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"naturel" poems
Surely you, Jester. Unduly-expressed. Lambasted, insulted. Abrasive ... au naturel? I think... Surely not. Unless, Had the aforementioned not just the will to rip through my throat,  but too the audacity to penetrate the inclement root you call heart. Well, I had made my decision. and lo! I would have stood by it too; had my own form of insecurity been given the chance to wilt. Not further admonished on how to think. how to act How 'one' should primarily be. Instead I lie bludgeoned, berated; and by the very thing that antecedently spurred   a cascade of unsophisticated giddiness. That too was far from the cry of a Devil-may-care persona. I would almost weep the lost opportunity,   Whereas I should simply, and most ardently Just be.
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Sep 10, 2018
Sep 10, 2018 at 1:56 AM UTC
An ode to this one impression, savagely snuffed before its prime.
Babies au naturel attracted you, I could tell they never lacked your attention caused many an ******** This illness has taken its toll my ***** in doctor's control they suggest I lose both slice cancer at its throat Will you still want me dear? its one of my biggest fears I know it's to save my life but will you still fancy your wife?
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Oct 14, 2013
Oct 14, 2013 at 5:10 AM UTC
Babies (Breast Cancer Awareness Month)
the grit courage of trust still too young and now, too old, to comprehend, love~trust and all its secondary derivatives, not extant on a plane of new bed sheets of silk~linen tablecloth rectangularity go into the park's garden; black soil fingernail coating awaiting, impatiently for you, dig in direct hands ungloved is it not, sensual and yet gritty, two coextensive sensations? slip inside (you/me, me/you), there is a razor's edge duality duty, trust, serve and protect, take and handle with rough-care, for this our state of beauty au naturel, the rush and the fall, the climb and the conquering, only to start again, each step, each rung, coated with the the grit courage of trust -                                           do you begin to comprehend? trust is a bumpy landing on a glide path that is strewn with potholes that can grow into sinkholes without the grit of trust the soles of my feet are a message, gritty from walking all-life, not just the edges, is a two act play of roughening, upon the limbs the things,   that carries us ***** but bares the wearing of unkind touches of reality working us over why the soothing, but not the smoothing daily twice is the cream that emerges from the grit courage of trust even the vinery's progeny of great love, grapes that must embrace the wind and rain, the wearing down tools of the exterior that brings an acknowledgement -                                                             do you begin to comprehend? this is not an algebraic formulaic solution solvable problem, this derived from dirt, access to accidental, the tongue and the nail, the cracks upon the skin, that grow wonderful deeper, unfillable, where the love gets in, were the words are written and stored, rough to the touch, under the grit courage of trust -                                                        do you begin to comprehend? this grit is unbelievable beautiful   only a love po-em.       5:22am
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Sep 22, 2017
Sep 22, 2017 at 10:09 AM UTC
the grit courage of trust (a love poem)
the grit courage of trust still too young and now, too old, to comprehend, love~trust and all its secondary derivatives, not extant on a plane of new bed sheets of silk~linen tablecloth rectangularity go into the park's garden; black soil fingernail coating awaiting, impatiently for you, dig in direct hands ungloved is it not, sensual and yet gritty, two coextensive sensations? slip inside (you/me, me/you), there is a razor's edge duality duty, trust, serve and protect, take and handle with rough-care, for this our state of beauty au naturel, the rush and the fall, the climb and the conquering, only to start again, each step, each rung, coated with the the grit courage of trust -                                           do you begin to comprehend? trust is a bumpy landing on a glide path that is strewn with potholes that can grow into sinkholes without the grit of trust the soles of my feet are a message, gritty from walking all-life, not just the edges, is a two act play of roughening, upon the limbs the things,   that carries us ***** but bares the wearing of unkind touches of reality working us over why the soothing, but not the smoothing daily twice is the cream that emerges from the grit courage of trust even the vinery's progeny of great love, grapes that must embrace the wind and rain, the wearing down tools of the exterior that brings an acknowledgement -                                                             do you begin to comprehend? this is not an algebraic formulaic solution solvable problem, this derived from dirt, access to accidental, the tongue and the nail, the cracks upon the skin, that grow wonderful deeper, unfillable, where the love gets in, were the words are written and stored, rough to the touch, under the grit courage of trust -                                                        do you begin to comprehend? this grit is unbelievable beautiful   only a love po-em.       5:22am
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56
I can do this too, when I'm not au naturel And trying to beat all of your @sses with how well I make the gentleman, how excellently I am the imp, How swell I step, dancing, aside, how terribly I simp - Sometimes catch me getting back and giving the barman a chance - I heeded their call; I washed off the day, and stepped into a trance Of raspberry, rose and sandalwood; I donned my blue and pink silk, And my black boots, tights and blazer - She's got style; And in that ilk I also painted my face, with blues, whites, pinks, blacks, golds And it was late when I stepped out, and in the very holds Of the night that a lady like I should find terrifying, but I walked The quarter of an hour to the Silk Mill; talked For something more like four or five, Face sharp, hair artfully mad, alive In every sense, aided by the fine cocktails in this student setting I could enchant all in four languages, and I did, forgetting For a bit that another one of my faces I believe to be repugnant: Because it begs for attention; and my current, commanded it Because I came expecting nothing, and asking nothing, And I quite frankly didn't give a d@mn about much of anything, But if I wasn't very much a part of the room, and very much she Whom every boy needed to speak to, and would ideally keep the company Of, if that wasn't I Then every lie's a truth, and every truth, a lie.
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Mar 20, 2022
Mar 20, 2022 at 11:15 AM UTC
Go on, flirt with me
the server (waiter) raps praise upon the sushi, its integrity, the harmonic of its construct, the curated singularity of each rice grain the innate elegance of the thin sliced, nearly translucent, au naturel, organic, ginger root the skin smooth paste of green wasabi, grown naturally along stream beds in mountain river valleys in Japan genuinely puzzled, when he, the old erstwhile poet unabashedly weeps before all no hero he, just an overcome one, his tears flavoring his food mourning the celebrated abuse of his verbal children, those natured nurtured babes the stuff, the words of his definition each weird word, loved for their cultured, unique quality of their history grown in languages's perpetual petri dish asked if something was a matter, answered yes, "this plated performance, such an extravagant essay on the beauteous wonder of life's bounty, left me wordless" and she, burst out loud in laughter
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Aug 12, 2017
Aug 12, 2017 at 8:03 AM UTC
languages's perpetual petri dish (the words of his definition)
The Summer Alphabet of Woman Every summer, I learn a new language. Every winter, it departs for warmer climes, And its charms and naked arms, its own alphabet, clean forgot. Multi-lingual in the summer's peculiar One language, one aleph bet, But mega-millions of dialects, Know them all cold, know them all, hot. I speak Woman. Summer is soft, shapely, sweet, Clean, bare, lush in a sparse way, And Woman is spoken thusly. There are no harsh sounds, Guttural exclamations, nein! I speak Woman. There is no ugly in the summer. Ugly being an ugly word.   It cannot exist in an atmosphere of Sun, greenery, sand, carefree days, vacations, no school. There are no ugly women in the summer. I could take this writ many places, But if you are sputtering sexist or other labeling words, Could not give a good god **** because in the summer, There is no ugly, there is no prejudice. And I still speak Woman with an almost perfect fluency, au naturel. Gym clothes, short shorts, A-line skirts swishing in the breeze, High, god, so high the heels, flats clip clopping, flip flopping all over my heart, But, it is the bare arms and the hints of summer Cleavage, the short skirts, body hugging one piece fabrics stretching from here to down there that does not Hint, the shoulder strap of the underthings that asks, that commands me, to wonder where it leads too... Even the light wrap at night mocks me, Like gift wrapping with a smile demure...a teasing blindfold... All these say: Write us poetry in our very own tongue, Woman. Will oblige. I curve with curve of the ***** and invert with  S arc of the waist, Mystifying, how it is the designed place For my hands to grasp, and never fails. The crayola colors of flesh variations, Boggle the senses... How can tan  and pale, Dark and Light Have so many Symphonic variations? Adagio, slow and leisurely, a pas de deux For two eyes, then a Timpani crash and thunder, as Byron wrote, "music arose with its voluptuous swell," Yes, swell...swell...swell Enough. My eloquence, no match for my Fluency. Late August, and my vocabulary is already Diminishing. I forget how to say in Woman *Without you I am nothing, With you, I am more than everything,* Tho I can no longer say it, It is is still true and Beyond belief.
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Aug 22, 2013
Aug 22, 2013 at 12:36 PM UTC
The Summer Alphabet of Woman (I Speak Woman)
The Summer Alphabet of Woman Every summer, I learn a new language. Every winter, it departs for warmer climes, And its charms and naked arms, its own alphabet, clean forgot. Multi-lingual in the summer's peculiar One language, one aleph bet, But mega-millions of dialects, Know them all cold, know them all, hot. I speak Woman. Summer is soft, shapely, sweet, Clean, bare, lush in a sparse way, And Woman is spoken thusly. There are no harsh sounds, Guttural exclamations, nein! I speak Woman. There is no ugly in the summer. Ugly being an ugly word.   It cannot exist in an atmosphere of Sun, greenery, sand, carefree days, vacations, no school. There are no ugly women in the summer. I could take this writ many places, But if you are sputtering sexist or other labeling words, Could not give a good god **** because in the summer, There is no ugly, there is no prejudice. And I still speak Woman with an almost perfect fluency, au naturel. Gym clothes, short shorts, A-line skirts swishing in the breeze, High, god, so high the heels, flats clip clopping, flip flopping all over my heart, But, it is the bare arms and the hints of summer Cleavage, the short skirts, body hugging one piece fabrics stretching from here to down there that does not Hint, the shoulder strap of the underthings that asks, that commands me, to wonder where it leads too... Even the light wrap at night mocks me, Like gift wrapping with a smile demure...a teasing blindfold... All these say: Write us poetry in our very own tongue, Woman. Will oblige. I curve with curve of the ***** and invert with  S arc of the waist, Mystifying, how it is the designed place For my hands to grasp, and never fails. The crayola colors of flesh variations, Boggle the senses... How can tan  and pale, Dark and Light Have so many Symphonic variations? Adagio, slow and leisurely, a pas de deux For two eyes, then a Timpani crash and thunder, as Byron wrote, "music arose with its voluptuous swell," Yes, swell...swell...swell Enough. My eloquence, no match for my Fluency. Late August, and my vocabulary is already Diminishing. I forget how to say in Woman *Without you I am nothing, With you, I am more than everything,* Tho I can no longer say it, It is is still true and Beyond belief.
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71
I believe in myths. Every naturel blonde was first someone else.  By that I mean, she was known as Norma Jean, maybe Katy, in high school (see reincarnation below). My teenage glory days, when I was the king of cool, will revisit when I am 75 years old, the man-in-demand (wink), wearing his lucky wide cord corduroys and letting my man-bun, all the way down, at the prom in the senior citizen home, getting lucky, say once a month... God, yup, after all, ***** cometh to me regular-like, when he needs a poet~father to take his confession, and pays me most excellently for refusing him forgiveness, with the most excellent poem suggestions or lesser valuable things. Love at first sight, of course, happens to me all the time, twenty, thirty times when I am walking home.  I tell ya, it's exhausting, the stress of living in the big city Not only will I win the lottery someday, will take down both,  Powerball and MegaMillions, in the very same week the odds for which there ain't enough zeroes in HP's servers. (See God, above). Reincarnation. One time they Hale(d) and then hanged me (my "namesake") and I said: " I only regret, that I have but one life to lose for my country."  Well, the selfies all show oh-boy-o-boy, was I ever grinning and winking. Only boys are bullies, girls get off easy, by getting called just mean. One day my city's teams will win the World Series, the Stanley Cup, the NBA Finals and the Superbowl all in the same year but only after I die and me, well, only after they will have buried me in Wyoming or France, just for spite, and nobody will hear me screaming. My children will speak fondly of me even after they find out I died broke, well maybe not fondly, but they will most definitely call out my name, regularly. After my demise, all the typoes in my poems will magically disappear. All these good things will come to fruition, because I am a believer, and walked the humble path. The autopsy will also show that my tongue was permanently stuck to my cheek.
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Sep 22, 2017
Sep 22, 2017 at 3:32 PM UTC
I believe in myths
I believe in myths. Every naturel blonde was first someone else.  By that I mean, she was known as Norma Jean, maybe Katy, in high school (see reincarnation below). My teenage glory days, when I was the king of cool, will revisit when I am 75 years old, the man-in-demand (wink), wearing his lucky wide cord corduroys and letting my man-bun, all the way down, at the prom in the senior citizen home, getting lucky, say once a month... God, yup, after all, ***** cometh to me regular-like, when he needs a poet~father to take his confession, and pays me most excellently for refusing him forgiveness, with the most excellent poem suggestions or lesser valuable things. Love at first sight, of course, happens to me all the time, twenty, thirty times when I am walking home.  I tell ya, it's exhausting, the stress of living in the big city Not only will I win the lottery someday, will take down both,  Powerball and MegaMillions, in the very same week the odds for which there ain't enough zeroes in HP's servers. (See God, above). Reincarnation. One time they Hale(d) and then hanged me (my "namesake") and I said: " I only regret, that I have but one life to lose for my country."  Well, the selfies all show oh-boy-o-boy, was I ever grinning and winking. Only boys are bullies, girls get off easy, by getting called just mean. One day my city's teams will win the World Series, the Stanley Cup, the NBA Finals and the Superbowl all in the same year but only after I die and me, well, only after they will have buried me in Wyoming or France, just for spite, and nobody will hear me screaming. My children will speak fondly of me even after they find out I died broke, well maybe not fondly, but they will most definitely call out my name, regularly. After my demise, all the typoes in my poems will magically disappear. All these good things will come to fruition, because I am a believer, and walked the humble path. The autopsy will also show that my tongue was permanently stuck to my cheek.
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22
~ Gumby, Wood Woodpecker and Me ~ somewhere in the mother lode of a thousand poems scripted, lies a pen-pained tribulation, an old ode, to the taming of the shrew, the shock and awe of my new born, slept-on hair mode Ogdiddy, she says, rise up quick! thy self to the mirror dispatch, see what god hath wrought upon thy head this brand new morn blessed am I, at this late stage, in posses of a goodly and shocking amount of hair au naturel each of my body's parts has a mind of its own, my hairs, each one a different opinion and resultantly an amazing new creation born come dawn sometimes straight up like Gumby she quips, sometimes a shocking tail to one side in the style of one Woody Woodpecker, she mockingly cries! and on and on each daily a new cartoon characterization proposition, until one day in feigned wrath I do reply *just you wait Mrs. Higgins, just you wait, you will rue the day my do will be best described and descried by you as akin to that of one known as SpongeBob SquarePants*
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May 13, 2017
May 13, 2017 at 9:01 AM UTC
Gumby, Wood Woodpecker and Me
Le nom du court métrage c'est Miction Première. Le personnage: un homme nu. On ne voit de lui que ses deux membres du bas et son membre viril Les décors : une chambre de jeune femme bourrée de livres sur l'art et les oiseaux Un matelas queen size sur un lit en bois verni couvert d'un drap rose et deux oreillers roses Au mur un tableau On entend le bruit des pales d'un ventilateur. Près de la fenêtre un fauteuil en velours rouge. La lumière de la nuit filtre par les persiennes. Une armoire occupe tout le pan du mur à côté de la porte de la chambre. Cette armoire possède un grand miroir. A la droite du lit il y a une table de nuit ou se trouve un portable branché sur son chargeur. Juste à côté de la chambre c'est la salle de bains close par une porte Dans cette salle de bains il y a une ****** italienne, un évier, une cuvette d'aisance, un bidet. Les murs sont en faïence bleue. Le script: Il est entre trois heures et trois heures et demie du matin Un homme se réveille et saisit son portable. Cette lumière éclaire la pièce et donne l"heure L'homme qui était allongé sur le côté est désormais allongé sur le dos. On ne voit de lui que son sexe qui frétille dans un demi-sommeil au-dessus d'une forêt de poils blancs Sa peau est aussi noire que la nuit est bleue. Il dort nu, se lève. Et se dirige vers les toilettes en tâtonnant Il allume la lumière qui inonde la pièce. Et se présente au-dessus de la cuvette Où il satisfait un besoin naturel. Il pisse en un long jet de 45 secondes Colorant l'eau transparente de la cuvette D'un jaune mordoré On entend clairement le bruit d'un ruisseau ou d'une source qui se déverse Puis la chasse est actionnée Et on voit le sexe qui palpite pendant que ses eaux disparaissent dans la fosse septique Tandis que perle la dernière goutte d'urine.
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Aug 21, 2019
Aug 21, 2019 at 6:01 AM UTC
Miction première
Le nom du court métrage c'est Miction Première. Le personnage: un homme nu. On ne voit de lui que ses deux membres du bas et son membre viril Les décors : une chambre de jeune femme bourrée de livres sur l'art et les oiseaux Un matelas queen size sur un lit en bois verni couvert d'un drap rose et deux oreillers roses Au mur un tableau On entend le bruit des pales d'un ventilateur. Près de la fenêtre un fauteuil en velours rouge. La lumière de la nuit filtre par les persiennes. Une armoire occupe tout le pan du mur à côté de la porte de la chambre. Cette armoire possède un grand miroir. A la droite du lit il y a une table de nuit ou se trouve un portable branché sur son chargeur. Juste à côté de la chambre c'est la salle de bains close par une porte Dans cette salle de bains il y a une ****** italienne, un évier, une cuvette d'aisance, un bidet. Les murs sont en faïence bleue. Le script: Il est entre trois heures et trois heures et demie du matin Un homme se réveille et saisit son portable. Cette lumière éclaire la pièce et donne l"heure L'homme qui était allongé sur le côté est désormais allongé sur le dos. On ne voit de lui que son sexe qui frétille dans un demi-sommeil au-dessus d'une forêt de poils blancs Sa peau est aussi noire que la nuit est bleue. Il dort nu, se lève. Et se dirige vers les toilettes en tâtonnant Il allume la lumière qui inonde la pièce. Et se présente au-dessus de la cuvette Où il satisfait un besoin naturel. Il pisse en un long jet de 45 secondes Colorant l'eau transparente de la cuvette D'un jaune mordoré On entend clairement le bruit d'un ruisseau ou d'une source qui se déverse Puis la chasse est actionnée Et on voit le sexe qui palpite pendant que ses eaux disparaissent dans la fosse septique Tandis que perle la dernière goutte d'urine.
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28
Tu voudrais que j'improvise Les chemins qui mènent au septième ciel Pour notre prochain congrès Que je vienne les mains vides Sans notes ni croquis Pour te couronner reine et courtisane. Mais demanderais-tu au peintre de venir à toi Sans son pinceau, ses fusains, ses tubes d'aquarelle et son papier canson Ou au photographe sans son posemètre, son trépied et ses filtres, son appareil photo et ses objectifs Et un auteur de théâtre pourrait-il officier sans donner des indications? Des orientations, des pistes pour que les acteurs puissent mieux jouer leurs personnages Eh bien moi je voudrais écrire de concert avec toi les didascalies de notre lune de miel. Pense au Cantique des Cantiques Pense à Salomon, à son épouse et aux jeunes filles , Penses-y bien, ma sans rivale, Ma muse venue au monde sept fois Et dont aucune galante n 'arrive aux chevilles Comment veux-tu qu'on se retrouve dans la mare aux nénuphars Deux canards mandarins batifolant Sans didascalies... Tu connais les soixante-quatre manières du kama Tu sais la différence entre baratement et percement Et tu veux goûter le chalumeau du miel Lors du congrès de la corneille Alors tandis que tu me provoques du regard et du geste En dansant comme une bayadère accomplie Souviens toi des didascalies. Je suis ton vert-galant, ton esclave, ton cornac Ton renifleur, ton cunnilingue, ton Sigisté Si tu veux tu seras ma nymphe, mon myrte, ma lanterne, ma crête, Ma landie, ma douceur, mon amour de Vénus Mon gaude mihi, mon impudique Organisons nos langues et nos boutons Nos protubérances. Pour qu'aucune partie ne soit honteuse Pour que toutes soient honnêtes Il faut des chapitres et des actes Dans lesquels les morsures, les égratignures, les baisers Les succions et les caresses s'emboîtent dans un naturel Si joliment organisé que chaque posture génère Une improvisation et que chaque improvisation génère une nouvelle posture. Alternons les phases pudiques et impudiques Sans tabou éperonnons-nous Empalons-nous dans les postures de singe ou d'éléphant Peu importe si la mentule précède le tentigo Ou le contraire Peu importe qui est dessus ou dessous Qui lèche et qui est léché, qui est mordillé, qui est marqué, Qui est baisé et pénétré Si c'est simultanément ou séparément Nous appartenons nous aussi au règne animal Et que la verge soit masculine ou féminine C 'est toujours l'aiguillon de la volupté qui guidera nos didascalies.
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Aug 21, 2019
Aug 21, 2019 at 5:56 AM UTC
Didascalies de notre premier congrès
Tu voudrais que j'improvise Les chemins qui mènent au septième ciel Pour notre prochain congrès Que je vienne les mains vides Sans notes ni croquis Pour te couronner reine et courtisane. Mais demanderais-tu au peintre de venir à toi Sans son pinceau, ses fusains, ses tubes d'aquarelle et son papier canson Ou au photographe sans son posemètre, son trépied et ses filtres, son appareil photo et ses objectifs Et un auteur de théâtre pourrait-il officier sans donner des indications? Des orientations, des pistes pour que les acteurs puissent mieux jouer leurs personnages Eh bien moi je voudrais écrire de concert avec toi les didascalies de notre lune de miel. Pense au Cantique des Cantiques Pense à Salomon, à son épouse et aux jeunes filles , Penses-y bien, ma sans rivale, Ma muse venue au monde sept fois Et dont aucune galante n 'arrive aux chevilles Comment veux-tu qu'on se retrouve dans la mare aux nénuphars Deux canards mandarins batifolant Sans didascalies... Tu connais les soixante-quatre manières du kama Tu sais la différence entre baratement et percement Et tu veux goûter le chalumeau du miel Lors du congrès de la corneille Alors tandis que tu me provoques du regard et du geste En dansant comme une bayadère accomplie Souviens toi des didascalies. Je suis ton vert-galant, ton esclave, ton cornac Ton renifleur, ton cunnilingue, ton Sigisté Si tu veux tu seras ma nymphe, mon myrte, ma lanterne, ma crête, Ma landie, ma douceur, mon amour de Vénus Mon gaude mihi, mon impudique Organisons nos langues et nos boutons Nos protubérances. Pour qu'aucune partie ne soit honteuse Pour que toutes soient honnêtes Il faut des chapitres et des actes Dans lesquels les morsures, les égratignures, les baisers Les succions et les caresses s'emboîtent dans un naturel Si joliment organisé que chaque posture génère Une improvisation et que chaque improvisation génère une nouvelle posture. Alternons les phases pudiques et impudiques Sans tabou éperonnons-nous Empalons-nous dans les postures de singe ou d'éléphant Peu importe si la mentule précède le tentigo Ou le contraire Peu importe qui est dessus ou dessous Qui lèche et qui est léché, qui est mordillé, qui est marqué, Qui est baisé et pénétré Si c'est simultanément ou séparément Nous appartenons nous aussi au règne animal Et que la verge soit masculine ou féminine C 'est toujours l'aiguillon de la volupté qui guidera nos didascalies.
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53
I mean, it felt like I was a dead fish Or something, left to rot out there in the sun, Left there on purpose, you know, like it was A threat—and Charles, it stinks—you know that?— —the stench of all those old thoughts— Yeah, thoughts…you know, Like guppies maybe, sturgeon, or flounder. You laugh? Why? Fish can think, can’t they? They flounder. Suppose as we grow old the ancient thoughts Appear as songs a child might sing—sotto voce. Suppose they’re like the masks the actors wore In some Commedia dell’Arte farce, Or like the web a spider strings across A road, hidden, dark, all subtle tension, The strands still wet with the coagulate air… Too wet to breath, Charles, way too wet. There’s more. Suppose a face inside that mask Looks back, looks out. Suppose the rings run circles round The eyes, for fear. Suppose it’s an old face of yours, Charles, smiling too, with all that sullen pride You once were so capable of…so proud. This is not the Lone Ranger, kimosabi. Not Zorro either. Man is least himself When he talks in his own person. So let’s Try on that mask, shall we? One for you and one for me. Masks aplenty, masks abound, Masks askance… There, it fits. Welcome, Charles. Welcome back. And welcome ghost. …a ghost to prompt you in your mask, a ghost off stage, and hoarse from shouting, diaphanous, just like the real thing: for curiously, at that moment while he is in you, in situ, as it were, I will be left au naturel—yeah, me—king for a day. We were all meant to crawl away from the sea, were we not? …and I count the collective ghosts here too, Charles… … atavistic, frightened, unaneled, and openly integumentary (thus, open to the sea, but repellant to air) —owls, Orion, a star-scarred sky, too cold to breath that night, too cold not to, eh, Charles? Like Don Quixote and Sancho Panza, like Hamlet and Horatio, out with the watch, in search of ghosts and fathers… ghosts and fathers, Charles. You remember that? Back then, when you used to listen to me when I spoke. You did listen, then, Charles when I said things, right? All those old thoughts… When I could sing… Charles?
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Feb 15, 2010
Feb 15, 2010 at 8:52 AM UTC
Charles?
I mean, it felt like I was a dead fish Or something, left to rot out there in the sun, Left there on purpose, you know, like it was A threat—and Charles, it stinks—you know that?— —the stench of all those old thoughts— Yeah, thoughts…you know, Like guppies maybe, sturgeon, or flounder. You laugh? Why? Fish can think, can’t they? They flounder. Suppose as we grow old the ancient thoughts Appear as songs a child might sing—sotto voce. Suppose they’re like the masks the actors wore In some Commedia dell’Arte farce, Or like the web a spider strings across A road, hidden, dark, all subtle tension, The strands still wet with the coagulate air… Too wet to breath, Charles, way too wet. There’s more. Suppose a face inside that mask Looks back, looks out. Suppose the rings run circles round The eyes, for fear. Suppose it’s an old face of yours, Charles, smiling too, with all that sullen pride You once were so capable of…so proud. This is not the Lone Ranger, kimosabi. Not Zorro either. Man is least himself When he talks in his own person. So let’s Try on that mask, shall we? One for you and one for me. Masks aplenty, masks abound, Masks askance… There, it fits. Welcome, Charles. Welcome back. And welcome ghost. …a ghost to prompt you in your mask, a ghost off stage, and hoarse from shouting, diaphanous, just like the real thing: for curiously, at that moment while he is in you, in situ, as it were, I will be left au naturel—yeah, me—king for a day. We were all meant to crawl away from the sea, were we not? …and I count the collective ghosts here too, Charles… … atavistic, frightened, unaneled, and openly integumentary (thus, open to the sea, but repellant to air) —owls, Orion, a star-scarred sky, too cold to breath that night, too cold not to, eh, Charles? Like Don Quixote and Sancho Panza, like Hamlet and Horatio, out with the watch, in search of ghosts and fathers… ghosts and fathers, Charles. You remember that? Back then, when you used to listen to me when I spoke. You did listen, then, Charles when I said things, right? All those old thoughts… When I could sing… Charles?
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Every woman should bathe herself then look in the mirror au naturel and say, "My body is beautiful" because we forget sometimes that the only person we need to please is ourselves.
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Apr 24, 2014
Apr 24, 2014 at 2:13 PM UTC
My Body Is Beautiful
I am addicted to skin, not a particular woman's skin, all and every woman's skin *(stop here, If you are uncomfortable, with this writ, for me then, it be a consoling poem, an adoration of skin, a comfort food, that I cannot live without)* see what you cannot see, inside this one's brain-eyes-tongue-soul-whatever whatever you name his five sense-sifting-all combination, I don't care I drink skin all textures all colors every woman every woman ageless   every woman street passing touched and taken no fabric but the fabric of her skin tween my thumb and forefinger on my stippled senses enlivened I taste skin, like a good poem, the cheek, the shoulder bare, the in between spaces, the minty hint of décolleté, the ankle chain, turning my breath heated, tips of red noses, I take and I keep and no, no refunds, no returns I see your skin, as a gift to myself created, donated, by you, and by me, aggregated tho you think I am selfish I thank you always I hear you cells splitting, rejuvenating, you nourish, I flourish I smell your skin-scented au naturel aroma, and inward smile, a parfume named after me, who knew? you knew stop enough! softly, no, softly never enough... every wrinkle, every blemish every tablecloth of skin so lovely set, so smooth glowing, I weep, I seep inside and touch me touching you and for every cell of mine dying, two of you, two for you, so you may live longer, one of mine, lingers within you evermore you nourish, I flourish
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Mar 23, 2014
Mar 23, 2014 at 1:03 PM UTC
Skin
the desperado cowboy-poet awakes anxious, needing-ending relief, the craving greater than great, he begs-raggedly, with Raggedy handily Andy words, to all and anyone in the aroused surrounded vicinity, give please give, of something to write the bay, soothingly plays the would-be author, "place me, look my way, have I not droplets endless from which you've drunk exquisitely, so many more to fair share" the birds twit and flit, raucous caucus demanding to be seated by the tablet's keypad to gain entry to one more congressional natural tribute the sky and sun organize a joint session, extraordinary mission; "we are the first of your day, thus primarily, we win the primary, deserving in your recording of our nomination as the first day's sound and light show victorious" sorry folks, got a better tale to tell, natural in its way, titillating, and quite suitable for reputating Au Naturel humanity and it's a quirky, say hey tale, morning coffee fresh, a first word report from an untelivised convention of a different kind of congressing awoke to find the: *chauffeur in bed with the cook, the Poppy, beside the sleeping Nana, the poet, eyeing the lying next to him, tango dancer, the classicist eyeing the sleeping moderne, ditty ditsy Ogden Nash astride a Shakesperian sonnet, the thinning gray line defending his bedded half, from an invading horde of unionizing blonde tresses, the republican with the democrat, the conservative with the liberal, heated discussions, non-neutralizing negotiations conducting and watched by peeping tom skies, clouds, birds and waters pretending to fly flow past* wow now that, is quite interesting deserving worthy of a disrobing disputatious disreputation, very newsworthy and why not, a poem all its own? the bay waved goodbye, the birds disbanded in silence, quietly disenfranchised. the sun and the sky hung around pretending to be UN neutrality observers wearing cute blue and white helmets looking every where but not, at the line of demarcation the beggar, by his new impoverishment, enriched, another love poem writ, niched and pitched one more itch, so very well scratched
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Aug 6, 2016
Aug 6, 2016 at 8:23 AM UTC
desperado desperation (an August love poem)
the desperado cowboy-poet awakes anxious, needing-ending relief, the craving greater than great, he begs-raggedly, with Raggedy handily Andy words, to all and anyone in the aroused surrounded vicinity, give please give, of something to write the bay, soothingly plays the would-be author, "place me, look my way, have I not droplets endless from which you've drunk exquisitely, so many more to fair share" the birds twit and flit, raucous caucus demanding to be seated by the tablet's keypad to gain entry to one more congressional natural tribute the sky and sun organize a joint session, extraordinary mission; "we are the first of your day, thus primarily, we win the primary, deserving in your recording of our nomination as the first day's sound and light show victorious" sorry folks, got a better tale to tell, natural in its way, titillating, and quite suitable for reputating Au Naturel humanity and it's a quirky, say hey tale, morning coffee fresh, a first word report from an untelivised convention of a different kind of congressing awoke to find the: *chauffeur in bed with the cook, the Poppy, beside the sleeping Nana, the poet, eyeing the lying next to him, tango dancer, the classicist eyeing the sleeping moderne, ditty ditsy Ogden Nash astride a Shakesperian sonnet, the thinning gray line defending his bedded half, from an invading horde of unionizing blonde tresses, the republican with the democrat, the conservative with the liberal, heated discussions, non-neutralizing negotiations conducting and watched by peeping tom skies, clouds, birds and waters pretending to fly flow past* wow now that, is quite interesting deserving worthy of a disrobing disputatious disreputation, very newsworthy and why not, a poem all its own? the bay waved goodbye, the birds disbanded in silence, quietly disenfranchised. the sun and the sky hung around pretending to be UN neutrality observers wearing cute blue and white helmets looking every where but not, at the line of demarcation the beggar, by his new impoverishment, enriched, another love poem writ, niched and pitched one more itch, so very well scratched
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I thought about you this morning & wondered about so many things. Did you sleep well or spin in between your sheets, dream of anything special, mind draw a blank, drink strong coffee, spiced-tea or have neither? Perhaps you’re a juicer, do you fancy carrots or strawberries or both? Enjoy two Eggs Benedict or three scrambled, have whole wheat toast or rye, some nutritious granola crunch with a bit of soy milk? Did you partake in a quick steamy-shower or draw a soothing hot bath with lit candles & soft-jazz? I’m wondering if you wore your hair up in a bun or let it fall down, all round your pretty angel face? Did you apply make-up or go Au Naturel, frown putting on lipstick & smile getting dialed in for the start of a brand new day? Did you dress to the nines or go business-like, perhaps a trip to the gym for a spot of yoga? Did you drive your earthy VW-bug or rev up the sporty Saab, take the trolley, ride the moped, or hop on a bike? Where you late to your work or did you get there early enough so you’d have plenty of time to think about me? I think about that too.
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Jan 18, 2014
Jan 18, 2014 at 11:55 AM UTC
I Thought About You This Morning (Did You Think About Me?)
Nature delivered me Across the yonder countryside Within a medley of colour Nature delivered me Wafting along oblivious decrees Rendered I am sanctified Nature delivered me Across the yonder countryside
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May 16, 2012
May 16, 2012 at 4:18 PM UTC
Au Naturel
the simplicity of grandeur (what I want of you) *every conversation, must have a name, a blessing and a bane, every poem, twice as much, twice the same, a division fine tween the holy and the mundane an end, a start and a finishing line, untitled, it is without grandeur, difficult to understand, every grande boulevard, every country road must be either , either be an Avenue des Champs-Élysées, ou Route Napoléon, each with a unique simplicity, et histoire individuelle, like the persons who traverse it with eyes thirsty to learn all about those who preceded their voyage want nothing but seek everything: the comprehension and the mystery of the next verse, where the potion of poetic notion came from, beg that any scratching is genteel, distingué, sans sang, how you you breathe and see the smell of wet cobblestones, how you hear them talking and what tales they hint of, but never reveal the ending-prematurely? what I want is what you want. self portraits realized, that each a particle of the mystery, self portraits that ask, and answer, but forever insufficient, what is the idea of you? Quelle est l'idée de toi? what is naturel, what is imaginary, to be a visitor in your museum, your ****** a voice that listens to the answers, a mail recipient to  what ever you wish to enclose, in the poems that make perfect no sense, that are yet, fully comprehensible, grand, in their simplicity* <•> 6:21pm
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Sep 21, 2017
Sep 21, 2017 at 6:30 PM UTC
the simplicity of grandeur (what I want of you)
Et si on essayait primo l'omelette bio De rires sauvages péché à l'épuisette Au fin fond de nos Atlantiques ? Si on essayait deuxio la paella bio De nos yeux assaisonnés d'étincelles de thym Et de pétales de coquelicot cueillis dans la rosée du petit matin ? Et si l 'on ne s'abreuvait tercio que de vins bio Des bains jaunes des torrents chauds Qui jaillissent de nos sources volcaniques ? Si on essayait encore le lit de braises bio A combustion lente, sans adjuvant Cent pour cent naturel et écologique ? Si on se plongeait enfin dans l'abîme bio Des eaux organiques de l'océan tantrique Pour y construire des châteaux de corail ?
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Aug 21, 2019
Aug 21, 2019 at 2:51 PM UTC
Abîme bio
floatin in the air of innoncence holdin on to kisses that surpasses these shaded lips oh in this daydream in my corner of despair she stands loud as reasons which I cannot remand impossible to let go the rushed night and shy goodbye creepin home before the mornin light esthetic eyes that devour these invariable melancholic smiles of mine amorously disposed desire for deceivin bedshaped moves again, to put this body on fire   charmed in shame this au naturel attire suitably awaitin ur tardly arrival nice and slow utterin words for ur ears alone "take me down, kiss me below" 11
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Jun 9, 2010
Jun 9, 2010 at 11:39 AM UTC
Newer Negligent Apathy
Danses-elle, en reverie You are the spastic source of the ocean life form Moving between your cage of ribs To juxtapose the gray, the human decay, and the Preoccupation of what can, who should, What you might and come what may – Waking up with a stranger in bed to have Wine in the morning, starve the dismay Evenings of making coffee and sense, Making away with the day La fille, danse Pacific sway Pas de cheval, mais actuellement Il est le pas d’homme naturel There are a lot of things ugly about a place Where we chase until fall out, fall away Into acting offstage, and we can’t get away, no no Dance on, girl Dans la rue des esprits anciens And we’ll dance and we’ll dance
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Feb 27, 2012
Feb 27, 2012 at 9:06 AM UTC
La fille, danse
Le temps circulaire Le temps naturel Le temps sans commencement, ni fin A tout en même temps rapide, et insubmersible , fragile Pourtant indélébile Le temps qu'il traverse le quadrant de l'horloge Et que redémarre toutes les douze heures Sa ronde éternelle .
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Jul 26, 2015
Jul 26, 2015 at 11:25 AM UTC
Le temps
Parlons du charme pittoresque de l’automne Des cloches de l’Angélus qui carillonnent Des fleurs autrefois jolies et fortes, sur le gazon Oh ! Automne, tu es une très belle saison! Parlons des pétales et sépales tombés du ciel Où les arbres sont médusés et presque dévêtus Et les oiseaux stupéfaits sont tombés des nues Oh ! Automne, j’aime ton sourire doux et naturel. La saison de l’automne a un charme sensationnel Une fraîcheur tiède et confortable et un ton solennel C’est l’or du soir qui tombe toute la sainte journée. Ce sont les feuilles et fleurs multicolores sur le tapis Oh ! Automne, tu nous donnes beaucoup à imaginer Et nous montres comment mirer des moments polis. P.S. Ce poème est dédié à Victor Hugo. Copyright © Octobre 2024, Hébert Logerie, Tous droits réservés. Hébert Logerie est l’auteur de nombreux recueils de poésie.
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Oct 28, 2024
Oct 28, 2024 at 3:36 PM UTC
Parlons Du Charme Pittoresque De L’Automne
Mother Earth Two birds sing In sweet harmony Through spring Smiles A favorite plant blossoms On the side Of a white-washed fence Blends beautifully Sun bathes in the ambiance Of clouds A cirrus haze Etches Mountain tops For days It sets As if lying in bed Lullabies Cries From a wolf Howls at the moon Goodnight world Awake soon Day's bright Before night Frost bite… Flurry? More of fury! The wind knocks down Defenses... I'll feel it Though I don’t know Why I'm the victim I'll take Your worse And still love Earth reign on me I promise To turn a leaf before The end of fall All in all Through ups and downs The hurricane Of life Brings strife On my greatest day I labor Not pillage Your tillage And worship your wondrous Waters More refreshing than sleep Blings More than diamonds Under sunlight Lakes lie Across as bodies Embodying art Au naturel Awe As "oooo's" And "ahhh's" Set the mood Hurrah! No boo’s From the crowd of bees Only a buzz About your love.
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Oct 4, 2011
Oct 4, 2011 at 4:01 PM UTC
Mother Earth
I ventured to the farmer's market today, got me some fresh white potatoes, a pile of green beans, stone ground rolls & a few homemade sausages. Oh, I picked up a jar of wildflower honey, some honeydew wine water & a bar of lilac soap, too. I can't wait 'till the little lady shows up later tonight. We're gonna have a super supper & a nice warm bath out under the stars. O Lordy, there ain't nothing like eating home cookin' & going au naturel, I can't wait.
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Jul 5, 2014
Jul 5, 2014 at 5:44 PM UTC
Home Cookin' Au Naturel
First posted here on August 22, 2013 ~~~~~ Every summer, I relearn a new language. Every winter, it departs for warmer climes, And its charms and naked arms, Its own alphabet, Clean forgot. Multi-lingual in the summer's peculiar One language, one aleph bet, But mega-millions of dialects, Know them all cold, know them all, hot. I speak Woman. Summer is soft, shapely, sweet, Clean, bare, lush in a sparse way, And Woman is spoken thusly. There are no harsh sounds, Guttural exclamations, nein! I speak Woman. There is no ugly in the summer. Ugly being an ugly word.   It cannot exist in an atmosphere of Sun, greenery, sand, carefree days, vacations, no school. There are no ugly women in the summer. I could take this writ many places, But if you are sputtering sexist or other labeling words, Could not give a good god **** because in the summer, There is no ugly, there is no prejudice. And I still speak Woman with an almost perfect fluency, au naturel. Gym clothes, short shorts, A-line skirts swishing in the breeze, High, god, so high the heels, flats clip clopping, flip flopping all over my heart, But, it is the bare arms and the hints of summer Cleavage, the short skirts, body hugging one piece fabrics stretching from here to down there that do not Hint, The shoulder strap of the underthings that asks, That commands me: Wonder where it leads too... Even the light shoulder wrap Casual over bare shoulders slung, at night, mocks me, Like gift wrapping with a smile demure...a teasing blindfold... All these say: Write us poetry in our very own tongue, Woman. Will oblige. I curve with curve of the ***** and invert with  S arc of the waist, Mystifying, how it is the designed place For my hands to grasp, and never fails. The crayola colors of flesh variations, Boggle the senses... How can tan and pale, Dark and Light Have so many Symphonic variations? Adagio, slow and leisurely, a pas de deux For two eyes, then a Timpani crash and thunder, Just as Byron wrote: "music arose with its voluptuous swell," Yes, swell...swell...voluptuous swell Enough. My eloquence, no match for my Fluency. Late August, and my vocabulary is already Diminishing. I forget how to say in Woman Without you I am nothing, With you, I am more than everything, Tho I can no longer say it well, It is is still true and Beyond belief. August 2013
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Aug 2, 2014
Aug 2, 2014 at 1:12 PM UTC
The Summer Alphabet of Woman (I Speak Woman)
First posted here on August 22, 2013 ~~~~~ Every summer, I relearn a new language. Every winter, it departs for warmer climes, And its charms and naked arms, Its own alphabet, Clean forgot. Multi-lingual in the summer's peculiar One language, one aleph bet, But mega-millions of dialects, Know them all cold, know them all, hot. I speak Woman. Summer is soft, shapely, sweet, Clean, bare, lush in a sparse way, And Woman is spoken thusly. There are no harsh sounds, Guttural exclamations, nein! I speak Woman. There is no ugly in the summer. Ugly being an ugly word.   It cannot exist in an atmosphere of Sun, greenery, sand, carefree days, vacations, no school. There are no ugly women in the summer. I could take this writ many places, But if you are sputtering sexist or other labeling words, Could not give a good god **** because in the summer, There is no ugly, there is no prejudice. And I still speak Woman with an almost perfect fluency, au naturel. Gym clothes, short shorts, A-line skirts swishing in the breeze, High, god, so high the heels, flats clip clopping, flip flopping all over my heart, But, it is the bare arms and the hints of summer Cleavage, the short skirts, body hugging one piece fabrics stretching from here to down there that do not Hint, The shoulder strap of the underthings that asks, That commands me: Wonder where it leads too... Even the light shoulder wrap Casual over bare shoulders slung, at night, mocks me, Like gift wrapping with a smile demure...a teasing blindfold... All these say: Write us poetry in our very own tongue, Woman. Will oblige. I curve with curve of the ***** and invert with  S arc of the waist, Mystifying, how it is the designed place For my hands to grasp, and never fails. The crayola colors of flesh variations, Boggle the senses... How can tan and pale, Dark and Light Have so many Symphonic variations? Adagio, slow and leisurely, a pas de deux For two eyes, then a Timpani crash and thunder, Just as Byron wrote: "music arose with its voluptuous swell," Yes, swell...swell...voluptuous swell Enough. My eloquence, no match for my Fluency. Late August, and my vocabulary is already Diminishing. I forget how to say in Woman Without you I am nothing, With you, I am more than everything, Tho I can no longer say it well, It is is still true and Beyond belief. August 2013
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