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Edna Sweetlove May 2015
I woke up to a beautiful summer morning. The sun was shining and the rainclouds were far away. I decided I would spend the day on the beach. I always enjoy visiting the beach as it gives me an opportunity to laugh at people's hideous bodies. But where? And then, suddenly, a wonderful idea came to me: why not go to a nudist beach as they always attract the ugliest people with the worst bodies imaginable. And you get to see their naughty bits too, for added humour.

So I rushed to my computer to check the Internet for possibilities and, to my utter amazement, I discovered there was a naturist beach only fifty miles from my beautiful home. As I read the details of the beach and the directions, I had a sense of déja vu; I realised with a frisson of ****** anticipation that it was the very same beach described by Victor the ****** in his wonderful story "Confessions of a ******" which held pride of place on my toilet reading shelf.

I was at the wheel of my incredibly expensive and luxurious car just as soon as my servants had packed my essential requirements: icebox with chilled vintage champagne, lightweight folding gold-plated sun-lounger, vicuna picnic rug and of course my lunch hamper. My chef had rapidly prepared a delicious impromptu luncheon of smoked salmon, steak tartare and a selection of other goodies. I decided to dispense with the services of my chauffeur in the interests of preserving the confidentiality of my destination.

In less than an hour and a half I was there; and the place was exactly as Victor had described it in his immortal novella: a long stretch of mixed sand and pebbles, backed by dunes planted with wild grass, waving romantically in the sea breeze. Idyllic, and crawling with naked perverts as a bonus. I parked my car and transported my equipment to the dunes. I regretted not having brought one of the servants as the hamper and icebox were quite cumbersome and heavy. I was perspiring gently by the time I had unloaded everything and set it all up to my satisfaction.

I took some care in selecting what I felt was the optimum location as I needed to combine the potentially conflicting benefits of wanting to see as many naked people as possible (hopefully including some *** action) with the need for privacy. After all I am famous. I finally chose a spot where there were several ghastly specimens on view for a few laughs and where I could also see a potentially interesting couple who might be exhibitionistic perverts. The man was about 45, shaven-headed, skinny and prematurely wrinkled all over by the sun (yes, I do mean all over) and he had an interesting tattoo on his back: "I love hot ***** ***", which I saw as promising. The woman was plump with pendulous ******* and very prominent buttocks; additionally - how can I put this delicately? - her **** was totally bereft of hair.

Before settling down to my lunch, I felt a little perambulation would not come amiss. So, as bold as brass, off I went for a little **** stroll through the dunes. I will not describe in full detail the visual horrors I encountered: hirsute old men playing aimlessly with wizened, shrunken todgers the size of a thimble; obese old biddies, their rolls of sun-tanned lard hanging round them like rows of bloated udders on a pregnant sow; tattooed bald queens, muscles bulging under lashings of sun-oil, their pierced genitals glinting wickedly in the sunshine; the list was endless. How could such grotesques revel in revealing their corporeal repulsion to the eager world?

And then I saw him! It had to be him! In a dip in the sand dunes lay a middle-aged, paunchy little man, intently watching a couple of old ******* groping each other incompetently. It could only be Victor the One-Legged ******! After all, just how many unipod Peeping Toms are there?

I strolled over to him, coughing discreetly so as to give him a chance to stop his furtive *******. 'Do excuse me for disturbing you,' I said, 'but are you by any chance Victor the famous ****** whose confession I read only last week?'

'Why yes,' he admitted, 'but how on earth did you recognise me?'

I smiled and pointed to the cast-off artificial leg lying next to his beach towel (which, incidentally, was emblazoned by a giant "V", a bit of an identity hint, I felt). He patted his stump ruefully and laughed uproariously so that his average-sized ***** flapped like a pennant in a Force Eight gale. 'I forgot,' he bellowed deliriously.

'I'm just about to have a spot of lunch,' I said. 'My personal Michelin-starred chef, Jean-Claude Anusse, always over-caters ridiculously as he knows I often pick up people on my excursions, so there'll be more than enough. I'm afraid it's nothing special: some smoked salmon and some assorted cold meats, possibly a spot of pâté de foie gras, if I know Jean-Claude. And, naturally, enough champagne to drown a hippo in. Please do say yes, as I have so many questions to ask you about your hobby.'

'That's very kind of you.' mumbled the astonished Peeping Tom, 'I should be very happy to accept your generous offer. Incidentally, to whom have I the honour of speaking?'

I was, frankly, shocked when I realised Victor had not recognised me, and then I remembered I was naked. That explained it. 'Why, I am none other than Edna Sweetlove, poetess to the stars, creator of the Barry Hodges "Memories" poems and biographer to the intrepid and incredible superhero SNOGGO,' I murmured sotto voce, not wishing to be mobbed for my autograph.

'Edna Sweetlove!' he exclaimed, 'you mean THE Edna Sweetlove?' And so saying he glanced down to my genital zone in order to answer the question which so many of my fans have asked over the years. He grinned as he saw the solution to the great mystery.

Victor quickly strapped on his prosthesis and accompanied me (slightly lopsidedly) to my little luncheon site. He helped me unpack our repast and then made himself as comfortable as a naked one legged ****** could reasonably expect to be without a chair.

I must say Chef and his team had excelled himself in the thirty minutes I had given them: smoked salmon roulades, a magnifique plateau de fruits de mer including a three-pound giant lobster, steak tartare, a whole cold pintarde à l'ail, a few dozen sushi rolls, a monster summer pudding, and naturally a Jeraboam of Krug '92. No wonder the hamper had been so ******* heavy. I could see Victor was impressed as I offered him a chilled flute of the most expensive champagne he had ever tasted. 'Better than the pathetic, poverty-stricken muck you were going to gobble, I expect,' I commented in a friendly way.

'Mmmmmmmmm! Absolutely delicious, Edna. I was certainly not expecting this! exclaimed the grateful freak. But before we start on what looks like a truly exquisite nosh-up, I must give you a word of warning.'

'A word of warning? What about, Victor dear?'

'Well, you see, there's no, um....er,' he blushed charmingly.

'No what, Victor? Don't be embarrassed, sweetie. This is Edna you're talking to. Spit it out, baby.'

'Well, um, there's no ******* on the beach, Edna,' explained Victor uncomfortably. 'So, if you need to pump ship, you have to do it native-style "au naturel" in the dunes over there, which can be a bit messy what with all the filth lying about the place in that area, not to mention the lavvo-voyeurs hanging round. Or else you need to swim out a bit and unload into the sea. Judging by what's on offer at your stylish picnic, we'll both be bursting for a good old **** and crap afterwards.'

I shrieked with laughter and explained there was nothing I liked better than a widdle en plein air or a double act dans l'eau. We then tucked into lunch with a vengeance. It was ******* delicious, even though I say so myself. After about fifteen minutes' happy munching, interspersed with witty small talk, Victor suddenly went rigid. 'Look over there!' he hissed and indicated the middle-aged couple by the windbreak.

I looked and I was surprised. The plump woman with the big *** was on her knees in front of her partner, giving him a vigorous *******, and he was lolling back in ecstasy, a broad smile on his face. He seemed to be looking straight at us, almost visibly willing us to watch. He winked repeatedly in a conspiratorial fashion; maybe he had St Vitus’ Dance. Or even worse, he wanted me to get stuck into the action with them.

'They're regulars here, they normally put on quite a good show,' explained Victor excitedly, his hand reaching down automatically to his rapidly stiffening ****.

'Victor!' I admonished him, 'I would prefer it if you didn't **** yourself off during lunch. How about another oyster, you silly old ****?'

'Sorry, Edna, I forgot,' he replied shamefacedly. 'No more oysters thank you; they only make me more randy than I already am. But I'll have another lobster claw if I may. My compliments to your chef.'

So we sipped our champagne and enjoyed our luncheon as we watched the couple give us their little exhibition. After a few minutes *******, the fat lady turned around and leaned forward on her hands and knees and her gnarled bald hubby ******* her doggy fashion from behind with some gusto; this made her beefy buns bounce about like two ferrets fighting in a sack.

I glanced around us and realised that, totally unbeknown to me, the little spectacle had attracted quite an audience. Nine men, young and old, short and tall, fat and skinny, stood staring transfixed by the petite scène erotique before us, all ******* wildly. 'Oi!' I called out. 'Can't you see we're eating?' I admonished them, but to no ******* avail whatsoever.

Victor was visibly torn between his innate desire to watch the copulators and masturbators and with his understandable wish not to offend his lunch companion by manhandling himself unrestrainedly. But, thank God, his natural good manners prevailed and we continued to converse and enjoy our meal in the midst of this Bacchanalian scene of depravity.

I watched dispassionately as the couple came to what sounded like a very satisfactory mutual ******, accompanied by the observers' seminal tributes to their performance. I naturally had filmed the entire scene secretly on my state-of-the-art mobile.

'If you give me your email address, Victor my love, I'll send you a copy of that little show,' I promised. He nodded in gratitude. 'Victor  the ****** at yahoo dot co dot uk,' he mumbled rapidly, 'no dots, Victorthevoyeur is all one word.'

Once we had polished off lunch, I told Victor I would like to interview him with a view to writing a short story about his life's work. He was touchingly flattered and, with a little judicious prompting and probing, told me his saga, which I recorded on my Edna-phone. I naturally don't want to pre-empt my forthcoming mini-biography of Victor, but suffice it to say that Victor told me how and why he became a ******, he regaled me with some of the staggering things he had seen, he gave me a list of some really ace ******* locations, he shared all his best peeping places with me, he gave me the ultimate lowdown on the world of Britain's most celebrated *** snooper and I was touched by his burning honesty. I felt a tear ***** my eye at this tragic tale.

All too soon it was time for us to part. After thanking me profusely and making me promise I would visit him one day so he could repay my generosity, he re-attached his metal leg and limped away towards his beach towel. I knew he was raring to go as the best of the action normally took place in the early evening.

'Farewell, dearest Victor,' I called out as he tripped clumsily over a fellow pervert who had been eavesdropping near us.
Sora Mar 2013
The scuff of sneakers, boots and flats form the solid and stable beat.
Add in the chuckles, silences and brief interruptions to create the varying and rhythm.
All that remains is what goes unsaid but is speeding around in your mind.

That man from Uzbekistan,
He was telling us how peace and non-violence starts with us,
With middle-schools, with teens, with future leaders
To all those who laugh, when I say violence is never the answer,
You're the ones I worry about

That man from Uzbekistan,
He was speaking to us about how the kids had a parliament in Uzbekistan
Those kids had  a say in what their fate would be

Believe it or not,
But adults are not the only things to make up our society...
Infants, toddlers, 5th graders, 8th graders, 11th graders, seniors, the diseases make up us, us..

So maybe parents shelter us too much, or not at all.
And kids throw fits in the grocery store
While teenagers attempt to jump off the nearest bridge
This is our society..
But we're like those kids in Uzbekistan
We have a say in what our fate will be

That man from Uzbekistan,
He was sharing out how blessed he was to be living here in the United States
Even though he could live in a much more peaceful and welcoming society.

I have no idea how many years i will be,
Or what has to happen before we get the message across..
That's what's played out isn't acceptable

The American people,
Were baffled, devastated, overwhelmed
That all those stereotypes really were mixed within us.
Obama stood up in that room
With a shaky camera man, staring while he slumped and grieved
He addressed our nation,
Homeland,
Country
Community
Family
About Newtown,
Clackamas Town Center

No leader should ever be forced to speak about children dying long before there time was up

Or about average people ducking and diving from bullets

Gun Control is only a little layer
And that's the start of our restoration to end up being a peaceful, safe country
It begins with how youth are shown how to solve problems.

I'm willing to reach my hand out to every single state in this country
And if that means devoting everything I've got to making our restoration successful,
Then so be it..

No leader or person should be raising candles to the sky for little kids to see that they are missed.
And I took all of this in at a Lebanese Luncheon
judy smith Oct 2015
She's been enjoying her time while living and working in London.

And Nicole Kidman was clearly thrilled to be one of the star guests at The 60th Women Of The Year Luncheon & Awards in the British capital on Monday afternoon.

The 48-year-old actress - who is currently starring in West End play Photograph 51 - cut a beautiful figure in a multi-tonal lace dress as she arrived at the prestigious event, held at the InterContinental London Park Lane.

The willowy beauty covered her slim figure in the mid-length dress, made up of several different lace panels in pale lilac, purple, yellow, black and white.

Cinching in at her slender waistline, the dress billowed out into a full A-line skirt, and also included long sleeves.

A Victoriana-style high-necked black lace section finished off the gorgeous garment, giving her a serene, ladylike air.

The Australia actress teamed the eye-catching dress with a pair of strappy black heels with pointed toes, and a tiny black box clutch.

Her pale red locks were swept back into a chic updo, her mid-length fringe framing her face.

The actress' bright blue eyes were highlighted with just a touch of mascara, and her beauty look was pulled together with a pretty pink shade on her lips.

Nicole was one of many star guests at the annual central London event, held to honour amazing women across all industries.

The famous event, which paid special tributes to six remarkable women from all fields, saw plenty of other star guests in attendance, with 400 in total at the luncheon.

After rising to fame as the winner of this year's The Great British Bake Off, Nadiya Hussain was one of the star attendees at the highly-significant ceremony.

The talented baker and busy mum, 30, rocked a simple and chic ensemble of slim-fitting black trousers and a crisp blue blazer, and bright turquoise heels.

Another familiar face was singer/songwriter Katie Melua, who opted for a cool androgynous ensemble.

The Call Off The Search hitmaker showed off her lovely long legs in a pair of black leather trousers, teamed with a sheer white blouse, a blazer and a cute black ribbon ******* around the collar.

Writer-comedian-actress Meera Syal rocked a typically unconventional ensemble as she arrived, cutting a striking figure in a bold patterned shirt dress with a lovely long black scarf and a jacket thrown over the top.

Princess Diana's glamorous niece Lady Kitty Spencer channelled a power-dressing 1980s vibe in a standout black shirt dress with bright, colourful buttons donw the front.

The pretty blonde finished her luncheon look with a chunky white clutch bag and perspex heels.

Choreographer and former Strictly Come Dancing star Arlene Phillips was a chic addition to the guest list in a figure-hugging red dress, and TV presenter and journalist Julie Etchingham wowed in an understated taupe dress with an origami-folded skirt and matching cropped jacket.

Also in attendance were the likes of Dame Esther Rantzen, TV's Lorraine Kelly - who was glorious in a gold lace frock - Maureen Lipman, Mary Nightingale, Jo Brand and

The Women of the Year winners were whittled down and chosen by a panel of notable, accomplished women: Sandi Toksvig CBE, Sue MacGregor CBE, Dame Tessa Jowell MP, Baroness Doreen Lawrence OBE, Jane Luca, Ronke Phillips, Eve Pollard OBE, Lisa Markwell, Gill Carrick and Sue Walton.

And viewers of popular morning programme, ITV's Lorraine, were also able to vote for their Inspirational Woman of the Year via a phone poll.

Sandi, President of the Women of the Year Awards, said: 'Women of the Year has celebrated the wonderful achievements of women since 1955.

read more:www.marieaustralia.com/mermaid-trumpet-formal-dresses

www.marieaustralia.com/formal-dresses-perth
"Go on forth young graduates,

And show us who you are

You're now our future leaders

We know you will go far"

And so commencement ended

Pictures done and people changed

Now, off to private parties

All orderly pre-arranged

But four young girls stood waiting

Until they were alone

"Let's head out to the party

And tomorrow, we shall phone,

Each other and we'll organize

Our final tete a tete

We'll plan something so special

A thing we haven't thought of yet!"

So, they went their separate ways

And they thought of all the places

That would hold a fitting luncheon

For their girls group "The 4 Aces""

They all got home around half past five

And all slept till half ten

After breakfast, phones were ringing

As they planned to meet again.

They picked a little tea house

called "Flavored Leaves of Green"

They would meet for a tea party

They would really make the scene

A week today they chose to meet

To celebrate together

They'd meet for tea and cakes

Regardless of the weather

And one more time, they'd choose to wear

The prom dress from that year

Big frilly hats, and long white gloves

and all that froo froo gear

The day arrived and they showed up

All ready for their tea

The Aces all decked again

Their luncheon was at three

The girls all talked about their plans

Of school and summer work

Two would council campers

While the other two would clerk

They loved their day and played the part

Of ladies with no cares

They knew it was the only time

They'd dine here, to be fair.

The final act of these four friends

Before they left and packed

Was to sign a pledge between them all

You could say, a small pact

"In twenty years from this day forth

We'll meet again for tea

On July twenty seventh

Of the year Two thousand three"

The sheet was signed and on their way

They booked their reservation

The girls all hugged and said goodbye

To end their celebration

Now time went by as it always does

And each girl went a different way

But in twenty years, they all looked forth

To meet again that day

The firtst Ace, Jill, went on to school

And married while she studied

She lost track of her Aces friends

Their paths were slightly muddied

She went to school in Omaha

A vet she chose to be

Her marriage lasted fifteen years

And...well, children...she had three.

Andi, chose to work instead

She left town to chase rainbows

She knew that here, her *** of gold

Would be wherever she chose

She moved out to Chicago

Where she was a big success

She became a photo artist

With a Lakeshore Drive address

Cindy, well...dear Cindy

Married five times through the years

Each one was shorter than the last

And one....just fifteen beers

They chose to split the very night

They they chose to become one

He left with her head bridesmaid

And the catfight....it was fun

Cindy spent two nights in jail

For beating up her beau

And she really laid a beating,

In her words, "Upon that **"

Lucy, never did leave town

But she let on that she did

For at high school graduation

She was pregnant with her kid

Her boy was born at Christmas

She did not even tell his dad

He was off to find his fortune

And she sometimes wished she had

But, she made up tales to tell her son

Of who his father was

But, she never told the truth to him

And that was her son's loss

She worked around the village

Never really getting out

She did her best for her son Jamie

There never was a doubt

She loved this boy with all her heart

And so she chose to stay

She'd sacrifice her future

And she'd dream of "just what may"

have happened to her if she left

If he had not been born

But, to her, a life with out him

Made her feel sad, forlorn

Twenty years past by so fast

The Aces plans were set

Each one had hoped the other

Would not dare to forget

Allthough good friends in high school

They'd never kept in touch

They went different directions

Their new lives, well....were their crutch

Cindy was the first to show

So, she stayed outside to smoke

When a voice came from behind her

And she knew just who had spoke

Lucy, grabbed her arm

And then she hugged her really tight

At least two of the four Aces

had remembered, got it right

They went inside to grab a seat

And Jill came in behind

And over by the bar was where

Andi, they would find

They all dressed up and wore big hats

And prom dresses as a lark

And they sat and told their stories

Of their lives till after dark

They vowed that they would stay in touch

And that they would converse

They all agreed they'd talk this time

And nothing could be worse

Than twenty years of silence

Between friends like the Four Aces

Even though they lived such different lives

They missed each other's faces

Another pact was signed this night

But this one for five years

To meet again for tea and cakes

And they signed it through their tears

Cindy left to catch her flight

and Andi left as well

Then Jill got up and hugged Lucy

And then she bade farewell

This left Lucy all alone

At the table all alone

When a gentleman came over

And he sat down with a groan

"Your party was successful"

Lucy smiled at his words

He was the tea house owner

A collector of rare birds

She thanked him for the party

It was one she could not miss

And on her way out past him

She gave him a light kiss

For not only did the tea room

Belong to this kind man

He was also her employer

For, 'twas his kitchen that she ran

You see, now it's been twenty years

Since they went to lead their lives

Some becoming so successful

Some becoming moms and wives

But Lucy, never left this burg

She raised her son alone

And she'd worked at this small tea house

It was her second home

She did not have the money

To come in as a guest

But her boss, was a sweetheart

And he'd made this night the best

Tomorrow she'd be back at work

Making meals for those who came

To the "Flavored leaves of Green"

and she'd be Lucy, once again..
..
For Kelly....
‘Nam Sibyllam quidem Cumis ego ipse oculis meis
vidi in ampulla pendere, et *** illi pueri dicerent:
Sibylla ti theleis; respondebat illa: apothanein thelo.’

                For Ezra Pound
                il miglior fabbro


I. The Burial of the Dead

April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten,
And drank coffee, and talked for an hour.
Bin gar keine Russin, stamm’ aus Litauen, echt deutsch.
And when we were children, staying at the archduke’s,
My cousin’s, he took me out on a sled,
And I was frightened. He said, Marie,
Marie, hold on tight. And down we went.
In the mountains, there you feel free.
I read, much of the night, and go south in the winter.

What are the roots that clutch, what branches grow
Out of this stony *******? Son of man,
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.
            Frisch weht der Wind
            Der Heimat zu
            Mein Irisch Kind,
            Wo weilest du?
‘You gave me hyacinths first a year ago;
‘They called me the hyacinth girl.’
—Yet when we came back, late, from the Hyacinth garden,
Your arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
Living nor dead, and I knew nothing,
Looking into the heart of light, the silence.
Oed’ und leer das Meer.

Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe,
With a wicked pack of cards. Here, said she,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were his eyes. Look!)
Here is Belladonna, the Lady of the Rocks,
The lady of situations.
Here is the man with three staves, and here the Wheel,
And here is the one-eyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
The Hanged Man. Fear death by water.
I see crowds of people, walking round in a ring.
Thank you. If you see dear Mrs. Equitone,
Tell her I bring the horoscope myself:
One must be so careful these days.

Unreal City,
Under the brown fog of a winter dawn,
A crowd flowed over London Bridge, so many,
I had not thought death had undone so many.
Sighs, short and infrequent, were exhaled,
And each man fixed his eyes before his feet.
Flowed up the hill and down King William Street,
To where Saint Mary Woolnoth kept the hours
With a dead sound on the final stroke of nine.
There I saw one I knew, and stopped him, crying ‘Stetson!
‘You who were with me in the ships at Mylae!
‘That corpse you planted last year in your garden,
‘Has it begun to sprout? Will it bloom this year?
‘Or has the sudden frost disturbed its bed?
‘Oh keep the Dog far hence, that’s friend to men,
‘Or with his nails he’ll dig it up again!
‘You! hypocrite lecteur!—mon semblable,—mon frère!’

II. A Game of Chess

The Chair she sat in, like a burnished throne,
Glowed on the marble, where the glass
Held up by standards wrought with fruited vines
From which a golden Cupidon peeped out
(Another hid his eyes behind his wing)
Doubled the flames of sevenbranched candelabra
Reflecting light upon the table as
The glitter of her jewels rose to meet it,
From satin cases poured in rich profusion;
In vials of ivory and coloured glass
Unstoppered, lurked her strange synthetic perfumes,
Unguent, powdered, or liquid—troubled, confused
And drowned the sense in odours; stirred by the air
That freshened from the window, these ascended
In fattening the prolonged candle-flames,
Flung their smoke into the laquearia,
Stirring the pattern on the coffered ceiling.
Huge sea-wood fed with copper
Burned green and orange, framed by the coloured stone,
In which sad light a carved dolphin swam.
Above the antique mantel was displayed
As though a window gave upon the sylvan scene
The change of Philomel, by the barbarous king
So rudely forced; yet there the nightingale
Filled all the desert with inviolable voice
And still she cried, and still the world pursues,
‘Jug Jug’ to ***** ears.
And other withered stumps of time
Were told upon the walls; staring forms
Leaned out, leaning, hushing the room enclosed.
Footsteps shuffled on the stair.
Under the firelight, under the brush, her hair
Spread out in fiery points
Glowed into words, then would be savagely still.

‘My nerves are bad to-night. Yes, bad. Stay with me.
‘Speak to me. Why do you never speak. Speak.
‘What are you thinking of? What thinking? What?
‘I never know what you are thinking. Think.’

I think we are in rats’ alley
Where the dead men lost their bones.

‘What is that noise?
                          The wind under the door.
‘What is that noise now? What is the wind doing?’
                    Nothing again nothing.
                                                    ‘Do
‘You know nothing? Do you see nothing? Do you remember
‘Nothing?’

    I remember
Those are pearls that were his eyes.
‘Are you alive, or not? Is there nothing in your head?’
                                                     But
O O O O that Shakespeherian Rag—
It’s so elegant
So intelligent
‘What shall I do now? What shall I do?’
I shall rush out as I am, and walk the street
‘With my hair down, so. What shall we do to-morrow?
‘What shall we ever do?’
                             The hot water at ten.
And if it rains, a closed car at four.
And we shall play a game of chess,
Pressing lidless eyes and waiting for a knock upon the door.

When Lil’s husband got demobbed, I said—
I didn’t mince my words, I said to her myself,
hurry up please its time
Now Albert’s coming back, make yourself a bit smart.
He’ll want to know what you done with that money he gave you
To get yourself some teeth. He did, I was there.
You have them all out, Lil, and get a nice set,
He said, I swear, I can’t bear to look at you.
And no more can’t I, I said, and think of poor Albert,
He’s been in the army four years, he wants a good time,
And if you don’t give it him, there’s others will, I said.
Oh is there, she said. Something o’ that, I said.
Then I’ll know who to thank, she said, and give me a straight look.
hurry up please its time
If you don’t like it you can get on with it, I said.
Others can pick and choose if you can’t.
But if Albert makes off, it won’t be for lack of telling.
You ought to be ashamed, I said, to look so antique.
(And her only thirty-one.)
I can’t help it, she said, pulling a long face,
It’s them pills I took, to bring it off, she said.
(She’s had five already, and nearly died of young George.)
The chemist said it would be alright, but I’ve never been the same.
You are a proper fool, I said.
Well, if Albert won’t leave you alone, there it is, I said,
What you get married for if you don’t want children?
hurry up please its time
Well, that Sunday Albert was home, they had a hot gammon,
And they asked me in to dinner, to get the beauty of it hot—
hurry up please its time
hurry up please its time
Goonight Bill. Goonight Lou. Goonight May. Goonight.
Ta ta. Goonight. Goonight.
Good night, ladies, good night, sweet ladies, good night, good night.

III. The Fire Sermon

The river’s tent is broken: the last fingers of leaf
Clutch and sink into the wet bank. The wind
Crosses the brown land, unheard. The nymphs are departed.
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers,
Silk handkerchiefs, cardboard boxes, cigarette ends
Or other testimony of summer nights. The nymphs are departed.
And their friends, the loitering heirs of city directors;
Departed, have left no addresses.
By the waters of Leman I sat down and wept . . .
Sweet Thames, run softly till I end my song,
Sweet Thames, run softly, for I speak not loud or long.
But at my back in a cold blast I hear
The rattle of the bones, and chuckle spread from ear to ear.

A rat crept softly through the vegetation
Dragging its slimy belly on the bank
While I was fishing in the dull canal
On a winter evening round behind the gashouse
Musing upon the king my brother’s wreck
And on the king my father’s death before him.
White bodies naked on the low damp ground
And bones cast in a little low dry garret,
Rattled by the rat’s foot only, year to year.
But at my back from time to time I hear
The sound of horns and motors, which shall bring
Sweeney to Mrs. Porter in the spring.
O the moon shone bright on Mrs. Porter
And on her daughter
They wash their feet in soda water
Et O ces voix d’enfants, chantant dans la coupole!

Twit twit twit
Jug jug jug jug jug jug
So rudely forc’d.
Tereu

Unreal City
Under the brown fog of a winter noon
Mr. Eugenides, the Smyrna merchant
Unshaven, with a pocket full of currants
C.i.f. London: documents at sight,
Asked me in demotic French
To luncheon at the Cannon Street Hotel
Followed by a weekend at the Metropole.

At the violet hour, when the eyes and back
Turn upward from the desk, when the human engine waits
Like a taxi throbbing waiting,
I Tiresias, though blind, throbbing between two lives,
Old man with wrinkled female *******, can see
At the violet hour, the evening hour that strives
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
Out of the window perilously spread
Her drying combinations touched by the sun’s last rays,
On the divan are piled (at night her bed)
Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs
Perceived the scene, and foretold the rest—
I too awaited the expected guest.
He, the young man carbuncular, arrives,
A small house agent’s clerk, with one bold stare,
One of the low on whom assurance sits
As a silk hat on a Bradford millionaire.
The time is now propitious, as he guesses,
The meal is ended, she is bored and tired,
Endeavours to engage her in caresses
Which still are unreproved, if undesired.
Flushed and decided, he assaults at once;
Exploring hands encounter no defence;
His vanity requires no response,
And makes a welcome of indifference.
(And I Tiresias have foresuffered all
Enacted on this same divan or bed;
I who have sat by Thebes below the wall
And walked among the lowest of the dead.)
Bestows one final patronising kiss,
And gropes his way, finding the stairs unlit . . .

She turns and looks a moment in the glass,
Hardly aware of her departed lover;
Her brain allows one half-formed thought to pass:
‘Well now that’s done: and I’m glad it’s over.’
When lovely woman stoops to folly and
Paces about her room again, alone,
She smoothes her hair with automatic hand,
And puts a record on the gramophone.

‘This music crept by me upon the waters’
And along the Strand, up Queen Victoria Street.
O City city, I can sometimes hear
Beside a public bar in Lower Thames Street,
The pleasant whining of a mandoline
And a clatter and a chatter from within
Where fishmen lounge at noon: where the walls
Of Magnus Martyr hold
Inexplicable splendour of Ionian white and gold.

      The river sweats
      Oil and tar
      The barges drift
      With the turning tide
      Red sails
      Wide
      To leeward, swing on the heavy spar.
      The barges wash
      Drifting logs
      Down Greenwich reach
      Past the Isle of Dogs.
                  Weialala leia
                  Wallala leialala

      Elizabeth and Leicester
      Beating oars
      The stern was formed
      A gilded shell
      Red and gold
      The brisk swell
      Rippled both shores
      Southwest wind
      Carried down stream
      The peal of bells
      White towers
                  Weialala leia
                  Wallala leialala

‘Trams and dusty trees.
Highbury bore me. Richmond and Kew
Undid me. By Richmond I raised my knees
Supine on the floor of a narrow canoe.’
‘My feet are at Moorgate, and my heart
Under my feet. After the event
He wept. He promised ‘a new start’.
I made no comment. What should I resent?’
‘On Margate Sands.
I can connect
Nothing with nothing.
The broken fingernails of ***** hands.
My people humble people who expect
Nothing.’
              la la

To Carthage then I came

Burning burning burning burning
O Lord Thou pluckest me out
O Lord Thou pluckest

burning

IV. Death by Water

Phlebas the Phoenician, a fortnight dead,
Forgot the cry of gulls, and the deep sea swell
And the profit and loss.
                                A current under sea
Picked his bones in whispers. As he rose and fell
He passed the stages of his age and youth
Entering the whirlpool.
                               Gentile or Jew
O you who turn the wheel and look to windward,
Consider Phlebas, who was once handsome and tall as you.

V. What the Thunder Said

After the torchlight red on sweaty faces
After the frosty silence in the gardens
After the agony in stony places
The shouting and the crying
Prison and palace and reverberation
Of thunder of spring over distant mountains
He who was living is now dead
We who were living are now dying
With a little patience

Here is no water but only rock
Rock and no water and the sandy road
The road winding above among the mountains
Which are mountains of rock wi
A Child’s Story

Hamelin Town’s in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

Rats!
They fought the dogs, and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cook’s own ladles,
Split open the kegs of salted sprats,
Made nests inside men’s Sunday hats,
And even spoiled the women’s chats,
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.

At last the people in a body
To the Town Hall came flocking:
“’Tis clear,” cried they, “our Mayor’s a noddy;
And as for our Corporation—shocking
To think we buy gowns lined with ermine
For dolts that can’t or won’t determine
What’s best to rid us of our vermin!
You hope, because you’re old and obese,
To find in the furry civic robe ease?
Rouse up, Sirs! Give your brains a racking
To find the remedy we’re lacking,
Or, sure as fate, we’ll send you packing!”
At this the Mayor and Corporation
Quaked with a mighty consternation.

An hour they sate in council,
At length the Mayor broke silence:
“For a guilder I’d my ermine gown sell;
I wish I were a mile hence!
It’s easy to bid one rack one’s brain—
I’m sure my poor head aches again
I’ve scratched it so, and all in vain.
Oh for a trap, a trap, a trap!”
Just as he said this, what should hap
At the chamber door but a gentle tap?
“Bless us,” cried the Mayor, “what’s that?”
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous
For a plate of turtle green and glutinous)
“Only a scraping of shoes on the mat?
Anything like the sound of a rat
Makes my heart go pit-a-pat!”

“Come in!”—the Mayor cried, looking bigger:
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red;
And he himself was tall and thin,
With sharp blue eyes, each like a pin,
And light loose hair, yet swarthy skin,
No tuft on cheek nor beard on chin,
But lips where smiles went out and in—
There was no guessing his kith and kin!
And nobody could enough admire
The tall man and his quaint attire:
Quoth one: “It’s as my great-grandsire,
Starting up at the Trump of Doom’s tone,
Had walked this way from his painted tombstone!”

He advanced to the council-table:
And, “Please your honours,” said he, “I’m able,
By means of a secret charm, to draw
All creatures living beneath the sun,
That creep or swim or fly or run,
After me so as you never saw!
And I chiefly use my charm
On creatures that do people harm,
The mole and toad and newt and viper;
And people call me the Pied Piper.”
(And here they noticed round his neck
A scarf of red and yellow stripe,
To match with his coat of the selfsame cheque;
And at the scarf’s end hung a pipe;
And his fingers, they noticed, were ever straying
As if impatient to be playing
Upon this pipe, as low it dangled
Over his vesture so old-fangled.)
“Yet,” said he, “poor piper as I am,
In Tartary I freed the Cham,
Last June, from his huge swarms of gnats;
I eased in Asia the Nizam
Of a monstrous brood of vampire-bats;
And, as for what your brain bewilders,
If I can rid your town of rats
Will you give me a thousand guilders?”
“One? fifty thousand!”—was the exclamation
Of the astonished Mayor and Corporation.

Into the street the Piper stepped,
Smiling first a little smile,
As if he knew what magic slept
In his quiet pipe the while;
Then, like a musical adept,
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled
Like a candle flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, grey rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers,
Families by tens and dozens,
Brothers, sisters, husbands, wives—
Followed the Piper for their lives.
From street to street he piped advancing,
And step for step they followed dancing,
Until they came to the river Weser,
Wherein all plunged and perished!
- Save one who, stout a Julius Caesar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was, “At the first shrill notes of the pipe
I heard a sound as of scraping tripe,
And putting apples, wondrous ripe,
Into a cider-press’s gripe:
And a moving away of pickle-tub-boards,
And a leaving ajar of conserve-cupboards,
And a drawing the corks of train-oil-flasks,
And a breaking the hoops of butter-casks;
And it seemed as if a voice
(Sweeter far than by harp or by psaltery
Is breathed) called out ‘Oh, rats, rejoice!
The world is grown to one vast drysaltery!
So munch on, crunch on, take your nuncheon,
Breakfast, supper, dinner, luncheon!’
And just as a bulky sugar-puncheon,
All ready staved, like a great sun shone
Glorious scarce and inch before me,
Just as methought it said ‘Come, bore me!’
- I found the Weser rolling o’er me.”

You should have heard the Hamelin people
Ringing the bells till they rocked the steeple.
“Go,” cried the Mayor, “and get long poles!
Poke out the nests and block up the holes!
Consult with carpenters and builders,
And leave in our town not even a trace
Of the rats!”—when suddenly, up the face
Of the Piper perked in the market-place,
With a, “First, if you please, my thousand guilders!”

A thousand guilders! The Mayor looked blue;
So did the Corporation too.
For council dinners made rare havoc
With Claret, Moselle, Vin-de-Grave, Hock;
And half the money would replenish
Their cellar’s biggest **** with Rhenish.
To pay this sum to a wandering fellow
With a gypsy coat of red and yellow!
“Beside,” quoth the Mayor with a knowing wink,
“Our business was done at the river’s brink;
We saw with our eyes the vermin sink,
And what’s dead can’t come to life, I think.
So, friend, we’re not the folks to shrink
From the duty of giving you something for drink,
And a matter of money to put in your poke;
But, as for the guilders, what we spoke
Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty.
A thousand guilders! Come, take fifty!”

The Piper’s face fell, and he cried
“No trifling! I can’t wait, beside!
I’ve promised to visit by dinner-time
Bagdat, and accept the prime
Of the Head Cook’s pottage, all he’s rich in,
For having left, in the Calip’s kitchen,
Of a nest of scorpions no survivor—
With him I proved no bargain-driver,
With you, don’t think I’ll bate a stiver!
And folks who put me in a passion
May find me pipe to another fashion.”

“How?” cried the Mayor, “d’ye think I’ll brook
Being worse treated than a Cook?
Insulted by a lazy ribald
With idle pipe and vesture piebald?
You threaten us, fellow? Do your worst,
Blow your pipe there till you burst!”

Once more he stepped into the street;
And to his lips again
Laid his long pipe of smooth straight cane;
And ere he blew three notes (such sweet
Soft notes as yet musician’s cunning
Never gave the enraptured air)
There was a rustling, that seemed like a bustling
Of merry crowds justling at pitching and hustling,
Small feet were pattering, wooden shoes clattering,
Little hands clapping and little tongues chattering,
And, like fowls in a farmyard when barley is scattering,
Out came the children running.
All the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping, ran merrily after
The wonderful music with shouting and laughter.

The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry
To the children merrily skipping by—
And could only follow with the eye
That joyous crowd at the Piper’s back.
But how the Mayor was on the rack,
And the wretched Council’s bosoms beat,
As the Piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However he turned from South to West,
And to Koppelberg Hill his steps addressed,
And after him the children pressed;
Great was the joy in every breast.
“He never can cross that mighty top!
He’s forced to let the piping drop,
And we shall see our children stop!”
When, lo, as they reached the mountain’s side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced and the children followed,
And when all were in to the very last,
The door in the mountain-side shut fast.
Did I say, all? No! One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,—
“It’s dull in our town since my playmates left!
I can’t forget that I’m bereft
Of all the pleasant sights they see,
Which the Piper also promised me:
For he led us, he said, to a joyous land,
Joining the town and just at hand,
Where waters gushed and fruit-trees grew,
And flowers put forth a fairer hue,
And everything was strange and new;
The sparrows were brighter than peacocks here,
And their dogs outran our fallow deer,
And honey-bees had lost their stings,
And horses were born with eagles’ wings:
And just as I became assured
My lame foot would be speedily cured,
The music stopped and I stood still,
And found myself outside the Hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!”

Alas, alas for Hamelin!
There came into many a burgher’s pate
A text which says, that Heaven’s Gate
Opes to the Rich at as easy rate
As the needle’s eye takes a camel in!
The Mayor sent East, West, North, and South,
To offer the Piper, by word of mouth,
Wherever it was men’s lot to find him,
Silver and gold to his heart’s content,
If he’d only return the way he went,
And bring the children behind him.
But when they saw ’twas a lost endeavour,
And Piper and dancers were gone for ever,
They made a decree that lawyers never
Should think their records dated duly
If, after the day of the month and year,
These words did not as well appear,
“And so long after what happened here
On the Twenty-second of July,
Thirteen hundred and seventy-six”:
And the better in memory to fix
The place of the children’s last retreat,
They called it, the Pied Piper’s Street—
Where any one playing on pipe or tabor
Was sure for the future to lose his labour.
Nor suffered they hostelry or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great Church-Window painted
The same, to make the world acquainted
How their children were stolen away;
And there it stands to this very day.
And I must not omit to say
That in Transylvania there’s a tribe
Of alien people that ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don’t understand.

So, *****, let you and me be wipers
Of scores out with all men—especially pipers:
And, whether they pipe us free, from rats or from mice,
If we’ve promised them aught, let us keep our promise.
Francie Lynch Jan 2019
I took the pen with me,
After signing the parlor guest book,
At the Home.

You might think of forgiving me,
Thinking as good people do,
I took it as a memorial sticking point;
But I didn't know the deceased.

I was acting as a devout escort,
To be seen as doing the right thing.
Perception, you've been told,
Is everything.

So, I made sure no one saw me
Take the pen.

For extra insurance,
To project my semblance,
Following the eulogies,
I attended the luncheon,
And ate salmon sandwiches,
And carrot sticks.
On leaving, I grasped the hands:
Sorry for your troubles;
Came home and used that pen,
To create this.
The End.
Your daisies have come
on the day of my divorce:
the courtroom a cement box,
a gas chamber for the infectious Jew in me
and a perhaps land, a possibly promised land
for the Jew in me,
but still a betrayal room for the till-death-do-us-
and yet a death, as in the unlocking of scissors
that makes the now separate parts useless,
even to cut each other up as we did yearly
under the crayoned-in sun.
The courtroom keeps squashing our lives as they break
into two cans ready for recycling,
flattened tin humans
and a tin law,
even for my twenty-five years of hanging on
by my teeth as I once saw at Ringling Brothers.
The gray room:
Judge, lawyer, witness
and me and invisible Skeezix,
and all the other torn
enduring the bewilderments
of their division.

Your daisies have come
on the day of my divorce.
They arrive like round yellow fish,
******* with love at the coral of our love.
Yet they wait,
in their short time,
like little utero half-borns,
half killed, thin and bone soft.
They breathe the air that stands
for twenty-five illicit days,
the sun crawling inside the sheets,
the moon spinning like a tornado
in the washbowl,
and we orchestrated them both,
calling ourselves TWO CAMP DIRECTORS.
There was a song, our song on your cassette,
that played over and over
and baptised the prodigals.
It spoke the unspeakable,
as the rain will on an attic roof,
letting the animal join its soul
as we kneeled before a miracle--
forgetting its knife.

The daisies confer
in the old-married kitchen
papered with blue and green chefs
who call out pies, cookies, yummy,
at the charcoal and cigarette smoke
they wear like a yellowy salve.
The daisies absorb it all--
the twenty-five-year-old sanctioned love
(If one could call such handfuls of fists
and immobile arms that!)
and on this day my world rips itself up
while the country unfastens along
with its perjuring king and his court.
It unfastens into an abortion of belief,
as in me--
the legal rift--
as on might do with the daisies
but does not
for they stand for a love
undergoihng open heart surgery
that might take
if one prayed tough enough.
And yet I demand,
even in prayer,
that I am not a thief,
a mugger of need,
and that your heart survive
on its own,
belonging only to itself,
whole, entirely whole,
and workable
in its dark cavern under your ribs.

I pray it will know truth,
if truth catches in its cup
and yet I pray, as a child would,
that the surgery take.

I dream it is taking.
Next I dream the love is swallowing itself.
Next I dream the love is made of glass,
glass coming through the telephone
that is breaking slowly,
day by day, into my ear.
Next I dream that I put on the love
like a lifejacket and we float,
jacket and I,
we bounce on that priest-blue.
We are as light as a cat's ear
and it is safe,
safe far too long!
And I awaken quickly and go to the opposite window
and peer down at the moon in the pond
and know that beauty has walked over my head,
into this bedroom and out,
flowing out through the window screen,
dropping deep into the water
to hide.

I will observe the daisies
fade and dry up
wuntil they become flour,
snowing themselves onto the table
beside the drone of the refrigerator,
beside the radio playing Frankie
(as often as FM will allow)
snowing lightly, a tremor sinking from the ceiling--
as twenty-five years split from my side
like a growth that I sliced off like a melanoma.

It is six P.M. as I water these tiny weeds
and their little half-life,
their numbered days
that raged like a secret radio,
recalling love that I picked up innocently,
yet guiltily,
as my five-year-old daughter
picked gum off the sidewalk
and it became suddenly an elastic miracle.

For me it was love found
like a diamond
where carrots grow--
the glint of diamond on a plane wing,
meaning:  DANGER!  THICK ICE!
but the good crunch of that orange,
the diamond, the carrot,
both with four million years of resurrecting dirt,
and the love,
although Adam did not know the word,
the love of Adam
obeying his sudden gift.

You, who sought me for nine years,
in stories made up in front of your naked mirror
or walking through rooms of fog women,
you trying to forget the mother
who built guilt with the lumber of a locked door
as she sobbed her soured mild and fed you loss
through the keyhole,
you who wrote out your own birth
and built it with your own poems,
your own lumber, your own keyhole,
into the trunk and leaves of your manhood,
you, who fell into my words, years
before you fell into me (the other,
both the Camp Director and the camper),
you who baited your hook with wide-awake dreams,
and calls and letters and once a luncheon,
and twice a reading by me for you.
But I wouldn't!

Yet this year,
yanking off all past years,
I took the bait
and was pulled upward, upward,
into the sky and was held by the sun--
the quick wonder of its yellow lap--
and became a woman who learned her own shin
and dug into her soul and found it full,
and you became a man who learned his won skin
and dug into his manhood, his humanhood
and found you were as real as a baker
or a seer
and we became a home,
up into the elbows of each other's soul,
without knowing--
an invisible purchase--
that inhabits our house forever.

We were
blessed by the House-Die
by the altar of the color T.V.
and somehow managed to make a tiny marriage,
a tiny marriage
called belief,
as in the child's belief in the tooth fairy,
so close to absolute,
so daft within a year or two.
The daisies have come
for the last time.
And I who have,
each year of my life,
spoken to the tooth fairy,
believing in her,
even when I was her,
am helpless to stop your daisies from dying,
although your voice cries into the telephone:
Marry me!  Marry me!
and my voice speaks onto these keys tonight:
The love is in dark trouble!
The love is starting to die,
right now--
we are in the process of it.
The empty process of it.

I see two deaths,
and the two men plod toward the mortuary of my heart,
and though I willed one away in court today
and I whisper dreams and birthdays into the other,
they both die like waves breaking over me
and I am drowning a little,
but always swimming
among the pillows and stones of the breakwater.
And though your daisies are an unwanted death,
I wade through the smell of their cancer
and recognize the prognosis,
its cartful of loss--

I say now,
you gave what you could.
It was quite a ferris wheel to spin on!
and the dead city of my marriage
seems less important
than the fact that the daisies came weekly,
over and over,
likes kisses that can't stop themselves.

There sit two deaths on November 5th, 1973.
Let one be forgotten--
Bury it!  Wall it up!
But let me not forget the man
of my child-like flowers
though he sinks into the fog of Lake Superior,
he remains, his fingers the marvel
of fourth of July sparklers,
his furious ice cream cones of licking,
remains to cool my forehead with a washcloth
when I sweat into the bathtub of his being.

For the rest that is left:
name it gentle,
as gentle as radishes inhabiting
their short life in the earth,
name it gentle,
gentle as old friends waving so long at the window,
or in the drive,
name it gentle as maple wings singing
themselves upon the pond outside,
as sensuous as the mother-yellow in the pond,
that night that it was ours,
when our bodies floated and bumped
in moon water and the cicadas
called out like tongues.

Let such as this
be resurrected in all men
whenever they mold their days and nights
as when for twenty-five days and nights you molded mine
and planted the seed that dives into my God
and will do so forever
no matter how often I sweep the floor.
howard brace Oct 2012
A nervous shiver rippled briefly across his shoulders as Dunstan peered over the balcony, it was a long way down from his penthouse suite he guessed, shrinking back from the handrail... at a rough guess somewhere between the upper observation deck, Eiffel-Tower, Paris, France and lower basement mezzanine at Miss Selfridge, London, England... and Dunstan was terrified if heights.
  
     It scarcely seemed anytime at all really since he'd relocated to his new and upwardly situated des-res, yet for all that he could hardly recall living anywhere else, once you'd seen one, well... you got the idea,  after a while they all looked pretty much the same, you just had to be able to haggle, but for now at least he was obviously safe enough where he was, sunning himself on the balcony watching the world go by as he scribbled down a shopping list... but lunchtime was almost upon him and then all hell was sure to break loose.

     Having finally determined to put down roots and raise children of her own, his mother Elvera, finding herself in the family-way had wasted no time at all in tearing several well thumbed pages out of her mother's book, then taken both Dunstan's father and his gene-pool straight to the cleaners, just to keep them, so page three informed her firmly in the family... so Dunstan grew up knowing a great deal about laundry and dry-cleaning, but very little about his father, just the occasional anecdote cast to the wind like so much bird seed, about their early courting days and how they'd both wanted him to grow into a strong, healthy lad and do well at school, climbing the corporate ladder, so-to-speak and go to Boy-Scouts every Tuesday evening just like his father had done before him... and learn all about knots, but Dunstan had vertigo and couldn't tie knots for toffee.
                                    
     All hell was certainly dead set on breaking loose that lunchtime, or rather Houdini were they to continue and remain on first name terms... and there was nothing Dunstan loved more than a captive audience.   Reflecting deeply and never wanting a repeat of the previous week he studied the hastily bound swaddling, perhaps the odd tweak here and there just to be on the safe side should ensure the safety of his dinner guest for the remainder of the afternoon.   As Dunstan snipped the final thread he considered that simply nothing was too much trouble where todays 'entree was concerned, he now sat before Houdini smacking his lips in anticipation, quivering in the front parlour waiting for the dinner gong to sound, the Sunday lunch however, now in a mounting state of frenzied agitation continued bouncing around on the embroidered tablespread.  

     Dunstan could never understand what the fuss was all about... I mean, it wasn't as though his dinner guest hadn't been invited, he argued and that for the umpteenth time, as he reached for the carving knife and steel, he simply wasn't going to take no for an answer, leaving his dinner guest still bouncing about, insisting that he'd merely dropped in for directions... and that he, The Great Houdini, currently billed at The London Hippodrome for the remainder of the season had a far more pressing dinner engagement elsewhere, with a diary for the foreseeable future distinctly at odds with those of his host... leaving Dunstan so he hoped, far behind and in no uncertain doubt that not only had he been left hanging in stickier corners than this one, but had every intention of extracting himself from being principal dish of the day before third curtain call... and having done so, wish Dunstan a very good day and remit his professional fee by return of post.

    Meanwhile, insisting that his guest needn't feel obliged to dine elsewhere when they could both enjoy a really splendid one right here, chewing over happier times together, although should Houdini wish, then Dunstan felt confident that his dinner guest was more than capable of punching his way out of as many wet paper bags as he liked... and just what were the Marquis of Queensberry Rules anyway... so encouraged, Dunstan continued sharpening the knife. 

     "Well really", thought Dunstan... 'and without so much as a by-your-leave' carefully examining the damage to his new lace tablecloth, torn in Houdini's haste to depart, he really must be careful as he rummaged for his darning needle, not to fall through.  It had been the shortest dinner party in living memory, Dunstan sighed, it simply would not do, what would all his neighbour's think, he'd never hear the last of it, his reputation they would whisper, well... it would all end in ruins, mark their words it would.  Dunstan's tummy rumbled, he'd been filled with nothing but anticipation that day and very little else, but other than a torn tablecloth and superfluous items of Houdini, shrugged of in his bid for freedom, no one would be any the wiser... having said that, Dunstan would have to make do with a cold repast for luncheon instead, hanging quite still in the larder.

                                                        ­     ­ ...    ...   ...**

A work in progress.                                                        ­                                                               831
unnamed Apr 2012
A Poem Composed Entirely of Verses, Phrases, and Select Words From T.S. Eliot's The Waste Land and The Hollow Men Disposed in a New Order for an English Literature Class Called English 206 at Lewis & Clark College in Portland, Oregon*


This is the Dead Land.
The Death By Water Land.  
The Hanged Man Land.

I had not thought death had undone so many.

In vials of ivory and colored glass,
Under the firelight,
Under the brush,
White bodies naked on the low damp ground.

Bones rattled by the rat's foot.

Rattle.
I hear the king my brother's wreck.
Rattle.
I hear my father's death.

April is the cruelest month.
April is breeding Lilacs out of the Dead Land.

You first gave me Hyacinths a year ago.
They called me The Hyacinth Girl.


A year ago, at the small house in the mountains,
I feel free.
I feel free when we are
Trembling
With tenderness;
Lips that together kiss.
Lips that together form prayers,
Form Life,
Form Earth.
Lips that kept us warm.
Lips, life, Earth, Prayers
Feeding life in the Dead Land,
Breeding Lilacs in the Dead Land.

They call me The Lilac Girl.

I think we are in Rats' Alley.
There I see one I know and him,
crying, picked his bones in whispers.
Crying in whispers unshaven he says,

Burning burning burning
O Lord pluckest me out
O Lord pluckest me out
Burning burning burning*

In demotic French,
Asked me to luncheon at the Cannon Street Hotel.
The Cannon Street Hotel is burning.
In demotic French,
Asked me,

You who were with me in the ships of Mylae!
That corpse you planted last year in your garden,
Has it begun to sprout? my nerves are bad tonight.
Stay with me. yes, bad. stay with me. what is that noise.
It's so elegant. so intelligent. mon semblable; my likeness!
Hypocrite! you!


He sat as though a heap of images broken in a flash of lightning
And crawled head downward down a blackened wall among the lowest of the dead to voices singing out of Empty cisterns,

Burning burning burning
O lord pluckest me out
Burning burning burning


Sweet Thames, I swear, I can't bear to look at you.

Sweet Thames, no more can I, I said,  no more can I bear to look at you and think of poor Albert.

You ought to be ashamed, Sweet Thames, I said, to look so antique.

I want to know what you have done with the memories he gave you,
The memories you took,
The sound of horns and motors,
The prolonged candle-flames,
The pattern on the coffered ceiling,
The small house in the mountains,
The lips that together kissed,
The life,
The Earth,
The Hycinths.

What have you done with my Hyacinths, Sweet Thames?

I still remember those pearls that were his eyes.

Albert, speak to me. Why do you never speak.
Speak.
What are you thinking of?
I think we are in rats' alley
Where the dead men lost their bones.
Where are your bones?
Do you see nothing?            
Do you remember nothing?
Are you alive, or not?
Alive, or not?
Alive,orNotAliveOrNotNotAliveNotAlive
Not alive.
You are nothing.
I am nothing.


I clutch and sink into the wet bank.

Death by Water.
The Dead Land.

Hyacinths in the Dead Land.
Lilacs in the Dead Land.

The Hyacinth girl in the Dead Land. Dead Hyacinths dead in the Dead Land.

The Lilac girl in the Dead Land. Dead Lilacs dead in the Dead Land.

Hurry up, please,
It's time. It's time.

Sweet Thames, run softly, till I end my song.
Sweet Thames, run softly, for I speak not loud or long.

You gave me hyacinths first a year ago.
They called me the hyacinth girl.
Yet when we came back, late, from the Hyacinth garden,
Yours arms full, and your hair wet,
I could not speak,
And my eyes failed,
I was neither living nor dead,
And I knew nothing,
Looking into the heart of light, the silence.

Goodnight, Thames.
Goodnight, Albert.
Goodnight, small house.
Goodnight, Hyacinths.
Goodnight, Lilacs.
Goodnight, April.
Goodnight, goodnight.
martin Jul 2013
We're ladies who lunch, we have a good time
We appreciate art, we sip fine wine
Watching our weight so no more than a nibble
But believe you me - we're fond of a giggle :)

We're ladies who lunch, we thrive on variety
We run the local history society
We move some chairs around in the hall
And invite a nice man to talk to us all

We're ladies who lunch, we support one another
Devouring books from cover to cover
We always discuss the topics we've read
Our husbands are hard at work or dead

We're ladies who lunch, we're busy but free
No one does luncheon better than we
Society's backbone, we stick together
And fully intend to go on for ever
I met a young girl from the country
Who didn't do rumpy pumpy
Until one night
To my delight
She acquired a taste for scrumpy
Kurt Kanawa Jun 2014
Dance can't keep still;
she never could.

Music, perhaps the oldest of them all,
is the gracious host:
a voice all recognize.

Acting has a love/hate relationship
with everyone in the room
including himself.

Pottery daydreams
of ancient glory.
(Fashion hasn't got the time for that.)

Architecture and Sculpture
compare dresses.

Cooking tries to decode
the recipe for dessert.

Painting and Drawing
soak up the garden's view,
while Writing goes around
asking what everyone's up to.

Photography stops
and stares for a while.

Video voyeurs the place,
much to Love's embarrassment.

Lastly, we have Poetry:
the lovechild of all the Arts.
He is amazed by the shape of his hands
and spends his time drawing shadows
and chasing cars.
"All art is quite useless."
Nigel Morgan Dec 2012
‘This is a pleasure. A composer in our midst, and you’re seeing Plas Brondanw at its June best.’ Amabel strides across the lawn from house to the table Sally has laid for tea. Tea for three in the almost shade of the vast plain tree, and nearly the height of the house. Look up into its branches. It is convalescing after major surgery, ropes and bindings still in place.
 
Yes, I am certainly seeing this Welsh manor house, the home of the William-Ellis family for four hundred years, on a day of days. The mountains that ring this estate seem to take the sky blue into themselves. They look almost fragile in the heat.
 
‘Nigel, you’re here?’ Clough appears next. He sounds surprised, as though the journey across Snowdonia was trepidatious adventure. ‘Of course you are, and on this glorious day. Glorious, glorious. You’ve walked up from below perhaps? Of course, of course. Did you detour to the ruin? You must. We’ll walk down after tea.’
 
And he flicks the tails of his russet brown frock coat behind him and sits on the marble bench beside Amabel. She is a little frail at 85, but the twinkling eyes hardly leave my face. Clough is checking the garden for birds. A yellowhammer swoops up from the lower garden and is gone. He gestures as though miming its flight. There are curious bird-like calls from the house. Amabel turns house-ward.
 
‘Our parrots,’ she says with a girlish smile.
 
‘Your letter was so sweet you know.’ She continues. ‘Fancy composing a piece about our village. We’ve had a film, that TV series, so many books, and now music. So exciting. And when do we hear this?’
 
I explain that the BBC will be filming and recording next month, but tomorrow David will appear with his double bass, a cameraman and a sound recordist to ‘do’ the cadenzas in some of the more intriguing locations. And he will come here to see how it sounds in the ‘vale’.
 
‘Are we doing luncheon for the BBC men? They are all men I suppose? When we were on Gardeners’ World it was all gals with clipboards and dark glasses, and it was raining for heaven’s sake. They had no idea about the right shoes, except that Alys person who interviewed me and was so lovely about the topiary and the fireman’s room. Now she wore a sensible skirt and the kind of sandals I wear in the garden. Of course we had to go to Mary’s house to see the thing as you know Clough won’t have a television in the house.’
 
‘I loath the sound of it from a distance. There’s nothing worse that hearing disembodied voices and music. Why do they have to put music with everything? I won’t go near a shop if there’s that canned music about.’
 
‘But surely it was TV’s The Prisoner that put the place on the map,’ I venture to suggest.
 
‘Oh yes, yes, but the mess, and all those Japanese descending on us with questions we simply couldn’t answer. I have to this day no i------de-------a-------‘, he stretches this word like a piece of elastic as far as it might go before breaking in two, ‘ simply no I------de------a------ what the whole thing was about.’ He pauses to take a tea cup freshly poured by Amabel. ‘Patrick was a dear though, and stayed with us of course. He loved the light of the place and would get up before dawn to watch the sun rise over the mountains at the back of us.’
 
‘But I digress. Music, music, yes music . . . ‘ Amabel takes his lead
 
‘We’ve had concerts before at P. outside in the formal gardens by AJ’s studio.’ She has placed her hands on her green velvet skirt and leans forward purposefully. ‘He had musicians about all the time and used to play the piano himself vigorously in the early hours of the morning. Showing off to those models that used to appear. I remember walking past his studio early one morning and there he was asleep on the floor with two of them . . .’
 
Clough smiles and laughs, laughs and smiles at a memory from the late 1920s.
 
‘Everyone thought we were completely mad to do the village.’ He leans back against the gentle curve of the balustrade, and closes his eyes for a moment. ‘Completely mad.’
 
It’s cool under the tree, but where the sunlight strays through my hand seems to gather freckles by the minute. I am enjoying the second slice of Mary’s Bara Brith. ‘It’s the marmalade,’ says Amabel, realising my delight in the texture and taste, ‘Clough brought the recipe back from Ceylon and I’ve taught all my cooks to make it. Of course, Mary isn’t a cook, she’s everything. A wonder, but you’ll discover this later at dinner. You are staying? And you’re going to play too?’
 
I’m certainly going to play in the drawing room studio on the third floor. It’s distractingly full of paintings by ‘friends’ – Duncan Grant, Mondrian, Augustus John, Patrick Heron, Winifred Nicholson (she so loved the garden but would bring that awful Raine woman with her). There’s  Clough’s architectural watercolours (now collectors want these things I used to wiz off for clients – stupid prices – just wish I’d kept more behind before giving them to the AA – (The Architectural Association ed.) And so many books, first editions everywhere. Photographs of Amabel’s flying saucer investigations occupy a shelf along with her many books on fairy tales and four novels, a batch of biographies and pictures of the two girls Susan and Charlotte as teenagers. Susan’s pottery features prominently. There’s a Panda skin from Luchan under the piano.
 
These two eighty somethings have been working since 8.0am. ‘We don’t bother with lunch.’ Amabel is reviewing the latest Ursula le Guin. ‘I stayed with her in Oregon last May. A lovely little house by the sea. Such a darling, and what a gardener! She creates all the ideas for her books in her garden. I so wish I could, but there’s just too much to distract me. Gardening is a serious business because although Jane comes over from Corrieg and says no to this and no to that and I have to stand my corner,  I have to concentrate and go to my books. Did you know the RHS voted this one of the ten most significant gardens in the UK? But look, there’s no one here today except you!’
 
No one but me. And tea is over. ‘A little rest before your endeavours perhaps,’ says Clough, probably anxious to get back to letter to Kenzo Piano.
 
‘Now let’s go and say hello to the fireman,’ says Amabel who takes my arm. And so we walk through the topiary to her favourite ‘room’,  a water feature with the fireman on his column (mid pond). ‘In memory of the great fire, ‘ she says. ‘He keeps a keen eye on the building now.’ He is a two-foot cherub with a hose and wearing a fireman’s helmet.
 
The pond reflects the column and the fireman looks down on us as we gaze into the pool. ‘Health, ‘ she says, ‘We keep a keen eye on it.’
 
The parrots are singing wildly. I didn’t realise they sang. I thought they squawked.
 
‘Will they sing when I play?’ I ask.
 
‘Undoubtedly,’ Amabel says with her girlish smile and squeezes my arm.
This is a piece of fantasy. Clough and Amabel Williams-Ellis created the Italianate village of Portmeirion in North Wales. I visited their beautiful home and garden ten miles away at Brondanw in Snowdonia and found myself imagining this story. Such is the power of place to sometimes conjure up those who make it so.
Fine living . . . a la carte?
     Come to the Waldorf-Astoria!

     LISTEN HUNGRY ONES!
Look! See what Vanity Fair says about the
     new Waldorf-Astoria:

     "All the luxuries of private home. . . ."
Now, won't that be charming when the last flop-house
     has turned you down this winter?
     Furthermore:
"It is far beyond anything hitherto attempted in the hotel
     world. . . ." It cost twenty-eight million dollars. The fa-
     mous Oscar Tschirky is in charge of banqueting.
     Alexandre Gastaud is chef. It will be a distinguished
     background for society.
So when you've no place else to go, homeless and hungry
     ones, choose the Waldorf as a background for your rags--
(Or do you still consider the subway after midnight good
     enough?)

        ROOMERS
Take a room at the new Waldorf, you down-and-outers--
     sleepers in charity's flop-houses where God pulls a
     long face, and you have to pray to get a bed.
They serve swell board at the Waldorf-Astoria. Look at the menu, will
you:

     GUMBO CREOLE
     CRABMEAT IN CASSOLETTE
     BOILED BRISKET OF BEEF
     SMALL ONIONS IN CREAM
     WATERCRESS SALAD
     PEACH MELBA

Have luncheon there this afternoon, all you jobless.
     Why not?
Dine with some of the men and women who got rich off of
     your labor, who clip coupons with clean white fingers
     because your hands dug coal, drilled stone, sewed gar-
     ments, poured steel to let other people draw dividends
     and live easy.
(Or haven't you had enough yet of the soup-lines and the bit-
     ter bread of charity?)
Walk through Peacock Alley tonight before dinner, and get
     warm, anyway. You've got nothing else to do.
RL Smith Jan 2014
One man and lots of women
Gathered in your kitchen
For a barbecue and luncheon
Full of banter, wit and glutton
Wrecking ***** and chat roulette
And an 80s design vignette
The food was finger licking
And the company uplifting
What congeniality
Thanks for the hospitality
For my friends - I haven't laughed so much as I did yesterday for a long time
Lawrence Hall Jul 2017
A Family Luncheon in Honor of Independence Day

The flag posted without enthusiasm
The interior doors locked against children
Whose mothers aver that their pryings and thefts
Are expressions of their authentic selves

Dutiful hot dogs, Chinese paper plates
Surgeries, diets, and bowel movements
Articulated in autopsic detail
And catalogues of recent family deaths

The in-laws sit for hours; they won’t go away -
Now speak again of Independence Day!
Truly Great Gratitude knows how to cook
From my Mentor reward a Burger's Gift
Out of a Contest she saw a New Look,
A New White Shirt whose Collar I did lift
So during the orders our Themes discussed
From Family to Travel saw a Best Face
With you your own Self renew and re-trust
Your Fresh Bond Paper your Husband sought Grace
Only when we bartered our Wallet's view
Was when your Picture's truth I discovered
How Human you are; And Friendlier new
Which self-doubted Fever I recovered.
Luncheon was Great; And now invades the Rain
We better both run with Minutes remain.
scar Jun 2015
Lithium, light they write,
Like it’s right, white delight
Striking bright, better tight:
Fine and dandy.

Glamourised in our eyes
The surprise as you rise
****** heroised,
Bitter candy.

Pump the ***, dump the dot
******* it hot, spatter spot
Sing a lot, dream but not
Craving luncheon.

Skagging sweet sweaty meat
Blisters well under heat
Take a seat, come compete,
Beating truncheon.

Vie d’artiste, or at least
Rising yeast, bubbling beast
Trickling triste down your cheeks,
Ever daring.

Rising up, sup the cup,
Acid drop, fizzle pop,
Shoobie-doo-doobie-***,
Death to caring.
Carlo C Gomez Aug 2020
To thine own naked lunch be true.

Nonetheless,
she knows where from the prolonged gaze
resides.

She knows it's as central to life
as a breath of newborn air.

Yet, she confronts it,
she queries it.

Why must love
Be thunder and hunt?

Why can't it stretch it's limbs out,
languid in the diffused light?

Like morning awakening
to bluebell carpets in soft spring,

Where the revealed flesh can
unfadingly upon float.

When will it learn to sit with her,
quietly, and partake
of such nakedness together...?
Inspired by the renowned painting by Édouard Manet (c. 1862-1863)
JJ Hutton Jun 2014
I.

Up the stairs Suzann without an E went.
8" X 10" bright white rectangles dotted
the yellowing and dusty walls,
clean reminders of bad family photos.
Her parents, Bob and Theresa,
had picked out wallpaper. Lilacs
and vines and oranges. Why? She
didn't know.

She tossed her backpack on the floor
at the foot of her bed. Her senior book
was still on the night stand. Charity and
Faith, her sometimes friends, had spent
the last two weeks filling out every page
of theirs, printing hazy images on cheap
photo paper at their homes and sliding them
into the plastic holders or taping them to
the pages without.

They coerced boys they
had liked or still liked or would like if to
fill out pages. When the boys simply signed
their names or names and football numbers,
they guilted them into writing more. Give
me something to remember you by.

Suzann liked to look at only one boy,
Casey Stephen Fuchs, pronounced "Fox,"
though you know that's just what the family
said. She didn't want him to write in her
senior book. She enjoyed the space between
them. She knew what her peers didn't:
she was seventeen.
She knew she didn't know
the right words yet. She knew the heart-bursting
flutters she felt were temporary--enjoy them, she thought,
shut up and enjoy them.

Her parents set her curfew at 10:30. So
this Friday, like most Fridays, she stays
home.

She opens ****** in the City of Mystics,
a novel she's burned through. Fifty pages
or so left. She likes detectives. The methodical
stalking, the idiosyncratic theories and philosophies
that allow them to connect dot after dot.

She shuts her eyes and sends herself walking down
the streets of New York, where hot dog vendors
whistle and say, "Nice legs." She flags down a cab.
She sees Casey across the street. What are you doing
here, stranger? She waves the cab on.
The driver, a brown-skinned man from some vague
country, throws his arms up. "C'mon."

She cuts across the traffic, dodging a white stretch limo,
a black Hummer, a hearse.

Casey's straight hair hangs over his left eye. It's both
melodramatic and troubled. There's a small shift
at the corners of his lips, the corners of lips, this
is a detail she writes of often in her journal--why?

She can almost hear Casey ask her, "What brings you here?"

"Business."

"What kind?"

"None of yours."

He takes this as an entry for a kiss. Not yet, handsome. No no.

"Make whatever you want for dinner," her mom shouts up the stairs.
"There's stuff for nachos if you want nachos. Some luncheon meat too.
Only one piece of bread though."

"Okay."

"Alright. Just whenever. Dad and I are going to go ahead."

"Okay."

"Alright."

Get me out of here. Suzann's whole life is small: small town,
small family, small church, all packed with small brained, short-sighted people. She wants New York or Chicago. She wants a badge--no not a badge. She'll be a vigilante. "You're not a cop," they'll tell her.

"Thank God," she'll say. "If I were a cop then there'd be nobody protecting these streets."

II.

She's read mysteries set in the middle of nowhere, small towns like her own Kiev, Missouri. They always feel phony. Not enough churches.
Not enough bored dads hitting on cheerleaders.
No curses. Every small town has a curse. Kiev's?
Every year someone in the senior class dies.

As far back as anyone she knew could remember
anyways. Drunk driving, falling asleep at the wheel,
texting while driving, all that crap is what was usually
blamed.

This smelly boy named Todd Louden moved out of Kiev
in the fall semester of his senior year a couple years ago.
Suzann was a freshman.

A few months after he was gone, people started saying
he'd killed himself with a shotgun. First United Methodist
added his family to the prayer list. They had a little service out
by this free-standing wall by the library where he used
to play wall ball during lunch. People cried. Suzann didn't know
anyone that hung out with him. Maybe that's why
they cried, unreconcilable guilt--that's what her dad
said.

Then in the spring Todd moved back. The cross planted
by the wall with his name confused him.
He'd just been staying with his grandma. Nothing crazy.
The churches never said anything about that. He was
just the smelly kid again. Well until late-April when
he got ran over by a drunk or texting driver.
They hadn't even pulled up the cross by the wall ball site
yet.

III.

You call it the middle of nowhere, a place where the roads didn't have proper names until a couple years back, roads now marked with green signs and white numbers like 3500 and 1250, numbers the state mandated so the ambulances can find your dying ***--well if the signs haven't been rendered unreadable by .22 rounds.

The roads used to be known only to locals. They'd give them names like the Jogline or Wilzetta or Lake Road, reserved knowledge for the sake of identifying outsiders. But that day is fading.

What makes nowhere somewhere? What grants space a name?

The dangerous element. The drifter that hops a fence, carrying a shotgun in a tote bag. Violence gave us O.K. Corral. Violence gave us Waco. Historians get nostalgic for those last breaths of innocence. The quiet. The storm. The dead quiet.

IV.

It's March and not a single senior has died.
So when she hears the front door open
around 2 a.m., Suzann isn't surprised.
She doesn't think it's ego that's made
her believe it'd be her to die--but it is.

She hears the fridge door open.
Cabinets open.
Cabinets close.
She hears ice drop into
the glass. Liquid poured.

She clicks her tongue in
her dry mouth. She puts
a hand to her chest. Her
heart beats slow.
She rests her head on
the pillow. It's heavy
yet empty, yet full--
not of thoughts.

She can't remember the name
of any shooting victims.
She remembers the shooters.
Jared Lee Loughner, Seung-Hui Cho,
James Eagan Holmes, Adam Lanza.
No victims.

She hears the intruder set the glass on the counter.
He doesn't walk into the living room.
He starts up the stairs. His steps are
soft, deliberate. What does he want?
Her death. She knows this. He is only a vehicle.
Nameless until. Has he done this before?
Fast or slow?

He's just outside her room, and she doesn't
remember a single victim's name. She hears
a bag unzip. She hears a click.

If he shoots her, Suzann Dunken, there's
no way the newspaper will get her name
right. Her name may or may not scroll
across CNN's marquee for a day or two.
If it does, it won't be spelled correctly.
This makes her move. Wrapping
her comforter around her body, she
tip-toes to the wall next to her door.

She hears a doorknob turn.
It's not hers.

He's going into her parents' bedroom.
They're both heavy sleepers.
She opens her own door slowly.
She steps into the hall. She sees the man.
The man does not see her.
She see the man and grabs a family
portrait. The man does not see her,
and he creeps closer to her parents.
She sees the man standing then she
sees the man falling after she strikes him
with the corner of the family portrait.
The man sees her as he scrambles to get
his bearing. She strikes him, again with
the corner. This time she connects with his eye.
A light comes on. "Suzann," her mother says.
He tries to aim the gun. Again she strikes.
He screams. He reaches for his eyes with
his left hand. Now with the broad side she
swings. She connects. She connects again.
The man shoves her off, stumbles to his feet.
By this time, her dad reaches her side.
One strong push and the man crashes into
the wall outside the room, putting a hole
in the drywall.

He recovers and retreats down the stairs
and out the door into blackness.

Her mother phones the police.
She pants more than speaks
into the receiver.

"Suzann," her dad says. "Sweetheart."

Suzann looks at the portrait, taken at JC Penny when
she was in the sixth grade. The glass is cracked.
She removes the back. She pulls out the photo.

"Did you get a good look at him?"

This photo. Her mother let her do anything
she wanted to her hair before they took it.
So she, of course, dyed it purple.

"That's right," her mother says.
"It's about half a mile east of the
3500 and 1250 intersection. Uh-huh."

Her dad sits down next to her.

"How long do you think it'll take them
to find us?"

There's a shift at the corners of her mouth,
and she nods, just nods.
N R Whyte Mar 2014
as if pulling (on the tab)
prevents the continued closure
of the lunch box
oxen milling brunch
as it unfolds sinewed pasture
green purloining sunlight
oxen munching salami on Thursday morning
mourning the luncheon of Sunday
black black blackberries lugubrious
lubricate brioche freshness
pile of white pile of brown pile of pylons
pile (on the tab)
shots are on me
shots fired no casualties
oxen bagged lunches aren't as fun as pulling punches
Paul Butters Nov 2015
Mike Bee,
Wandering Free.
My *****’s Pub Sunday Luncheon mate,
With always plenty on his plate.

Then at The Crow’s there’s John and Keith,
Using Sam Smith’s to wash their teeth.
What they don’t know, isn’t worth knowing,
Lots of banter to keep me going.

They call Brian there, “Encyclopaedia”,
With lots of facts, he will feed ya.
He’s so bright cos he’s from Leeds,
And knows his I before E except after Cs.

Paul Butters
My drinking pals....
John F McCullagh Apr 2012
There will be no service and no luncheon
when you “now” becomes a “Then”
Just a dignified cremation
awaits at your Journey’s end.
There will be no spoken eulogy
By a priest who knew you not.
No crying yapping relatives-
For none had you begot.
There are those of us
who’ll shed a tear,
to think the old Girl’s passed.
but there’ s no need to wear a suit
Or get the Limos gassed.
You’ll have passed on in your sleep
Having felt the needles pinch.
A far more humane fate I think
than dying by the inch.
Brownie was a good dog
And often gave me her paw.
She always got excited
when she saw me at the door.
A better pet you couldn’t get,
Nor meet a gentler soul.
I’ll shed a quiet private tear
when I put away her bowl.
AP Staunton Mar 2016
Conor's got P.E. , so his kit is washed,
I've wrapped his butties in foil, so they don't get squashed,
Pork Luncheon meat, in a crispy roll,
And a carton of Ribena, to fill that hole.

Jess starts College at One, so she'll wake at Five - to ,
Cheese and Pickle, will have to do,
I've had my pint of milk, with three Weetabix,
Got a Flagon of Cider, all the boxes are ticked.

A days grafting ahead, out near Billingshurst,
Laying bricks and blocks, building up a thirst,
And home to the hungry, back to the shops,
It's either Chicken Kievs, or half-price lamb chops.

Custard and Pie, hot milky drinks,
Then everyones asleep, except for me, who thinks,
About tomorrows butties, fruit and snacks,
Calories, nutrition, vitamins and facts.

Up at dawn, in an old bobble-hat,
Making food for them all, even the cat,
A tin of Tuna, he's well impressed,
Another flagon of Cider, another sweat-stained vest.
A butty is a sandwich, in my neck of the woods
howard brace Jul 2011
Full of charm, 'The Old Kings Arms'.
appendage of my home
a smiling face, a friendly place
a venue that bids welcome.

Ales on draught, cask or keg
Irish stout or cider
a glass of wine, from the vine
all for the connoisseur drinker.

Or should you fancy dining out
for daily brunch or luncheon
served while two, upon the menu
you'll find a wide selection.

Charm is seen, composure serene
a smile by far the sweetest
since time was rang, her name Joanne
your Hostess with the most-est.**

...   ...   ...
Wk kortas Feb 2017
They still weep;
Not as often in those early days
When the telegram delivery boy,
Every bit as foreboding as the Grim Reaper,
Had arrived at their particular doorstep,
But at odd, importune times:
When the light shines just so in his old bedroom,
(Some instances just as he left it,
Other times clean and empty
As if never occupied at all)
The sound of boys playing baseball
In the field on the Klondike Road,
The bells at the Methodist Church
Ringing for another young couple.
Still, the world rolls along
In its own diffident manner:
There are cars, butter, and gasoline now,
Young men who were at Midway and Omaha Beach
Are back on the line at the mill,
Their mothers plan weddings
And buy dresses from Larson’s down in Ridgway.
They may pause briefly if they catch something
In the eye of a friend
Who has no need to buy frocks
Or reserve banquet halls,
And they will say, casting down their eyes a bit
Life goes on, I guess.
Yes, but they still weep
Picture this Jul 2015
Eye of bat and bowels of mice
Mixed into a cauldron cold as ice
Claw of rabbit, tooth of goat
Stir with a tale of a smelly stoat

Add two pints of stale perfume
Two rats whiskers and an ounce of misfortune
Ignite the mixture with a match
And burn it down to blackened ash

Gather the ashes and grind to powder
Add some Arsenic to make a chowder
Invite your enemies round for luncheon
No need to bludgeon with a truncheon

Sit back and watch the final show
Love your friends and **** all foe
This witches brew should do the trick
If they don't die they'll all be sick
Lawrence Hall Dec 2021
Lawrence Hall
Mhall46184@aol.com  
https://hellopoetry.com/lawrence-hall/
poeticdrivel.blogspot.com

                          Late at Night on Christmas Eve

After breakfast with a friend
After setting up for a family luncheon
After a family luncheon that never seemed to end
After cleaning up after a family luncheon
(and that, too, never seemed to end)
After a moment of sitting and thinking with wife and child
After opening gifts (with dachshunds and cats)
After sharing gifts (with dachshunds and cats)
After keeping dachshunds and cats from eating the tree ornaments
After watching Judy Garland sing “Have Yourself a Merry Little Christmas”
After sitting exhausted with a therapeutic episode of The Office
You realize
The day wasn’t so bad
Patrick Warner Mar 2022
I'm on my way to luncheon.
It's only down the hall.
But at journeys end the shortest way
Seems the longest road of all.

It's most peculiar.  These old walls
Were decorated plain.
But the fog dissolves to a distant shore,
As an Emerald Calls my name.

I've journeyed through the decades
Where I've heard the Church bells peel,
From the beachhead of June '44
To The factory gates in Theale.

I grew a garden proud and fair,
With a weeping willow tree.
Where my family played in its summer shade,
It still remembers me.

My trips to Ross have long since stopped,
But the earth salutes them still;
With the ghost of a car, on the shortcut
Down the side of Birdlip Hill.

My travelling days are now long gone,
But my family still recall,
That a ship came back from Guernsey
With contraband alcohol

I don't know how they'll judge me,
When my final furlong's run
But an echoing stranger’s voice talks
Of a gentle Gentleman.

I was a handsome charmer, now
I've supped time's cruel pill.
But that glint in my eye, as you pass me by
Is shining from me still.

I learned it from my father,
Snooker was my game
Now friends have all gone home
I’m tired; I've played my final frame.

I'm on my way to luncheon.
A familiar smell wafts by,
The scent of overcooked
Roast beef, the tang of apple pie.

I'm on my way to luncheon,
I drop my frame and fall.
I hear the siren whisper
Of a distant dancer's call.

I'll leave you all in peace now,
But I don't want any tears,
And I don't want any fuss now,
When you toast my passing years.
In Memory of Ben William Warner who would have been 100 on the day of posting
Francie Lynch Jul 2015
Every night is Saturday,
Every Monday's Sunday.
If Tuesday is my lieu day,
Then Wednesday is my luncheon meeting.
Thursdays are long coffee breaks,
And Fridays are my Personal Days.
Saturdays are Saturdays,
And ****,
It might begin again.
Retirement's great. Too bad I have to be so fecking old to get it. Retirement is wasted on the aging population as much as youth is wasted on the young.
Tasmin Jade Apr 2015
There was once a little speckled cat, with orange eyes and a silky hat. He lives in a dustbin at the end of the street where he eats pink luncheon meat.  His best friend is a grey dormouse with a long tail and his neighbour; a colourful garden snail. He sits and twitches his tickly whiskers all day, drinking peppermint tea from a tiny tray and eating yellow fish from a little dish. On the weekends he plays football with street dogs and tag with green frogs. Before bed he counts each star and strums a little tune on his brown guitar. He’s everyone’s favourite speckled cat, with golden red fur and a silky hat – can you imagine that?
(29 May 2013)
I wrote a bit of children's 'nonsense' verse for my little sister who loves the cats she has running around our mum's house. Because she was so young when I wrote this I tried playing on simple language and colour.
Styles Jul 2014
I treat beef like lions in, the Ramada inn, dying to sign into the luncheon,
go to work,
     I punch in,
these beefcakez, is munchkins, my dough nuts, and bunch Keens.
We Brady Bunch,
and Punch like Kens -sheens.
we punching through functions
like a bunch of alienss at the Days Inns working equations off all kinds of ocassions, mostly Caucasian, facials so amazing, when their facebook, if they face them..I page in,and they page Kim, to let him, know that I'm waiting; the appointment meant, we dating, no promo, so stop your hating. take a selfy in the ****, stop ur waiting. ctrl, alt, delete. there's no.escaping- staple the email to your upper lip, recycle trash every other weak in. ***. Ginny, run, Freddy creeping. slow, creepy walk, Jason mask out the Lake Inn, my neighbors laughed, Chevy chasing there ***, child's play with a ****** hockey mask, i'm up to task. dog had a limp,so I made him part of the cast! Bruce Lee kicked, thier ******* ***, I'm talking full body cast.
Gidgette Apr 2017
I attend the funeral of hope,
weekly
Watch the birth of despair
daily
I think God has gone deaf,
atleast to
my cries
People look at possessions as
success
They aren't
They're stones tied to souls
making sure we all drown with the
Jones'
we all so long to keep up with
Oh yes,
those Jones' are falling to the
Depths of "stuff"
far faster than we Smiths
Good Lord
All day, Everyday,
I see and hear the "upper class"
whine
About the stupidest things
Its appocalypse if the Jones' buy
a BMW
while the neighbor only owns a Cadilac
Utter DEATH
I see these things and hear these silly conversations daily
"Oh did you see how fat Pam's *** looked in that Vera dress at yesterday's luncheon?"
"Yes! All that money spent on lypo! Haha!"
Disgusting ****
like sulfuric acid poured into my ears
And the road on the way to this Country Club and Gated Community called
Deerfield
Is lined with falling down trailers and houses without glass in the Windows
Clothes hung on ancient strings because the wearers can't afford a dryer
Or the electicity to run one
Children filthy and barefoot playing with
hand-me-down toys
in hay field yards
Still cleaner and more pure
than the
Filthy Rich
I wavered in my original intent with this one. I just got So angry today at work. These rich people in their multi-million dollar homes behind a coded gated community are complaining about the "eye sore" homes of these poor mountain people. Rather than help them, or try to see from both sides of the gate, They'd rather the city take the land and tear down these peoples homes. They would rather human beings be ******* homeless, than have to drive by any imperfect thing on their way to their 12 and 13 bedroom, lake front, mansions!! Seriously! They are actually petitioning for this devilish act. I spit at them! Better educate these people and give them a chance to do better. Knowledge is wealth and power. And knowledge should be given freely. The public schools here are awful. The children share books And the local high school only has three computers in the inadequate library. I won't deny being lucky. I went to a private school, as will my Stella. But know this, I donate frequently, And when I taught the dance, I taught more than one girl for free. I could rant about this all night but I have Easter baskets to fill. I love you all. Happy Easter<3
Nat Lipstadt Jul 2021
a thousand years ago, wrote a poem called
“why I always carry tissues”  -
a labor of love to
mine own toddlers misadventures,
requiring love covered in tissues so soft,
yet an ironclad coating
of natural substantive parenting
useful for tearing eyes, running noses,
and the cuts of living outdoors joyously

children grow older and oft that means,
they seek not your counsel,
and if offered, politely ignored,
for so it goes tween fathers and sons

then one summer days you receive an
observation, a datapoint that irradiates,
a quiet confirmation that not everything
you’ve said and done has gone astray

a young’un of “almost ten,” informs her father,
around the luncheon table of three generations,
that her foot is hurting; the son, now the father,
diagnosis renders, a blister, which will require
a protective custody that will protect the child’s
feet from the ravages of furious Shell Beach fun,
or the rough of a Manhattan sidewalk

I watch with a joy so quiet and so overwhelming,
as the son-father reaches into a cargo pocket,
producing not one but two bandaids, for life
requires backups for there are other babes about,
who at moments notice, produce scrapes and cuts
of ever greater consequence for each year they age

his wife renders me overjoyed, when she dryly
observe how certain children are lucky that
their father always carries bandaids, a new factoid,
for me, an unknown that glistens like a wet shell

now my eyes tearing, for a message in a bandaid,
or a tissue no matter which, is a certified proof,
somehow a message got through the clutter,
marked “well received,” that loving well requires
an oh so very hard attention to details, and that deep pockets
are repositories of good notions, handed down generations

June 24, 2021

Shell Beach
Brent Kincaid Nov 2016
As for me, I chose the alternatives
To do what is right without the superlatives,
To love people without any threat
A choice too many have not made yet.
A loving but jealous and wrathful god?
Even those words put together sound odd.
If this omnipotence were on the level
Why not smite the heck out of the devil?

I never understood that stuff about Eden.
Why have just one tree off limits even?
To people who were basically children
Why was part of paradise ever forbidden?
Any parent will tell you about their kids
They would do exactly as those two did.
You couldn’t keep them away with a truncheon.
Those kids would have a ****** luncheon.

Oh, and what a self-righteous creep was He
To do what what he did to Job endlessly.
It has always sounded evil torture to me;
The work of a cloud-bound twisted bully.
Then for no reason anybody could ever tell
He created a son and then cast him into hell.
He let the Devil make a punching bag of Jesus.
This God creature seems to do what he pleases.

So what about this legend is so wonderful
That we heap money on priests by the basketful?
We create huge bejeweled palaces everywhere
And insist they are houses of God and swear
To visit them will make us all godly creatures.
Yet we demand no solid proof of those teachers.
If a car salesman delivered like that on a promise,
We’d take him out to and pound him into pumice.
Chance Willie Oct 2011
Carbon copies
Saved to floppies
Mass production
Living zombies

Flawless Smile
Deny denial
Corporate luncheon
Stay a while

Evolution
Resolution
Final junction
Revolution

— The End —