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"conduits" poems
I've always been in place, in situ Maybe (just maybe) ... I'm sui generis? When my lifeline intersected with spacetime on this continuum I found myself moving toward a collision course with duality and non-duality Moving towards a zero-point What are we talking about? Nothing (Rafelski & Muller, 1985) As a geographer, the mimetic expression was dualistic As one plane flowed through another; as fiat lux flowed through Medicine Rock I found wisdom I further explored the duality @ this place (also known as University of Lethbridge) The U of L is an interesting duck It walks like an Albertan university It talks like an Albertan university But one of these things is certainly not like the other The U of L got its chops as a house of learning for the Liberal Arts Follow those roots and you'll see conduits to another spacetime known as UCBerkley U of L memetics share material memories from the birth of the Free Speech Movement (1964) And as Arthur Erickson drafted up his plans for Canada's centennial gift to the Province of Alberta, I'm sure he would have been partaking in the pleasures of this particular spacetime I'm sure at the very least that he was listening to Hendrix wax on about Castles As Erickson designed this modernistic monolith called University Hall There were influences such as Arthur C. Clarke and his novel 2001: A Space Odyssey (1968) He was certainly knowledgeable of the Blackfoot stories of the Old Man And of course as an architect he would be versed in gravity and how built structures on a slope tend to creep toward base-level Strange but true, Erickson's first degree was in foreign languages So what I see is Canada's premier architect wrote a poem for us in 1968 In a foreign language And that poem would be expressed over the next forty to fifty years Some of those primary poetic elements were: Berkley, California Hippie Movement Creep (or gravity) Base level Blackfoot creation stories of the Old Man Jimi Hendrix poetry and his savage musical genius "and so castle's made of sand melt into the sea, eventually." So let's reinterpret that line to be more U of L centric (through my glossy apertures) "and so monolith's made by man melt back into god eventually." ........ ....... ...... ..... ..... .... ... .. . zero~point . .. ... .... ..... ...... ....... ........
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Oct 3, 2014
Oct 3, 2014 at 10:33 AM UTC
Towards an Indigenous Science
I've always been in place, in situ Maybe (just maybe) ... I'm sui generis? When my lifeline intersected with spacetime on this continuum I found myself moving toward a collision course with duality and non-duality Moving towards a zero-point What are we talking about? Nothing (Rafelski & Muller, 1985) As a geographer, the mimetic expression was dualistic As one plane flowed through another; as fiat lux flowed through Medicine Rock I found wisdom I further explored the duality @ this place (also known as University of Lethbridge) The U of L is an interesting duck It walks like an Albertan university It talks like an Albertan university But one of these things is certainly not like the other The U of L got its chops as a house of learning for the Liberal Arts Follow those roots and you'll see conduits to another spacetime known as UCBerkley U of L memetics share material memories from the birth of the Free Speech Movement (1964) And as Arthur Erickson drafted up his plans for Canada's centennial gift to the Province of Alberta, I'm sure he would have been partaking in the pleasures of this particular spacetime I'm sure at the very least that he was listening to Hendrix wax on about Castles As Erickson designed this modernistic monolith called University Hall There were influences such as Arthur C. Clarke and his novel 2001: A Space Odyssey (1968) He was certainly knowledgeable of the Blackfoot stories of the Old Man And of course as an architect he would be versed in gravity and how built structures on a slope tend to creep toward base-level Strange but true, Erickson's first degree was in foreign languages So what I see is Canada's premier architect wrote a poem for us in 1968 In a foreign language And that poem would be expressed over the next forty to fifty years Some of those primary poetic elements were: Berkley, California Hippie Movement Creep (or gravity) Base level Blackfoot creation stories of the Old Man Jimi Hendrix poetry and his savage musical genius "and so castle's made of sand melt into the sea, eventually." So let's reinterpret that line to be more U of L centric (through my glossy apertures) "and so monolith's made by man melt back into god eventually." ........ ....... ...... ..... ..... .... ... .. . zero~point . .. ... .... ..... ...... ....... ........
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44
So, now we must go, Choose a direction and flow- Do not worry about the destination: Enjoy the adventure in meditation. For ebbs and flows will come And do not forget where you came from; Small veins in a cloistered rock. That eventually leave and flock. The showers clean and fill our souls And end up, sometimes, in dark holes I have cried over the thought of reaching the salty abyss- But let your motifs be safe with this freshwater kiss. We may meet again on a sunny day... Or, up in the clouds when the sky is grey Let the moon guide you to an eternity, For we watch over and envelope you in fraternity.
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Aug 12, 2018
Aug 12, 2018 at 10:45 PM UTC
Conduits
Sable, the swallow rising as it banks over the white conduits of marrow in the body, rain slashes through the honey locust, along the long ellipse of its hunt as savage dragonflies rise from stems to cling, a deep sienna of doeskin tremors over their sting, catkins, an aftermath, melancholy to the skin soaked in white calla, its reticence assails the sleeping orchards of the heart, in its darkest sheaves, to cleave apart the soft joining of lips and silence me; for eternity is this moment, and the light you give cloaks me in a coat of flames, the burnt locust of slaughter, taunt the rubric of Christs hidden scriptures, as I night, the body, solely a vessel of shadow, returning through a field of windfall, ripe with wasps, echo you in me, a dream of a dream dream't, in the dim recess of light your lips close like a sutra over mine, a brutality of moments ground out of thick pine, as the fine agony of cricket ballets rise shivering, to stillness, this silence is a lotus, a blue psalm, throttles the throat, as a quorum of swallows gather between the swathes of sunlight and skewed shadows, and lift as one body, subsumed by our abandoned depths, out of exile, you have made me a homeland of truant light and as I night, lightning opens like scripture, a black plea, poured over some sore refuge, and so that I may never be restored, cloak me in a coat of flames, suffering an ecstasy of moments hardened in amber, over the white conduits of marrow in the savage body, writhe a black throng of swallows, assail the sleeping orchards of the heart, in its darkest sheaves, to cleave apart the soft joining of lips and silence me....
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Dec 4, 2012
Dec 4, 2012 at 4:05 PM UTC
The Black Kiss
Sable, the swallow rising as it banks over the white conduits of marrow in the body, rain slashes through the honey locust, along the long ellipse of its hunt as savage dragonflies rise from stems to cling, a deep sienna of doeskin tremors over their sting, catkins, an aftermath, melancholy to the skin soaked in white calla, its reticence assails the sleeping orchards of the heart, in its darkest sheaves, to cleave apart the soft joining of lips and silence me; for eternity is this moment, and the light you give cloaks me in a coat of flames, the burnt locust of slaughter, taunt the rubric of Christs hidden scriptures, as I night, the body, solely a vessel of shadow, returning through a field of windfall, ripe with wasps, echo you in me, a dream of a dream dream't, in the dim recess of light your lips close like a sutra over mine, a brutality of moments ground out of thick pine, as the fine agony of cricket ballets rise shivering, to stillness, this silence is a lotus, a blue psalm, throttles the throat, as a quorum of swallows gather between the swathes of sunlight and skewed shadows, and lift as one body, subsumed by our abandoned depths, out of exile, you have made me a homeland of truant light and as I night, lightning opens like scripture, a black plea, poured over some sore refuge, and so that I may never be restored, cloak me in a coat of flames, suffering an ecstasy of moments hardened in amber, over the white conduits of marrow in the savage body, writhe a black throng of swallows, assail the sleeping orchards of the heart, in its darkest sheaves, to cleave apart the soft joining of lips and silence me....
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60
Our temporal lobes have neurons whose sole purpose Is to recognize faces You see, humans are meant to be connected Our bodies should vibrate From the sounds of emotional resonance We are meant to be seen, Really seen, delving deeply into streams of running water Where our vulnerability makes love with our experience And this need is so great, that day after day, year after year, We open our mouths with hope That our words can share a meaning with someone But mostly, we are left colliding Or surviving near misses Driving through relationship guardrails Over the edge into desperation We are left holed up in separate hospital beds Isolated by IV drips of disappointment Until we tell ourselves that true happiness is a myth And the word “soulmate” was intended for everyone else This used to be me And it used to be you When I awoke this morning Remnants of our laughter were singing on your pillow There are 86 lashes on your right, upper eye lid I can almost see them listening to me Conduits for comprehension As I speak, You turn your ear so it can graze my lips I whisper while I stare at your profile Blinking, gentle smile lines And my heart lunges toward yours like a magnet I have crawled inside your pupils To be covered with wet, black paint shining From your spirit outward Opposite of indifferent Our faces so close that I can taste you breathing This strange sensation is the absence of fear I. See. You. I have always known you I can pull the IV out of my arm Because what keeps me alive, Is that you know me too
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Aug 24, 2016
Aug 24, 2016 at 12:56 AM UTC
To Recognize Faces
Our temporal lobes have neurons whose sole purpose Is to recognize faces You see, humans are meant to be connected Our bodies should vibrate From the sounds of emotional resonance We are meant to be seen, Really seen, delving deeply into streams of running water Where our vulnerability makes love with our experience And this need is so great, that day after day, year after year, We open our mouths with hope That our words can share a meaning with someone But mostly, we are left colliding Or surviving near misses Driving through relationship guardrails Over the edge into desperation We are left holed up in separate hospital beds Isolated by IV drips of disappointment Until we tell ourselves that true happiness is a myth And the word “soulmate” was intended for everyone else This used to be me And it used to be you When I awoke this morning Remnants of our laughter were singing on your pillow There are 86 lashes on your right, upper eye lid I can almost see them listening to me Conduits for comprehension As I speak, You turn your ear so it can graze my lips I whisper while I stare at your profile Blinking, gentle smile lines And my heart lunges toward yours like a magnet I have crawled inside your pupils To be covered with wet, black paint shining From your spirit outward Opposite of indifferent Our faces so close that I can taste you breathing This strange sensation is the absence of fear I. See. You. I have always known you I can pull the IV out of my arm Because what keeps me alive, Is that you know me too
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42
Frozen moments, embraced, visions of luminous things, unpretentious pearls dancing; embers of memory linger, elegy of the lachrymose, this horizoning self lying low in saturnine tranquility and repose – paternity lost to the provisional. The cross of lassitude, forming scars of loss; estrangement, preface to ineluctable autonomy. Earthen treasure - immortal footprints, the migration of fair maidens across my effusive heart. Venus trio in bloom, aesthetic allusion, ephemeral incarnations of beauty - perishable fruit, transcending the plebeian. Aerial substance- the hermeneutic, betraying desire’s ambrosial tyranny; The permuted passage - savor the sojourn, submit to the fated peregrination. Purple orchids blossom, immortal creatures, culminating in perfection from the sheath respectively, each plume, singular, the continuum of splendor, mediate the inviolable. Eternity compounding, time and essence suffuse the already and not yet into an orbiting mosaic. The susurrant devotions of a satellite father, summon the quest - both, and, absence and proximity, conduits of distress and peace ironically, solace and terror traverse the same path. Plunge though, deep, the depth of pain; deeper, sweeter the taste of pleasure. Engender and witness, window into preeminence, surface azure, the sacred - inimitable gravity of grandeur, ma petite, you - are lived poetry seen and heard; cosmic order, a mediating heuristic - to love is to see, in the dismal, gift of distance. child of delight, evermore, Don’t I hold you? Beauty and strangeness, music found in linear, secret places beyond the tangent, purview of limitation, arousing imagination - infinititude as near as it is far. Long loneliness - dissonance that resolves; perceiving, the tertiary refrain - as exquisite verse, and matchless liqueur, sublime gratuity derived through doors of surrender. Daughter, in adoration and wonder, I hold you.
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Jan 19, 2012
Jan 19, 2012 at 5:25 PM UTC
Venus in Bloom
Frozen moments, embraced, visions of luminous things, unpretentious pearls dancing; embers of memory linger, elegy of the lachrymose, this horizoning self lying low in saturnine tranquility and repose – paternity lost to the provisional. The cross of lassitude, forming scars of loss; estrangement, preface to ineluctable autonomy. Earthen treasure - immortal footprints, the migration of fair maidens across my effusive heart. Venus trio in bloom, aesthetic allusion, ephemeral incarnations of beauty - perishable fruit, transcending the plebeian. Aerial substance- the hermeneutic, betraying desire’s ambrosial tyranny; The permuted passage - savor the sojourn, submit to the fated peregrination. Purple orchids blossom, immortal creatures, culminating in perfection from the sheath respectively, each plume, singular, the continuum of splendor, mediate the inviolable. Eternity compounding, time and essence suffuse the already and not yet into an orbiting mosaic. The susurrant devotions of a satellite father, summon the quest - both, and, absence and proximity, conduits of distress and peace ironically, solace and terror traverse the same path. Plunge though, deep, the depth of pain; deeper, sweeter the taste of pleasure. Engender and witness, window into preeminence, surface azure, the sacred - inimitable gravity of grandeur, ma petite, you - are lived poetry seen and heard; cosmic order, a mediating heuristic - to love is to see, in the dismal, gift of distance. child of delight, evermore, Don’t I hold you? Beauty and strangeness, music found in linear, secret places beyond the tangent, purview of limitation, arousing imagination - infinititude as near as it is far. Long loneliness - dissonance that resolves; perceiving, the tertiary refrain - as exquisite verse, and matchless liqueur, sublime gratuity derived through doors of surrender. Daughter, in adoration and wonder, I hold you.
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108
He knows not how the toner trails, I know how my conduits drain themselves. Forming a queue while spitting blood They’re an anemic residue. He knows not how to freshen my palate, With warmth, I see no remedy My so-fatigued heart, I was a monochrome in plastic wares. I wasn’t a prototype, but a derivative. Seclusion I abhor, indeed my life too
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Dec 18, 2015
Dec 18, 2015 at 8:07 PM UTC
Blueprint
Often poets communicate via internet voice recordings sharing dancing lovers videos as pen pals may venture to do; no it doesn't mean we do not exist people aren't virtual cartoons! We have feelings emotions we love the mind makes it all real. We are real people in different countries interchanging loyalties we are perhaps more real then couples living together yet disconnected in many ways, and not in love either but rather utterly bored. ~~ So don't be cruel saying I am virtual and you've met the love of your life already and want no one else, but your Zaheera for all eternity because she's omnipresent real.! Trying to make her jealous with me a real poetess!? think again! Zaheera and me can smell your rat. She is more a fantasy for years if she even exists Why the virtual competitiveness and AnK isn't real? We are breathing eating sleeping loving trusting sharing yet not real!? In your book of tricks ? Hu? How shall we search for real connections hu? have you noticed though the whole planet has gone virtual. it's become a ritual,! All people are real living brings not virtual their lap tops cell phones  c are the virtual conduits, though so what !? ~~~~~~~~ By Mr and Mrs Andrews inspired by Karijinbba.7/21
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Jul 3, 2021
Jul 3, 2021 at 5:50 AM UTC
Real people behind virtual poetry writing on lap tops
Dream for me a Savannah, a sestina in reds at Pandora’s threshold, clothed in bludgeons of light and these tears are nothing but the nightingale’s burden, the words laden and livid as storm across the mauve wasteland unfolds, the sky in its deceit, promises rain, delivers nothing, in this room the light will ruin me, the squall of glass slippers overhead, on my knees, now the abstraction of the body, opaque I write in the limber whisper of fingertips, deep villanelles about love, restless love on the skin of your back, histories annotated by gestures of supplication, I drag fingernails across a fairytale and out falls a wide-eyed harem, April-blue veils trail their blood, narrowing the flagrant staccato echo in my sternum, A palm reader warns of conduits and spells, the darkness that puddles like lake water in my mind, moths of Summer a fragrant blue, restless blue notes like scorpions scurry beneath the blankets, strands of hair, stained sheets this vacancy glows through the shears I forget, how early, and still the night falls here, as how early it fails.....
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Jan 10, 2013
Jan 10, 2013 at 5:07 PM UTC
Dreamscape:
You were talking About a girl She laughed Clinking like anklets At times Grew dull Like an overcast sky Other times I strained my ears To stencil her in me When a solitary pigeon coos From the office wall Am out in the sun Listening to you And through you Her. At times You become her And she, you There is a you Who laughs like glass bangles There is a you Who is silent Like a broken bangle Myriad yous. We become alone When we love I have stood The sun Rains Nights Deserts Abandonment s Forests Seas Conduits. Alone Alone I can see that girl That tree shade Her solitary sobs That embankment Her solo conversations That desolate stone Her lonely laughter What is more agonizing On this earth Than to be in love. Translation : Shyma P
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May 5, 2016
May 5, 2016 at 1:38 AM UTC
Letters to violet - 24
Sweat drenched bodies tangled snake like, lips entwined like pair of swans. One palm grasping the waist Other holding the mound on chest Like some ruthless dictator holding humanity. Traverse on my body’s conduits, beloved! Regale, relish, feast in its twists and turns, And with your lips map the boundary of your kingdom lying conquered in your bed. With your mighty sword ravage The territory of yours so long sealed, Enter in it and let the din and moans to not melt your heart. Be relentless and unmerciful—press, pinch, bite, Spike, goad, tease— make me beg then Hurl like hurricane swirling in longing and hunger, subdue only after taking me. A night in your arms I want, beloved! Gratify the five senses, bless me the bliss of life this night. And with your Measuring tape measure me inch by inch Touch me those little places I haven’t touched before, kiss me recklessly And when you think its time enough Then rain the seed of your love like farmer Over my fecund body of field, So that in time a flower of this Night spring and wave and smile in gentle breeze. Only, a night in your arms I want, beloved! A night in your arms is all I want!
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May 8, 2020
May 8, 2020 at 5:51 AM UTC
A Night In Your Arms
we are conduits for pure electric listening with our fingers ears against the rail of time hearing past and future echoes ringing out past time the word once spoken is immortal whisper secrets to the fountain of her sublimnity listen with your eyes, drink in my body whisper with your hands guide me on the gentle path of the glowing garden of your sunrise sparkles fleck the dew of delight sweat washes clean the hesitation to love drinking deep from the fountain of her unfolding
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Feb 8, 2015
Feb 8, 2015 at 6:36 PM UTC
Unfolding
To the pen That became the blooms of ink spreading across every page To the tears that created tributaries for conduits Which became the atlas to my heart I’m not sure how life has become so strange But I know that the ink is running through my veins and I am being held But I flow freely like the tears that silently became rose petals of liquid metal
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Apr 3, 2021
Apr 3, 2021 at 11:42 AM UTC
Happy Poetry Month
He makes a wide ring around my feet, as if him tied to me or me tied to it - moving me over the polished grass, taking my mind away from its machinery; his urgency is mine for a time, mellow violent arcs within arcs, splintering between fork tail and mate, deciding which mood their pattern will make, finally the image of dance ends, where the world is carried further by the replicants of their colour on the hand of skin, between thumb, and fore finger tapping a key board with one speaker in the best room the dusk can buy, the sonata shuts off, eyes made of oil passing over the brim, shivering with innate worlds smashing on a plate unslaved gambles and flushing light, suns night colouring thought in endless epigram, letting the conduits and candles melt down, into the folding pool, to journey out wolves storming bones with silk, and silence, passion without conscience, a planet seducing the hive, so acutely mad that, until it stops to roll the bread in its hands letting its animals eat and love first it cannot grow a swallow followed me back, the village gathers into concrete ***** of feral child scream, and the weeds burst through the concrete, not knowing that heavens humour mocks everything below, the local news, the national news, and any news, make your atoms ache if they join hands for too long but later we form one walk, where our feet whip the path and signal to the storm with the gestures of our own that we make in confidence; turning the lights on, where they are not, buying the last tickets to the last opera, and letting it sing purging the stage, and letting us dance up; feeding the sky as our joy tells the rest, it can just wait, for today.
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Aug 6, 2013
Aug 6, 2013 at 8:13 AM UTC
A swallow followed me home
He makes a wide ring around my feet, as if him tied to me or me tied to it - moving me over the polished grass, taking my mind away from its machinery; his urgency is mine for a time, mellow violent arcs within arcs, splintering between fork tail and mate, deciding which mood their pattern will make, finally the image of dance ends, where the world is carried further by the replicants of their colour on the hand of skin, between thumb, and fore finger tapping a key board with one speaker in the best room the dusk can buy, the sonata shuts off, eyes made of oil passing over the brim, shivering with innate worlds smashing on a plate unslaved gambles and flushing light, suns night colouring thought in endless epigram, letting the conduits and candles melt down, into the folding pool, to journey out wolves storming bones with silk, and silence, passion without conscience, a planet seducing the hive, so acutely mad that, until it stops to roll the bread in its hands letting its animals eat and love first it cannot grow a swallow followed me back, the village gathers into concrete ***** of feral child scream, and the weeds burst through the concrete, not knowing that heavens humour mocks everything below, the local news, the national news, and any news, make your atoms ache if they join hands for too long but later we form one walk, where our feet whip the path and signal to the storm with the gestures of our own that we make in confidence; turning the lights on, where they are not, buying the last tickets to the last opera, and letting it sing purging the stage, and letting us dance up; feeding the sky as our joy tells the rest, it can just wait, for today.
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50
Poets are assassins Words wound and **** Cut open arteries Spilling life blood Sharpening and refining words Honing them to a killing edge Poets are sorcerers Words; their incantation Grammar; their arcane ritual Sentences turn into spells Transforming you into someone else Teleporting you to a distant place Few poets are prophets Gifted and cursed with visions Vessels to be filled Conduits waiting for lightning to strike Poets are codebreakers Deciphering life's enigmas Translating experiences into words Skilled technicians Finding the right words For exactly the right moments
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Nov 22, 2016
Nov 22, 2016 at 10:48 PM UTC
The many jobs of a poet
Brother moons chalky, saturnine crescent could barely penetrate the giant’s match-stick forest: its burnished copper foliage would remain latent, for now. This night antagonized                           our souls, darker when I stared into its vacuous depths than when glanced from my minds periphery. Pervasive, it exploited the valleys repose. Crystal. Morning’s volition was heralded with a transient thaw. December’s waking drafts spoke ardently of a daughter lost: for centuries a solitary bloom, sustained by unseen conduits, grew upon the surface of a fallow field. Now it lay,                                        defiled by my hand. Her blood-stained spray seeped into the earths russet tunic. Dawn’s sentries: two soot black crows, stalked a field’s beaded hawthorn seam as a                                                 church knells cadence punctuated the airs discourse from its holy precipice; death, death, death sonorous on my ear. ©Thomas Gabriel
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Dec 4, 2011
Dec 4, 2011 at 6:40 PM UTC
December 3.
Encyclopedic mainframes Lap-top heads Power-boxes for multitudinous outlets, plugs, chargers Conduits manipulating Fiber-optic arteries Artificial energy ZAP Pale lights Computers aglow in dark cloistered bedrooms Powered pacemakers stalling at microwaves Electrocuted blood - cookied fantasies Ads proclaiming everything free! Pharmaceutical elixirs for limpness, lumpiness, loneliness Snake-oil for suffering Nigerian kings, Syrian refugees *********** clever memes, whimsical gifs, shocking news, witty banter Socio-politic-religous-diatribes Spewing on every thread Existential ***** Aroma-less cuisines Vacuumed vacations Youtubed communions Suicide selfies. Crucifixdrones - pedolandia Jdate.POF.AshleyMadison.Match. Eharmony.SpeedDate.OKcupid CG. Missed encounters... Serial killers, Pixalated ******* vein-throbbed **** shots, cardboard gloryholes Instagramed I Inviolate I Internet I I I I No sweaty arm pits, cottage cheese, gray nose hairs or belly fat Computer [ScreenShot] While behind, posters hang: The Doors, Tupac, NIN, The Smiths, Hendrix, Joy Division, Nirvana HandshapedHeart. 2D souls Text-dating 144 word manifestos #revolutions Archetype emoticons Doodled centaurs Caged in matrices Transcendental notes Need a hit Of internet smack A line, a pinch, a drag A like, a comment, a kudos A reply, a thumbs up, a share, a poke One measly view Baby, come on, give me a fix Just one Notification: ding-beep-buzzzz I want to dissolve like alka-seltzer in tap water Otherwise I'm a used-up toothpaste tube Sitting in a dank medicine cabinet If not, I am A stick-figure created from matches Drowning in a drum of gasoline Not buried beneath pregnant soil No. dumped into blue recycling bins. [Ctrl +Alt+Delete]
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Jul 14, 2018
Jul 14, 2018 at 3:42 PM UTC
Digiverse
Encyclopedic mainframes Lap-top heads Power-boxes for multitudinous outlets, plugs, chargers Conduits manipulating Fiber-optic arteries Artificial energy ZAP Pale lights Computers aglow in dark cloistered bedrooms Powered pacemakers stalling at microwaves Electrocuted blood - cookied fantasies Ads proclaiming everything free! Pharmaceutical elixirs for limpness, lumpiness, loneliness Snake-oil for suffering Nigerian kings, Syrian refugees *********** clever memes, whimsical gifs, shocking news, witty banter Socio-politic-religous-diatribes Spewing on every thread Existential ***** Aroma-less cuisines Vacuumed vacations Youtubed communions Suicide selfies. Crucifixdrones - pedolandia Jdate.POF.AshleyMadison.Match. Eharmony.SpeedDate.OKcupid CG. Missed encounters... Serial killers, Pixalated ******* vein-throbbed **** shots, cardboard gloryholes Instagramed I Inviolate I Internet I I I I No sweaty arm pits, cottage cheese, gray nose hairs or belly fat Computer [ScreenShot] While behind, posters hang: The Doors, Tupac, NIN, The Smiths, Hendrix, Joy Division, Nirvana HandshapedHeart. 2D souls Text-dating 144 word manifestos #revolutions Archetype emoticons Doodled centaurs Caged in matrices Transcendental notes Need a hit Of internet smack A line, a pinch, a drag A like, a comment, a kudos A reply, a thumbs up, a share, a poke One measly view Baby, come on, give me a fix Just one Notification: ding-beep-buzzzz I want to dissolve like alka-seltzer in tap water Otherwise I'm a used-up toothpaste tube Sitting in a dank medicine cabinet If not, I am A stick-figure created from matches Drowning in a drum of gasoline Not buried beneath pregnant soil No. dumped into blue recycling bins. [Ctrl +Alt+Delete]
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62
Axis Through the conduits of blood my body in your body spring of night my tongue of sun in your forest your body a kneading trough I red wheat Through conduits of bone I night I water I forest that moves forward I tongue I body I sun-bone Through the conduits of night spring of bodies You night of wheat you forest in the sun you waiting water you kneading trough of bones Through the conduits of sun my night in your night my sun in your sun my wheat in your kneading trough your forest in my tongue Through the conduits of the body water in the night your body in my body Spring of bones Spring of suns
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Apr 21, 2015
Apr 21, 2015 at 9:31 AM UTC
Octavio Paz
Reptiles the pathfinder of humankind Come from quagmire cognitively blind Claws become digits, hind legs took on knees There eyes looked forward, they wanted to please. From upright gaite he saw his first sun rise Walked towards horizones enticing skys Began to gather, his perceptive root To plant his rational, interlect route. Grunts become recognised vocal conduits Which co-operate with reasons pursuits For eruditions ultimate clarity Wisdom works for familiarity. Knowledge deciphered in words to provoke The birth of conscience a central yoke.
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Dec 14, 2014
Dec 14, 2014 at 1:08 PM UTC
Genesis...
a slave to wordiness, verbosity self referential (poems where sparsity lays the heart raw something to thump against our mouths and hands little parts of ourselves sadness is the only understanding). cut, copy, paste everything is lost, rediscovered conduits are the building blocks within the building blocks contradictions of rationality. everything is connected drifting. not machines not of this world.
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Mar 29, 2015
Mar 29, 2015 at 7:28 PM UTC
Untitled
is the poem a visitor that the poet guides across the river Styx and into the afterlife of the reader’s eye? or is the poem a piece of the poet that they break off to share with the world in hopes of understanding but at the cost of their wholeness? or is the poem the energy of the universe channeled through both willing and unwilling conduits that you know best as the poet? or is the poem just words scribbled purposefully but for reasons uncertain, created in a brief flash of white-hot inspiration or in a soothing release of the dull, aching need to create? when the poem sits there, steaming hot and fresh on paper or screen, the poet knows the answer to this question. ask them again, any other time, and they could not tell you what a poem is, just how they feel and if the next one is coming soon.
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Oct 7, 2014
Oct 7, 2014 at 12:27 PM UTC
poem for poets
the most sincere things i have ever heard came out of your mouth at 3am in slurred words and though your eyelids must have been weighing you down they didnt slow the stream of truths tripping off your tongue traveling through electrical conduits and antennae hoping that the ear at the other end is listening to an increasingly garbled but no less sincere outpouring of honesty no one wants to hear
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Jan 13, 2014
Jan 13, 2014 at 11:54 AM UTC
slurred confessions
The others are asleep, and tonight, like most nights, I feed, reaching into this exalted jar. Am I? Or is it? lit by sight and binary digit. One must reference eyes eventually, no? Shakespeare was wrong. Conduits are not windows and there is no movement without change.
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Apr 1, 2015
Apr 1, 2015 at 9:46 PM UTC
Slate