Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.

NOTE:  This is a short story; not a poem.  (author)

(Sometimes when you don’t know something can’t be done, you discover a way to do it.)

High at the top of a tree in Forest Park, Parker Squirrel lived in a nest that his mother had built from a hollowed out place inside the trunk of an old oak.   A large branch forked away from the main trunk and a hole in the bark conveniently served as a doorway to the outside world.  On one particular morning, Parker poked his head out from the doorway of his home and looked around very carefully at his surroundings.  It wasn’t the first time in his young life that he had peeked at the outside world from his mother’s nest, but this time he was more alert and cautious than he had ever been before.  Today he was orphaned and all alone.  Sometime in the dark of night, while he was hiding deep inside the nest, he was forced to watch in terror when a large owl came and took away his mother.  So today, feeling very timid and afraid, Parker made every effort to look in each direction before leaving his cozy home to explore and search for food.

Just ahead of him he saw that the rustic ranger station stood like a monument, to welcomed visitors to the state park.   On his left he could see the foothills of the purple mountain range.  He knew that these foothills and their woodlands were all part of the place called Forest Park.  Off to his right a dancing brook bubbled along the edge of a grassy meadow.  In its tall grasses he saw a white-tail doe playing with her newborn fawn. There seemed to be no danger in that direction, so Parker stretched his neck upward and watched as white, cotton-ball clouds floated across the azure blue sky.  Finally he looked down at the ground far below just in time to see a large toad quickly hop under the cover of some wild mushrooms.  Still, he sensed no danger.

Unfortunately, in order to see the forest behind him, it was necessary for Parker to leave his nest and climb around to the other side of his oak tree. And that was a problem for Parker, because the little squirrel was still much too timid to take such a chance.  Instead he stretched as far as he could to look around the wide tree trunk and into the woods.

Glancing back into the forest, Parker saw more tall oak trees with their strong, stately trunks.  He saw a scattering of white flowers that revealed the presence of dogwood trees.  A stand of sugar maples displayed their graceful branches and delicate leaves.  He also noticed some early spring flowers and wild mustard plants splashing bright yellow hues against the fresh green Indian grasses where a tiny meadow carpeted the outer edge of the forest floor.

There were no owls!

Even if they were hiding where he couldn’t see them, Parker would know they were there.  He would be able to smell their unmistakable odor.  To nearly all rodents, the owls have a peculiar stench that is putrid and foul.  And even a young squirrel like Parker would recognize it at once.

The young squirrel was fascinated by all he saw.  His furry skin tingled in the warm glow of the bright, noonday sunshine, almost making him forget the tragedy of the previous night.  Parker had only arrived into the world about six weeks ago, but in squirrel time that meant he would soon be approaching young adulthood.  He had always been cozy and comfortable, cradled in the nest his mother had built in the tall oak tree.  He had always enjoyed foraging with her for seeds and nuts.  The pantry was partly filled, even now, with acorns and hickory nuts, which emitted a woodsy aroma that reminded him of his mother.   He loved the wonderful world he saw from his perch and his heart was so happy that he began to chatter a new springtime song, which he seemed to hear playing all by itself inside his head.

Parker was so enthralled by all the new sights and smells filling his senses that he nearly outstretched the length of his body as he leaned outside the doorway to his mother’s cozy nest and suddenly he fell and tumbled onto the forest floor beneath him.  He landed with a horrible thud!  The little squirrel landed on his back into a clump of moss that grew beneath the tall oak, which only moments before had been his citadel.

  “Ouch!” chattered Parker as he recovered his breath.  The fall had knocked the wind from his lungs but as soon as he discovered he could breath again he checked himself all over to make sure he wasn’t seriously hurt.  Then he began to explore the forest floor.

The little squirrel was so excited, as he ran from one discovery to another, that he completely lost track of time.  Before he knew it, he was a long way from his mother’s tree and it was growing dark.   The little squirrel ran from tree to tree looking for his home and finally he stopped at a very tall oak.  Parker was certain that this was the same tree from which he had fallen, so as fast as he could scurry, he climbed up the trunk, searching among its branches for his mother’s nest.  When he failed to find his home in the trunk of the tree, Parker finally realized that he was lost. The young squirrel had exhausted all of his strength running through the woods.

Afraid and suddenly very lonely, Parker was also very sleepy and hungry.   Since he had no food and didn’t know what else he could do, Parker curled up into a ball at the crook of a branch and fell asleep.  Next morning Parker searched the tree again for his home.  To his surprise he stumbled upon a strange nest made up of branches and twigs of oak built close to the trunk of the tree.  This nest seemed substantial and well built.  The interior of the nesting cup was about eight inches across and five inches deep.  Although the nest looked crude from the outside, its bowl was delicately and warmly lined with a combination of moss, feathers and leaves. It was about seventy-five feet from the ground and two fledgling crows were sleeping inside.

An older squirrel might have killed the baby crows for food and driven off the adult birds when they returned, but Parker just climbed inside the nest, curled up beside the sleeping pair, and fell asleep to dream about where he would find his next meal.

Parker’s sleep was interrupted by the noise of the two young birds’ loud clamoring for food.  Their incessant calls were being tended to by the mamma crow, which had returned to the nest and was now busy stuffing their hungry mouths with an assortment of seeds and worms.  As strange as it seems and much to Parker’s surprise, the mother crow also began stuffing his mouth with food just the same as if she was feeding her own children.  Although he didn’t like the earthy taste of the worms, Parker was very hungry and he swallowed every bite.  He found that he was actually quite satisfied with the meal.

Parker soon learned that there had originally been six baby birds occupying the crow nest, but sadly four had recently been taken by the owls in nighttime raids.  Perhaps the loss of her own children was the reason the Mother Crow decided to adopt the baby squirrel and began feeding it along with her own young.  In nature there are many mysteries and not all of them have easy answers.  But, whatever her reason, one thing is very certain.  Parker Squirrel had been officially adopted into the Crow family and he now had a new mother and a new home, complete with a brother and a sister.

Parker’s new siblings were very close to his own age, which meant they soon would begin standing on the edge of the nest and even leave to nearby branches of the tree when they were being fed.  In the course of another week they would be leaving the nest and taking their initial flight while being watched, tended to, and protected by their adult parents.  So Parker had a great surprise awaiting him. He didn’t know it yet, but in just a few days Mamma Crow would be expecting him to learn to fly.  Of course, squirrels, by nature, are curious and quite acrobatic and no one had ever yet told Parker that he couldn’t fly like a bird.   So when the time came for Parker and his siblings to make their initial test flights, he spread his arms and began to flap them hard, as though they were wings, as he leaped from the nest.  Naturally the little squirrel tumbled down once again onto the forest floor with another thud.

Encouraged and nudged along by Mamma Crow and by taunts from his new brother and sister, Parker tried again and again to fly.  Each time he tried flapping his little arms like wings and each time he fell to earth with a thud.  Soon his whole body ached with painful bruises from his many falls.  But even more than the motivation and prodding from his new family, Parker wanted to fly.  There was something inside Parker that made him want to keep trying.  Parker really did want to fly.

Immediately after being adopted, Parker had begun foraging for his own food by pure instinct.  When he found acorns and seeds he brought them by mouthfuls back to the Crow family’s nest.  But now the urge to fly was almost as strong inside him as his urge to scour the forest floor for acorns and nuts.

At night Parker dreamed about flying.  As a younger squirrel he had often dreamed about being a “super squirrel” that flew around the forest, from tree to tree, doing good deeds and fighting off the evil owls with his super powers.  But the urge he felt now to soar through the air was different from the wishful thinking of a childhood fantasy.  Parker felt that he had to fly.  He just had to.

He thought about why he wanted to fly so badly.  It was more than the fact that his new brother and sister could fly.  There was some important reason deep inside him that made him yearn to soar from tree to tree.  As time passed Parker met other squirrels in the forest and he knew very well by now that he was not a crow, so why couldn’t he just be content to be like the other squirrels and forget all about this nonsense of flying after all.  He thought that perhaps it was because he remembered what the owls had done to his mother and what they had done to those siblings from his new family that were taken before he even had a chance to meet them.  Perhaps now, he thought, he was just afraid and only wanted to fly so he could escape the danger of the owls.  Maybe he was just a coward.

The next night when Parker went to sleep he dreamed again of flying.  But there was something different about this dream.  In his dream Parker was not flying like the crows fly.  He didn’t flap his arms up and down like wings.  Instead he just glided and soared with no effort at all.  In this dream he could actually feel the wind flowing over his body as he glided from one tree to another.  When the sun came out and awakened him from his sleep, Parker couldn’t wait to try again.  This time when he jumped from the nest he would not flap his arms because, after all, arms aren’t wings are they?

Before anyone could stop him, Parker leaped from the nest.  He began to fall straight down, but instead of flapping his arms up and down, he stretched his arms and legs out as far as they would reach.  Then, suddenly something happened.  Instead of dropping to the ground with a painful thud, Parker started gliding.  He didn’t fly far enough to reach another tree, but he was able to glide to another branch on his own tree.  After recovering from his own surprise, he looked back to the nest and he saw his mother and brother and sister all standing on the edge of the nest with looks of amazement on their faces.  They were all calling out to him to try it again. This time, having learned what to expect, Parker glided all the way to the next tree.  After a few more tries, Mother Crow was flying right beside him.

One day Mamma Crow told him to follow her.  “Come with me,” she said.  “I want to show you something.”   And he followed her, gliding from tree to tree.  She led him to a new place, deeper into the woods than he had ever been.  Soon they arrived at a place in the forest that almost seemed enchanted.  He was very surprised to see that were lots of other squirrels gliding from tree to tree just like Parker.

“This is your new home,” said Mother Crow to Parker.  “You’re not just an ordinary squirrel, you know, you are a flying squirrel.”

Then she told him, “From the day I first adopted you I knew that you were special. But you had to discover by yourself who you really are.  Here in this place you can be safe and make friends of your own kind.”  After saying goodbye and wishing him well, she waved at him and, looking back one more time, she flew away.

Well, that is how Parker learned to fly and how he discovered who he really was.  After that he continued to live a very happy life with his new friends.  The owls never seemed to trouble him in this part of the woods.  But he never, ever, forgot about Mother Crow and the family that adopted him. Even to this day, Parker often stops by the nest with a mouthful of acorns and nuts.

Pianificare un matrimonio Texas tutto il tragitto dall'Inghilterra non è esattamente quello che chiamerei un compito facile .ma per questa splendida sposa e lo sposo è stato uno che è venuto insieme senza soluzione di continuità .Sto parlando di una squadra impressionante di fornitori .amici favolosi + parenti e romantico giorno di tempo piovoso tutti insieme per creare una relazione seria sognante .Vedi tutto catturato da Geoff Duncan proprio qui .

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Da Sposa.Dopo Jon ed io siamo fidanzati nel gennaio 2013 .ci fu inizialmente un sacco di avanti e indietro sopra dove il matrimonio reale avrebbe avuto luogo .Jon è vestiti da sposa dalla costa meridionale dell'Inghilterra .e miè èdal Texas .e anche se la gente continuava a dirci che era il nostro matrimonio.quindi dovremmo avere nel posto che ci rende felici .ci stavaè èvuole che sia davverodifficile per tutti della nostra famiglia e gli amici per farlo .Alla fine abbiamo deciso che aveva più senso avere in Texas.come ** TALE una grande famigliaèe al momento abbiamo pensato che sarebbe sicuramente ottenere un tempo migliore ( sì proprio! ) Ed essere in grado di avere il matrimonio all'aperto.Inoltre .un paio di Jon ' amici inglesi ci ha detto cheñ è èEtter nonèce l'ha nel Regno Unitoè èvolevanoè eo da qualche parte esotica .come il Texas !è è/ em >

Jon e io sapevamo che didnè èvogliono avere il matrimonio in una grande cittàècosì Dallas .dove hoè èoriginario .è stato escluso abbastanza rapidamente .La nostra posizione di nozze e il tema di ispirazione in realtà provenivano da uno dei matrimoni Jon ' groomsmen "che abbiamo partecipato insieme il primo fine settimana mi sono trasferito nel Regno Unito all'inizio del 2011 . Loro matrimonio era nelle Highlands scozzesièpiù disabitata .selvaggia .zona remota voipoteva immaginare .Abbiamo volato da Glasgow .affittato una macchina e guidato altre 3 ore a nord nel bel mezzo del nulla .La maggior parte delle persone che frequentano il matrimonio alloggiavano nello stesso albergo ( o nelle vicinanze ).per tutto il weekend ed è stato questo ( probabilmente centinaia di anni) edificio in pietra si affaccia su un bellissimo lago .La vecchia chiesa caratteristico era solo la strada - e stranamenteèversò prima.durante e dopo tutta la loro cerimoniaèsuona familiare .E 'stato davvero romantico anche se durante la cerimonia .perché eravamo tutti rannicchiati in questa calda chiesetta con il vento e la pioggia che urla fuori .Abbiamo apprezzato molto l'idea di fare una cosa simile dove tutti alloggiava nella stessa zona ed era in campagna - e tutti abbiamo potuto trascorrere il weekend insieme .Abbiamo pensato cheè ñal sicuro dalla pioggia in Texas estate.anche seèci stavaè èaspettano Scozia meteo !

organizzare il matrimonio in Texas da Londra non ha dimostrato di essere un compito facile .In un primo momento ** pensato che ero in cima delle coseènon eroè èlavoro e sono stato in grado di ottenere la maggior parte dei miei grandi fornitori prenotati.Ma poi ** trovato un nuovo lavoro nel mese di luglio e che ' quando le cose sono diventate davvero difficile .** sottovalutato quanti piccoli dettagli ci sarebbeèma fortunatamente per meèmia mamma e papà davvero tirato insieme e aiutatoèmolto .** trovato un sacco di mie idee per i più piccoli dettagli su Pinterest ( come si fa ) e ** trovato il materiale che avevo bisogno di fare loro su Etsy .Vorrei ordinare tutto il necessario per una delle mie idee e quindi provare a lavorare con mia mamma per vedere come si potrebbe ottenere fatto .I vasi di muratore sono un esempioèho ordinato 100 vasi di muratore .etichette.cannucce .ecc e li aveva spediti alla mamma .Poi ** avuto la vestiti da sposa mamma di passare le etichette per invitare la mia ragazza (che è INCREDIBILE tra l'altro) e aveva tutti i nomi stampati sulle etichette e ha dato di nuovo a mamma che li bloccato sui vasi .E così la maggior parte dei piccoli dettagli sono stati fatti in questo modo!I donè èche avrei potuto fare tutto senza tutto l'aiuto straordinario che avevoèmamma.papà .il abiti da sposa on line mio coordinatore e altri fornitori sorprendenti.

Jon e ** volato in Dallas la settimana prima del matrimonio per aiutare a finire alcune cose prima del giorno e per abituarsi al cambiamento di tempo orribile.Il weekend di matrimonio iniziato nel Austin sul ​​Giovedi prima perché il Inn Above Onion Creek richiesto l' intero hotel è stato affittato per tutti e tre notti .È finito per lavorare fuori fantastico e mi ha dato una notte in più da trascorrere con tutta la mia famiglia e gli amici Jon ' in un unico luogo .L'intero weekend è stato davvero speciale (ovviamente la notte del matrimonio reale era il migliore !) .Ma è stato incredibile .non solo avendo tutti i nostri cari in un posto.ma guardando quanto bene tutti andavano d'accordo e quanto divertimento tutti sembravano essereavere .

Tutta la settimana che porta al matrimonio .Jon e mi era stato nervosamente controllo le previsioni ogni cinque minuti .Purtroppo .una previsione di pioggia sarebbe semplicemente non andare via per il giorno del matrimonio reale .ma è tenuto saltando dal 20 % al 50 % e di nuovo al 20 % - la tortura totale.TUTTI continuava a direè ñhhh donè èpreoccuparti !Non ' sicuramente pioverà .Essa non fa maièprobabilmente sarà cielo sereno !èquindi non era davvero stressante a tutti quando tre ore prima della cerimonia .la pioggia peggiore cheè èe visto in anni laminati in ( ben che potrebbe in parte essere perché drizzles solo a Londra).ma letteralmente il cielo stava cadendo .Probabilmente ero un piacere essere intorno in quel periodo .Per fortuna



.come ** detto primaèavevo fornitori incredibili che erano in grado di tenere tutto insieme ( mentre io ero un disastro ) e tutto si è rivelato splendidamente .La pioggia cessò per la cerimonia (per fortuna ).e il cielo si schiarì che ha fornito anche un bellissimo sfondo per tutte le foto di gruppo .Tutto sembrava essere scorre senza intoppi e ci siamo divertiti così tanto a parlare con tutti e ballare verso la fine della notte .
couldnè èpotuto essere più felice di come è andato tuttoèera letteralmente tutto ciò che avremmo potuto sperare.Ci siamo sentiti solo come se fosse volato da troppo veloce!Fotografia

: Geoff Duncan | Cinematografia : Jerry Malcolm 2nd Generation Films | Cake: The Cupcake Bar | Cancelleria : Love And Wit Paper Co. | Hair \u0026 Makeup : Erica Gray | DJ : DJ Floyd Banche | Ufficiante : Sarah Reed | Alcol: Specifiche | Cerimonia \u0026 Reception Venue : Inn Above Onion Creek | Coordinamento : stile e la grazia Eventi | barman : Bar Divas | Rehearsal Dinner Luogo : Iron Cactus 6th Street | vacanze : Illusions AffittiThe Cupcake Bar è un membro del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .The Cupcake Bar VIEW
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assistenti

cane in un propel matrimonio detto matrimoni in cima alla lista commovente .I cani in realtà solo rendono tutto più felici .non è vero ?Quindi ero già innamorato di questo matrimonio .grazie al cane dolce .quando ** letto le parole della sposa e si innamorò con la loro storia .Sprout .la signora dietro i bei fiori .era secondo insegnante elementare dello sposo .Everest Strada Fotografia stato un consigliere campo con la sorella della sposa .L'intera giornata è stata un ricordo in divenire .uno Sono sicuro che la coppia e tutti i loro ospiti potranno guardare indietro per sempre con affetto



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Dalla bella sposa .Mi sono innamorato di Fredericksburg attraverso la mia damigella d'onore Cori Dickie frequentando il 4 luglio parata durante il college ed è diventato una tradizione annuale .La sua mamma ci compra sempre corrispondenti camicie bandiera americana al Walmart .Cori e sono diventato amici incollaggio su DQ Blizzard e aveva mensili "Date DQ ".Una volta Riley e ** iniziato datazione è venuto con me per i festeggiamenti .Non abbiamo mai pensato di sposarsi qualsiasi altra parte .Il Ruff Haus è stato il primo luogo che ** visto e mi era innamorato .Non ** mai sognato che avrei sposarsi al di fuori .ma era perfetto per Fredericksburg e noi.Volevamo qualcosa di casuale e invitante - come una grande festa nella nostra casa .Insieme essendo un matrimonio abbiamo voluto che fosse una festa dove tutti erano lì per divertirsi .I bastoni di incandescenza erano uno dei miei tanti preferiti sulla pista da ballo e per l'uscita .Sono venuti su .perché il luogo praticamente non ha consentito buttare nulla o qualsiasi tipo di fuoco - e quindi abbiamo fatto la nostra propria luce .

Riley e io laureato presso la stessa scuola .a tre anni di distanza .I nostri genitori vivono a pochi isolati l'uno dall'altro e non si conoscevano .E 'stato così divertente vedere le nostre famiglie si riuniscono e il divertimento nostri genitori hanno insieme e matrimoni cristiani che hanno modellato per noi.Mamma abiti da sposa corti di Riley .direi il più timido del gruppo.ha avuto l' idea di eseguire un ballo a sorpresa al matrimonio .Hanno preso 8 settimane di lezioni di danza coreografia di " Shake Your ***** ".Purtroppo .la band non ha avuto la canzone giusta in modo che non erano molto soddisfatti delle loro prestazioni .** detto loro che non ti preoccupare faremo lo si esegue ad ogni festa importante da qui in abiti da sposa corti avanti .

Riley vende articoli promozionali per le aziende così ci è venuta l'idea di fare un logo per il matrimonio e metterlo su tovaglioli .tazze .koozies .borse di benvenuto e biscotti .** creato il look che volevo e font e uno dei dolci amici di mia mamma aiutami invertire le lettere e convertire il formato .Siamo quasi ripulito tutti gli obiettivi a Dallas cercando vasi di muratore .Volevamo successivamente a causa del calore e così volevamo tanto illuminazione possibile.La mamma di Riley è incredibile con fiori e lei ha fatto alcune delle disposizioni sui tavoli .

Quando abbiamo deciso di fare un matrimonio fuori sapevo che abbiamo dovuto avere il nostro cane .il giudice .in esso .Abbiamo preso il fine settimana che Riley ha proposto a casa di William Faulkner a Oxford .MS .Mio fratello treni laboratori di nero e ci ha dato il giudice e il suo cane Tex è come parte della famiglia .Averli nel matrimonio è stato uno dei migliori e più stressanti cose .Il giudice ha trascorso l'intera cerimonia cercando di ottenere la mia damigella d'onore Abbie per lanciare il suo bouquet per lui recuperare .Mio fratello ci ha dato anche in modalità pianificazione di nozze ed ha trovato e ha condannato i collari per cani corrispondenza di un amico .Uno dei nostri ospiti libri era acquerelli e abiti da sposa 2014 storie di Oxford e l'altra photography era da Texas Hill Country .

maggior parte dei dettagli è accaduto lungo la strada.Non ** mai pensato che avrei arancione come colore e non avrebbe potuto essere più soddisfatti .I fiori sono stati fatti localmente da Sprout .di proprietà di Michelle Hodges - che abbiamo poi messo insieme quando i genitori di Riley si sono incontrati con lei che era la sua seconda maestra elementare a Dallas .Inoltre .ero così entusiasta di scoprire il mio bonus - sorella era un consigliere campo con il nostro fotografo.I piccoli collegamenti come quello reso molto speciale .

Per i fiori non avevo mai sentito parlare di Dahlia .Questa primavera Southern Living ha fatto un articolo su di loro e sapevo che sarebbe la misura perfetta per il nostro matrimonio .Programmi

- sapevamo che sarebbe stato caldo e quindi pensano i fan sarebbe una grande idea .Erano - tranne per il fatto che li assemblaggio è un po ' più difficile di quanto avevamo previsto .Abbiamo avuto una festa incollare una notte e mastice usate che non attacca a tutto .E 'stato un processo di apprendimento .

mio DIY preferito .se si può chiamare così .è i registri le torte erano su .Riley e io stavamo camminando giudice una notte e qualcuno aveva tagliato un albero nel loro cortile e registri non erano stati raccolti ancora .Siamo tornati a casa e abbiamo preso il suo camion e li raccolse .Non sapevamo che pesavano una tonnellata e ha ottenuto il suo sedile posteriore super- sporco .Lavender

- mia mamma amicizia il proprietario di Urbano di erbe e abbiamo avuto solo per avere lavanda cose profumate ovunque .Il mio patrigno si avvicinò con l'idea di ghiacciato giù di lavanda asciugamani profumati .Egli può essere più orgogliosi di questa idea di ottenere la sua certificazione online per essere un ministro

Fotografia : Everest Strada Fotografia | Coordinatore: . Jasper Eisenberg | Fiori : Sprout | Abito da sposa: Bridal Boutique di Lulu | Torte : La dolciastro Chef | damigella d'onoreAbiti : Donna Morgan | Catering : Delicious Dettagli | Abbigliamento Groomsmen \ 's : Jos A. Banks | lavanda Prodotti : Urbano HerbalSprout è un membro del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .Sprout VIEW
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Deadbeat dad,
you can't compete with the patter of tiny feet.

Forever...
Shall I strive to be Mum & Dad in spite of thee.

You had your chance and made your choice
(..."and missed so much" in the saddest voice).

So distant, both in words and deeds,
both empty since you sowed the seed.

He was made with love, only mine.
So listen now...
We'll be just fine!

It's my birthday and this year I turn ten
It's my birthday and this year I turn ten
It's my birthday and this year I turn ten
Gonna have a party and invite over all 'o my friends

It's my birthday and Papa's in the cooler again
It's my birthday and Papa's in the cooler again
It's my birthday and Papa's in the cooler again
Gonna use my birthday cash to bail him out again

Mamma says no matter, I should love my dad
Mamma says no matter, I should love my dad
Mamma says no matter, I should love my dad
I already think he's the best I could'a had

It's my birthday and Papa's in the cooler again
It's my birthday and Papa's in the cooler again
It's my birthday and Papa's in the cooler again
Gonna use my birthday cash to bail him out again

When we paid the bail, gonna walk up on a snitch
When we paid the bail, gonna walk up on a snitch
When we paid the bail, gonna walk up on a snitch
Snag him in a snag, we're gonna hitch him to a hitch

Ci sono matrimoni ti adoro e poi ci sono i matrimoni ti adoro .drop-dead cose bellissime che sono così assolutamente bella .siete quasi a corto di parole.Questo è uno di quei matrimoni.Una serata italiana mozzafiato con una splendida attrice sposarla focoso produttore musicale sposo .il tutto circondato da familiari .amici e momento dopo momento di "Miss Havisham incontra Florence and the Machine " pretty ( SI ) .E 'il tipo di giornata che sarà quasi certamente passerà alla storia SMP e si può vedere tutto catturato beauitfully da Matthew Moore nel pieno galleria .

Condividi questa splendida galleria ColorsSettingsHistoric VenueStylesRomanticVintage

Da Sposa.Come attrice e sceneggiatrice dal commercio in Hollywood era destinato fin dall'inizio che il nostro matrimonio sarebbe stato una produzione.Invece del matrimonio norma mio marito ed io stavamo cercando di creare il set di un film che sarebbe davvero trasportare i nostri ospiti in un altro mondo .

Oltre al fatto che siamo entrambi persone molto artistici in generale .Zach ed io sono piuttosto contrario.ehm.voglio dire gratuito .Zach è più di un ragazzo jeans e t -shirt .E sono più di una Jimmy Choo e vintage sequined vestito da cocktail tipo di ragazza .Così.quando è arrivato il momento di sposarsi .volevamo trovare un modo per fondere i nostri due gusti : lui .casual e me.fantasia .Lui .rilassata e me .drammatico .

Entrambi abbiamo subito concordato un matrimonio di destinazione perché sapevamo che volevamo che il matrimonio sia intimo.E abbiamo voluto l'evento per essere più di una vacanza collettiva di una sorta di omaggio al nostro coupledom .E non posso dirti quello che una decisione perfetta che fu.Abbiamo optato per l'Italia .un piccolo paese vicino a Lucca chiamato Borgo a Mozzano dove avevo trascorso del tempo in un college di canto lirico .( . Te l'avevo detto che ero toity hoity ) Borgo a Mozzano è in Garfagna - i monti selvaggi e selvagge della Toscana .

Sono ossessionato con la grandiosità sbiadita si possono trovare in Italia - e la villa che abbiamo scelto per il matrimonio (Villa Catureglio ) incarna proprio questo - edera a crescere senza di pietra antichi .ulivi dappertutto .quella luce splendida che sembraesistere solo in Italia .Per noi .non c'è niente di più bello di patina e abbiamo voluto fare che l'attenzione estetica del matrimonio .

A tal fine .i colori del matrimonio sono



tirati direttamente dalla decolorazione della pietra dal salmone al grigio al blu al verde .C'è un intero caleidoscopio di colori solo nella pietra .Volevamo la decorazione di nozze per avere un tatto organico ad essa come se fosse parte della villa .
Il tema per il matrimonio è stata Miss Havisham incontra Florence and the Machine .La descrizione mi piace dare è il matrimonio dovrebbe apparire come se fosse istituito un centinaio di anni fa e poi solo dimenticato .Nel corso del secolo gli elementi ha assunto l'edera e muschio ha cominciato a crescere nel l'arredamento .l'età sbiadito la tovaglia .E ora il matrimonio è quasi una sensazione spettrale ad esso .Per me non c'è niente di più romantico della storia Havisham di un matrimonio congelato nel tempo .E mi piace l'accostamento di bellezza e decadenza .

Abbiamo ovviamente avuto un po ' di una sfida tirare fuori questa visione dall'altra parte del mondo .Inoltre .abbiamo voluto utilizzare uno stile più eclettico decorazione di solito si può affittare da fornitori di nozze ( in particolare in Italia .dove l'estetica matrimonio sembra essere per lo piu vestiti da sposa ' permette di trasformare la villa in un club di Miami ! ' ) .Così abbiamo dovuto ottenere creativo che è dove abbiamo avuto così tanto divertimento .Io e mia mamma .insieme con i nostri wedding planner .pettinate attraverso diverse Thrifts negozi a Firenze di raccolta ( ad un prezzo abbastanza ragionevole) antiquariato favolosi che abbiamo usato per decorare il tutto .Abbiamo trovato splendidi vecchi specchi che abbiamo appeso nella limonaia .Siamo andati in un vecchio magazzino di tessuto a Prato e aveva le tende fatte per la cappella e altrove.Abbiamo anche trovato il tessuto lì per fare la nostra bella pizzo tovaglia di tela !La sua incredibile come se siete disposti a caccia .si possono trovare cose incredibili ad una certa sconto .Pettinatura attraverso depositi di risparmio italiane potrebbe non essere il paradiso per tutti .ma per me e mia mamma è stata veramente !

Zach .ovviamente .a condizione che la musica .che era un misto di corrente di musica indie con musica dal 1920 per la cena per riflettere il nostro desiderio che il matrimonio si sentono sia d'epoca e indie .Abbiamo finito per avere 55 dei nostri amici più cari e familiari .e non avrebbe potuto essere più perfetto .Abbiamo tutti trascorso alcuni giorni insieme prima del matrimonio .

Il matrimonio è iniziato nella cappella privata in loco : una splendida .piccola cappella di pietra abbiamo trasformato in una scatola gioiello etereo .Abbiamo comprato un po ' di velluto stupendo e tessuto di seta floreale da un magazzino a Prato .che abbiamo trasformato in tende romantiche per vestire le finestre .La cappella era piena di Kartell Louis Ghost in armonia con l'atmosfera un po ' spettrale del matrimonio .

Le damigelle d'onore camminato lungo la navata nella splendida marina .1930 ispirato abiti da David Meister come il nostro indie amico musicista rock ( mio cugino ) ci serenata con le versioni acustiche delle nostre canzoni preferite ( "C'è l'Amore " di Firenzee la macchina ." primo giorno della nostra vita " di Bright Eyes .ecc ) e 'stato così incredibilmente speciale per avere mio cugino cantare per noi .

** indossato un abito di Reem Acra ( Olivia ) che scorre in avorio con maniche argento cappuccio bordato .Mia mamma e mia sorella e ** preso a Kleinfeld in un trunk show .Il look era molto presto Grey Gardens glamour del 1930 .Pensate Poco Edie quando era giovane e bella e piena di promesse .O signorina Havisham in gioventù .

Una volta sposati.ci siamo spostati nel cortile della villa per cocktail e antipasti .Qui abbiamo avuto una splendida sorpresa in programma per i nostri ospiti .In lontananza .hanno iniziato a sentire una band che suona celebrativo della musica tradizionale italiana .La musica gradualmente si avvicinava sempre di più fino a quando attraverso l'ingresso alberato oliva villa apparve una marching band di 30 elementi ( concerto bandistico ) !Tradizionalmente .in matrimoni italiani .la banda del paese suona dopo la cerimonia e quindi abbiamo avuto la band Lucca locale non solo per noi !Sono un gruppo favoloso composto da tutti.da 8 anni a 80 anni di età che suonano musica tradizionale popolare italiana con una perfetta imperfezione .

Il look del momento dell'aperitivo era stupendo !Le bevande erano servite nella Limonaia (dove sono memorizzati i limoni durante l'inverno ) .La limonaia è onestamente da morire - è così Giardini di Miss Havisham / grigio con bellissime porte francesi che si aprono in questo spazio magico coperto di edera e altri vitigni appesi .Inoltre abbiamo decorato le pareti con un miscuglio di bellissime .specchi antichi d'oro che abbiamo comprato a diversi negozi di spedizione intorno a Firenze tutte in diverse dimensioni e forme .tra cui un gigantesco specchio antico ( 6 ​​metri di altezza ).che poggiava sul pavimento .Abbiamo chiesto il fiorista per portare ancora più edera da aggiungere alle pareti e tessere intorno gli specchi per farli sentire come se fossero lì da secoli .Sono sicuro che io sono l' unica sposa che ha chiesto il fiorista per rendere il luogo un aspetto più decrepito .ma onestamente .hanno fatto il più magnifico lavoro .Fiori Toscana ( il migliore !) Hanno fatto i fiori .

decorare l'interno della limonaia sono stati sedie antiche e divano acquistati al mercato dell'antiquariato di Lucca .Abbiamo finito per trasformare la limonaia in una grande e formale salotto che era stata troppo presa dagli elementi .La vestiti da sposa giustapposizione di mobili antichi con la limonaia rustico e il suo pavimento sporco di terra è esattamente il tipo di contraddizione abbiamo giocato con tutto il matrimonio tutto .

Dopo le bevande è venuto a cena.I nostri ospiti hanno camminato attraverso la villa - su un altro bel cortile alberato con alberi di ulivo decorati con centinaia di candele appese .Tra gli alberi .c'era un lungo tavolo coperto da una tela di pizzo splendida avevamo fatto in una tovaglia di tessuto che abbiamo comprato da un magazzino all'ingrosso a Prato .Il tavolo era decorato con candelabri e vasi antichi .pieni di arrangiamenti romantici e selvaggi fiori traboccanti sul tavolo .come l'edera salì i candelabri .Kartell sedie fantasma linea la tabella interrotto solo dalla sedia antico occasionale alle due estremità - e un divanetto d'epoca al centro del tavolo per la sposa e lo sposo .Veramente il tavolo era un capolavoro .E come gli ospiti mangiavano .abbiamo avuto 1920 riproduzione di musica che ha appena aggiunto all'atmosfera .

Invece di una società di catering .siamo stati fortunati a trovare ( grazie ai nostri wedding planner ).un famoso chef per cucinare il pasto per noi .E ' fondamentalmente la Paula Deen d'Italia e che ha fatto un lavoro impeccabile .L'abbiamo presentato con un po 'una sfida .perché volevamo un pasto completamente vegetariano .Ma lei tirò fuori splendidamente !

Dopo cena la torta è stata istituita nel grande salone della villa circondata da splendidi muschio e posto su una base antico con una splendida patina - abbiamo acquistato da un vicino cantiere di salvataggio .La torta è stato ispirato da Wedgewood con intricati avorio dettagli su ogni livello completo di cammei fatti a mano dal nostro artista torta maestro .Melanie .e sormontato da una corona di ispirazione vintage .E ' stata veramente mozzafiato.(E assaggiato incredibile come bene ! )

Dopo aver mangiato .abbiamo camminato lungo una passerella a lume di candela .giù la proprietà alla loggia ( una veranda coperta di sorta ) - in pietra antica .Abbiamo trasformato questa sala in sala sigari / grappa .Abbiamo voluto contrastare la pietra semplice e maschile con la decorazione femminile e morbido .Abbiamo drappeggiato le finestre aperte con ricco tessuto in velluto .E abbiamo acquistato un assortimento di mobili antichi da negozi di spedizione per vestire lo spazio come lampadari splendidi pendevano dal soffitto .

Poi sulla danza .Abbiamo convertito abiti da sposa on line il vecchio fienile in pietra in una pista da ballo / club - completo di photobooth !Qui abbiamo avuto la più divertente giustapponendo il moderno con l'antico .Una barra incandescente con avvolgono una delle colonne centrali della stalla .come il barista ci ha servito bevande.Lampadari di cristallo appesi alle pareti .Abbiamo decorato la stalla con decorazioni semplici e moderne - divani moderni bianche pulite - tutto arredamento bianco contro la pietra - come abbiamo ballato nella notte .Uno dei lighting designer premiere in Toscana illuminato lo spazio in blu e viola per aiutare a completare la trasformazione.

nostro matrimonio è stato davvero la notte più magica che mai.I nostri fotografi .Matteo e Katie hanno fatto un lavoro impeccabile come catturare la bellezza e l'atmosfera della manifestazione .Fotografia

: Matthew Moore Fotografia | Fiorista : Toscana Flowers | Abito da sposa: Reem Acra | Cake: Melanie Seccaini | Coordinamento evento: matrimoni Internazionale | Hair + Trucco : Katie Moore di Matthew Moore Fotografia | Luogo : Villa CatureglioMatthew Moore Fotografia .L'Arte Della Torta di Melanie Secciani .Toscana Fiori e matrimoni internazionali sono membri del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .Matthew Moore Fotografia VIEW PORTFOLIO L'Arte Della Torta di Melanie ... vedi portfolio Toscana Fiori vedi portfolio Matrimoni internazionale VIEW
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She remembered it well. Ben made no bones about it, as he told his little sister, "You want to make something of your life, you got to get out of here and don't look back."  And he did just that, saying his goodbyes to her as he embarked off into the army.

There's a whole other world out there than just Jasper Island

How terrifying of a concept that was to Rachel back then. Ben was almost three years older, and without him it was just her and Pop . Jasper Island was all she knew, and at the age of sixteen that was a terrifying concept to a shy girl who had been sheltered her whole life.

Rachel envied Ben. Between the two of him, he was the only one who really remembered their mother. She was close to three-years-old when her mother left this earth. Ben was six. Her recollections of her dear mother were like vapors, like dreams that had lost most of their definition.

There was only one time she really could envision her mother correctly. She could just faintly recall her mother hanging up sheets outside, and they were blowing in the wind like sails, matching her mother's windblown skirt. Rachel was giggling as her mother tried to shoo her out from getting caught up in those magical sheets. She could still remember the beauty of her mother as she snuggled up against her, her mother catching up to her impish daughter as she twirled up in one of the sheets like a girl trying to play dress up. Her mother's skirt smelled like a soft perfume mixed with the sea.

Everywhere, as a child, Rachel was surrounded by sea. It made her dreary home pleasant after she lost her mom. The sea was a constant friend. With its mystery and its beauty, the sea gave her a right to dream of what lay beyond it. Ben was right. She needed to get out from under her little, protective shell. She would read Ben's letters that came  Germany, where he was stationed, and would dream of being there, herself.

Pop never mentioned Ben, again, like he didn't exist. Her father was a distant man, a fisherman who never had much for conversation or desire for closeness. Rachel was used to his distance, for that was her norm. But as she grew up, she realized he was bitter when he lost her mother. Rachel's aunt, Roberta, her father's sister, clued her in on his former life before marriage. She told Rachel, "Your father never was a man to show his emotions. He shied away from people and would rather tinker around in his tool shed or be out on his boat. I sometimes don't know what your mother saw in him, for she was quite a social gal."

Rachel saw herself more in her distant father, more than she cared to see. She was artistic, and felt more at home with a paintbrush than with anything else. She would paint pictures of anything--the quaint homes around where she lived, the woods and nature, and especially anything  to do with the sea.

Everyone told her she had talent. She won a talent contest in her school, though the pool of artsy students was small. Her island school was about three times the size of a one room schoolhouse, and it was quite easy for her to shine there. Was she really that talented? Many of her teachers saw and encouraged her abilities. They  wanted her to do something with her gift, and surely not to waste it. Everyone said so--except her pop. He never took much notice.

Ben was right. Frightened as she was, Rachel decided to try to make it on the mainland. It just became too irresistible of a notion. She promised her father, "I'll write to, Pop". He didn't even face her as she was saying goodbye, so she repeated, "Pop...I am going to write, will keep in touch".

"Don't bother", he simple replied. He wouldn't even look at her, but buried his nose into his newspaper.

Eight years later, on Jasper Island, Rachel stood before the home she grew up in. Those words still stung.

Don't bother

Pop had died. Aunt Roberta was the one to inform her, and she wasn't able to get back in time before the funeral. It was a small one--you could count the attendees on one hand--but her pop probably wouldn't have cared either way.  Rachel felt numb about it all. How should she feel? She knew she should grieve for her father, but the tears didn't come. He was such a hard man to know.

It would be nearly half a year before she returned to Jasper Island. She was living in Europe at the time, and she had moderate success in living off her art.  It was enough of an experience in which she could support herself. She first saw her brother in Germany then eventually went to Rome, to Paris and to London, working her way through as she traveled. Eventually, she stayed in London and became an art teacher. But now here she was again on Jasper Island.

She looked upon her hold house for the longest time. It looked so different. There were new shutters, a new coat of paint, and it didn't seem right with the backdrop of the sea. The house was yellow and the plastic pink flamingos were an eyesore to her. New residents occupied the house, and it just didn't seem right or real. Though she had no claim on it anymore, it still was her home. Now it was sold off soon after her pop died. She never even got a chance to stand inside for one last time, to peer into her old room or sit upon the back porch and bask at the beauty of the sea.

She tried not to appear too nosy, as she looked out back. Clothes were hanging up on the line, blowing in the breeze, and she thought of the faint memory of her mischief with her mother so long ago.      

Rachel didn't dare to knock on the door. Perhaps, she knew the people inside. Everyone knew everyone on that island. If she did know them, she didn't really want to know the details. She was the intruder, after all. Or was it the other way around?  

She made her way around and marveled how time seemed to catch up with her island home. There was a new movie theater in place of the beat up one that she knew as a child. The playground by the school looked so much better it wasn't filled with children. Hardly a soul was there, like all the children had grown up, or something.  

Aunt Roberta was her only real link to her old home now. The few friends she had left a long time ago, just like her. Her mom's people vacated the island long before she ever met them. Aunt Roberta was still there to receive her, though. She had something special for her.  Gathering up two shoe boxes, she handed them to her niece. Rachel wondered what what the contents were, and she couldn't believe her eyes.All the letters she promised to write to her pop were all in there in those two boxes.

"I found them," Aunt Roberta said, amazed herself, "after cleaning out my brother's closets. He kept them all, it seems."

Rachel promised that she would write home, and she did. And it was true--her pop saved every single letter or postcard she ever sent him.  The envelopes were all opened up, so he obviously looked at them. She was amazed that he didn't  throw them away or burn them.  Never once, did he write her back, and Rachel thought he had completely dismissed them and disowned her.

Holding those envelopes and postcards in her hands was like finding some rare and valuable artifacts, and now the tears would come. For the first time in quite some time, Rachel felt something when it came to her distant father. It was everything rolled into one--her island home, her mother, her brother, her father, her sense of self--and she just wept freely as her aunt held her tight and comforted her.

Rachel never cared about the money. Her pop never made a will. He never owned much, but Aunt Roberta would make sure she was fair about the money. Rachel would have traded every cent of it if only she was to see her father one last time. She wanted to come back sooner, but she feared she would not be welcome, that the door would be slammed in her face. Now her only way to see her father was at the cemetery were generations of fellow island dwellers met their resting place.

At the grave, her parents were buried side by side, and the sea was their backdrop. It was just as her father would have wanted it. Rachel cleared away a few weeds, and she placed a handful of wildflowers at her mother's grave. "Hi, mamma", she said out loud. "I miss you and wish I could you could be here, again. I see you in my mind, and you are that young, delightful mother I still think of. " The sound of the breezes, and the birds constant communication of chirping, was a calming response.

She then addressed her father's grave, "Pop", she started to say, "Thanks for keeping those letters. I know it was hard for you now. We all left you, didn't we? Mamma, Ben...me..."

Rachel looked out into the sea. The sun was shining well, and it was like the waters were filled with diamonds. That enchanting sea--that is what her father cherished the most. He taught her how to swim there, not to be afraid of the waters but to respect the strength they held. He protected her from feeling so small and scared by it. He taught her about what was in the sea and how to fish from it. She smiled and thought of how she would have rather collected pretty seashells than to handle a slimy fish . He reaped so many things from the sea, and she knew he belonged to it. She closed her eyes and tried to think of such moments between her father.

Before she left, she held an unopened letter in her hand and said, "Pop, I got really, really sad looking at all those letters, especially because I can't write to you anymore. I'm just amazed you have them. I hope you read them, and if you did, I hoped you knew I really loved you". She smiled at what her dad would probably think as silly sentiment. He probably was rolling in his grave right now, squirming from all this mushy stuff. But at least now, she could tell him she loved him.

Rachel put her hand on his tombstone and stroked its rough exterior. She added, "Well, then I thought--who is to say I can't write? So I did. I got a letter for you,Pop, and I'm going to read it to you, now. Hope your listening."

She didn't know when she would come back for another visit to Jasper Island, but she knew she would return. Unlike Ben, she would not go way and never look back . How could she deny it as her home? She opened the letter, cleared her throat, and read it out loud, "Dear Pop, I hope you are at peace. I hope you are proud of me and that you hear me now. Take care of Mamma, and I'll see you on the other side." After she stopped, the tears came again, rolling down her check. She closed up the letter, put it on her father's tombstone and laid a rock on it to anchor it well. Eventually, the elements would get to it--the sun, the rain, the changing seasonal forces--but for now it was in good shape,

As the ferry made it's way from Jasper Island, the land became smaller and smaller, until it was just a speck in her view. But once it was the whole world to her, not just a destination to visit. Nevertheless, it wasn't some insignificant blip on the many maps of the world. It would always beckon her. Rachel could never forget Jasper Island.

--- as a boy, I explored a hermit's lair
--- the hermit was not there, he'd left nothing but a tin box
--- of charcoal pills, a panacea for curiosity, I was told.

This old bearded fellow who lived at the foot o'thumb butte,
by the burro's water hole,
other side o'the hill from Doug McVicar's Jasper find

Tidal shorelines from my child hood
swirling through the softed rocks

Boulders on the bottom, roll on, crustal waves rise and fall

it all goes back to that 13,000 year mark
when Gobekli Tepi,
was in the building,
long long before
the Hopis were on the Pollen Way, leaving land marks on

Rocks risen above the desert floor

Some thing came from space, something very cold,
a snowball so big it tugged the ocean of magma
through the crust of the earth

nuclear glass, same time. nano diamonds

The younger dryas-

melt water pulse, fire from the sky, men could see that, with their own eyes.
and then they saw the clouds of witnesses

Rituals learned, the story heart seeps from mother to child,

at first touch some say.

Specialized touches were included in the 2.0s.
Holistic wuwu Randall Carlson laughs, why lie? Evidence, see.

What did you see when you passed through hell the first time?
Nothing, you kept your eyes shut.

Are you really
Experienced? That was the question. Ask the experts,
but some of them lie.
Never trust their clocks, that's wise. Time is too temporary to make
much difference
in the long run. Time, least of all powers in eternity. Chronos,
Chaos shattered him, and some story teller on a journey
saw the event
while his tongue was being tamed, a task no man can do.

Fire and Ice from heaven to earth,
whole peoples saw it,
with the eyes in their head

Hope is the key to the heart's lock on reality

The younger Dryad's oak burned,
Drought killed all the others, bugs killed the elms.

Ah spirit to spirit, compare. The heart of the world is weeping
for the ignorant eaters of poisoned poems and stagnant stories

speed kills when it comes to cosmic notes on rocks

patience, under stand the canopy of heaven can, filter
poison from those
stagnant stories's idle words, redemption draweth nigh,

count on it. Keep counting, patience finishes what she starts.

Sacred Geometry, scale invariance, I saw the Mississippi
Carve meandering ant canyons in the dirt
while watching the rain
Nothing's secret anymore, that's a reality that may be beyond

your thought. Textbook in stone. I know geometry Mr. P,

can I come in? She who builds, who destroys, who rebuilds, suggested
my bombs have a Nobel role,
in energizing

the ark
the earth is the ark, but you knew that already, right.

Acacia bush visions from a medium
of messaging the master builder,
who, you know, made this
happen, used to heal with ashes.

Healing war, study it no more, it is
possible man, alone, can imagine.

The Godhead? What's the big idea? You a heretic, Mr. P?

Come and see, leave the clock/phone.
---

This is big momma story, little clay doll with pointy feet
sticks in the dirt, stares at the fire,

the story mamma, shhh

Stands, and lifts her hands up high, pointing
all her fingers to the skies where ashes, glowing
rise,
like we can imagine the stars once scattered by God
and his sons's servants prepping

origins of human conflict taught
Tubalcain by fire light, while Jubal
Sang the very umph umph song from
Taj Mahal' 1970 with Jerry, Fillmore West,

A message to Garcia, from on high:
the imbecility of the average man—
the inability or unwillingness to concentrate on a thing and do it,
That, resist. It is evil.

Angels, imaginable, you know, mere messages, nothin more,

so great a cloud of witnesses
there was a times when  all
imaginations men were imagining heartily
were evil, altogether.

Enki left and went to the moon, or that's the story grandma's
sisters told me
when I was a little boy lost and found from time to time

The serpent on the staff, where's that story from?
Who says their mammy saw that happen.

Time, Hosts of Heaven, time is one of those.

Fan tasty taste, see, the truth is good.

Freedom, responsible freedom, take as granted,
intend good and go.
Seed of the Dream,
I planted that. It contained this fact,

we reap what we sow.

Ambi-Dios, ambit-ion with no hope for something just beyond
the best that I have ever done,
that'll make a child mean as hell, on the average,
according to the data Google smuggled into China
through those super phones,
unavailable in the USA, protected by the wielders
of destruction who eat the world up,
and drink its very blood.

the bread of shame, is fed to slaves to keep them in the queue,

BTW que-eee was the word I used for ****, when I was a child.
I took that word to school.
Nobody knew what it meant. I considered that cool
and kept my secret until just now.

I feel so free.

A builder sees a building and the builder in a single glance.
None may enter here lacking geometry, that's no secret now.
The cultivated Pythagorean mind, simple as pi.

'Cain't get to Romans eight, which is here, now, I think,
with out going beyond Hebrew six.

The measure of a man that is the angel. No comma,
just a jot, then this means that,
to the mind
listening for mystery in beauty found lying around.,
glistening in the sun.

Mamma always told me-
I was struck motionless at the sight of her
Son,
Don't let me catch you playin' with fire.-
Her hair was ablaze
One of these days you're gonna get burned. -
Yet I am but a moth to her flame

when i was a boy i lay in bed
and i would listen to what mamma said
she would sit upon my bed
cuddle me and stroke my head
she said in life you must walk tall
bit by bit you must crawl
never try and run to fast
take it slow and make it last
dont let the world just pass you bye
just look the world straight in the eye
i always listened to what mamma said
her words of wisdom inside my head
now im grown and life is bright
thanks to mamma her words were right

**** jy die **** van yster-gordyn wat val en die aarde omhels ten laaste sy afwaartse versnelling.

Dit maak seer mamma...

Gewere word neergelê as ń universiële teken van hoop en vrede , maar verlang na ń lid van die geledere.

Dit maak seer mamma...

Ons was almal naïef; in ons drome was daar plek vir twee,
Ń eindelose see waar ons kon wegvaar van die ontbindinde spoke van gister, waar ons ons hande in soutwater-poele kon was iewers langs die kus van versoening...

Dit maak seer...

Niemand sou kon raai dat die jare se snellertrek en loopgraaf grawwe jou eens sagte vel kon magnetiseer nie... *** kon ek voorsien dat jy ń bietjie van die geweld gaan steel het om vir jouself te hou nie. *** sou ek weet dat jou vingers jeuk sonder die dooie staal wat dit streel nie...

Een skoot
Twee skote
Drie skote
Ń eenman vuurpelaton reën op my neer en dring deur my ope arms...
Jy het nog altyd ń plek in my hart gehad, maar nou het jy dit beset met lood en alle onskuld uitgerook met brandende kruit...

Dit maak seer...

Dele van jou hang nog swaar op al die plekke wat saakmaak en seermaak en trek my af grond toe...

Eina...

Liefde ek het altyd geweet ons het mekaar se ruë gehad... ek hey net nie geweet jy was besig om ń rooi kruis vir jou fissier op myne te verf nie...

Dit maak seer mamma...
Koebaai

the allan family story, HAPPY NEW YEAR



brian allan was getting bored with what his family was doing on nye

so he went to his room and played a nye show and each song was cool

the first song was poison’s nothing but a good Now Listen
Not a dime, I can't pay my rent
I can barely make it through the week
Saturday night I'd like to make my girl
But right now I can't make ends meet

I'm always workin' slavin' every day
Gotta get a break from that same old same old
I need a chance just to get away
If you could hear me think this is what I'd say

[Chorus]
Don't need nothin' but a good time
How can I resist
Ain't lookin' for nothin' but a good time
And it don't get better than this

They say I spend my money on women and wine
But I couldn't tell you where I spent last night
I'm really sorry about the shape I'm in
I just like my fun every now and then

I'm always workin' slavin' every day
Gotta get a break from that same old same old
I need a chance just to get away
If you could hear me think this is what I'd say

[Chorus]

You see I raise a toast to all of us
Who are breakin' our backs every day
If wantin' the good life is such a crime
Lord, then put me away
Here's to ya

[Chorus: x3]

and brian allan who was being told by his dad and mum to quieten down decided to play

a kylie minogue song, got to be certain
"Got To Be Certain"

[1a:]
You keep on asking me
Why can't we be together
I keep saying won't you wait a while
What's all the hurry
I thought we had forever
I just need time 'til I can make up my mind

[1b:]
I'm not asking for
A love to last forever
I don't expect to get a guarantee
It's just that I believe
Lovers should stick together
I'm only saying
Won't you wait for me

[CHORUS:]
I've got to be
Got to be certain
I've got to be so sure
I've had my share of hearts broken
And I don't wanna take that any more

[2a:]
I've got some friends who say
Boys are all the same
They're only looking out for just one thing
I'm only hoping that
You won't turn out like that
I need some time 'til I can make up my mind

[2b:]
Been hurt in love before
But I still come back for more
I was such a fool
I couldn't stop myself
If you believe in me
If you want our love to be
I know you'll wait for me, oh, oh, oh, oh

[CHORUS:]

[BRIDGE:]
Oh, oh, oh, oh
Oh, oh, oh, oh

[1b:]

[CHORUS:]
[repeat & fade]

you see brian allan was really having a ball but still he couldn’t control his loud voice

but brian allan said, he really wants to celebrate nye this day so he went to the allan’s fridge

and got a can of coke and sang this song


Another Saturday night
By: Jimmy Buffett

Another Saturday night and I ain't got nobody
I've got some money cause I just got paid
How I wish I had someone to talk to
I'm in an awful way

I got in town a month ago
I've seen a lot of girls since then
If I could meet 'em I could get 'em
But as yet I haven't met 'em
That's why I'm in the shape I'm in

Oh, another Saturday night and I ain't got nobody
I've got some money cause I just got paid
How I wish I had someone to talk to
I'm in an awful way

Now another fella told me
He had a sister who looked just fine
Instead of being my deliverance
She had a strange resemblance
To a cat name Frankenstein

Oh, another Saturday night and I ain't got nobody
I've got some money cause I just got paid
How I wish I had some chick to talk to
I'm in an awful way

Yeah, another Saturday night and I ain't got nobody
I've got some money cause I just got paid
How I wish I had someone to talk to
I'm in an awful way

It's ******* a fella
When he don't know his way around
If I don't find me a honey
To help me spend this money
I'm headin' back to key west town

Oh, another Saturday night and I ain't got nobody
I've got some money cause I just got paid
How I wish I had someone to talk to
I'm in an awful way

Just another Saturday night and I ain't got nobody
I've got some money cause I just got paid
How I wish I had some chick to talk to
I'm in an awful way

It's awful, all dressed up and no place to go, no one to help me spend
My flow, another Saturday night, get me the pizza man.
Songwriters: COOKE, SAM
Another Saturday Night lyrics © Abkco Music, Inc.




and then brian allan said, i want to be convicted of love in the first degree and i will open this can of coke and party all over his bedroom and make
mr and mrs allan say stop playing this loud music brian

"Love In The First Degree"

Last night I was dreaming
I was locked in a prison cell
When I woke up I was screaming
Calling out your name (whoa)

And the judge and the jury
They all put the blame on me (the blame on me)
They wanna tell from my story
They want to hear my plea

Only you can set me free
'Cause I'm guilty (guilty)
Guilty as a girl can be
Come on baby, can't you see
I stand accused
Of love in the first degree

(Guilty) Of love in the first degree

Someday I'm believing
You will come to my rescue
Unchain my heart, you'll keep him
Let me start a new (you)

The hours passed so slowly
Since they've thrown away the key (away the key)
Can't you see that I'm lonely
Won't you help me please

Only you can set me free
'Cause I'm guilty (guilty)
Guilty as a girl can be
Come on baby, can't you see
I stand accused
Of love in the first degree

(Guilty) Of Love in the first degree

(Guilty)
Of Love

(Guilty)
Of Love in

(Guilty) Of Love

(Guilty) Of Love in

(Guilty)
Of love in the first degree

And the judge and the jury
They all put the blame on me
They wanna tell from my story
They wanna hear my plea

Only you can set me free
'Cause I'm guilty (Guilty)
As a girl can be
Come on baby, can't you see
I stand accused
Of love in the first degree


Submit Corrections

and then brian allan looked at his clock radio and saw the time was 11:45 and brian

allan played the air guitar really loudly to run to paradise



Baby, you were always gonna be the one
You only ever did it just for fun
But you run to paradise
Jenny, I'll meet you at the grocery store
You don't need a friend when you can score
You run to paradise

Johnny, we were always best of friends
Stick together and defend
But you run to paradise
And mamma, now don't you worry 'bout me anymore
And I see you crying at the door
When I run to paradise

That's right, they had it all worked out
You were young and blonde
And you could never do wrong
That's right, they were so surprised
You opened their eyes up
(Opened their eyes up)
Opened their eyes up

[Chorus]
You don't want anyone
(You don't, you don't, open your eyes up)
You don't want anyone
(You don't, you're no fool)
Don't tell me, this is paradise
(Open your eyes up)
You don't want anyone
(You don't, open your eyes up)
You don't want anyone
(You don't, you're no fool)
Don't tell me, this is paradise

Good times, why'd I let 'em slip away
Why'd I let them slip away
'Cause I lived in paradise
Run to paradise
Run to paradise
Run to paradise

Jesus says it's gonna be alright
He's gonna pat my back
So I can walk in the light (that's right)
You don't mind if I abuse myself
So I can hold my head up
(Hold my head up)
Hold my head up

[Chorus]

You don't want anyone
(You don't, hold my head up)
You don't want anyone
(You don't, you're no fool)
Don't tell me, this is paradise
(Open your eyes up)
You don't need anyone
(Open your eyes up)
You don't need anyone
You'll tell me, this is paradise

[Chorus x2]
brian allan then was counting down to midnight and sang auld lent zine and his parents came in and opened the door and
said HAPPY NEW YEAR

Mamma's Boy

There was a man, his name was Tom,
forty five and still lives with mom.
I guess you can say, he's a mamma's boy,
morning, noon and night, plays with his favorite toy.
Mom don't let him go out on dates,
Rosie and her sisters, are his only mates.
Has naked posters on his bedroom wall,
stares at under age girls at the mall.
Loves movies that are ****,
been that way, since he was born.
Hangs out at every school park,
targeting his next victims every mark.
Tried it once or twice in his cellar,
tied them to an old plane propeller.
He buried them after he had his fun,
only girls between ten to twelve,
made him shoot his favorite gun.
Missing person posters turned him on,
he considered himself the preteen Don Juan.
Then one day his mamma died,
Jekyll is gone, it's now only Hyde.
He went on local web chat sites,
all young girls got wanted invites.
With no mom, things got easy,
my stomach is getting a bit queasy.
In a months time, maybe twenty girls,
promised them dolls with clothes and pearls.
This small town was in an uproar,
if you needed girl parts, he had the store.
Near by neighbors noticed an ungodly smell,
police came and found and an under ground hell.
Everyone thought this man was strange,
after his mom died, they noticed a change.
They strung him on a giant pole,
while parents played Whac-A-Mole.
They hit that human pinata till it exploded,
his blood and guts became unloaded.

Nelle case, dove ancora
si ragiona coi vicini
presso al fuoco, e già la nuora
porta a nanna i suoi bambini,
uno in collo e due per mano;
pel camino nero il vento,
tra lo scoppiettar dei ciocchi,
porta un suono lungo e lento,
tre, poi cinque, sette tocchi,
da un paese assai lontano:
tre, poi cinque e sette voci,
lente e languide, di gente:
voci dal borgo alle croci,
gente che non ha più niente:
- Fate piano! Piano! Piano!
Non vogliamo saper nulla:
notte? Giorno? Verno? State?
Piano, voi, con quella culla!
Che non pianga il *****... Fate
piano! Piano! Piano! Piano!
Non vogliamo ricordare
vino e grano, monte e piano,
la capanna, il focolare,
mamma, bimbi... Fate piano!
Piano! Piano! Piano! Piano!

Dorme la corriera
dorme la farfalla
dormono le mucche
nella stalla

il cane nel canile
il ***** nel bimbile
il fuco nel fucile
e nella notte nera
dorme la pula
dentro la pantera

dormono i rappresentanti
nei motel dell'Esso
dormono negli Hilton
i cantanti di successo
dorme il barbone
dorme il vagone
dorme il contino
nel baldacchino
dorme a Betlemme
Gesù bambino
un po' di paglia
come cuscino
dorme Pilato
tutto agitato

dorme il bufalo
nella savana
e dorme il verme
nella banana
dorme il rondone
nel campanile
russa la seppia
sul'arenile
dorme il maiale
all'Hotel Nazionale
e sull'amaca
sta la lumaca
addormentata

dorme la mamma
dorme il figlio
dorme la lepre
dorme il coniglio
e sotto i camion
nelle autostazioni
dormono stretti
i copertoni

dormono i monti
dormono i mari
dorme quel porco
di Scandellari
che m'ha rubato
la mia Liù
per cui io solo
porcamadonna
non dormo più.

Ti ** mai detto che io sono un pollone completo per una storia d'amore ?Probabilmente capito che fuori già



.ma io amo sentire come fuori di tutte le persone del mondo .due persone è capitato di trovare l'altro - e quando finisce in un matrimonio bello come questo.mi rivolgo in poltiglia .Catturato da Heather Pipino Fotografia questa storia d'amore ha un finale molto felice.Vedere ancora di più qui .
Condividi questa splendida galleria ColorsSeasonsFallSettingsHotelStylesTraditional Elegance

Da Heather Pipino Fotografia. "Quattro anni fa non avrei maiè èe credevoè ñessere qui in piedi con una ragazza che camminava in un negozio di caffè che indossa un cappello Dodgers .ditutte le cose . abbiamo aspettato quasi due mesi prima che ci incontrassimo a vicenda . Dopo che tutti i testi .e-mail e telefonate abbiamo tenuto il nostro respiro e ha preso un salto .e abbiamo imparato nella vita.che tutto ciò che serve è venti secondi di coraggio folle afare qualcosa di grande accadere. "

Quelle parole erano solo una porzione di dolce voti Sam 'a Lindsey .ma danno una buona sbirciatina per i bellissimi cuori e amore stimolante che Sam e condividere Lindsey .Sono entrambi persone così gentili e genuini e la loro vita e l'amore riflettere sul fatto che in ogni modo.E 'doesnè èimporta quanto tempo siè èe li noti .Sam e abiti da sposa corti Lindsey sono il tipo di persone che ti accolgono con un caloroso abbraccio e lascerà piena di gioia .Essi vi invitano nel loro mondo e ti fanno abiti da sposa on line sentire come seè èe stati amici per anni .E ' questo amore che essi hanno per l'altro e per le persone intorno a loro che hanno fatto il loro giorno di nozze così incredibile .In una bella giornata in California.presso la Estancia Resort a La Jolla .amici e parenti si sono riuniti per sostenere e amare questa coppia che aveva toccato ciascuna delle loro vite .E 'stata una giornata piena di lacrime di gioia .il romanticismo .l'amore e la bellezza .e Sam e Lindsey meritato ogni singolo istante.

Da Bride.How ci siamo incontrati : Le nostre mamme lavorano insieme in una scuola nella Bay Area .Una volta che la sua mamma ha imparato che vivevo a San Diego .ha pensato che sarebbe stata una buona idea per me di mostrare il suo figlio in giro come gli era stato appena assunto lì .Lei e mi aveva viaggiato a Parigi circa sette anni fa con mia mamma e un altro insegnante .Mi ricordo che lei mi dice allora che avevo bisogno di incontrare suo figlio ma eravamo entrambi risalenti altre persone al momento .Ero titubante a incontrarlo fino a quando ** fatto un po ' di Facebook stalking.voglio dire .la ricerca .Mi fu colpito in primo click.The prima richiesta di amicizia è stata inviata e tanti.tanti .( molti) messaggi e fino a tarda notte dopo.i messaggi si rivolse a testi e testi voltai per le telefonate .Questo è durato per un certo periodo come i sentimenti si erano formate veloce e siamo stati nervosi e ansiosi di incontrarsi other.Finally un incontro è stato fissato al Coffee Bean a Carlsbad .Eravamo lì per quattro ore e quasi chiudiamo il posto in fondo .Il giorno dopo.unè edata irstèè stata impostata e il resto è storia !

Il nostro matrimonio ha avuto luogo a La Jolla .in California presso l' Estancia Hotel.Abbiamo scelto questa posizione perché è rilassato eleganza .giardini mozzafiato .ed è vicino a dove viviamo .Perché ci siamo incontrati e viviamo qui a San Diego e volevamo festeggiare il nostro amore qui .La maggior parte dei nostri ospiti di nozze erano da fuori città .abbiamo voluto l' atmosfera di essere caldo.accogliente.e una volta tutti vorremmo amare .

I colori erano nero.bianco e verde e il tema era classica .semplice eleganza.Volevamo la sede per parlare di se stesso in modo non volevo fiori eccessivamente fatto .ma felci semplicemente dichiarati e fiori bianchi .Isari Floral Studio ha fatto un lavoro incredibile catturare la nostra visione .

Volevamo il matrimonio per avere tocchi di tutti noi in tutto.Abbiamo parcheggiato la nostra hot rod (1932 Ford Roadster ) nel modo di entrata dell'hotel.Mio padre aveva una splendida "Just Married " segno gessato per noi.così abbiamo potuto avere un scappare con stile !Il nostro cane (leggi : nostro figlio ) . Non poteva essere sulla proprietà .purtroppo .così abbiamo avuto una foto incorniciata di lui fatta con un cartello appeso al collo che diceva : " Sono contento che tu sia qui a festeggiare con i miei genitori prega di godere il cagnolinoborse da me . Woof .Lux " .Su quel tavolo .avevamo sacchetti di biscotti monogramma di Michele Coulon Dessertier .Per il nostro libro degli ospiti .abbiamo lavorato con un graphic designer per fare quello di un manifesto sorta di nostra sede .Ora abbiamo questa grande opera d'arte.con parole gentili di tutti appendere in casa nostra .Sulle pareti della Sala Grande .avevo il nostro invito fatto saltare in aria e sparsi sui muri nelle loro cornici .Tutti questi tocchi davvero reso il giorno così memorabile .

nostro incredibile team di venditori e la nostra famiglia e gli amici sono ciò che veramente ha reso questa giornata il giorno più speciale della nostra vita finora.Siamo così fortunati ad aver avuto un bel matrimonio tale .Sono entusiasta di essere sposata con Sam per il resto della nostra vita !Fotografia

: Heather Pepin Fotografia | dell'artista: Aqua Vivus Productions | Event Design : Sherry Glommen | Pianificazione : Swann Soirees | Floral Design : Isari Flower Studio | Floral Design : Isari Flower Studio | Cake : la zia della sposa | Inviti : Smitten Onpaper | Cerimonia Luogo : Estancia La Jolla | Banco Luogo : Estancia La abiti da sposa on line Jolla | Bridesmaids Dresses : Nordstrom | capelli: Jessica / Michelle - Koda Salon | Calligraphy : Brown Fox Calligrafia | Abbigliamento da Groomsmen : Nero risvolto | officiante : Cerimonie Per Bethel | pipistrelli pergroomsmen : Louisville Slugger | vestito nuziale : Tara Keely | sposa / damigella d'onore Abiti : Abbastanza Plum zucchero | Cookies : Michele Coulon Dessertier | Guest Book Graphic Designer : Designs J Gal | Musica live / DJ : Collin Elliot -Ancora Ascolto Productions | Trucco : FioreBeauty | Photobooth : Photobooth mobileHayley Paige e Jim Hjelm occasioni sono membri della nostra Look Book .Per ulteriori informazioni su come vengono scelti i membri .fare clic qui .Fiore Bellezza .Isari Fiore Studio + Design Event .Plum Piuttosto Zucchero.JLM Couture .Inc. e Mobile Photo Booth sono membri del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .Fiore di bellezza VIEW PORTFOLIO Isari Fiore Studio vedi portfolio Plum graziosa Zucchero vedi portfolio JLM Couture Wedding Gown Bouti ... vedi portfolio Mobile Photo Booth VIEW
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