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zebra Aug 2016
on the first date
she confided in me
i have a chromosomal disorder, disorder, disorder
i need love and pain strangely mixed together
my elixirs
i suffer reality distoooorrtions
a ghastly Vatican of ****** compulsions
my soul is black matter
my **** a seething cauldron of despicable desire
my *** cries for homicidal cruelty

mold me into a *******
fold me like a two dollar beach chair
the wrong way
tear me to bits
unwind my intestine
eat me like a blood ******* ghoul
make me squirm like an anime victim

i thought oh finally a soul mate
with soul

strange as a Dionysian mad hatter on hallucinogenics
hot girl creeping
grimacing at me
meandering conjurations by ****** contortions
stunning impersonations of a Fellini impaling
shes a famous artist
keeps broodish bowels and blood tampons in stainless vitrines
spot lighted
ready for her debut at the
Museum of Modern Art

she blows torrents of snot like ****
her beautiful desperate tongue searching the upper lip
a salty runny viscoses snack
oozy
finding it finally with her frenetic tongue
feeding her gooey ****
with wet fingers
oh yummy yum goo
up her *** too

first smiling then hideous scowls
exposed teeth
posing with a knife
wana see me cut my self bad boy, she taunts
wana see my impersonation of pizza with extra tomato sauce

blood blood *** in the be in the bed
wipe it up with ginger bread

some how she miraculously bulges her eyes out
then performs, ******* lips as if a minnow in a fish jar

pointing to her ***
giving me that **** hurt me twisted look
how about a peanut butter jelly ******* sandwich
with a side of ****** feet
**** and **** on toes
its especially prized this day of the month
as her **** tears like a vampires mouth, a torrent of blood
pouting **** with white red stained thighs that break a mans heart
*** nothing at all she quips
just a little accident
do you like it?
as she glares like an invitation
to play slip and slide bare foot in her puddle of blood

oh she made me *****
my cherry red **** having a nervous breakdown
from apoplectic horror gasms
a dose of heavens hell

i want her
she is voluptuous like a dozen venomous snakes
copulating in warm soup dark water everglades
she is slither theater

curdling screams
then muggling *******
brought on by the first belly stab
falling to her knees
looking up shocked
mouth gaping
eyes wide
grinning
glance steady
holding holding holding
the belly cut
a cacophonous modern dance of agony
followed by rapturous convulsing *******
that went on and on and on

get a bat she implored

she is a real ******* movie star
the Greta Garbo of *****
a dark jewel
a must have
a hell wife
goddess of dread
a ******* *** genius
my best girl ever

fused by desire
we kissed like **** loving catholic priests
in adoration of their savior
young boy *** castrato hitting the high notes


she looked up with desperation
eyes with glittering tears
and said
are you my black knight?
do you know how to hurt a girl
are you my
Vex Mallus
Dr Satan
Marquis De Sick
Nick Nick
Dark Officer
Remus the Werewolf
Dom Sugar Daddy
Pit Bull
Tommy the Tummy Gutter
5 o'clock Shadow
London Cabby
Amputee ******
Uncle Surgery Gone Wrong
King of the Carpathian Vampires
my sweet kissy Kitten

ooohh yes i said
i am all that for loves sake
albeit twisted
i am what you crave.. your no taboo lover boy
your ******* licking foot slave with a razor in hand
a bubble of poison between my legs
your homicidal suicidal cockealiciousness

she said good,
now that we have that settled
can we go out for dinner
ill be dressed in a jiffy
if i can find my dead skirt
of soft white gauze
with that lovely motif of dread red
and my precious toe tag jewelery
My poems remain explorations of the subconscious ******
If i where a film maker or a novelist  you  would see me telling a story, not judge me, although i admit to my paraphilias  
These poems  are lunar anamorphic streams of consciousness from the deep chaotic subterranean glitz of transgressive  impulses we all share
Read them if you dare...You might find that part of yourself that you don't want you to know about and then again  you may feel more complete some how if you do....I always loved that dark thing that sleeps with in me
Lux
Those who were marginalized by the braids and serpentine lights, devotions were made in San Juan allowing electromagnetic discharges from the imperceptible space-time of Vernarth's parapsychological quantum; alluding to clarities that achieved everything by having Patmia in the material and incorporeal from the start of the stained glass windows and archetypes by Transfer Quantum that burned the chins of hominids who believed to be immortal as if they were looking in this position for the direction between the eyebrows and the chin , for the Euclidean incidence crossing all the pools that are between quantum means of transfer of ions and cations. The oscillations of the sparkling field of consciousness of the containers were of ethical variables that became perpendicular to the space of draft or levitation of the designations that originated with accelerated electric charges on Patmos, developing albiceleste skylights over the harmonic equations as they elongated in proportions of quanta that They argued greater than those that circulated elliptically from Grikos to Skalá, and then to Profitis with assiduous progenitors of long-wave quanta. The magnificence of the halo became rectilinear up to the high altar that was atomized from the unskillful penumbra to reabsorb the inclinations of physical life in the Macedonians and the Achaemenides when they were trapped by the loss on the propagation of the Lux, which was imposed in hemicycles where they were they reclined to relax in the lux of rest of the path of the reasoning that made pederasty in the links with the minuscule obtuse lights, reeling from the clothing and its finite speed of what measures the ability to be undetermined in the margins of error of the antagonists when originating flow rates, greater in his dermis to regenerate towards any other that could be clothing of greater speed.

Thus was the scenario of dimensional magnitude between the powers that did not have contact, but their dimensionless energies on a surface that reached absorbent to the one that rectifies the concretive of the error that partially abused them. Their legacies would pass to a supplementary electromagnetic plane, separating their masses and retaking orientation from where they returned, where if the ideal of the final rational was refracted where everything would be vivid darkness. The obstacles classified them in the closure of the average height and the average surface, to then redirect to the maximum height and maximum surface propagating in irregularities of the Ego "Believing that they were never overcome in the diffuse perception of the metal mirror." The incident rays of the Lux would go to meet the multi-incident plane of the Mashiach, the wave angles were refracted throughout the sinuous law as radiosity passed over the greater mass that was normalized from the tangent that was projected 180 meters above the eyebrow. and Vernarth's chin, along with the recharged electromagnetic strengths of Alexander the Great's reactivation bezels, which at times seemed to levitate over the Lux's high frequencies and vary independently with its crowded functionalities, among scattered restraints that it presented to both weightless behind. from the decayed marble sawdust, separating from its phosphorescence that bounced between the rigging of solid surfaces and semi-solid ones, when realizing that the sea and the silica were confessed to the Pronoia of Delphi. Inducing Vernarth for the first time into a Pronoia versology on the Athena of Delphi, prompting them to separate from the world and it's holistic to divide into three portions of the dissociation of consciousness from the end of the Lux of Parapsychology, which had hosted them for centuries and centuries. . The Pronoia conspiracy systematized the reaction that would reunite them after this oracular parapsychology, making the adversaries believe that they were discrepancies of clinical parapsychology, equating warlike causes in the containment of Delphic neuroscience. From this quantification, the predominance of Vernarth's Lux de Pronoia was announced, linking peculiar segmentation of submit logical historicity in this work as a starting thesis, which speculates the same for those who have to make an analysis of historical dogmatic imperialism as a justification for mythological normality. The Lux thesis aimed to show that the dimensions of the mythology and the submitology, when exposed in physical quanta, made a tendency of irresolution in the abode of spiritual Tractatus reasoning and not in the instinctual one, which watches over recitals where history and its collective memory indicate outbursts of moderation. The role of the submithology  is to pretend that this normality is made close to the instruction after yours temporary for causes of your deep patrimonial, that makes them captives from the social complexity, with the disambiguation of certain criteria by maximizing the hidden truth of the ascending opposition forces that they have generated great conflagrations, intuition being the unreflective pseudo-reality with historical formalities that stumble into the terrified directionality of the myth that was to be reality. The tiny spaces of the verve left by the silent mechanics of the Persians became defensive when they saw their emissaries incoherently in the verticality of Allah when they saw that the confusing world with anxiety exaggerated predictions and failures invulnerability of a lineage that always had. been condemned to the desert.

Everything conspired with a Pronoia of siege, before the exegesis that sought purification and that was how they headed and misdirected their mistakes in the active train of the recess of their abstracted retreat, in a universe that also abandoned them after the subsequent train of Aurion waking them in their illusions with swords, and stealthy spears in dreams that specified safe rest. The ferocities of the proto-souls of assault carried away the translucent bodies of the Persians, and the Hellenes in acts of honor made such congenital paths of the understandable vocabulary that he did not speak. The prism was located in the cautious measure of its contractile dispersion with white separations of mantles, earth, and water scalded by dynamics that formed colorful activations with their withdrawal phenomena in the immaculate albino Lux that dissolved all of the facet optics that it made. Lux's great brain in the instant that the Thuellai airs transfigured the nuances of the Atros monastery, with objects that refused to be absorbed by the black hue, generating mechanical waves of equivalence in their identical interference that caused two opposing forces to distill the coherent differential that had to be overexposed in the category of historical Submitology. The two inverted waves separated, the Hellenes moaned and hiccupped for having to become identical when separating from their immaterial bodies, doing wonders that would house additional souls that would complement a transitory becoming towards the garden of the angels that provided them with identical beams of light, interfering in what animated the lights of pageantry, with the antithesis of interference where they resided in constancy knowing that they felt possessed of benefits of the eternal length of existence, but with pressures of mutable in some involuntary constancy and amplitude of having parallel directions with Saint John the Apostle and the Siblis. The phenomenon of polarization of both empires was denatured in a transverse way in all the electric fields after this feat, inciting unique fields of the pure and selective ascending ecosystem, which generated polaroid substances at the angle of ninety degrees above the browbones and chin of Vernarth, to approach the Pronoia of concatenation with Alexander the Great refracting unscathed hyper-vital and transcendent faces of infinity. Like any other phenomenon, the Lux crossed both bodies like two Xiphos swords that processed the electromagnetic valve, by iridium that converted with all the coarse Lux that crossed the succumbed immateriality and stopped the shaft and the nail that hang in the typology of electromagnetic radiation from the Hellenic world between them, making an ominous redemptive fire that was regimented to leave them both in the middle of a farm where there were farmyard animals, stockpiled pastures and a house that absorbed them as parents who would love them as beings of Lux. Thus, this primary parapsychological quantum network penetrated the level of the archangels that made them be together in planes of manumission, and that does not admit bi-quantum personality or bi-parapsychology that can cancel out the portent of the helmets and the lineage that does not dazzle if they are not made of iron.

The life of the other world began to be encompassed in all the Subtraigus beings that would correspond to the astral plane that was confirmed after the Kalidona Romantics deduced the Unicorn Uilef or Uilef Monókeros after Pronoia. Kalidona being an uninhabited island and the Uilef sleeps in between copulating with Spinalonga and Kolokythas along with other smaller islets, plus two hundred that will make up six islands of the twenty-six tetragram of Alef. Here Drestnia went with her consort of Etréstles from the Koumeterium of Messolonghi to find fateful encounters of Pantheism based on the majestic copulation of beauty, among twenty-six numbers that prevailed in virtuosos who took refuge in Kalydon or Kalidona, preparing for their rampage with grafted grotesque derived bodies of the Falangist Hellenes who were arranged of their musculature, so that they directed the finesse of the civility of Hesiod, Terpando, Archiloco, Baquílides, tragic like Etréstles, Aeschylus Sophocles, Euripides and comedian like Aristophanes.
Lux
Speak Knight of this foul dishonor you bring,
Unto me, your liege and rightful master.
Of this even the lowly peasants sing.
Arthur a cuckhold, the clergy murmur.
Give me words Man! Why hast thou done this thing
To me, your friend , your king and protector-
Who sat you- my right hand- at Table Round,
And heard you declare yourself honor bound?

My Liege, I am overwrought with my shame.
The woman is more than woman to me.
I am enchanted by the very name
of Guinevere- Sire, pray heed my sad plea-
Of two hearts tortured by Love's burning flame
Of kindred souls intertwined, reason free.
I say My Liege, where doth the man exist
The fair Guinevere's ample charms resist?

Best, Sir, to watch thy words, hold thy tongue fast!
You speak of the Queen, my love, and my wife!
You flaunt the Holy Writ of God at last
And play fast and loose with Eternal Life!
To foul Gehenna your soul will be cast,
to experience neverending strife.
Truly my soul is exceeding bleak.
Guard, bring the Queen that we may hear her speak.

How now my heart, that thy lips quiver so?
And tears besot thy alabaster skin?
Speak now of that which Mordred, base and low
Whispered quick, awash in the stink of gin,
Of the randy Stag and his demure Doe,
Copulating as beasts in the fields akin.
Lady, gaze into my eyes, mark me well
Speak truly now , as your tale you tell.

My Liege, Husband mine! my heart is most frail.
My soul a wasteland of desolation.
Tis true!  I met Lancelot in the vale,
And frolicked we after the setting sun,
As lovers are wont to do without fail
Where the rosy bloom of youth hath begun.
Tis true! I swear to the Good God above,
The brave Lancelot hath stolen my love.

Tis true, all too true, what Mordred hath said.
My wife, my hope, and the joy of my heart
She who I loved above all else hath shred
My life to pieces, bit by bit,part by part.
My boon companion Lancelot now dead
to me as well , who thought himself so smart.
Harken to my words, send for the court scribe
Listen well, hear thy punishment described:

Queen Guinevere, fairest of all the land,
Whose smile doth the very stars outshine,
Who once freely gave me in troth her hand,
With smoldering eyes, and words of love fine-
Creature of God with more of fairyland
Than mere mortal in your very design,
Now Adulteress, high treason thou wouldst make?
Tomorrow at dawn shall ye burn at the stake!

Lancelot, your honor lies in the dust,
Once White Knight, formidable in combat arms,
Tainted by sin and depraved ruttish lust.
The victim of a woman's haughty charms,
Who bleats of love as all feeble lost must
When rude passion ordered reason disarms.
Once friend, now foe, see your base heart's desire,
Expire at dawn, her black soul cleansed by fire.
Worth continuing the story?
Any and all criticism welcome.
betterdays Jul 2014
there is a mote
of dust,
in my eye

it comes from
the dust bunny's ***.

i caught him, copulating
under the couch,
with two odd socks,
while the lego man watched.

he, in guilty panic,
shook and shed,
his lint everywhere....

and
i caught this bit
with my eye
the rest i collected
with my nose...
K Balachandran Jul 2014
A bedspread on which bold, red and blue
esoteric, Tantric, motifs embrace
copulating triangles, the ideogram of cosmos
batik printed in vermilion on it's center
is spread, right there on the play-field of cupid
where the confluence is to happen,
a transmitting point of fecund energies to infinity,
a point on the spring board to transcendence

Beloved, here in the holy fire, receive in ecstasy,
the sacrificial offering I bring from the
incessant Ganga of my lineage,

Shakti and Shiva come in for divine union,
together here on the mark beyond time and space.
right in the center is "THE BINDU" the mystical point
both culmination and beginning of the 'beyond'
passage from here  to timelessness of cosmos, we invoke.

Here Shakti is holy fire leaping up for Shiva's offering,
sublimated they fuse, may that be the seed for karmas lumenant.
zebra Jul 2017
the child's house
domicile of estrangements
his parents dressed him like a little girl
against his will
a pox of gender confusion
glum aura
he ascended by violence
and lived through the logic of a mirage
except for copulating with demons
which of course
was ruined by
the good Christians
they who always hate ***
not wanting to be reminded
they are animals too
their heaven withheld
their halo's sullied
the vulnerability of desire their crime
Eros a disgrace
still beating their genitals until a wicked thunder
the pro-creative
an affirmation of paradox
between the continuity of life
and the dread of death
***** resurrections
a second *******
**** flood
without redemption
Satan standing on their necks
while God pulls them up by their hair
rebels to reason
bewitchers of wit
deranged by the myth
of dolls
wood and plastic painted corpses staring
and a blossom throated Goddess
ham handed monkey fist
jerking off in search of a bulls eye anyway
eyes bleeding on bare legs; lifting a white cotton dress
a bulwark of erections
like canons blasting puce spats
under his frilly skirt; a red rain
haunted by dead girls dancing
like homeless hip bones sway
a bewildered phantasm
in a doll house dream
DEATH *** GENDER RELIGION ADULT EXPLICIT
Raj Arumugam Oct 2010
Snorers all
scattered world-wide
in offices and homes
in boardrooms
and bedrooms;
O Snorers all
loud and clear
low and shrill -
listen ye
to the loud wake-up call
as from Rip Van Winkle's Snore

stand up united
and drown the howl of protests
against snoring that is surely no less divine
than the Chorus of Angels in Heaven -
for the great God who made the Aurora
no doubt also conceived of the Divine Snore!


and so, stand up, ye sonorous Snorers!
unite! I call unto ye!
unite against the detractors
and the critics
and the complainants
and those of low culture
who cannot
lie still and listen to Snoring
as one rightly would at a concert hall
listening to the delightful play
of a quartet of violins


O how long will you take it lying down,
ye blessed Snorers of the World?
let the world know
the first divine music was indeed the Snore;
and the very height of human communication
is the unabashed snore
for all other modes of communication
lead to mis-communication
but the language of the snore is always exact and crisp!
the message of the Snore always precise!
the meaning always loud and clear!
and the very height of the snore
(let us declare to the world)
is the couple in bed
snoring away together
beside each other
making such divine music
making love with the rolling thunder of snores
so that one might say:
do we have a couple of wild boars
copulating in the next room?




stand up, O Snorers of the World -
and defy the mockers
and those who seek divorce
on grounds of insufferable Snoring;
stand up against those who sue
for loss of sleep from
friendly, neighborly Snorers;
stand up now
against these losers, these whingeing nags
uncouth and untutored
in the mysteries of the art of the Snore!
stand up and with one loud blast of
a universal Snore,
with one melodious Snore
let us
drown their dissenting voices,
their unprovoked cacophonous complaints!
stand up, Snorers young and old!
unite, Snorers black, white and gold!
defy the world! O ye Snorers
of quite nights and of lazy days:
let us overwhelm the world
with the pleasing symphony of Snores;
let us bless the ears of the world
with the dulcet streams of varied notes and arias!
stand up! unite! - O much-maligned Snorers of the World!
with one voice raised
in a triumphant Snore
let us declare:
*No longer will we be silent!
Our voices will be heard!
Edna Sweetlove Jan 2015
We walk along the beach at night,
Arms entwined and hearts entwined,
Waves lapping 'gainst our feet,
Pebbles scurrying like sand ***** 'twixt our toes.
  
Talking about *****, we are both
A little tickly in the naughty bits department,
As the gentle summer breeze
Wafts through our matted ***** hairs.
  
Just a brief hour or two ago,
We were strangers at the Pier disco,
And now our histories are to be
Inextricably linked by fate.
  
I do not know that, in a month or so,
I shall need to send you
A little yellow contact slip
From the Margate Hospital special clinic
  
Informing that you have been exposed to
A most unpleasant social disease
Which, with a bit of rotten luck,
Could easily rot your insides.
  
But, for now, our thoughts are far away
As we laugh and joke together
In our new found post-******,
Youthful lovers' camaraderie,
  
Not wanting to speak too loudly or disturb
The copulating pair by the nearby breakwater
(Not that they'd be put off by a thunderclap
Seeing as how he's on the short strokes by now).
Cole Morrissey Apr 2013
allocation of supreme alliteration illustrates perpetual contemplation and concentration that dictates a maligned mastication of federal incarceration of elongated complementary probation leaving you cuffed and based on baseless accusations conducted in aboriginal abbreviations masked task force concluding a course of brevity conducted in coordination then coordinating and copulating condemnation for a homeostasis of thought bought scolded eroded and shot inefficacy perpetrating cultural holocaust irrelevance somersaults galactic static of mathematical bombastic smack addict glued shut in a craft attic floral resurrection gartered section of ****** selection she moves fluid through unaltered perfection of cosmic bypass past the point of extemporaneous infinitude reciprocating fortitude of sinews congregating fabricating visuals of vitality soldering axonal membranes on the cerebellum and cortex simulation of sensual vortex demented fusion more blessed  I am that which stands to understand the incomprehensible unconsidered options of racial conflicts the screaming round of unaltered copper fiber severing life from the living only now can we debunk the years
Edna Sweetlove Dec 2014
People think that Dublin, Ireland's fair capital city
Is a place of merriment, overflowing with craic and whiskey,
Whose narrow streets are filled with poets and singers and also
Pretty girls with wheelbarrows selling cockles and mussels;
A city redolent with history, whose gutters run with half-digested Guinness
After closing time, and the drinkers have been hurled into the gutter
By jovial bouncers who can recite "Ulysses" from start to finish
From memory, and where the Liffey, sweet Anna Liffey, flows peacefully,
With only an occasional splash when a pedestrian topples gaily in.
                  
But there is a darker side to famous Baile Atha Cliath, oh yes,
And the following anecdote is a sad but true indictment of the evil,
The omnipresent evil, which lurks in the black soul of the city.
I was trolling along the banks of the old Royal Canal one summer's evening
With my drinking companion, my Afro cousin, Black Paddy McSpigot,
Pausing only to glance briefly at the copulating couples on the towpath
(We were slightly amused by the small crowd watching one couple
who were engaged in the athletic congress of the ****-backed whale
underneath the bridge by Rose Street, a favourite spot for young lovers),
When a terrible shriek rent the air and a horde of renegade drunken nuns
Poured out of a late night underground folk-music drinking den
(the hugely amplified noise of the massed uilléan pipes was deafening
and had probably driven the poor dears into a religious frenzy).

Seeing Black Paddy, and mistaking his gay rendition of "Skibereen"
For an excerpt from the Satanic Mass, they yelled out polyphonically
"Tis the divil himself, so it is, an' all, an' all, let's get the focker",
And without further ado they leaped on him and ripped him to shreds,
Hurling lumps of his poor, poor body into the crocodile infested canal,
Where they were immediately masticated by the terrifying reptiles
(the mighty creatures had been stolen from the Zoological Gardens
by a group of drunken Animal Rights campaigners out on a ******,
and were the toast of the town in every gay bar in the vibrant city).
I cowered in terror at the horrific spectacle, thanking my lucky stars
I was wearing my archibishop's fancy dress uniform that evening
(it was the only way to jump the queue to get into Davy Byrne's Bar).
Dear God, I'll not visit the dear Emerald Isle again in a hurry, to be sure.
doug mocoy Feb 2010
with predatory instinct found
under siege, underground
Birch II, my ward, my home
before I leave pages turn to tome

with rehashed food and smuggled items of variety
cigarettes, chew, and paper clips, decaffeinated life

suicide attempt
breeding contempt
smash at walls
scream at captors
claws of raptors

manic I was, manic I remain, new rage, I am insane

line by line by line
empty words of horror’s sound
with LSD’s aftershocks ringing my ears
and feeding my eyes that hate your normalcy
with all the confused dread I can muster

one word, madness
shaking fool, lost cool
tremolo-plastic-breakfast-spoon
lifting bits of sanity to my mouth parts

Freshly-washed ****-head desires the woman
I left in the real anti-world called home

close my eyes and see my last trip
bathroom tiles explode and cover sink, tub, garbage can, mirror, telephone, and leg-arms
bad trip, but it was better than your unreal world

take your meds now

two-******, bipolar, mixed-manic, one-eyed, living, breathing, copulating monster under eternity’s bed

anger pounding at my ******* coming out as a giant, stinking ****

the them that sit behind the desk
regulate lives of poor inmate crazies
eat their meals and take my soul
others play cards, I write, **** time, **** tension, **** myself, with treatment plans, unreasonable demands in ******-babble B. S. words like suicidal ideation, that doesn’t apply to me, does it?

I want my trip back, I want to live in another place with another face
I want my trip back darling
I want to watch the words explode, I want to watch the tiles grow up my legs again
to watch as paper becomes pen, to bathe the tiles off of my inhuman skin
I want my trip back baby
I want to breathe in prism air where nothing and eternity collide
in spectacular displays of sonic-boom, emotional madness
incredibly---------------edible-------------sadness

I see the me looking
from inside LSD’s mirror and want to rejoin
the missing-hated-wasted-rain-forest
blackened by man’s desire
with silk-rose-petal-eye-bomb-shell

LEAVE!
leave me, for what I did or did not do or have or think or say or what

style means nothing more nothing less, you know?

it takes confusion to produce effective illusion
to produce base desires feed the fires
smoky the bear at the demon’s lair
with broken feet suckle the ****
of unused, aggressive, possessive MADNESS!!!!!

natural-organic-popcorn-hulls in rotted-bleeding-tooth-socket-decay-pain
elusive means justify idiot ends, so dig the pick into the hole in my jaw
as I scream the insanity away from my ears and into your eye-ball-socket-hole-skull-spot

clipped fingernail
package in the mail
next time I won’t fail

sleep, sleep won’t be my lover tonight, her arms won’t touch my shoulder
I won’t feel her finger-touch-tip or rub my ***** on her ******
I want my trip back
love me, love me, love me
for love or money, for emotions mistaken, for idiot sensation, for all the things you do for me, for my insanity’s sake

my world slowly fills with unbearable ills, chemical need so deep it erases my soul

feet sore from pacing
door to door to door to door

on and on seconds bleed out minutes, bleed the hours, tears bleed out the poison self-inflicted, pen bleeds ink onto paper

thoughts coagulate and scabrous emotions take
Carla Blaschka Jul 2015
We proposed for Witches Abroad on Broadway, a costume.
As a lure to students, orange and black candy.
Dancing at the prom, cell phones caught the ghouls.
This stretch of road was full of cool cats.
Unlucky ones were left on the side as skeletons.
We swept them clear with our broomsticks.

Our guns were not as brutal as broomsticks.
Bristles hid the ******* end, as if in costume,
No flesh, just skeleton.
Like bags of orange and black candy,
They were left, full of calico cat.
Our familiars, our friends, dinner for a ghoul.

They pulled at the ghoul,
In the hands of a witch, danger came by broomstick,
When ghouls snacked on cat,
In their orange and black fur costume,
Tasting sweet, like candy.
They beat them up and down, but they find another skeleton.

Them ghouls come faster, giving birth to others, another skeleton.
Vocalizing desire for black and white, red and yellow make orange, a ghoul,
Howls for student flavored candy.
A witch lays out one, then another with her broomstick,
Removing the face mask and costume.
Them that can, holler their outrage in cat.

Your *** was revealed in orange and black on a calico cat.
Females cooled themselves of ***, unwilling mates to a skeleton.
Once alive, copulating loudly, now in a death costume.
Walking upright, a neighborhood was destroyed by a ghoul.
Neighbors watched, a witch patrolled on a broomstick.
Your students were seen as human candy.

One wife beater had a juicy rind, sweet and soured candy.
At the dance, hors d’oeuvres were made of cat.
Shot forward, it can create a hole, can a broomstick.
Where stomachs used to be, a skeleton,
Death conquers all, no more ghoul.
One, now many properly attired for the Danse Macabre in costume.

I found an orange, as broomsticks cleaned Broadway of cat candy.
In my student costume and human face mask, my path is crossed by a cat.
It disappeared as if it never was, visible only to Death, a skeleton made by ghoul.
A Halloween Sestina
Trevor Gates Jul 2013
There are moments in life
Experiences
Where the minutes feels like hours
The days feel like years
The weeks
A lifetime
Looking up at the sky
Or the clock in the watershed
While it was done to you
To me
The strangling, the fighting
The crying, screaming, tossing and turning
Over and over again
They say it’s the last time
That they’ve changed
Born again
But
No
It’s not true
And here they are again
The daddy and the mommy
Names given to flesh-tearing monsters
And lusting jackals
Gleeful devils and
Shadows on the wall
Laughing and *******
Pulling knives and nails form their womb
To bury us in an keep us there
Fiends wrapping themselves in avarice
And sweltering babes roasting over the iron fire
Where fingers and tongues push and pull
Your insides
Thrusting and moaning to weekly
Mixed tapes and infomercial gurus
Batting eyes to static gods and god haters
Feasting in my tears
For the last time before my very own fingers
Become jagged spears and
Raging teeth
To pull apart the wolf in sheep’s clothing
Jerking his **** over your face and whispering
Bibles verses to an invisible
Congregation
Who holler and praise
The almighty lord
Who watches over us and
Places bets with the Devil in the aftermath of
Melting, dissolving, sacred bond
That is till death does them part
In sickness or in health
With broken bottles, wheel jacks
Kitchen blades, handguns, bare-knuckle fists
And those friends wonder why
Why I’m alone and
Why I can’t do the same things they do
Speak the way they speak
Understand what is so easy for them
School is a foreign concept that plagues our life
Its mere system mocks us
Saying I’m
We’re different, special, needed attention
Counselling, treatment, guardians
Medications.
Lost
So lost are they
For not seeing the truth
But the lies are more convenient
To the slothful ignorant
The fearful cowards
Wrathful misguided
Wrongful accuser
Lustful solicitor
All groping, kissing, grabbing
Slapping, hitting, tearing, bleeding
*******, licking, copulating
Red-eyed mongols throbbing over and
Drooling and spitting
Beating and killing
Flinging bodies against the wall and
Smashing the heads of children over the
Burning bridges of sycophant minds
Taking away the innocence
Laced with birth
Where our loveless bodies harden
And become blank and
Emotionless
And see the painted veil
That hid the original art
Of the first painter of the sky


The thing about being suicidal is,
No one knows you are till you’ve already done it.

And people say those who off themselves are selfish
When all they want is a release.

They still love you,
And are assured others love them.

But it’s not about love.
It’s when vengeance and fate aren’t enough

When tears dry up

And distress runs it course
Trevor Gates Jul 2013
The silent planet of crystallized dreams

Nebula clouds emitting translucency

Nothing is ever what is seems

With God’s touch and delicacy



The song that remains and forever played

Amongst the promised womb before

The mother goddess loved and swayed

While the child watches from the hallway door



“Mother and father copulating with the door open.”

Read the words on the off-white typewriter paper

The boy tedious and tired, working and hoping

His work be acclaimed before meeting his maker



Telling stories of psychopath magicians in Long Island

Or Chicago lawyers fighting underground matches in drag

“A disturbing, fantastic point-of-view, from a ****** man”

Said one critic before nitpicking as reading a greasy pulp mag



Countless images worth their weight in gold

Majestic ballrooms ravishing supple choirs

Groping masked ballerinas with a urge so bold

Witty fops and serving props aiding proper sires

Sir Xavier proclaiming the night as a celebration

Showing sharpened teeth behind his mask

The shadows merging and demonstrating mutilation

With enough wine to soak, bathe and bask



The man breathed in exhaustion. He cracked his fingers and wrote:



“Circles of Blood, of **** and pain.

    Audacious institutions praising the Goat Head of Fame

                    Vicious clowns of chains and leather sought to cleanse the mind

                             The flesh and struggle that was kindled at the discovery of Gabriel’s find

                                      Stiffening, hardening clay over roots and glands

                                      The skin of earth ravaged from birth

                                      Yes men and polished conveyor belt twins

                                      Nodding, prodding and smirking

                                      Evicting and molesting the commonwealth

                                      The taxpayers and voters

                                      The people, new and old

                             Sewing fishing line into us

                   Like strings to puppets

          Severing wings

Denying us flight

          Expecting us to fight

                   With blank expressions

                             And

                   Collective motives

                             Because we should all think the same

                                      While in the jungles of Vietnam

                                                The cities of Korea

                                                          Deserts of Iraq

                                                                   Caves of Afghanistan

                                                                             Or

                                                                   Anyplace our leaders

                                                          Mispronounce

                                                What is to gain if not

                                      Something profitable?

                                                Thieves condemning thieves  

                                                Murders judging murders

                                                Psychopaths killed for killing

                                      Women ***** and thrown into a

    guilt trip for not keeping a child that

    was forced into them, saying the

    will of God is infallible.

    Children without homes suffer for what they are

              While more populate the world with their own

              Before helping the needy


The names of the world

          The foundations built upon on another

The empires envisioned and dreamt

          Destined for glory and prosperity

Then torn down in the cataclysmic volley of change

          Then the cycle, the circle, is repeated again

          This is how the world functions

In the name of one

Or many

Or God

Or even the Gods

The Circles, the rings and arena.”





The man wrote with the typewriter on top of books and clippings

Watching riots outside his window, bottle of liquid fire exploding

Screams of terror, of revolt and damnation drippings

Calling out for all to see, the fury and loathing



What the man wanted to write was a simply story to tell

But his rising emotions took hold of his fingers

Instead, he told a story of malicious passivity in living hell

Where in his room the fumes of gas lingers



What if on other places in space

Where we’ve discovered other Earth-like planets

God Created different forms of humans

And watched how they grew

In their own way

Eliminating one previous flaw from the next

Till there was no conflict



If he did and kept doing that

Till he had the perfect human

Then there would be no more

And just God again.

Mystic moons and puppy dragon tales
Silver oceans with crystal silk sails

Frozen lakes above the stone angel choir

Marble pianos soothed by fingers of fire
the moon with its lunatic face dog’s grin i throw shouts at it in the night and it hides scudding behind clouds
the world is mad and i run after birds
pigeons
like a kid in the park
trying to spit on them

give me a gun and i’ll blow off my head
one tight squeeze like on a breast on a ****** *** until it hurts saying ouch it hurts to cut a hole through your skull until everything hurts, even a quick kiss

cold eyes in the night see nothing and the moon is silent on the topic yet rising from the low bough of some hedge beneath the bush of some garden come words, mumbled love copulating briefly on black air into silence then two shadows of each *** rushing away with their disturbed laughter a fading night breeze toward dawn
DieingEmbers Nov 2012
Tangled limbs copulating
is the only
T.L.C

I'll ever need.
erin haggerty Apr 2011
this is the dwelling where wind is a bell and a beacon for death.
where youthful pursuit is punctured by family names or famine of fortune.
boys in bands buoyed by Onos and shared women.
lawyer fathers and social ***** mothers whose children are forbidden to **** up.
one street reserved and smothered by talking townsmen
whose belligerent brides keep tabs on their fellow middle-aged malicious
minded low-lifes
engorged in gossip are the parading fat men who rise early to feed off ones business capital tragedies
****** shortcomings of the stuck and single prey off tweens tweeting of body glitter and b-cups.
clique chick coquettes play house with their shiny image seeking male counterparts
who sing songs of their leather faced lady friends with plastic claws they now admit they would never marry
antagonizing cute couples secretly copulating with former loves' lust
only to mingle with conspirators molding to dominant thought
once a waitress always a waitress
with overdrawn bragging rights and unemployment checks
serving snobs like themselves who sip savignon
self-righteous polo popping perverts accompanying their prized play things
who join the charles river emigrants and stale french pastries
scouting the waste colored palace of prejudice.
now blades of winter draw months of blue blood
bringing forth frozen thoughts slowly dripping onto thawing skin.
another warm summer sun  forthcoming
foreshadowed by this wind-chafing forlornness.
though i will fall in love again
and bridge rats will always be kings.
Brycical Apr 2013
Crack-- creek--snap!

WINGS explode from my back
learning to fly is a *****
but my third-eye antennae
                is reading a world atlas
                            ready to traverse....

Crack-- creek--snap!

Waking up to a trashed apartment
my mind insists everything must go!
That includes the world's most comfortable sofa
in that ugly pea soup olive green where I've probably spent too much time *******.

Crack-- creek--snap!

When I meditate in the shower
                    everything is dark.
          The closest thing to sensory depravation.
I travel to realms of talking green lions
            and electric purple snakes that sway
                      and I crave to stay in the emerald caves
       with the copulating mind flowers.
But I'm learning to fly now.  

Crack-- creek--snap!
Secret-Author Oct 2016
Spoken Word Poetry.

Prosecute me.
Feed me to the wolves.
I cannot live
              with what I have done to you.

I am beastly.
Pale behind the curtain.
Thick with the deceit
              you have cut through.

You are calm.
In this sea of heresy.
You are the light in my day, illuminating.

That's why it's frustrating,
And grating,
When I think of us copulating.

Systematic mating.
              Somewhat creating.

All because I am hating
Who you have made me in to.

This pulsating,
              agitating,
                              being.

Alienating instead of
                          a l l e v i a t i n g
                          this excruciating complexity.  

I was detonating.

And it -
           it was fascinating.

Not it.
That was just penetrating.

Suffocating and terminating my bond with you.

Separating.

So that I could begin accelerating

And clearly  a r t i c u l a t i n g
Who I really wanted to be.

It was   i n c a p a c i t a t i n g.
And yet intoxicating.

Because you are what I want.
Despite it all.
I want you.

So prosecute me.

Please feed me to the wolves.
I cannot live with what I have done to you.

You are calm.
Whilst I am on fire.
Tim Knight Mar 2013
Take any apartment block and stare into its empty eyes;

behind the curtains,
past the stud wall kitchen and into
the bedroom,
they’ll be a couple copulating in
the afternoon sun,

below on the sidewalk
strip, no-one knows of the
grip they’re in-
a vice tight hold of
infatuation:
in-fat-u-ation,

beyond this,
after the ***,
the lovers will sit and read,
bleed out to Benzedrine;
puncture parecetemol to avoid headaches;
mess with the myriad marijuana;
raise the stakes and place everything they have
on a red seventeen and hope
they’ll come out sane in the morning haze.

Take any apartment block and stare into its empty eyes.
coffeeshoppoems.com
B Young Dec 2015
We pull, into the
Grand Canyon,
at sunset.
We toss and fling
giant rocks, boulder-
esque chunks of
Earth, off of
the side.
Someone screams,
they are upset, but
no regrets,

Am I evil?
   (All poems containing a question)
Am I pensive?
   (All poems containing an affirmation)

Blazing across Arizona,
dead dogs grovel,
strays, orphans searching,
seeking, looking for a home,
******* and copulating,
in, vacant gas station
lots. Not a bone,
to be thrown.

Where are our owners?
   (All poems containing a question)
This is enthralling.
   (All poems containing an affirmation)

Fear and faith,
carry us riveting,
through rivulets of clouds,
we sore, flying above,
searching for peace,
doves.

The woods would be very silent indeed,
if no birds sing except those who sing,
best.  

But,
she wants revenge,
with
a thirst for pain, I cannot
contend.
And
as the rain pours down,
sorrow falling from the
clouds.
She wants revenge.
And,
I simply cannot even
contend.

Laying lines out on
the metallic surface, of
With the Lights Out,
white powder flaked
along Cobain's black
and white face.
The drugs which killed
him, no longer causing
him any more pain,
merely giving this writer
some idolized thrill and gain.
And then high, reading
about one more creature,
dizzy with love.

*God gave us memories so that we may have roses in December
Jack Aylward Aug 2015
Each memory
Holds your breath....

I will never forget
The touch
Of your tongue
Of many adventures
Kayaking
Down the river
Of my mouth;

The solar eclipse
Of our copulating lips.

©Jack Aylward,
20/2/14
jason galt Dec 2015
A nominal amount of pain
when the lights go on.
You roll lines around in your head
and realize you remember none.
There’s only the dull stink of cigarette smoke
and day old donuts in your mouth.
Your mind seizes and your heart seethes.
What the **** am I doing here?
Nothing more than a back alley bard.
A barbarian without grace
with a penchant for writing inane ramblings
on cocktail napkins.

A bald man bellows in the back of the room.
An emo princess giggles at her date’s joke.
Drinks sloshed, cigars inhaled.
All awaiting the crash and burn,
or the entertainment they came to see.
They want a rock star.
They want a sideshow freak.
They will boo, they will howl,
They may even clap if the timings right.

Damon Malio goes up before me.
That ******* is as smooth as silk
and as suave as the day’s first rays.
Hell, I even want to run up there
and kiss the *******.
He has a rapacious tongue,
stealing every good word in the English language.
Banging away with syllables and gestures,
the room is vibing to his beat.

Knots in my stomach
and an ache in my brain.
A dull thump followed by
the whisper of “Fraud.”
                          “Failure.”
It’s that little boy voice
that used to get tormented in grade school.
The urge hits to wither away.

The only escape route is blocked by bouncers
at the back door.
I’m trapped here with the prison guards.
No semblance of thought,
just a rattle, panic and hate.
I’m a predator in a room full of rodents,
ready to eat me alive.

There are no outs,
only the get up there
and get out the vivid images
alive inside of me.
Right before I go up on stage
I touch the brick wall.
Tangible, tactile, rough and cool.
I laugh under my breath.
That’s the way people describe me.

If you ever wanted to hear a pin drop,
now would be a good time.
Staring back are a room full of strangers,
Murmuring, waiting for the show to begin.
I see a table full of beautiful women,
the tattooed, artsy types
I get weak in the knees for.
An older gentleman looking impatient for me to speak.
Clearly a professor of some sort.

I clear my throat.
Startling myself
at the loudness of it.
Loud…voice…speak…speak…speak.

“I’m a salty *******.
I could have been a Sabine
if I hadn’t been born in the wrong time,
to the wrong class of people
and a deformity looming larger than life.
That literary je ne sais quoi that working men
and the saviors of syphilis have.
The questionable knowledge that the
seafaring folk were instrumental
in my christening.

I’ll bring God’s ministry to Hades
and two tons of luck to riverboat gamblers
with fortuitous use of four aces.
I’ll bless the maître d’s war against the moguls
and the matadors quest for the upper hand
in the war of the forlorn.

I’m just kidding ladies and gentleman,
that’s all horseshit”

The crowd looks perplexed.
They aren’t quite there yet,
but we’re getting somewhere.

“We’re actually gathered here today to see the holy matrimony
of poetry and pestilence, art and arrogance.
I’ll be your priest, your prophet along the way.
We’ll channel them into
a seven year split and fifteen days of rage.
We’ll curse the gods of conformity and the spirits of suburban sprawl.
Set fire to the system that binds your mind.
The fallacies told to control you.

I never knew the error of my ways until
I touched God on Tuesday.
She was dead ringer for Greta Garbo,
gracious as a host and divine in her dealings with me.
I saw the white hot heat of Stockholm syndrome
and knew I was in the presence of the pantheon.
Felt swelter and fear,
but she kissed my forehead and whispered that it was all a lie.
The power others presume to hold over me.
The judges, the juries, the couponing maidens, the schoolmarms,
the cops and fathers and armies and vicious tax agents.
The Machiavellian telethon charities
and the undressed hookers pretending to be my saving grace.
The drugs, the music, the books, the *******, the fury of 40 years gone too long and not enough wisdom to die too soon.

I wept when she spoke to me.

Guns will **** you but love will **** you quicker she opined.
Obfuscated words from the otherworldly.
She sent me on a mission to find the words of Sinatra,
the Rat Pack’s subliminal subversion of all that power players hold dear.
The fear the unwashed masses will come.
The provincial mindset that they can procreate proletariats
to be the permanent protectors of their gilded ******* towers.
As I seethed she kissed and soothed me.
She whispered her love and asked me to lie with her.
I thought copulating with God was a heresy.
She told me to lay back and everything would be alright.”

I looked in the eyes of a tattooed temptress
and saw ravenousness for more words.
At least I knew I was getting laid tonight.

There was a new footing.
This vulnerability, baring my *** for all to see.
But there were no boos,
just the synergy of poetry conveyed through me.

“As we lay in the afterglow
I rolled over on one side and asked
how do I rid myself of the devils that plague us?
The bleeding, the burdens of humanity enslaving me?
She smiled playfully and ran her fingers through my hair,
telling me there there, don’t worry your pretty little head.
They can take from you. They can beat you.
They can **** you.
And oh my how they will try.
Governments and men with guns.
A society of rats crushing you with social mores,
moving to tell you what to do and how to live.
They will give speeches of how to behave on AM radio.
Buckle your belt, conserve the earth and be a good dad.
Foster those brats and bleat like sheep
to the tune of an Orwellian world.
I shook as she maddened my mind,
but her touch ran over me with ecstasy.

You will go forth my prophet, my prince,
and spread the word of free men with free minds,
not bound by internet ******* parties,
the latest legal trouble for B-listers
and all the trivialities of brainwashing.
The baubles betrothed to those without
imagination or the ***** to seek the truth.”
Amanda Brader Dec 2015
Everything these days is about ***.
Our culture is a graveyard of copulating corpses,
and nothing means anything.

Sure, everyone says they're looking
for meaning in a godless and corrupted world,
but hardly anyone tries to find something real
in someone else. 

They let fear of rejection,
abandonment, or heartbreak hold them back. 

Love is unending, unparalleled, underrated.
We're all dying anyway, what's the harm in
being vulnerable once in a while?

Death and *** somehow always go hand in hand.
Maybe it’s because they're in love.
Death is patient; he has all the time in the world. 
He appreciates life more than anyone possibly could.

What if Death isn't an abrupt, agonizing conclusion?
Perhaps he simply leads us through a passage to some afterlife.

Death has seen everything;
he's seen beauty and suffering,
love and loss.

But he's intrigued by the concept of love.
While it often transcends our comprehension, he understands it.
He's a hopeless romantic
in a sea of violent, sexist, gun-obsessed sharks.

*** is amorous, enigmatic, gentle, and compassionate.
She's not the vile disease everyone sneers at in guilt-ridden judgement.

They teach their children to grow up feeling *****,
to despise themselves
for wanting to understand her, as if she’s a sin.

But she knows she's not a perverse thing,
she's a symbol of love everyone's destroyed and disfigured.
So she's damaged.
But she feels things more strongly than anyone else.

She is a connection between people
desperate to survive in a wasteland of intolerance and indifference. 

Death is perpetually wandering the world alone.
He’s afraid of anyone getting too close, to let someone understand
and embrace the depths of his chaos.

He’s unrestrained, a free spirit who has never needed anyone,
and doesn’t expect to. Who could ever love death unconditionally?
He disregards his own emotions, reacts dispassionately to avoid trusting anyone.
He’s numb but ultimately knows he doesn’t have to be.

When she looks into his eyes she can see decades of devotion, despair,
sanguinity, and hopelessness, and it breaks and mends her simultaneously.

So, Death and *** are undeniably drawn to one another.
Eternal fugitives hiding together from a decaying world full
of ignorant people who are disgusted by them, to avoid persecution.

They are complete opposites, but they balance each other out.
Death is a realist. He’s optimistic, but not because he has nothing to fear.
He’s aware that there is so much to be afraid of,
but he knows love is a risk worth taking. 

*** is an idealist, a cautious optimist cursed with depression.
She's obsessed with the expression of art and beauty, ardor and humanity.

However, she knows all too well the pain
of heartbreak and loneliness, and it often consumes her.
She is constantly used and abused, and her trust is worn thin.

But she gives everything of herself,
loves blindly and recklessly,
because she knows a life without love is a life
hardly worth living.

*** and Death can never die, they are
immortal lovers enduring the deterioration of the planet together.
Mateuš Conrad Feb 2018
it's almost sad to cite the 3 most memorable instances i've encountered when, with bulgarian prostitutes, the one that performed oral *** as if it was necessary to perform genital "mutilation": she ****** like she scalped... okay, maybe 4: the one i ****** and gave her an ******... and she tried to express angusih and having "suffered" the ordeal... the one with whom i jumped into ice cold water while she masturbated on a bed... the one i ****** while she was crying, who i really liked for her tattoos... the one i asked about a ***** and how i wasn't really Hollywood to use it... as i sat in a mimic harem: all i did was ask for a glass of water.... apparently i'm past the nerves when it comes to copulating with females outside the sociopathic consideration of a female's worth... the freudian madonna-***** complex rings a bell... can **** a bulgarian ******* like a prized-stallion, but when it comes to social-cohesivess barons of explanation? limp ****. Puerto Rican girls in Amsterdam... fat shaming my ***... watched her interlude by ******* into a plastic bucket... while her black page boy made an errand, bringing me beer...  but the bulgarian prostitutes of Goodmayes who pretend to be romanian? worth the 110 quid an hour. i even like the word, if you dissect it: bul-gar.

- modern english -
                     past the acronyms:
   people talking in cipher.
            
      imagine: the immediate hard-on...
the silence of the ***
  with only the woman having a reply...
the onomatopoeia of broken
consonants
attached to clingy vowels and H, A...
                     a sigh of relief?
                                               hardly...
it can be really intimidating
   sitting in the lobby of a brothel...
there's one of you, and there's 7+ of them...
     and you have to make
a "choice"...
              so you ask them
the heretical insinuation:
              and they reply: you can't
do that...
               so you pick the talkative one,
because:
   well... **** it...
you pointed in the "right"
                              direction, let's have it.

            i sometimes remind myself
of a child that grew up with dogs...
   but then i realise i own cats...
  but then i make a fetish out of owning
a dog once more...
        but then i look people "walking"
a dog and see the *leash
...
             **** that...
         at least with cats i can be lazy.

    blúthūnd = maine ****, id est:
             clingy *******,
                 thistles of the animal kingdom;
might as well sing & dance
          to blue suede shoes with them
to try, and shake them off...

                  diacritical marks?
    non-specific, merely:
                        punctuation from above.
Graff1980 Feb 2015
At nighttime when she screamed
In nightmares when I dreamed
A child could not escape
I did not asked to be born

Copulating in a cornfield
Corn fed queen
Wanting a new human being
So why does she scream

The beatings and beratings
The furious shakings
Insanity in the making
My only response to the madness is
I did not ask to be born
zebra Jun 2017
in the house of poems
there are no words
only sheaths of rapture
color and puzzle cutouts
on an empty table
mute
composed of shadow thin
aching smoke ghosts
desires
aphotic and tender
twisting souls in labyrinths lurid
*** shake sweet inky *******
that turn earth
to pleasure domes
and shadows
like cimmerian children
in harsh judgment
******* on
purple night shade candies
burning incense and black candles
uncrossing energies foreboding
while subterranean crystals
refract burnished glows
pulsing blood diamonds
in sacred heart manias
throb with warm breathy kisses
on plates of ash
engulfing
a terrace of pink flickering tongues
drooling and biting
that turn mere pleasure
into inflammations of ecstasy
oozing creme de menthe saliva
where souls levitate and flutter
on bilious stained beds
copulating
being impregnated with verse
smelling of warm **** cauldron

fetuses curl
in their little crib's
and bubble tapioca lyric wrangles
afterbirths purged
poems emerge
like sand bars and palm tree islands
from
sopping woven tunnels
and

caress upturned poetic posteriors
dancing in glitter frilly word tutus
while torrid confessions
dreaded breakdowns
and resurrections
dress themselves in garments
of language re-pleat
quickened by eloquence
in the house of poems
Creepstar Apr 2016
When copulating with a cadaver
Warm in a bath,with moisturiser slather
Its fine to cut a few new holes in
Providing once done you sew where you've been
They're better fresh unless you wish to gump
While they still have blood they give a better pump
To preserve like biscuits you'll need a cool dry place
And bodies dehydrate so you'll need botox for the face
Buddha brain washed me
I know.
This I can’t find myself
Forgotten
How many nights and
Dreams I keep waking from
Oh yeah a dream!
How many lifetimes
Looking back do I let go?
How many broken things
Do I experience
Until I know
Impenetrable force at
My heart always
Unbroken
Unborn.
How is a no thing,  
Copulating with time?
My children I am taking all
Of it with me!
All of you with me,
As a star gone super nova
Takes her children first in fire
Then air soft gravitates
Souls back
Into the next dimension.

-Robyn Keefover ©
zebra Jul 2017
SHE
eyelashes like butterflies
her smiles felt like a slippery aqueous
tongue around tender pink ****
milk lover
she cut a curving line through desolations heart
her souls eminence
red lipped and smooth
her *** a bomb
shattering my heart
like splintered crystal

there is only her
 
beggar for naked kisses
she swayed her hips
like a fish net hammock
oh summer afternoon wind
beguiled
i licked her warm musk ***
mauve slicked mouth
pink light
her seeds thick

so grateful
thanking god
who knew darkness
could be such a blessing
liberating souls
reconstituted psyches
spins the world
Valhalla
tender ******* bruised
weeping undulations
eager for bleeding
arches
polychrome
rainbows paradise
drunken angels copulating
on silver clouds
ravishing dreams

her **** my refuge
her warm belly caress
adorations scandalous
bent on knees
in worship
every tender
brush of the lips
a prayer

foot kissing
love slave
he is
hers always
Ashna Alee Khan Jun 2017
In the house of poems
there are no words
only sheaths of rapture
color and puzzle cutouts
on an empty table
mute
composed of shadow thin
aching smoke ghosts
desires
aphotic and tender
twisting souls in labyrinths lurid
*** shake sweet inky *******
that turn earth
to pleasure domes
and shadows
like cimmerian children
in harsh judgment
******* on
purple night shade candies
burning incense and black candles
uncrossing energies foreboding
while subterranean crystals
refract burnished glows
pulsing blood diamonds
in sacred heart manias
throb with warm breathy kisses
on plates of ash
engulfing
a terrace of pink flickering tongues
drooling and biting
that turn mere pleasure
into inflammations of ecstasy
oozing creme de menthe saliva
where souls levitate and flutter
on bilious stained beds
copulating
being impregnated with verse
smelling of warm **** cauldron

fetuses curl
in their little crib's
and bubble tapioca lyric wrangles
afterbirths purged
poems emerge
like sand bars and palm tree islands
from
sopping woven tunnels
and
flow stone stalactites
as pink ballet pastries
with architected calves
caress upturned posteriors
dancing in glitter frilly word tutus
while torrid confessions
dreaded breakdowns
and resurrections
dress themselves in garments
of language re-pleat
quickened by eloquence
in the house of poems

— The End —