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peter oram Dec 2011
AMBIGRAM VIII

Recto:

Yesterday was Christmas, and the days
already start to grow a little longer.
In our hand, the new year‘s fledgling, stronger
though more fragile too in many ways

than this bedraggled, aging crow, its song a
a sad, repeated phrase among the blackened
trees along a river. So sit back and
raise your glasses to it, do the conga,

auld lang syne, then hit the sack. And black and
white explode, a throng of rainbows—gaze!
You‘ll see it, wakened in  the morning haze,
ascending as the tethering s?tring is slackened:

Verso:

Yesterday was Christmas, and
the days already start to grow
a little longer. In our hand,

the new year‘s fledgling, stronger  though
more fragile too in many ways
than this bedraggled, aging crow,

its song a sad, repeated phrase
among the blackened trees along a
river. So sit back and raise

your glasses to it, do the conga,
auld lang syne, then hit the sack. And
And black and white explode, a throng of

rainbows—gaze! You‘ll see it, wakened
in the morning haze, ascend-
ing as the tethering string is slackened.






















































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AMBIGRAM
­
Recto:

Yesterday was Christmas, and the days
already start to grow a little longer.
In our hand, the new year‘s fledgling, stronger
though more fragile too in many ways

than this bedraggled, aging crow, its song a
a sad, repeated phrase among the blackened
trees along a river. So sit back and
raise your glasses to it, do the conga,

auld lang syne, then hit the sack. And black and
white explode, a throng of rainbows—gaze!
You‘ll see it, wakened in  the morning haze,
ascending as the tethering s?tring is slackened:

Verso:

Yesterday was Christmas, and
the days already start to grow
a little longer. In our hand,

the new year‘s fledgling, stronger  though
more fragile too in many ways
than this bedraggled, aging crow,

its song a sad, repeated phrase
among the blackened trees along a
river. So sit back and raise

your glasses to it, do the conga,
auld lang syne, then hit the sack. And
And black and white explode, a throng of

rainbows—gaze! You‘ll see it, wakened
in the morning haze, ascend-
ing as the tethering string is slackened.






















































­
































































­
































































­
































































­































































A­MBIGRAM

Recto:

Yesterday was Christmas, and the days
already start to grow a little longer.
In our hand, the new year‘s fledgling, stronger
though more fragile too in many ways

than this bedraggled, aging crow, its song a
a sad, repeated phrase among the blackened
trees along a river. So sit back and
raise your glasses to it, do the conga,

auld lang syne, then hit the sack. And black and
white explode, a throng of rainbows—gaze!
You‘ll see it, wakened in  the morning haze,
ascending as the tethering s?tring is slackened:

Verso:

Yesterday was Christmas, and
the days already start to grow
a little longer. In our hand,

the new year‘s fledgling, stronger  though
more fragile too in many ways
than this bedraggled, aging crow,

its song a sad, repeated phrase
among the blackened trees along a
river. So sit back and raise

your glasses to it, do the conga,
auld lang syne, then hit the sack. And
And black and white explode, a throng of

rainbows—gaze! You‘ll see it, wakened
in the morning haze, ascend-
ing as the tethering string is slackened.






















































­
































































­
































































­
































































­
































































­
































































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­



























































AMBIG­RAM

Recto:

Yesterday was Christmas, and the days
already start to grow a little longer.
In our hand, the new year‘s fledgling, stronger
though more fragile too in many ways

than this bedraggled, aging crow, its song a
a sad, repeated phrase among the blackened
trees along a river. So sit back and
raise your glasses to it, do the conga,

auld lang syne, then hit the sack. And black and
white explode, a throng of rainbows—gaze!
You‘ll see it, wakened in  the morning haze,
ascending as the tethering s?tring is slackened:

Verso:

Yesterday was Christmas, and
the days already start to grow
a little longer. In our hand,

the new year‘s fledgling, stronger  though
more fragile too in many ways
than this bedraggled, aging crow,

its song a sad, repeated phrase
among the blackened trees along a
river. So sit back and raise

your glasses to it, do the conga,
auld lang syne, then hit the sack. And
And black and white explode, a throng of

rainbows—gaze! You‘ll see it, wakened
in the morning haze, ascend-
ing as the tethering string is slackened.
mûre Sep 2013
It's pouring rain and my backpack is full of strawberry kefir.
I think when we decided to take a break,
you took half my brain with you.

Kefir is a delightful crossbreed of Yop and Perrier. Creamy sublingual fireworks. A single tablespoon is sufficient to send a conga line of 5 billion probiotic bacteria boogying through your innards. But like most things I enjoy, I cannot successfully covet in small, measured portions. Which is why I went for the litre in the first place.

I imagine your face as I rinse my strawberry saturated belongings and imagine the microscopic bacterium hoopla happening between my fingers (you would laugh at my conga line comparison, because you are one of the world's only people who knows how much I truly despise conga lines).

Oh God, the water is just diluting the yogurt. It has become the great Sea of Kefir.

You would have the solution to this. When it comes to logic, you manage to beat me every time without ever making me feel intellectually inferior.

But I need to figure these things out for myself.

Luckily my other groceries were sealed in plastic:
-chia seeds
-goji berries
-cacao nibs
-wheatgrass

These were spared.

As you can see, since we have decided to embark on our own paths for a while, I have tried to be "HEALTHY!". The bathroom is a small library of moth-bitten self-help books (Thanks, Mom) and my bedtime is close enough to twilight to high-five the sun on its way down.
I've started to work out again with a little more addiction than conviction or even common sense.
And because you aren't here to regulate me, I've busted my knees (aaaa-gaaaain.)

And all notwithstanding, as I wandered down 13th avenue with my organic Hippie super-loot, feeling very smug and self-possessed in my birkenstocks, I passed by my favourite breakfast joint, and my kale-fertilized stomach was very persuasive: No, I insist.

Proceeded to savour three enormous pancakes that I could have stitched together to form a roomy buckwheat overcoat. Drowned them with a 3pm coffee. I thought nothing of it, but after all we've been through when it comes to food, you would have been so proud of me, babe. When I admit that I've got a broken heart (-darling, I know I broke my own) people are far too kind to me. 110 minutes and three sacks of flour later I float in a sweet gluten haze from my free (and freeing) lunch back to my apartment.

Which is when I discover the Sea of Kefir.

I think I'm trying too hard.

I think, really, the Art of Becoming One Whole Person isn't so much about us becoming the Perfect People we've always wanted to be. That's not why we strapped a hundred helium balloons to our otherwise incredible relationship and tearfully waved as it disappeared over the horizon. I think it's really about just learning how to regulate ourselves.

Here's one Truth: We will never, ever be perfect. And we will never find our perfection in each other. We have to let that go. We have to stop fighting against the invisible standards we create in each other.

But we can get over ourselves enough to be Pretty Great.
Just make peace with the Pretty Great folks we are. Have the 3 pancake- sore knee- kefir backpack afternoons, and still feel Pretty Great.

And when we do, I think our relationship will feel Pretty Great, too.

Because I'd rather be able to remind myself that I'm Pretty Great,
than rely on you to convince me I'm Perfect.

Yikes, there it is.

So that's my homework. It's full of errors, and there are countless agitated holes worn through by pink erasers, self-doubt, and heartache.

But I know, darling- that by the end of this, you'll give me a sticker-

(and by then I wont need it)

I'll put it right next to the one I've given myself.
Woah! A rant? A letter? A story? Who knows.
Joshua Brown Jun 2013
There is a harsh beauty in mathematics.
Under curves and over slopes,
Equations rise and fall endlessly
In a perfectly measured void.
Optimized, rationalized, sterilized;
Formulas that never lie,
Theorems looming before us
Like an archaic God,
A golden deity whose
Volume is maximized.
How I dream of drifting in this flux,
Concave up and concave down,
Riding the sign of my second derivative
For positive and negative,
For better and worse.
I would not travel alone;
With C by my side,
Friend, ally, brother,
Always paired with my antiderivative,
For whenever we journey back
Into the past, it is necessary
To have a companion to pull us out again
In case we are unsure of where we started.
Rules and laws
Strict organization, control;
There is a harsh beauty in mathematics.
Order; two plus two is always four.
Sines and cosines and theta
All dancing in the unit circle of life,
A conga line that joins itself
To form a mathematical ouroboros.
But the harshest of the harsh beauties
Presented in this Divine Subject
Is that though there is an infinite capacity
For positivity and growth,
So too is there the possibility of stretching
Endlessly towards negativity forever.
However, it is much more terrifying
To lie in the middle;
To be undefined, unknowable, and to add
Or subtract to no effect;
The most fear inducing, mysterious, and gorgeous number
Of zero; nothing yet something,
Infinite yet not,
The most grand of all contradictions.
A hole; a jump; a discontinuity,
Easily removed from life and smoothed out
If you just apply the formulas.
Graphs and coordinates, integers and ordered pairs,
Is that not what life is?
We live within the grandest equation,
Each our own variable,
Constantly solving for ourselves
With the harsh beauties of mathematics.
Nat Nov 2012
Let me tell you about something I saw the other day,
when I was out walking through a field of hay.
The night was quite pretty, the air crisp and clear,
when I suddenly encountered a cat who was drinking a beer!
I walked a little farther and encountered some mice,
sitting around a card table, all playing dice.
The mice looked quite serious, they all dressed like thugs,
I was dumbfounded, and simply stared down from above.
Then I saw something that completely blew my mind,
it was a variety of animals, dancing in a conga line.
For hours and hours and hours they danced,
more animals joined in, even deer came to prance.
This party was larger than any I’d seen,
a couple of badgers were even smoking something green.
“Innocent” deer were snorting lines off of snakes,
and a couple drunk farm dogs were fighting with rakes.
A cat and a mouse were sitting in a barn,
entirely too drunk, they took turn telling yarns.
From across the field, you could hear an owl retch,
while a gaggle of geese slurred “Benny and the Jets.”
Sheep laughed, “Bahaha!” while dancing on tables,
the horses were getting it on in the stables.
This party was crazier than any I’d attended,
a pig even ended up losing an appendage.
As the sun came up, things started winding down,
all the cows went home, and the "Keg King" took off his crown.
I took this as my cue, it was time to depart,
so a couple mice and I hitched a ride on a farmer’s cart.
"Sayonara!" I yelled, "It's been lots of fun!
Everybody get home safe, try not to hurt anyone!"
But enough about me, let's talk about you.
That was my weekend, what did you do?
Frisk Jan 2016
“Big change, huh? Bet you could take some awesome shots here, Max.”

Max nodded, only hearing the last part of Warren’s sentence. Truth was, she was distracted by how beautiful this place was. If Max stood at the end of the street, she could get a killer depth-of-field perceptive image by aiming towards the long and skinny winding roads being enveloped by the building’s shadows. San Diego seemed to flourish with art and photography culture, and great opportune shots to shoot photographs.

“Earth to Max.” That seemed to knock her out of her thoughts. *****, focus.
“Are you going to go swimming with me and Brooke?”

From the look on Brooke’s face, she was hoping to God that Max said no. Brooke is the relationship equivalent of a boa constrictor, and she wasn’t sure how this hasn’t dawned on Warren yet. “I’m not sure. Maybe. Let me unpack first.”

After Kate dropped out of going to San Diego Comic Con last second, Max was nearly going to join her when Warren practically begged her to come. Coming back to the present - equipped with her suitcase and messenger bag - Max lingered behind the couple by several feet. This was her way of trying to avoid the reminder that she was third-wheeling with a boy who used to have a very awkward crush on her and his salty girlfriend.

“I’m going to go down to the pool.” Warren said, sliding his key card into room #228, turning his head to face Max before opening the door. “Maximillian, are you sure you don’t want to join us?”

“Like I said, I’ll think about it.”

The moment the three of them walked in, Brooke and Warren beelined for the restroom with their bathing suits in hand. Once they came out, Warren had a blue and black plaid board short swimsuit on whereas Brooke came out with a highlighter-colored graffiti two piece.  “Alright, Mad Max. We’re out of this joint. Catch us at the pool if you need something or want to swim. If not, we’ll be back in an hour.”

Max waved them off, digging through her bag for that bathing suit. The crimson colored ruched one-piece vintage bathing suit sat abandoned at the bottom of her matching vermillion suitcase. Down below at the pool area, she could hear screaming and laughing and splashing of the pool water. Max got up from her suitcase, and opened the curtain enough to look out at the hotel pool. Several other people were down there, pushing the time limit very close to closing in an hour from now. Come on, Max, you’re really going to let your whole adventure be ruined by the usual high-strung Brooke?

**** it.

Max nabbed the swimsuit from the hidden corners of her suitcase, stripping herself down to pull the swimsuit onto her body. Once the swimsuit was on, she turned her waist feeling the soft fabric conform to her small but still vaguely prominent curves. Max can remember Mom always saying that she looked good in red, so she recommended a red one-piece since Max doesn't have the confidence to show her stomach to anyone.

Well, except her best friend Chloe. They used to take bubble baths together as toddlers so it used to be the most natural thing in the world to get dressed in the same room together. It must have been a better time, where there were no insecurities. Now Max has trouble calling her up without her finger freezing up as she attempts to type the very last digit of Chloe’s phone number into her phone.

As Max turned around in the mirror, she noticed how her lack of a rear end was a lot more distinguishable in red. Wowser, Max thought, this looks really good on me.

“Wowser.” Max said aloud to her reflection, and threw on a bathrobe.

It must have been ten minutes into Warren and Brooke swimming when Max opened up the pool gate, entering the vast perimeter of the pool area. There were significantly less people around the pool, where most of the people still inside the pool area were kids our age. “Max, you’re here!”  

This made two teenagers stop in their tracks as they were opening up the pool gate at the other end of the pool to leave. One of them whipped around so fast that it was a blur of blue hair.  “Wait…”

“Is that…Max Caulfield? It looks a lot like her.” Rachel asked to Chloe, who hung her jaw open in disbelief. No ******* way.

Furrowing her eyebrows, she watched Max drop the robe on a nearby chair. Like an awkward penguin, Chloe watched her best friend waddle up to the pool edge & cannonball into the waters below oblivious to the two girls standing at the gate watching her. “You’re going to wake up the neighbors and the owner of this hotel's parents forty miles away, Warren!”

“Do you want to go say hi to her?” Rachel asked Chloe.

As Chloe decided on actually going to surprise her, Max's friend said something that made Chloe change her mind in a split second.

“How would you know? Besides, you’ll eventually forgive me for that once you meet the entire cast of Star Trek tomorrow, Max.” Warren yelled at Max, and Chloe did a small grin as she turned away from her best friend, closing the gate on both of the girls.

“No. Guess the oblivious nerd is going to Comic Con too.“ Chloe took one last look at Max before going back inside the hotel with Rachel Amber at her tail. "Do you think she'll recognize me in cosplay?"

"Probably not. Unless I drop the bomb on you guys."

“Shhh. I don’t need you ruining my surprise party, *******.”

Max, Brooke, and Warren weren’t in the pool for long, since Warren bumped his head into the side of the pool while doing laps with Brooke. They had to get out, and put an ice pack on Warren’s sore bump on his head. “Now how am I going to cosplay the 11th Doctor? I need to gel my hair back, but I have this gargantuan bump on my head.”

“We’ll figure it out, sweetie.” Brooke said, and Max nearly gagged.

Max went back to the hotel room first, since being around Brooke made her want to strangle her.  This whole third-wheeling thing was annoying, and Max was regretting coming alone without Kate as her faithful chauffeur. Nonetheless, she wasn’t going to let that ruin her trip. She was here to have fun. And to take a bunch of photographs, of course.

The next morning around 4:00 am, Max was rudely awoken by Brooke who shoved her in her shoulder. “Get up, Max. We’re leaving in thirty minutes from now.”

Was that necessary? Max thought, crawling out of bed. From the bathroom, she could hear Warren fretting over the mammoth-sized bump on his head as both of them got dressed in their cosplay outfits. “Okay. That hurt a lot. Ow, ow, ow.”

“Oh, is there anything I can do to help?”

“Shut up, guys.”

Feeling slightly irritable from the loud ruckus Brooke and Warren were making in the other room Max rolled out of bed. She rustled through her suitcase for a pair of skinny jeans and a white t-shirt with the print of a doe on the front. Once she had her clothes, she stood up to walk into the restroom to change when she noticed the ending result of both of her companions.

Brooke’s multicolored dark hair was pulled down in waves framing the scarlet dress with a black belt fastened around her waist. As for Warren, his usually shaggy brown hair was gelled back for his cosplay. She had to admit, he looked handsome in his mahogany jacket, red bow-tie and matching suspenders, and the cotton collared button-up he wore underneath. For a cosplay of The Eleventh Doctor and Clara Oswald, it was quite impressive how close they looked like the actual characters of the TV show Doctor Who.

“Take a picture of us, Max!” Warren said in a chirpy voice.

“On it.”

Max pulled out her camera, and pointed it at the couple who held up peace signs together. Once the picture rolled out, the couple split apart to put on the finishing touches of their cosplay.  As for Max, all she had to do was throw on her clothes. There wasn’t a lot of work in dressing up like normal people. Besides, she’s never really been a fan of cosplay.

If you want to count dressing up as pirates with her best friend Chloe on Halloween five years ago cosplay, then yeah, Max has cosplayed several times before.

“Max, hurry your *** up. It looks like the amphitheater is getting crowded from here.” Warren yelled from outside the bathroom door towards Max, who sloppily tied her shoes.

As they exited out of the large double doors of the four star hotel, Warren and Brooke took the crosswalk, pointing out people cosplaying as characters from TV shows or video games. They were smiling and laughing, leaving Max to third-wheel again. Instead of lingering on it, Max put in her headphones and turned on Crosses by José González tuning them out.

“Where is the line?” Max asked Warren as they approached the crowded complex filled with restaurants on one side and the amphitheater on the other side. Tents were set up here, even.

“This is what I call natural selection. If you come prepared with prior knowledge on how this works, you can conquer this haphazard looking line.” Warren spread his arms out, motioning towards the crowd that was rapidly growing in size.

“Let’s go, Warren.”

“Wait!”

Like an octopus, Brooke latched onto Warren dragging him into the depths of the growing sea of people. After three painful hours of waiting, Max felt the crowd start to lighten up around her as excited but deafening chatter filled the air of the surrounding herd of people. Everyone was clamoring loudly, quickly rushing into the open doors with their San Diego Comic Con day pass thrown around their neck.

As soon as Max received hers, she eagerly threw her day pass around her neck. After buying a small breakfast sandwich from a booth, Max decided to start people watching. Some of the cosplays made her laugh like the Darth Vader cosplayer leading a conga line of faithful storm troopers, taking long confident strides.

Max took several photographs of several different cosplayers, ranging from Doctor Who, Scott Pilgrim vs The World, The X-Files, Breaking Bad, Undertale, Magic: The Gathering, and Family Guy. When it started getting crowded, she got up from her chair and entered the large archway into the convention center filled with colorful tents and cosplay galore.

Wielding her camera bag close to her waist, Max carefully maneuvered her way through the sea of people as she took a look at the booths. Suddenly, the throng of people became too much for Max. An elbow into Max's side pushed her into the left side of her waist, throwing her into a booth.

“Hey, are you alright?”

Max’s eyes glanced up towards a blue-haired girl cosplaying as Pris from Blade Runner, who had grabbed her waist. Something about her was actually kind of familiar, however, Max couldn’t tell. “You hit that table pretty hard.”

Max felt the warmth from her waist leave slowly. “This crowd is suffocating. I need a place to breathe around here. It’s too claustrophobic for my liking.”

“Are you alone or something? Because I could always use company in my tent. It gets hella boring inside this tent sometimes.”

“Do you say that to all of your customers?” Max asked, chuckling nervously at the blue-haired cosplayer’s comment.

“No.” She mumbled something under her breath that Max didn’t quite catch. “I mean – unless you’re uncomfortable with it. I’ve seen people faint multiple times from claustrophobia here.”

Since her head was bent down over a sketch she was doing in a journal, the only way Max could tell that the girl was blushing was by how red her ears had gotten. The realization that the girl became a nervous wreck all of a sudden after that comment had made Max’s day already.

“Maybe you’re right. I should just sit down. There’s no places to sit around here, though.”

The blue-haired girl patted the armrest of the empty fold-out chair behind the table. “This is Rachel’s chair, but Rachel is helping out with the convention rave for later. She’s on the committee or some ****.”

“Coworker?”

“And an annoyance at times.” Max went around the table, taking a seat in the chair the girl patted. It was itching at her brain that there is something about this girl that is so nostalgic.

Suddenly, a long brunette-haired girl billowed through the back curtains of the booth, where Max saw a tattoo chair in the back along with an extended table with clutter everywhere. “Chloe, do you have my phone? I really need it right now.”

Wait a second. “Chloe?”

“Great. Thanks a lot, Rachel. You ruined the element of surprise.”

"No ******* way!"

After Chloe handed the phone to Rachel, Max followed with her first impulse, throwing her arms around Chloe. Immediately, Chloe laughed as Max nuzzled her head into Chloe's shoulder blade. Max could feel the initial excitement pounding in her chest as Chloe tightened her grip on her as well. “Get a room, Chloe.”

“I will shove this combat boot so far up your *** –”

“Okay, I’m leaving. I need to call Frank and see when he was going to get here.” Rachel stated matter-of-factly, then added as she was leaving, “Hope you have a fun reunion.”

Once Chloe let go of Max, she held onto her arms staring into her face. “Wowser. This is crazy. You’re dressed as Pris from Blade Runner. That is definitely my ****.”

“I hope so. Someone asked me if I’m cosplaying Ramona Flowers from Scott Pilgrim vs. The World. Now I will accept that misunderstanding because Ramona Flowers is my woman crush.” Chloe glanced over at Max, changing the mood merely by narrowing her eyes at the brunette. “Alright, are you going to explain why you didn’t call or text me for five years?”

It was so sudden that Max suddenly felt inferior to Chloe. "I'm sorry. My parent's decision to suddenly move to Seattle wasn't my choice."

"That's not a good enough reason." Chloe attempted to change the tone of the mood lighter, since this wasn't exactly the place to discuss that. "So what's up with you? Living it up here in San Diego or something?"

"I - uh - moved back to Arcadia Bay. Two months ago."

"Without a phone call, telling me that you moved back." Chloe pressed her lips together, annoyed. "Nice one, Caulfield. That's just ******* peachy."

Max started to get a little irritated herself. "Look, I'm sorry. Can we just drop it?"

"I’m sorry, Max. I don’t want to be the ******* to ruin your day. In fact, this was the complete opposite impression I was going for. If you want to punch me for being such an annoying rat, go right on ahead.” Chloe pointed at the bicep of her left arm.

I shook my head – chuckling as Chloe kicked back her chair – propping her feet onto the table cluttered with various types of artwork. There was a dozen pieces of art here, but I noticed Chloe was really into abstract watercolor paintings. Mostly Chloe did sketches of characters from TV shows and video games and painted it in watercolor. One of the paintings in particular caught my eye.

Of course – like all of Chloe’s paintings – it was strikingly beautiful: In front of an obsidian background was a butterfly with eye-popping azure wings. One of the wings seemed to be slightly blurred to give more definition to the closest wing. “Wow, you’re a real artist.”

“I’m also a tattoo artist. If you want to get a tattoo, just hit your girl up. It’s on the house for you.” Chloe said, holding out her arm to show me. “Rachel helped me with both designs.”

Chloe had a beautiful sleeve on her arm and a tattoo on the top of her hand of a red chrysanthemum. Max traced the red ribbon detail on her arm tattoo with one finger, making Chloe shiver. “Dude, you can look, but you can’t touch the tats.”

“Sorry, it’s beautiful.”

“Hopefully it will still look beautiful when I look like the human equivalent of a raisin when I’m 80.” Chloe joked, holding out her arm in front of her face. “How about it, Max? Wanna get tatted up by your best friend Chloe? It might be a great experience for you, hippie. No gang related tattoos, though.”

“Yeah, because I’m totally a part of a gang.”

The smile that lit up Chloe’s face sent Max into a comatose state of delirium. Her eyes focused in on Chloe like a lens, taking shots in her head so she didn’t forget this moment with her best friend. For once, Max was having fun. “You’re still a ******* geek. That’s good news.”

“Always.”

Chloe shook her head before getting up. “Alright, so do you want a tattoo or not? This is your final offer, Max. Don’t let it go to waste.”

“I don’t know. You know I’m scared of needles.”

“Still?” Chloe grabbed Max’s shoulders. “Come o
Jamie Lee Oct 2018
It has been a while since we've spoken
I have been tugging on a broken line
May be too gone this time, Lord
Been too low to be grounded
My demons dancing in a conga line
I am surrounded

You made me in your image
But what if I don't like what I see?
Is that insulting?
Is that absurd?
I made almost all my angels flee
It keeps me knocking on heavens door
So tell me, are you listening??
I'm not feeling assured

They say you turn water into wine,
But none of that tonight
I can settle for a bitter cup of coffee,
For a bitter state of mind
To keep me up so I won't dream of
Grandparents who can't walk
Or my lifelong companion
In a wild dogs jaw
Or an angry pair of sapphire eyes
I know I've failed them all

Water into wine, maybe two or three
Will make me numb enough to remind me
Of what their love was like,
Like the warm screams secreting
From my windpipe, do you hear me now?
Can you listen to me tonight???

I know I can be cowardly disciple, even a sheep
In lions clothing- wasn't your book written for
People like me
No, I don't want to be
Self loathing, another fallen angel
You lose hope in, don't let me go
Off the deep end, let the bitterness
I've been sipping on be sweetened
Please
Maggie Emmett Nov 2015
Sun swollen
reddening as it sank
that brutal ****** disc
scored by church steeples
and chimney stacks
almost lost in the drifting haze
of sulphurous yellow
and char-black smoke.

Duck boards dip
into the sodden earth
as men ***** along in conga lines
holding tight the pack of the man
in front, lest they should slip
lose quick their footing
be ****** down and smothered
by mud.

The walls of the tunnels
are packed earth
rich with blood and bone
bits and pieces of human
anatomy dangle and hang
as if posed by an artist
with a strange and cruel eye
for detail.

The scrabble for fox holes
and rough scraped ditches,
anywhere, below the line of fire.
The ting and ****-bang
of a night of action
The whistle, the dash
and the forward push
counted more in men
than metres.                                                                

© M.L.Emmett
Petal pie Sep 2014
To you I may just be a grain of sand, caught between your toes
But you will not have my experience, so you cannot know
How it feels to float on a shark fin or rest on a mermaid's breast
Or do a jig with a conga eel, now  that really was the best
So before you cast me aside to clean your human foot
Take a super duper microscope and take a closer look
At me and my sparkly sandy compatriots as we glisten in the light
A dazzling array of shell fragments and glass nuggets so bright!
The hands of the clock were reaching high
In an old midtown hotel;
I name no name, but its sordid fame
Is table talk in hell.
I name no name, but hell's own flame
Illumes the lobby garish,
A gilded snare just off Times Square
For the maidens of the parish.

The revolving door swept the grimy floor
Like a crinoline grotesque,
And a lowly *** from an ancient slum
Crept furtively past the desk.
His footsteps sift into the lift
As a knife in the sheath is slipped,
Stealthy and swift into the lift
As a vampire into a crypt.

Old Maxie, the elevator boy,
Was reading an ode by Shelley,
But he dropped the ode as it were a toad
When the gun jammed into his belly.
There came a whisper as soft as mud
In the bed of an old canal:
"Take me up to the suite of Pinball Pete,
The rat who betrayed my gal."

The lift doth rise with groans and sighs
Like a duchess for the waltz,
Then in middle shaft, like a duchess daft,
It changes its mind and halts.
The *** bites lip as the landlocked ship
Doth neither fall nor rise,
But Maxie the elevator boy
Regards him with burning eyes.
"First, to explore the thirteenth floor,"
Says Maxie, "would be wise."

Quoth the ***, "There is moss on your double cross,
I have been this way before,
I have cased the joint at every point,
And there is no thirteenth floor.
The architect he skipped direct
From twelve unto fourteen,
There is twelve below and fourteen above,
And nothing in between,
For the vermin who dwell in this hotel
Could never abide thirteen."

Said Max, "Thirteen, that floor obscene,
Is hidden from human sight;
But once a year it doth appear,
On this Walpurgis Night.
Ere you peril your soul in murderer's role,
Heed those who sinned of yore;
The path they trod led away from God,
And onto the thirteenth floor,
Where those they slew, a grisly crew,
Reproach them forevermore.

"We are higher than twelve and below fourteen,"
Said Maxie to the ***,
"And the sickening draft that taints the shaft
Is a whiff of kingdom come.
The sickening draft that taints the shaft
Blows through the devil's door!"
And he squashed the latch like a fungus patch,
And revealed the thirteenth floor.

It was cheap cigars like lurid scars
That glowed in the rancid gloom,
The murk was a-boil with fusel oil
And the reek of stale perfume.
And round and round there dragged and wound
A loathsome conga chain,
The square and the hep in slow lock step,
The slayer and the slain.
(For the souls of the victims ascend on high,
But their bodies below remain.)

The clean souls fly to their home in the sky,
But their bodies remain below
To pursue the Cain who each has slain
And harry him to and fro.
When life is extinct each corpse is linked
To its gibbering murderer,
As a chicken is bound with wire around
The neck of a killer cur.

Handcuffed to Hate come Doctor Waite
(He tastes the poison now),
And Ruth and Judd and a head of blood
With horns upon its brow.
Up sashays Nan with her feathery fan
From Floradora bright;
She never hung for Caesar Young
But she's dancing with him tonight.

Here's the bulging hip and the foam-flecked lip
Of the mad dog, Vincent Coll,
And over there that ill-met pair,
Becker and Rosenthal,
Here's Legs and Dutch and a dozen such
Of braggart bullies and brutes,
And each one bends 'neath the weight of friends
Who are wearing concrete suits.

Now the ****** make way for the double-******
Who emerge with shuffling pace
From the nightmare zone of persons unknown,
With neither name nor face.
And poor Dot King to one doth cling,
Joined in a ghastly jig,
While Elwell doth jape at a goblin shape
And tickle it with his wig.

See Rothstein pass like breath on a glass,
The original Black Sox kid;
He riffles the pack, riding piggyback
On the killer whose name he hid.
And smeared like brine on a slavering swine,
Starr Faithful, once so fair,
Drawn from the sea to her debauchee,
With the salt sand in her hair.

And still they come, and from the ***
The icy sweat doth spray;
His white lips scream as in a dream,
"For God's sake, let's away!
If ever I meet with Pinball Pete
I will not seek his gore,
Lest a treadmill grim I must trudge with him
On the hideous thirteenth floor."

"For you I rejoice," said Maxie's voice,
"And I bid you go in peace,
But I am late for a dancing date
That nevermore will cease.
So remember, friend, as your way you wend,
That it would have happened to you,
But I turned the heat on Pinball Pete;
You see - I had a daughter, too!"

The *** reached out and he tried to shout,
But the door in his face was slammed,
And silent as stone he rode down alone
From the floor of the double-******.
Sleepy Sigh Feb 2011
Ibiyinka, Ibiyinka Alao
Comes from Nigeria with a name like drums
Comes from Africa with the sun behind his back.
Ibiyinka, Ibiyinka Alao,
Mr. Ibiyinka with a smile in his hands,
Mr. Ibiyinka with a girl's shoulders in his hands
Life, he says, she is alive
She dances.

Ibiyinka, Ibiyinka Alao
Paints like the sun gilds hills and fields
Paints like the moon silvers water and thatched roofs.
Ibiyinka, Ibiyinka Alao
Freezes music into colors that dance
Freezes drums in a quilt of art from every place.
Frozen, he says, like water
Like a heartbeat.

Djembe, Conga, Bongo
Coming from Africa with the skins of goats
Coming from the fields and the homes and the dirt roads
Medium, large, and small
Speaking every language.
Ibiyinka, Ibiyinka Alao -
Djembe, Conga, Bongo.
oh, please look him up if you don't know who he is. He's marvelous.
Phil Lindsey May 2015
I am glad when people party
And Conga all around
When I see folks havin’ lots of fun
I am the happiest guy in town
I love to listen to their laughter
I’m ecstatic when they sing
If you ask me why I’m happy?
I say “Cuz’ Sad just ain’t my thing!”

You know the birds are always happy
They are singing all day long
Did you ever hear birds sing the Blues?
No, they sing HAPPY songs!
When they line up on a wire
And suddenly take wing
They’re gonna fly away all happy
‘Cuz Sad just ain’t their thing!

The Sun comes up each morning
Making rainbows, drying rain
Even on a cloudy day,
Mr. Sun will not complain
He’s up there smiling, laughing and
Peeking through the clouds
Helping everyone be happy
‘Cuz Sad just ain’t allowed.

I even think the clouds are happy
They are dancing all around
Making polka-dotted shadows
On the people on the ground.
Birds and Sun and Clouds and
People singing, dancing all around
When everyone is Happy!
Sad ain't nowhere to be found!
PwL  5/5/15
Which face will I wear today
    The face I wear at work
          Cheerful member of the staff
          Underpaid - unappreciated
           Tiny office with no window
           Paperwork nobody looks at
           Rules just for the sake of rules

Which face will I wear today
      The face I wear at home
            Always tired, depressed, besieged
            by a thousand minor ailments
            All the things I'd like to do
             crowded out by other things
             I have to do that are no fun.
      
Which face will I wear today
      The face that sports a poet's cap
            Gel filled quill pen clutched in hand
            Trying every format I can learn
            Gleaning from the published experts
            Writing happy after years of sad
            Finding sunshine in the shadows that I live in

Which face will I wear today
      The face above the helping hands
            that reach for places to be used
            That garner joy from mucking in
            to smooth the path for others
            Seldom thanked - often refused
            Bucket goal - to save a life.

Which face will I wear today
      The face that looks back from the mirror
            Mapping all the tracks of age
            Searching for the sparkle in the eyes
            that joined hands with my youthful looks
            and did a conga-line away

Which face will I wear today
      Picasso portrait of them all
            Ill and hale - strong and weak - sad and glad
            When seen together in the mirror
            it's a face I do not know
            and someone I don't care to meet

So check the clock and choose a face
    Paste it on and smooth it out
        Comb hair over all the edges
             **** the light and close the door
                 And take this face out for a walk
                       See if anybody says hello
                                           ljm
I guess we all have a lot of different faces/personas.  These are some of mine.
I trod on earth that sparkled
I waltzed beside the moon
Dancing in the universe
To a planetary tune

The comets sang a medley
A spatial serenade
All the heavens hummed the chorus
Thus a harmony was made

The sun joined in in baritone
A rich voice filled with light
The planets played a polka
As we danced into the night

Music swelled around us
In an orbital orchestra
A constellation conga line
The last thing that I saw

I woke from my deep slumber
As I slept beneath that sky
The starlit party glistened
A twinkling tango before my eyes

I woke from my deep slumber
As I slept beneath that sky
The starlit party glistened
A twinkling tango before my eyes
needs a new title?
Ben Jones Apr 2013
Jesus was looking impatient
It was already quarter past nine
He was sure he'd sent out invitations
And he'd turned all the water to wine

He'd promised a memorable banquet
As tomorrow he'd surely be dead
But the shops had been short of a few things
So he'd just had to settle for bread

When a knock at the door made him flutter
He adjusted his dress and his hair
He opened and bid all assembled
"Wipe your feet and then sit over there"

They shuffled and took to their places
But they looked slightly I'll at their ease
They could see all the wine and the bread rolls
But what of the ham and the cheese?

Jesus said grace in his fashion
"Cheers Dad" with his thumb held up high
"But be careful, this bread is my body"
"Now who wants a nice bit of thigh?"

They tucked in with nervous expressions
He'd been guzzling since they had arrived
He explained "It's my blood in these bottles"
"And without it I'd not have survived"

The apostles were forming conclusions
Their boss had been ****** all these years
But the wine washed away their objections
And the music drowned out all their fears

So they partied and danced on the table
They played twister and tidily-winks
Then stumbled off out to a nightclub
Because Judas was buying the drinks

They caroused and they conga'd till morning
Till their stomachs and bladders had failed
And that's how young Jesus got hammered
And the very next day he got nailed
E Townsend Jul 2016
It's so stupid to feel lonely in a room
full of laughing people, enjoying their company with family.
I myself am with family, but I feel so
secluded, put aside, a thought floating
after a quick glance at the girl who's been quiet
for far too long, who usually
sparks the conversation before others.
Tonight, it is too loud.
Dancing waiters and a conga line,
trays of cheap champagne passed around,
Andrew discussing a promising proposal,
kept me so removed from table 351
and the restaurant itself. I cannot control
anything.
The conversation carries on without me.
Had a break down on a cruise ship and I couldn't just fling myself off board
Ma Cherie Jan 2017
The great Green Mountains,
up where the tallest evergreens grow,
stretching,
upward an outward,
toward the heavens,
a perimeter of boundaries,
where white iridescent angels,
can drift,

Touching the clouds,
in winds of change coming,
gathered together sheltering storms,
alongside barren maples
and birches,
with shriveled others aging,
gracefully,
bowing down to winter's bone,
and ready for Spring's solstice.

When,
in surging solar winds,
upward of,
a million miles an hour,
40 hours after leaving their sun,
raining in an big bright ariel shower,
emphasizing their greatness,
in an eerie tranquility,
behind a diffused hazy luster,
a distant soft moon light,
in a beautiful Glory Shining.

Silvery satin ribbons,
and celadon green bends,
as colors wait pensive to create
in messages it then sends,
a heavenly landscape,
for their part in the prism ballet,
these arial acrobats,
yearn to touch tips on sturdy cutouts,
of tall old aging trees,

Dancing into ever-changing,
multifaceted soft,
an inspiring hues,
an shifting in the breeze
they move above,
in a mystical rhythm,
a dark and mysterious,
black smoke rises
in between rays,
in the opaque darkest hour,
for the creation of,
a spiritual backdrop,
mysterious feeling power
in the magnificent,
Magnetic Midnight.

The darker the sky,
the brighter the light,
for an otherworldly setting,
as colors merge and ignite
while they mix the palate again,
I am lost in silent reverie,
for the forces that dance there in that blackness,

Awe-inspiring,
breathtakingly beautiful,
alien,
frightening,
imparting comforting wisdom,
it is everything an so exciting,
and healing to your soul,
like a hauntingly familiar sound,
of
music to your ears.

moving like in an immensely,
active native conga,
while flitting eiree,
ghosts of glaciers perform,
when fueled folklore beckon,
swirling magic colors
in a perfect moving storm
these beauties from frozen skies,
spraying snow & tossing sparks,
as their created stars,
saturate the deep,
as their tears are shed,
in big butterfly kisses,

playfully floating,
in lovely little fine wisps,
of cirrus smudges of pure refractions,
bending in rarified veils of light,
into a seamless,
shimmering skyscape.

A hiding crystal clear,
deep Alice blue sky,
now fading,
as colors are now blending,
from azure into darkest denim,
then turning periwinkle,
stretching out,
into auroral archways,
dusted in a tangerine glow
in transitioning brushstrokes,
gently cover impressionistic sketches,
evolving into luminism,
on an endless open canvas.

As I paint the words,
where I sit there quietly,
respectfully awaiting answers,
as clouds and moonlight smear,
into watercolor scenery,
using up each angel tear
an intimate engagement occurs,
the passion of nature,
is sublime,
just perfectly,
these synchronized sky swimmers ,
becoming one

As a stormy sun is forcing,
red light dancers,
holding torches,
colliding and becoming excited,
edging themselves,
these powerful ominous portents,
becoming the framework.

Around a fantastic fluorescent show,
the cast wearing blushing pink,
and wild viola purples,
tinged in chartreuse green,
basking in beauty,
where hope lies,
in these colors I've never ever seen, since,
transcending skies of tomorrow,
into an age old masterpiece,
waiting patiently for this,
spiritual journey,
to begin,
with an eager & beautiful,
dawn coming.

Where the North winds,
send a brilliant light show,
of atomic wonders,
in watery pirouettes,
of shaped effects,
& teardrops sacrificed,
swirl in spirits of harmony,
completely memorizing,
I am transfixed,
an astonishing feat,
of brilliant pigments,
smudged into,
the mysterious lightness,
my drifters heart wanders,
melded into atmospheric colors,
we can only wish to see in this lifetime.

Where life seeds now
glide,
on the giving winds,
and Eagles and hawks can,
applaud this much beauty way up there.

This place,
a heavenly firmament,
where all the sacred souls come to die,
  where all the very, very, wise end up,
where they all spend their eternal lives,
young and old alike,
eventually they all retire here,
bringing us hope or warnings,
a chance at redemption,
striking hot iron in a glow,
metallic bits,
stars form,
restless,

Sighing, awaiting,
  a gifted chance to share with us,
along with all the parished,
souls and spirits,
playfully transforming,
from native garb,
mocassin covered feet,
change into favorite animals,
stomping on the colorful floor,
a great bear,
a wolf,
a beluga whale,
a soaring raptor,
not wanting for anything,
walking in Native American circles,
to the sounds of long silent drums,
morphing & shape shifting,

Again,
and again,
and again,
where rain shadows dance,
in ancient skies,
celestial bodies are illuminated,
reflecting the fire circles,
from where distant oceans shore,
take me there...ancestors
take me there once more,

As night slowly declines,
as daylight seeps through cracks,
bleeding into tomorrow,
to fly again to share what they must,
they pray and worship their God,
and they trust..

And Aurora Borealis is her name.

Cherie Nolan © 2016
Listen to Time to turn the tide by Millpond Moon  global warming is affecting this gift....writing this made me cry ....for our sacred Earth.  This is a meaningful piece I had to dig deep in old studies and in my beliefs this was BREATHTAKINGLY beautiful Aurora Borealis a few years ago. This is about stars, this place- Vermont, Heaven, angels and death or coming omens. Peace - Vermont
(I watched my video again in astonishment.)
I hope you all are well n happy. I'm OK....
Zywa Mar 2022
I was young, I went

to experience grand beauty
on hands of success, now
I walk on clouds

of electric light
glitter and admiration
celebrating my retirement

in the heaven of parties
star among the stars
smiling beautiful people

pearls, botultox and gel
in semi-gray hair, tireless
in time to the brass

nobody needs to go to the toilet
we are hovering over the beds
in which despair tosses and turns

because of the days and the years
of unsuccessful lives, and we dance
the conga since we are going

nowhere
"La grande bellezza" ("The great beauty", 2013, Paolo Sorrentino)

Collection "Pending rain"
TheMystiqueTrail Oct 2018
The grief that broods in your soul
gushes as a fiery deluge
drowning you
in the flames of a sulphurous agony.

Between the layers of consciousness,
like a brutal cleaver,
it tears up the umbilical cord
that knots you up with your life's script.

On the wings of a melancholic sigh,
you glide to a land of psychedelic dreams
where the hypnotic beat of conga drums
carry you to a world
beyond the dreary beats
of a mundane chore.

The ecstasy of your steps
creates a mystical rhythm
for your Galala dance!

Even the shadow of your dreams
has a sapphire blue
woven into its consciousness!
Marshal Gebbie Apr 2013
By amber light we sit here in this scintillating evening
By amber light we wonder at the treasures of the night,
Enraptured by the shimmer of the highlights in the wavelets
Across the bay the music plays to thrill us with delight.

Moving to the rhythm of a tango in the moonlight,
Feeling the sinuating warming run inside
Start the steps in synchro to the pulsing of our swaying
Roll the eyes in fun as we let our bare feet glide.

Shimmer on the wavelets in the balmy air of evening
Kaleidoscope reflection of refractions of the night,
Titilating trumpets to the pulsing of the conga drums
We meld our hips together in our tango's rich delight.

By amber light  luxuriate as long as night’s forever
We’ve felt the brush of loving in a tangled, close perspire,
We’ve danced the dance of romance in these luscious shades of evening
To be happy and  exhausted in a bubble of desire.*


Marshalg
In the magic of the peaceful night and the waters’ beautiful, shimmering shades.
Manou’s Harbourside Restaurant
Port Taranaki, NZ.
9pm 1 April 2013
rachel g Nov 2012
Procrastination,
laying on the ground,
words fumbling through my brain like they're on some weird-*** drug
and can't help but bounce off all the walls.

Papers spread all around me,
goading me,
laughing at me,
dancing with each other and
playing twister over the square patterns
on my carpeted floor. They're my audience,
supposed to be sitting in
surprisingly well-cushioned red stadium seats,
only half-paying attention to my feeble attempts at
getting **** done. But I'm noticing this one, sitting (actually sitting!) three rows back
and two chairs down from the aisle
I can see his soft eyes twinkling in the light emanating off the
background of my stage
he watches me, amused, stern, patient,
believing in my abilities to complete
but understanding the trap.
His flat body is well-dressed, covered in straight black lines, question marks,
and capital letters. The kind of paper that means business. The kind of paper that
proves things. His blanks and spaces are all filled out:
pen under a backwards-steady hand.
With all of his numbers and names and titles he's declaring, predicting,
holding
encapsulating
saturated in my future.
He's like a time traveler, sitting there silently with
his boots and black top hat,
whispering softly about what is to come
urging success to spill from my thoughts
which are now linked together in an unorganized conga-line,
falling all over the place is if inebriated intensely,
the crazy ones even throwing up in strategically-placed trash cans.
What a nice touch.

Sweaty palms.
This is what happens
when all but one of your papers don't pay attention to you
and the one that does
is too severe and powerful,
overwhelming,
terrifying,
when that one paper
is the reason why you've been
a fervent procrastinator
this whole time.
Evelyn Rose Aug 2017
This sound makes my vertebrae vibrate
Every unshaven hair stands to attention  
At her voice
She strums my heartstrings
And her guitar.
And sings again to the void
Of people  
Never truly paying any attention
No more than sufficient
to toss in pennies
Pounds remaining in purses, to pursed lips
Whilst they continue the train station conga to their destination.

I
cannot help but hear.
You resonate like my first radio
The hum of home
That initial taste of music
Potent
Powerful
Like this woman
Brave in her solitude on the platform.

I wish they would listen.
Jamie L Cantore Jun 2015
Essentia of magenta in
Each twinkling eye.
A goddess of Valencia,
A princess of Versailles.

Each dance, flit, jive, bob,
Conga, cut a rug.
Yet, only one do I intend to woo to Love.

The smokey air! overdue heat! Can NOT  contain.
Ahh!!! and without a care, I waft Away  the steam.
Ben Jones Apr 2013
Plucked out from between the blooms
And blown to tell the hour
Each seed that flees the summer breeze
Was born to make a flower

Amongst them, flirting roguishly
Each gust which he might flee on
There deftly danced a propagule
By the name of Dandy Leon

He saw his chance and seized it firm
With filaments of fuzz
And spun upon an eddy
Like a balerina does

It lifted him above the street
And clear of all his kin
He caught a cheeky quick-step
But the air was growing thin

So he threw a saucy limbo
And he dived over the town
He conga'd with a butterfly
And fluttered ever down

But as in every ballroom
When there's no more will to rhumba
The weather took a breather
And it blew a slower number

So Leon drifted dreamily
A waltz of heavy eyes
And landed with finality
Beneath the sunny skies

For today he was a dancer
And he flew above the land
But tomorrow he'd be growing
And next spring he'd be the band
louis rams Jun 2013
He was known as the roof top poet
He was good, but he wouldn’t show it.
He wrote about everything on the streets
While listening to the Latin beat.

His upbringing inspired him
To write about crime and sin.
He wrote about street drugs everywhere
And ***** needles that they would share.

He played the conga and bongos too
This is what he had learned to do.
There was not a topic that he would not touch
For he loved life much to much.

He wrote about robberies, muggings
And ******, prostitution, gambling
Corruption and all the rest
His talent for street writing made him the best.

But there was a soft side to him
That people did not know
And where ever children needed him
He would go.
He was a volunteer in the children s hospital
And the orphanages too, which was
Something that nobody knew.
He would give them love, affection, and laughter
Wealth or fame he wasn’t after.
He gave them the key elements for the
Children to survive, HOPE, LOVE, FAITH
With hope in their hearts and faith in GOD
There was nothing that they could not do.
If to themselves they would be true.
Now if we could be such as HE
The world would be better for the children you see.
HOPE IS THE KEY TO SET YOURSELF FREE

louis rams :
louis rams Aug 2010
He was known as the roof top poet
He was good , but he wouldn’t show it.
He wrote about everything on the streets
While listening to the Latin beat.

His upbringing inspired him
To write about crime and sin.
He wrote about street drugs everywhere
And ***** needles that they would share.

He played the conga and bongos too
This is what he had learned to do.
There was not a topic that he would not touch
For he loved life much to much.

He wrote about robberies, muggings
And ****** , prostitution, gambling
Corruption and all the rest
His talent for street writing made him the best.

But there was a soft side to him
That people did not know
And where ever children needed him
He would go.
He was a volunteer in the children s hospital
And the orphanages too, which was
Something that nobody knew.
He would give them love, affection, and laughter
Wealth or fame he wasn’t after.
He gave them the key elements for the
Children to survive,  HOPE, LOVE, FAITH
With hope in their hearts and faith in GOD
There was nothing that they could not do.
If to themselves they would be true.
Now if we could be such as HE
The world would be better for the children you see.
    HOPE IS THE KEY TO SET YOURSELF FREE
Anais Vionet Aug 2021
My sweet little gran-mire is 94 Years old.
She still works, as the chairwoman of the family trust
- you can call her “Godfather.”

The “frail old lady” is a humorous disguise she dons
to bamboozle the unwitting - think tiger stripes.

Don’t be fooled, or lulled and don’t ever try to BS her.
The business cosmos wheels behind those eyes.
Her heart was replaced with an abacus, centuries ago.
She’s met everyone in the world who matters.
She has body guards and minions.

Tonight there’s a small birthday party
at the Musée Marmottan Monet (museum) in Paris.

When she comes in, the 40 or so guests formed
an impromptu receiving line - so I queued up too.

Stewards regularly pass and I manage to gulp down
two flûtes of champagne while on line (I LOVE Paris).
This has the makings of a great party.

Finally, it was my turn. we cheek kissed (fait la bise).  
I took her small, gloved hand in mine
and it struck me that little white gloves are genius.

“Thank you for inviting me,” I said
inching closer because the music was loud,
“Nothing tops a big-budget party.” I said.
“We agree.” she said with a nod.
“Happy Birthday.” I mouthe.
We la bise again and I moved on so the conga-line could progress.

Ooo! Another steward!
Imagine what all you could experience in 94 years.
Nat Lipstadt Jun 2013
Drove 75 miles each way
To see Colbie Callait,
Somewhere in Connecticut,

That was back
In 2009,
Maybe 2010,
Maybe 2011.

Enjoyed it immensely,

Other than
The only thing
Older than me
At the concert
Was the building
It was held in.

And everybody at work made fun of me.

Took my woman
Downtown to the  
High Line Ballroom
A few years back,
Edwin McCain,
He sang
I'll Be.

It was fine,
Other than
I was the tallest person
Standing on line.

Last year
Danced on a conga line
Led by Pink Martini,
At Carnegie Hall.
Ain't embarrassed to admit,
They dragged me from my front row seat,
Kicking n' screaming,
Hope nobody was videotaping!

At the Beacon on Broadway,
Saw Paul Simon and
Straight No Chaser,
And I would do it again in a
A Capella second.

This year,
High up at Lincoln Center,
Overlooking Central Park and
My city sparkling,
Saw Ingrid Michaelson singing,
It's OK.

She was giggling,
Cause it was so fun, for her,
To act so grown up.
Her parents and sisters
Even came to see her.

Sometime ago saw Marc Cohn, singing,
Don't remember when, don't recall,
Walking in Memphis,
Even tho both of us were at
City Center on West Forty Third Street.

At the City Winery,
In NoHo
Don Felder did Hotel California,
Went to the backstage partee
Cause I was around when
he first penned it,
When he was still part of the Eagles.

For an old geezer,
Born in 1901,
I'm pretty cool,
Despite the occasional mistake.

But I know better than to go to see
Justin Bieber,
Way too cool for that,
So those ticket to
Taylor Swift,
Ripped,
Having never seen
the light of day,
I think I even pretended to
Throw them away...
All true, especially the embarrassing parts.  Nooooooo I did not go see Bieber....really!
Dada Olowo Eyo Feb 2013
Nerves, whenever I hear footfalls drumming,
Distinct like the notes of the conga,
I break out in sweat at your coming,
I let myself go  - can't hold - no, not any longer.
Mike Essig Jan 2017
Everything on this gelid morning speaks only dead languages.
Change your mind. Consider it a beguilingly blank canvas.
Slather it with the random pigments of your imagination.
Go for a stroll and practice random acts of sadistic charity.
Inhale the exquisite frondescence of naked branches.
Focus your neurons on everything you have forgotten.
******* incessantly to Mozart's Requiem. Honor his memory.
Unleash your nukes. Annihilate Canada. Destroy winter for good.
Make your lover a garland of cassowary feathers. Impress her.
Concentrate on growing horrifically profuse ***** hair.
Study the nonexistent texts of forgotten Uzbecki ascetics.
Raise fearsome armies of rabid Chinese lawn gnomes. Attack.
Try to knit String Theory while contemplating theoretical macramé.
Drink cider vinegar to defuse the carcinogenic dangers of politics.
Attempt to complete a peace treaty with gravity. Concede nothing.
Build a launch pad. Hurl rusting Ramblers into low earth orbit.
Collect ingredients. Home brew ******, absinthe and aphrodisiacs.
Test drive a luxury submarine in your neighbor's swimming pool.
Smash the endless contemporary Conga Line of Dumb. Think about it.
Surrender to uncommon sense for a change. Avoid the ordinary.
Give peace a chance. Endless war has left it lonely and depressed.
Admit that everyone is well and truly ******. Relax. Breathe.
Proclaim the advent of the poetry of the apocalypse,
but take care not to write any of it down yet. Go slowly.
Tomorrow is another day to be filled. Keep some options open.
trf Jun 2018
Droplets of rain marbles
splatter on the tin roof
and weigh hungover leaves,
anticipating summer's sweat.
Conga circles drum cricket croaks,
their symphonic looping chorus
dazes time as stars gaze.

Rabbits are everywhere,
halting but not fazed by my high beams
while the tornado siren sounds,
my cue to get naked.

Atlanta reigns the ***** and pills,
so I stay far away,
just ninety three miles south of these hills,
we can't trust me in that place.
Victor Tripp Jan 2016
Singers on the Voice who can't sing
     TV stations showing cartoons twenty-four seven
      FIOS selling hearing aids
POPEYES  selling steak
       Cars running on soup
         Fencers with hockey sticks
Congress not padding their pay checks every year
   Puzzles that don't puzzle
      KFC selling burgers
    Archers with sling shots
Trees growing upside down
  Chickens in a conga line
A chess playing kangaroo
   Trees that hold leaves all year
     First class with no class
An eckco  that never comes back
    A bird that walks everywhere
       A tea kettle that cannot whisle
         Ducks that  skee
         Rain falling sideways
             Dogs that run backwards
       Cats that bark
       The Sun and Moon together
        Turtles that run fast
Entre le sac et le ressac
Ma muse nage nue
Au cœur des vagues
De neige immortelle
De la nuit tropicale.
C'est un mélange de sirène
Et de sauterelle
A la queue papillonnante bleue verte et grise
Qui plonge à intervalles réguliers
Dans le sauna des abysses
A la recherche des sources chaudes
Des volcans sous-marins
Où dorment les champignons sauvages
Et où paissent les rennes
En attendant le moka saveur airelles
D'un Petit Prince abscons portant masque, palmes et tuba
Qui danse la rumba cubaine.
Quand ma très chère se déhanche
Elle skie elle patine elle surfe
Elle nage elle plonge elle sue
Entre les battements de conga,
Les glissés et les déliés de son partenaire
Tout en tricotant des pas humides de calypso vierge
Ad libitum.
JDK Dec 2016
That's one hell of a spider web,
but I like the way it vibrates.
If it takes two to tango then how many more do we need to tap dance?
I think I fell out of the Conga Line and into the river.
These **** shoes will be the death of me.

That's one heaven of a flower arrangement.
Congratulations on your spatial awareness.
If I had a few more of these then I think I'd finally be able to understand the extent of our particular disease.
It seems we're always partying on a molecular level.

I don't proclaim to know the half-truth of secrets spoken in ancient tongues.
It's all a bit too convoluted,
but if you pull this tab right here then the whole thing comes undone.
And yea sure,
maybe now we're more vulnerable but that just makes it more fun.
I gave up on making sense awhile ago,
but I'm in love with the way your brow furrows.
Journey of Days Nov 2017
...and the party continues
a conga line of ants
balance crumbs at jaunty angles
drunken cocktail waitresses
taking the scenic route across the kitchen bench
around the cooktop
skirting the kitchen sink where the spider and fly detente appears to continue
over the countertop
carefully avoiding the cockroaches playing five card draw
…. to the crack next to the door

@journeyofdays
summer in Sydney means the bugs move in
you can wipe spray clean vacuum
and they will all be back partying in your house again
the very next day
Carlo C Gomez Jan 2020
Pirates of pleasure

In foreign waters

Access to excess

The fingers linger

On a perfect rounded bottom

In a conga line

Lust is a bust

This is no love boat

It's headed for dry dock

As a floating hospital

Swimming the high seas

With some unknown disease

— The End —