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Poet Laundry Jun 2012
I could practically smell the cigarettes

Though the windows were rolled up
In the aging tan-colored Oldsmobile

It is the first thing I noticed, strangely

A sun-shriveled old face
Peered above the steering wheel

Crowned by a large straw hat

We were united he and I
Two travelers, strangers

Our only common ground the numbing freeway

I began to wonder about his life
And wonder if he wondered about mine

I imagined him an artist
A widower, missing his children

Who again forgot to send a card

I could see him on the old dock
On the summer lake at dusk

Sitting cross-legged, casting his line

Thinking of the malignancy
That took them all from him

That steady current in his own veins

I craved to know his stories
A little girl version of Manolin

And suddenly he was The Old Man and the Sea

As I made my exit
My eyes lingered on the aged auto, aged hat, aged man

Continuing together to amble the road

I silently wished him farewell
And for his final battle, one

Not so bitter-sweet as Santiago’s




Copyright 2012 Jennifer Wagner
Savio Feb 2013
Drawing things I cannot see,
Listening,
Keenly,
Too the strange things,
Coming from,
the albino dressed pavement smoothed,
Bedroom walls,
Braille textures,
slipping like termites,
or a strange smell,
dancing from the dusty old lady haired vent,
on the ceiling,
Braille raindrops,
escaping from your,
soul window sill,
fog,
gets in the room,
and we light cigarettes,
purple scented totem poled candles,
with out near future,
melting,
and dripping on the wooden counter-top,
which we dip our fingers into,
sticky like petroleum,
sticky like the sap from a forest broken snapped,
tree limb,
which we tasted,
which we ran danced hollered and orgasmed,
like the melting candle,
like the sapped,
broken kansas public tree limb,
and i,
took off your,
orange dress that you stole,
though only a few dollars,
i called bonnie,
you called me paradise,
though we danced gleefully,
in the slums snout snarling broken home windows,
***-holes,untied shoes,untied fathers,lovers planning paradise,
inside the blue 80's oldsmobile,
with the stereo turned low,
low like the quiet hummingbird song,
of making love,
in the cold night,
under trees,
that was old,
and had probably seen many lovers,
come and go,
as its Fall leaves grew wings,
as its,
winters balding scalp,
scattered away,
like a field of dandelions,
or the birds,
that flew from nests,
only to fly south,
or like wise boxcar boxcar dharma bums,
sat on telephone wires,
at the intersection,
where two lovers planned paradise,
in the back-seat,
of a blue Oldsmobile,
and the night,
holy night,
and i,
**** mind wonderer without wings,
or sad singer leather boots harmonica whiskey drinker,
and Her,
white as stars,
dancing in a blind choreographed orchestra,
in the sky,
far,
far,
far,
even the highway,
has no exits,
to see this performance,

So i sit on a rock,
smoking a cigarette,
with a Fools smile,
as I,
watch beauty,
from the Key-hole,
that is,
Solitude.
ahmo Aug 2016
I felt your breath and smoke like
adjacent trains.

------------

I lost my heart in the war between
what took place in normal Syrian towns
(just like the ones I learned how to read in
and the ones I danced through your hair like
asymmetrically curling waves in,
and the ones where
I saw love die like a
half-lit cigarette still burning)
and  
what your skin looked like when the wind blew off the sheets so softly that mice could have ran marathons-
where shrouded shadows cleared vision like your cornfields of tightening nerves,
forever unwinding mine.

It was hiding in between your teeth and all of the other places that were too brightly shaded for me to sun-tan under,
where
you are sixteen acres of magnolia trees donning the darkest leaves that forests will ever see,

and we mirror each other's company so tragically.

----------

Inside,
your fireplace warmed our souls like
Phish Food
and whatever chemical reactions occur when love overpowers self-loathing.
david badgerow Aug 2015
our coolest babysitter lit a long joint and drove us to church
in her well worn '87 oldsmobile with chipped gold paint
a drooping side mirror and a tape player
that smelled like stale london gin mothballs
and a sunset butterfly heart at the same time
it had a deep ocean green calcite mandala
dancing from the windshield mirror
and a steal-your-face tattooed on the back glass
she used to blare brit-pop trying
to make the speakers bleed

that day when they finally oozed she swerved us
left through the other lane and sunday morning fog
to cut a jagged path through thick woods and into an oak tree
with a soundtrack of slow motion oasis and screeching tires
i clammored to the backseat to block the window
glass from your beautiful angelic blonde head as
dew sprayed into the vacancy from the ditch and
when i pulled the seatbelt spiderweb out of your mouth
and lifted you out of the car i was standing
barefoot in a cluster of bright red sumac next to
an ant hill pile of twisted steaming metal
and you were dripping blood from your eye and knees
asking me if we'd be late for sunday school
but you were awake and trying to smile so
we followed the powerlines back to the main road
holding hands dizzy and sweating
worried no one would ever find us
limping while the springtime songbirds
held their tongues for us but
when the hot ringing in my ears finally stopped
the sirens grew loud and close and the
birds too began their wet lipped eulogy

sometimes i think about
missing church that day
when the weather's bad
on nights like last night
sometimes i remember
our babysitter when
the fog rolls in over
the road in the morning
i wonder if she still
gets high on the
good stuff while
she drives or
if she's just
a treehugger
Mike Essig Apr 2015
Elegy for the Forgotten Oldsmobile**

July 4th and all is Hell.
Outside my shuttered breath the streets bubble
with flame-loined kids in designer jeans
looking for people to **** or razor.
A madman covered with running sores
is on the street corner singing:
O beautiful for spacious skies…
This landscape is far too convenient
to be either real or metaphor.
In an alley behind a 7-11
a Black **** dressed in Harris tweed
preaches fidelity to two pimply ******
whose skin is white though they aren’t quite.
And crosstown in the sane precincts
of Brown University where I added rage
to Cliff Notes and got two degrees
bearded scientists are stringing words
outside the language inside the guts of atoms
and I don’t know why I’ve come back to visit.

O Uncle Adrian! I’m in the reservation of my mind.
Chicken bones in a cardboard casket
meditate upon the linoleum floor.
Outside my flophouse door stewed
and sinister winos snore in a tragic chorus.

The snowstorm t.v. in the lobby’s their mother.
Outside my window on the jumper’s ledge
ice wraiths shiver and coat my last cans of Bud
though this is summer I don’t know why or where
the souls of Indian sinners fly.
Uncle Adrian, you died last week—cirrhosis.
I still have the photo of you in your Lovelock
letterman’s jacket—two white girls on your arms—
first team All-State halfback in ’45, ’46.

But nothing is static. I am in the reservation of
my mind. Embarrassed moths unravel my shorts
thread by thread asserting insectival lust.
I’m a naked locoweed in a city scene.
What are my options? Why am I back in this city?
When I sing of the American night my lungs billow
Camels astride hacking appeals for cessation.
My mother’s zippo inscribed: “Stewart Indian School—1941”
explodes in my hand in elegy to Dresden Antietam
and Wounded Knee and finally I have come to see
this mad *** nation is dying.
Our ancestors’ murderer is finally dying and I guess
I should be happy and dance with the spirit or project
my regret to my long-lost high school honey
but history has carried me to a place
where she has a daughter older than we were
when we first shared flesh.

She is the one who could not marry me
because of the dark-skin ways in my blood.
Love like that needs no elegy but because
of the baked-***** possibility of the flame lakes of Hell
I will give one last supper and sacrament
to the dying beast of need disguised as love
on deathrow inside my ribcage.
I have not forgotten the years of midnight hunger
when I could see how the past had guided me
and I cried and held the pillow, muddled
in the melodrama of the quite immature
but anyway, Uncle Adrian…
Here I am in the reservation of my mind
and silence settles forever
the vacancy of this cheap city room.
In the wine darkness my cigarette coal
tints my face with Geronimo’s rage
and I’m in the dry hills with a Winchester
waiting to shoot the lean, learned fools
who taught me to live-think in English.

Uncle Adrian…
to make a long night story short,
you promised to give me your Oldsmobile in 1962.
How come you didn’t?
I could have had some really good times in high school.
Indian/Native America/First Citizen (take your PC pick) poet of considerable talent and power.
JR Rhine Jun 2016
The soda can rumbles in the bowels,
tumbling into the gaping mouth
into which I enter a hand
to protrude my sugar rush.

sssni-kah, then the slurp of an obnoxiously pleasing sip.
I let the carbonation tickle my tongue,
reveling in the effervescent sensation.

The smell of old tires,
malodorous oil and gasoline,
and stale cigarettes fill the air.

My vexatious sips go unperturbing the dense atmosphere
that thickens outside the small air-conditioned office
and into the gas station,

where the mutters and sputters of drills,
kakadoo, kakadoo,
the squeaking and squawking of rotors and axles,
the interjections of swears and grunts
fill the air.

I peek through the ***** smudgy glass window in the door
to see grimy overalled ants meandering
under the body of our red mini-van
hiked up into the air like a figure skater,
suspended by the rusty clawed accompanist,
not a tremor of strain, unflinching,
letting the greasy men crawl underneath, hiking up her skirt
to examine her anatomy.

I walk outside and sit on a dusty tire stacked with others
on the side of the building--
some growing forlorn in tall grass
weaving in and out of the aperturous rim,
the fingers latching onto fissures and pulling it down
into the hungry earth.

Another slurp and I set the can down
to step onto my skateboard--
rolling across the gritty pavement,
snapping ollies and pop-shuv-its
to add my timbre to the cacophony
leaping out of the open garage doors.

I look over to the barbershop adjacent to the station--

The off-white single room squat allowing the cylindrical swirl
perpetually pirouetting atop the door-frame
to dazzle in a placid manner.

It is there I get my close trims
and pull a lollipop from the cavernous bowl
sitting atop the counter.

The barber, working silently behind his dull gray mustache
and dull gray eyes.

Outside the barbershop to the left,
Leicester Highway ambles onward,
diverging at a fork just ahead of the lot,
and the road adjacent that winds down my neighborhood,
Juno Drive.

I've never embarked down either divergent,
and I wonder which one is the less traveled.
(Frost, guide me.)

I go to the mailbox teetering on the edge of the highway
and hastily grab our mail,
the wind slapping at my *** as the cars whisk by
in their infinitesimal haste.

I feel like time slows once you step onto Juno Drive.

I turn around and saunter back to the station to see Billy,
my Working-Class Hero,
who I mostly see strolling up to the driver's side window
of our dull red mini-van
to loosely rest his arms crossed atop the window frame,
resting his sweaty forehead on his sticky hairy forearms.

Leaning in,

his blackened hands with his greasy smile
behind a scruffy scattered beard caked with dirt and grime,
atop a dark red leather face--
but eyes bright and merry.

His laugh, a phlegmy two-pack-a-day sputter
hacking and pummeling through the van,
all the way to me in the backseat peeking around mom's shoulders
to catch a look at this superhero anomaly.

And his southern drawl wrenching out of lungs
caked in tar and exhaust fumes,
that torpid slur that executes like the garbled hum
of an Oldsmobile engine chugging restlessly--

His laugh, an engine that won't turn over, sputtering to life
but falling right back down into the dirt,
lying on the oil-stained cold concrete floors ***** boots slipping over
and sticking too like wads of gum.

The charismatic mechanic who knew the answer to all things,
always ready to flash me that crooked greasy smile
stretching across his ruddy leather face.

I step back onto my skateboard, with soda in hand,
mail in the other,
and silently say goodbye to my Greasy Eden
before making my way down Juno Drive
towards the first house on the left,

following the road as it snakes past the trees,
alongside the creek, around the bend,
and out of sight.
Childhood memories.
Tyler Nicholas Oct 2012
A 1988 Oldsmobile Cutlass Ciera
A mixtape
Valentines Day

A tuxedo
A seafoam green dress
Prom night

A starlit road
A taste of your lips
Spring

A weeping embrace
A slamming door
Summer

An empty bedroom
A bottle of gin
Autumn

A silent girl
A disturbed boy
Winter

"I don't love you like I did yesterday"
ahmo Apr 2017
this sultry tease of summer,
skin peeling off of leather and cracked heels on the dashboard,
blisters on feet panicking like geysers,
this oxygen resembling cinder-blocks
slightly more carefree -

imprints of crinkled toes never left the passenger seat.
the bags in your eyes were unmined emeralds-
my bones shared strict resemblance to anvils,
and I was too ******* high to inject these sullen thrills.

the new car smell never comes back.

my stomach is no longer a carnival at the sight of freshly opened eyelids, only a dimly-lit, mold-infested dungeon.

may I begin the Spring cleaning by sweeping your eyelashes off of the leather?
or shall I leave your grace,
along dried crumbs off screaming green dopamine,
in the creases?

always,
always,
always
passionate visions of my chest smashing through the windshield like a steel-framed freight train,
fueled by every damning item on this laundry list of self-inadequacy.

salvage yards cannot simply exist as ubiquitous rows of lost souls
------
there must be hope for the hot season to melt away the rose-tinted skidmarks burning my irises.
Mike Bergeron Dec 2012
In a world full of ugly people,
A city made of hideous faces,
A phone call means everything.
It means a voice, free from
Its crooked nose, its wrinkled skin,
And its gapped, stained, crooked teeth.
It means a connection.
With another, with yourself,
And with the ability to disconnect
At the push of a button.
I take out my scratched, chipped cellphone
With its cracked face,
And call Helen.
Her voice swims through the mud
Inside my skull when she answers,
Stirring and churning
Until I'm weak and dizzy.
"How 'bout you just come
On over now, Big Fella?"
And I do.
I turn off the squawking television,
Don a pair of food-stained pants,
Drag a comb through my
Overgrown hair,
And descend the stairs to my
Waiting Oldsmobile.
The turn of the key in the ignition
Only produces a hollow click,
One click two click three click six,
Then a partial start,
But the beast fails to come alive.
I get out to replace
The fried starter fuse,
Then do this dance four more times
Before the old ***** clears her throat
And starts to idle.
It's a short ride,
Pawtucket is small,
And my only companion
On these post-midnight streets
Is the white noise
Issuing from the broken radio.
I pass the house I grew out of,
The crumbling schools
That taught me the value
Of impartial numbness,
The cemetery my father used to visit
To perpetrate the lie
He lives;
The role of a child
And the permanence
Of parents.
I pass abandoned factories
And abandoned hope
And abandoned pets
And abandoned storefronts.
In a world of full of past relics,
In a city full of ghosts,
A crumbling façade means everything.
It means bricks freed from their mortar,
Separated from their history,
Left to be picked up and thrown through plate glass windows.
Buildings are never empty,
Just quiet.
I pass the CVS at Newport and Armistice,
With its twenty four hour pharmacy,  
Dispensing the one a.m. hydrocodone,
The one thirty a.m. dextroamphetamine,
The two a.m. oxycodone,
The two thirty a.m. alprazolam,
The three a.m. dextromethorphan,
The three thirty a.m. methylphenidate,
The four a.m. eszopiclone,
The four thirty a.m. benzodiazeprine,
The five a.m. phenylpropanolamine.
I drive past the clinic in the old senior center
With its six a.m. methadone ready to go
In pre measured cups.
Buildings can be quiet, but not empty.
Helen lives on the third floor of a three story house
Built sometime in the forties,
Forgotten sometime in the eighties.
The two bottom floors are vacant,
The windows are boarded,
The driveway is choked with weeds,
And two lounging cats don’t flinch
When I walk by them
On my way to the door in the rear of the building.
The door is always unlocked,
So I let myself in
And begin the rickety climb to the top.
The higher I go,
The louder Amy Winehouse’s voice gets.
“What kind of fuckery is this?”
Seems an adequate question.
There are ****** handprints on the railings,
The walls,
Drops polka dot the stairs.
I don’t bother knocking,
I never do.
She’s seated in a La-Z-Boy in the kitchen
Facing the door,
In a cloud of cigarette smoke.
In place of exchanged pleasantries
I say I need to use the bathroom
And she nods,
Eyes locked on mine.
I take a look at my sallow image
In the mirror,
With specks of toothpaste and hairspray
Pocking my face like acne.
The toilet bowl is still streaked
With the last man’s ****.
I ****, wash my hands,
And take another look at myself.
Helen is no longer in the chair,
But I know where to find her.
She’s sprawled on the bed,
With a new cigarette in her mouth,
The toys spread out on one side,
The tools on the other.
I tell her I’ll forgive her for stabbing me the other night
If I can get a freebee now.
She shakes her head once,
Exhales a cloud,
“Not gonna happen, Champ,”
And I take what I can get.
Savio Feb 2013
It was 5:59 AM when the night ended,
When the night was completely quiet,
Yet, a song moaned incomprehensible verses,
and the portable heater vibrated,
the living room,
like a garden with fresh soil,
ready to be planted with thoughts ideas theories and laughs,
cigarettes half smoked in cups,
a few still swan-ly maneuvering smoke from the neck of the beer bottle,
Everything was good,
an accomplished sensation rushed over me,
with the warm sway of bourbon,
jackets socks shoes pants were sprawled across the floor,
no *** but still,
the sensation of ***, the mind. ******* itself,
being undressed by other Mad Like minds:
lust starving, love adventuring, money coasting, wisdom hungry.
Beside me the trashed 20 dollar sofas occupied by ***** blankets with *** stains and tiny shards of glass with two wise mad men, passionately sleeping, passionately dreaming.
A skinny tall window is in my peripheral vision,
a peripheral vision of the waking city,
of street lights flickering on and off,
the occasional beat-up car trudging along sadly with the wheels and eyes tired,
exhausted,
the car comes to a parking space,
behind the dumpster and it is lost,

The day was pure,
for 30 minutes to an hour,
the day was pure,
I had spent my 10 dollars on bourbon and cheap malt liquor,
which was gas money,
now it was fuel,
for the soul,
the body,
the path,
the vision,
the beauty,
we drove downtown in a blue Oldsmobile with the left tail light out,
while listening to classical music as homeless women and men,
walked heavily in their thin clothes,thin bodies,and torn clothes,
the liquor store was beautiful.
Sad, beautiful, in the way Beethoven's violin sonata No. 5 is,
the building was small,
originally a tiny home,
tall,
with a window destined by the Theological Gods,
to be gazed out of by a youthful girl,
completely fascinated by the world,
the occasional insect that would crawl across the window unknowing,
Unknowing of suffer, of girl, of boy, ***, good teeth, nice shoes, women, lovers, success,failure,death, and oil.
The insect crosses the window perhaps returning to its home,

Hauntingly Georg Trakl divine dead vines engulf the back, like a missing boy hugged by his Grandmother her old aged timed hands holding tight, the sides, where the rib cage of a naked women would be, and the roof of the remodeled destined window girl gazing house,

dead tired, and dead plastic blue and black and red milk crates are thrown out into backyard,
romantically sad,
the only sign of life is the neon 'OPEN' gleaming maliciously on the front door,

Driving back to Anthony's apartment,
made up whiskey jugs,
jugs crafted to be drunken by a platoon of war hungry sailors,
with letter perfumed coated writing lover girls in dresses,
waving their hands, their hearts, their ****** loyalty,
waiting for their man to return,
Braved,

But Anthony was no sailor,
he could out drink a platoon of sailors and still make love to a girl named Clementine with avocado eyes,

as we drive, passing dry and grayed used car lots, and pedestrians. Anthony asks,over the piano and violin,if we should go on a walk through the forest with our freshly purchased liquor.
I agree.
The piano continues on, as does an old black man at the bus stop,
mixing whiskey and orange juice, secretly between his old legs.

We laugh, and both praise him.

Our adventure beginning late in the night,
already drunk on the strong cheap malt liquor,
we bravely enter,
either the mouth,
the bowels,
the ****,
of the forest,
taking a tall can of liquor with us,
avoiding the sharp thin snapping tree limbs from our faces while lighting cigarettes,
passing the liquor between on another,

At peace finally,
comforted by the physical mix of chaos and beauty,
the drunk howling God cursing yelling mad hobo,
some where deep in the thick hairs of the forest,
the freight train smoothing by,
like a mothers eye,
and the distant trickle of a stream waterfall,
we sat in the wet,muddy ground,
monk like,
passing the cigarette,
the cheap malt liquor,
two mad,
wisdom monks,
observing,
the chaos,
the beauty,
our dharma,
our christ,
our buddha,
our temple.
mark john junor Nov 2013
the fast car speeds along the avenue
and she relaxes at the wheel
shell tell you she was born to drive
and with a cigarette grey haze
she leans into the telling
a story of her younger days
a summer back in the world
back in the dust of 1958
when the motorcycles rode on main street
she and her baby sister went to see
and stood back of the five and dime
marvelling at at the wild men
and the chrome machines
thouse were the days when
the future was brighter
and the dream seemed like it could be real
this light comes alive in her eye when she speaks
of thouse days
you can see the years fall away
you can almost taste the malted she drank
and almost see her in her blue dress
there at the five and dime
you can see the light in her eyes
when she is remembering thouse days
the sock hop and the drive thu
she is so much a younger soul than i
filled with all these beautiful memories
and as we drive down the hutchinson river parkway
middle of the night
in the pouring rain
robert gordon on the radio
i think to myself that she's right
she was born to drive
and i was born to be with a girl like her
oldsmobile cutlass 440 was her car
i was her man
.and rockabilly was her music
Mike Bergeron Sep 2012
Sitting at a bar
In a palace built by
Nineteenth-century slaves,
And the back of my shirt
Is soaked from the
Hundred degree weather.
I rub my neck,
Wipe the hot perspiration
From it with my hand,
Only to pick up
My glass of beer
And get it's cold sweat
All over my palm.
I ask the bartender
About the nets
Obstructing my view
Of the gold-flaked,
Hundred foot ceilings,
But he doesn't know
Why they're there,
Or just doesn't care
Enough to humor me.
Happy hour prices
Segregate me and my soul
From the charcoal
Suits shuffling past
As they head to
The trains that will
Deliver them to
Their BMWs
So they can drive to
Their wine cellars
And plastic wives.
The history of this place
Is suffocating me,
It's thick in the air,
As are the dialects
Of dozens of states,
Shouting to each other
Or to themselves
Or to god.
I pay our tab
And dive into
A red line train
Like a CVS syringe
Into a ******'s arm,
And rush away from
the city's heart
With the other cells,
Through tunnels buried
Beneath the birth and death
Of the American scream.
If I fall asleep,
I'll never wake up,
The dream will replace
The reality I've created.
The steady thrum of
The train croons to me,
But the acidic stench
Of July humanity
Keeps me locked
In this scenario.
The darkness flees
As we breach the
Border of daylight.
Jetskis on the Potomac
Remind me of what
I don't know.
Dreaded beards
On weathered sacks
Of human decay
Perched on plastic seats
Remind me of what
I've painted as real
In my underexposed brain.
I'm exhausted,
All my water has
Evaporated, risen,
And I'm a Little drunk.
My eyelids are heavy,
And move like
Hurricane barriers.
Open:
Same scene,
Different passengers.
Closed:
Spiral staircases
Of neon fibres,
A religious maven
Spitting his canon,
Fleeting images of
Hardwired memories
I've grown old
Trying to erase.
Open:
He's staring right at us.
The man in the
Periwinkle shirt
And the bronze
Kmart tie.
His sweat shines
Like young paint
On an Oldsmobile,
His double chin
Is tanned to
The color of his tie,
And he knows too much.
He knows more than I do,
More than I can take.
His eyes shine
With the knowledge,
The stupid grin
Plastered on his
Greasy face
Knocks me out.
Closed:
The sky is vast,
And unscathed by jealous clouds.
The crystal clear water holds me up,
Its pressure on my back
Is as refreshing as it is comforting.
Max and Andy splash and laugh to my left.
The pond water in my ears
Distorts their sounds,
But the mushrooms in my blood
Explain them.
Jesse is coming,
Doing well at keeping his cigarette dry,
Swimming with one arm.
I feel something unlock inside me,
Forget it's June,
That I'm floating
In this lake
For the first
And last time,
That I'm still
In Rhode Island,
That the love
Of my life
Is in Virginia,
I forget my limbs,
My hair,
My skin,
My ****,
My heartbeat,
The stellar iron in my blood,
And as the water fills my lungs,
As the shouts commence
And sight fades,
I am reborn,
I am the microbes I am swallowing,
I am the glow of the nearest star
Glinting off the rippling surface,
I am the sand beneath me,
I am the air pushing the pine needles,
I am alive,
I am open:
I am still on a train
In Washington DC
And this ******* guy
Knows too much.
His lips are wet with it.
It's written in the part
Of his thinning hair,
In the way he's thumbing
the pages
Of the book he isn't reading.
I can't contain the shout,
The burst of wasted pride,
The "*******!"
The "What do you see that's so ******* interesting?!"
I can feel Ali's hand
And the eyes of
All the passengers in the car
Fall upon me,
And the pressure
Caves in my skull.
From my sunken face:
"I'm a reasonable man, get off my case."
"I'm a reasonable man, get off my case."
"I'm a reasonable man, get off my case."
"I'm a reasonable man, get off my case." -Radiohead
Mike Bergeron Sep 2012
You see, it's like this:

Every night, right around
Beer number 4,
With the beginning
Of the Daily Show
Airing on the tv
At the foot of my bed,
I look out my window
Diagonally to the left
Out onto the street that
Is dark because the city
Hasn't fixed the streetlight
Yet, even though it's
Summer and I'd like
To think that the kids
Walking the streets
With their hoods pulled
Up could be able
To have some light
To blow their smoke by.

Anyway, I look out my
Window diagonally
To the left
Every night
And I see a 1995
Rust spotted grey
Oldsmobile 88
Pull into the driveway
Of the green
Double level house
With the ugly
Maroon shutters
And then the same
Woman climbs out
In her scratched
Half inch heels
She bought at the savers
On route 44
And this night she's
Wearing her pale blue
Conservative skirt
And a delightful
Vertical striped
Button up
Office building secretary shirt
With the mix of cool colors
And her brown hair is
Pulled back in a tight
Bun that's been tugging
At her forehead for
The eight hours she sat
At her desk and the
Six hours she waited tables
At the ****** chain sports
Bar on Branch ave
For ****** tips
And ****** looks
From ****** drunk perverts
She has to smile at
And flirt with if
She wants to make rent
At the green double
Level house with the ugly
Maroon shutters.

She checks her mail box
And with weary eyes
Scans the envelopes
Of bills and spam and third notices
No letters from friends
Or family or old school suitemates
And she goes inside
To reheat her dinner for one
And I lay here in my boxers
Cracking open beer number
Four and listening
To Jon Stewart point out the
Obvious absurdities
In our ****** up system
That everyone seems not
To notice and take as
Just jokes on a fake
News program but are
Really symptoms
Of a ******* society
That puts value in all
The wrong places
And as I sip on
Rolling rock number five
And watch the woman across
The dark street fumble with
Her keys I think about
How lonely it is here in my
One bedroom apartment
And how lonely it is there
In her one bedroom apartment
And I wish oh I wish
One of these nights I could
Stand outside and smoke
A cig and wait
And when she gets home
Ask her how work
Was and laugh when
She jokes that it was terrible
And know its not a joke
Because it was terrible
And I'll ask her if she has any
Late night plans
Knowing she will tune into
The Colbert Report
And watch until she
Falls asleep in her full
Size bed
And if she smiles and says
No I'll ask her to come over
And have a drink and if
She says yes I'll give her
An Octoberfest because
Harpoon is classier
Than rolling rock
And then maybe she'll
Want another one
And maybe she'll see
Something in me.

As I open rock number six
Every night the same thought
Breaks through the cloud,
That if I could just do
What I want to do
Maybe this bed wouldn't be
So big and maybe
This heart wouldn't hang
So heavy and maybe
The tv would have an audience
Instead of a solitary observer.

I fall asleep again
Having never learned
Her name or which high
School she went to
Or what makes her laugh
Or what sad movies she
Loves to cry along with
Or which secluded areas
She likes to go to to think
Or what she thinks about me.
Victoria Kiely Nov 2013
The house dwarfed everything on the street. It was evidently quite old, but in good condition. The once white bricks were stained with years beating from the rain and wind, the windows unclear. Ebony frames supported the doors and glass windows, complete with matching shutters. A wrap-around porch hugged the left side of the house’s structure tightly. The house had a classical type of beauty. In its stupor from the long years, it still stood strong; still, it had intimidated nearly everybody in the small town that encompassed it.
        The first car parked on the driveway said enough; it was an Oldsmobile, a strong, classic car – the type of car you really only see in movies anymore. The others that followed were all newer, luxury cars. Each looked to be worth more than Kieran might ever have to his name. This was more than a guess.
He had walked past this house many times, almost always curiously peering in through the windows. He wondered sometimes what the people inside were like, what they did with their spare time, whether or not they had secret lives that they kept from one another. The term ‘enigma’ came to mind when he tried to fill the blank silhouettes he had seen in the window with pictures. He had never quite been able to get that image right. He had only found out how wrong he had been about the owners of the place once he had met her.
He waded through the deep snow surrounding the path he had known to be apparent on warmer days. Approaching the light steps vacating the doorway, he noticed that a flickering light had been emitting itself from the uppermost window adjacent to the balcony.
In the letter that he had found under the slip of his door frame earlier that day, Kieran had been instructed to enter the house without bothering to knock at precisely quarter past the hour of eight. He had found the request to be odd, but he had been victim to curiosity, as he always was when it came to Briardale.
He turned the **** of the dark oak door before him. The step below him gave an alarming creak as he shifted his weight forward, making him stop. Again, he began to pass the cusp between her world and his own. He padded forward and headed towards the stairs. His heavy boots thudded on the floor beneath and left a rather hollow noise that echoed through the large expanse.
As he crept up the stairs, his curiosity and excitement heightened. The top of the staircase seemed both close and far away as the space between him and the flickering light dwindled. He heard the sound of contemporary music flowing in the dark. It curled into his ears and under his flesh; he felt a chill in the air as his senses began to tingle.
Finally he had reached the top of the staircase. He paused for a minute, allowing the moment to sink in. He stared at the door, ajar and alluring, as she and all she did always were.
“Why the hesitation?” she asked, almost inaudibly between the music and her soft spoken voice.
He parted his lips ever so slightly and licked the dry edges. He swallowed and hoped that she had not heard. He continued forward and pushed open the door tentatively.
She lifted her eyes to his in the mirror before her. “I’ve been waiting”
He looked at Briardale’s sketched figure, outlined by what looked to be decades of lit candles. Her dark hair shone brilliantly in their wake. A deep red robe encircled her, wrapping her like a present. Her bare legs were tucked under the vanity daintily.
“Come closer” she whispered. She turned down the music.
Kieran traveled the short distance between them and allowed for a small smile to take his lips. “You look beautiful” he said.
“Thank you”
He placed his weathered hands on her soft shoulders and felt the difference between the two. He looked deeply in her eyes in the vanity mirror. She put the brush she had been holding down. She turned to meet his gaze.
She glanced up at him subtly, almost bashfully. She stood and walked towards the bed. Her robe fell, and decidedly she had neglected to wear anything but.  He followed.
Together they sunk into the bed, the scent of clean linen surrounding the two of them. She took his hand, and innocently guided it towards her face. She brought her own fingers to touch his slight beard that had developed fully and fruitfully. She kissed him lightly on the lips.
He knew then that no other person could make him feel the way that he did. She comprised of a thousand shades and colours, and he wanted to learn each one by title. He wanted to know each part of her. She had gained the ability to grasp his life in the palm of her hand; to make him feel as though he was the one who was vulnerable and needed protecting. Loving her was like standing at the top of a cliff and leaping, the free-falling feeling encompassing and grand. Loving her was like waiting for a the subway train to take away your sorrows as you walk purposefully towards its oncoming traffic, and it stopping before you have a chance to jump. Briardale was his split-second happiness after the fall, his second chance in an unforgiving world.
Savio Feb 2013
Put on your make up
while we're in the car
peyote in our air
travelling through the desert
holding hands
air conditioner broke
smoking 4 dollar cigarettes
kissing
wiping the sweat off our faces
with old shirts
torn sweaters
you wore a dress
that exposed your knees
no bra
and your shoulders were bright
like your eyes
it was 100 degrees
lip stick smeared on the rear view mirror
when we kissed kansas goodbye
driving with no shoes on
let's stop for gas
but the wind
the heat the peyote and the lips of yours are
keeping me on the road
melting like hot candle wax
we stopped at a motel
the windows let in a draft of hot air
coffee machine broken
the cable television speaking spanish
making love
listening to dogs bark
as if we were aristocrats
in a private box
at an opera
the sink leaked
adding background static
to the sounds of the air conditioner humming
sputtering for air
we bought bad whiskey
took off our clothes
fell asleep in the sand mixed with mexico's moon light
when I woke up
my good sweater was gone
the 1980'd-rusted-flat tired-oldsmobile was gone
she left me a cigarette
the rest of whiskey.
Meka Boyle Mar 2013
I carry you with me,
Woven
In between
The frayed
Ends of my oversized
Sweater,
And the
Hollow pauses
Of conversation
Saved for thoughts
Too sacred
To be revealed.
I carry you outside of me,
Like the thin layer
Of frost
That dances lightly
Before collapsing onto the
Ancient windows of
My two door Oldsmobile.
I carry you above me,
Your presence as big as the
Wide open sky,
Yet also as unattainable.
Reaching above,
My fingers stretch out to grasp
You, but instead
Are met with the vacant
Feeling of air
Drifting between my
Clammy palms.
I carry you beneath me,
Supporting my
Staggering steps
As I drag my heavy feet across the
Uneven ground.
I carry you with me.
                                                                                   MB.
Harry J Baxter Jan 2014
He comes in around the same time
every Thursday, Saturday, and Sunday
eating alone save for the newspapers
constantly clutched beneath his arm
his spectacles worn to ice
his windbreaker and khakis
every time ordering the same
salad, soup, and pasta dish
He doesn’t talk much
and I like that
his words are rare occurrences
of honest observation
a reflection of the aged, sad look
which he wears on his face
every Thursday, Saturday, and Sunday
just before the dinner rush
I never see him arrive or leave
simply he appears
a ghost from an old photograph
walking among the swirling mess
of flesh, blood, and heartbeats
I bet he drives an Oldsmobile
or maybe a buick
stick shift with faded leather interior
I bet he had a wife once who loved him
and children who weren’t too grown up
to give him a call every now and then
just to check in
I think about this man
under the closing-time moon
as I pull myself into my car
and leave
away with my own life
my own story
and I aim not to forget him
Quinn Jan 2014
i avoid pen and paper
i can't stand the sight of it
when i'm not able to get
the words out right

lately i'm an oldsmobile,
sputtering smoke and
coughing cogs as i
attempt to make my
way up a hill that seems
to have no end

i'm desperate for horizon,
but all i can focus on
are the next four inches
No Name Jan 2014
I never saw your dad’s new turtle in its tank in Milwaukee.

I never told you how you looked leaning over the railing at Griffith’s Observatory. The city flickered like a jar of lightning bugs beneath us that night, but the telescopes were disappointing. I didn’t mind.

I never saw your sketches.

I never made room for you on the blanket at Dockweiler Beach. We left the others by the fire and walked to the foaming black water to investigate what we thought might be a body. I still think it was.

I never reached for your hand by the Ferris wheel.

I never gave in when you said, “You have no idea how hard it’s been not to kiss you,” and I stared at my empty paper cup, wishing I had gotten a bigger size because I needed something more to do with my hands.

I never found something better to do with my hands.

I never let you touch the scabs I got when I fell off the sidewalk after I decided I was someone who should jog.

I never touched the scars you got when your lungs collapsed and they pumped them back up like a balloon and they woke you up to breathe with your chest still open.

I never turned to face you when you kissed the top of my head. I didn’t want to move. You told me about your family instead.

I never told you about my family.  

I never told my family about you.

I never put my head on your shoulder at two in the morning when we sat in a booth under a flickering yellowish light, shivering with our little Styrofoam cups of hot chocolate in our hands, trying to keep our burning eyes open as we waited for our friends.

I never met your friends from home. I think I would have liked them.

I never sat in the passenger seat of your Oldsmobile with the radio on and the windows down as we drove through Nevada, then Kansas, then Illinois, but it’s probably for the best since your car never would’ve made it anyway.
in part inspired by Joe Brainard's "I remember"
Niko Walsh Apr 2014
Raindrops
Tap tap tapping
On the windowsill
Reminding me of
You letting me go.

Fresh sheets
Crinkling up and
Swallowing me whole
Sounding like the
Day you forgot about me.

New perfume
Engulfing me and
Surrounding my breath
Smelling like the
Night you kissed me and left.

Oldsmobile,
Driving around,
Scaring me to death
Looking like the
Hours that we wasted.

And we wasted
Aimlessly,
We kissed
Pointlessly,
Forgot
Regrettably,
And let go
Finally.
Reflection of my last relationship. That's all I have lately
Gwendolyn Nov 2014
three
i admire daddy for shooting a big buck. i name the deer "sparky."

four
my favorite part about school is learning to read books all by myself.

six
i don't let mama pick out my clothes anymore. my favorite outfit is purple sweatpants with a red sweater.

seven
i got detention for spitting on a boy. i cried for weeks.

ten*
my best friend in the world moved an hour away. at least i still have harry potter and despereaux to keep me company.

eleven
the boy who plays the lead in the musical is the cutest boy i've ever seen.

twelve
the boy who played the lead in the musical likes me back.

thirteen
i catch myself staring absently at walls often. i'm disgusted with my body. i haven't eaten in days. my chest always aches. i've lost most of my friends because they've grown annoyed with how much time i spend with a boy. i'm never happy unless i'm with him. he's my whole world.

fourteen
the boy who played the lead in the musical shattered me. i don't want to be alive. i keep leaning over the toilet trying to get rid of what's eating me from the inside out, but nothing ever comes up. he promises we will always be friends. i stay up late screaming every night.

fifteen
a boy pushed me up against the wall and kissed me. he's dated tons of girls, but he thinks i'm different. he likes to read and listen to music. he says i'm the best kisser. he distracts me from the pain, and i'm constantly afraid he's going to leave me without ever speaking a word to me again. i'm so afraid, i stop focusing in class. the boy who played the lead in the musical hasn't talked to me since he walked me to the school counselor a year ago.

sixteen
my big group of friends and i go to dinner at applebee's. i just got my driver's license and a black 1999 oldsmobile alero. i have a few people i can go to if i can't do it alone. i can pull myself back after a relapse. i don't depend my life on anyone but myself. i might just be a bit numb, but things haven't been this great in a long time.
Today is my sixteenth birthday and I wanted to write something about it. I've come a long way. It's also interesting (and somewhat saddening) how much our thoughts change as we age. I don't expect this to get many views, it's more for me to look back on to remind myself how much I've been through.
Don Bouchard Apr 2016
Near frost early morning,
Packed bags squeeze
Into the old Oldsmobile,
Ready to leave for college.

I kiss my mother,
Say good-bye,
Hold her tight.

My father passes us,
Moving over stones,
Carrying two buckets
On his way to cows
And milking.

I can't see his face...
Have no idea.

"Art, are you going to say good-bye?"
I hear my mother say.

The words arrest him.
All movement stops.
Shoulders hunched,
He slowly sets the buckets down.

Turning is an agony,
I see,
As though his efforts
Somehow jar the world,
Disrupt natural order, and
Acknowledge chaos come at last.

I see my father's face
Coursing silent tears,
And watch his shoulders shake.
Then we embrace,
We two,
And both are torn
With leaving.

I know with certainty
My father's love
This morning,
Leaving home.

(1978, leaving for college)
Anna Skinner Apr 2017
i’m 13 and my first kiss is from a boy named nick behind ****’s sporting goods in stale street air. nick’s canadian and when i ask if he can speak french he says no but I can play hockey and that is the next best thing

a week prior when i tell lauren we’ve been dating seven months and haven’t kissed yet she can’t believe it but all i believe is i’m 13 and a first kiss was supposed to be so special
so special i am too scared to close my eyes so my first kiss is a waterfront view of spider-leg eyelashes, too much spit, and all nick.

two weeks later he calls me cherry and i call him kiwi because we think normal pet names are too mainstream.

three weeks later nick breaks up with me when i corner him by the west wing lockers in the middle school by english class. i confront him, lay out the facts, and that is that.
  
i’m 14 and my second kiss is by the bleachers at the high school football game – not behind because behind the bleachers is where kids go for second base and to form ****** lips around leaf sweet smoke.
i‘m 14 and my second kiss is still nick but it’s not all spit and i wonder who he’s been kissing
i’m 14 and my second kiss is to the melody of a collective crowd’s stamping feet and a boy named jared with no real teeth wolf-whistling at us from the corner  
i’m 14 and i remember to close my eyes  

i’m 15 and grind on levi who’s twice my height to a rihanna song at homecoming
his crotch is against my upper back when it should be against my ***
he doesn’t kiss me, drops me off, speeds away in his oldsmobile

i’m 17 and my first **** is with a man named dan who serves at the same restaurant i smile at and hand menus out for tips. i’m his twenty-third and for a while after 23 is my favorite number
i’m 17 and i’m bleeding on dan’s brother’s sheets
i’m 17 and afterwards dan sleeps with a girl named stephanie who probably ***** better than me. i got my ears pierced at claire's last year but stephanie has tattoos between her **** and a dermal.

i’m 20 and barely flinch when i see nick at the local community college. i ask if he still plays hockey and he asks me what good books i’ve read lately and i wonder if he’s any good in bed.

i’m 22 and i’ve laid with a dozen men, all nestled like eggs in my crate of shame

i’m 22 and i've learned to close my eyes until they've finished with me
spysgrandson Mar 2014
my father is dead
though in the whimsical world of words
I can resurrect him, not in the raining rays
of the Texas sun, but in the darkness
in his Oldsmobile, on a Christmas Eve
bathed in the lighter lights of the season,
their reflections, rolling over our tinted windshields,
littered our eager eyes, in color
and cacophonous taunting,
“ ‘tis the season, ‘tis the season”

the children are not yet
disenchanted by these chants,
thinking still of presents under the tree
some flickering sense of mystery

I, old enough to shave and see the cords
that feed the mocking lights, catch a lump
in my throat, before it fills my eyes with terrible tears
for I know the car will take us back from whence we came
far from the Plaza where we watch the lights,
to the walls where the colors don’t speak
to a place where one day someone will die
and the lights and all my words
will not bring them back
still suffering from writer's block--forced this one onto the page
Evynne Jul 2013
It was one of those really hot summer days
The kind that you can feel on every inch of your body
The kind that paint a damp coat over your skin
And it feels heavy
And if you are outside
You better at least be within
Close proximity of some form of water or another

We were on our way to the river
It felt like such a perfect day
In the most peculiar of ways
I don't think I ever stopped smiling
Not once

On the interstate
Windows down
Riding in the back of my friend's 1990 Oldsmobile
The wind is hard at my face
But feels soft on my skin
I can hear cheery music playing faintly in the background
And I feel infinite
And honest
I feel bright and lovely
Radiant and rapturous
Completely and utterly
Infinite

I feel a coolish drop of sweat
Slide down the back of my leg
Slower
Then faster
And faster
Then slow again
And I sit here and think about
How I am going to write a poem
About this later
Ken Pepiton Oct 2023
This is the magi's pen.
If child Newton sat beside me,
might he think the older knowing mine?

I smile and share a second thought.
I accept reality allows my thoughts out
let fall with luck would let
be the letting, let us make believe.

The joy of a ride in a Tesla, akin
to the thrill of an Oldsmobile 442,
on the completed cloverleaf exchange
southwest of Flagstaff, in fall of '69,
a test drive, for a couple o'vets,
in school on the Gee, I didn't know bill.

I-Forty had not replaced Route 66,
but the interchange was accessible,
by curious joy riders, for about one day.

Remember such days.
Savor surviving and think of thanking
times process for arranging the occasion.

Don't bring up the fact that onces exist.
Being first to do a once is not great glory.
I lucked into the end of civilization and the first disease of globalization.
First, we say it'll be okay, life does not end --- when it feels like it does.
Don Bouchard Apr 2015
Near frost early morning,
Packed bags squeezed
Into the old Oldsmobile,
Ready to leave for college.

I kissed my mother,
Said good-bye,
Held her tight.

My father passed us,
Moving over stones,
Carrying two buckets
On his way to cows
And milking.

I couldn't see his face...
Had no idea.

"Art, are you going to say good-bye?"
I heard my mother say.

The words arrested him.
All movement stopped.
Shoulders hunched,
He slowly set the buckets down.

Turning was agony,
I saw,
As though his efforts
Somehow jarred the world,
Disrupted natural order, and
Acknowledged chaos come at last.

Forty years later,
I still see my father's face
Coursing silent tears,
And watch his shoulders shake.

Then we embraced,
We two,
And both were torn
With my leaving.

I knew with certainty
My father's love
That morning,
Leaving home.
This month, three years ago, Dad left us, riding off into an April sky on a life flight chopper. Still miss you, Dad. Always will....
Anthony Mayfield Dec 2019
You know what?
I want to dance!
Down the street without music
I know the song
It's memorized
Embossed on my brain
So you can have your Oldsmobile radio
But I WILL dance down the street
Deal with it

You know what?
I want to sing!
In the hills like Maria
A song all my own
And the hills and breeze will harmonize
And the stream will dance
So you can keep your televised singing reality
But I WILL sing in the hills
Deal with it

You know what?
I want to run!
Nowhere in particular
Just away
And that's perfectly OK
I need air in my lungs
So you can keep your treadmills
But I WILL run nowhere in particular
Deal with it

You know what?
I'm going to shout!
From the highest mountaintop
The world will hear my deepest cry
And with happy tears I'll finally cry
So you can live your life
But I WILL shout for mine
Deal with it
I will live my life my way, deal with it
Chameleon May 2016
Wise men say, only fools rush in
but I can't help falling in love with you.
Shall I stay, would it be a sin
if I can't help falling in love with you.

Do you remember how I would sit up on the deck railing,
and you'd be standing.
You were so tall, my knees touched the side of your chest.
We'd stay like that,
Talking and laughing and laughing,
and kissing.

Like a river flows to the sea
darling so it goes
some things are meant to be.
Take my hand, take my whole life too
for I can't help,
falling in love with you.*

Do you remember that first cruise we took in my little Oldsmobile.
It was like five in the morning in June, but neither of us had any desire to sleep.

We both knew something special was happening.
Elvis Presley.
Thank you for one of the most beautiful love songs ever written.
Nadia Aug 2019
I remember the sun kissing our
neon zinc-ed faces, heating tiny cubes
of red track until the rubber,
warm to the touch, clung to resting
palms and thighs.

I remember the smell of watermelon,
hot dogs and gatorade mingling with
the acrid smoke of the starter’s pistol
and the feral horde of butterflies
fighting in my stomach each time
the gun would blast.

I remember ghosts of friends from
back then sharing laughs as
we warmed up, muscles strong,
nerves tight, bravado bared to all.

I remember his folding chair,
right there at the end of every race,  
rain or shine, he showed up, coaxing
tired bones out of his favourite
recliner and into his giant, blue
oldsmobile, the interior littered
with cigarette holes and
werthers candies; he showed up
with pride, without fail.

I remember overhearing the boys
talk about the old man smoking
by the finish line, how gross it was
and why was he even there anyway,
and I remember shame taking root
and spreading: I knew the old man
was there for me.

I remember the day I stopped running
through the ribbon, straight to that
striped chair, to that time bowed man,
with his precisely combed white hair,
wearing ironed jeans, wrinkles
and a smile that could charm anyone.

I remember his funeral, not long after,
sitting in a room stained with
dust, tears and time arrested;
shame and sadness lodged heavy in
my throat as I wished for just one
more chance to say I love you.
I went to my first poetry workshop today. This came out of nowhere; I didn't even realize the baggage I've been hauling around for years.
Yo first **** the radio DJs let the words prey
Cannons to spray one luv to my baby D'Shay
Twenty years strong arm wrestling no palms
Storms rolled out over clout snub nose snout
Checking haters route detour ya ******* pure
Lyrics genuine oh so fine skip over the sublime
Got more rhymes than the length of DMV lines
Stack money in pancakes can't stand fakes
See the money I intake invest the my estate
**** waiting for faith I took a shank to grimy fate
More dogs than Nate sixteen clips to regulate
Warning to ya fake Gs street hop monopoly
Black Bradley ya dues up so suckas pay up
No **** cup aggressive what see me abrupt
Politicians still talking silly stuff slash bluffs
Deflated power reinstated Malcolm braided
Off philosophy word to the old killer military
Patton stacking it rowdy as Staten got it patent
Shooters in the corner like Paxson to Jordan
Ya know I'm scoring without
pouring
Sparred against the eight seas Poseidon

Flows million and one combos ultra blow
Giving ya more and more chips like Theodore
Rough rider third eye glacier
analyzer
Wiser than the buds still knocking off studs
No grudges middle fingers to
judges
Court system I'll dismiss em and **** on 'em
Where I miss 'em this ain't a poetry flam flim
Jammin' blues old-school on the Oldsmobile
Feel the words that thrill lyrics stainless steel






War path like O-Dog gun smog art of war jogs
Still body hogs more hits than Wade Boggs
Mental clogged from the ****** jaws biting
Raw writing materials kiting over ya flawed skills
Signed ya will to my deadly microphone
Grills poetry slamming Magguette dunk spunks
Love girls with treasures sitting in they trunk
Open scoping still hoping as I'm gliding oceans
Potion poisonous darts blacked out hearts apart
Couldn't even get a start as I part the radios
Cosmos Atlantis two sided future past Janus
I see they ain't jamming us but still jam us
Back of the bus rhymes kicking like wind dust
Wild wild west this ain't a test flexin the best
House on the crest with a bunch of trained vets
Beautiful girlies quick to blast leather in fishnets
Hold the jet we got many servicing threats Scarlet
Been gone with the wind since she took a back bend
See the world she holsters in her pants advance
My mind on the stars put a hole in Mars carved
From my barbed wire thinking eyes open no blinking
Black Samus slowly rub my llamas gangsta scholars
Golden collars grit as a rottweiler almighty dollar
Got folks acting like Ojays see the blood from back displays

— The End —