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Anonymous Nov 2014
When the boy said.
"I love you"
I nearly wept the tears which have been filling since the last one left,
Unsure of my feelings I turn away and look to the ground,
Searching,
For something,
To distract myself,
I see the garbage, with the used wrappers from our affairs,
Wondering, maybe that's why,
Because why would a boy love me for any other reason but my body?
Because I have been taught to beware those three words,
For those are the words which are spoken when he wants more,
More than your touch,
Or cress,
But your lips,
His, on you hips,
For when the boy said "I love you"
I was confused and concerned,
Because why would he,
Could he,
Love someone like me.
Ricky Rose Dec 2011
Here we are just me and you our emotions boiling like stew for each other as we gaze at one another. I approach you standing before you in ****** thought. Studying your beautiful **** figure so innocent in your taunting  poise. I give you my crooked smile with a raised brow. Wanting to show you if not everything I know how. Everything that's not allowed. Now I take you boldly and without warning close to me.

Pressing my lips to yours overlapping each others. My lips almost curl to yours as I enclose over your mouth like a puzzle piece fitting in place. I close slightly to interlock our mouths passionately head tilted to complete the exchange. My tongue exploring your mouth teasing your tongue to play. Ever so long we kiss as we wrap our arms tightly around each other. Not wanting to let go.

Inevitably my arms loosen only to grab your sides my hand slipping down beneath your pants swaying slowly as a tree limb in the faint wind. Fingers expanding apart into your ******* like the tentacles of a sea creature over your patch of ***** hair above the sweet lips of your ******. Longest finger going threw the folds feeling your **** harden. You start to moisten with every touch I give to you playing with your *****. I stop only to have my lustful kisses go to your cheek, on your neck my lips as a suction cup feeling the warm pules of the blood beating in your jugular vain.  Tasting the salty sweat on your skin ******* the blood to your skins surface I leave my mark as a vampire on your neck. My **** hardens unbarring wanting to escape the enclosure of my jeans. I push you on the bed of seduction caused by your temptress ways!  We feverishly tear off one an others clothes all while caressing and pressing ourselves to each other.

My eyes exploring your **** body every curve and shape it brings so lovely in its beauty. It's form can not be duplicated. I stare into your eyes hands at each of sides the prettiest face I've ever seen on a girl. I left your head close to me as I lay over you. My lips going for more of you. My body nudging between your legs you spread them apart slightly I balance over you as if I was readying myself for push ups. We can't stop making out I go to your ear kissing your lobe flicking and nipping the bottom of your ear with my tongue.

My body slides down a little further as I explore you. Going to the finest breast Ive seen. Shape just right I circle  my hand around and over it feeling your ******* hard between my fingers. I massage them firmly and lightly. Kneading them in my hand I start to Kiss and suckle them playing with your ******* in my mouth. Teasing them ******* on hard and softly with the hot and cool air as I breath and blow on them.

I raise up a little kissing further down your body as your legs spread more before me. I adventure to your belly kissing your belly button in a playful manner tickling you. Hearing your cute giggles laughing so soundly sweet. Now at the entrance of the ***** I french kiss your ****** in a romantically way. My lips pressed to your *****. Licking you rubbing my tongue through the folds and over the pearl that is your ****. Turning my head back and forth as I bury my face more between your thighs as you push my face up to it wanting me. You lift up spinning around to sit on my face. Sliding your self to and fro as your ***** mounted on my lips. Thighs against my ears. I Lick and lick  kiss and kiss in all manner of ways I **** on your ****. Turning over you grab my **** kissing up an down the shaft of my ****. Kissing the head of my ***** your mouth engulfs my ****. ******* on me rubbing me squeezing my ***** with your hand playing with me only as you know how. I continue to make out with your special spot while grabbing your *** cheeks and spanking you playfully. entangling around like two serpents mating. I have you down back on the bed.

My **** hard as its ever going to be in this moment of lust, passion, and ecstasy. I insert myself and enter you sliding my **** in the entrance of the begging of life. Giving you my love and tenderness. Feeling your warm wet ****** around my hot ****. You gasp and moan inhaling and exhaling with every push and release of me in you. Faster and faster I go exploring your insides every which way probing you with every inch. We are at a rhythm of love making. Kissing caressing my movements are like a crazed caterpillar crawling in its way. I tug at your hair as I'm going back and forth inside you. Pounding vigorously against you more and more.

We spin around once more to have you ride me. Back forth up and down. I buck you like a wiled horse. Lean up to you kissing you between your breast. Playing with them once more. In the moment of ****** you ****** uncontrollably scratch my back. We turn over and I lay you back down once more. Never exiting you keeping that good rhythm inside you. Alas I pull out as you can't take no more only to roll you over on your back side and protrude your tight ***. My **** swelling once more. You tighten your *** cheeks while I'm inside you again. I rigorously pound against you as I did in your ******. My hands massaging your back as I press against you. Leaning over to kiss and cress your back with my face. I pull your hair with one hand playfully. With the other I massage your neck. Now with both hands I go to your shoulders and pull your body closer to mine. I *** in your *** as I came in your *****. Our breath exasperated from the pleasures of love we muster up the very little energy we have to shower and cleanse one another. So we can lay and cuddle in our bed of love with a kiss to fall asleep.
Dedication

Inscribed to a dear Child:
in memory of golden summer hours
and whispers of a summer sea.

Girt with a boyish garb for boyish task,
   Eager she wields her *****; yet loves as well
Rest on a friendly knee, intent to ask
   The tale he loves to tell.

Rude spirits of the seething outer strife,
   Unmeet to read her pure and simple spright,
Deem, if you list, such hours a waste of life,
   Empty of all delight!

Chat on, sweet Maid, and rescue from annoy
   Hearts that by wiser talk are unbeguiled.
Ah, happy he who owns that tenderest joy,
   The heart-love of a child!

Away, fond thoughts, and vex my soul no more!
   Work claims my wakeful nights, my busy days--
Albeit bright memories of that sunlit shore
   Yet haunt my dreaming gaze!

PREFACE

If--and the thing is wildly possible--the charge of writing nonsense were ever brought against the author of this brief but instructive poem, it would be based, I feel convinced, on the line (in p.18)

"Then the bowsprit got mixed with the rudder sometimes."

In view of this painful possibility, I will not (as I might) appeal indignantly to my other writings as a proof that I am incapable of such a deed: I will not (as I might) point to the strong moral purpose of this poem itself, to the arithmetical principles so cautiously inculcated in it, or to its noble teachings in Natural History--I will take the more prosaic course of simply explaining how it happened.

The Bellman, who was almost morbidly sensitive about appearances, used to have the bowsprit unshipped once or twice a week to be revarnished, and it more than once happened, when the time came for replacing it, that no one on board could remember which end of the ship it belonged to. They knew it was not of the slightest use to appeal to the Bellman about it--he would only refer to his Naval Code, and read out in pathetic tones Admiralty Instructions which none of them had ever been able to understand--so it generally ended in its being fastened on, anyhow, across the rudder. The helmsman* used to stand by with tears in his eyes; he knew it was all wrong, but alas! Rule 42 of the Code, "No one shall speak to the Man at the Helm," had been completed by the Bellman himself with the words "and the Man at the Helm shall speak to no one." So remon{-} strance was impossible, and no steering could be done till the next varnishing day. During these bewildering intervals the ship usually sailed backwards.

As this poem is to some extent connected with the lay of the Jabberwock, let me take this opportunity of answering a question that has often been asked me, how to pronounce "slithy toves." The "i" in "slithy" is long, as in "writhe"; and "toves" is pronounced so as to rhyme with "groves." Again, the first "o" in "borogoves" is pronounced like the "o" in "borrow." I have heard people try to give it the sound of the"o" in "worry." Such is Human Perversity. This also seems a fitting occasion to notice the other hard works in that poem. Humpty-Dumpty's theory, of two meanings packed into one word like a port{-} manteau, seems to me the right explanation for all.

For instance, take the two words "fuming" and "furious." Make up your mind that you will say both words, but leave it unsettled which you will say first. Now open your mouth and speak. If your thoughts incline ever so little towards "fuming," you will say "fuming-furious;" if they turn, by even a hair's breadth, towards "furious," you will say "furious-fuming;" but if you have that rarest of gifts, a perfectly balanced mind, you will say "frumious."

Supposing that, when Pistol uttered the well-known
words--

     "Under which king, Bezonian? Speak or die!"

Justice Shallow had felt certain that it was either William or Richard, but had not been able to settle which, so that he could not possibly say either name before the other, can it be doubted that, rather than die, he would have gasped out "Rilchiam!"

CONTENTS

Fit the First. The Landing
Fit the Second. The Bellman's Speech
Fit the Third. The Baker's Tale
Fit the Fourth. The Hunting
Fit the Fifth. The ******'s Lesson
Fit the Sixth. The Barrister's Dream
Fit the Seventh. The Banker's Fate
Fit the Eighth. The Vanishing

Fit the First.

THE LANDING

"Just the place for a Snark!" the Bellman cried,
    As he landed his crew with care;
Supporting each man on the top of the tide
    By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
    That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
    What I tell you three times is true."

  The crew was complete: it included a Boots--
  A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
  And a Broker, to value their goods.

A Billiard-marker, whose skill was immense,
  Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
  Had the whole of their cash in his care.

There was also a ******, that paced on the deck,
  Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck,
  Though none of the sailors knew how.

There was one who was famed for the number of things
  He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
  And the clothes he had bought for the trip.

He had forty-two boxes, all carefully packed,
  With his name painted clearly on each:
But, since he omitted to mention the fact,
  They were all left behind on the beach.

The loss of his clothes hardly mattered, because
  He had seven coats on when he came,
With three pair of boots--but the worst of it was,
  He had wholly forgotten his name.

He would answer to "Hi!" or to any loud cry,
  Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
  But especially "Thing-um-a-jig!"

While, for those who preferred a more forcible word,
  He had different names from these:
His intimate friends called him "Candle-ends,"
  And his enemies "Toasted-cheese."

"His form in ungainly--his intellect small--"
  (So the Bellman would often remark)
"But his courage is perfect! And that, after all,
  Is the thing that one needs with a Snark."

He would joke with hy{ae}nas, returning their stare
  With an impudent wag of the head:
And he once went a walk, paw-in-paw, with a bear,
  "Just to keep up its spirits," he said.

He came as a Baker: but owned, when too late--
  And it drove the poor Bellman half-mad--
He could only bake Bridecake--for which, I may state,
  No materials were to be had.

The last of the crew needs especial remark,
  Though he looked an incredible dunce:
He had just one idea--but, that one being "Snark,"
  The good Bellman engaged him at once.

He came as a Butcher: but gravely declared,
  When the ship had been sailing a week,
He could only **** Beavers. The Bellman looked scared,
  And was almost too frightened to speak:

But at length he explained, in a tremulous tone,
  There was only one ****** on board;
And that was a tame one he had of his own,
  Whose death would be deeply deplored.

The ******, who happened to hear the remark,
  Protested, with tears in its eyes,
That not even the rapture of hunting the Snark
  Could atone for that dismal surprise!

It strongly advised that the Butcher should be
  Conveyed in a separate ship:
But the Bellman declared that would never agree
  With the plans he had made for the trip:

Navigation was always a difficult art,
  Though with only one ship and one bell:
And he feared he must really decline, for his part,
  Undertaking another as well.

The ******'s best course was, no doubt, to procure
  A second-hand dagger-proof coat--
So the Baker advised it-- and next, to insure
  Its life in some Office of note:

This the Banker suggested, and offered for hire
  (On moderate terms), or for sale,
Two excellent Policies, one Against Fire,
  And one Against Damage From Hail.

Yet still, ever after that sorrowful day,
  Whenever the Butcher was by,
The ****** kept looking the opposite way,
  And appeared unaccountably shy.

II.--THE BELLMAN'S SPEECH.

Fit the Second.

THE BELLMAN'S SPEECH.

The Bellman himself they all praised to the skies--
  Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
  The moment one looked in his face!

He had bought a large map representing the sea,
  Without the least vestige of land:
And the crew were much pleased when they found it to be
  A map they could all understand.

"What's the good of Mercator's North Poles and Equators,
  Tropics, Zones, and Meridian Lines?"
So the Bellman would cry: and the crew would reply
   "They are merely conventional signs!

"Other maps are such shapes, with their islands and capes!
  But we've got our brave Captain to thank
(So the crew would protest) "that he's bought us the best--
  A perfect and absolute blank!"

This was charming, no doubt; but they shortly found out
  That the Captain they trusted so well
Had only one notion for crossing the ocean,
  And that was to tingle his bell.

He was thoughtful and grave--but the orders he gave
  Were enough to bewilder a crew.
When he cried "Steer to starboard, but keep her head larboard!"
  What on earth was the helmsman to do?

Then the bowsprit got mixed with the rudder sometimes:
  A thing, as the Bellman remarked,
That frequently happens in tropical climes,
  When a vessel is, so to speak, "snarked."

But the principal failing occurred in the sailing,
   And the Bellman, perplexed and distressed,
Said he had hoped, at least, when the wind blew due East,
  That the ship would not travel due West!

But the danger was past--they had landed at last,
  With their boxes, portmanteaus, and bags:
Yet at first sight the crew were not pleased with the view,
  Which consisted to chasms and crags.

The Bellman perceived that their spirits were low,
  And repeated in musical tone
Some jokes he had kept for a season of woe--
  But the crew would do nothing but groan.

He served out some grog with a liberal hand,
  And bade them sit down on the beach:
And they could not but own that their Captain looked grand,
  As he stood and delivered his speech.

"Friends, Romans, and countrymen, lend me your ears!"
  (They were all of them fond of quotations:
So they drank to his health, and they gave him three cheers,
  While he served out additional rations).

"We have sailed many months, we have sailed many weeks,
   (Four weeks to the month you may mark),
But never as yet ('tis your Captain who speaks)
  Have we caught the least glimpse of a Snark!

"We have sailed many weeks, we have sailed many days,
  (Seven days to the week I allow),
But a Snark, on the which we might lovingly gaze,
  We have never beheld till now!

"Come, listen, my men, while I tell you again
  The five unmistakable marks
By which you may know, wheresoever you go,
  The warranted genuine Snarks.

"Let us take them in order. The first is the taste,
  Which is meagre and hollow, but crisp:
Like a coat that is rather too tight in the waist,
  With a flavour of Will-o-the-wisp.

"Its habit of getting up late you'll agree
  That it carries too far, when I say
That it frequently breakfasts at five-o'clock tea,
  And dines on the following day.

"The third is its slowness in taking a jest.
  Should you happen to venture on one,
It will sigh like a thing that is deeply distressed:
  And it always looks grave at a pun.

"The fourth is its fondness for bathing-machines,
  Which is constantly carries about,
And believes that they add to the beauty of scenes--
  A sentiment open to doubt.

"The fifth is ambition. It next will be right
  To describe each particular batch:
Distinguishing those that have feathers, and bite,
  From those that have whiskers, and scratch.

"For, although common Snarks do no manner of harm,
  Yet, I feel it my duty to say,
Some are Boojums--" The Bellman broke off in alarm,
  For the Baker had fainted away.

FIT III.--THE BAKER'S TALE.

Fit the Third.

THE BAKER'S TALE.

They roused him with muffins--they roused him with ice--
  They roused him with mustard and cress--
They roused him with jam and judicious advice--
  They set him conundrums to guess.

When at length he sat up and was able to speak,
  His sad story he offered to tell;
And the Bellman cried "Silence! Not even a shriek!"
  And excitedly tingled his bell.

There was silence supreme! Not a shriek, not a scream,
  Scarcely even a howl or a groan,
As the man they called "**!" told his story of woe
  In an antediluvian tone.

"My father and mother were honest, though poor--"
  "Skip all that!" cried the Bellman in haste.
"If it once becomes dark, there's no chance of a Snark--
  We have hardly a minute to waste!"

"I skip forty years," said the Baker, in tears,
  "And proceed without further remark
To the day when you took me aboard of your ship
  To help you in hunting the Snark.

"A dear uncle of mine (after whom I was named)
  Remarked, when I bade him farewell--"
"Oh, skip your dear uncle!" the Bellman exclaimed,
  As he angrily tingled his bell.

"He remarked to me then," said that mildest of men,
  " 'If your Snark be a Snark, that is right:
Fetch it home by all means--you may serve it with greens,
  And it's handy for striking a light.

" 'You may seek it with thimbles--and seek it with care;
  You may hunt it with forks and hope;
You may threaten its life with a railway-share;
  You may charm it with smiles and soap--' "

("That's exactly the method," the Bellman bold
  In a hasty parenthesis cried,
"That's exactly the way I have always been told
  That the capture of Snarks should be tried!")

" 'But oh, beamish nephew, beware of the day,
  If your Snark be a Boojum! For then
You will softly and suddenly vanish away,
  And never be met with again!'

"It is this, it is this that oppresses my soul,
  When I think of my uncle's last words:
And my heart is like nothing so much as a bowl
  Brimming over with quivering curds!

"It is this, it is this--" "We have had that before!"
  The Bellman indignantly said.
And the Baker replied "Let me say it once more.
  It is this, it is this that I dread!

"I engage with the Snark--every night after dark--
  In a dreamy delirious fight:
I serve it with greens in those shadowy scenes,
  And I use it for striking a light:

"But if ever I meet with a Boojum, that day,
  In a moment (of this I am sure),
I shall softly and suddenly vanish away--
  And the notion I cannot endure!"

FIT IV.--THE HUNTING.

Fit the fourth.

THE HUNTING.

The Bellman looked uffish, and wrinkled his brow.
  "If only you'd spoken before!
It's excessively awkward to mention it now,
  With the Snark, so to speak, at the door!

"We should all of us grieve, as you well may believe,
  If you never were met with again--
But surely, my man, when the voyage began,
  You might have suggested it then?

"It's excessively awkward to mention it now--
  As I think I've already remarked."
And the man they called "Hi!" replied, with a sigh,
  "I informed you the day we embar
Michael W Noland Jul 2012
An addict in the attic

speaking in cryptic tongues

with mystic strums of my sadistic slumps

for i am the ******* son

born of the blood of the gun

the rage of the dumb

direct descendant of a sociopath ***

eternally stunned
L B Apr 2018
Down the ******--
Adventures of Feral Children

If there has to be a gate, I suppose I have always had my own theory that “The ******” was one of those places through which God pulled Paradise inside out.  I was always wandering there, pretending-- playing sometimes or searching for something-- the exact moment that spring begins, or the place of my secret dwelling where I was in charge, where I was queen.  Always hoping for the constant surprise of beauty, a lady slipper-- stunning last year's leaves, a meadow of white violets-- May snow on green?  Or was the startle of of seeing my first scarlet tanager in the saplings-- still too cold for leaves?

To the uninitiated The ****** was nothing more than the meaning of its name, a bending tube of woods with a brook tracing along it-- like snake's spine.

Not a practical place for a housing development, it had an ether of history as some “Valentine Park” and playground, and I guess that was true, judging from the ruins of bridges, stone half-penny steps, and the overgrown lima-bean shaped pool.  Huge, stone block stairs had faced each other, lining the entrance of a spring-- a fountain once, covered now with moss.  It loomed at dusk like an ancient temple.  Even the course of the brook had been maintained by giant, redstone slabs-- long-since tumbled in the wake of hurricanes whose names I've forgotten....

...Like a snake's spine... always there for a thousand years, wearing its steep banks ever-deeper into the guts of city till oaks, hemlocks and white pines became sentinel giants, far taller and older than their genes had ever intended.  In the war for sunlight, they through up an unwitting wall against all-- but the most daring encroachments...

...Like say-- like say half-grown people, cigarette butts, broken bottles, and underground “forts” with their smells of stale beer and musty clothes, old mattresses-- echos of giggling, the aura of explored forbiddens.  To us who knew her, The ****** could outlive remembrance but not rumor.  Like an old graveyard or an abandoned house, it was the place to go with our bags of candy, pea-shooters, and fire crackers!  We'd go there to fake-smoke punks-- we either were or wanted to be--
  
Somebody's parents always leaving their lights around....

We came there to delve into our made-up mysteries, like the one about that antique car that had rusted in “The Swamp” for centuries!  ...that someone's dead cousin drove off The ******'s cliff side one night... drunk as a skunk!  ...right where The Diamond Match's got this big pipe that spews all that gray **** into the brook! ...right where we used to swim and play on the hottest days since we couldn't use the city's Paddle Pond (folks were scared of polio in those days), so we played at “The Pipe” --making “Indian pottery” with the neighbors,  Gary, Davy, Shelley, and Sandy.  Red clay cups and ashtrays on red hot afternoons-- making wild polluted Indians of Jew and Irish kids alike.

Now I almost forgot.... I was telling you about that antique car-- the one some cousin of Ross was supposed to 'ave driven right off the cliff into the swamp and died... Well... His ghost still lurks there! ...and goes into 'iz cousin's body-- Ross, that is....  Let me tell ya!  Ross could sure mess up an afternoon's good time by his appearance!
                                          __­__

  
But The ****** wasn't just for spooks-- not if you were into spraying girls with rusted cans of rotten Reddi Whip, kicking skunk cabbage (same effect), or finding frogs eggs under lily pads,  Gary even discovered those curious old Italians picking water cress barefoot in The Frog Pond.  Intensely curious, he was not afraid of their funny speech and ways.  He had gallon cans and pickle jars for raising pollywogs-- so he was on a mission.  But best of all, Gary had a backyard that overhung The ******'s swamp!  We could even view The Pipe hurling runoff ten feet out into the basin!  Our aberrant Niagara after a good storm.

Then there was the time that Tarzan swing just appeared!-- Like one of those convenient vines in the jungle movies!  It hung from a pine on one of The ******'s sheer sides, and was capable-- when wrapped around the trunk and given a running start, of providing one helluva-swooping-good ride-- out over the brook, into the sunlight and back-- with a thousand terrifying variations.  Took me a while to work-up my nerve-- a little longer to be really fine!

Tommy Gireaux fell and broke his arm.  Our swing was nothing but a stump of rope next day.  Twenty feet up, dangling fun, cut off and left-- to remembrance of times so real Tarzan made personal appearances!

______
Of course, there's more to this.  Our feral band of explorers discovers the soggy Playboys and gets sidetracked from their mission to find  "The Pine Cathedral" and where The ****** actually ends.  Ross shows up.

Not a fiction...not a fiction.

I am totally frustrated by my efforts to use and delete italics and bold print.  Why can't this site just post them as they appear in the writing???   How hard can that be?
I first tasted under Apollo's lips,
love and love sweetness,
I, Evadne;
my hair is made of crisp violets
or hyacinth which the wind combs back
across some rock shelf;
I, Evadne,
was made of the god of light.

His hair was crisp to my mouth,
as the flower of the crocus,
across my cheek,
cool as the silver-cress
on Erotos bank;
between my chin and throat,
his mouth slipped over and over.

Still between my arm and shoulder,
I feel the brush of his hair,
and my hands keep the gold they took,
as they wandered over and over,
that great arm-full of yellow flowers.
That second time they hunted me
From hill to plain, from shore to sea,
And Austria, hounding far and wide
Her blood-hounds through the countryside,
Breathed hot and instant on my trace,—
I made six days a hiding-place
Of that dry green old aqueduct
Where I and Charles, when boys, have plucked
The fire-flies from the roof above,
Bright creeping throuoh the moss they love.
—How long it seems since Charles was lost!
Six days the soldiers crossed and crossed
The country in my very sight;
And when that peril ceased at night,
The sky broke out in red dismay
With signal-fires; well, there I lay
Close covered o’er in my recess,
Up to the neck in ferns and cress,
Thinking on Metternich our friend,
And Charles’s miserable end,
And much beside, two days; the third,
Hunger o’ercame me when I heard
The peasants from the village go
To work among the maize; you know,
With us, in Lombardy, they bring
Provisions packed on mules, a string
With little bells that cheer their task,
And casks, and boughs on every cask
To keep the sun’s heat from the wine;
These I let pass in jingling line,
And, close on them, dear noisy crew,
The peasants from the village too;
For at the very rear would troop
Their wives and sisters in a group
To help, I knew; when these had passed,
I threw my glove to strike the last,
Taking the chance: she did not start,
Much less cry out, but stooped apart
One instant, rapidly glanced round,
And saw me beckon from the ground;
A wild bush grows and hides my crypt,
She picked my glove up while she stripped
A branch off, then rejoined the rest
With that; my glove lay in her breast:
Then I drew breath: they disappeared;
It was for Italy I feared.

An hour, and she returned alone
Exactly where my glove was thrown.
Meanwhile come many thoughts; on me
Rested the hopes of Italy;
I had devised a certain tale
Which, when ’twas told her, could not fail
Persuade a peasant of its truth;
I meant to call a freak of youth
This hiding, and give hopes of pay,
And no temptation to betray.
But when I saw that woman’s face,
Its calm simplicity of grace,
Our Italy’s own attitude
In which she walked thus far, and stood,
Planting each naked foot so firm,
To crush the snake and spare the worm—
At first sight of her eyes, I said,
“I am that man upon whose head
They fix the price, because I hate
The Austrians over us: the State
Will give you gold—oh, gold so much,
If you betray me to their clutch!
And be your death, for aught I know,
If once they find you saved their foe.
Now, you must bring me food and drink,
And also paper, pen, and ink,
And carry safe what I shall write
To Padua, which you’ll reach at night
Before the Duomo shuts; go in,
And wait till Tenebrae begin;
Walk to the Third Confessional,
Between the pillar and the wall,
And Kneeling whisper whence comes peace?
Say it a second time; then cease;
And if the voice inside returns,
From Christ and Freedom: what concerns
The cause of Peace?—for answer, slip
My letter where you placed your lip;
Then come back happy we have done
Our mother service—I, the son,
As you daughter of our land!”

Three mornings more, she took her stand
In the same place, with the same eyes:
I was no surer of sunrise
Than of her coming: we conferred
Of her own prospects, and I heard
She had a lover—stout and tall,
She said—then let her eyelids fall,
“He could do much”—as if some doubt
Entered her heart,—then, passing out,
“She could not speak for others—who
Had other thoughts; herself she knew:”
And so she brought me drink and food.
After four days, the scouts pursued
Another path: at last arrived
The help my Paduan friends contrived
To furnish me: she brought the news:
For the first time I could not choose
But kiss her hand and lay my own
Upon her head—”This faith was shown
To Italy, our mother;—she
Uses my hand and blesses thee!”
She followed down to the seashore;
I left and never saw her more.

How very long since I have thought
Concerning—much less wished for—aught
Beside the good of Italy,
For which I live and mean to die!
I never was in love; and since
Charles proved false, nothing could convince
My inmost heart I had a friend;
However, if I pleased to spend
Real wishes on myself—say, Three—
I know at least what one should be;
I would grasp Metternich until
I felt his red wet throat distil
In blood through these two hands; and next,
—Nor much for that am I perplexed—
Charles, perjured traitor, for his part,
Should die slow of a broken heart
Under his new employers; last
—Ah, there, what should I wish? For fast
Do I grow old and out of strength.—
If I resolved to seek at length
My father’s house again, how scared
They all would look, and unprepared!
My brothers live in Austria’s pay
—Disowned me long ago, men say;
And all my early mates who used
To praise me so—perhaps induced
More than one early step of mine—
Are turning wise; while some opine
“Freedom grows License,” some suspect
“Haste breeds Delay,” and recollect
They always said, such premature
Beginnings never could endure!
So, with a sullen “All’s for best,”
The land seems settling to its rest.
I think, then, I should wish to stand
This evening in that dear, lost land,
Over the sea the thousand miles,
And know if yet that woman smiles
With the calm smile; some little farm
She lives in there, no doubt; what harm
If I sate on the door-side bench,
And, while her spindle made a trench
Fantastically in the dust,
Inquired of all her fortunes—just
Her children’s ages and their names,
And what may be the husband’s aims
For each of them—I’d talk this out,
And sit there, for and hour about,
Then kiss her hand once more, and lay
Mine on her head, and go my way.

So much for idle wishing—how
It steals the time! To business now.
RIGAAL Feb 2011
i remember sitting on the lap of my future
as he stroked the lining of my waist

i remember the vast exhales
that tickled the hairs on my neck

i remember faint whispers in my ear
telling me everythings gonna be alright
as we played doctor in the dark

i'll miss the innocent smiles
sparkling ****** eyes
hope


but
i got no
cherry to pop
i was ****** from the start
Grace Pickard Apr 2015
Enveloped with pine-
Stretched across statelines:
Beauteous blue upon envious emerald
Pooled amongst royal white mountains
Adorned with grey jewels of centuries
Emitting sweet, earthy aroma
She caresses the land.
Mother to lakes hidden by her red fir,
Provider to the fiery yellow cress
Hydrant for all animals alike.
M(ama) Rose keeps a chary eye
on her joint creation:
The provider, the mother,
The revered, grandiose puddle
is threatened by scarcity.
The royal white mountains,
Remain royal- but lack frost,
And thus the water retreats
Shriveling back 13 feet from shoreline
This once sacrosanct lake---
Devastated.


Keep Tahoe Blue?
Keep Tahoe Wet.
Climate change is not a myth. Sacred places are being destroyed and diminished. All of earth is divine. The world needs everybody's help to counter the suffering, don't lose hope and keep action.
DieingEmbers May 2013
Beneath my bed I placed some bread
and on it spread some jam
added some cheese and mushy peas
salami eggs and ham
a blob of sauce mustard of course
and relish three days old
some chips and dips and cherry lips
and baked beans full of mold
there's water cress and what a mess
of earwax and a scab
my used band aid from second grade
and frogspawn from the lab
I topped it off with lager froth
and nose hairs from the sink
and if you thought the food was bad
don't ask what's in his drink.
Kids poetry time again sweet dreams x
The Baker's Tale

They roused him with muffins--they roused him with ice--
They roused him with mustard and cress--
They roused him with jam and judicious advice--
They set him conundrums to guess.
When at length he sat up and was able to speak,
His sad story he offered to tell;
And the Bellman cried "Silence! Not even a shriek!"
And excitedly tingled his bell.

There was silence supreme! Not a shriek, not a scream,
Scarcely even a howl or a groan,
As the man they called "**!" told his story of woe
In an antediluvian tone.

"My father and mother were honest, though poor--"
"Skip all that!" cried the Bellman in haste.
"If it once becomes dark, there's no chance of a Snark--
We have hardly a minute to waste!"

"I skip forty years," said the Baker in tears,
"And proceed without further remark
To the day when you took me aboard of your ship
To help you in hunting the Snark.

"A dear uncle of mine (after whom I was named)
Remarked, when I bade him farewell--"
"Oh, skip your dear uncle!" the Bellman exclaimed,
As he angrily tingled his bell.

"He remarked to me then," said that mildest of men,
"'If your Snark be a Snark, that is right:
Fetch it home by all means--you may serve it with greens
And it's handy for striking a light.

"'You may seek it with thimbles--and seek it with care--
You may hunt it with forks and hope;
You may threaten its life with a railway-share;
You may charm it with smiles and soap--'"

("That's exactly the method," the Bellman bold
In a hasty parenthesis cried,
"That's exactly the way I have always been told
That the capture of Snarks should be tried!")

"'But oh, beamish nephew, beware of the day,
If your Snark be a Boojum! For then
You will softly and suddenly vanish away,
And never be met with again!"

"It is this, it is this that oppresses my soul,
When I think of my uncle's last words:
And my heart is like nothing so much as a bowl
Brimming over with quivering curds!

"It is this, it is this--" "We have had that before!"
The Bellman indignantly said.
And the Baker replied "Let me say it once more.
It is this, it is this that I dread!

"I engage with the Snark--every night after dark--
In a dreamy delirious fight:
I serve it with greens in those shadowy scenes,
And I use it for striking a light:

"But if ever I meet with a Boojum, that day,
In a moment (of this I am sure),
I shall softly and suddenly vanish away--
And the notion I cannot endure!"
soul in torment Sep 2013
Beneath my bed I placed some bread
and on it spread some jam
added some cheese and mushy peas
salami eggs and ham
a blob of sauce mustard of course
and relish three days old
some chips and dips and cherry lips
and baked beans full of mold
there's water cress and what a mess
of earwax and a scab
my used band aid from second grade
and frogspawn from the lab
I topped it off with lager froth
and nose hairs from the sink
and if you thought the food was bad
don't ask what's in his drink.
An old repost after reading A bedtime story by Laura Stridiron go read it
A forked tongue is in the East,
She sings to my in the early Dawn,
Of the Sun's how Fire and the morning Dew,
Of red, red Rock and a howling Gale.

Her Mountains rounded, the sweetest *******,
Her water hidden down in the Cress,
Her light is blinding, the morning Sun,
Her hair is tossed in a howling Gale.

In the West a straight tongue sleeps,
He rises late and strongly grows,
His Mountains sharp of granite strong,
His voice a roaring, howling Gale.

His hair is Lodgepole, growing strong,
His shoulders sharp and granite strong,
From among him strong rivers flow,
And from his mouth, a howling Gale.

For Power flows from West to East,
A howling Gale that never stops,
Over Mountains and across prairie wide,
And back to Mountains, his morning Bride.

There is a union, where West meets East,
A copulation, a uniting Power,
In the valley, the very core,
Where Power blossoms forevermore.

And there is sits, the seat of Power,
Where West meets East down in the bower,
Where Northern Cold and Southern Heat,
Come together in the howling Gale.
Michael W Noland Aug 2013
One by one they stagger in

And one by one
They are stabbed again

And there is not a single thing
That you or I can do for them

As they are they
And we are we

And we
We are Americans

All us worldly citizens

And we
We will do it all again

But

Bigger better
Smarter harder

Bigger bombs
Bigger bonds
Better arms
And better cons

Smarter teams
Smarter dreams
Harder fiends
With harder clings

To speculative seams

Sinking into the dreams
Meaninglessness

Free will
A cress

Made in the finesse of last laughs

Trapped in a maze
Amazed in lapsed..

Pain
The same as sympathy

Empathy fills me
But not you

Who the **** are you
Feel me feeling you

I am the impossible
Possibly hostile

Martyr to a better place
From carvers of the human face

Disgraced

Plucked and pruned
Fallen from space
****** imprudent
Shielded in hate

Grace is made this way

I can
I will
I am

And we can
All relate

From sculpted slates
We can blame the genetic traits

I stand
I ****
I am

Still me

But a who the **** are you
Is still a who the **** am I

And I am merely me
Marrying myself to the breeze

Flowing dis-compassionately

The woe only in I
Same goes for you

What’s mine is yours
And what’s yours
Is mine too

And you
You are
So ******* beautiful
To me

For me..

Waiting patiently
For us to meet

As this
This ******* dream

Is disintegrating

In graying hair
And brittled teeth

Right before me

Between my fingers
Secreting my completeness

The sheen that lingers
Of what may beat this

You are Less and less
Amiss and drifting through an abyss
Of timelessness
Or *******

Lighting the nothingness
With the something’s we have lit

Crumpling the summoning
Under running concepts

I flip it
Loop it
Re-repeat it
Speak it
And there it is

Until it's all there is

To be convinced
Of it ever being

It is what it is
It is what you make of it

But it
It is non-existent
Despite the coherence
Of the zing

It's still *******

However you paint it
Manipulative and complacent

I still sing

And once you get it
The pit still sits

Right where you left it
And you still aint ****

Merely being

We Just ride it
Until the end

Slowly declining in its decent
Commending the contempt
And spending our worth

To vent and purge
The splurging words
While observing the swerves
Of our naked nerves
In the sunlight

I writhe in light
Like in the warm shower insights
To my life
Lost when I dry

I'll be alright
When our eyes
Lock on the same night
On the same starry skies
Hypnotizing our lies
Into drive
As we drive
Off the same cliff

It's candle lit
Convalescence
To our testaments
To love and hate the love
In the wretched lessons
Lessened by the blessings
From the others projecting
Our chances of living
On our setting sons

Till the dawn of war drums
Strum with our fathers guns
On the gumption
Of the stun
As it fades away
As the faces deteriorate
From pictures framed of mind

Despite the rewinding
To the reeling back
Of everything that happened
In the snap back

Unto impact
It is the rubber band that snapped

That held it all together

Facts are still facts
Or perhaps
A map
To what happened
And trapped it
To one singular act
Of submission

The intuition
A mere vision
Made to action
Seeing is believing

The deceiving traction

Mashing the imagination
In its station for supremacy

Satisfaction

A ration
Of the disbelief
Molding into my souly retreat
Where I shall lovingly
Accept defeat
And fall upon my knees
Unto your love for me

Seeing you reflecting
Your similar beliefs

Once unbeknownst in the grief

Simply beautiful

I see us disappearing in the seas
In pulling tides
And swirling cities

Where we complete
Upon meeting
As we sink
Shivani Lalan Aug 2016
you are swirling pools
of azure, and i am the
noiseless motion of the
sea, and we shout into
the nothingness. you
are foam upon the
crest of a wave, and
i am a shell stuck in
the sand; always
shifting, but never to
disappear. you are tepid
vapor rising from the
sea, and i am sea cress
on the coast, both
clouding vision in one
instant, vanishing in
another. you are the
dipping sun, orange
as it drowns, and i am
shafts of red, flowing
over and spilling onto
warms sands, and we
both go down
together.
For Shalz,
She loves art, and she is art.

ily smol.
Nigel Morgan Dec 2012
When the fragile music dies
you put away your voice,
and with the passion
          of Campion’s songs
still running in our veins
there is another duet,
and so intense its harmony
that only the need for food
brings it to a ritardando.
 
In the dark kitchen
I cut the crusts from brown bread,
making sandwiches, cream-cheesed,
the sliced cucumus sativus
flecked with mint and cress,
and placed on blue plates,
surrounded by olives, grapes
- an apricot apiece.
 
Then for the coda:
(in the bluest of blue bowls)
musk strawberries lounging
on a bed of rubus idaeus.
 
We troop upstairs
with our matching plates,
and I lay the Welsh-woolled rug
on the studio floor.
We place beside them
heavy glasses of mint and honeyed tea,
and eat immediately, hungrily.
 
Later, still aflame
from such music and its crystalled verse,
we lie amidst the studio tea
making sure we are not fiction, but wholly real.
You say, ‘Perhaps raspberry is the new fig’.
and place this fruit between my lips.
With its sinuous green edge and its delicately
decorative white venation this dewy cress laid
on a fine crystal platter would fit well next to that
chunk of cement facade ensconced in a vitrine
at the Art Institute’s new Louis Sullivan exhibition
There’s little cause to wonder why these particular
atoms once afloat on inchoate seas and awash
in the hummed mumbles of humble vibrations
chose to decohere into this one captivating pattern
from among an infinite variety of mattered schemes
even limiting their choicest range to those paired
colors A tree frog for example its narrow lime toes
suctioned on a broad leaf and its watchful pearl
eyes misconfigured with a blind spot too soon
exploited by a beak spouted peril Or the gallant rider
in uniform myrtle and mounted atop an albino steed
who at a mirthless gallop through routed troops
delivers this message Mother I am so far away
from everything They’re oddly jarred couplings but
with any choice whether slapdash had or carefully
considered what’s our guarantee it will live up to
the iron of romantically clad expectations I have
heard It’s always the salad that gets you in the end
This work is licensed under a Creative Commons Attribution 3.0 License.
Dan Lafferty Mar 2010
My side of the singled bed
is large and needy,
old and tweedy.
A mess of a mass
cast of colour.

Her side of the single bed
is neat and slim,
twisted and trim.
A cress by the crass
man of monsters.
Paul Hardwick Feb 2014
Yes I think you
a woman that likes silver not gold
unless the gold might cress your hand,
your colour is green
bright like your personality
and your hair is almost Black or should be
and your heart beats on to disco sounds

T HA NK  you Liz, Beth Elizzy.
We should talk   :-)    Paul
Terry Collett May 2013
Janice of red beret fame
with fair hair
to her shoulders
and dressed slightly better

than the rest
of there about
invited you
(with your mother’s

permission
and her gran’s invitation)
to tea after school
in the upstairs apartment

not far away
what did you want
for eats and drink?
Janice asked

bread and jam
you replied
bread and jam?
she repeated

as if you’d asked
for caviar on toast
no you must
have more than that

she said
Gran what’s for eats?
and her gran
came into the lounge

where the cosy furniture
was set out in place
neat and tidy
with a canary

in a cage
on a stand
and her gran related
a list of things

you could have
far exceeding
what you usually
had at home

cheese and cress
sandwiches
you said
please added on

as an afterthought
and Janice
had the same
to be like you

and her gran went off
and Janice said
she likes you
says you have more breeding

than some round here
o
you said
thanks

and you pushed
your hand
through your hair
and pulled

your school jumper
in place
and tightened
the tie

we’re going
to the fairground Saturday
will you come too?
you hesitated

and took in
her fair hair
and her fine features
and prim gaze

I’ll have to see
what my mum says
you uttered
o she won’t mind

Gran’s already
mentioned it I think
Janice said
well yes then

you said
I’d like that
she smiled
and spoke

of learning French
at school
and the teacher
who took her

for that and history
she’s a dear
and positively a beauty
I’ve got Ashdown

and she’s plump
and has an ****
like a hippo
you said

Janice choked
and sputtered
with laughter
all at the same time

that’s so rude
she said
putting her small hand
to her mouth

gosh don’t let Gran
hear to speak like that
or you’ll be off
her good boy list

as swift as lightening
you sat bemused
when her gran came in
with two plates

of sandwiches
what’s so funny?
she asked
putting the plates

on the table
o nothing much
Janice said
Benedict told me

a little joke
o well as long
as it wasn’t rude
Gran said

o no
Janice said
and looked at you
o no

you muttered
just a innocent joke
from school
her gran went off

to get the drinks
if Gran heard me
say thinks like that
she’d tan my backside

and no mistake
Janice took a bite
of her sandwich
and you ate yours

listening to the canary
sing and the bell it
rung inside the cage
and her gran singing

from the kitchen
in a soprano voice
and you took in
Janice’s light blue eyes

wherein you thought
but did not say
some good part
of beauty lies.
I brought the sandwiches,
you brought the drinks.
M&S; and cress,
cans of Coke
from the local Spar.
Kids on the football pitch,
their shouts rising like bullets.
Mrs. Smith from number 33
walked her collie - waved.
Rain came. ‘Typical’, you said.
So we bundled up our stuff
as if the end of a holiday,
then in your house
we unbundled it again
onto the living room floor
with our hair still wet
and watching E4.
Written: September 2016.
Explanation: To mark National Poetry Day on 6th October, I wrote 25 poems over the course of eight days, and sent one poem each to one of 25 of my Facebook friends. After some deliberation, I am now posting the poems on HP (in order of when they were written), albeit not all in one go. None of the poems are about their recipients. Note: M&S; refers to Marks & Spencer, a large retail chain of stores in the UK and Europe, whilst Spar is a Dutch chain of food stores found in many countries. E4 is a British TV station. Also, their should be no semi-colon in the poem, but HP includes this for some strange reason. All feedback welcome. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
Lua Sep 2013
One headlight
To guide me to your warm
Embrace.
One last chance
To feel your breath cress down
My face.
One more time
Before I head out the door from this
Ephemeral place.
Two, momentarily, become one, and I Savor the seconds as if it were the
Final taste.
Pauline Morris Apr 2016
You introduced me to your demon, it was the only way to save me
But you knew as beautiful as she was, her touch was beastly

****** was her sweet name
She came and saved me from the pain
She lead me back from the ledge
She made still the razors edge
You knew the dance that she could do
She had saved you too

She knew how to comfort the bereft
She knew how to take away, what the agony had left
You knew she could comfort in her darken cress
She knew how your soul to undress
You knew I would want her more
You knew leaving her was more than a chore

You pried her nails out of the vains in my arms
Accepting her proposal would only bring harm
You knew if I stayed to long
It would all go wrong
For you had been there when she banged her gong
You had lost years in her clutch
All you wanted for me was just feel a small touch
Just to shift my gaze from the knife
To let my body and mind escape the strife

You knew her kiss was quite alarming
It would leave me with a longing
Once under my skin she would create an itch
But you wasn't ready to lose me to deaths dark abyss
So you let her give me just a kiss
Now the longing for her touch is not hard to miss




It was jut another demon I had to meet
Listen up you can hear her dark beat
It was just another door I had to walk into
To understand what others go through
The more darkness I endure
Leaves me knowing for sure
You can not judge another's plight
Or how they choose to fight their fight
In this game there is no wrong or right
Ralph Akintan Feb 2019
Recircled czars drenched
In the blood of despotic swayers.
Encircled proteges with the
Aura of treacherous thorns
Keeping vigils in the basilica
Of authority
Year in,
Year out .

Selfsame partners in politics,
Selfsame partners in crimes,
Selfsame partners in progress
Selfsame partners in poor
      governance,
Setting subservient subjects
In perilous bays of hopelessness.
Scale of disengagement
Dangling carrots of
Intimidating threats.

Recircled ideas.
Recircled inhuman governance.
Recircled personages.
Recircled wasted years.

Deluge of prognostic plans
Sinking boats of tale.
Decades of experience yielding
Inexperienced tzars.
Torn garb of treachery
Covered up blazers of falsehood.
Stench of stasis enthroned on the
Stool of power, wrenching
      corruption from the grip
      of guilt.
Populace sitting on sulky
      directing the horse of
      hardship with the
      wailful whips of
      perseverance.

Epochal terms of wastages
      roll in
      and
      roll out
      like a spiraling
      viperine grass
      snake
      beneath the
      hybrids of weeds
      on a crest of
      spring cress.
Yet, promises promoting
Superannuated gains of
Effortless dividend.
Brynn S Dec 2018
Shine against cool winter’s skin
Breath in place of crackling voice
The room has been awoken with footsteps
Behind a veil of black the eyes are left hushed
She felt him, electricity buzzed
Silently
The motions felt swift, though lingered on cress
Little glimpses, flashforwards to each motion
Sparks
Electric candlelight burns at edge
The eye of the hurricane ascended
Lifted
She felt him, his hands like silk
His touch greeted her, she fell
Into the skeleton of the room
Confined to their space of absolute
Stars outlined edges, moments left to soak
She could see without sight
Each spin of the record
Each hum of the base
Comforted by quilt, entangled in skin

— The End —