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Bardo Aug 2021
When I think back now to when I was little (to when I was young)
The words "I love you" I don't think were ever spoken, not in our house anyway (now I could be wrong)
It would have been something silly to say
That was something you'd only hear in a Hollywood movie
Between glamorous movie stars, glamorous people
It wasn't part of our reality
If you were feeling anxious about something and needed comforting
You'd be told not to worry, that you were being silly
You'd be given a hug maybe or 'a treat' something nice
Usually something sweet, a biscuit and a hot cup of sugary tea or cocoa
A chocolate sweet if there were any
You'd be allowed to stay up late and watch the late shows on TV
Me! I was always a terrible worrier just like my Mom
Food most often was the comforter, the soother, the remedy to all
(Some say our relationship with food is the closest relationship we ever have in Life).

Yea! I don't think the words "I love you" were spoken where we grew up
Our parents they loved us as best they could
But they didn't have the words, the words to say it
It was strange...it was almost like they were forbidden to.
Of course, you could love your neighbor alright and your neighbor's neighbor
And your neighbor's neighbors neighbor's neighbor
And all the feckin' neighbors in the whole feckin' world
But the one thing you couldn't, you mustn't do
Was love yourself, this was the Big No No, the Big taboo, the Great Evil
It was the one thing you must never do,
And every Sunday at church, the priest way up on his pulpit
He'd never tire of telling us
How evil and selfish and bad the Self was
And all the bad things it got up to
Yea, your neighbor was always better than you were
Put your neighbor above yourself always
Love your neighbor and you'd be alright
That was the message loud and clear.

                               2

So, so we got treats instead of words of love when we were little
On Friday nights when Dad would come home from work and the pub
He'd always have with him lovely Apple Turnover buns
And a bag of crisps for each of us
And so, we'd all sit there together in the evening in front of the telly
After the maelstrom of the school week with  its lessons and scary teacher
Trying so hard to understand and get your homework done,
And despite all we'd laugh and enjoy the TV shows
And this... this was Love, us all just sitting there with our buns and munching our crisps just watching the TV together
Knowing we belonged and that we were loved kind of...as best they could
And that we had a couple of days off, days of freedom
Before we'd have to go back to school again,
It didn't get any better than this.

And when we'd be going down the country to see our Uncle John
My Dad would always stop off to visit a pub
And he'd get us a Club orange and a packet of crisps
It couldn't get any better than this... this was Love
The lovely sweet taste of that fizzy Club orange juice
And those wonderful salty cheese and onion flavoured (potato) crisps or maybe salt and vinegar flavour
Or later on, lovely smokey bacon flavour,
As we'd sit there Dad would be talking to the barman or some of the locals
But we didn't care what was being said, it didn't matter to us
It didn't get any better than this
This was heaven... this was Bliss.

Sometimes during the summer months before we could get summer jobs
Maybe it'd be raining outside and we'd be stuck indoors and bored
But then Mum would up and say "I know I'll make some chips"
Now Mum's chips were really something special, they'd be lovely big chunky potato chips, hand cut
And maybe she'd have beans in tomato sauce with them,
And maybe there'd be a good film on in the afternoon
Well, this was it, nothing could top that, a good film and a plate of Mum's big chunky chips and beans
Sometimes she'd even make these lovely mince beef pies
With minced beef and flour and onions, salt and pepper on them
And they were really something else
It couldn't get any better than this... and this... this was Love
(I can still remember the kind of meals we ate
And my Mum in the kitchen, and my Dad).

                            3

It's how people grow up in the end I suppose
They find someone inspiring, some teacher or book that makes a strong impression on them (if their lucky)
Or a partner who broadens their horizons, makes them question things and expands their vision of life and all its wondrous possibilities
But what if you don't find those good books, those inspiring teachers
Those voices that'd offer you a better vision of tomorrow and what this life could be
What if you only found bad books, bad books purporting to be good
That'd rob you and leave you lost and desolate, fearful and confused
What if some of your teachers turned out to be alcoholics
That some even done away with themselves
What if the people you met were even more lost than you were yourself...

And you'd go to a job interview and the man, he'd look at you and say
"So, what are your aspirations in Life, what are your values, your goals, where do you see yourself a few years from now ?"
And you'd look back at him blankly, Aspirations! Values! Goals!
What are these words, what's he talking about...
What am I looking for in Life ?
To have some fun I suppose...maybe (if having fun was still legal now as an adult)
Fun!!! Whatever that was now ?
Or to get drunk and stay drunk, escape this grim world I'm in somehow
What am I looking for ?
You tell me...I don't know, what is there
For all I knew I may as well have said
"A Club orange and a packet of crisps".

                              4

Now the faces they have all faded away, the voices too, have all gone
There's only me here alone in this room
It's Friday evening and I've got a readymade dinner from the supermarket
Just need to pop it in the oven for a few minutes
And I got a Dvd from the Dvd store,
So I sit there and eat my dinner, I savour every bite
But still it doesn't last very long
And I can lick my plate but it doesn't make any difference
I can lick it all I like
But I can't make it last, and I can't bring them back again
Those people that are gone;
And the food, it doesn't taste the same, doesn't taste as good as it tasted back then
And the movies too, their not like the ones we used to watch...

When I die it'll probably be like that movie Citizen Kane, at the end his last words "Rosebud"
The name of his beloved childhood sleigh
He used slide on in the snow,
I'll say on my death bed "I too have a memory of Love and Joy, Yea!
A Club orange and a packet of crisps".
A strange write this, life through a foodie's eyes. Another rather melancholy write (or wonderful delicious melancholy write LoL). I love the sad ones, they crack me up every time, take me to deep places within, they take you on a journey. Club orange is a lovely brand of fizzy orange juice over here (like Fanta) and a bag of crisps are potato chips fried wafer thin that'd come in different flavors. Very sugary and very salty and bad for you LoL.
Mateuš Conrad Nov 2016
a soft packet of Marlboro's seems ****
these days,
and can i be the flirting first
to give a **** movie critique?
three black guys,
a white girl -
elephantiasis thoroughly established -
no, not the ******* part, the thing you flinch
as to have said: embraced -
      i'd be called a knife-weaving loner with
that sort of dangle -
    and there's me thinking:
that thing is readied for a Serena Williams'
buttocks - it's doubly pelvic in terms
of gravity, how many more inches
do you actually need to bypass those
*******? 12" ain't enough!
              plus, given the size of the actual
thing, how much of it will you actually
get soaked in phlegm while she ***** it
off into an ice-cream? i'd say a third if
not a fifth of it - the rest is kinda lost...
you need an African girl with enough
**** to tickle the tip of that skyscraper you'll
never get to build.
hard looking at the truth, isn't it?
you sorta hope it were a Pythagorean sample
of lecture notes on a beach on Rhodes...
      **** me: and they told me i was naive
but there's still
that:
and all that Darwinism and white self-loathing
to eradicate colonialism -
those 12" chocolate extensions were there
with fat enough bums... 'cos' you had to
bypass enough third-party jiggles
to get to the opportune part of insemination -
white girls and their ******* idea
of a shortcut... well done...
if you have an *** that's bulging enough
to be called the double pelvic or what
geneticists call the double-helix:
then i'd mind singing: and i am a tripod too!
believe me: in 20 years time Kubrick will
not be relevant... **** on the other hand?
next to the apples at a market stall.
               and i am holding a packet of
Marlboro's in my hand, a soft-packet,
sexier than Kenyan Camels sold without
filters (in a soft packet also) -
                  i'm still wondering about the white
girls' shortcut... a ******* tried to make me
strangle her neck by saying: all the black
boys have it... inch for inch...
               i told her: i bought an hour of gymnastic flex,
not your opinions.
         then in dodo the theta goes missing
when everything goes albino crazy when stated
in: discotheque -      techno oceanic -
                         tec (as: shortened) -
odd, isn't it: we are perpetually stating the halves -
never really the blunt obvious,
      charismatic loss of dynamo of language -
oh i'm not jealous, i'm thinking of all the things
i don't have to buy: perfumes, jockstraps,
     daffodils, we're-strangers-type-of-dinner-dates:
        let's freshen things up: escapades Francais -
the new risque - pervert dogs ******* strangers'
legs in the escalator sort of: till death do us part.
                       i just have 12" of concept
in a Nigerian buttocks to define gravitational
                                            pistons when
           that excess is matched with a buttock that's
twice an armchair: and only half to the said, ****:
or what i like to call the onomatopoeia filter:
         it doesn't sound like i'm knocking on a door
and the subsequent opening -
it sounds like i'm knocking on a crocodile's cranium
                and the ****** thing never shuts up!
i am a fine eater i eat everything

i feel like eating chocolate and many other things

and i feel like giving up and i have a craving

a craving for toothpaste

but i don’t wanna eat it because it is for teeth

i feel like drinking orange juice as well as chocolate

i eat chocolate and i gain weight

i want to stop eating junk food

he;s eating junk food, he’s like us now man

i feel like a chocolate bar as well a a chocolate mousse

i feel like a packet of biscuits as well as a big bottle of coke

please stop theser cravings please stop these cravings

like LOLLIES, YUMMY OLE LOLLIES, makes you fat but still tastes great

lollies put on a lot of excess weight, too much sugar

i am 162 kg, from eating too much sugar

yeah, dudes, my sugar count is high

i like cheesecake or vanilla slices as well as butter popcorn

which, that tastes soooooo nice, like me, i guess

i feel like two flavoured milks which can put on a lot of kilos

and i feel like a nice packet of mint slice biscuits and a 2 litre bottle of lemonade

lovely lemonade, and a 2 litre bottle too, and a beautiful sponge cake

sugar causes diabetes, and diabetes is caused by too much sugar

and i buy a tub of ice magic and pour it all over the ice cream

yes, i do feel like a tub of ice cream

and i have a sweet tooth a very big sweet tooth

chocolate and vanilla slices and milkshakes make me tick

and the yummy ole lollies make me feel happy

but each ounce of sugar i do eat can add on the weight

like every bottle of coke i do drink refreshes my mouth and body

like red coke and vanilla coke and coke life and coke zero really adds the fucken flavour

i do a poem in the poetry slam and coke is my reward

i was walking today and i smelt the wonderful cake in my fat body

i don’t want to be fat, but the sugary is solo addictive

the toothpaste is so addictive, but i must stop myself

i know i have a sweet tooth but i need to look further down

because sugar causes belly problems and dental problems

and my mental illness medication is making me crave all these wonderful foods

like hamburgers and chips and mexican nachos and cream buns

puts on weight, i can’t resist i ****** can’t resist, it’s clogging up my arteries

but i can’t seem fro stop the cravings

money buys sugary foods and drinks, i feel poor

i want to be rich and resist  these foods, i would love to have mates

but i am poor and i can’t resist these foods

i hear old school chums calling out to me, eat it brian eat it brian eat it brian

sometimes i can’t resist not to

but i want to, i will eat all these foods in one day

who can give you chocolate for many times you knew

who can rip the strawberry out of strawberries and cream lollies yeah

yeah i can eat a whole packet of marshmallows and strawberries and cream

as well as milk bottles and freddo frogs as well as a packet of 10 cherry ropes

i can eat chicken twists and cheese twists

as well as a packet of cheese and bacon *****, again too much sugar or saturated fats

bad for me very very bad for me, but i still eat it

i got addicted to coke when i was buying my second coke, and the lady said

you must be very very thirsty, mind you i was very thirsty but the sugar put coke ahead of water

and i went to the club and had a few sugary cokes and i bought a few packets of saturated fat crisps

as well as another sugary chocolate bar, i was thinking sugar is better than alcohol

but they both are as bad as each other

it is a lot of food to consume

who loves orange soda, brian loves orange soda is it true, yes i do i do i do oh yeah

you see food is the wicked witch and your body are the children she has

today i bought a nice sumo salad, a takeaway option

and i had two oranges as well as two dips, still bad, but all this are my preferences for a dessert i don’t need
Ben Jones Nov 2015
The chocolate digestive is a marvel of invention
Custard creams are sickly, but worthy of a mention
Shortbread can be gritty, steer clear of the cheap ones
For if you love your biscuits, your pockets must be deep ones

For perfect dunkability, the hobnob leads the field
But prone to going chewy if their packet isn't sealed
Bourbon creams can satisfy when nothing else is offered
Avert your eyes from pretzels, no matter how they're proffered

The lowly Garibaldi is an underrated treasure
A macaroon is excellent for eating at your leisure
Enjoy the home made cookies and the chocolate crispy nests
And save a pack of party rings for fobbing off on guests

But biscuits can be functional, with keen survival craft
A packet of pink wafers can be used to make a raft
Penguins can be hollowed out and used to smuggle crack
And if you throw a ginger nut, you'll always get it back

A Jaffa cake is handy as a snowboard for a spider
And flapjacks are a sustenance and energy provider
Wagon wheels are lethal when they're wielded by a ninja
Brandy snaps cure cancer with a tiny hint of ginger

Experiment with biscuits, they're a versatile thing
Try horizontal dunking or the highland shortbread fling
Keep a packet stashed away for when the end is nigh
And always have the kettle full, and milk in good supply
Sonali Sethi Aug 2014
I'm waiting for my mother
I twiddle my thumbs idlly
I'm trying to look away from
The chocolate bar that's staring at me

"Look at me!" It whispers softly
I'm struggling to avert my eyes
"You'll feel better when you eat me" it
says
With an effort, I ignore its lies

I walk around the chocolate shop
Like a predator circling it's prey
This temptation is just too great!
My feet can't seem to walk away

"Eat me! Eat me!" The chocolate chants
Someone save me from this torture!  
"Don't leave me all alone" it says
I can't take this anymore

Suddenly, my phone rings
My mother has finally arrived!
I turn my my back on the chocolate
My face glows with pride

I didn't succumb to my desire
I did it! I resisted!
I held on, I stayed strong
Even when the chocolate insisted

I smile as I reach the car
I'll tell my mother about my ordeal
I think of how proud she'll be
And of how happy I will feel

But before I utter a single word,
She hands a packet, beaming wide
She says "look what I got for you!"
I can't wait to see what's inside!

A prize for resisting temptation?
Oooh! What could it be?
I open the packet and look inside
And a big fat chocolate stares back at me!
Nat Lipstadt Sep 2013
Packet of Time

T'is the custom of some,
To do their self-sums,
Periodically,
A self-review of
What is seen
When standing before the
Mirror that cannot lie.

Some like Xmas, while others
Count their turkey feathers
on January first.
Others numerical ***** on
The fifteenth of April,
As required by the IRS.

Others habit bound,
Do a spring cleaning,
Or an annualized medical checkup.

Then there are the enviable few,
Who never do
Such an exercise,
For being sure of one's rightness
Precludes the necessity of having their
**** probed, their status, already known.

As I lie in bed at four am,
Waking  after a four hour packet of rest,
Began to wonder, what is the proper period
That a person should time themselves out,
Take a look back, do a "get back Jack,"
To find where they not once belonged,
But where they should set the course heading.

Here is where
This poem gets
Deadly
Serious.

One minute please!

One on, one off.
Did you just spend the minute prior,
Setting your brain on fire,
Scrub away the false pretenses,
Or waste 60 of them on mindless telly?

Day dream, plan and scheme,
Outline the plan, man,
Or curse your fate
The one you, Nate,
Created.

Seems quite expensive,
Spending half a life
Thinking how to
Spend the other half.

But a **** worthwhile,
Notion,
likely to reduce
Self- promotion.

For after but a few such minutes,
You will likely conclude,
Better to think of others,
Than yourself.

Then you truly begin,
The voyage human.
Dashed off just now. Completed by 4:17, in the hopes that a fevered brain, might find another packet of sleep, before the six, when  the alarm of slavery rings.
Tim Gronek Sep 2013
THE SUNFLOWERS

On the way to the store today
I decided to buy a packet of seeds
They had to be for giant sunflowers
Or else I would really have no need

As I strolled the aisles of the store
I came upon exactly what I was looking for
The packet said they’d grow to be six feet tall
Aiming toward the sky they would surely soar

I took the seeds out and they were oh so very small
How in the world were they going to grow to be so tall?
I took my time and planted each and every seed
In a straight row they went as if to form a floral wall

I watered and waited and even watered some more
Until one day I awoke and saw that they had broken ground
It seemed like they were growing at least a foot a day
One morning I arose and there were buds to be found

Each bud was compact and as tight as it could be
How in the world would they be able to open
Their petals were bent in with no where to go
They looked like they could explode but I knew not when

Today I woke up and was amazed at what I saw
Overnight the tucked away petals had burst open with pride
Big, bright yellow sunflowers were here at last
One little flower seed created sunflowers at least six inches wide
One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
Mitchell Jun 2012
The night rested in a humid Spring night as the cable cars
And taxi cabs lazily made their way around the
Soft and silent streets of the city. Stray cats and dogs
Picked away at half-eaten lunch meat and
three day old bread as the moon slowly began to rise.
The restaurants that lined the alley ways and
Side streets were filled with the Saturday evening crowd. The
Clinking echoes of wine glasses and dinner plates spilled
Out onto the sidewalk and into the street. The passerby's would
Occasionally turn their heads to look inside, some envious that they
Were not smiling and drinking and eating that night. Across the
Street and throughout the town, lonely men drank from half empty
Beer mugs, wondering where their passion had gone.

On the corner of Barry and 3rd stood a man alone with
A suitcase in his hand. He wore tattered brown dress
Shoes - two years too old - a black neck tie with a half
Button-up T-shirt and a pair of dark brown slacks he had
Bought from Goodwill for $3. His free hand hung open,
Letting the night breeze snake around his fingers. There
Were the stars above him that shone down onto the street
And the sidewalk and a few spotted puddles that had
Built up from an earlier rain. On the corner of Barry and 3rd
There was only one thing to do with one's time, and that
Was to stand around and think of where to go to next.

Up on 17th, there was a bar the man had heard of
From a woman who had tried to pick him up at the bus
Station, some kind of ******* that was really only looking
For a couple of free drinks and a packet of cigarettes. The man
Thought of this place, and weighed back and forth if it would
Be advantageous to wander up there and see if he couldn't
Find someone to shack up with for the night.
He decided it would be.

As he passed the busy restaurants, listening to the insides
Of the building and its occupants churn like silverware
In a blender, he remembered he had placed a half-loaf
Of bread inside of his suitcase.
He stopped on a rough concrete stoop of a Catholic
Church, where above him, stood a large wooden cross.
Around the cross were plaster sculptures of baby angels and
Gargoyles and a snaking vine made of black stone that made
Its way around the cross, tying itself around the center
Where the horizontal met the vertical, and continued
To spin around and around until it reached the top.
At first, the man thought it was some
Kind of snake signifying Adam and Eve, which was all
He really knew about religion, the basic kid stories, but
When looking closer, realized that it was only an innocent
Plant seeking a spot of sun.

The man placed his suitcase on the 3rd step of 8, where he
Then sat on the 4th. He leaned his weathered, bent back against
The hard stone concrete and listened to the faint cracks
Of his spine inside his body. He realized that he hadn't sat d
Down and relaxed since he had gotten off the train. He threw
His head back in a exaggerated and child-like yawn, and felt the warm tears
Of bashful exhaustion fill the sockets of his heavy eyes. The night was
Warm and he unbuttoned the top two buttons of his shirt
To let the air blow over his sweat drenched chest.

"There are certain times to be alone in life," He mused
To himself, "And I do believe that I have
Found one of them."

In a room above him the window was wide open
And the curtains danced outside with the wind. A head
Poked out from the window sill and peered down to
Look at the man musing, but did not say anything. The man
knew nothing of the stranger's eyes above him and felt
No other presence around him, other than the passing taxi
Cabs and street walker's and - if you counted the one's inside
The church - the saints and the angel's and God that lived
In holy silence enshrined behind him.

"There are things in life that are never meant to be
Solved," he philosophized, "And maybe I am
One of those things. When I think of my life, my entire
Life here on Earth, I don't think I ever found
A straight line to follow that I was ever comfortable
With...not one straight line I could follow that would
Bring me true happiness or a sense of accomplishment.
Now, am I bad in feeling this way? Am I no good
For never feeling that the good ain't ever good enough?
I do my laundry like everybody else and I walk the
Street just the same, but, there is something else that
Smells and feels and can taste the eternity in all things
That makes me restless so I can't sleep sometimes, forces
Me to stare into black infinity with only a mind I feel
That I will never truly meet. There has got to be a word
For whatever feeling this is, but I can't seem to think of it now."

The head above that had poked out before ******
A dark object out the window. It wavered for a moment
In the still warm air of the night, then, whooshing and
Splashing down, a full bucket of water cascaded down
on the man's head and suitcase. The man sat frozen, unsure
Whether it was from the Heaven's itself and paused before
He began to swear and curse at the tenant above him.

"You rat **** eating vanilla ice cream eating convict!" he
Screamed up towards the apartment complex, "I'm going
To come back with a gallon of gasoline, 10,000 tooth-picks, and
Find out your favorite magazine subscription and bring 1,000
Those by, and burn this place down - gifts and all!"

His voice
Echoed in the street
And down the darkened alley-way,
Where the bums of the city
Slumbered, not hearing a sound
Of the rant the man in the now wet
Two year old dress shoes rambled
On with; for bums sleep with
Absolute peace with their lack of
Care or fear of time.

"At last," he muttered underneath his dripping hair,
"I am released unto the Earth for what I truly am: A hung
Sheet - fresh out of the washer - meant only to be
Basking in the moonlight so to be dried by
Morning for the house-guests in the evening."

The man snapped his fingers,
Clicked his tongue, and looked up,
Once more trying to spot the culprit, until
Another bucket of water came crashing
Down upon him.

"QUIET DOWN THERE,"
The voice from above hollered,
"THERE AIN'T A SINGLE WORD ANYONE
IN THIS BUILDING WANTS TO HEAR
RIGHT NOW! CHILDREN ARE SLEEPING AND
THE OLD ONE'S ARE WATCHING THIER PROGRAMS!"

The man ran his hands through his dripping wet hair
And flicked the droplets of water out onto the street. His
Suitcase, which sat to the right of him, was soaked as well and
The man worried about the single baguette he had stored
In there in case he had gotten hungry. He knew it was ruined
Now, but was happy that there was only an extra pair
Of 50 cent socks and an undershirt he had found underneath
A bridge on the way into the city. He cocked his head up to the open window.

"You speak for everyone here in this building?" He
Asked the black and blotchy figure above him.

"I speak for everyone that doesn't have the nerve or
The cajones or the energy to holler down at you at
This Un-Godly hour, if that's what your asking."

"They vote you into that position?" He asked, prodding them.

"No vote. I'm a volunteer," they defended.

"Ha. Always going to be some kind of
Volunteer when there's power involved."

"Isn't power, it's responsibility."

"Responsibility," the man repeated, chewing the
Word in his mouth, seeing it spelled out in his mind.
"Responsibility is quite a subjective thing: some people
Take a liking to it and never want to stop being responsible and
In charge, and some just don't want none of it and
Would rather lay back in the sun and act
Like their in charge, while whoever believes
Their power works under'em and for'em; which one are you?"

"Neither. I'm just here trying to ward off some
Rambling *** with what looks like nothing but a
Suitcase and some old clothes and shoes."

"Well," he said, "You must have some pretty good
Eye-sight in this setting dark, because that's
All I got at the moment."

"Where you hail from?" the voice asked.

"Originally I hail from here, but where I was
Before I hailed from as well. To tell you the truth, I don't
Truly know - that's a good question."

The man tilted his chin up slightly and
Rolled over his response. The question had
Dropped an icy fire into the pit of his stomach and filled it
With hundreds of gnawing, fluttering butterflies; he
Hadn't thought about home in a long time and
Had forgotten why he had even chose to show-up in the first place.

"I'm here for reasons I can't seem to remember at the moment,"
The man admitted to the voice above and to himself.

"Can't remember?" the voice laughed, "How
You gonna' forget why you came home?"

"Don't know," he said, shaking his head," Just
Can't seem to recollect it."

"Scary thing."

"Yes, indeed."

They both paused as a taxi cab passed slowly by. It stopped
And honked its horn trying to signal the man to see
If he needed a ride. The man waved his hand to send the
Cabby off and looked down at his wet clothes and suitcase. The
Chill of the night had gotten its way into his skin and
He noticed that his teeth were chattering and his feet were
Beginning to shake. He worried about getting sick because he
Wouldn't be able to buy any medicine if he did. He looked up
To see the figure still looking down at him in silence. Suddenly,
An object fell, back and forth in the air like a feather,
Down towards the man and onto the stoop where he stood.
It was a blanket and wrapped inside was a tattered pillow.

"Bring it back if you want," the voice called out to him, "Don't
Even care if you sleep on the stoop, but, it's a little wet, as you know."

"There a park around here?"

"Down two blocks and a left. You'll see it."

"Thanks for your kindness," he said looking up at the window.

"Thanks for your silence," the voice said stubbornly.

The man brushed off the remaining water on his clothes
And suitcase and tried to squeeze the water out his hair.
He picked up his suitcase and wrapped the blanket around
His body and fitted the pillow underneath his arm. He walked
Two blocks up from where the figure had told him and took a
Left, illuminated by the stark orange and white street lights. He looked
Around after he took the left and spotted a small children's park
With a few benches spotted along the sidewalk that snaked through it.
He picked a bench near a water fountain, unbuckled his belt and took
Off his wet pants and laid down, wrapping the thick wool blanket
Around his body. He placed his suitcase underneath the bench and
Positioned the pillow so it fitted gently under his head. After he
Closed his eyes and rested for five minutes, he reached down to
Touch his suitcase. He felt the cool, damp leather of it, and
Quickly wrapped himself back up into the blanket,
Eagerly awaiting for dawn to rise and bring warmth back to his body.

At dawn, the sun painted the man's body with dark yellow streaks
of sunlight, heating his body up so much that when he woke, his
Clothes were close to dry again. The small patch of grass and
Weeds underneath him rustled with the wind and the sounds
Of the street a few blocks away drifted into his ear. He stirred
Inside of his blanket but did not rise. The pillow had fallen
To the ground throughout the night, but the man was too tired
To reach for it and kept his head on the hard wooden surface of the bench.
While lying there, half awake, the man thought of the figure that
Had been speaking to him from their window the night before. He
Knew he must return the blanket and pillow, but he was unsure
Whether he should bring something else. He had no money -
No money to spare at least - so he chose to bring only the
The things that were leant to him back, hoping that would suffice.

He shifted his position on the bench and saw through a crack of
The bench, that there were children already playing on the playground
Behind him, their parents leaning over their porches watching them; they
Didn't even seem to notice or care about the man sleeping on the bench.
The man felt embarrassed about this and rolled over to avoid the
Gaze of the parents and any of the children that may have spotted him. He
Laid on his back, his head atop the worn but comfortable pillow, and
Gazed up into the blue sky that was clear save a few passing milky
White clouds, that hovered above him like colossal globs of marshmallows.
He hoped in his mind that he remembered where the house the was that
Had been kind enough to give him the blanket and pillow and he wished
That he had paid more attention to the street signs and physical objects
Surrounding the building. All the man could recall were the bright neon
Orange light posts, a long line of thinly pruned circular bushes, a few
Mailboxes that stood as if attention on the sidewalk of the street, and
Numerous houses that all looked the same when he passed them in the night.
He knew he needed to find the house but was too comfortable to rise and
Too scared of the failure of ever finding the house and the thought
Of carrying around the blanket and pillow made his face flush a deep red.

The man rose cooly, as if rising from a nap spent on a couch in his
Summer cottage that rested on the bank of some far off river somewhere.
He looked over to the children and the parents up on their porches, but
Still, none of them paid him any mind. This relieved him. He was allowed
To be a shadow and embraced the idea of being anonymous rather
Than feeling the helplessness one feels when no one sees you. He folded
The blanket neatly like his mother had taught him to do ever since
He was a little boy, and instinctively fluffed the ***** pillow, even though
It was far beyond repair already. The sun was just peaking over the tops of
The ramshackle apartment buildings and he noticed that he had been
Sleeping in what looked like a very poor part of town; in the night, it
Looked like every other park corner where the elderly would to
Think about their past and the children would play with their present.

"Night and day are two different worlds," the man muttered
To himself, "Some people belong in one and some
The other; I wonder...which one am I?"

He looked up towards the sun and squinted, feeling a
Small droplet of sweat make its way down his right cheek. He
Wiped it away with his fingertip and brought it to his mouth -
He was terribly thirsty and his stomach rumbled within him. He
Had noticed the night before on the way to the park, a sign
For a bakery, but was not sure whether it was open or not because
The night was too dark to reveal any signs of it. The man had 10 dollars to
His name and knew he could buy two loaves of bread for at least 50 cents
If he haggled with whoever was running the place. They would be sure
To see his condition and help him if he showed them a little of the money he had.
There was also a childish charm to the man that he would bring out whenever
He truly was in need - he never liked abusing this gift, if one could call it that -
But in times of desperation and starvation and dehydration, he was
Forced to use it and mustered as much courage up to do so.

He walked through the path that had brought him to the park and
Made a right down the street towards the bakery and possibly the
House where he had been given the blanket and pillow. There was
No one on the street save a few alley cats and dogs and all the window
Blinds were down to block out the intense shining sun rising in the sky. There
Was a light breeze passing through the trees that cooled the man off. He
Had begun to sweat from holding the pillow and blanket so close
To his body, and wished he could have the nerve just to throw it in a
Garbage can and make his way to the neighborhood where he had been told
About the bar, but his conscious weighed him down, so he carried on.

He walked a block down the street and found the bakery on the other side
Of the street. He crossed and saw there was an old woman inside.
He checked his pockets for any spare change and opened his wallet
To make sure the 10 dollars was still there. He needed water and something
To put in his belly and he whispered a prayer before he went inside of the bakery.
When he pushed the door to enter though, it wouldn't budge - it was locked. The
Woman behind the counter turned her head and looked at the man, who
shook her head and waved him off. The man knocked gently on the glass
Door, but the old woman just kept waving and shooing him off like an animal. The
Man checked the clock inside and saw that
Matthew Randell May 2015
Potatoes, potatoes! They grow in the ground,

When you dig them up they're muddy, brown and round,

Potatoes, potatoes! Delicious mashed,

But they don't taste so good if they've been bashed,

Potatoes, potatoes! Steamy in their jacket,

Potatoes, potatoes! Fresh in their packet,

Potatoes, potatoes! Can be made into chips,

Potatoes, potatoes! Are best when they're crisps!
A poem about my favourite tuber the potato. I wrote this near the begining of Junior school.
Mateuš Conrad May 2020
an entire day of abstaining from "syringe",
whoever said it was:
the perfect dis-satisfaction -
supposedly it passes as quick as someone
puffing on crack...
                well...
                      the first cigarette...
when "quitting"... after years of 20 a day...
and this quitting: because no cheap
ciagarettes on the horizon from moldova...
or bulgaria...

    the first hit... feels like electricity...
i can feel it from my head...
right down to my toes...
          in my heels...
the tingling at first... then it all subsides...
into a sensation of a thrown stone
into the stomach:
like a nun jumping a bungee...
i feel like a teenager... who first sipped
alcohol...
the carousel of intoxication -
yet: so contained...
        there's the thrill and an
insurmountable number of adjectives
to the sensation:
face like a sponge head like blitzkrieg
theatre...
         i'm "quitting"...
well... 10 years exposed to the numbing...
perfect the ritual:
i guess i must...
    how long will it last... long enough:
to base the drinking on what becomes
the cigarette: on the peripheries:
and closure...

must i take any more revelation drugs...
apart from what's taxed and legal...
a solipsistic cigarette and some
gomme syrope: putting ms. amber
into the refrigerator...
              
i can feel the horde the tsunami from
a fat head through
a whirlwind dropped into my stomach...
and then the magic toes: tingling...
of course: i'm "quitting"...
quitting as much as...
mellow lou reed contra iggy pop
when bowie was with him in berlin...

"quitting"... the initial hit is over...
the first impressions...
the formality is thrilling...
then comes the diffusion:
the informality of fractions and percentages...
from the brain... the nerves...
perhaps the heart...
and the last place to look into:
the liver...

         and other... soft-tissue glue parts...
and the ritual:
a packet of benson & hedges...
wrapped up with about 10 rubber bands...
it has been waiting for me
for the entire day...
and now that the night is here...
a day when an apple tree was planted
along with a cherry tree...

the garden is looking more and more
presentable for sale...
but before the sale: it must be enjoyed...
i never thought that...
a cigarette: after... this short prospect
of abstinance...
is almost like the first...
but when coupled with the whiskey...
hell... i can't remember the last
time i drank and it felt like...
i was a teenager: under-age drinking
in one of those ****** clubs that
high-school girls go to find boys
with cars... out of school without
a-levels...
and boys go... to find... ms. ambers...
and jazzy gits of mr. fuzzy mr. funny...
the bavarian brothers: the weisers...

please! please! more...
these days of "quitting"...
             because what could be fun
about an absolute cold-turkey...
when you have a stash of...
  600 cigarettes... and... if the math is
about right...
and since the free movement of
people is a rapunzel dream off-the-cuff...

600 cigarettes... if i get it right...
move from 2 per ritual of going to bed...
into 1... that's... either a year
with missing 56 days somewhere...
no rolling tobacco though...
look m'ah! no bongs no syringes!
look p'ah! no snorting bleeding nose...
no... plum bruises from...

as long as there's an inhibition period...
a period of: i wish i could send
a postcard from... Basildon, Essex...
to... someone obliterated by a craze-maze
of lights... like... whatever...

i just heard stories...
                  about the effects of other drugs...
but... it's not like they come back...
with straitjackets to rekindle old flames
of "crossing the threshold" within
the confines of tobacco and alcohol...
moderately: well: not to quote the ideal
units consumed...
     i'm pretty sure i read some pickwick papers
today and... dickens "forgot" some...
conjunction words...
unless of course: his style...
                    -open            
                          to question-
                        esp. adjectives that...
or is it... nouns that act like this that and the other:
as if verbs...
            
    roughly half an hour... the full extent of
a cigarette...
the very first is probably the same
as the "very first" when you're "quitting"...
from circa 20 per day...
to 2-a-day...
                      "quitting" and first getting
hooked...
           the whiskers and fire fathers
                                   of the apache
              are a balancing act that follows...
oh sure... i'll quit smoking...
when the ritual is over...
i have left the casual smoker behind...
somewhere... over coffee...
over the tradition of that cigarette after
a meal: the digestifs smoke-up...
i left these smokers behind...
the nervous smokers...
the waiting at a bus-stop smokers...
the after *** smokers...

          the day is coming to an end...
i'm going to enjoy some music...
drink a little... i'll start calling this smoking
cigarette pattern... what? what else?!
my tobacco ramadam!
chances are... i'll still be unable
to appreciate roxy music...
   and the english dandy...
                       the music is here...
the little bit of *****... and the "pipe"!
here comes my face...
here comes the zoo...
            
             but i'm quitting... "quitting"...
the wolf of wall st. -
                      drug addict... that all depends
on how you treat tobacco...
the cigarette... abstaining for a day...
after a "hiatus" from healthy breathing...
viruses and car zinc and lead exhausts...
cow farts...
                  
    a terrible way to treat tobacco...
i find... is the casual... informal way...
a bit like... internet access...
whoever grew up with it being stationary...
like... a telephone... or a phonebox...
it was never carried:
always a returned to:
like a swizz safety-deposit box
in a bank... that could...
bypass tax regulations and subpoenas...

the good old days...
saturdays the park... the high street...
the car park... climbing to the top
and spitting phlegm bombs at people...
peter ******* richardson...
and kieran o'mahoney...
samuel richards...
         a ****** among the irish...
in england...
then again: richardson...
eh...
                                   ascot?
      i.e. a shcoot?!
                    the break between my first
ritual cigarette...
         and my closing affair for the night...
whether i drink less or not...
in the middle of the night
i wake up on the floor...
         i sleep on the floor for about
an hour... two demons want to ****
in my bed... then i'm thrown back into
the bed of cushions and mattress...
  only yesterday i killed someone in my dream...
and i was... like the zodiac killer...
anonymous...
i heard hook & sinker teases of:
the crime scene read like a crime thriller...
to appease the ego...

two days running thrown out of bed...
this is a terribly composed...
it is... "quarantine" poetics...
i'm "quitting" smoking...
                   i'm making tobacco...
i'm giving tobacco ritual rites...
                   no lazy tobacco smoking...
end of the day... ms. amber in hand...
maxing out on 2!
the next two? the next day...
              the same packet of cigarettes...
2 inside with a lighter...
wrapped up using about 10 rubber bands...
a like-for-like replica of
pin-heads "tattoo geography"...

       yes... because... someone's nearing
the snorting olympics?!
           if all you were given...
was tobacco and alcohol...
             the first one... oh! mein! gott!
it feels like being a teenager... once more...
and experiencing the alcohol carousel
for the very first time...
tobacco? that came later...
after the alcohol... after the ****...
the **** came in age 21...
the tobacco came in... age 21.09...
whatever that implies...

                      it's nice... though...
absitance... you wait for the entire day...
by the of it... some variant of... tourette's kicks
in... it's all very nice asking for
cupcakes and bagels...
scones and daffodils:
or... suicide by: lily-of-the-valley...
i.e. room filled with them...
and no ventilation...
talk about... no hanging... projects...
of Seneca cutting wrists in a bath...
just... getting drunk...
and being allowed to fall asleep
in a vacuous room filled with
lily-of-the-valley bouquets...

             we can talk about suicide... no?
when... it's... beautiful? no? ha!
how was the hemlock... prescribed?
as a drink?
             i... it's almost irritating that...
i will not write anything more sensible
after i take the 2 cigarette to the grave of sleep...
no matter...
i wasn't hoping to invest in much:
today gave me enough.
Wandisa Zwane Oct 2015
Written by

Wandisa Zwane  


April 16, 2015



INT.  APT 3101 - THE BEDROOM  

It's 02:31 am and I find myself laying silently on my bed scrolling through Instagram...Twitter...Tumblr....and Snapchat. I find myself struggling to go to sleep.  I wasn't even able to sleep for an hour or two. It's not normal as its way past my curfew. I receive a text message. I'm confused because it's
still too early for anyone to be texting me, and I know everyone nearby is fast asleep because we have school. So who could be texting me?

CUT TO: PHONE SCREEN

HER ( via text )

I'm struggling with the math homework, help ? Are you up ?

ME ( via text )

I am actually. FaceTime, call or text?

20 minutes later my phone starts ringing. She was FaceTiming me. I stare at her name for about 5 seconds trying to put myself together.

ME

Hello, Ellie

I wasn't focused on the math. I was hoping that we could forget about the math and just talk about us and the futility of life. For some stupid reason I really thought you were gonna say something cheesy like I can't get you out of my head but can we just talk until we fall in love? But no it never happened as we had an hour long conversation about math.

CUE " MATH CONVERSATION"

The futility in that conversation was cosmic to the point where I began questioning existence. But when the call finally ended I was disappointed.

CUT TO: VARSITY

It's 8am and I'm at sitting in English tired and drained. Still contemplating about the futility of life.

HER

Hey, Tyler thanks for helping me with the math homework.

ME

Uhm Ellie do you want to come over too my apartment over the weekend and chill ?

CUT TO: APARTMENT 3101

It's 12am and the apartment is really untidy. I jump out of bed and clean the entire apartment in a record time of 12 minutes and 44 seconds. I'm going crazy over here as I'm trying to remember if I gave her the correct directions. Thank god I gave her the correct directions as I see the uber pulling up in front of the apartment complex. I start sweating and shaking and I'm fearful that I'm going to have a nervous breakdown. I start cringing.
I open the door the door and it's her standing directly in front of me. I can't breathe. I'm overwhelmed by an awe of emotions. Literally - she's beautiful

ME

I mumbled - Hey Ellie it's so good to see you ( the hug was very awkward because I was nervous - it was one of those hugs where both people don't know how to hug each which makes things really awkward)

HER

Hi


ME

So glad you could make it. How was the drive ( note to self: I should stop making things awkward ) I'm so irritated at myself.

CUT TO:  APARTMENT 3101 - LIVING ROOM

She's sitting on the couch. And I'm sitting right next to her. Okay let's just say there was a 30cm gap between the both of us. I was really nervous. I found myself drinking gallons of water. I forgot to offer her anything. I was nervous to the point where I couldn't even make eye contact. I just stared at her forehead and her lips.

ME

Aren't you exhausted I mean that drive was really long ( she lived like 3 blocks away from me )

HER

Not really , I'm just really stressed about varsity and stuff I guess.

We actually start conversing with one another for 5 hours straight.We smoke about 3 cigarettes and have the most fruitful conversation ever about female energy and the power of the the heart. She's really enlightened - I thought she was really basic. We both can't go to sleep because we're actually  enjoying the presence of one another. It was cathartic and refreshing actually.

ME

Want go up to the roof and look at the universe?

HER

I'd love too.

CUT TO : COMPLEX ROOF

I brought a blanket up to the roof cause I thought it was cold. It wasn't but we just layed down underneath the open night sky and gazed into the stars. We connected with the universe/ourselves/each other. It was bliss. We ended up falling asleep on top of the roof. To my amazement we were silently wrapped around each other.

CUT TO: APARTMENT 3101 - THE KITCHEN

HER

( chuckling )
How'd you sleep

ME

( Smiling )
I slept pretty well.

ME

Do you have any plans for today?

HER

YES actually...

SEVERAL HOURS LATER: APARTMENT 3101 - KITCHEN/BEDROOM AND LIVING ROOM

The sun is setting and she still hasn't packed her bags.

ME

When are you leaving?

She said she was leaving on Sunday

HER

In 30.

ME

(I tried to not crack in front of her)
Cool.


APARTMENT 3101

About 2 weeks later she surprisingly pitches at my door with her luggage.

HER
I'm moving in with you!

I was excited at the fact that she was moving in with me but I obviously tried acting cool and composed.

CUT TO: WOLVES CAFE

As they're sitting there talking to each other about their families, Osho and meditation over a cup of tea.

ME

I was adopted.

HER

WOW - That's a huge plot twist.

She sat there speechless for about 2 minutes trying to fathom the knowledge I just presented to her.

HER

So do you ever think about your real parents?

ME

All the time - they both died in a car accident when I was 3.

HER

I'm so sorry.

ME

It's okay - I mean I know they're somewhere out there in the universe checking up on me. I speak to them when I feel lonely.

Enough about my tragic past..How are your parents?

I've never told any other soul about my parents before. She was the first person I ever told .

HER

I never knew my dad but my mom has been living with a brain tumour for like 2 years now.

ME

Wow. That's must've been so tough for you when you found out about it.

HER

It was. I went through the most vicious cycle of depression for an entire year. But I'm trying to make most of the time I have left with her.

ME

How much time do you have left to see her her and stuff ?

HER

(She starts tearing up)
3 months

CUT TO: APARTMENT 3101 - LIVING ROOM

I'm still fascinated by the fact that she's into Osho, existentialism, metaphysics and epistemology. But I also felt like our relationship had escalated so quickly. We're we rushing things? The relationship felt like it was moving at the speed of light.

ME

Do you feel like we're moving too fast ?

HER

There's no such thing, if it's meant to be it will be, whether fast or slow as long as it's true, it will last as long as you want it to.

I was momentarily tongue-tied as I was trying to digest the words she just said.

ME

......

(Still voiceless)

She still had a lot more to say after that

CUES : "rants"

But in that entire rant she said something that echoed within me.

HER

YOU KNOW I MAKE YOU HAPPY

After she said this I felt like fainting. So not only did she make me voiceless I was overwhelmed by an ocean of indescribable emotions- wow

DAYS LATER: APARTMENT 3101 - KITCHEN

I'd finally recovered from those powerful words she preached to me. So I found myself sitting in the kitchen trying to write a letter to her about how I really felt. I wasn't the best at expressing my emotions through writing but I gave it a shot.

ME

Love is the unforetold explanation for creation. Love is life. It's the merger of minds. The marriage of minds. It transcends through time, it's timeless. It takes you into a dimension filled with possibilities and opportunities. It helps you understand you are that you are not worthless. Every time I am with you I understand we are here for a reason. And every time I stare into your eyes. I realise that you are mine.  

I sealed it an envelope and put it on the kitchen counter.

LATER ON THAT DAY:

She opens the letter and starts crying.

CUT TO: THE TREEHOUSE

I introduce her to some of the guys in the treehouse. They welcomed her to the treehouse with open arms.

HER

So what do you guys do in the treehouse?

PAUL : (one of the guys part of the treehouse)

Well in the treehouse we just try to expand. We write, make music, poetry, nothing much really.

MCDONALDS DRIVE- THRU

She was to lazy to go home and cook supper she was s bit hypocritical cause she said we should stop buying junk food. So we decided to go to McDonald's. We were down to our last packet of 2 minute noodles anyway.


CUT TO: HOSPITAL

We went to visit her mother. She introduced me but there was no warmth in the hug we shared. I could feel her shrill body disintegrating. She was really cold. You could see she was dying.

HER

How've you been mom ?

MOM

She couldn't even speak properly. It was sad but when she eventually managed to responded to Ellie's question.

MOM

I'm still fighting but I don't know if I can do this for much longer.

HER

No mum you can't leave me.

MOM

I don't want to make you empty promises my child.

Who's this handsome young man Ellie?

HER

(Smiling heavily)
It's Tyler, my boyfriend

She just called me her boyfriend in front of her mom. She just put a label on our relationship. I thought it was completely platonic.

ME

Afternoon Mam. It's a pleasure to finally meet you.

I knew her name ( Stacy )  but in that moment I felt like a child in primary school - so I decided to be respectful and call her mam. I wasn't sure whether or not I should call her "Ellie's mom" or Stacy. It was just a tricky situation. So I opted for mam.

MOM

( smiling )
The pleasure is all mine Tyler.

She told me to come closer to her cause she wanted to whisper something into my ear.

MOM

Tyler I'm clearly dying as you can see. So I'm leaving with you an important task of ensuring that's my daughter remains happy at all times.Take care of her for me - please

ME

I'll take care of her - she's in safe hands.

MOM

That's the spirit Tyler. Can you give us a moment please Tyler.

HER

Just go down to the kiosk and get me a bottle of distilled water. Please.

(Tyler leaves the room)

MOM

I remember the first time you wrapped your tiny hand around my index finger , you had my soul laying on 3 cms of palm.

( Ellie interrupts )

HER

Mom don't do this , prolonging life is pure idiocy.

(she smiles as a tear rolls down her cheek )

Die so your soul can have its summer ,don't worry about my pain cause I'm really happy for you, your soul can finally taste true liberation, see my tears as autumn leaves falling from trees , I'm naked and all I can show you is the truest forms of love.

MOM

You're so beautiful because you're so true. Our connection has no equation my daughter, as I leave my body just know that my time with you transcends forever.

HER

Mother it's time for you to leave. Take a piece of my happiness, it's futile anyway and I have it in abundance but I shall be lost without you in body, I shall be found when I'm with you in soul.

MOM

Clarity comes with the last breath, as hatred and love become nothing, you are nothing and everything all at once, I'm happy for you have given it to me, tomorrow and yesterday no longer matter

(her heart stops beating and her souls goes home - heart rate monitor indicates her mom has just flat lined)

Ellie starts screaming. The nurses and doctors come sprinting in.


DOCTOR

NUURSE HAND ME THE DEFIBRILLATOR !!

HER

(in agonising pain and disbelief that her mother is dead she starts screaming)

SAVE MY MUM, PLEASE SHE CANT LEAVE ME !! YOU CANT LET HER DIE.

DOCTOR

Nurse get her out of here.

She's kicking and shoving the other nurses as she is being escorted out the room.

NURSE

Don't worry the doctors are doing all they can to save her.

Tyler comes back from the kiosk with the distilled water to find Ellie on the floor crying.

ME

What's wrong?

HER

( Her face goes pale )
She's gone ....

2 DAYS LATER: BACK AT 3101

Ellie has locked herself in my/our room. We haven't spoken to each other for like 2 weeks.

She finally decides to come out of the room.

HER

(Breaks down, again  )
It's her birthday today.

I've never seen her so broken and disfigured before. She's in pieces - distorted.

NARRATOR

Death is the door between two lives; one is left behind, one is waiting ahead. Death is the ultimate experience of this life - Osho

“Birth leads to death, death precedes birth. So if you want to see life as it really is, it is rounded on both the sides by death. Death is the beginning and death is again the end, and life is just the illusion in between. You feel alive between two deaths; the passage joining one death to another you call life. Buddha says this is not life. This life is dukkha – misery. This life is death"

HER

I WONT CRUMBLE - IM A BIG GIRL NOW. MOMMA RAISED ME TO BE A STRONG WOMAN SO IM GONNA DO THAT.

She put up this facade as if nothing ever happened. She didn't allow herself to mourn the death of her mother. She was apathetic for the next 2 weeks.

This  was a tricky phase because she either woke up angry or sad. She just rampaged through the house, didn't attend lectures - she just left a trail of destruction wherever she went. I even have the scars to prove it.

A FEW WEEKS LATER: THE DEATH ORDEAL IS FINALLY OVER

She gained about 5 kilograms in that entire period. She just kept on stuffing her face with ice cream and chocolates

HER

Tyler thanks for being there in my moment of absolute depression.

ME

I thought you were never going to be able to get yourself out of that dark abyss you were trapped in.

AT THE BEACH

The sun is setting and the couple is walking along the sand enjoying each other's company.

ME

I've got something for you Ellie

( I hope she likes it )

HER

Yes?

ME

Close your eyes

(Takes out a heart shaped pediment from back pocket  and places it around her neck )

You can open your eyes now.

HER

(Smiling)
It's lovely, thank you

ME

(Smiling back)
I'm giving you my heart but not my soul.

HER

(Blushes)

ME

(In my head)
I'm giving her my heart she better not break it.

Have you ever had that feeling before in a relationship where you think you love the other person more than they love you. To the point where you'd even get their names tattooed onto your chest. Cause that's how I feel right now.

IN THE CAR:


I'm driving Ellie to the airport. OR Tambo in fact. I'm playing some Jamie ** but I quickly change it and play my favourite song Female Energy.

CUE "FEMALE ENERGY"

ME

You excited?

HER

Yes I'm really really excited for this.

ME

I'm really gonna miss you

HER

Me too.

Ellie was completing her mothers bucket list - so she had had to travel all the way to Tibet and learn Buddhism. Nothing much really she was leaving  for 2 months.


But little did Tyler know that this was going to be the last time he sees Ellie because her plane never landed in Tibet - the plane crashed and it sunk with no no one  surviving.

STILL IN THE CAR:

Ellie hands Tyler a letter

HER

Tyler please don't open this until you get home.

ME

(Smiling)
I'll try my best.


Car parks at drop and go zone at the airport. Tyler takes out Ellie's bag from the boot.

They hug and kiss

Ellie cries.

CUT TO : "APT 3101 - LIVING ROOM "

Tyler opens the letter.

CUE "ELLIES VOICE AND ON OUR SWEATERS "


It's funny how for someone who has been so used to being lonely, the second I grip onto something that seems real, my biggest fear is losing that grip - even though for the longest time ever I've become immune to the feeling of loneliness. The same way people become dependent on other beings, people can become dependent on loneliness too - you become immune to self reassurance, your insecurities, your vulnerability and after a while it seems ideal and okay, but only because it's all you've got. You allow yourself to be consumed by this self indulgent energy making you think you don't need anybody because how else do you get by when you know that you have nobody. So when someone comes creeping in through the front door, with nothing but good intentions - you shut them out because you've lost sight of the difference in the realness of someone coming through the front door and the fakeness of someone coming through the backdoor. I struggle to fathom your presence because I didn't see you coming, through any door, you were just always there in plain sight. I don't know how to describe what I feel when I'm around you because I have never felt anything like it. All I know is that it leaves me in a place
An incomplete screenplay.
Muse of the many-twinkling feet! whose charms
Are now extended up from legs to arms;
Terpsichore!—too long misdeemed a maid—
Reproachful term—bestowed but to upbraid—
Henceforth in all the bronze of brightness shine,
The least a Vestal of the ****** Nine.
Far be from thee and thine the name of *****:
Mocked yet triumphant; sneered at, unsubdued;
Thy legs must move to conquer as they fly,
If but thy coats are reasonably high!
Thy breast—if bare enough—requires no shield;
Dance forth—sans armour thou shalt take the field
And own—impregnable to most assaults,
Thy not too lawfully begotten “Waltz.”

  Hail, nimble Nymph! to whom the young hussar,
The whiskered votary of Waltz and War,
His night devotes, despite of spur and boots;
A sight unmatched since Orpheus and his brutes:
Hail, spirit-stirring Waltz!—beneath whose banners
A modern hero fought for modish manners;
On Hounslow’s heath to rival Wellesley’s fame,
Cocked, fired, and missed his man—but gained his aim;
Hail, moving muse! to whom the fair one’s breast
Gives all it can, and bids us take the rest.
Oh! for the flow of Busby, or of Fitz,
The latter’s loyalty, the former’s wits,
To “energise the object I pursue,”
And give both Belial and his Dance their due!

  Imperial Waltz! imported from the Rhine
(Famed for the growth of pedigrees and wine),
Long be thine import from all duty free,
And Hock itself be less esteemed than thee;
In some few qualities alike—for Hock
Improves our cellar—thou our living stock.
The head to Hock belongs—thy subtler art
Intoxicates alone the heedless heart:
Through the full veins thy gentler poison swims,
And wakes to Wantonness the willing limbs.

  Oh, Germany! how much to thee we owe,
As heaven-born Pitt can testify below,
Ere cursed Confederation made thee France’s,
And only left us thy d—d debts and dances!
Of subsidies and Hanover bereft,
We bless thee still—George the Third is left!
Of kings the best—and last, not least in worth,
For graciously begetting George the Fourth.
To Germany, and Highnesses serene,
Who owe us millions—don’t we owe the Queen?
To Germany, what owe we not besides?
So oft bestowing Brunswickers and brides;
Who paid for ******, with her royal blood,
Drawn from the stem of each Teutonic stud:
Who sent us—so be pardoned all her faults—
A dozen dukes, some kings, a Queen—and Waltz.

  But peace to her—her Emperor and Diet,
Though now transferred to Buonapartè’s “fiat!”
Back to my theme—O muse of Motion! say,
How first to Albion found thy Waltz her way?

  Borne on the breath of Hyperborean gales,
From Hamburg’s port (while Hamburg yet had mails),
Ere yet unlucky Fame—compelled to creep
To snowy Gottenburg-was chilled to sleep;
Or, starting from her slumbers, deigned arise,
Heligoland! to stock thy mart with lies;
While unburnt Moscow yet had news to send,
Nor owed her fiery Exit to a friend,
She came—Waltz came—and with her certain sets
Of true despatches, and as true Gazettes;
Then flamed of Austerlitz the blest despatch,
Which Moniteur nor Morning Post can match
And—almost crushed beneath the glorious news—
Ten plays, and forty tales of Kotzebue’s;
One envoy’s letters, six composer’s airs,
And loads from Frankfort and from Leipsic fairs:
Meiners’ four volumes upon Womankind,
Like Lapland witches to ensure a wind;
Brunck’s heaviest tome for ballast, and, to back it,
Of Heynè, such as should not sink the packet.

  Fraught with this cargo—and her fairest freight,
Delightful Waltz, on tiptoe for a Mate,
The welcome vessel reached the genial strand,
And round her flocked the daughters of the land.
Not decent David, when, before the ark,
His grand Pas-seul excited some remark;
Not love-lorn Quixote, when his Sancho thought
The knight’s Fandango friskier than it ought;
Not soft Herodias, when, with winning tread,
Her nimble feet danced off another’s head;
Not Cleopatra on her Galley’s Deck,
Displayed so much of leg or more of neck,
Than Thou, ambrosial Waltz, when first the Moon
Beheld thee twirling to a Saxon tune!

  To You, ye husbands of ten years! whose brows
Ache with the annual tributes of a spouse;
To you of nine years less, who only bear
The budding sprouts of those that you shall wear,
With added ornaments around them rolled
Of native brass, or law-awarded gold;
To You, ye Matrons, ever on the watch
To mar a son’s, or make a daughter’s match;
To You, ye children of—whom chance accords—
Always the Ladies, and sometimes their Lords;
To You, ye single gentlemen, who seek
Torments for life, or pleasures for a week;
As Love or ***** your endeavours guide,
To gain your own, or ****** another’s bride;—
To one and all the lovely Stranger came,
And every Ball-room echoes with her name.

  Endearing Waltz!—to thy more melting tune
Bow Irish Jig, and ancient Rigadoon.
Scotch reels, avaunt! and Country-dance forego
Your future claims to each fantastic toe!
Waltz—Waltz alone—both legs and arms demands,
Liberal of feet, and lavish of her hands;
Hands which may freely range in public sight
Where ne’er before—but—pray “put out the light.”
Methinks the glare of yonder chandelier
Shines much too far—or I am much too near;
And true, though strange—Waltz whispers this remark,
“My slippery steps are safest in the dark!”
But here the Muse with due decorum halts,
And lends her longest petticoat to “Waltz.”

  Observant Travellers of every time!
Ye Quartos published upon every clime!
0 say, shall dull Romaika’s heavy round,
Fandango’s wriggle, or Bolero’s bound;
Can Egypt’s Almas—tantalising group—
Columbia’s caperers to the warlike Whoop—
Can aught from cold Kamschatka to Cape Horn
With Waltz compare, or after Waltz be born?
Ah, no! from Morier’s pages down to Galt’s,
Each tourist pens a paragraph for “Waltz.”

  Shades of those Belles whose reign began of yore,
With George the Third’s—and ended long before!—
Though in your daughters’ daughters yet you thrive,
Burst from your lead, and be yourselves alive!
Back to the Ball-room speed your spectred host,
Fool’s Paradise is dull to that you lost.
No treacherous powder bids Conjecture quake;
No stiff-starched stays make meddling fingers ache;
(Transferred to those ambiguous things that ape
Goats in their visage, women in their shape;)
No damsel faints when rather closely pressed,
But more caressing seems when most caressed;
Superfluous Hartshorn, and reviving Salts,
Both banished by the sovereign cordial “Waltz.”

  Seductive Waltz!—though on thy native shore
Even Werter’s self proclaimed thee half a *****;
Werter—to decent vice though much inclined,
Yet warm, not wanton; dazzled, but not blind—
Though gentle Genlis, in her strife with Staël,
Would even proscribe thee from a Paris ball;
The fashion hails—from Countesses to Queens,
And maids and valets waltz behind the scenes;
Wide and more wide thy witching circle spreads,
And turns—if nothing else—at least our heads;
With thee even clumsy cits attempt to bounce,
And cockney’s practise what they can’t pronounce.
Gods! how the glorious theme my strain exalts,
And Rhyme finds partner Rhyme in praise of “Waltz!”
Blest was the time Waltz chose for her début!
The Court, the Regent, like herself were new;
New face for friends, for foes some new rewards;
New ornaments for black-and royal Guards;
New laws to hang the rogues that roared for bread;
New coins (most new) to follow those that fled;
New victories—nor can we prize them less,
Though Jenky wonders at his own success;
New wars, because the old succeed so well,
That most survivors envy those who fell;
New mistresses—no, old—and yet ’tis true,
Though they be old, the thing is something new;
Each new, quite new—(except some ancient tricks),
New white-sticks—gold-sticks—broom-sticks—all new sticks!
With vests or ribands—decked alike in hue,
New troopers strut, new turncoats blush in blue:
So saith the Muse: my——, what say you?
Such was the time when Waltz might best maintain
Her new preferments in this novel reign;
Such was the time, nor ever yet was such;
Hoops are  more, and petticoats not much;
Morals and Minuets, Virtue and her stays,
And tell-tale powder—all have had their days.
The Ball begins—the honours of the house
First duly done by daughter or by spouse,
Some Potentate—or royal or serene—
With Kent’s gay grace, or sapient Gloster’s mien,
Leads forth the ready dame, whose rising flush
Might once have been mistaken for a blush.
From where the garb just leaves the ***** free,
That spot where hearts were once supposed to be;
Round all the confines of the yielded waist,
The strangest hand may wander undisplaced:
The lady’s in return may grasp as much
As princely paunches offer to her touch.
Pleased round the chalky floor how well they trip
One hand reposing on the royal hip!
The other to the shoulder no less royal
Ascending with affection truly loyal!
Thus front to front the partners move or stand,
The foot may rest, but none withdraw the hand;
And all in turn may follow in their rank,
The Earl of—Asterisk—and Lady—Blank;
Sir—Such-a-one—with those of fashion’s host,
For whose blest surnames—vide “Morning Post.”
(Or if for that impartial print too late,
Search Doctors’ Commons six months from my date)—
Thus all and each, in movement swift or slow,
The genial contact gently undergo;
Till some might marvel, with the modest Turk,
If “nothing follows all this palming work?”
True, honest Mirza!—you may trust my rhyme—
Something does follow at a fitter time;
The breast thus publicly resigned to man,
In private may resist him—if it can.

  O ye who loved our Grandmothers of yore,
Fitzpatrick, Sheridan, and many more!
And thou, my Prince! whose sovereign taste and will
It is to love the lovely beldames still!
Thou Ghost of Queensberry! whose judging Sprite
Satan may spare to peep a single night,
Pronounce—if ever in your days of bliss
Asmodeus struck so bright a stroke as this;
To teach the young ideas how to rise,
Flush in the cheek, and languish in the eyes;
Rush to the heart, and lighten through the frame,
With half-told wish, and ill-dissembled flame,
For prurient Nature still will storm the breast—
Who, tempted thus, can answer for the rest?

  But ye—who never felt a single thought
For what our Morals are to be, or ought;
Who wisely wish the charms you view to reap,
Say—would you make those beauties quite so cheap?
Hot from the hands promiscuously applied,
Round the slight waist, or down the glowing side,
Where were the rapture then to clasp the form
From this lewd grasp and lawless contact warm?
At once Love’s most endearing thought resign,
To press the hand so pressed by none but thine;
To gaze upon that eye which never met
Another’s ardent look without regret;
Approach the lip which all, without restraint,
Come near enough—if not to touch—to taint;
If such thou lovest—love her then no more,
Or give—like her—caresses to a score;
Her Mind with these is gone, and with it go
The little left behind it to bestow.

  Voluptuous Waltz! and dare I thus blaspheme?
Thy bard forgot thy praises were his theme.
Terpsichore forgive!—at every Ball
My wife now waltzes—and my daughters shall;
My son—(or stop—’tis needless to inquire—
These little accidents should ne’er transpire;
Some ages hence our genealogic tree
Will wear as green a bough for him as me)—
Waltzing shall rear, to make our name amends
Grandsons for me—in heirs to all his friends.
liza Apr 2014
i laid down across the desks
     like always
and started writing
     like always.

i felt her hands on the back of
my upper thigh
she wasn't trying to arouse me
but i could feel her little fingers
bumping up my thigh in
a rhythm, thumping while she texted on her phone
and i felt a light touch on my ****
a packet of papers
and another pair of hands doing work
on their work
on my ****
and i felt the light massages of her fingers on my thigh
and i wondered if other girls felt this way
when they were touched
and i wondered what made me different
and if i was different.
jesus christ going through that stage
It was windy today
I did not walk alone on the beach
or hear its many creaks and groans
the watery moans of margin land
where sea becomes sand, and tide becomes sky
I sat in the car to keep myself dry
and watch the squawking seabirds fly
battling the wind for scraps
thrown and trapped in a playful breeze
which dropped and then continued to tease
litter turned to crisp packet sails
that danced and skipped in the stinging air
with a grace and freedom I could not share
all the same I’m glad I was there
Just got back from the beach
Salmabanu Hatim Jun 2018
My love,
I saw you in the smile of the cheeky Sun,
When we met in the park.
I saw you in the glow of the charismatic moon,
When you asked me out.
I  saw you in the twinkle of the dazzling stars,
When you kissed me with passion.
I saw you in the lyrics of our favourite song when we had our first dance.
I saw you  in the cocoon of a caterpillar,
When you slept soundly beside me.
I saw you in the huge waves of the ocean,
When we made ecstatic  love,
I saw you in the flutter of the butterfly wings,
When you were agitated and worried.
I saw you in the ferocious roar of the lion when you ranted in anger.
I saw you in the tub of my favourite icecream,
Which you did not share.
I saw you in the halo of an angel,
When you showed love and kindness to grandmother.
I saw you in the sweet song of the lark when you mingled happily with  my family.
I saw you as a complete packet,
Someone I could spend my life with.
I saw you in a four hearts diamond ring,
When you proposed.
Last I saw you in the marriage vows,
Which you and I took.
For better or worse.
Mateuš Conrad Jan 2016
apparently there's a massive avocado
problem in australia,
flat like belgium,
sea cold as the north sea,
a massive jet-lag the only attraction,
stop-over where the chinese talk
in renminbi, cigarettes cheap (~£10
a carton), you hear the account
but never want to see the pictures,
just the words,
so a massive avocado problem, one avocado
costs $5 australian, a bottle of wine costs under
$3, odd, isn't it? a packet of cigarettes
costs ~$20... and you'd sooner see a koala pouch
and a wallaby... than an aboriginal man...
i guess it's like the story of the american indians...
a zoological curiosity, kept in a zoo that isn't a "zoo",
in some nature reserve dying from alcoholism,
what a pretty ivory face everywhere you turn,
what a pretty ivory face everywhere you turn
in belgian melbourne, a colonial city
with very little attractions except conformity
to the health service... sooner a bonsai kangaroo
(wallaby), or a koala, than an aboriginal man...
ah god's gift to the world, western european
ant-filled-underwear explorers...
what a zoological curiosity to place a koala pouch
above an aboriginal man...
and how debased the once famous teuton women
by roman account of warfare turned from
noble women ready to commit suicide rather than
be *****... ****** their image so often as to
provide the profession of **** actresses...
i'm loving it... i think i'll toast with the aboriginal men
a clear thought and boomerang the koala dead
for supper... or that's one interpretation
of a tourist's experience.
the inbetweeners only went there for butlins
water slides... i wouldn't even go there go there
for the weather... i'd go there to kickbox a kangaroo
and dance with the tasmanian whirlwind:
but all the shamans of the aboriginal folk are long gone,
and all the aboriginal drunks don't do what ivory
european drunks do: gamble and buy up ******...
they just sit on porches... with telepathic powers
igniting the aquaholic eucalyptus trees who from drinking
too much water... leave the sucklings of grass barren
as bush green... which is hue of stagnating green
into brown or yellow;
but the avocados are expensive... no avocado on toast
as the greenwich girl would like it to be...
too posh for baked beans on toast:
she says farting makes her hubby less of a hard-on;
i find that statement completely agreeable;
the biggest cultural shift though?
sushi... 1 piece of sushi oscillating at ~$3...
sushi and dolphins... match-up...
aussie aussie.... ahoy ahoy fuckjoy!
Nat Lipstadt Jul 2013
Why I Always Carry Tissues

To My Children:

I'm laughing at myself,
As I am prone to do because
Why I Always Carry Tissues
Is the title of a poem
I write for you.

There is a story here,
Of parenting, and responsibilties
That transcends yourself, defines me,
Vis-a-vis you,
then and there, and maybe now.

When you were small,
I took you by the hand,
The cement canyons, trails & rivers
of West Eighty Six Street,
Together, we would ford.

Periodically, as Fathers are prone to do,
Your hand, from my hand,
I would release
So you could fall down,
All on your own.

It bemused me that I could see
Three or four paces ahead of thee
Exactly which crack,
Upon which you would trip,
And come crying back to me.

Back-to-me.
That was then.
And now,
Yes, no more,
Back-to-me.

But I always had tissues
to dry your eyes
And no surprise,
I still do,
Always will.

These days, they,
more likely used to dry mine,
As I have forded that Styxy river,
When crossed, you spend more of the day,
Liking Back more,
Then looking ahead.

No matter, by right and tradition,
It is still my mission, that
when you need, when you bleed,
as I know you surely shall,
These pocket tissues will be there
Ready, willing and able, fully capable,
of snatching away your tears.

When you need,
When you bleed,
And you surely shall,
These pockets of mine,
Of tissue made,
Are waiting for your tears,
And you, to fill them,
For without them,
Their raison d'etre is unfulfilled.


These used tissues are my history book,
Re the art of loving, and the arch-i-texture of life,
Of tears and hearts,
And concrete spills,
That need knees to be complete.

That is why you will find me, without fail,
Ready, willing and able, holding my
White Badge of Courage at the ready,
Waiting patiently, for my mission to be redeemed,
Missions known as parenting schemes.

The scheme is clear, even if
my tissues you no longer request,
You will let your own babies
fall n' fail, then take their tears
Put them in your pocket,
keep them forever wet,
Like my memories of you
the ones I cherish best...

Perhaps a tradition
We will start,
Unsightly bulges in our pocket rear,
Where we will store our packet of saver-saviors
Removers of our dear one's fears.

If we are truly wise
Those tissued memories
We will keep,
Die among them contented,
Knee-scraped deep
When tears fall...



2008
1. Written in 2008, updated today 7/2013, adding a word here and there.
2. When I wrote this, there were no more babies in my life; now the next generation, a new set of boo-boos
3. Yes, I still, always have tissues on me someplace,
a habit started over thirty years ago,
when my children where toddlers.
4. The poem I love the best.
Jack L Martin Sep 2018
Cake
You can eat it too!
My frying pan
Is half empty

Hate me
Because I am good
No!
Because I am great!

Michelan Stars
Trips to Mars
Candy bars
Mason jars

Drunk I am
Said the can
To the packet
Of ketchup

Baker's square
I worked there
Line cook nook
Splatters shook!

The kitchen man
Burns the water
The ******* fan
Yearns for slaughter
Mateuš Conrad Jun 2017
i'd hate to write an eleanor rigby type of poem, about being "lonely", or what love i didn't receive, or could otherwise give...

*******!
              i only found out today...
once you could buy a 12.5g packet of amber
leaf,
               with rolling papers!
you could once buy a packet of 10s...
    i.e. ten cigarettes...
                         today? oh no, against the law...
you can only buy 20s,
                  or in the case of raw tobacco
30g or 50g (grams)...
                                       *******!
plus all the fancy writing is missing...
                     god, i missed rolling cigarettes...
i remember the first time i srtarted rolling,
i was rolling *joints
: marijuana mixed
with tobacco...
                       i was **** at it,
               and my girlfriend at the time laughed:
how can you be a stoner, and be unable
to roll a joint? tina ******* turner!
           but these new laws...
     i'm becoming irritated by them...
            i really just want 12.5g of tobacco to roll...
i guess the answer is:
   well... we have to put off teenagers buying
the smaller portions that they can afford...
oh **** me, i remember buying a packet
of 10s for two 13 year old girls,
         since they kept nagging and nagging...
oops... broke the law...
                 3 years short...
                     oh just *******, smoke 'em
and get off my shoulders...
             that sort of thing used to happen...
in central london a group of kids
  asked me to buy them a cheap brand of 10s...
i chipped in, bought them camel lights
(the blues ones) -
       they were like, huh?
                       i just replied:
             chipped in, these ciggies are better,
so no, you don't get 20 pence worth's of change
from the money you gave me;
but lately, with these new laws?
           john! john! i'm looking for adolf!
  can you point in the direction where he might
be standing?!
                    tina mother... ******* turner.
and the americans think that the "war" with
native americans has ended...
              ever rolled american spirit tobacco?
foooooook me...
                        it's not as soggy as
golden virginia...
                         the war's over?
                                 so why am i still puffing?
    oh i can't complain, i cough a little
the next morning...
                       then i have some ***,
and the cough... magically disappears...
        but something weirder has happened to me,
third day counting...
            i was sitting on the throne of thrones
(a toilet)... feeling that i was ******* out a black *****...
lo! and behold...
                  i ******* out a pea-sized ****...
and i'm like.... huh?!
         where did the actual **** run off too?
another time, it was about 7 teenage boys asking
me to buy them *****...
            what's the fraction?
    probably less than a shot between them (>50ml)...
listen, i started my career in drinking
   with an irish kid and an english kid
at a youth club with white lightning... it's a cider?
i don't remember...
    at least we didn't begin with carlsberg's
                          special brew (9 volt);
was i the last boy to buy ***** magazines in shops?
oh, *****, internet **** is one thing...
   buy a ***** mag...     get to grips with being
"judged" as a "pervert"...
                      after w. burroughs people thought
that only ****** junkies had slang...
                d'uh... so do major league drinkers.
*******... all i wanted was a 12.5g packet
                of amber leaf...
    golden virginia can *******! that ****'s too soggy!
do they **** into each packet,
    to provide the glue-like feel of the tobacco?
all i know... it's not supposed to have a fudge-texture!
Kewayne Wadley Jun 2018
I swirled in a ocean of brown.
Venting in steam.
My drown overlapped by current
On top of current.
I swirled around and around,
swimming in sugary spec.
I once dreamed of dry land.
Loosing my footing on the edge of a spoon.
The top of a pink packet torn off.
Sprinkled on my head.
There was no sense in fighting.
One single serving brewed.
It was exciting to feel myself swirl,
All I'd ever know.
around and around.
All I'd ever know.
The more I drunk the more evident it became.
The here after in addiction.
Sweet in taste.
My skin dipped in heart of something so delicious.
I swirled around in an ocean of brown.
Her eyes.
Never once did it occur that I couldn't gulp them.
I still tried.
Lost forever in Mocha flavored aroma
kath otoole Apr 2010
In the supermarket airport
There are arrivals every day.
The departures in your trolley
Come to you from far away.

Those brightly coloured vegetables
Have sat around for days
In what we’re told are
such hygienic backroom bays.
They’re obviously picked and packed by well paid sprites and elves!
Then magically appear on your supermarket shelves.

Here every carrot is straight and clean
And every lettuce crisply curled
Then gassed in plastic packets
That are filling up our world!

Take a glance inside your trolley
And if what I say is true
Then I guarantee the food within
Has seen more of the world than you.

Like the picture on the packet
Of your frozen ready meal
The colour of this far flown food is great
The taste experience, surreal.

Those ripe tomatoes in their reddest skins
We should dye brown, to match their taste
Those vivid orange carrots are a mystery of flavour-
What a waste!

A plate of vibrant promising hue
Can taste of packaging and glue.

The supermarket tells you you’re in clover
But its goods have all the texture of an old pullover.
Your supermarket says that it is catering for you
But if you’re honest do you really think that’s true?
If you don’t then there is something you can do.

At the supermarket airport
All the money’s in departures
So put that trolley back
And just depart.
If you're wanting to be vocal
Then shop seasonal and local
And hit these psuedo airports at their heart.
Nat Lipstadt Sep 2013
The TSA won't let me fly
It seems when airplane-jailed,
My muse sneaks aboard
Without paying for a seat.

Another airplane poem like 30B,
From a long ago flight,
Found dusty, in the poetry sewing box


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

with every breathe he tithes
a packet of whispered wishes,
a blended osmosis of
past and future scenes,
reviewed, previewed,
moments in time,
actual and dreamed

some received,
airborne plucked,
in his chest stored,
prepared for future
takeoffs and landings,
for ultimate insertion
in both
your recesses
and
your abscesses

some native,
combobulated, containerized
packets of seconds,
of joyous moments,
bytes of historical
hugs n' kisses,
as a child
to a child
from a child

those are vanilla frosted,
residual payments for the
good done and given,  
forwarded with all clear signals,
to his loved ones,
now resent, to you,
fellow travelers and sojourners,
intersectors of our peculiar
coded dots and dashes

thirty five thousand feet high,
composure lost,
he swoons as
Bocelli's voce del silenzio
releases tears so sweet,
which are by nature,
gravitated and transformed
into snowflakes to decorate
the Sierra Nevada's
breasted peaks and valleys,
over which his physical notion
is at rest, yet in motion,
within a Delta flying ship

Yet his fevered chest
beats rough,
for every flight seems
a time warp interlude,
a forced reflecting rhyme,
not of his choosing,
a lawful, thoughtful, imprisonment

having donated to you
his best, the remainders,
the man tallies, recalls:

ancient slights, scaled heights,
requiems for his forefathers
scored by cantorial choirs,
liberation struggle weariness,
offers taken and refused,
aces in the hole that proved
insufficient to save his soul.

goal line stands made,
onslaughts refused,
true lies and false truths,
moist lips and monster tears,
occasional A's and calcu-hell-us,
hand me downs received,
help me ups got n' given,
buildings pricked by airplanes,
death wishes granted
and nothing thereby gained,
children, found and lost,
mine, yours, ours...

The sums, always the sums!

engine noises and pilfered winds
are dulled and semi-silenced,
yet the silvered chamber prison
resonates from end to end
as each ledgered memory,
each packet of the
hidden whispered poems
he does NOT choose to send,
dents the man,
leaving claw marks,
screaming pay attention to me,
as if they were the priorities
of a six year old child,
refusing to be ignored

he does,
attention, he does pay,  
allowing rocking guitar heroes
to overtake weeping violinists,
just as newer transgressions
surfeit even his
most really *****,
ancient sins

No matter how he counts,
unable to master the additions,
no matter how many times
counts are initiated,
taken and retaken,
the tally's net net is
concluded, numbered
"forsaken"

his life's W-2 is black n' blue,
deductions falsely enumerate
and thereby underestimate
dues he has paid summarily,
earnings, distorted,
taxes paid never enough,
to satisfy the justice scales,
so wearily he
cries and enunciates,

The sums, always the sums!

THEN COMES HIS SHOUT OUT,
at his most vulnerable,
when a thin veneer of alumina
separates him,
from a fall inglorious
to an end most gorious,
a rapping beat moderne
insists that he go all out,
disallowing no
airy fairy poetry
to disguise that:

If the integers are false,
the entries of a life lived,
are sucker lies
black eyed flies
toxic shockers
that bust open
stinko lockers
where the B.S.
mocking stories
are kept

don't look close
at his documents
they ain't exactly
heaven sent
and the government men
be back on his track
their aviator shades
protect them from
burning light of the
man's furnace
where he burns their liens,
and the agent's ear pieces
drown out his screams of

The sums, always the sums!

God bless you,
keep and recall those packets of
whispered wishes, good tithes,
that the man bequeaths,
gift baskets of
expresso essentials
with God's love delivered

Tho his words,
amateurish and unvarnished,
silly and pompous,
nonetheless, they are the
return on his investments,
his yearnings for your happiness
are the savings accumulated,
though meager jewels are they,
they are ad valorem,
mixed into his confused murmurings

here then,
are his summings up,
what he wills you,,
the tally finale
the best wisdom is
found on coffee cups
at 2:47am.

Dance
Love
Sing
Live

to which he respectfully amends with a
Write.
(See banner photo)
See Nat Lipstadt
Juggling Thoughts Re Proximity, in Seat 30B
Terry Collett Sep 2013
Searching in the gutters
of Meadow Row
and up along by the back
of the coal wharf

Benedict picked out
and up
dog ends
or cigarette butts

as his old man
called them
and picking them up
he tore open the paper

and tipped the tobacco
into a white paper
sweet bag
how can you do that?

Ingrid said
all those people’s
spit and dribble
on them

she pulled a face
he smiled
she looked serious
germs on them

she said
she wiped her hands
on her stained
green dress

he bent down
and picked out
another cigarette ****
and opened it up

between fingers
and thumbs
and emptied it
into the bag

you’re too young
to smoke
she said
if my dad saw me smoking

he’d smack me silly
she said
he does anyway
he said

she bit her lip
and looked away
sorry
he said

didn’t mean
to be like that
he touched her hand
she stared at him

through wire
framed glasses
she liked it when
his hand touched hers

no one else
touched her tenderly
she looked
at his cowboy hat

placed to the back
of his head
the six shooter gun
stuffed in the belt

of his jeans
the borrowed blue waistcoat
(his grandfather’s given
a month or so back)

she put her other hand
on top of his
he took his hand out slowly
in case other boys

from school may see
and walked to the shelter
of a wall
of a bombed out house

and they both sat down
he took out a packet
of cigarette papers
( liberated from

his old man)
and pulled out
a paper and shoved
the packet of papers

back in the pocket
of his jeans
and taking a pinch
of tobacco from the bag

he fingered it
in a straight line
into the cigarette paper
then rolled it

as he’d seen
his old man do
then licked the end
to form a thin cigarette

Ingrid watched in silence
as his fingers moved
and his tongue licked
you’re not going to

smoke it are you?
she asked
he put the cigarette
between his lips

sure am
he said John Wayne like
but you’re only 9
she said

you’re only 9
and you’re watching
he replied
he took out a box

of Swan Vesta
(borrowed from
the cupboard at home)
and lit the cigarette

and puffed slowly
she waved a hand
as smoke came near
her face

my dad will smell that
on me
she said
and think it was me

smoking and tell me off
she said
beat you black and blue
Benedict thought

not said
he coughed and spluttered  
and took out
the cigarette

and blew smoke
from his mouth
and spat out phlegm
brownish yellow

if your old man hits you again
I’ll shoot him
full of cap smoke
he said

she laughed
and hit his arm
he flicked the cigarette
onto the bombsite

with a finger
and watched
as the smoke
he’d blown out

like a pale ghost
seemed to linger.
SET IN 1950S LONDON ON A BOMBSITE.
Don Bouchard Feb 2019
It's June, 1967.
Nature, still lying through
Parsley green teeth,
Breathes the last of spring,
Hints early summer warmth,
Pre-July's cicada whine,
August's heat and wind.

Crops, still tender green
Quiver beneath a humid sky,
Under a glowing sun.

Bicycles amuse our early lust
To soar untraveled ground,
Entering lazy summer's ennui,
We scan a hawk riding drafts
On the edge of our hill.

Dust, drifting up the graveled road,
Five miles below us,
Piques our interest,
Causes the dog to raise his head.
He ***** an ear
Toward a sound we cannot hear.

We hear gravel slapping rocker panels
Before the traveler's roof rises into view,
Catch our breath as the engine slows,
Start running for the house.

A stranger's arrived,
A traveling salesman,
Better than an aunt
Only stopping in for tea
And woman talk.

Dad keeps his welding helmet down,
Repairing broken things.
The hired man inhales his cigarette,
Acts disinterested.

My memories linger on the past....

Salesmen brought the latest farming gadgets:
Additives for fuel and oil,
Battery life extenders,
Grain elevators and fencing tools,
Produce and livestock products,
Lightning rods and roofing,
Chrome-edged cultivator shovels,
Insurance for everything:
Fire, water, wind, hail.

Pitches came without exception:

"Top o' the morning! Looks like you're busy.
Don't want to take your time."

"Looks like you could use some welding rod,
And I have something new for you to try."

"Have you used chromium additive in you livestock salt?
Guaranteed to put on weight and protect from bovine
Tuberculosis!"

"Say, have you heard about the effectiveness of a new
Insecticide called DDT? I've got a sample gallon here
For you to try. Works better than Malathion!"

Dad, eventually intrigued, began the slow dance
Of dickering, haggling over this thing or that.
Most salesmen, closing in for a ****,
Hadn't grappled with my father.

At noon, deals still in the air,
My mother called the men,
And we all trudged in to wash,
Waiting in line at the tub,
Scrubbing with powdered Tide
To remove the grime and grease,
Drying on the darkening towel,
Finding a seat at the table.

The salesmen expected the meal
As though it were their right,
A standing invitation:
Stop in at noon,
Make your pitch,
Sit at table,
Close the deal after.

We boys sat and listened
To man talk.
Eyes wide, we marveled
At gadgets,
Wondered at Dad's parleying,
Winced at the deals he drove,
Commiserated with squirming salesmen
Surely made destitute by Dad's hard bargaining.

In retrospect,
I know the game was played
On two sides,
That the battery additives
Bought for five dollars a packet,
Even with the two Dad finagled free,
Cost about five dollars for everything,
Returned forty-five and change
To the smirking, full-bellied salesman
Who left a cloud of dust on his way
To supper a few miles down the road.
We don't see traveling salesmen anymore at the ranches in Montana. I guess internet sales did them in.
Mary-Eliz May 2017
I know the heart is a heavy thing
and if today you managed to lift it
a few inches off the ground,
I am proud.
You need to understand that there are no turning points.
Your life is not a movie and your fears will not disappear
as soon as someone loves you back. There are only moments
when the glimmer of light you are chasing seems closer than the darkness that is always chasing you but in these moments
every single thing has been worth it.
And I know sometimes you only want it over, this never ending war
but the battle raging within ourselves is the only one worth fighting.
I do not believe in much, but of that-
of that I am sure.
In spite of it all be a force for good wherever you can. Every smile
to a stranger is a little victory. So smile now.
You are alive.
And please understand that victory
is not a sunrise to the zenith
victory is getting out of bed
and finding for the first time in weeks you are not so afraid.
Trust your gut, or whatever part of your life you believe in the most.
The only decisions I regret are the ones I didn’t really make myself.
Hope and wishful thinking are two different things, and only
one is going to hurt you. The other is something to cling to
with everything you have, and never lose sight of.
Sometimes love is tenderness. Sometimes love is flowers and sometimes
love is a small patch of soil and a packet of seeds.
Love is never someone telling you how hopelessly broken you are
and telling you it’s good.
Remember the tides rise and fall and never meet but the sea
goes on looking for itself on the other side of the world. Even the sea has hope
and it’s the biggest **** being on Earth.
Remember time is a concept that humans created and clocks may stop ticking but reality never runs out.
Your chances are endless.
Remember every step back is another step you know how to take forward.
Nothing’s ever wasted.
The last thing to remember is that however much they take
from you, your demons will never be satisfied. And I know this is a terrifying thought
but it also means they are always fighting a losing battle.
However long the war goes on, there is only one possible winner
and the winner is you.
Mateuš Conrad Aug 2022
01004    (N18>N25>N86>N365)

i guess it was just one of those days that managed to be split
between two:
get up at 7am: shower, get dressed,
head out for the first shift as a supervisor at the London
stadium: starting at 9am... work until 4:30pm...
shake hands with the stewards at the end of the shift
for making my job all the more easier...
calling control (of the stadium) on my radio telling them:
there's a limping crow on the pitch, could we please remove
him? not so easily done, but done nonetheless...

finishing the shift having to master the art of moving
through spectators also leaving,
heading toward Wembley stadium,
starting the shift at 6pm and working until 11:30pm...
leaving the stadium trapped by more spectators
leaving the stadium... being | | this close to getting into
Wembley Park station: i was already planning
a swift return home... on the metropolitan line
to Liverpool St. then a quick train ride back to Romford...
obviously that wasn't going to happen...
**** man: i love this change of plan...
i watched as people were rushing to Wembley Central
station while i walked into a shop
and bought myself a bottle Coca-Cola for mixing
with whiskey at home, a packet of Sterling cigarillos,
a packet of 10: only £5.30...
a packet of crisps and a magnum milk and white chocolate
raspberry ice-cream... walked to the first bus stop...
PACKED... chicken-brain: hatch a man...
absolutely necessary to walk up stream to the origins
of the bus route... passed one bus-stop back:
packed... passed a third: packed... the fourth
at Wembley Central was empty: for a while...
before i noticed that Wembley Central was closing
and people started congregating...
oh **** this... i walked back to the fifth bus-stop...
or maybe it was the sixth...
no... no way am i going to get on a bus:
watch it get packed like a can of sardines
and stand there like a clueless *****!
i have walk back a mile and sit in the front seats
of a double decker on top: SIT... relax... after a long day...
than stick around with these sheepish folk
that would rather stand at a bus-stop with about
50 other people than figure up what salmon do...

ha! plan worked... sat up-stairs on the front two
seats... now i said to myself:
this is my favorite bus journey: from Wembley
to Romford...
first the N18... then the N25... then the N86
and finally the N365...
                                    mind you: north London grime
architecture is very different to east London
grime architecture... i prefer the London grime architecture
to the east London grime...

as i sat down i thought to myself: what i really now
for this to be an "Emirates" journey back home
is for some pretty girl to sit down next to me...
hey presto! i'm a firm believer in luck of late...
i was lucky today...
she sat down... a sort of Camila Cabello lookalike:
but much prettier... Spanish... i can decipher Spanish
when i hear it: d'uh... i could never find a Spanish girl
i found attractive: Spanish feminists and French
feminists put me off from looking...
but there she was... sitting pretty... raven hair...
glasses... blue-grey eyes... skin tone: mocha with a hint
of cinnamon and bronze...
i felt an Adam's apple in my throat choking me...
will i speak to her?
a little nudge of the leg on her part...
a little bristle of arm against on arm...
then dozing off her head almost rested on my shoulder...
i just couldn't help admire the difference in size
of our two bodies...
by thumb alone i had a thumb 1.5x larger than hers...
i looked at my shoulders in the reflexion
in the glass lit up by streetlamps...
  then i looked at her petite exposed details...
she kept flicking her hair: at one point the detailed
a style that i greatly admire: no partition down the middle:
although she pulled it off stunningly because
her raven hair was slightly bouncy: not curly:
bouncy... but then she flicked her hair to one side...
so feminine details any woman could wish to have...
naturally gracing some ancient altar of
man's admiration...

  a crescendo came when some ******* came on the bus
and was playing some ****** rap music
for us to listen to... turns out he wasn't a *******...
he ended playing Coldplay's Paradise...
the entire bus erupted in song... everyone was
singing... she was singing: me? i was just smiling...
she then asked this guy who was standing over her
(because the bus was that full that people were
also standing on the upper-deck) about whether
the N18 stops at St. Paul's...
my throat loosened and i turned around to her:

no... what you have to do is get off at Oxford Circus
and turn left onto the Oxford St. and catch
the N25 bus to St. Paul's... and as i did what i instructed
her to do... i got up and realised:
she came a magical puff of smoke never to be seen
again...
          i knew this was going to happen...
make your heart small... make your heart small...
dangerous daydreaming to begin with...
i knew nothing would come of anything like this...
do people still meet people of their dreams
in random locations in life? on buses?
or is the whole dating experience all about profiling
yourself on the internet so that people
have a boring a priori knowledge of you?
that's why dating is so ****... there's nothing to unravel...
there's nothing to discover: absolutely no thrill...

but this is most certainly my favourite route...
esp. at night... and if you can time it perfectly...
you jump on one bus... jump off it then jump onto
another and a maxim you have to wait for the third
is about a minute: enough time to take off your shoe...
pull up your sock, put the shoe back on and not have
time to do the shoelaces...
i was going to get off the N25 at Stratford bus station
but as the bus was circling the station
i noticed a blackened N86 waiting...
the driver just managed to go down from the second
deck to his cabin and pour himself a coffee from
a flask... so i stayed on the bus to Ilford Hill...
but... i started to watch my back...
yep... just before Manor Park i saw the ******
speeding... quickly got the N25 and jumped
straight onto the N86...
i was in lucky... from Goodmayes there were
only three people on the bus...
we sped past Chadwell Heath and entered Romford
without anyone at bus stops or anyone
trying to get off...

walked to the last bus-stop and caught the N365
to Collier Row... then... talked to myself for a while...
literally... i talked to myself...
i only do this "talking to myself" when i tired
of thinking it... then thinking has absolutely no effect
on me: when i can't do any ego-tripping:
i talk to myself when i've exhausted all avenues
of feeling all "high and mighty"... i bring myself
to a level of conversation: since i can talk to myself:
but i can't think to myself... how can i?
i'm not even myself when i'm thinking: all that ego-*******:
shrapnel thinking...

did i hear my company manager just tell me
he gave me an extra hour of the second shift?
call me a legend... because i was the only person in the company
willing to do a double-shift? i must have:
that's why i started talking to myself: i think i misheard
him...
and wasn't i a supervisor today, even though modern
security standards require you to have an NVQ level 3
while i only have a level 2?
and my treating stewards with the utmost respect
having than talking down to them: gaining their trust
and mutual respect, isn't that something?
that golden rule: treat others like you'd like to be treated?

and to think: i was in the trenches and pitfalls
of madness for so long... my 20s are a blur
or psychiatric pharmacology and psychological
scrutiny...
while most people lost their minds during the Corona
virus lockdowns: i regained mine:
i guess people were a given a taste of the sort of medicine
i was prescribed for so long...
i returned like a phoenix... i exploded back into
the realm of human interaction with shedding
my straitjacket... why could it be so weird
that i hear a choir either ascend or descend in a church
and then in a heat of panic hear a great wind
disperse the choir?
what's so weird about that? doesn't anyone who fasts
and smokes marijuana conjure up such auditory
hallucinations daily? sure... sure... blame it on the ****:
i actually gained while others lost...
i returned to a state i remember myself as being
in high school: not-two-faced... just chameleon like...
i can be liked by almost anyone these days...
one guy who's prone to wearing finger-less leather
gloves and that famous Palestinian bandana takes one
of his gloves off and is so happy to shake hands
with me...

even today i walked into a chicken shop before the second
shift and met up with two stewards i've worked with
before... i ordered a spicy five wing meal...
they were waiting for their meal...
we talked about Miranda (the strawberry drink)
was any good... shift times... blah blah... i stood next to them
and ate... they were perched on stools...
we ate together... Somalis?! who cares...
it's not like England is America....
race is a descriptive investment: not a prejudicial
aspect... i need to say if someone is either Somali
or Samoan or Eskimo... it just paints a certain picture
that a white boy can be on level ground...
my greatest concern whenever dealing with
someone is... respect... the surest sign of respect
is: i'll eat with you... i finished my chicken wings ate
some of the fries... i noticed one of the guys
ordered a burger and a wrap... i couldn't finish
the chips... so i asked... hey...
there's some unopened mayo pouch...
i can't finish these chips: do you want them?
you sure: he implored... mate... i'm full...
he gladly took them thanking me...

of the two best quote i have yet to topple:
Bukowski: some people never go mad...
what horrible lives they must live...
and?
there are variations on this one...
quos deus vult perdere, prius dementat
ha! those whom god wishes to destroy,
he first deprives of reason...
there's a double take on that...
point in mind: to destroy: not... to be destroyed...
meaning? if a deity requires a change of pace
for humanity... it's not a maxim directly related
to Hercules...
  to destroy doesn't imply: to be destroyed...
quem Iuppiter vult perdere, dementat prius
is more precise in that assumption...
those whom Jupiter wishes to destroy,
he first deprives of reason... then again? no!
destroy what? himself or the world around him?!
i've seen the world being destroyed...
if the gods truly wanted me sulking, mumbling...
in some mental institution... i would be just there...
but i'm all in the open... i've regained my strength!
i haven't destroyed destroyed myself...
i've regained myself: perhaps it's not the old me
i remember with a rich cognitive-narration lodged inside
my head: but? instead it's lodged in my read:
that's how the Cartesian dynamic works...
you can begin with the "solipsistic" res cogitans...
but end up after a psychotic transformation
as being a res extensa: what you think about in sketches
you write about in a narrative that's "escaped"
the hell of your supposed "thinking"...
couple that with experiences of auditory hallucinations...
letters, words... are better coupled to writing
than anything the Beatnik attempted with exploring
language with hallucinogenic additives...
believe me... first comes music: then music notation:
then... the ambiguities of what's being spoken...
after all: you can speak language in a rainbow of accents...
but you can't exactly play an instrument
idiosyncratically: it has to be universally arrived at...
otherwise it's particular, i.e. out of tune...
whereas music is universal: language is particular...
sure... the strict obligations of the written tongue
being universal... but? how it sounds? there's nothing
universal about language beside the fact that language exists
per se... English is not a universe language:
it's a modern version of the medieval Lingua Franca...
but... how many versions of English are there?

there's a version of English in every language
that already exist...
on the N25 bus i overheard some Hindus giggling
and dropping loan-word-bombs prompto:
chicken... nuggets...

hmm... something strange happens when you strart
leaning on the res extensa (extended thing)
rather than focusing on the egocentric (cogito)
of the res cogitans (thinking thing)...
a res vanus (empty thing) is spawned...
of course in the realm of res extensa you can
mix-up your own thinking with strange hallucinations
that are cognitive in nature and can be misunderstand
as sensual: on the basis that "thinking" is "audible"...
for example:
Matthew: you're a genius.... a strange expression
for an ego to have: given there's a denotation
of a noun, a given name:
a chair doesn't reply to: you're a great table,
does it?
ergo? an "i" doesn't respond to: you're either genius:
or a Matthew...
an i is an i... a hammer is a hammer...

oh god no... Descartes is yet to be properly invested
in intellectually...
he gave the really proper antithesis of
Christian trinity theology...
Freud just created cages for modern modern
to be behaviour-ably: un-stimulating....
predictable: all that ego super-ego id schematic
is ****-pants worth when pointing a finger back
and telling people: just do what as i do:
do some Cartesian-revisionism...
it will do you much good...

you heard that joke about a bilingual "schizophrenic"?
apparently he's exponentially squared and squared root
of a quadratic...
i think i regained my senses by going mad first...
second came the destruction:
given the damage already done:
i had nothing else in me to destroy... the world needed
a fire... so great that it would have to experience
a shackling to either luck, fate, or? circus...
or all three! ha ha!

it was truly a bountiful day... that N18 bus ride
with that pretty Spanish girl gave me flickers of hope...
heavenly Islamic harems exist...
if only... wait... she did have one or two "awkward"
flickers of freckles.... freckles? moles... those "puns"...
i terribly hate people who make millions
scribbling sensibly guised never-good-byes...
i'm supposed to be picking up a second bicycle i'll
be using to go off the road today...
5:30am... i'lll sleep until 1am then thinking about it...

n'ah... two bicycles... i always loved the idea...
one day i ride on the roads...
the other day i ******* into the woods...
chances are i'll come across a blind rabbit..
as you do...
mind you... even with todays? yesterdays!
yesterdays! shift... i was mostly dealing with the early
leavers..
but it's Coldplay... it's not like the Red Hot Chilly Peppers...
if they're doing a world tour...
and they have the same set-list?
i already heard their two best songs
when they play them first... Paradise and
Adventure of a Lifetime...
  Yellow? i couldn't care less... Fix You...
fix constipation first fix diarrhoea thirst...
don't panic, no? we all live in a beautiful world?!
st64 May 2013
sweet

Drive into the countryside
Buy granny-green apples along the roadside
Wave to jolly farm workers in verdant fields
Smile and look up...greet the beautiful sky.

ceiling of the heavens

Share some (yellow) Lays in the car
Pass the packet around, mmm..crunch crunch
Feel the wind and see it, like sails...whip your hair
Inhale sweet air, while cool music taps into ear.

tranquil reaches

Cannot hear the indiscriminate noises
Cannot see the dust and dirt
Will not touch the pulse of pain
Can see only....pure sunshine.

pure sunshine*



S T,  2 May 2013
Think it's time for another ride....

:)

Yellow one is the best flavour...you get to taste the potato! tee hee
Poetria Jun 2016
What if** your brain
was just a small packet of popcorn
that desperately needed
a microwave.

What if it refuses
to operate
until you show it some love-
Let it open itself up.

What if all it wanted was
to feel a little more lightweight-
'pop' away the pressure of being
confined to a head-cage.

What if our brains
Were just raw popcorn pieces
That needed some heating
To melt away the pain.
Popcorn before heating looks so suffocating- it's no wonder that when energy is provided they just blast open into pretty little flowers.
bleh Jan 2016
(not a poem i guess but eh)




Space keeps falling to the sides. I try to concentrate, - I mean, I make a token effort every now and again,- but concentration, fixation is always in terms of something external, something I'm not sure I can deal with.  I roll over and go back to sleep.



'Where's the flour?'
'Where you left it.'
'Which is where?'
'On the table. What you want it for anyway?'
'Which table?'
'Haha. The generic maple with the ugly-*** spandrels. What are you making?'
'You think we could afford that? Nah, it's like, faux-pine or some ****. And like muffins.'
'Oh good, there's banan's that need using up'
'No no, like, other muffins. Crumpets and such. Got any golden syrup?'
'I think there's some maple.'
'No, it's like, ply, I swear.'



I haven't moved in days. I need to. He'll come eventually and I don't want him to see me like this. Plus, I need to locate that smell. I can't have guests over with it here. I'm just not sure where it is though. I  feel like it's on my left arm when I’m in the middle of the room, but off to the right everywhere else. It's.. acerbic, but fermenting, like vegetables on the onset of rot but not quite there yet. Not that I know; I haven't moved in days. I don't want to smell it again. Also garlic, definitely garlic.



We visited the inland sea the other day. The hundred years since last time hadn't changed it one bit. The beached clay was brittle under the midday sun, and the cracking footsteps fragmented it into a hundred hexagons.
               'I hear a strain of the pathogen is airborne. It's only a matter of time now'
A group of tourists park up by the shore. A child holds out their arms and runs in small circles.



The corridor keeps flashing. And maybe spinning. It's hard to tell, the colour change starts at a different point each time and there's no discernible rhythm to it. You keep pacing up and down. I feel self conscious that you want to leave, but then again, you did show up unannounced. You shake the snowglobe disinterestedly. The fragments burn like molten static.
'Stop that. I feel like I’m vomiting spiders.'
'You're being dramatic.'
'None the less.'
'Don't worry; you'll get through it. The world is transitioning, and this is just motion sickness.'
'I know that, I didn't say I was worried, I said I wanted it to stop.'

'sorry'



We'd always go for a walk at night if we felt we needed to talk. It was an unwritten rule. The veil of amber filter let our more timid thoughts breath in the nebulous darkness. Stark daylight was always too suffocatingly real, and that was the one thing we were never allowed to be; real. You'd always talk superficially if we discussed personal matters. That day you did a one-third spin clockwise and faced my side, and talked grandeloquently, hammed up like on a stage. You gave an embarrassed smile and blew a kiss for the invisible audience. I always felt jealous of those nothings, those non-existent beings, that got to figure into your world.



'Christ it's warm today. I can't think.'
'so don't bother.'
I spin in the chair. Whooosh. Whooosh.



It's the end of a 6 hour shift. A customer, a mother in her odd thirties, was angry that a sale item was out of stock, like sale items always are: She'd only gone out of her way to shop at this store because of the advertised deal, and we had taken time out of her busy schedule under false pretence. Her child stared at the ground intensely, his eyes watering. I tried to imagine the situation through his eyes, to try and ground myself; to remain both present, but stable. She insisted on speaking to the manager. It's a relief really; He's a skeevy ****, but he at least knows when the customers are just there to start ****, and responds accordingly. He comes over, asks what the problem is. It turns out I entered the code wrong and the item was still available after all. He gets one from out the back, handles the transaction, says have a nice day and apologises for me and everything, and I just stand there blankly; I’d had the graveyard shift the night before and honestly I’m beyond feeling right now, but when she mutters 'dumb *****' as she turns away a tight feeling still twists in my gut anyway.
I come home and leave the door hanging open framed in the setting sun and just drop my bags in the hallway. You're in the kitchen, hunched over a workbench eating out of a mug.
'Whatcha having?'
'Cornflakes.'
'….Cornflakes?'
'Yep.' you pivot as I approach. 'corn..flakes.' you hold out the packet.
'coooornfllllakkkkkkkeeeessssss' I start laughing.
'coooornfllllaaaaaaaaaaaaaaaaaaaakes'
we chorus the term in groaning monotone, and I grab the packet out your hand and throw it down and violently stomp it into the ground with every non-energy I have left. You just laugh and egg me on, repeating 'cornflakes! Cornflakes!' in crescendo, ostinato. The satisfaction of each crunch gives me the drive to smash them further, and corn dust spills out of the pulverised cardboard and gets everywhere. In the end I’m panting, my face is a mess of tears, and I collapse over onto it and just roll, bathing in the glorious fragments of reconstituted mulch.



'They say another ice age is coming.'
'They also say we'll be swallowed by the sun'
'well, it's true.'
'Yeah, but which'll happen first? I need to know to dress accordingly.'
'Tunnel's up ahead'
'I know, I see it.'
I deliberately swerve to the side and speed up, changing back at the last moment.
'You know I hate it when you do that.'
'What, don't you wanna die together with me? Here and now? Immortalised, as if our existences actually meant something?'
'like Diana and the nameless chauffeur?'
'******* exactly.'
We step out onto the hill, frozen **** tufts breaking underfoot. It's cold as hell but the skies glittering. You get out the telescope you borrowed off your rich *** sister.
'I think that's Jupiter over there.'
'Pfft, Jupiter.'
'What?'
'What's the blankest space you can find?'
'Hmm.. that way?'
You point it in that direction. 'Look'
I stare into it, but it's hard to keep focus while shaking from the cold. You keep adjusting and asking ,’See anything?', eventually some hazy distortion comes into view.
'See, no matter where you look, there's always something there.' You're trying to sound eloquent. 'Even when it seems like you're drowning in nothing.'
I stand back. 'That's terrifying. I feel sick.' I try to breathe but it's shaky and shallow. I stare into the ground, but I can still feel it; the blaze of the myriad innumerable heavens burn into me. Their judging gaze pierces through me and tears me to shreds.  



'You know, I think I read that Spinoza thought that consciousness is manifest in the ability of finite beings to continue persisting in and of their own will over time.'
'Doesn't that make a toaster more conscious than us?'
'Yeah, you don't say.'



We were twelve and at the department store. It was strange. I'd never taken the bus by myself to just hang out in town before. I always feel disorientated and light-headed in crowds so it had a strangeness; waves of apprehension cushioned by the homogeneity of it. one can be truly alone in a crowd; floating in a sea of otherness, where each gaze is no longer a signification of anything, but a warm static. We were among the aisles of a department store, in the toys and tacky house ornament section. Like, the junk you buy children and grandparents for their birthday. **** that you'd only attribute to people whom have no discernible qualities of their own. We were looking at snow globes. We kept trying to shake them violently enough so that the scene framed within would become entirely lost to the fog; it always felt so disappointing when clarity returned and things re-became what they were. I remember saying, 'I wonder if it tastes like real snow', I don't remember, It was stupid, I don't know why I said it, it sounded cool in my head. But you responded, that I remember, by taking the thing and smashing it against the concrete floor, and pouring out all the fragments into our hands. We tried them together and coughed and choked in laugher. It tasted awful, entirely unsurprisingly. On a rush you stuck one in your pocket, grabbed my hand, and we promptly left the store, and my heart was palpitating, it felt like all the rules, all the natural laws that had prefigured my world were crumbling, and I was terrified, trapped in the gaze of my mothers look of disappointment when we'd be inevitably caught, somehow watching me from its potential future, and I'd no longer be allowed to visit you but it was okay because I was here with you now in this moment and we were alone in this faceless mechanical place crumbling around us, and when we left, and no sirens buzzed, I felt sick with excitement at the unbounded possibility present in everything in every second. I cringe thinking back on it, and feel ashamed at finding such meaning, feeling such unabashed wholesale virtue in indiscriminate destruction, but sometimes, sometimes I still shake that snowglobe as hard as I can, till everything determinate is lost in haze, and I still feel a wave of comfort wash over me.



‘We’ve been walking for ages. you know where we’re going, right?’
‘It’s just up ahead. I swear’
‘You swear?’

‘I mean, I’ve only been there once before myself.’
‘****. This way?’
‘Wait-‘
‘What?’
‘Huh. Nothing. Sorry, I thought I heard a car coming.’


‘I think that’s the ocean?’
‘But.. aren’t we heading inland?’
‘You sure?’
‘Yeah, I swear.’



We're in your room. Your reading on your bed and I'm in the swivelly chair by the desk, pretending to work, but really we're just chatting, talking about.. something. Whatever. It was probably stupid, laughing at our own jokes, as always, catchphrases repeated till they loose all meaning. It's been a long day and honestly we're both too tired for coherence by this point, but the lack of effort lends the air an easy comfortability. But then suddenly.. Suddenly you stare into my eyes as if you're looking at me and it's somehow different, an intense gaze that I can't escape, as if you somehow found something located there, something fixed in those abyssal pupils. The feeling is overwhelming and terrifying. I am grounded, ripped into the prison of being and frozen static like a dumb animal transfixed in headlights: I am outside myself facing in, and I’m falling away. I pull you in and kiss you to escape; now, it is your touch that is fixed, your smell, your taste, and I breath a sigh of reprieve. You hold my back as I fall into you. I lace my fingers through the buttons in your shirt and feel the faint pulse of your flickering heartbeat. At once an ever-changing epiphenomena, and a calming rhythmic certainty. I vacantly tug at the buttons and your expression changes, gone is the feeling of suffocating questioning, but one of transfixed observation. Your touch is not a reaching out into something, but a continuation of yourself; I am an instrument of your lust, an extension. Holding me in your arm, you nervously run your hand down from my nape and trace my bra from the strap over the line of my breast. The lightness of your touch is a painful tickling and I push myself into you further, my thighs wrapping around yours. Your touch shoots a burning into me, not painful, but like glowing kindling, or the warmth of a blanket; an immanence, a retreat. I let my mind go blank and we continue; you fumble with my bra as I fumble with your belt. We're both shaking but too far gone to notice, too distant to care. The dry freeze of the night air contrasts your damp heat. You clasp me as you trace your hand under my skirt and I feel your arm brush my thigh. I tremble slightly at the sharp coldness of the damp cotton coming unstuck. After a stretching moment of awkward liminality, I feel you pass into me. It's a burning smoothness, distilled liquor. The rubber is an alien feeling, and for some reason I imagine myself as a giant balloon; a malleable featureless surface, filled with emptiness. I feel myself through the threshold of your presence and I am afraid; I am a boundary which encompasses nothing, and by your passing through I fear that I will be pierced; I will burst and out will flow an obsidian wind that will wither you to nothing, but it will keep coming, an endless torrent that will subsume the world and turn everything to desert, and the only way to save you is to keep it bound up as tight as I possibly can till my heart feels like burning metal, and I feel my tears land on my hand tightly clasping your shoulder. You ask through wavering breaths if I want to stop, but I shake my head; if you left now I would be caught and torn open; no, instead I subsume your undulations into myself; till the rhythm is as oceanic noise; a surface rolling located miles above a lightless motionless centre.



The pale green lamplight flickers. A nausea, tepid, but understated. The sentience of moss; an almost motionless drone, but the sense of unfolding. The corridor seems larger than it once was. Blank reflections harrowing accusations, mechanically indifferent but piercing; an alarm clocks wail. I lie still, I lie still. The buzzing repeats. I lie still. I am flowing, seeping through floorboards into the pores of the earth, into colonies of worms and I am lost and free, a motion, a multiplicity, pure form without the anxious drudgery of parts; pure alimentary canal, pure Elysium absolution. The flickering quickens and gets brighter. A pulsating light, a strobe, a beat frequency wavering behind vision. The liquid earth, saturated by light, hardens and dissolves. And 'I' am lost among the ruins, a vague memory of a sentiment. A nostalgic grief, an asphyxiated longing. I reach out to you desperately in the drag of the undertow, but you are the chalk of faded bones; cast to the winds centuries prior. A thousand years pass of blanket darkness, and a unitary bell rings. The flotsam batters against the temple gates. Debris collects in cracks, and my pieces are among them. I cling to retention, and return. I am cold sweat outlining the floorboards, the feeling of clenching before vomiting, repeated endlessly.



A few weeks after, turning off an avenue onto the main road, I see you. You're crossing, coming this way. It was bound to happen eventually. I bite back the moisture forming in my eyes and try to remain faceless. You suddenly change your trajectory, and hit the side of a car. It honks at you and you dodge around it. I allow a bitter smile to myself; the fact I can cause you such disorientating discomfit indicates I still mean something to you. Even if it's just a discomforting anxiousness, something beyond the boundary to be avoided, I have causal powers, extension; I can see my flicker of presence in you even now, even if I cannot for the life of me find it within myself. You run around and I walk straight. It's empowering; I can remain fixed, even if the torrent of the world flows around me. At that moment, I feel the indubitable strength to persevere. I am stronger than this world; I am stronger than you. But then, just as suddenly, the feeling folds upon itself and is gone. I felt solidified, just now, by the fact that I was the one that remained in this random encounter. I won, you lost. but Won how? With the ability to pretend that I can exist alone, in a world that means nothing to me? The ability to maintain a solid spectral façade, when underneath, scratching away under the skin, I contain nothing? To continue terrifies me. Knowing that I have the strength to continue terrifies me. That last thing I ever intended was to outlive you. I feel the world drain away from me, and yet I remain, left standing, alone, in a of realm of perpetual nothing.  



I feel sick

a hundred years pass in the cavity of the desert. Merchants make trade off raided materials and makeshift weapons. A library is burned. A soldier, wanders freely. An insect buzzes around his face. He darts about the place in annoyance, but it remains. He can't shake it. He closes his eyes. It's still there

I feel sick

the sun burns bright arrhythmic  clicking.  A late twenties couple go clothes shopping, however the child is hungry and will have none of it. Lunch is suggested. They are jocular about the decision, but feel an uneasiness about the indulgence. The air is saturated and dries
wanna beer wanna beer wanna beer

the aussie thing to do

then they go off to the pub and say wanna beer to you

i didn’t know what to say at first

these people do like me, yeah

they think i am cool very very cool

yeah they enjoy my company a lot

wanna beer wanna beer wanna beer

ya see the aussie thing

wanna beer wanna beer wanna beer

and a hamburger with the lot

ya see ya go to the footy and the first thing you hear is

wanna beer wanna beer wanna beer

the aussie thing to do

then you go off to the city

to a nightclub, a man blows his cigarette smoke right in your face

you say what, are you doing, then

you say

wanna beer wanna beer wanna beer

the aussie thing to do

you see you think your a man but you look like a hooligan

yeah, your aussie mate true blue

you look rough and ready to punch the guy next to you

and then you say

wanna beer wanna beer wanna beer

the aussie thing to do

wanna beer wanna beer wanna beer

better being a true blue

you see they look ***** and very very rude

as they say

wanna beer wanna beer wanna beer

the aussie thing to do

you go to the footy and then the cricket

and then off to the pub and park illegally and you get yourself a ticket

the police have arrested you, then they let you go

and the first thing you say is

wanna beer wanna beer wanna beer

the aussie thing to do

you see there is nothing wrong with the australian way of life

as long as they just leave me to do my own thing

i would love to have a packet of crisps

but i hear this

wanna beer wanna beer wanna beer

the aussie the aussie the aussie thing to do, MATE
Terry Collett Sep 2013
The nurse said
she's outside on the lawn
don't take her out
to the pub though

she's been banned
ok
you said
and trotted out

to the lawn
through the double doors
of the hospital
to where Julie

was sitting in a chair
by a white table
smoking
she was clothed

in a white dressing gown
and slippers
she sat with one leg
over the other

with one of her elbows
resting on the knee
did you bring me
any more ciggies?

she asked
when she saw you
yes
you said

and passed her the packet
you'd bought
at the railway station
thanks I am getting desperate

she said
I was on the point
of offering myself up
for a smoke earlier

but one of the porters
gave me one for nothing
cigarette that is
she said smiling

she put the packet
in the pocket
of her dressing gown
the nurse said

you'd been banned
from the pub
along the road
you said

Julie looked towards
the ward doors
which were open
to let in

the afternoon sunlight
and warmth
someone gave me a joint
and the landlord saw

and chucked us both out
and said I was banned
she inhaled deeply
on the cigarette

you saw how thin
she had become
her wrists seemed too thin
to hold her hands

she exhaled
now I can't have a drink
or **** or blow
my ****** nose

she ranted
looking at the horizon
of hospital buildings
and trees and sky

sorry about that
you said
not your fault
she said

I should have been more careful
should have said no
to a smoke of that ****
but I couldn't

she inhaled again
and you saw her thigh
where her dressing gown rose
as she moved her leg

it too had become thinner
are you eating properly?
you asked
you're becoming

like my father now
she said puffing out smoke
when he turns up
that is

you're thinner
you said
the hospital food is crap
she said

I'd rather starve
than eat some of it
she stubbed out
the cigarette ****

in an ashtray
on the table
looks like you have
you said

have you come to talk
about how thin I've become?
or to cheer me up?
to cheer you up

you said
she looked towards
the open ward doors
they've locked that cupboard

we went in last time
she said
do they suspect anything?
you asked

I guess so
she said
some of the nurses
make hints about it

call it the love room
just because they have a life
they deny me of one
you took out a cigarette

from a packet you had
in your pocket
and offered her one
and take one yourself

she lights hers
with a red lighter
then lights yours
you both sit smoking

sitting in silence
watching the smoke rise
she thinking
of another place to ****

you wondering how far
she'd fallen
from her middle class home
through drugs at some party

and the long ride down
the slippery *****
she thinking of no ***
no ***** no dope.
Julie Grenness May 2016
Here I have a chocolate meditation,
Writing an ode for edification,
What is a chocolate meditation?
It is a packet of Tim Tams, in Oz nation,
Let's hear it  for Oz Tim Tams,
From an Australian native chocolate plant,
Thence to an endless dish,
Of chocolate biscuits, utter bliss,
No afternoon tea is complete,
For the last Tim Tam we do compete,
Giggling gerties, one and all,
Chicks can hide them in their holdalls,
Without Tim Tams, housework is incomplete,
Must keep our ample figures neat!
I've heard they're unique to Oz nation,
Tim Tams, total chocolate meditation!
A bit of fun. I woke up with chocolate cravings. Feedback welcome.
chocolate fireguard, teapot,
or fender, icecream sofa, dry sea
or wet towel, glass hammer,

waterproof teabag, newspaper
raincoat and umbrella, lead parachute, ashtray on a motorbike,

handbrake on a canoe,
vote in a dictatorship,
loudhailer to a deaf mute,
grief at a wedding,

****** in a monastery.
inflatable dartboard,
spoon in a knife-fight,
screen door on a submarine,

wooden soap, shortbread tires,  
knitted light bulb,
bread boat, plasticine wire cutters,
paper hole punch, water hat,

custard floorboards,
ceiling tiles made of gravy,
portrait of a bowl of soup,
a stone cigarette,

syrup knickers, hole in my bucket,
plastic oven, wax truss,
liquorice bridge,
false teeth made of soap,

lemonade roof,
jelly boots,
jam cardigan,

paper bicycle pump,
ice-cream saucepans,
soluble drain pipe,
packet of rubber nails,

see-through mirror,
revolving basement restaurant
roll-on hairspray, rubber pencil,

****** with a hole in it,
limp ****, pockets on a lettuce,
**** on a fish, lolly pop van in Hell,

one-legged man in an ****
kicking competition,

meaningless life,
unnecessary death,
forgotten words and deeds,
ignored needs,


this poem.
Enjoy slipping in the occasional serious note,

— The End —