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Mateuš Conrad Aug 2018
.   classical music is so outdated, when it comes to exposing children to it, for them, to then, later in life, reap the benefits of "increased" intelligence... oh look... they took down xenomorph's satan's presence video... the one with all the great artwork, including exponents of Goya and Dürer, and... Adolphe-William Bouguereau's masterpiece: Dante and Virgil (the onlookers)... shame, really...  because who said that children can't keep count, when listening to psy-trance electronic music, attempting to keep count, rather than understand violin, brass, or woodwind melodies? not me... there's an upper echelon, of music, sure, it's a hyper-inflation of African drum culture... but it's there... and, like me... some ******* just need to be pulverized by the beat.

problem with the alternative to rolling tobacco -
akin to chesterfield brand...
    when compared to golden virginia?
the tobacco is drier -
                  you need to squeeze it between
your fingers, to get some juices flowing...
and i've heard a lot of ******* in my days...
but that rolling papers,
are somehow different to the cigarette wrap,
as the reason why...
   a rollie will die off if not smoked,
but a cigarette will not?
     it's not the papers...
   it's the to(e)-ba(h)-khh-khh-co(e)...
high quality rolling tobacco is fresher...
slightly moist...
    akin to golden virginia...
   but a brand like chesterfield?
   dry like **** about to give you
          an imitation circumcision...
you actually have to squeeze the ****
brown **** to get an adequate
rolling technique going...

never mind that though...
  **** me! i've been looking for this scenario
since time immemorial...

(current year, England...
   when was it permitted,
for a neighbour, to tell another neighbour,
where, and when, he can smoke
a cigarette on his property?
when?!
         i have the neighbourly decency
to not walk ****-naked into my garden,
subsequently scratching my ***,
and then jerking off anything
but chicken in full view...
  but where, i can smoke a cigarette?
this is England...
             i compromised -
   but she can't have, the *******, night!)

ah... the su doku observation!
i've been looking for it for years...
   no. 10,044

0  0  0  1  2  7  0  0  8
0  8  0  5  6  9  0  2  4
0  0 ­ 0  4  8  3  0  0  7

     the common problem with
people solving this puzzle,
is that they start thinking of...
   fractions: namely?
   only two alternatives, rather than three...

i've seen my father's notation
sometimes, 1 / 5              i.e. or
    9 / 3
                      etc.
in the English, catholic, teaching methods
concerning basic mathematics of
Pythagoras - you were required
to find, 3 points...
  to draw a straight line (just to make sure) -
well...
        unless that third point
a liquor store, going AB      BA...
      sure...
              but drawing a straight line?
never mind

0  0  0         0  0  1    |  0  0  8      via      (  x  )
0  0  0   i.e. 0  5  9    |  0  2  4                 (  y  )
0  0  0         0  0  0    |  0  0  7                 (  z  )

i needed a matrix answer... and i fiddled
one out!

( 5  9  9  5 )
( 1  1  1  1 )
( 9  5  5  9 )

              there simply can't be an alternative
to where 1, is supposed to be placed
on the grid...

0  0  0         0  0  1    |  0  0  8
0  0  0   i.e. 0  5  9    |  1  2  4
0  0  0         0  0  0    |  0  0  7

i've surprised myself -
       which is even more gratifying...
than i'm slightly tipsy -

0  0  0
0  0  0
0  0  0           (what's that?
                     spatial coordination,
for said, example).

have to coin a phrase for this discover...
ah... the su doku third coordinate,
of a straight line... #howlin'wolf'sblues:
could been a spoonful' of sugar...
ah... **** never gets old.
--To Elizabeth Robins Pennell


'O mes cheres Mille et Une Nuits!'--Fantasio.

Once on a time
There was a little boy:  a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional!  And Powers
Passed with him where he passed.  And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere.--

I shut mine eyes . . . And lo!
A flickering ****** of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's:  in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk--
Ice-ribbed, fiend-visited, isled in spells and storms--
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin!  Never a Wood but housed
Some morrice of dainty dapperlings.  No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents.  Every lone Hillside
Might open upon Elf-Land.  Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp.  And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows.  In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, ****-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases--
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white *******
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black ***** of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time!--
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty.  Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might.  But there
I met with Merry Ladies.  O you three--
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons.  And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits).  And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness:  or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed.  Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring.  Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door:  and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath.  The same, it seemed,
And yet not all the same, I was to find,
As I went up!  For afterwards,
Whenas I went my round alone--
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would:  still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice!  And in a little while
Two tapers burning!  And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew.  Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and ******
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown.  All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands!  And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring--
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood.  And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock!  The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives!  And far, O, far away,
The Princess of China languished!  Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure--
Where the old, brown, friendly river shaped
Like Tigris shore for shore!  Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady:  she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes--
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian:  yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind.--

Thus cried, thus called aloud, to the child heart
The magian East:  thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships--
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams)--
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names!  That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you:  for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills--
The shining, shifting Sovranties of Dream.
Tim Knight Mar 2014
Beach, hotel,
One Direction and Bach.

Train ride, taxi connection,
Beer and other-language, confused information.

3 week realities and forgotten home-life mysteries,
Cat to feed, fridge to fill, neighbours to be neighbourly with.
coffeeshoppoems.com
Steve Page Oct 2016
Samarian oil
Samarian wine
On open Judean wounds
Bound by a Samaritan's hands
Never felt so good,
A salve to the national shame
Burning through the traveler's head.
Luke 10.  A timely reminder of what it is to be a neighbour.  It's not necessarily those you expect who show compassion.
Daniel James Dec 2011
The cold brought the snow
And the snow brought the ice
And the frosty town dwellers
And chilled out urbanites
Thawed out a little
With a raise of the eyes
An exhaled expression
A neighbourly - Y'alright?

A young woman
In unfriendly red
Comes cluttering
And skidding
Around the bend
I look up -
She pushes past
On her way to the station
But I have the last laugh -
It's closed, I almost shout
There's not even a sign
But if she manages to make it on heels
She'll find out in good time
Things move slower in the cold
And with good reason.
Anthony Williams Jul 2014
Moral pulls herself up
by her own bootstraps
on her high horse boots
with stir ups when I visit
and the rocking chairs
throw down newspapers
and stand to attention
in the name of Moral support
looking like we might be game
who holds the whip hand in this sport?

I straddle the fence
with her strict father
Duty
Duty gives the orders here
we try to carry them out
they're no heavy burden
not keeping mum Mercy
from being close
to daughter Moral
Duty is of higher rank
and gives Moral
direction
Duty sets the boundary
Mercy's bound to
follow
while Moral
carries the compass
and the compassion
of a conscience

Me?
I'm loyal
love enough
and
light enough
to jump the fences
with my own defence
Moral permits

This defence is
good for morale
but Duty is always on guard
for Moral
a perfect match
that can have
a deadly when ignited
bite to catch
those who are free spirited

When Duty's asleep
alone
he leaves a stern
guardian
off the safety catch
in Duty of care
for Moral
- Discipline

I must steal
this care
away
from the arms of Discipline
when Moral's involved
because Discipline
in the hands of Duty
would explode in the face
of neighbourly straying
should Duty do what he sees
fit
without Mercy at his side

But should Duty awaken
alone
to his Moral's
dilemma
I fear
his Moral Discipline
can be Merciless

Did we burn our breeches?
almost
we rode a city of them
chaste
off racecourse
to show
Moral Italy
by Anthony Williams
I write at night, it seems the best way
to deal with the horror of day.
Quietude, peace and darkness surround me
Clears my mind, focuses my thoughts.
Allows me to demonstrate through words
my understanding, of this, they call living.

Living in the light of day, means a lot of
shadow play, fake smiles, small talk,
neighbourly actions, following the rules
to keep you in your place.
Being friendly, making small talk, pretending to care.
When all you want to do is lock them all in a zoo.

Gossip, malice, neighbourly disputes, cars scratched
Dogs defecating, owners not caring, traffic noise
Kids shouting, parents shouting, horns blaring.
Pretence, grievance, affectation, keeping up appearances.
Front door closed, you realise that you're feigning interest.

Hypocrisy reigns during the day.
Pretension, feigning interest, losing your soul to the classes
the masses, paying lip-service to the day.
When all you want is the night and to be able to say
*******. Leave me to the chill calm of the night, and to write.
© JLB
31/5/2014
YOU ask what -- I have found, and far and wide I go:
Nothing but Cromwell's house and Cromwell's mur-
derous crew,
The lovers and the dancers are beaten into the clay,
And the tall men and the swordsmen and the horsemen,
where are they?
And there is an old beggar wandering in his pride -- -
His fathers served their fathers before Christ was
crucified.
O what of that, O what of that,
"What is there left to say?

All neighbourly content and easy talk are gone,
But there's no good complaining, for money's rant is
on.
He that's mounting up must on his neighbour mount,
And we and all the Muses are things of no account.
They have schooling of their own, but I pass their
schooling by,
What can they know that we know that know the
time to die?
O what of that, O what of that,
What is there left to say?

But there's another knowledge that my heart destroys,
As the fox in the old fable destroyed the Spartan boy's
Because it proves that things both can and cannot be;
That the swordsmen and the ladies can still keep com-
pany,
Can pay the poet for a verse and hear the fiddle sound,
That I am still their setvant though all are under-
ground.
O what of that, O what of that,
What is there left to say?
I came on a great house in the middle of the night,
Its open lighted doorway and its windows all alight,
And all my friends were there and made me welcome
too;
But I woke in an old ruin that the winds.  howled
through;
And when I pay attention I must out and walk
Among the dogs and horses that understand my talk.
O what of that, O what of that,
What is there left to say?
Mateuš Conrad Oct 2017
there is absolutely no hippocratic jurisdiction in psychiatry, i sometimes walked into the psychiatric offices, poked fun at psychiatrists for being callous sadistic *******, as one suggested: thinking out-loud in reverse: oh, he must have been abused as a child... psychiatry has strayed away from making a hippocratic oath... it actually doesn't have an oath to make: it has persisted with more harm than good, clinging to the notion that there is no summa totalis of the body, and medical psychiatry is to blame for this persistent infiltration of psychiatric lingo... you can't even begin to imagine how much it pissess of people who live in a secular society, to be strapped under an umbrella of "mental illness", while the jihadis are celebrated as completely "sane", psychiatry is the one branch of medicine that's persistently being undermined by the general public, for me, psychiatric materials are too readily available, is psychiatrists are the new priests of the secular age, i demand! i demand that psychiatry does what the church did once before, return to it being solely written in latin! too many ******* retards are abusing this branch of medicine, suddenly everyone is a ******* psychologists amateur, the jack-of-all-trades know how! ******* know ****! i'm this close | | to boiling point with respect to the degradation of psychiatry... reverse everything! start writing psychiatric works, solely in latin! give psychiatry some hippocratic credibility, sure, it's a hit & miss with the pharma side of things, but come on, give these people some ******* empathy, do what the churches undid, and write all psychiatric material in latin! the public doesn't have to know the complexities of this branch of medicine, because, clearly... it doesn't!

we live in an age where dialecticas is
not engaged with,
not even to the point where you can self-realize:
oh, right, i know absolutely nothing!
you can't do that these days,
you can't have that self-realisation -
that "demand" for a "consciousness" -
100 years ago people spoke of a *soul
-
that summa totalis of ****** mechanisations,
that eating some food and then
falling to sleep, and yet the organs working
their magic digesting the food...
yet people have replaced the soul
with a reinvented concept of
"consciousness"... the **** does that
even mean? a second awakening within
the first wake?
the brain is the only ***** that can't
truly experience itself unconsciously...
even when it is "unconscious" it still
poses the threat of dream theatre...
   i find that the summa totalis is
bordering on an a "soul" within this
membrane, in that:
  at least one aspect of our body can't
exactly become part of the summa totalis,
and become enclaved akin to
the heart during sleep...
or the stomach prior to falling asleep
while still managing to digest,
the brain can't be deemed completely
unconscious, otherwise how else would
you mind to state why light is trapped
and then projected, and we dream?
           dreaming, that "consciousness"
of the unconscious brain, and somehow
pulverised by the truth-bidding inflection
of the pentagram...
       god, i hate these sorts of poems,
i read a bit of heidegger and suddenly spiral
into this jargon...
  i abhor it...
           literally, it's about as enlightening
as turning on a lightbulb, minus the stereotypical
imagery surrounding an einstein moment...
more like that loony tunes moment when
the head turns into a donkey's head,
   or we see the dunce's hat appear...
elsewhere the capirotes march...
                     but then i think of mental illness
and the stories of the young,
and i'm genuinely worried -
   i was one of the first kids to own a nintendo
NES...
  yes, from the ages of 4 to 8,
my father was just a voice on the phone,
and the odd package of gifts from her majesty's
fair green land, notably the nintendo NES...
but being one of the kids, we still preferred
warm summer nights, hide & seek,
playing with marbles, walks into the woods,
picking strawberries coloured pale yellow
before being ripe, throwing potatoes into
fires, eating gooseberries, eating whole plates
of sunflower seeds,
                  i remember days when we had
neighbours, neighbourly women playing cards,
sitting till 11 talking outside the communist
concrete blocks...
that transition period, i.e. my childhood
has a knack of almost always reappearing...
   so i must be "mentally ill" for reading heidegger,
not many people do,
maybe i suggest something?
  learn biology / chemistry or physics to a degree
level before reading books like that...
it softens the blow of reading puritanical
humanism of, say, a novel...
        or poetry...
             and some people take holidays
to the caribbean, or take a cruise around
the norwegian fjords...
   or walk the great wall of ching ching...
   or ride a horse on the mongolian steppes into
the sunset, or ride the trans-siberian railway...
me? i take a "slingshot" back "home"...
get immersed in the native tongue,
  and finally! oh finally! manage to read a book
in the native tongue...
  i found that i'm a slow reader if i have
a book in polish, but can still hear english
on the television...
   back "home"? what a surprise it was for
my grandfather: he just threw bolesław prus'
book lalka into my lap one summer and said:
lap it up.
      and i lapped it up...
  point being, all these sights and sounds,
scents and exciting stories people have from abroad...
well... when i was in kenya,
i lounged, drank enough to fall asleep in
a hammock overnight and was not stolen by
the somali pirates, but someone did steal
my glass of cognac when i woke up the next morning,
then drank some more, and stayed in the shade,
played some ping-pong with a german,
chatted up these gorgeous ivory beauties of
the night, and chilled with macaque monkeys
on the balcony giving them nuts and sachets of
sugar, again, in the shade...
   i took one dip in the indian ocean and became
bored from the beach vendors pushing
****, drank some more, wrote a short story
for my grandfather about an elephant
           dunking its trunk into a bottle of whiskey...
drank some more, lazed in the shade,
read c. g. jung's western man in search
of a soul
- dedicated it, and gave it to one
of the german beauties, drank some more,
         laughed at a baboon with hemorrhoids
trying to sit on a roof once it raided the kitchen...
point being: what sightseeing i have when
i go back "home" is the language -
sometimes i read it, sometimes i might write,
but i definitely speak it,
  but reading it is like the tower of pisa
for me...
           this complete re-immersion of the 8 year
old kid that left kicks in...
        ooh, ant that -18ºC temp. of winters in poland...
to be honest, i never know why people
decide to go to tropical places on earth,
sunniest and what, in the middle of the winter
months, why?
      coming back must be a double ******...
why not go to somewhere where the winter
months are worse than from where you came from?
In my room, I hear raindrops
on my windowsill and  rush outside,
desperately try to stop
my jeans from soaking through to the inside.

In the garden, I can hear footsteps
from the neighbours,
“What a lovely day for it” he says - oh the depths
that his observation labours.

I look over the fence and see the bras
are hanging behind the jocks
in sequence, under my breathe I pass
a slight remark about the colour of my frocks (for the sexist lots).  

The beehive is so ironic,
neighbourly love is so platonic.
Rhianecdote Jun 2015
I see you're wary of my motivation for reconciliation
Maybe getting flirty with you the other day was a mistake but it was only a bit of fun. No vowel play -Don't stress it.

You're doing that thing where you're getting all weird and apologetic,
not replying for time, was a time I'd just think forget it

Cause the cryptic **** is frustrating,
but as times gone by, the emotions subside I find it a-cute-ly boring, bordering on comical.

Got me thinking dang this use to affect me like a rat invested rental - how did I let it?!  Sinking waiting for you to be blunt or upfront is like tryin to understand ****** -I'll never get it.

I know this now so don't sweat it, I expect no less, I accept it. If the convos dead it's dead, I've said it.

I merely seek to be reconciled with the situation so I can make my peace. I said my piece, put it to bed, it's dead rest in peace. Just tryin to love thy neighbourly, maybe get some more recipes: rice and peas.

Cause the most I'd hope for is friendship but I won't force it, they'll be no pleas and thank yous, it's true I missed what it used to be, I miss the person in you I used to see.

I don't know what it will be now; that times passed. I don't know who you are now; I'm not sure if I ever did but to resurrect the past is not the plan in all of this

So Let me reintroduce myself,
Hey, I'm Rhian
Let me Shake your hand
I know you hope for understanding,
I try hard to understand
But you don't always express yourself as best you can
I stress You can
Don't be afraid the clean slate
Will free your hands
Roll the dice
Tell me where it lands
If it's possible to
Reconcile as solo artists
With fond memories of our band

But if not

**Best wishes are still my command
Dear oh Dear , these situations do make me laugh. Its all gonna be alright
Mike Adam Jul 2016
Gentle rustle and
creak of bamboo

Far off soothing flute
and soft drum, gentle
mist caressing marsh

Barefoot monks pad
roads accepting simple
alms of curry, rice;
Blessings and incense
float on smooth air.

Sudden cacophony of
mynah explode the grove, a
steady chant bubbles under
the noise, some new symphony
of hunger below bloodshot sky.

Dogs militate exercise,
giving voice, cat slips in
knowing, paws daddy whiskers.

Hawking cough of the headman
announcing his non-demise-
neighbourly sighs.

Crab unburrows and scurries
aside from sand to lapping tide
to feast on volitional jelly who
come inshore to breed and die,
so many alien pearls strung
glistening along the strand.
Salmabanu Hatim Mar 2019
Whats app saved my mother,
I am truly grateful,
I always thought the app was a waste of time,
Never considered its usefulness.
On the contrary my mother was a big fan,
She had a huge list of people on her Whats app including me,
I never read her messages,
I was always busy travelling and making money.
Mother never complained,
I lived in a big bungalow with my wife and children,
Mum lived in a small apartment,
I paid her rent and all her bills by mail,
I never had time for her.
Her building had their own Whats app group,
Everyone had to be a member,
Sort of neighbourly bonding.
That day before mum passed out she  Whats app  SOS come ASAP.
Mum's neighbour who had an extra key of hers read the message,
She called an ambulance and mum was sped to hospital.
She was saved on time from a major heart attack.
Thanks Whats app.
They moved right in to the house next door
To our great regret, and pain,
It sounded as if they’d gone to war
Or the two were quite insane,
We should have kept right away from them
But did the neighbourly bit,
Went over and introduced ourselves
And watched them hiss and spit.

They couldn’t seem to control themselves
Not even in front of us,
If Jill had spoken to me like that
I’d have pushed her under a bus.
And if I’d shown her the same contempt
That Ray had shown to Liz,
She’d fly at me with a kitchen knife
Because that’s the way it is.

We left them there and we went back home
But appalled, with eyebrows raised,
‘Thank god that we’re not like them,’ we said,
Our relationship we praised,
They never stopped, we could hear them both
As they each tore each apart,
‘Why do they stay together that way?
It’s not an affair of the heart.’

We found that we had to go to them
On a crisp, September night,
They asked us both to adjudicate
After a terrible fight,
So I sat down with Liz, and Jill
Sat listening to Ray,
And after we got back home again
We had different things to say.

‘That Ray is the monster of the two,’
I said, ‘for he’s always wrong,’
‘That Liz is a shrew, I’m telling you,’
Said Jill as she sang his song.
We couldn’t agree on anything,
We even began to fight,
We had to agree to disagree
As I slept on the couch that night.

Then Jill took to walking in the park
With Ray as the nights wore on,
While I sat with Liz, here, in the dark,
And hugged her, while they were gone,
But never a word amiss was said,
You wouldn’t believe it true,
‘For Ray is a perfect gentleman,’
Said Jill, ‘and nicer than you.’

‘Well, Liz would have been my heart’s desire,
If I’d only met her first,’
The terrible jibes were steel and fire,
It seemed that we both were cursed,
And then came the day Jill ran away,
With Ray, and I slept with Liz,
I said that I’d love her every day
For that is the way it is.

A year went by and I saw Jill cry
When we met at night in the dark,
And I was miserable too, I sighed,
To Jill in the midnight park,
‘What happened to our relationship,
We seem to have come off worse,’
‘They’re both as bad as each other, Jill,
Meeting them was a curse.’

But there was never a going back
To capture what we had lost,
We’d been the tools of a pair of fools
And now were paying the cost,
For Liz flings terrible barbs at me
While Ray tears Jill apart,
We pay the price, and it isn’t nice,
It’s not an affair of the heart.

David Lewis Paget
Mateuš Conrad Mar 2016
to write against using paragraphs you prevent eye-strain, you increase speed of composition, paragraphs are what you might call the leisurely pace of writing, a promenade with a sun-umbrella, poems can never be written in paragraphs, they need the snap snap snap momentum, obviously unfavourable in times of printing on paper, not economic enough... well, digitalise my *** if you may, we're going to save the amazon rainforest this way!

the 21st doesn't really allow the perks that a 20th century
poet might have, first of all the typewriter has changed,
but so has the page you write on,
back in the 20th century you
lived and wrote,
in the 21st century you write and live,
back then you'd go to a cafe for
about ten days, or to a pub for seven
and talk talk talk, drink, talk talk talk,
play intellectual ping pong,
you lived and wrote,
you didn't write and live -
it's changed, everything has changed,
the pages are like brick walls
everywhere you and can see,
so you apply the rule: well, someone
might see it immediately, so it
must be graffiti rather than poetry,
because a. it's not really written in
public, and b. anyone can take it
immediately, on a random scroll through
this jungle maze of information,
yet poetry written in 20th century took from
the 19th etc. written with that glorious word
ah* or O, that wind of inspiraton, so light,
so breezy entering the heart... the 21st modus operandi?
the word **** **** ****, i.e. it's the ******
hoover dam cracking;
but the other thing is, you also have
the perks of a 19th or an 18th century writer,
a writer like Alexander Dumas or Balzac,
you have time, and you know you have
time to write prodigiously, you know
the audience is a niche of salon corset adorning
perfumed and pampered ladies,
with the gents reading the books to rid
yourself from the existential angst of having
someone bring you peppermint tea in the
afternoon while you lounged and tilled
the field of yawns and un-amusing gatherings
of, well, hardly ecstasy fuelled chorea minor
(st. vitus' dance) dancing raves...
but that's the thing, these days a constant
profile / presence is also a shady presence,
the background noise, ambient refrigerator noise
type observations of your own voice...
it's the 21st century after all,
we have a global world of mass tourism
and easy access to Turkey, Singapore or
Indonesia... but find our neighbour's house
to be Mt. Everest in terms of access...
impassable, well at least it's like that in England,
England and that damnable passive
voyeurism of neighbourly ordeals of staccato -
so you become a mole, you dig into
hades that your self becomes, and you expand
the horizons a little...
but still the perks of writing in the 21st century
is that you can speed up the publishing process
not really minding any material gain,
because, remember: in the 21st century
you write and live, it's not the 20th
century where you can live and write,
that's gone, it's like the idea of what Europe
used to be with free-movement of people
across the union, all the publishing wire fencing
are gone, you have to use this opportunity
to move quickly, use this opportunity,
otherwise it will suddenly disappear in the murk
of what writing used to be: the
ghoul of the infamous Vatican Index -
i mean it's still the early 21st century,
what of the end of it? history can be easily
condensed into an evolutionary theory,
pin-pointing dinosaur fossils and all that,
but i'm working in the framework of a range
of about 100 years, and the dynamics of a century,
nothing more, i'm being realistic like that:
as a poets' poet said: 'you know,
i want to become a philosophers' poet,
i want the shawl of even greater obscurity,
a mythology as it were, this paparazzi
***** and glitter of insect procreation speed
frightens me, i'm not the one for being
encapsulated in some sort of amnesia -
amnesia of the people, people's amnesia,
come one minute, gone the next,
i need to set a coordinate for people who
like to think.' and he was on the money, truthfully said.
people are always talking about all the futilities
of justice: but it's the 21st century!
makes no difference if you can't compare two
centuries and what we do that does not involve serving
our justice... the count of monte cristo always
said what was needed, start embarking on revenge
and your sought out justice will never end, for it
will never really exist, and you will not find
satisfaction in revenge, emotionally you won't,
but obviously cognitively you will, but certainly
not emotionally - since feelings have no aim,
whether in seeking revenge or in pardoning someone
for their idiocy or gluttony or whatever,
emotions are chaos, thoughts can become methodological
to the extent where you will gain revenge,
but up to a certain point, the point of exhaustion,
and then what? give your ear to zatara a while,
your emotions might surprise you, esp. if you're not
thinking out something, make your thought
a coordinate, and send out 360 vectors of the heart
where they please.
David Barr Jul 2014
Wisdom of an Aged Ally

Carry my archaeological parchment around this historical site of future predictions, where the
tombs of Anubis are a scent of confusion amidst this welcomed display of harlotry.
Blues music may be ******, as she communicates her utmost intensities with sensual hatred.
However, I have driven through canyons of ****** and violent fantasy, where the abyss is shallow and neighbourly death is sold to huntsmen who are vagrants upon the rail-road tracks of collusion.
Just think about that for a second.
Who are the hunters among us in this echoing swampland of sophistication?
Laniatus Jul 2015
Across silence
Rude stares
In equal measure
Provoking a quandary.
Voiceless words
And your invisible
Ink rests surely, printed
To my ear;
Likewise, in argue
And question
Our roughage will continue
To grow far over
Neighbourly walls and fences
To watch foxes
As they play
In the low sun:
Are you my fox?
Playing gestfully
Through the shaking weeds
Of deception in your heart?
I can write
Your ink, spelling your spell,
Juicing flower heads
Of their perfection.
No escape - all stems riveted
To the salty earths and float
As they're cut, like balloons,
Or spiralling rosettes, bleached
Then crisped by the sun
As your voiceless words stare
And watch my heart
Separate and drift away.
Fay Slimm Apr 2016
Oh vast bellied dome above sceptred earth,
you the keeper of light and dark,
revealer of crocus-star clusters, unfettered
moon-******, the vortex saluter
who sends us solar creation every morning
accept prayer's persistence.

Oh highway to space that, eternity sewn,
binds this great globe in waves
of sham separation to show humanity no
order can be restored without
crossing reef's barriers to regain former
secrets of paradise living.

Lost in terror of time we dwellers still war
against peace, seal fate by signing
for ego's supremacy, look at skin before
spirit so losing our neighbourly
natural affection which would open doors
to beyond mere existence.

Oh limitless silence of the above, sky-scape
of Heaven maintaining divinity
lies in forgiveness and understanding that
Love being but a whisper away
offers angelic assistance that, should we ask,
waits to make us alive again


*
so to you on behalf of the many I add Amen.
Steve Page Nov 2016
a reluctant sun -
new grass reaches up for warmth
with growing patience

parched earth and blue sky
glare at the adandoned pool
- elusive relief

dark leaden clouds -
soggy leaves and damp cold feet
are not my friend

snow trimmed fences -
heated neighbourly disputes
make lukewarm relations
A writing exercises for this week's writing class + coaching from my son prompted this.
Mateuš Conrad Feb 2020
i kept but one name-given namesake -
finally!
now it has become clear:
the german definite article -
die: implies definite article plural -
der: implies definite article singular -

i've become prone to german songs -
more than i'd like -
but i'd sooner die than have to recount
'hej hej sokoły' -
as the only folk song my ear was lent to...

an hour well spent:
a sudoku puzzle and some workhorse
germanic folk -
or listening the pearls and wisdom
of shane macgowan:
point being: the words come from
the tooth -
but only the french and the irish girls
can pull off... wearing short hair like
she'd be a boy...
perhaps those physiognomy details
of shy and porcelain:
faces that were only ever kissed
by the moon - the hair was was only
ever combed by the wind -
and she can come among the brothers
as a amber nectar gem ruffian in disguise...

sinead o'connor, alizée jacotey -
how the hell does tuba büyüküstün come
into the mix? ever so slyly...

bbc4 : 'when it was unpolular and unfashionable
to be irish in england'...
"unfashionable"? the drunken paddy -
the respectable ireland and its own...

conrad - conrad of masovia -
perhaps i just liked the names given unto me
that i chose not to be confirmed
at the brentwood diocees -
all whole lot of it: with a bishop clad in thistle -
the surname was always insignificant:
paperwork -
but at least the names allow you derive
meaning -

poor you alexander -
no minor roles to attach yourself to -
beside the glaring obvious...
st. levi: my former...

- i have only met one woman who ever
wanted to fiddle with my beard -
does it matter that she's my grandmother?
itchy fingers reach in and
pluck out a quartet of violins...

lie eines tambours:
die toten, die toten des regiments
(the dead, the dead of the regiment)

der tod in flandern:
der tod reit't auf einen kohlschwarzen rappe
(death rides on a coalblack horse)
in flandern reitet der tod
(in flanders death rides)
der tod reit't auf einem lichten schimmel
(death rides a pale horse)

teutonic marching party hum:
no wagner! murmurs and mumbling of disgruntled
baritone:
rataplan don diri don!
back from the east and there was
no cleavage to the british ways...
there was always the old one,
the alles vater of germanic roots and rot...
even in multicultural Loon'don...

but now know of the definite article distinction
in german:
der tod: definite singular...
die tod: definite plural... ja! jetzt isch sehen!

fa'lalala... fa'lalala... tamtaradej! tamtaradej!
niemec norweg duńczyk szwed!

a television - a phone no one rings -
all the blessings of the age -
better still - ghost in a skeleton suckling off
flesh - or staging: no soul welcome...
congested and freed from the loitering of
labour -

i would hardly imitate the irish as the dogs
of the british - sinking teeth into gaelic -
i would -
but since i do not have to...
i'd lend my ear toward speaking:
father german - of what this british brat
is worth...
father... alt-vater ßaß!
tease him, or tickle him...
give him a peacock as a gift for the missing
eye...
watch the crow zeppelins come knowing
how to knock...

i very much believe in a linguistic integrity
of a people - a language is beside the waving of
the flag - perhaps i am inclined
to skin of the supposed irish that do not
speak a word of gaelic: more so...
if they have tatoos on their skin?

the welsh have been given a strict overlord -
even though the english claim they
are the one *****-slap shy of donning
a gimp suit...
loud mouths from scotland...
but nothing in their native spreschen!
exfoliating "orthography" glaswegian...

oh but i would be willing to succumb to
this leprechaun sing-alongs...
i'm a workhorse of folk -
i need the drums and the vocals will do the rest -
no need for bagpipes -
or fiddling or dread the banjo...
old continent yawns...

who is the father of the english?
when the english start to... become too over-confident...
arrogant and atypical islander mentality that
doesn't borrow anything from the isolationism
of the Faroe Island people?
the forbidden fruit of the same language
being spoken "across the pond"...
unlike island dwelling people...
who want to be left alone...
strange... that so much media attention must
be given to a people:
that clearly do not want to be left alone!
who said the british didn't just generate
4 years of journalistic pay-cheques for
newspapers and other outlets?
stalling tactics... feeding tactics...
feed the propaganda hogs who will
gobble down anything and regurgitate with
an alistair cambell at the fore...

i was expecting to read some keneth koch,
listening to something beside german folk songs...
solving a sudoku...
and finally deciding... it would be worthwhile
to invest almost 30 quid in a complete works
of this poet...
one thing i've noticed...
the price of books has gone up dractically!
i once thought: paying 30 quid for heidegger's
ponderings VII - XI and II - VI is a bit steep...
but not all the poetry books i want to buy
cost just as much!

30 quid... em... that's almost a carton
of cigarettes...
and i've been hoping to save up to visit a brothel
and forget something:
of no immediate concern...
but poetry books were never this dear to buy...
i was rather spontaneous when
making a recommendation: kenneth koch...
perhaps i should read some more
before i buy this kilogram's worth
of compressed forest of a book...

but that's all the way into a tomorrow's
sitting before: this will never become
a Balzac 14 coffee work-ethic output...
writing: making sure the reader
has no chance to reflect -
nothing to introspect with or for...
then again:
what's any of this supposed to do
with: beside the reflexive?

man's transcendental love will never compensate
for the pragmatic love of a woman
in need for a, kettle...

shady lots of the unforgiving blue-snippet
of jazz and all the better:
that could happen that didn't originate
with british punk...
1960s screaming girls -
1970s and the boys could come around...

yeah, i've been to Ypres - where as pseudo-children
we played hide-and-seek trade-offs
in the trenches...
where the anglo-spreschen graveyards
have signatures: names -
and individual graves...
the german graves? the german graves
of 1st world war?
wilhelm! are you listening?!
apparently the jews were also
trafficed into the slaughter camps...

i have stood in the graveyards
of the germans - the en masse graves sites -
i have witnessed the silence of these graves...
camaraderie of the dead...
nothing of which the english
would ever learn...
in the graveyards
of a "communal"...

the mass graves of the fallen german
"hitlerjunge"... alles im schwarz...
keiner im khaki: senf hinter abendessen!

i stood in the graveyard of the world war
german en masse graveyards...
no sparrow will sing: when the dead sing among
each other...
i will not visit the slaughterhouse
of auschwitz... the cow-towing...
i will not bow before those that were naive...
but i will nonetheless...
succumb to the idiots...

and the Helmut: die eisenhelmkopf: knock-knock...
echo? echo?
among the english...
one is supposed to reach toward
loving the german
(then again one isn't);
feeling indifferent to this lot...
not being quiet the h'american expatriates
they could have been...
old father sax...

the world can heave: settle for the concentration
camps...
i must savor the bounty found in
german en masse graveyards from
the first world world war
if any slaughterhouse is willing to open
its gates to an esque auschwitz...
so be it... but the graveyard
to the youth of germany, wilhelm youth...
camaraderie: freundschaft-im-tod

mutter-tod!
i need not see the concentration camps,
i've seen the graveyards of germany from
the first world war...
if you've seen one sardaine crammed closure
ground...
and the silence...
what does it matter, regarding the people
so naive?

vier! 4th! alternatively: fear!
the mass graves of the youth under Wilhelm
in the vicinity of Ypres...
that acidic silence...
piquant...
and i am supposed to visit the concentration
camp the slaughterhouse?
what will always die
with being naive... trust... and love...
and disinhibition and...
lingua franca ergonomics of
selling stale wood in the form
of antiques...

i know one way of failing to integrate
into english society...
look down... learn some german...
learn what the old father spoke when
he started to brew these unforgiving children
of the chandelier maze...

i'll be singing these germanic folk songs...
x-ray flag of cornwall -
teutonic - black cross upon the white flag...
muslims nearing jerusalem -
old pagans of lithuania
remnants of the golden horde having settled
in ukraine's crimea -

best felt: of what it feels to be alive,
in england...
tinging the old ****** with a dalmation specker
full blodied worth of:
zee ols: germanicus inhibutus -
because there's not need for *****...
as far as the british go...
in... ***** first: welcome! the conquering
par'tayh!

******* soft-ball dodgers and ****-*******
pinzetteblödsinnausweichmanöver:
ease a coming... you *******
weiser herr misers!
lovecraftian video vermont
aenemic *****-liquor...

poetryfoundation.org poet:
is he / she dead?!
they're dead? they're dead?!
oh thank god there's a dead...
and body worthwhile to **** with...
because safety... safety...
and no bit of h. h. holmes
will ever grace the pish-poor pasrty...
party... oops...
******* yankies...

horror is a fetish...
poor croat poor yugoslav...
unless you mention
the serbs and the balkan "muslims"...
high-brow expectation -
until i am willing to meet
not meat...
my fore-bride... death...
honk honk!
i am more than willing top die
via the swizz affair than all this,
******* fawty towers agony...
pristine and puritanical...
the living better excused to live...
enough to buy them life insurance...
and, otherwise... the remains of
dead willing to pop the cork...

the sane always have their: two pence shave
worth of flip: they know-it-how...
the sane will alway know what to write
about insanity...
problem? when the insane write about sanity...
and the mole-hills and whatever it left
becomes the windowlicker down-dyndrome
chop-suey "oops"?
retro-****: or simply: re-...
the sane have authority over the insane...
what happens when the insane have a crab-bite
on the concept of "sanity"...
people elsewhere also die... no?

sanity that requires grey-matter peep-show
peoples to run miles for:
the dying auntie and her cancerous loved-up
"french"...
the sane speak of the insane
i almost forget: the insane would never
speak about the sane... because...
it's nostalgia: papa roach:
between angels and insects...
as dostoyevsky said:
for angels... the sight of god's throne...
for insects... something associated with
succumbing to soap opera and itchy ***
disinhibitions...

why would i visit these concentration camps?
living in western europe first world war
was more important than the 2nd world war...
i've visited a german world war I mass grave...
why would i subsequently visit
the remains of a concentration camp?
a site near Ypres where no sparrow
will cling to branch or to song...

for no reason: don't tease... stop teasing...
if you life is all mud and mediocre and
soap opera... stop teasing!
i will not visit a concentration camp...
appeasing the hebrew...
only when... the graveyard of the en masse
dead of german youth is visited from
the 1st world war...
where... bullet, mud...
fingerprints not welcome...
citizens non-anon...
auschwitz and death the addressee...

the sane and their stipends concerning insanity!
but then one diagnosis falls foul...
and the straitjacket jack starts speaking...
oh! oh then!
the usual story...
the usual *******-become-bells-and-church-uvulas...
and the rest is just a cry, a sigh,
a boring reminder of the british raj...

learn some german...
the peasants will retain theirs with some velsh...
and that's how you
react to be... "leisured with a caption
of being measured via
the focus of having a father"...

liebe: zu nicht lassen gehen...
liebe: das alles ich können behalten!

i rather speak some german on these isles...
this is not ******* h'america...
this is the old continent..
england serves for *******'s worth of nothing
when it is excused to speak german...
while english is relegated for chinese tourists...
and... the faroe island farmers of sheeps' **** and wool...

it's not like you'd expect to become welcome
these days, or any other days...
as a tourist or as a ******* trader...
of "goods"...
made in chine is the broker's deal to begin with...
on the broken bone signature...

i too thought the english were prized on
giving stipends on how:
how to best keep things cordial...
champagne, oysters... the eton mess...
a good round of polo and ******* wacking...
no?

i do admire the early exits of the suicide prone...
i would too...
but i do crave... for the platic 20 quid banknote...
and what would become of charles III
should he chose a different name...
and i really wish that lizzie lives her most...
but then... her current grin is already
tombstone... and she...
well... she's bothersome in that she's pradictable...
and that's boring and bongo-bongo boorish...

****'s sake: two popes teamed up to try
and topple her off the throne and play snooker
into a dead-8 with her crown...
better speak some german: for jokes...
among... the british... that did live through
the 60s of the 20th century...
but... will never relive the same cushioning
of history to somehow "compensate"
the rolling stones dinosaur of the:
most welcome pensioner rock & zimmer framers...
roll with that sort of shaky stephens
park-on-eire-n-son?

just drop the delayed nuke...
we're all done and b.b.q. readied
recounting what's interpreted as "trauma"...
superiority / the messiah complex
of the english...
but you speak a word of german...
you think a word of german and...

do these people care, to, remember,
their, natural, neighbourly...
competitive streaks with the fwench?
it's just like "us"... the polacks with the russians...
with the germans...
i too thought that the ukranians were
better represented by competing with
leftover mongols of crimea.
Satsih Verma May 2018
Hurting yourself,
You won't say anything about
falling notches. It bruises, it
bleeds.

You will condole,
and like sundew, trap my poems
in backfoot.

Explicitly I will ask,
never stop crying.
Your neighbourly pain will descend.

Its lips become *****,
when ****** expression of moon
alters.

I want to change
my religion, drumming up
the nuances of refusal.

It wrongs you,
when an acceptance,
means never.
Mateuš Conrad Aug 2017
for so many people who claim to
be living,
   well... i see them as often as i
might see the dead,
or pay my "respect" before their grave;
and when i do see them?
i'd prefer seeing a ghost
to be honest.
gravestones are more easibly
fathomed / digested,
than neighbours you haven't seen
for years while living next to them
for years,
but who you nonetheless acknowledged
by taking their large packet mail...
sure as ****, these people
claiming to be alive,
   are but a hair's width away from
being claimed, dead;
if this is life? please send me to the crematorium:
prompto!
   even my retired communist party
grandfather speaks out-loud
dementia-esque: this is not the sort of life
i'd like to live...
  let alone retire into with a pair
of loafers... now, that's telling...
      a retired communist says this,
what's the retired capitalist going to say?
ka-ching?!
       like **** he is,
he's only going to do what every capitalist knows
what to do... i.e.? panic!
watch him... he'll turn all schizoid and
make insinuations of owning what he owns,
+... a tapeworm eating at him.
oi! oi oi! lucy! you forgot
to attach the feral?! ladies & gents,
  we can now claim to have opened the first
gymnastic zoo!
  guess where we send the mental health
children... dunno(h) to be honest,
better ask rudolf höss -
thing is, that always bugged me,
is that faking diacritical arithmetic,
saying i, can't count?
     huss, hooß? surely... shapren sherven...
are the germans are ******* with me
given the umlaut count
and the pre-existing latin grapheme of œ?
seriously, stop ******* with me,
i know you say it as: rudolφ hehß...
yep you curl the omicron out of existence...
english do it all the time with
their surd "diacritics" of certain letters
- (e.g.? gnome gnostic diagnostic - oh look!
here it pops up!) -
H = scissors for graphemes,
great jewish invention, by the way;
very much avoidable,
           although, not this time, k.k. k, o?
never know how it goes...
o.k.? or k.o. - he's on the floor, he's not
asking, nor exclaiming,
              just call it the comatose stop.

in summary: for so much claim to life,
i see my neighbours and nothing beyond
the rescue of pre-maturely residing in
a grave,
    and as all sober people have it:
no worthwhile epitaph to mind,
unless it be a copy & paste story,
and some obscure date,
   in that famous copernican non-linear
sense, minding an inclusion in
the neo-communism that's apparent
within the content of history;
      history is the new communism,
can't you see it?
       we are already enrolled in minding
it...
     go on, wave, ola!
     say hello to the new communism
that's the study, and transcending the study
of history...
      oddly... i always thought
of history as an appetite for hoarding,
and car-boot sale markets... in french
that's called flea markets...
  useless junk, celebrated with victorian grandeur
of sombre + black;
sure as ****, for those claiming to be alive,
in neighbourly-talk,
the dead feel more alive than these
******* zombies, invisible to their shadow,
or casting none, for that matter;
curse of narcissus translated by
the curated non-existence of a mirror:
vampires and the lost visage in a mirror,
  these zombies and the lost shadow;
if vampires cast no reflection in a mirror,
zombies cast no shadow, with either
the sun's or the moon's array.
Aditya Roy Nov 2018
Years go by
She lives under
The starry skies
The cloudless nights
Chiming with the hives
The bees and the honey
Tired of the honey
Stick to each other

Neighbourly time flies

Pass by afraid of the Hive
The queen bees
Stick to their workers
Looking to them taunting
Them to pledge
Their soul to
Construction
And contiguous noise

Pressed against the wall
The Queen
Rides the comb and
The hexagon
Keeps the Beauty
Of shapes and shades
Of the iridescent
Inured By the work
The Overworked
Kills
The
Hexagonal Ruler
Protecting
His fellow bees
And retracting
From socialist fray
He and she run
With the trade
Used run for the trade

Now brilliant silence
And only
Silence of the beasts

In a dark forest
Ending the synergy
There is only frenetic
Reverence of the fastidious fleas

Reference to The Title
" Power is ultimate aphrodisiac"-Henry Kissinger
It matters not where
your bones lay
or your dust settles

Fond memories of
happy times and
neighbourly deeds

Judge your time and
the value of your life
(before lockdown)

glad to hear you got out
yesterday in the air
as did i

a spring day here too
on the top deck all the
way back from aberystwyth

i felt odd after being home
so much this winter

seems most folk were
the same and came
all chatty and neighbourly

the scone was perfect and
the baker insisted i had
extra butter
and a chat about
local, seasonal foods
and i thought of you
as my teeth slid into
yellow saltiness

the gold shop done closed
guess folk haave less money
here
now

maybe you will find a better
job, more suited to your
sensiblities

with windows
to see outdoors

glad you out to ride
your bike

light already
Stevie Nov 2020
One night, My father told me,
That one day son you do something,
That changes your life,
Start of the change,
Use the voice,
Use your rights,
and others will fellow,
and see the light,

Praying to the lord,
having visions of a promise land,
Pledging our allegiance to our country,
Make it great once again,
Destruction created by hand,
Crying about something that you,
want to change, but do nothing about it,
That stuff if like a child school so elementary.

Straight or LGBTQ Community,
Culture, Race or Religious,
Wear it with Pride,
There nothing that is Privileged,
There nothing that is wrong or right,
Love will be, We are just one,
Stand and be you,
Without Hate, Offensive,
Just love and bring peace,
This is the Human Race,
Welcome to one heck of a Ride,

Violence, Protest and Looting,
Police, Culture, Racism, Community shooting,
Hospital bed, Body not clotting,
Dead are rotting,
Screaming about Slavery,
Refusal to live in mostly white communities,
That not very neighbourly,
We are the coloured skins,
just want to be accepted,
But we don't want to accept you,

Homosexuality is natural,
Religions, Homosexuality is a Sin,
Our love never lies, it pure and factual,
We knew what we feel within,
You are homophobic with that bible,
Why can't you just hold us,
Accept us and be with peace,
We can't accept you cause that,
is the lord's word,
Screaming at each other,
forever and a day,
That the way, this stuff will stay,

Straight or LGBTQ Community,
Culture, Race or Religious,
Wear it with Pride,
There nothing that is Privileged,
There nothing that is wrong or right,
Love will be, We are just one,
Stand and be you,
Without Hate, Offensive,
Just love and bring peace,
This is the Human Race,
Welcome to one heck of a Ride,
(april 2020)

..day19..

i have read back over my time

find

i repeat myself





maybe it is the routine

that came

the same

most days





except the plane does

not come over and

there were three geese

this morning

not two as before





we have gotten neighbourly

leaving the errands on the

bench outside



the fire burned hot

melting the trash bag



we walk

we look

we wait

we work





i spoke to him yesterday

he is running out of coal

i am told the local council

group will help in this

situation james





he remembers the war

james





not involved really

1234

— The End —