 AM UTC
out of place
There is an inch of sleight in this house – this cold chair, a burst of cologne clogging a 20 minute stride. The stringent air tonight blusters deeper than gashing sheens. The little dryad of dew outside and the cadenza of frogs after lambaste of rain. Whenever you sing, your voice communes an immense pain, something unconscious of its gravity, something that levitates back to momentary ululations swelling in the grime of times and heady chances. A long stretch of a day submerged in silence resembling a howl underwater. There will be many sorrows and they will take form of doves, assume the skin of the populace. They will come in a volume of names pressing the linoleumed musk the way the body turns maneuvering over the saltine, the mattress, juxtaposed to a lover, a brusque aroma of coffee brushing away the calm demeanor of the morning, dragging along the weight of its lassitude towards the sprays of fern opening a dense ornate of forget, you, in all places that pulse without recall – an obtuse fish feeling its life in a surge of blue, overtime, finally knowing     what it means to sing and drone only words.
0
Feb 3, 2016
Feb 3, 2016 at 10:20 AM UTC
Age 23, Listening To Rachmaninoff
Take me to the place I know. The lake that looks cold, where the wind stings your skin. Take me there, away from here. Away from saltine tears and diminishing reality. Take me to the place I think I know. The cliff by the sea, where the waves crash loudly. Take me there, take me anywhere. I don't even know what is reality.
0
Jul 9, 2021
Jul 9, 2021 at 4:55 AM UTC
Framed.
Weird words of working men Collar wearing ****** Peacemakers clanging swords Breastplates of hate I watch us all get churched On the ways of cruelty I can’t stop crying Cause love used to be So beautiful to me Two men holding hands To friends kissing publicly No shaming Now there is violence We break the silence With days of silence But it never seems To stop the screams And suicides Children hang out Flailing lifelessly The memory haunts me Even though it is not mine Pale boy loves a brown boy Sweet proclamations Of their affections Poetic exultations Holding each other As their salvation To be loved is a wonderful thing To be touched is a mercy But fire burns to close To the core of fury Angry faces hide behind Masks We ask For love But brutality Is their response And now the saltine sorrow Overflows The ocean grows As one more love Is demolished And the world becomes A lot darker
0
Oct 31, 2015
Oct 31, 2015 at 5:19 PM UTC
Untitled
"THE BREAKDOWN COMES WHEN YOU STOP CONTROLLING YOURSELF / AND WANT THE RELEASE OF A BLOODBATH" - JENNY HOLZER I. Vanitas Vanitatum [The stage is set: a paper moon against a starless, greyscale sky. GINSBERG howls. He's nostalgic for all he'd assumed was forgotten; desperate to never recall it again. His numbered days are manufactured: ELIOT reclines, watching the world end.] CHORUS OF PROPHETS: In our own sins we trusted, both in essence and in nature. Hell was never an inferno: it is an echo chamber. We have nothing (-- we have nothing --) but maxims and jumbled alphabets and lightly-sparkling bitterness when the cork pops feebly from the bottle; (-- nothing! --) dripping saltine hate. We've lived large and small, been tiny and tall; always filling too much space in a too-big room where our presence is ironically scarce. There is nothing for you here, bar vacant lungs and river water -- take a breath and join us                                in sinking to                                             (sinking!) the                                                (sinking!) bottom                                                   (sinking,) of                                                         (sinking...) the                                                                            Styx. II. Et Omnia Vanitas [Enter PLATH, SEXTON, WOOLF, BYRON, DICKINSON and VARIOUS PHARMACEUTICAL BRAND REPRESENTATIVES.] You know not what you could be but merely what you are and that alone is traumatic enough. Taste it, a slice at a time: the disillusionment from having raised your hopes beyond rotting in the soil, the anger upon realising this was your own fault and all you want to do is scream, the bargaining, the denial, the scream (you were not born to live). The gradual processing. The scream! Scream at the moon and scream at the walls and scream into pillows and howl and wail and hack away at the flesh and screech until plastic surroundings melt and it is only you and the void you willed upon yourself. III. Epitaph (What Now?) [A white-fur baby seal is camouflaged upon the ice and, eyes closed, fools itself into thinking it survived.] What happens next is no act of evil: this is survival of the fittest. We are bottom-rung of the food chain and starving predators need to eat. [We lick the ground and taste defeat.] Ruby poppies reach heavenward -- small birds take their maiden flights. I shrivel, putrid in the soil, in the winter of my life.
0
Aug 29, 2019
Aug 29, 2019 at 7:44 PM UTC
The Poet's Despair Is Not A Work Of Art
"THE BREAKDOWN COMES WHEN YOU STOP CONTROLLING YOURSELF / AND WANT THE RELEASE OF A BLOODBATH" - JENNY HOLZER I. Vanitas Vanitatum [The stage is set: a paper moon against a starless, greyscale sky. GINSBERG howls. He's nostalgic for all he'd assumed was forgotten; desperate to never recall it again. His numbered days are manufactured: ELIOT reclines, watching the world end.] CHORUS OF PROPHETS: In our own sins we trusted, both in essence and in nature. Hell was never an inferno: it is an echo chamber. We have nothing (-- we have nothing --) but maxims and jumbled alphabets and lightly-sparkling bitterness when the cork pops feebly from the bottle; (-- nothing! --) dripping saltine hate. We've lived large and small, been tiny and tall; always filling too much space in a too-big room where our presence is ironically scarce. There is nothing for you here, bar vacant lungs and river water -- take a breath and join us                                in sinking to                                             (sinking!) the                                                (sinking!) bottom                                                   (sinking,) of                                                         (sinking...) the                                                                            Styx. II. Et Omnia Vanitas [Enter PLATH, SEXTON, WOOLF, BYRON, DICKINSON and VARIOUS PHARMACEUTICAL BRAND REPRESENTATIVES.] You know not what you could be but merely what you are and that alone is traumatic enough. Taste it, a slice at a time: the disillusionment from having raised your hopes beyond rotting in the soil, the anger upon realising this was your own fault and all you want to do is scream, the bargaining, the denial, the scream (you were not born to live). The gradual processing. The scream! Scream at the moon and scream at the walls and scream into pillows and howl and wail and hack away at the flesh and screech until plastic surroundings melt and it is only you and the void you willed upon yourself. III. Epitaph (What Now?) [A white-fur baby seal is camouflaged upon the ice and, eyes closed, fools itself into thinking it survived.] What happens next is no act of evil: this is survival of the fittest. We are bottom-rung of the food chain and starving predators need to eat. [We lick the ground and taste defeat.] Ruby poppies reach heavenward -- small birds take their maiden flights. I shrivel, putrid in the soil, in the winter of my life.
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47
I can only summon feelingfulness like the passing of a dove, postponing its arrival mid-air, somewhere along the tucked bramble across Poblacion, starting with metaphorical sensibility or an insensibly bland space to procure wanted meaning. Girls prefer roses and their bright foreheads diademed with more flowers, and boys, their chiaroscuro or lack of a color thereof, seems to be fitting in this maladroit contrast, and so I begin, as always, with your very vague and caged memory. Your face, the whiteness of snowcapped alps. Your strut, my slalom in a treacherous course of words reduced to whisperings, to flutings. Your voice, though nuanced, flitters with an overtone of arrogance: if sound was clothed, yours would be flamboyant ermine. And the line in front of you before I, my arbitrary turn, assimilates into a picturesque form of waiting somewhere in Cubao. I wanted to smash myself with train-speed towards the metallic turnstile, which, would then famish me even so, just as much as I wish to be a car crash somewhere within the outskirts of your town, heavily vandalized by the swill of squalor hefting itself like the rest of the world conscious of its viscera.   This is how I start you – like waiting for the sun to emerge by Borobudur, or the clandestine *** of mildew and grass, a hundredfold of images appear before me and I cannot choose upon my whims and caprices. Are you a dove? A spear of Sun? A thunderous crackle of an impending rain? A harlequin? A moseying cirrus? Or just another by-stander in the crowds where I ultimately seek your being?       This answerlessness measures my knowledge of star, and my breath snuffed out of me while I sigh from exhausted penchants, outweigh dissimilarities and symmetries. A progeny from all superseding conundrums arises: are you a retrogression of a wave back to its saltine wound, flailing in brine? Or are you just the vast sea and nothing else on a fine and lucid day where children skip stones and chant name-callings?                    I sense the peril in this undertaking, and much to my chagrin, I still    do not know how to end you.
0
Jan 27, 2016
Jan 27, 2016 at 3:09 AM UTC
What Are You?
I can only summon feelingfulness like the passing of a dove, postponing its arrival mid-air, somewhere along the tucked bramble across Poblacion, starting with metaphorical sensibility or an insensibly bland space to procure wanted meaning. Girls prefer roses and their bright foreheads diademed with more flowers, and boys, their chiaroscuro or lack of a color thereof, seems to be fitting in this maladroit contrast, and so I begin, as always, with your very vague and caged memory. Your face, the whiteness of snowcapped alps. Your strut, my slalom in a treacherous course of words reduced to whisperings, to flutings. Your voice, though nuanced, flitters with an overtone of arrogance: if sound was clothed, yours would be flamboyant ermine. And the line in front of you before I, my arbitrary turn, assimilates into a picturesque form of waiting somewhere in Cubao. I wanted to smash myself with train-speed towards the metallic turnstile, which, would then famish me even so, just as much as I wish to be a car crash somewhere within the outskirts of your town, heavily vandalized by the swill of squalor hefting itself like the rest of the world conscious of its viscera.   This is how I start you – like waiting for the sun to emerge by Borobudur, or the clandestine *** of mildew and grass, a hundredfold of images appear before me and I cannot choose upon my whims and caprices. Are you a dove? A spear of Sun? A thunderous crackle of an impending rain? A harlequin? A moseying cirrus? Or just another by-stander in the crowds where I ultimately seek your being?       This answerlessness measures my knowledge of star, and my breath snuffed out of me while I sigh from exhausted penchants, outweigh dissimilarities and symmetries. A progeny from all superseding conundrums arises: are you a retrogression of a wave back to its saltine wound, flailing in brine? Or are you just the vast sea and nothing else on a fine and lucid day where children skip stones and chant name-callings?                    I sense the peril in this undertaking, and much to my chagrin, I still    do not know how to end you.
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30
My ******* My redneck My backlashing My slave selling Mi ****** e Mi amigo a hick that's a ****
0
Mar 8, 2016
Mar 8, 2016 at 5:29 PM UTC
Saltine Americans
I  know  the  world    has only    space       for    a woman   and  her  heart,   her  ******* emblazoned in  the trees, her  depths  in voluminous   books – let only   the   saltine  water    touch   her brindled   body   atilt   amongst  the lilies   in the  silver  dawn          and   that her    cusped   hands  demand  a softer  hue of  love    whereas the   salacious  wind  continues   its   grasp  championing  things   both  fragile       and   sturdy:  the   world  slides  in the  coloured  curve of   a woman          and  the men dare  too,  follow  the road  where they meet first  with   death   sitting   still with  the  roses  like   a    splendid   fragrance   stilled in the mind       leading     you   to a  garden  which   thorns   are ensconced           in  a smoothness   that  sings    salutations    to love – as  I   remain  to be nose-deep   sheath   after    sheath,  ****   after   ****   stalking   the            perfume   of   the  world  a  woman   owns.
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Jan 16, 2016
Jan 16, 2016 at 4:07 AM UTC
Womanearth
Title-out of place- by meself. A boor I am to peasantry's sultry disgrace, cargo to be tended, I subsist unamended, how childish I play these games. Liquer buds, saltine love crumbles beneathe day room lock-outs! Eyes stare ablazed, the hued sunset repeadily turns masterpiece of horrid honeymoons idealistic and realistic to discussions seeming strange. Partial bodies secrete the grassed out hills, morning calling awaits.,,,,,
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May 9, 2015
May 9, 2015 at 10:09 PM UTC
out of place..
moist eyes fall upon the limp figurine of a jewel encrusted snowman with a corncob knife. i dream walk through the ether of our dislocated soul. i comb the beach of our lost island and build a raft from our bones and a lock of your eyelashes, flashing in the wink above - your high cheeks in the moon glamour of your perfect skin. we smile untethering the harness from our rogue star we sally forth across the empty streets of Hell's burg. on the outskirts of an astral cataract... a laughing gloom with night's teeth tearing at the hem of your lace robes and my nakedness. with moist eyes drooling saltine gems like dewdrops dripping from the lip of a cracked goblet of frozen fire. our eyes that fall upon the void, weeping from the answer to a foolish prayer, answered by a jealous god. our testament is dust and deep Love. we have no other sky above, as is the custom of deep space... we drift with our horses, across the nether bridge of our uncertainties.... and there we part ways. you go where the sun has slain the moon. i go where the moon's never been. and sleep in droves. holding your hand like a grain of hope and your heart like a golden shadow too heavy to lift from the unknown
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Dec 25, 2015
Dec 25, 2015 at 3:49 PM UTC
Weeping In The Void Laughing
sangkutsa— sana'y kartada nuwebe stove -- so much inner blue in this gruesomeness, still soft is the orifice, maiming the speech whirling in warm press; hand -- to just blindingly toss out in wording it so that then this is true: we once had each other in the simmer of feelings, leaving our shadows crazy-eyed in elegiac silence. rawness -- boiled to a broth: thawing largeness, tipping away in and of feeling. final stages --- half-done in waiting, half-undone in wanting. darkness condoles with the aperture of clouds twitching to rain tritely against the tiled floor. islands of wet footmarks make the traverse viciously slippery on my way to your side of breathing. all of it -- hand's gentle breeze, salt of lake-eyes, melee of tactical pressures sizing down spots gleamed and honeyed with ires. a hiss on landscaped neck where a peregrinating perfume sits, feverish with desire and nothing else, blood boiling, whistling through the pores are the saltine sweat poised, almost for the mouth's readiness in consummation.
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Oct 11, 2015
Oct 11, 2015 at 8:14 AM UTC
Sangkutsa (Notes On)
borderline obsessed, reach-for-the-stars-over-the-fence with a side of nausea & self-loathing. bus side advertisements like Post-It Notes, Manolos and Choos berserk in clouds of smoke and storms of *** lots of *** rice pudding, saltine ******* sandwiches and coloring with breakfast banter illuminate a beige bed of two sullen indents draped in love
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Aug 25, 2015
Aug 25, 2015 at 3:23 PM UTC
The Bradshaw Complex
There once was a girl who couldn't look in the bathroom mirror without shedding a tear who couldn't think about the size of her stomach without wanting to shove her fingers down her throat who didn't even want to eat because she thought about her stomach increasing in size as if eating a saltine ******* would make her gain 10 pounds. She thought this girl was gone. until she realized she wanted to be able to see her ribs. but she couldn't. so she cried herself asleep for the hundredth night in a row as if crying could make her shed  a single pound. as if no one could love her because the thickness of her thighs she thought she wasn't good enough to be loved, that no one could even look at her without a disgusted face unless she weighed less than 100 pounds. but then she learned. you should love someone because you care about their well being, not because of the way they take their clothes off she realized that you are worth so much more than the number that appears when you step on a scale your beauty isn't about how clear your skin is it's about the way your eyes sparkle when you talk about the things you love, the things you adore it's about the way the sides of your mouth curl up when you smile and the way you laugh when you're happy your beauty consists of your imperfections.
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May 21, 2016
May 21, 2016 at 9:57 PM UTC
rib cages