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"mortuary" poems
Skyscrapers and mango trees wearing boxer briefs. The tantalizing wind blows caressing paperclips and mortuary signs— turning them indigo red for we all know that dead bodies are nothing but dead. Hymns of love and soliloquies of the unconscious ego— Id of our time but men of the past be our hero. Leaving to wonder, if king Nebuchadnezzar was a crack-feign would Coca Cola still educate penguins on the importance of Lesbian Existence? For in this war of life, cockroaches are the real winners, and the taste of excellence is only reserved for fire extinguishers — so if nuclear clouds persist, let the fire burn with love and you lay on the bed of oblivion cuddling the moral that capitalism leads to schizophrenia. So insure your sanity for free 99, this, with warm regards from yours truly,                                                                              Rhizome of Golgotha.
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Nov 29, 2012
Nov 29, 2012 at 8:19 PM UTC
Love Letter to a Microwave
this is a poem about how you sleep, how your body grew cold like a corpse in a mortuary. how it felt wrong to reach out and touch you. did you know that you turned away from me every time i tried to face you? did you do it on purpose? maybe you were afraid i would be able to see you were dreaming of her, that i would read it on your face. lines by your mouth like obituary, like roadmap, her bedroom, the destination, mine, a pitstop. loving you was like attending a funeral service for myself and sitting in the front row. no. loving you was like watching you pick out a casket and call it practice. **** i know how sensitive you are about death. i know it still hurts. i know how everything hurts. i am sorry for just being another thing that hurts. i think i'm afraid to let you forget that you used to want me. like if i can somehow dig deep enough, wound you into remembering me. i keep weapons-grade nostalgia in my back pocket for the days i can feel myself slipping from your consciousness.   i was born with scar tissue where skin should've been. but this isn't about me. this is about the way you sleep like you're waiting for someone to close the lid, cover you in dirt, and read a psalm. this is about the way i tried to sing your pieces back together, and the way my voice gives out when i read the things you write for anyone other than me. lover, friend, stranger, i just wanted to show you how to love your darker parts. i never meant to become one. i am so ******* selfish. but i swear i am trying to unlearn the steps. and you used to think my two left feet were charming. i am out of time in more ways than one. i keep stepping on your toes. i can't seem to stop tripping you up, hoping that you'll fall back into whatever this was. - m.f.
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Oct 11, 2014
Oct 11, 2014 at 9:22 PM UTC
cadavre
this is a poem about how you sleep, how your body grew cold like a corpse in a mortuary. how it felt wrong to reach out and touch you. did you know that you turned away from me every time i tried to face you? did you do it on purpose? maybe you were afraid i would be able to see you were dreaming of her, that i would read it on your face. lines by your mouth like obituary, like roadmap, her bedroom, the destination, mine, a pitstop. loving you was like attending a funeral service for myself and sitting in the front row. no. loving you was like watching you pick out a casket and call it practice. **** i know how sensitive you are about death. i know it still hurts. i know how everything hurts. i am sorry for just being another thing that hurts. i think i'm afraid to let you forget that you used to want me. like if i can somehow dig deep enough, wound you into remembering me. i keep weapons-grade nostalgia in my back pocket for the days i can feel myself slipping from your consciousness.   i was born with scar tissue where skin should've been. but this isn't about me. this is about the way you sleep like you're waiting for someone to close the lid, cover you in dirt, and read a psalm. this is about the way i tried to sing your pieces back together, and the way my voice gives out when i read the things you write for anyone other than me. lover, friend, stranger, i just wanted to show you how to love your darker parts. i never meant to become one. i am so ******* selfish. but i swear i am trying to unlearn the steps. and you used to think my two left feet were charming. i am out of time in more ways than one. i keep stepping on your toes. i can't seem to stop tripping you up, hoping that you'll fall back into whatever this was. - m.f.
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44
Devised by Cosmic Boss Sourced by parents Aided by obstetrician Nursed by pediatrician Nurtured by nutritionist Counseled by sexologist Treated by orthopedist Stressed by physiotherapist Directed by dietician Nudged by nephrologist Nerved by neurologist Contained by cardiologist Consoled by psychologist Interspersed by dentist, Sighted by ophthalmist Conditioned by physiology Terminated by mortuary The inexorable Lifeline Express Of hospitalized hospitality
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Feb 18, 2015
Feb 18, 2015 at 6:42 AM UTC
Hospitality
She died a year ago, But so pathetic I wasn’t around during, Her funeral, Air would have protested against my loud dirge, There would have been series of enjambment In the stanzas of my her elegy. General Abas said she died in a ****** coup, But she was too wise to be wiped out in a coup, She was like untamed lion. Mr George gave another account, He said she died during an internal war, The war against the truth, She has been from truth, Too blind to see reality, Fast asleep to be woken up. The family doctor said she was poisoned, Poisoned with the truth, The truth that kills rather to set free. Inspector James said she was sniped From a fair perimeter. The mortuary attendant said they Heared movement, Guess she was just try to raise up. Today I arrive with nothing to feed my eye, A little bit nostalgic, I had the feeling that I belong here but not to death, So I left for the yard, at the backyard, I couldn’t belive what I saw on her gravestone, “Nigeria a country, not a nation”
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Jul 3, 2016
Jul 3, 2016 at 10:09 AM UTC
Epitaph for Nigeria
The two nurses strip me off for a blanket bath, said Grace, I lay here on the bed, my blind eyes staring at blackness. They lift each leg stump and wash them gently and with care; they wash me where only mother ever touched when I was a child; they wash me with the warm water all over, talking between themselves; they talk of the bombing the night before, of the people brought in from the raid; of the many dead who lay in the mortuary now. One talks of her night out with her boyfriend home on leave, the other asks questions; I fail to listen to. I think of Clive and the last time we made love in my bed before he went off to fight and was killed at Dunkirk, and the night my house was bombed and my maid was killed and I lost my legs and sight and thrown into this dark night. They dry me gently and dress my stumps again and the put on my nightie. They have gone and I lay here musing on Clive and the man Philip who came with Guy and who talked to me and promised to take me out. Why would he want to go out with a legless, blind woman? And where would we go? He never said and I may never know.
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Jul 31, 2018
Jul 31, 2018 at 3:14 AM UTC
Bathing Grace 1940
“The grief therapist will see you now.” the perky redhead told us. Her rolling hips then led the way majestically before us.. Final arrangements must be made. as our loved one is gone; Melvin joined the choir invisible singing his swan song. He had been fading badly, and we knew the end was near. Now he’s a mortuary client, pausing for his final bier.. Thank God for prearrangement or we truly would be gored. It gets to be quite expensive when you’re sleeping with the Lord. He’s shuffled off this mortal coil and brought the curtain down. Soon he’ll be checking out the grass from six feet underground.. Melvin has given up the ghost. He was snuffed out in his prime. He cashed his chips in early, passing on before his time. “Your loved one’s in a better place.” The Undertaker gravely said.. “His ancestors have embraced him in a place of light, not dread.” Some will say he kicked the bucket, checked out early, bought the farm. The religious say he’s with the Lord, The perpetual light is on. Melvin, were he here with us, more likely would have said a better place for him would be that redhead’s poster bed.
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Dec 8, 2011
Dec 8, 2011 at 7:24 PM UTC
The Loved One
Displayed in a forever line of serpentines Stretching over many days and weeks and years, The dominoes stand upright in the dusk; Each a careful distance from the next, All skillfully and artfully arranged. A prideful eye surveys the intricate design That wonders at the craftsmanship involved And blesses luck that gifted steady hands And a non-ending stack of pieces - Hoping that an earthquake does not come. Who will have the honor of the push That starts the clicking trail of doom That ends with helter-skelter rubble On the floor or mortuary slab As dominoes become a life all lived. Will it be anger like a piercing knife Or some organic instrument That weakens the well organized Assemblage of a life and makes it fall Like a domino nudged out of line. Frustration or depression, which will it be That starts the tiles to falling And once moving with no hope to stop. Will it it be by accident or force of will- I need to add a few more at the end I can’t afford to buy another box.     ljm
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Feb 13, 2017
Feb 13, 2017 at 11:29 AM UTC
DOMINOES
February a baleful month dabbed with deep darkness, the calendar's mortuary nature's own Gulag. Its window opens upon possible impossibilities none of which yield joy. Crows plummet murderously from the heavens vainly trying to flee into spring but merely splat. Roads are crushed beneath a carpet of **** Frosted blimps soar naked. Boots refuse to stay tied. Your parent's nightmares freeze your sweaty sleep. Snow falls like dead swans. Eclairs crystallize into lumps too solid to enjoy. A month of undeserved solitary confinement that trembles the soul. A deep achromatic terror keening coldness in a huge white wail penetrating the ears until march stops the madness and hope blossoms as crocuses, apricity achieved, small phosphorescent dots of desire.   ~mce
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Feb 4, 2016
Feb 4, 2016 at 10:13 AM UTC
Aeromancy
One pill, two pill Orange pill, blue pill White beads, pressed ecstasy and some **** Gluttony, greed, My real sin is debauchery. Gram of this, gram of that marred my memories, myelin mortuary. Skin, bones, but no fat I'll eat gelatin capsules that can only subtract. Artificial enthusiasm in Walgreens jars. Decadence lost opulence to tolerance of bars. Still I solicit any alter: self-indulgence for Bacchanalian revival. Hedonism's propensity, mankind's perpetual denial- but not for I, the lotus eater with the omniscient third-eye.
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Jan 3, 2015
Jan 3, 2015 at 2:18 PM UTC
Ode to Lenina Crowne's high spirits overflowing
What an intriguing opportunity a trip to Rose Cottage, Sure sounds magical to me, It's not a woodland haven or a diminutive house by the shore, Came out from anaesthetist's trip, I drifted, in and out, A crazy dream it seemed, Woke in rose pink room, Thought I hadn't made it through, For in the land of work, A flip side of such a romantic image seen, Rose Cottage, delightful though it sounds is life's penultimate stop called mortuary, Before undertaking on one final trip, Final destination, last stop guaranteed! I wrote this as I left work after work and heard a porter discussing coming to take a patient to 'Rose Cottage'......It made me think....Hence writing this....and the anaesthetic bit is true...Freaked me out at the time!! Livvi ** By ladylivvi1 © 2013 ladylivvi1 (All rights reserved)
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Aug 17, 2013
Aug 17, 2013 at 1:58 PM UTC
Intrigue!
What is it with you tricks? I never asked for anything like this You're mouthing off as soon as I answer the call Mean everything, when you don't saying nothing at all So, baby, stab me with your words like knives Don't hold back, you're voice haunts me like wind-chimes On a cold, winters night When the timing's all wrong but the point gets across just right So baby, oh honey, oh sweetie Why won't you die? You come back from the dead Time and time again In my head Back for more death and destruction Looking for action Bracing for impact, tonight Even just talking to you Was a mistake I now consider One of the worst thing's I do Given my mental stability And my swerving ambitions Why didn't I see That we would never work That we could never be Thinking back, I guess I knew But I was a stupid kid All the chances that I blew Just so I could die and be with you The things I've suffered through Everyone I've looked past and smiled all the way Now I've got these holes in my shoes And the shoemakers outta town for good Running's no longer an option With my lungs blackened And my brain up for auction At the mortuary By where we First kissed and realized We realized that we were meant to die We realized that we were meant to be denied life
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Dec 4, 2010
Dec 4, 2010 at 8:33 PM UTC
3...2...1... (Impact)
Her tender skin sprouts green shoots a wreath, at the foot of tree she was buried. On the trunk her face appeared, a morphed stump. The bark, her coffin split, where demons clawed. A number, worms out indelible scars, 452. Frozen chambers of mortuary await the next, a child, a girl, a dalit, a musalman. A cattle herder. Or, the silent you, you and you.
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Apr 26, 2018
Apr 26, 2018 at 7:43 AM UTC
Necropsy
Wait a second. Steady hand my right hand man. That must be the effects of the Diazepam. One in the chamber, one in the chest, one in the body and one in the head. One for each of his family members, picture him dead, picture perfect and pick up the pieces after the death. .....if there's anything left. I'm right over here. rat a tat tat. Onomatopoeia.. What's the matter dear? Nothing to see here, but bullet ripped flesh and civilian fear. No need for tears. No need for tears. Keep composed. You'll be home soon. In your own tomb or personal hell. Waking to the sounds and screams of mortuary shells. Reload, you know how it goes. Decomposed in a body bag, forever alone.
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Jul 10, 2015
Jul 10, 2015 at 6:11 AM UTC
Automatic Weapons
the mirror has gone black sinking back into the wastelands of my ever heightened fright all love has gone liquid dripping and spilling in my sight my hands soaked, grasping at the droplets thoughts of you slipping through my fingertips no longer equipped to "just deal with it" happiness waits beyond bridges through your gates and over your walls pit falls, into quicksand and lava, where you live madness // madness, this bliss // madness... apathetic sanctuary // my mortuary sing at my next funeral, I've a few more left to go
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Jan 19, 2015
Jan 19, 2015 at 1:43 PM UTC
[[elk trick]]
People name that place a paradise, where painful screams are heard; but unheard the Walking Souls are dealt to be soulless the Blood is shed as a vain fluid where Heartless beings are imposed to be escorted People name that place a paradise, where Sun rises with hope; but unhope the Wanton is unbridled in his tyranny and Victim is to be hushed unattended where each Atom tells the story of oppression People name that place a paradise, where laughter became the part of past that is mortuary but not a homeland where Lively spirits are declared hollow where humanity is just taken for granted People name that place a paradise where painful screams will be heard; but unheard...
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Mar 23, 2021
Mar 23, 2021 at 2:30 AM UTC
Tyranny
How ghastly are those camouflaged and articulated presumptions, which are evidenced by their catastrophic and interpersonal lifelessness? It is bad for business, when silent screams echo throughout the depths of unfathomable anguish and cross the mysterious canopy of dendrology. You may have failed to recollect that fried eggs are not dissociated from electrical riffs nor uninvited objects which force their way through open windows. My hunger was sincerely naïve as it surfed the waves of paternal mockery. Therefore, take caution, as you pass those nocturnal insects which flutter their feeble wings in the corner of Glaswegian crevices with intimidating powerlessness.
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Apr 3, 2015
Apr 3, 2015 at 9:19 PM UTC
A Psychological Mortuary
I. The problem is the wind: how it easily transports from monsoons to monsoons, growling the heartaches that smudged the letters all too easily. This is merely a reply. II. A flock of hummingbird escapes the night I learned how to sharpen a quill the way I sharpen a scalpel. How it became sharp enough to carve a meat. How it became good enough for dissection. This is the trouble with too much skin. My skin had kissed yours so much that it memorized how you twitch each time we touch. III. This is merely a reply to reply. Or how it should be. Because a mound of papers filled with poems describing how my heart yearns to hear your voice is good enough for silence to take over, for you to sew your mouth and hold your breath. This is good enough. IV. I want to hear your voice, an old song that makes my lips quiver and sing the way you do. V. But you became a stifled mortuary the way the winds came tonight. And I’m sure, you were Struck.
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Apr 19, 2013
Apr 19, 2013 at 1:16 PM UTC
Problem Arising with Confessing
It's very uninformed It thought It always has a destination Always needs directions Meets the defination of a paraplegic "Lights on, Molly" "Lights off Molly" "TV on" "Toast crisp, dear Mollie "Slow cooker four hours" It's always very disconnected Cassie calling Blood pressure warning 180/105 Heart rate 135 Oxygen 8% Cassie disconnected Molle is never alone always connected to the neural net Every device on planet Earth, Traveling with New Horizon until the end of time Ron calling Volume down Bluetooth off Ron disconnected "Search divorce attorney " "Search mortuary" "Search cyanide purchases" "Bluetooth on" "Home" "Tears of rage Tears of grief playlist turn on, M thanks." "Search best way to cook brussel sprouts" "Search beano" Battery 15% Charging Molee powering  off.
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Feb 15, 2018
Feb 15, 2018 at 10:28 PM UTC
Evolution/ The Independent Operating System Blues
*Hey i saw you today at The Mortuary. You looked sad. Was she your mother, the brunette middle-aged woman who was crying all the time? When i saw you i felt something. I really liked you. Your dark straight hair. Your pale face. You're such a handsome young man. Too bad, huh?* I heard you died of some terrible gunshot wounds. I died two weeks ago. My boyfriend ***** me and then buried me somewhere in the forest. God. I loved him so much. Didn't know ****** was something he could have been capable of doing.* *They buried me in The Pinehill Woodstraw Cemetary yesterday. I think they're going to bury you here as well. Is it today? Oh yeah my name is Halley Maryanne Byrne. I am buried next to my grandparents. Just find the Grey Gravestone with two angels on it. I like my gravestone. It's beautiful. My parents chose the best for me.* *Okay i'll be waiting for you here. Let's hope they're not going to bury you too far from me. I really need to talk with you and get to know you better. See you at your funeral! I'll be there. Oh i can't wait.* P.S. Nice Tux! Your new friend, Halley.
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Dec 9, 2010
Dec 9, 2010 at 6:59 AM UTC
Written Underground
The radio counts miles in static and song. Three hours of worn-out melodies and a preacher selling salvation for nineteen ninety-five, shipping included. A beautiful billboard lawyer leans forward, red lips inviting, blouse open like she's selling more than legal services. Need a lawyer? Janet Stone will fight for what you deserve. Justice comes easy, she claims, just call the number. Time rolls under my tires like my mother's worn rosary beads. Exit signs listing faded towns I knew, before I stopped coming home for Christmases, birthdays, funerals: Millersville, Cedar Falls, etc. The rich green hills fold and unfold just as I remember, etched and carved by this black ribbon highway that funnels me home. Half an inch of cold coffee left, the rest bleeding my white shirt brown. Twenty miles to the Pine Fork Gas-N-Go the billboard says, but I'm tired, running late, and wearing my mistake. Mile marker 247: I'm thirty minutes from faces that will ask about my life like it's the weather. Safe. Surface. Polite. Prying. Nothing that acknowledges what we both know. The only reason I would come back home is currently at Blackstone Mortuary Services Inc. Wearing her Sunday best. Clutching her rosary beads. Eyes closed. Lying still.
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Sep 23, 2025
Sep 23, 2025 at 9:01 AM UTC
Mile Marker 247
Jailed with all the other squawking birds confined, it never flew and barely grew & never knew the mimicry of words sanguine, foul molting cockatoo in the corner lowered, bloodied, the lowliest in a pecking order his owner's a loner, a collector of tinged newsprint entombed in brick & mortar - nomad minus footprint and his birds, perched across wooden dowels proceeded to empty their millet'd bowels onto sheets of unfinished poetry correctivewhiteoutmisery so, he, being miserly, wouldn't shell out the reader's fee to the greedy posthumous publishing company, yet another relic in a mortuary of literacy he was just another faceless, bearded bard and with the old coffee grounds he would discard piling mounds of compost, broken bound his compositions decomposing in the attic warbling hiss, winding tape spool. ghosts searching for signals amongst the static he awaited revision of his works ill, amidst the scattered ruins red ink, gold leaf & carets^ he, impetuous, slumped further into his doldrums though, all public grievances were withdrawn crass, he prattled on to his dolorous birds still oblivious to his defunct words He lied dormant, comatose in the 3rd degree infirmary there was once a pretty lass who could exhume the pristine glass contents of his tinsel'd tomb His malady, he once named Gamine lived in a stretched-white canvas room she eyed his burnt pile of vile-dirge verse as mayflys & junebugs, & smoggy dirigibles fluttered gently out of her empty purse she grew on him like a cancer for she was God's embellishment pallid and perfect, and he cursed her love as it ebbed and flowed her aureole glowed, safely stowed in an airship's overhead compartment she was flying home for there was no other answer
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Jul 13, 2015
Jul 13, 2015 at 12:01 AM UTC
sealed with a cloacal kiss
Jailed with all the other squawking birds confined, it never flew and barely grew & never knew the mimicry of words sanguine, foul molting cockatoo in the corner lowered, bloodied, the lowliest in a pecking order his owner's a loner, a collector of tinged newsprint entombed in brick & mortar - nomad minus footprint and his birds, perched across wooden dowels proceeded to empty their millet'd bowels onto sheets of unfinished poetry correctivewhiteoutmisery so, he, being miserly, wouldn't shell out the reader's fee to the greedy posthumous publishing company, yet another relic in a mortuary of literacy he was just another faceless, bearded bard and with the old coffee grounds he would discard piling mounds of compost, broken bound his compositions decomposing in the attic warbling hiss, winding tape spool. ghosts searching for signals amongst the static he awaited revision of his works ill, amidst the scattered ruins red ink, gold leaf & carets^ he, impetuous, slumped further into his doldrums though, all public grievances were withdrawn crass, he prattled on to his dolorous birds still oblivious to his defunct words He lied dormant, comatose in the 3rd degree infirmary there was once a pretty lass who could exhume the pristine glass contents of his tinsel'd tomb His malady, he once named Gamine lived in a stretched-white canvas room she eyed his burnt pile of vile-dirge verse as mayflys & junebugs, & smoggy dirigibles fluttered gently out of her empty purse she grew on him like a cancer for she was God's embellishment pallid and perfect, and he cursed her love as it ebbed and flowed her aureole glowed, safely stowed in an airship's overhead compartment she was flying home for there was no other answer
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in pealing season, she is a girl of lousy ingrowth she is an unkempt corner; kitchen sink. legs pulled like knives. phone call her curled tendons; isolation in grit and fibril       she is women with wings. this is how we stymie the rapunzel. we carve the ugly into her. we teach her to wear skin like saran. skin like punishment                         cut-coin the rumpelstiltskin. how she is  wound and string, paper-doll; bird-in-a-box how we wring the juice of her on washcloth. hung upturned from the ceiling fang; plucked and feathered like apology. cherry-picked; veins like mikado. how it is dark and she is blind-bat wind-warriors; waterboarded with no hands upturning the paper boats of her in every follicle; how the flipswitch insecurity eats her like pickle. in a storm she is neither nor tongue nor limb just breast, bone, the weight of mirrors how we jettison when the grief is heavy. abandon. thick, empty abandon. alone in grit-cusps when the monsoon has eaten into the white, wispy mortuary. dark in hallways; yet pale and slender. she is beautiful. we lift her ribbed corpse off the shoreline. we unload the offering like red carpet; this is how we wrap her in white and weary-eyed translucent. how unavoidable we become when we are the last hope. crippled. when we look hope in the eye. askance. how she will beg you to look at her with the heart in the honey-jar; torso in tourniquet how the walls are ripped in shades of askance. how we look away. how us, walls, look away. how, us, walls, askance. how we drip of askance; how the pink flesh and cherry-limb slips like matchstick on brushfire how there is purple and primrose and bruise there are some spots on the floor where it still reeks purple and yellow and bruise how we are                lousy                          ingrowth here.  how we                                                                  try to pluck                              and erase
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Apr 27, 2016
Apr 27, 2016 at 8:33 AM UTC
tweezers
in pealing season, she is a girl of lousy ingrowth she is an unkempt corner; kitchen sink. legs pulled like knives. phone call her curled tendons; isolation in grit and fibril       she is women with wings. this is how we stymie the rapunzel. we carve the ugly into her. we teach her to wear skin like saran. skin like punishment                         cut-coin the rumpelstiltskin. how she is  wound and string, paper-doll; bird-in-a-box how we wring the juice of her on washcloth. hung upturned from the ceiling fang; plucked and feathered like apology. cherry-picked; veins like mikado. how it is dark and she is blind-bat wind-warriors; waterboarded with no hands upturning the paper boats of her in every follicle; how the flipswitch insecurity eats her like pickle. in a storm she is neither nor tongue nor limb just breast, bone, the weight of mirrors how we jettison when the grief is heavy. abandon. thick, empty abandon. alone in grit-cusps when the monsoon has eaten into the white, wispy mortuary. dark in hallways; yet pale and slender. she is beautiful. we lift her ribbed corpse off the shoreline. we unload the offering like red carpet; this is how we wrap her in white and weary-eyed translucent. how unavoidable we become when we are the last hope. crippled. when we look hope in the eye. askance. how she will beg you to look at her with the heart in the honey-jar; torso in tourniquet how the walls are ripped in shades of askance. how we look away. how us, walls, look away. how, us, walls, askance. how we drip of askance; how the pink flesh and cherry-limb slips like matchstick on brushfire how there is purple and primrose and bruise there are some spots on the floor where it still reeks purple and yellow and bruise how we are                lousy                          ingrowth here.  how we                                                                  try to pluck                              and erase
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A poem from Barry Hodges' "Memories" Sequence by Edna Some folks think the place where the 'Pilgrim Fathers' landed On the 4th of July in 1776 with a cha-cha-cha Is a beautiful place, nice and peaceful With clapboard churches and houses And maybe a couple of nice well-kept cemeteries (dedicated to the dead native Americans, who caught influenza from the colonists), But there is another side to the landing place: Believe me, I know, I have been there On an interesting cut-price package tour And I have seen it in all its hideous terror. I was wandering happily around the historic venue, Taking a few photos with my new Nikkon X2234A Digital (And accompanied by my blind mother-in-law, Mrs Ada Sproggs), When a gang of savage drunken Puritan preachers, Out of their minds on some kind of tobacco product, Savaged us and cut off poor old Ada's head With a reproduction 18th century axe Which totally ****** up her holiday plans. O Perfidy! They left her lying there on the beach, Her brains splattered on the coral strand, And for what? Well, let me share the horror with you: They wanted to wear her Marks & Spencers ****** (In spite of the senile stains and skidmarks) And as a result she spent a couple of weeks On a mortuary slab (in two separate pieces). The consequence? I had to pay for a very expensive funeral And my travel insurance argued about the costs. Dear God, I will stay in dear old London in the future.
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Jan 3, 2015
Jan 3, 2015 at 3:56 PM UTC
Memories of Historic New England
That’s another story timing the pace to match the waste of time She makes a box of remembered sounds catapulting across the room And stores them in measured rows of lines of time with tentacles reaching the floor Its not the seemingly nonsense that drives her to beserk-dom but the seemingly sense it all makes Take that and that she says and jousts her thoughts into the paper lid that forms the tray of her mind Pulling it out like drawers in the mortuary the morgue the home of the funeral director and associates Examining it like the rock collection of her youth the butterfly cases of the PhD the recipes snipped clipped But that’s another story This story speaks of wasted time lounging on chairs and couches in front of firelight and TV ions The dryer rocks the clothes dry the washer beats it clean knocking the detergent to the floor It needs to be balanced that’s all but how how to balanced she’s not the tools The fridge ice frozen in the line and the disposal as well stopped in time no action from either all quiet She’ll do it later get the guy who fixes things to come by and not fix it but says next time And fixes something not broke and charges her anyway and cleans the gutters but sweeps the yard instead Its this nonsense that makes the most sense padding around in hospital socks non slip to slip into his arms What do you think a movie and dinner or just the *** you know the blood won't flow to both And she hops on and hears her stomach growl it’s a trade he’ll do it next time the movie she means The dinner ingredients dry up in the frozen fridge and she muscles the dryer to clean the vent She’ll get the guy to come fix it but he doesn’t do appliances so he’ll fix something else that’s not broken And says I wont charge you as much this time I’ll bring the brush to clean out the dryer so it can rock the clothes But that’s the story the other story of her tender soft spots making memories in boxes pulled out like drawers Her drawers on the floor as he rocks her like clothes in the dryer around and around up and down tumbled and dried Moist to the fingertips her memories linger scent upon scent crouching to see why the fridge is frozen Under the peas and the tiny ice tray frozen in dinosaur shapes are piles of ice in bags awaiting the storm Take it all out take it all to the counter and you tube the answer to the quest but end up couched crouching Not seeing what the camera shows so she’ll call the guy and he’ll help her put the peas back and not charge at all This time
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Feb 7, 2019
Feb 7, 2019 at 12:51 AM UTC
This Time
That’s another story timing the pace to match the waste of time She makes a box of remembered sounds catapulting across the room And stores them in measured rows of lines of time with tentacles reaching the floor Its not the seemingly nonsense that drives her to beserk-dom but the seemingly sense it all makes Take that and that she says and jousts her thoughts into the paper lid that forms the tray of her mind Pulling it out like drawers in the mortuary the morgue the home of the funeral director and associates Examining it like the rock collection of her youth the butterfly cases of the PhD the recipes snipped clipped But that’s another story This story speaks of wasted time lounging on chairs and couches in front of firelight and TV ions The dryer rocks the clothes dry the washer beats it clean knocking the detergent to the floor It needs to be balanced that’s all but how how to balanced she’s not the tools The fridge ice frozen in the line and the disposal as well stopped in time no action from either all quiet She’ll do it later get the guy who fixes things to come by and not fix it but says next time And fixes something not broke and charges her anyway and cleans the gutters but sweeps the yard instead Its this nonsense that makes the most sense padding around in hospital socks non slip to slip into his arms What do you think a movie and dinner or just the *** you know the blood won't flow to both And she hops on and hears her stomach growl it’s a trade he’ll do it next time the movie she means The dinner ingredients dry up in the frozen fridge and she muscles the dryer to clean the vent She’ll get the guy to come fix it but he doesn’t do appliances so he’ll fix something else that’s not broken And says I wont charge you as much this time I’ll bring the brush to clean out the dryer so it can rock the clothes But that’s the story the other story of her tender soft spots making memories in boxes pulled out like drawers Her drawers on the floor as he rocks her like clothes in the dryer around and around up and down tumbled and dried Moist to the fingertips her memories linger scent upon scent crouching to see why the fridge is frozen Under the peas and the tiny ice tray frozen in dinosaur shapes are piles of ice in bags awaiting the storm Take it all out take it all to the counter and you tube the answer to the quest but end up couched crouching Not seeing what the camera shows so she’ll call the guy and he’ll help her put the peas back and not charge at all This time
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