We had wanted to leave our homes before six in the morning
but left late and lazy at ten or ten-thirty with hurried smirks
and heads turned to the road, West
driving out against the noonward horizon
and visions before us of the great up-and-over

and tired we were already of stiff-armed driving neurotics in Montreal
and monstrous foreheaded yellow bus drivers
ugly children with long middle fingers
and tired we were of breaking and being yelled at by beardless bums
but thought about the beards at home we loved
and gave a smile and a wave nonetheless

Who were sick and tired of driving by nine
but then had four more hours still
with half a tank
then a third of a tank
then a quarter of a tank
then no tank at all
except for the great artillery halt and discovery
of our tyre having only three quarters of its bolts

Saved by the local sobriety
and the mystic conscious kindness of the wise and the elderly
and the strangers: Autoshop Gale with her discount familiar kindness;
Hilda making ready supper and Ray like I’ve known you for years
that offered me tools whose functions I’ve never known
and a handshake goodbye

     and "yes we will say hello to your son in Alberta"
     and "yes we will continue safely"
     and "no you won’t see us in tomorrow’s paper"
     and tired I was of hearing about us in tomorrow’s paper

Who ended up on a road laughing deliverance
in Ralphton, a small town hunting lodge
full of flapjacks and a choir of chainsaws
with cheap tomato juice and eggs
but the four of us ended up paying for eight anyway

and these wooden alley cats were nothing but hounds
and the backwoods is where you’d find a cheap child's banjo
and cheap leather shoes and bear traps and rat traps
and the kinds of things you’d fall into face first

Who sauntered into a cafe in Massey
that just opened up two weeks previous
where the food was warm and made from home
and the owner who swore to high heaven
and piled her Sci-Fi collection to the ceiling
in forms of books and VHS

but Massey herself was drowned in a small town
where there was little history and heavy mist
and the museum was closed for renovations
and the stores were run by diplomats
or sleezebag no-cats
and there was one man who wouldn’t show us a room
because his baby sitter hadn’t come yet
but the babysitter showed up through the backdoor within seconds
though I hadn't seen another face

        and the room was a landfill
        and smelled of stale cat **** anyhow
        and the lobby stacked to the ceiling with empty beer box cans bottles
        and the taps ran cold yellow and hot black through spigots

but we would be staying down the street
at the inn of an East-Indian couple

who’s eyes were not dilated 
and the room smelled
lemon-scented

and kept on driving lovingly without a care in the world
but only one of us had his arms around a girl
and how lonely I felt driving with Jacob
in the fog of the Agawa pass;

following twin red eyes down a steep void mass
where the birch trees have no heads
and the marshes pool under the jagged foothills
that climb from the water above their necks

that form great behemoths
with great voices bellowing and faces chiselled hard looking down
and my own face turned upward toward the rain

Wheels turning on a black asphalt river running uphill around great Superior
that is the ocean that isn’t the ocean but is as big as the sea
and the cloud banks dig deep and terrible walls

and the sky ends five times before night truly falls
and the sun sets slower here than anywhere
but the sky was only two miles high and ten long anyway

The empty train tracks that seldom run
and some rails have been lifted out
with a handful of spikes that now lay dormant

and the hill sides start to resemble *******
or faces or the slow curving back of some great whale

-and those, who were finally stranded at four pumps
with none but the professional Jacob reading great biblical instructions at the nozzle
nowhere at midnight in a town surrounded

by moose roads
                             moose lanes
                                                     moose rivers
and everything mooses

ending up sleeping in the maw of a great white wolf inn
run by Julf or Wolf or John but was German nonetheless

and woke up with radios armed
and arms full
and coffee up to the teeth
with teeth chattering
and I swear to God I saw snowy peaks
but those came to me in waking dream:

"Mountains dressed in white canvas
gowns and me who placed
my hands upon their *******
that filled the sky"

Passing through a buffet of inns and motels
and spending our time unpacking and repacking
and talking about drinking and cheap sandwiches
but me not having a drink in eight days

and in one professional inn we received a professional scamming
and no we would not be staying here again
and what would a trip across the country be like
if there wasn’t one final royal scamming to be had

and dreams start to return to me from years of dreamless sleep:

and I dream of hers back home
and ribbons in a raven black lattice of hair
and Cassadaic exploits with soft but honest words

and being on time with the trains across the plains  
and the moon with a shower of prairie blonde
and one of my father with kind words
and my mother on a bicycle reassuring my every decision

Passing eventually through great plains of vast nothingness
but was disappointed in seeing that I could see
and that the rumours were false
and that nothingness really had a population
and that the great flat land has bumps and curves and etchings and textures too

beautiful bright golden yellow like sprawling fingers
white knuckled ablaze reaching up toward the sun
that in this world had only one sky that lasted a thousand years

and prairie driving lasts no more than a mountain peak
and points of ember that softly sigh with the one breath
of our cars windows that rushes by with gratitude for your smile

And who was caught up with the madness in the air
with big foaming cigarettes in mouths
who dragged and stuffed down those rolling fumes endlessly
while St. Jacob sang at the way stations and billboards and the radio
which was turned off

and me myself and I running our mouth like the coughing engine
chasing a highway babe known as the Lady Valkyrie out from Winnipeg
all the way to Saskatoon driving all day without ever slowing down
and eating up all our gas like pez and finally catching her;

      Valkyrie who taught me to drive fast
      and hovering 175 in slipstreams
      and flowing behind her like a great ghost Cassady ******* in dreamland Nebraska
      only 10 highway crossings counted from home.

Lady Valkyrie who took me West.
Lady Valkyrie who burst my wings into flame as I drew a close with the sun.
Lady Valkyrie who had me howl at slender moon;

     who formed as a snowflake
     in the light on the street
     and was gone by morning
     before I asked her name

and how are we?
and how many?

Even with old Tom devil singing stereo
and riding shotgun the entire trip from day one
singing about his pony, and his own personal flophouse circus,
and what was he building in there?

There is a fair amount of us here in these cars.
Finally at light’s end finding acquiescence in all things
and meeting with her eye one last time; flashed her a wink and there I was, gone.
Down the final highway crossing blowing wind and fancy and mouth puttering off
roaring laughter into the distance like some tremendous Phoenix.

Goodnight Lady Valkyrie.

The evening descends and turns into a sandwich hysteria
as we find ourselves riding between cities of transports
and that one mad man that passed us speeding crazy
and almost hit head-on with Him flowing East

and passed more and more until he was head of the line
but me driving mad lunacy followed his tail to the bumper
passing fifteen trucks total to find our other car
and felt the great turbine pull of acceleration that was not mine

mad-stacked behind two great beasts
and everyone thought us moon-crazy; Biblical Jake
and Mad Hair Me driving a thousand
eschewing great gusts of wind speed flying

Smashing into the great ephedrine sunset haze of Saskatoon
and hungry for food stuffed with the thoughts of bedsheets
off the highway immediately into the rotting liver of dark downtown
but was greeted by an open Hertz garage
with a five-piece fanfare brass barrage
William Tell and a Debussy Reverie
and found our way to bedsheets most comfortably

Driving out of Saskatoon feeling distance behind me.
Finding nothing but the dead and hollow corpses of roadside ventures;

more carcasses than cars
and one as big as a moose
and one as big as a bear
and no hairier

and driving out of sunshine plain reading comic book strip billboards
and trees start to build up momentum
and remembering our secret fungi in the glove compartment
that we drove three thousand kilometres without remembering

and we had a "Jesus Jacob, put it away brother"
and went screaming blinded by smoke and paranoia
and three swerves got us right
and we hugged the holy white line until twilight

And driving until the night again takes me foremast
and knows my secret fear in her *****
as the road turns into a lucid *** black and makes me dizzy
and every shadow is a moose and a wildcat and a billy goat
and some other car

and I find myself driving faster up this great slanderous waterfall until I meet eye
with another at a thousand feet horizontal

then two eyes

then a thousand wide-eyed peaks stretching faces upturned to the celestial black
with clouds laid flat as if some angel were sleeping ******* on a smokestack
and the mountains make themselves clear to me after waiting a lifetime for a glimpse
then they shy away behind some old lamppost and I don’t see them until tomorrow

and even tomorrow brings a greater distance with the sunlight dividing stone like 'The Ancient of Days'
and moving forward puts all into perspective

while false cabins give way
and the gas stations give way
and the last lamppost gives way
and its only distance now that will make you true
and make your peaks come alive

Like a bullrush, great grey slopes leap forth as if branded by fire
then the first peaks take me by surprise
and I’m told that these are nothing but children to their parents
and the roads curve into a gentle valley
and we’re in the feeding zone

behind the gates of some great geological zoo
watching these lumbering beasts
finishing up some great tribal *******
because tomorrow they will be shrunk
and tomorrow ever-after smaller

Nonetheless, breathless in turn I became
it began snowing and the pines took on a different shape
and the mountains became covered white
and great glaciers could be seen creeping
and tourists seen gawking at waterfalls and waterfowls
and fowl play between two stones a thousand miles high

climbing these Jasper slopes flying against wind and stone
and every creak lets out its gentle tone and soft moans
as these tyres rub flat against your back
your ancient skin your rock-hard bones

and this peak is that peak and it’s this one too
and that’s Temple, and that’s Whistler
and that’s Glasgow and that’s Whistler again
and those are the Three Sisters with ******* ablaze

and soft glowing haze your sun sets again among your peaks
and we wonder how all these caves formed
and marvelled at what the flood brought to your feet
as roads lay wasted by the roadside

in the epiphany of 3:00am realizing
that great Alta's straights and highway crossings
are formed in torturous mess from mines of 'Mt. Bleed'
and broken ribs and liver of crushed mountain passes
and the grey stones taxidermied and peeled off
and laid flat painted black and yellow;
the highways built from the insides
of the mountain shells

Who gave a “What now. New-Brunswick?”

and a “What now, Quebec, and Ontario, and Manitoba, and Saskatchewan";
**** fools clumsily dancing in the valleys; then the rolling hills; then the sea that was a lake
then the prairies and not yet the mountains;

running naked in formation with me at the lead
and running naked giving the finger to the moon
and the contrails, and every passing blur on the highway
dodging rocks, and sandbars
and the watchful eye of Mr. and Mrs. Law
and holes dug-up by prairie dogs
and watching with no music
as the family caravans drove on by

but drove off laughing every time until two got anxious for bed and slowed behind
while the rambling Jacob and I had to wait in the half-moon spectacle
of a black-tongue asphalt side-road hacking darts and watching for grizzlies
for the other two to finish up with their birthday *** exploits
though it was nobodies birthday

and then a timezone was between us
 and they were in the distant future
and nobodies birthday was in an hour from now

then everything was good
and everyone was satiated
then everything was a different time again
and I was running on no sleep or a lot of it
leaping backward in time every so often
like gaining a new day but losing space on the surface of your eye

but I stared up through curtains of starlight to mother moon
and wondered if you also stared
and was dumbfounded by the majesty of it all

and only one Caribou was seen the entire trip
and only one live animal, and some forsaken deer
and only a snake or a lonesome caterpillar could be seen crossing such highway straights
but the water more refreshing and brighter than steel
and glittered as if it were hiding some celestial gem
and great ravines and valleys flowed between everything
and I saw in my own eye prehistoric beasts roaming catastrophe upon these plains
but the peaks grew ever higher and I left the ground behind

Our initials chiselled,
With a crown cork bottle cap,
Into the trunk of our favourite tree,
Will the world wonder in time to come,
Whatever happened to you and me?

Blink for me stone rabbit, I know this world won't have it,
but I'm in my prism state,  subtracting a grave's chiselled dates,
and your blink, I'll equate, my stone rabbit,
to be magic, and safe in my prism state.

It will end soon, so let go of your bronze balloons,
my brother and sister cherubs pale as moon,
only through tears, your dance appears,
so let go and play-- before prismatic tears go away.

Flap in teacup bath, my still-sparrow of alabast,
to these chimes--in nature's draft,
they blot lines, as do my eyes,
on this grave-- a prism from tears are cast.

Blink for me stone rabbit, bring me some magic,
I know this world won't have it,
But in my prism state, subtracting chiselled dates,
a grille, of melting icicle--is my graveyard gate,
diffusing light like a fountain pond,
the tears running down my face--
dance cherubs to the sparrow's song,
blink for me, in locket symmetry--in stone magic--my stone rabbit.

  They are terribly white:
     There is snow on the ground,
And a moon on the snow at night;
The sky is cut by the winter light;
Yet I, who have all these things in ken,                                
Am struck to the heart by the chiselled white
Of this handful of cyclamen

THE STORY OF SARA


AYAD GHARBAWI


CHAPTER 3: BEING AN ACTIVIST

  
Gradually, we become ever more radical in our burning quest to uproot every conceivable element of the corrupting culture of the oppressors.
  We soon started to call these oppressors 'Pigs', because that is exactly what they were: overweight, bloated, filthy animals who live simply eat and consume all day, and who love to live in their own excrement.
  The Pigs had to be removed, because you cannot negotiate with a pig.
  It was so obvious to me!
  Some people did, indeed, argue that diplomacy and negotiations were the way to achieve our blessed equality-based society, but that was pure idiocy to me; because, for Heaven's sake, a pig will remain a pig and cannot become an 'enlightened' pig! These criminals, who are creating poverty, and who are killing people, because they do not allow them decent health services, must be completely eradicated, or else, ordinary people will continue to suffer.
  One day I heard Tony give a speech in front of a huge audience: "There's no point in cutting the tail of the snake. No, you must go straight for the head, and that's how you **** it!" And there ensued roars and cheers, from the mainly young crowd. "And, if someone is trying to **** you, what do you do? Negotiate? Talk to them? No, you **** them first, that's what you do! That's who the Pigs are, my friends. They are out there killing you, and so many of you tonight are simply not even remotely aware that you are dying slowly – so, you must, first of all wake up, and realize that someone, somewhere, is draining out the blood of your life, and next you must identify the cancer that is killing you. So, who's the cancer?" Tony screamed, and the by now delirious crowds immediately responded with a thunderous and hate-filled, "Pigs! Pigs! Pigs!"
  "The Pigs talk and teach us about 'morality' and 'respect' and 'decency', and other subjects like that. That's laughable now, isn't it?! I mean, the blood stained mass murderer is teaching us etiquette here?!"
  "No! No!" roared back the audience. "**** the pigs! **** the pigs!" they suddenly and somehow instantaneously started to chant. So, I must correct what many people think about Tony, and that is, he 'invented' and popularized that phrase, '**** the pigs". No, he didn't; it was the audience that night who spontaneously came up with that really exciting and vibrant phrase!
  From then on, violence became more common along with the never ending chants – if not screams – of '**** the pigs!' Every day, and all over the country, the movement had flourished, and there were the most refreshing and gloriously destructive riots in almost every major city.

  It was at this time that I first heard a speech from Omar.
We waited for the man to appear, but he seemed nowhere to be found.
  My God, I heard from so many people that he was the most radical in the deepest sense of the word!
  Apparently, he made Tony sound like a child!
  He also had a well disciplined party – unlike Tony.
  Here was a place that I can find the ‘cause of my life’!
  I could work for Omar and that would be the point of my life!
  The thought thrilled me – because I was already a convert to their ideas, but with Omar, there was a real party that was actively fighting the government, whereas Tony and other leaders like him were independent activists, but with no party behind them.
    Then, Omar suddenly appeared.
  He was of medium height, average looks - but it wasn’t long before you noticed his inexpressibly burning, fanatical eyes!
  I was about a few metres from him, and I could feel the sheer intensity of passion and rage within those eyeballs!
  This man must have absolutely the words of truth, for no Man could look like that and be a liar!
And then he gently spoke:
  "**** the pigs, I hear you say. Well, that's not good enough for me. People like that make me yawn. And, I'm bored of yawning every day. We need more. We need to move on faster. I need speed. It's not just '**** the pigs', it's '**** the cops!', because the cops defend the Pigs and attack us every day; '**** the teachers!' because every teacher does nothing except to teach us with pointless information'. And, '**** every human being' who sides or serves the establishment!”.
  Omar’s eyes were literally able to stab right through your heart and soul simply by staring at you!
  I can well imagine that my reader will not believe me and will say it was because I was a convert to Omar’s ideas that I found his eyes to be so abnormally powerful – but, what do you say to all those people who did not like him, and who met him, and yet, they, too, all said that his eyes were profoundly piercing?!
  So, you see, reader, do believe me – it’s not because I was emotionally enthralled by Omar, that I am describing him to you the way I do!
  He had beautifully framed fingers – I don’t know why I noticed that!
  He had a rather longish nose – maybe, that was one defect in his face, but you hardly noticed that, given the other attractions in this man.
  And then he possessed the deepest, most guttural, and yet so sweetly melodic voice, that I had ever heard, and when he spoke, he simply entranced me – not to mention the thousands of others.
  Omar continued, beginning to raise his ragged voice:
“And, so I order you, tonight, and tomorrow, and every day, to fanatically and ruthlessly exterminate every visible sign, agent, artist, writer, philosopher, painter, sculptor, journalist, teacher, professor, lawyer, doctor, surgeon, banker, engineer, everyone who works in the mass media like the television, every film maker, every scientist, and every single employer and employee of the Pigs."
  The audience now simply shrieked the verb, '****! ****! ****!’ while Omar went silent, amidst this wild orchestra of hate being played out.


  I noticed, that unlike Tony, Omar wouldn't gesticulate or move his hands at all.
  Actually, he just stood there, rock solid, like a statue while only eyes and mouth spoke!
  The man, I swear, looked like a 'human rock'!
  He was the absolute epitome of boundless hatred; of unrestrained defiance against the rulers ruling us!
  Yes, I do admit, and I hesitate to say so, but, yes, he almost did like completely maniacal – were it not for his self control and the beauty of his words!
  The audience relaxed.
  Omar waited until there was silence, and he continued:
  "Do you see the difference between what I am saying and what brothers like Tony say? People like Tony demand from us to uproot the pigs. But what Pigs does he, in fact, mean? Who does he mean, when he says 'Pigs'? He means the rich. That's it.”


  Now, Omar abruptly went silent.
  Tension.
  He was staring at us.
  I could feel that the audience felt nervous precisely because Omar was staring at them.
  Finally, he continued:
  “Can you imagine the limits of his intellect?! To Tony and his misguided followers, the solution facing the problem before us is simple enough: you simply wipe out the rich, and suddenly we have the beautiful society!"
  Omar was sneering, being utterly sarcastic in his voice and tone.
  "So is that it, Brother Tony? Is that all we need to do?”
  There, he stopped again, with a sarcastic, wicked smile on his face.
  The man’s body simply had no motion in it!
  I was waiting to see, if Omar would, at some point, move his body or his arms, but so far nothing!
  He continued:
“My goodness, I never knew that the gigantic problem facing us was to be solved in such a simple manner! But, no, you're being fools. Or, maybe you're fooling your selves. Either way, I don't know, and more importantly, I don't care, because, as I told you all out there listening to me,” suddenly, he began to scream with his rasping voice:
  “I'm a serious man, with a serious mission, and above all, I'm a man in a hurry!"
  Again, Omar went suddenly silent.
  I could sense, that he was deliberately teasing the audience, because they were obviously desperate for him to continue speaking, while he, would every so often stop speaking, thus adding to the tension in the atmosphere!
  The audience laughed, loving the biting sarcasm; obviously there were lots of rivalry and jealousies between the two camps, and so Omar's followers just loved to hear the buckets of insults being poured upon the followers of Tony.
  The mocking tone continued:
  "These fools are retarding our own path to victory! These followers of Brother Tony, are doing the dumbest acts that I have ever seen. I mean, what do you mean and what are you trying to achieve, when you have his followers going to restaurants and disrupting the place? I mean, is this what the definition of 'stupidity' is, or what?!"
  The crowd cheered: "Yes! Yes! Idiots!"
  "Listen here Brother Tony; I would like to say, 'it's all right, you're still young and you'll soon grow up'. But I can't say that. You know why?"
  The audience waited as Omar paused.
  He was staring at his audience.
  Suddenly, he erupted with his deafening scream:
  "I can't wait. Didn't I already tell you that? Didn't I tell you I'm a man IN A HURRY AND I'VE GOT TO DO MY WORK! DON'T YOU PEOPLE OUT THERE GET IT?"
  He roared, and the masses applauded furiously.
  "I don't have time, for children like Tony, and for his own little children, to stand in my way, and wait for them to grow up! I don't have the time, because I have an enemy out there, that needs to be completely, ruthless and fanatically exterminated, root and branch, do you now follow me?"
  "Yes! Yes! We follow!" screamed the masses.
  Silence.
  And then, Omar continued:
  "So, we know who Tony defines as the Pigs. What about myself? We must talk the talk of the brave. If you're scared, then get out of here. Why do I say this? Because this struggle requires the most ruthless behaviour on our part, and to be ruthless, you need to be brave, and to be rave means you have no fear."
  It sounded almost as if he were singing.
  Or maybe it was my imagination.


"So, who are the Pigs, you ask me? Simple. The Pig is a man, woman and child who has any Pig Attributes. What do I mean by 'Pig Attributes'? Very simple. Any human, who has in his brain, any idea, concept, believe and acceptance of any value from the rulers who rule us all. And, what are these 'values' that come from our dear rulers? They are ideas and values such as: there are the simple ones, like the belief in the right to profit, belief in the right of property, inheritance and so on. Then, there are the other beliefs, such as, belief in compassion for the rich, or cooperating with the rich or socialising with the rich. You follow?"
  The audience was silent.
  "That means, any human in our sick society, poor or not, who in any way, not only physically interacts with the rulers is a Pig himself, but also any human, poor or not, who has in his heart and mind, any empathy for the rich is a Pig himself, and so therefore, it follows – and I hope you people out there are listening to me – it means, therefore, that a poor human being who has any Pig Attributes, is a Pig himself, just like the rulers themselves. Do you understand?"
  Silence.
  And then he walked out.


  It was so sudden, because I expect a really screaming end from Omar, but to the surprise of everyone, he ended and simply walked out!
  But, I, understood what he meant.
  Basically, he was enlarging the definition of what it meant to be the 'enemy'.
  This struggle was now going to be infinitely more difficult. With Tony, the war was simple enough.
  We were 'right' while anyone belonging to the ruling class was 'evil' and that was it.
  Obviously, no member in the ruling class can deny that he's in the ruling class! They can even change their accents and their clothes, pretending to be poor, but there are computers and archives, such as birth certificates, school records, and it doesn't take long, to find out a person's origins.
  But now what Omar was proposing, that a Pig is any human being who interacts with the ruling class is evil.
  Also, anyone who has any thoughts that have any Pig Attributes (for example, being pro-ruling class), are also evil, and therefore, had to be eliminated.
  In other words, the poor can be Pigs as well.
  I loved that, because, I was never comfortable with most other left leaders, including Tony, who only focused their ire against the rich.
  To them all the poor were ‘blessed’ and ‘sinless’, and I knew, from my own background, that they simply romanticised the poor, probably because they themselves were all rich people who had never lived one day of their lives in poverty.
  With Omar, being impure, or sinful could be anyone in society – and, your background or class didn’t matter.
  That was far more logical to me!

But with joining Omar’s party, came other problems for me.
How were we supposed to ‘find’ a Pig, or an impure person?
  How can we be sure if a person has the Pig Attributes in his mind?
  It seemed ludicrous to me!
  I had doubts because as attractive an orator that Omar was, once you went home and thought about what he actually said, a lot did not make sense.
  I had so many ideas that contradicted what Omar had to say.
  For example, can’t we achieve our goals by peaceful means – rather than choosing the path of violence?
  And if we must use violence, then why don’t we attack military targets and not civilians?
  Wasn’t it wrong to target civilians and civilian places – like factories, farms, and shops?

  
  There he stood; eyes blazing as ever.
  What makes eyes 'blaze' I wondered.
  They don't actually emit any light, do they?
  So how can one man have such penetrating, piercing eyes that go right to your innermost heart?
  Omar seemed to be made of steel.
  Or, maybe it was all in my imagination, as Sanji would always be telling me.
  It was his personality and also his body language: that stern, stiff way of standing, that seemed to be the epitome of defiance against the evil in the world!
  His whole body seemed to be chiselled from the purest marble; there he stood, this heroic rock, against the tyranny of the storms and the oceans that were crashing on him; and still, there he stood, not only in supreme piety, but also, there he stood, waging a struggle against these very dark forces of evil.
  He will rid our society and our nation from evil, and one day, we shall live in a truly happy country.
  This nation and its sad people, this nation that has so many miserable, poor and unhappy people, will soon be able to live free, happy lives, without the burdens and the shackles imposed on them by the ruling elites.
  He spoke:
"They need to be utterly, and without a shred of human mercy, be exterminated, or else, it is us, who will be exterminated! It is either them or us! We need to cleanse our entire body from these cancerous cockroaches. Don't you people understand? Call it '******', call it 'exterminate', call it 'butchering them' – I do not care; what I do care and what I need in order to breathe uncontaminated, fresh air,  is to surgically and methodically and blindly eliminate the very existence of every Pigs on our land! That is why we have no choice but to fight. The criminals leave us with no choice. If they surrender their corrupting ways agai

1046

I’ve dropped my Brain—My Soul is numb—
The Veins that used to run
Stop palsied—’tis Paralysis
Done perfecter on stone

Vitality is Carved and cool.
My nerve in Marble lies—
A Breathing Woman
Yesterday—Endowed with Paradise.

Not dumb—I had a sort that moved—
A Sense that smote and stirred—
Instincts for Dance—a caper part—
An Aptitude for Bird—

Who wrought Carrara in me
And chiselled all my tune
Were it a Witchcraft—were it Death—
I’ve still a chance to strain

To Being, somewhere—Motion—Breath—
Though Centuries beyond,
And every limit a Decade—
I’ll shiver, satisfied.

The quiet August noon has come,
  A slumberous silence fills the sky,
The fields are still, the woods are dumb,
  In glassy sleep the waters lie.

And mark yon soft white clouds that rest
  Above our vale, a moveless throng;
The cattle on the mountain's breast
  Enjoy the grateful shadow long.

Oh, how unlike those merry hours
  In early June when Earth laughs out,
When the fresh winds make love to flowers,
  And woodlands sing and waters shout.

When in the grass sweet voices talk,
  And strains of tiny music swell
From every moss-cup of the rock,
  From every nameless blossom's bell.

But now a joy too deep for sound,
  A peace no other season knows,
Hushes the heavens and wraps the ground,
  The blessing of supreme repose.

Away! I will not be, to-day,
  The only slave of toil and care.
Away from desk and dust! away!
  I'll be as idle as the air.

Beneath the open sky abroad,
  Among the plants and breathing things,
The sinless, peaceful works of God,
  I'll share the calm the season brings.

Come, thou, in whose soft eyes I see
  The gentle meanings of thy heart,
One day amid the woods with me,
  From men and all their cares apart.

And where, upon the meadow's breast,
  The shadow of the thicket lies,
The blue wild flowers thou gatherest
  Shall glow yet deeper near thine eyes.

Come, and when mid the calm profound,
  I turn, those gentle eyes to seek,
They, like the lovely landscape round,
  Of innocence and peace shall speak.

Rest here, beneath the unmoving shade,
  And on the silent valleys gaze,
Winding and widening, till they fade
  In yon soft ring of summer haze.

The village trees their summits rear
  Still as its spire, and yonder flock
At rest in those calm fields appear
  As chiselled from the lifeless rock.

One tranquil mount the scene o'erlooks--
  There the hushed winds their sabbath keep
While a near hum from bees and brooks
  Comes faintly like the breath of sleep.

Well may the gazer deem that when,
  Worn with the struggle and the strife,
And heart-sick at the wrongs of men,
  The good forsakes the scene of life;

Like this deep quiet that, awhile,
  Lingers the lovely landscape o'er,
Shall be the peace whose holy smile
  Welcomes him to a happier shore.

Behind the wide-eyed chiselled face
The wings I couldn't see
The words she spoke were wisdom
Devoid of vanity

I liked the way she laughed and wondered
At every nuance  made
The way she studied every sentence
My senses full pervade

I looked out for her notes
And happy morning quotes
Wondering if her day was blest
Her nights were  satin prest?

Author Notes

Optional
© Marshall Gass. All rights reserved, a month ago

Firm hands
Visage, chiselled by gods
I pray upon the temple
Intertwined fingers
Sinful embrace
I have longed a touch for Mars
So far, yet he saw the wood,
The hill,
The Temple.

The Mars enraged!
Raging howl of a lone canine
Digging of what the burried desire has for him
Digging, digging
Dig!
The Lumberjack fervently saws the hills
O God! Visage with a burning desire!
Not a tune of emotion compares to what this broken vision has seen
Not a tune of reality passes him.

Unconcious by the dew,
Concious by the sun
Ending the sin of a forbidden bind.

Martha was shown
into a parlour
inside the front door
of the mother house

by a plump nun
in black and white
who looked like a penguin
out for a stroll

wait in there
she said
someone
will fetch you

in time
so Martha looked around
the room at the plain
white walls

the heavy curtains
at the windows
the huge crucifix
on the wall opposite

whose plaster Christ
seemed battered
an aged
the plaster had lines

and cracks
on the legs
and arms
and the hands

were contorted
like a crab
on its back
with rusty nails

holding them in place
she moved nearer
and reached up a hand
so that her fingers

could touch the feet
of Christ and run
them over the toes
and feel the nail

going through the feet
she rubbed her fingers there
she used to rub the crucifix
in her grandmother's house

the big one over
the double bed
and if she stood
on the bed

she could reach right up
to touch the face
and beard
and see if she could

hear Him breathe
or if she reached
really high
she could feel His nose

which on her grandmother's
Christ the nose seemed broken
and her grandmother said
that was where

her grandfather
had thrown a shoe in temper
and crack the plaster nose
will he go to Hell?

she recalled asking
her grandmother
O no
her grandmother said

not just for that
and she was pleased
because she liked her grandfather
and his simple ways

and hard toffees
she felt each toe in turn
moving a finger
over the plaster

and remembered
her school friend Mary
who had pressed
chewing gum

into the bellybutton
of the plaster Christ
in the cloister
of the convent school

back in the 1960s
and when Sister Bede
saw it she had to gently
chiselled it out

with a screwdriver
threatening severe punishment
to the girl responsible
but no one told

and even when she left years
after the bellybutton
of the Christ still had
the scar where Sister Bede

had chiselled too hard
there was a cough behind her
and Martha turned
and there was a nun

standing by the door
her eyes dark like berries
and her thin mouth
slowly opened

and she said
are you the girl
who wants to be a nun?
Martha nodded her head

and the nun told her
to follow her and she
went down a dim lit
passageway

the nun in front
pacing slow
each footstep measured
her hands tucked

out of sight
with only the sound
of her heels going
clip clop clip clop

on the flagstones
and the black habit
swaying very gracefully
as she walked

no more words
no questions
no answers
because no one talked.

for Barry and Tina*

Life experience is something I haven’t witnessed,
the fitness of waking up and going back to bed
50 years on the trot.

But I look to my father’s hands and see
all twelve-thousand morning mists
he has seen.

A gristmill heart, grained hands
and workshop walking feet are
all hidden from view.

He writes in capitals, written
with precision, and crosses the T’s
as he goes along,

So not to prolong the sentence writing chore,
making more time, conjuring up the minutes
to potter around and mend unbroken objects.
-
Life experience is something I haven’t witnessed,
the fitness of waking up and going back to bed
50 years on the trot.

But I look at my mother’s hands
and see remedies read about in those magazines,
all to look younger in the staff canteen.

A watermill heart, smooth iron fingers
and contoured, sculpted chiselled
corridor feet are all hidden from view.

She scrawls her sentences; they become the tide
hiding letters and numbers in the swell
of punctuation and dotted I’s,

The T’s cross themselves and she moves on,
another phone call to attend too or
a new BBC this-time-more-accurate historical drama  to view.
-
Life experience is something I haven’t witnessed,
the fitness of waking up and going back to bed
50 years on the trot.

But if you keep on going, stay out of strong sunlight
so not to rot, those years will pass
as a striking blur leading to coastal Big Sur
roads, where the next 50 miles
bring just as many smiles as the last 50.

1.

Each of us like you
has died once,
has passed through drift of wood-leaves,
cracked and bent
and tortured and unbent
in the winter-frost,
the burnt into gold points,
lighted afresh,
crisp amber, scales of gold-leaf,
gold turned and re-welded
in the sun;

each of us like you
has died once,
each of us has crossed an old wood-path
and found the winter-leaves
so golden in the sun-fire
that even the live wood-flowers
were dark.

2.

Not the gold on the temple-front
where you stand
is as gold as this,
not the gold that fastens your sandals,
nor thee gold reft
through your chiselled locks,
is as gold as this last year's leaf,
not all the gold hammered and wrought
and beaten
on your lover's face.
brow and bare breast
is as golden as this:

each of us like you
has died once,
each of us like you
stands apart, like you
fit to be worshipped.

Sometimes you have to chip and hack
granite words from granite rock.
The sounds of your chisel echoing loud
down the valleys of poetries mountains.

Celluloid cells of candid smile fun
printed in race track, river-run stems,
the 120 down to the 35mm
fold it over to form the hem.

You can be my New York
that never sleeps
or that Venice Beach
with bright, chiselled high cheeks
or
the more probable
lesbian lover I’ll never get to meet;

meet properly for a drink.

The maiden with the bitten heart.
The chiselled one made out of ice.
Melted by a super nova.
From the starkness.
Out of darkness.
There so appeared the peeping green of snowdrop leaves.
Little white flowers trying hard to scratch the surface.
To bridge the pain of what once was.
The river simmers.
If water were able to burn,so sure they should be burning now.

Running beneath the bridge.
The bridge that sighs under the weight of the world.
The water holds it's passion tight,
So be it, let it burn.
just before it says goodbye.
Sends it to the estuary
Running wild
frothing free.
May the sea freeze.
Amen.
(C)LIVVI

forged into the sea
carved into the waves
chiselled into the moss
and welded to the days

combined with the skin
stitched into the sand
nailed through the mind
to bleed into the hand

If I had
Three
Wishes, I’d wish for
A unicorn
Nice skin
And you

If I could live on only
Three
Things, I’d survive on
Lemonade
Lasagne
And you

If I could only watch
Three
Things when I turn on the television, I would watch
That fireplace background
Futurama
And you, even if you are a runway model

If I was stuck forever on a desert island and could only bring
Three
Things, I’d bring
Food
Water
And you

If there was a zombie apocalypse and I had only
Three
People I could trust, I’d choose
A ninja
Chuck Norris
And you

If I could only cheat at
Three
Things in MAS*H, I’d change
To the mansion
To have less than ten kids
And to be with you

If I was in jail and I somehow got
Three
Phone calls instead on one, I’d call
My dad who would bail me out, maybe
Chuck Norris who would break me out when my dad refuses to pay the bail
And you, just to say hi because you’re broke and can’t pay the fee

If I had to choose
Three
Of my celebrity crushes, I’d pick
Johnny Depp, duh
B.D Wong, just for his voice in Mulan
And you

If I had
Three
Works of art in my room, I’d have
A stolen Picasso painting, shhh, look don’t tell
That painting where that guy gets knocked out by the apple
And you, chiselled into diamonds

If I somehow got amnesia and the doctors could only restore
Three
Of my memories, I’d want to remember
My name
That time when we killed those zombies with Chuck Norris and the ninja
And you

If I could only say
Three
Words, I’d say
Is
This
Creepy?

This heaviness, a stone in the chest,
a brooding passion flower,
fully at bloom, at moonlit night-
emits the distinct scent
of the tormentor of my heart,
an intoxicating accent it exudes--
which cages my mind.
Lust is its subtext.

Lungs are bottled up
with a mix of her pheromones,
signature perfume and the musky
scent of her sweat,
If a girl, with that intensity
gets in to the system, mixes in blood,
it's excruciating pain, is a bane,
and an insane ecstatic bliss, same time!
This isn't animal instinct, I know,
didn't she bare her mind though on the sly,
in words that has many facets, like a diamond?

No, still not sure, feels like an idiot,
(Wasn't she quite an artist,
playing with my heart?
But I am totally her's, can't help it,
from those moments,
which refuses to leave me in peace)

A longing that won't
let me take her off
from  my mind's GPS.
Oh! now, shut both eyes and imagine
her undress in slow moves,
her lush, chiselled form, sends me
waves of fragance,
I am on the verge of collapse...

Then-
suddenly the phone rings,
she complains
a heaviness of heart,
***** thoughts that-
refuse to go to sleep.
"What would you do for this?"
she  anxiously whispers,
"Hey, you are the only doctor,
I can lay my hands on,
to keep this malady at bay,
I badly need you near here,
**Is it true?
Am I falling in love with you?"

long before the Greeks started applying diacritical stresses to their letters, the English should have applied them, following their European counterparts in the use of the Latin α-β sabbatical - but of course, they wouldn't, the English poker hand had a royal flush compared with the Greek pair of tens - the reigning delusion given the British Empire? we are the Romans reincarnate - sure, it worked to produce us the Canadian, the American and the Australian accents - but they really, really have to dress-up for the occasion - it just won't do leaving the alphabet naked without stresses that invoke a spirit of universal pronunciations, leaving it a mongolian steppe instead, a wild-west you might add, adding to the social hierarchies established when the hierarchy rests with someone seeing the invisible standards of elocution in that numerous number of examples ready on hand... this is a second English Revision, the first one was economic with Marx... this is another altogether different revision... to appropriate English into what other European nations have done prior... of course, not appropriating the stresses to the fall of the Roman Empire gave them the delusion as successors of the power established - but only for so long... they're not looking over at America with admiration anymore... they're wondering: what the hell is going on?! but i deem this project a half-failure in waiting - given that establishing a universal pronunciation system will not work miracles - Silesian Polish is one example in the making, but if you at least add necessary invocations to stress certain letters, you wouldn't write poetry using the word blah from time to time - it's still bewildering in the Copernican sense that English, out of all the European languages hasn't bothered to wear a cravat of acute vowel or a belt's worth of umlaut - straight out of Eden these people are, stark naked in the moonlight - obviously because of this lack of addition the power balance rests with them, but the English know that they were once occupied by Romans, the Americans can have the naked Latin... the English aren't so sure as to why not join the exercise of additional-revision... the polygamy of accents wouldn't disappear - but the orthographic revisions would aid the less concerned with saying certain words right... but then again, it might be too late, given that because no diacritics were ever ascribed to how the English encoded sounds leveraging toward a poly-phonetic-diversity on these isles alone (let alone North America and Australia) - adding stresses to these 26 popes will have no effect at all... but still! why did the Greeks decide to add stress and eloquence and the reincarnate delusional Romans didn't follow Greek suite?! one thing is for sure... start adding them... and acronym English / ugly English will disappear - people simply need quickly-identifiable stresses, they want linguistic calculus, to ably differentiate and integrate.

after your required reading - *what did i miss?!
with the classics - you look at your contemporaries
and become slightly peeved off -
what ontology can't explain is the instinct
criticising the coal-miners of words -
you rarely see awe when the obscure nugget
of some precious metal is chiselled out -
like the αρκενστoνε - but tmesis will not be
akin to a precious stone (tmēsis - why did the Greeks
insert necessary diacritics and the Anglophiles
were so lazy reducing Aphrodite to Prostodite?
it means e.g. ex-*******-aggeration of something) -
with such a paradise some of us become
coal-miners of words, precious vocalisations -
20 carat with that ontology of yours;
poetry ought to make philosophers like heroes
of Homer's day - give the battlefields shifted to
libraries rather than pecking menus of crows
in muddy Ypres - after reading the book reviews
comparing Saturday reviews with Sunday reviews
i get the picture - it's not a beauty, it's just there -
money is not the dirt people speak of hoping for
a win on the lottery and an escape -
money invoked a necessary loss of tribalism -
of excess labour when no labour in what area was
prescribed earning was necessary -
offices hoovered like hospitals, but then hospitals
incubating super-bugs, resistant to antibiotics ***** -
a baby held captive in a cupboard -
since Hippocrates' times sadism crept in -
people are so sane they perform it automatically without
knowing - until their time comes;
every time i read Bukowski i feel i'm at home,
the latter Bukowski, the posthumous writings -
i too wish i wrote with the sensibility of philosophers,
limited vocabulary, the so called systematic approach -
they simply said: 100 words, written to the volume of
1000 pages - systematisation in philosophy involves
a limitation on vocabulary - they want to see how
far their stressed limit of vocabulary eats away at
the potential sigma of potential - poets on the other hand
rarely systematise - they'd rather jump in with
as many words as possible, and leave anyone reading
their word bewildered, because their vocabulary is
not drilled in, it's not perfected, it almost looks like
a prosthetic limb - the moment when you see a dictionary
in action, the odd word from them all, breaking
the fluidity of a poem that could have been a waterfall -
there are plenty of dictionary moments in almost all
poetry - there's no ticking clock event in them, there's
pause, reflection, revision.
for me this poem started in thinking how ridiculous
using certain words can be - Roman Empire, pseudo-Christ -
i mean, in poetry at least, such words and compounds
look ridiculous in poetry, there's no dogmatism in poetry
to allow such words a serious use - esp. when
compared with what philosophy practices -
a systematisation / containment of a particular vocabulary,
stretched to its limit, dismissive of synonyms of words -
(variations of particulars), i.e. the founding principle
of establishing universal meanings to words:
on that rainbow canvas: red is red, blue is blue,
green is green... all together they're white / mirage of paper
and sclera - the so called invisible -
systematisation in philosophy is a rejection of multiple
meanings of words (deviating 2nd through to 6th meanings
for lying / ambiguity) - and limitation of what can be expressed
with a border on tongue - after all borders exist in
landmasses and in seas -
yet i still don't think poetry is all about music -
those days are long gone - poetry started nibbling at
philosophy - they are heroes to me, i mean, Francis Bacon
died after trying to invent a refrigerator (hypothermia -
hyper-thermal? perhaps a variant of hippo or the trait
of the lizard - the lizard disease - below thermal acceptability
for mammal, true indeed) -
yet after reading the crunch (2), mahler, sometimes even
putting a nickel into a parking meter feels good-,
and esp. am i the only one who suffers thus? i just
think of C. G. Jung - i don't know why - that little
book of his i have: the undiscovered self -
i really don't know what there is to discover -
when you start writing you never actually think from
the beginning that you have it in you -
you never do! it's a lazy beast, writing is -
even a poem a day can be a welcome presence -
for me it was never something undiscovered,
discovering that i started to smoke cigarettes aged
21 after being so anti-cigarettes coming from clubbing
stinking of tobacco - the self i discovered was a bit like
a portrait of Dorian Grey (great book by the way,
better than an adaptation on screen) - that self i didn't
expect - although less ****** and definitely less
fetish spandex clubs - i don't know why i'd mingle
the abstract simplicity opening doors and corridors
to walk on that poetry is (however mutilated due to
a lack of respectable technique like some English teacher
telling you to coordinate yourself with metaphor, pun
or imagery vectors - modern painters can paint
******* and their expression is still art, but when it
comes to poetry... everyone suddenly needs old
Chaucer dungeons or Shakespeare with whip to tell
you it's poetry - a ******* black square on canvas isn't
Raphael!) - i just realised that it's not about discovery -
this is going to sound ridiculous, but it's how it goes,
i don't attack too much significance in examples as these,
i know the meaning of such example, but the meaning
is shallow due to the peddle-stool that C. G. Jung
ascribed the compound: the undiscovered self -
with poetry it's always the inner self that introverts
and shuts up when the world never bothers -
the crucial moment comes when that basic unit of life
(of course, vary it with existence or reality and the matrix,
whatever) reacts to a world it can no longer understand -
poetry then enters the realm of the individual,
the undiscovered self is found, once a healthy individual
weighing 75kg, now a drunkard at 115kg and somehow
still content (the invisibility shroud from back in school,
as with Plato: 18 through to 21 - beauty is a short-lived
tyranny - and 3 years is enough) - and the self begins
digging, and digging and digging (yes, i know, it's
how pronouns interact with each other, the ~self is never
self said - old Germanic - the telegram technique -
self said that self would - funny how all psychiatric theory
or psychology is so ****** obsessed with pronouns and
no other category of words - that's where the sharks swim
sniffing out a drop of blood from a cubic mile of sea water) -
and by digging there is no actual stasis of an undiscovered
self - there's only the continuum of perpetuated inner
and more inner; but what is discovered is not what
is necessarily categorised as zenith, an undiscovered potential,
for that's motivational speech - that little book is
about motivational talk, therapy to craft an illusion of
self-assurance... never mind... after reading
the book reviews from Sunday, most notably the biography
of Philip K. ****... i found that English is a language most
beautiful, but also a language most dismissive -
as with the late acceptance of existentialism -
the slow nibbling at the walls of English utilitarianism -
for that could only be an English product of thought -
and the results? well, teenage suicides and too much
pill-dropping to cure depression: nothing that hurts.
it was hanging in the air, like a guillotine blade -
too much faith in English sensibility and that bloodied
doctrine that utilitarianism is, it's not about big words
these days, when behind those big words there are crude
actions - talk about really inventing a blanket to cover
the crude actions behind what was said in variation of
the supposed vaccine program to make people immune toward
crude actions.

abstract -

a "jew" sitting inside al-musharrafah /
                            al-ka'bah /   al-kāba(h),
    trying to figure out an hebraic aversion
  using kabbalah

Γ
      0       ∞        8

      8                  1         ∞
                                            L

          \  /
            |
                        | - |        \/\/    
                                                       | - |
         _              
       /_ /|
      |_|/

    - narrative -

i knew i should have written this, straight away,
as it conjured itself before me, first
in mind, then in paper...
             but the idiot me decided for a blackbeard
refill...
             washing myself, and then heading
to the supermarket...
                 sweating all the way, and prior to also,
then walking into the supermarket,
opening a fridge-freezer with the frozen
peas, and ice-cream, and sticking my head into
it.
         i should have written this,
   when the original euphoria was there...
           walking back home i realised:
               what the hell does the noted 8, 8, 8
mean now?
                       **** it! i can't remember why
i wrote it, but didn't write an explanation;
      and now i'm bundled up in half-***
bewilderment, figuring out the chicken egg
story of: what came first, the mouth or the ****?
  aha!
              the bellybutton and the umbilical chord...
wait wait...
            that mouth of mother, and into
the **** that's the umbilical chord, and then
into: ****, a foetus' second mouth on the belly...
                  thankfully there's a cut-off point:
foetus' have no anuses...
         which doesn't beg the question,
   as to why they need to be wrapped in diapers...
imagine several weeks constipated in the womb...
you plop out... and bang! **** after ****,
as the foetal **** constricted, finally lets itself
go... and bam! diarrhea!

- - - - - - - - - - - - - - - - - - - - - - - - - - - -

          t.b.c. (to be continued...
        i'm sweating like a wild pig and i need
to have a second shower, or something)...

            - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

let's just say that the latin version of the hebraic
meditation is different,
       it focuses, against gematria,
or numerology, which is a bit like pompous
astrology: the whole - it was written in the stars?
well... sailors navigated the seas using stars
   because they thought: the sky's flat...
if the earth isn't flat, then the sky has to be flat,
otherwise how would we navigate from (a) to (b)?

    which is an antithesis to an antithesis
                              that's a prohibition of
palm reading (fortune telling) - yadekha
     (your hand), rather, the concept of yod-ekha,
your י (yod)
   (is that the hebrew version of ego? or simply i?)
   pslam 145:16 -
                             again, a gateway.

resh | he | het | gimel | dalet | lamed | mem | bet.

   so if you do not prescribe palm reading,
   you shouldn't prescribe gematria,
     or reading into letters with the eyes of numbers,
unless of course, you state your cause,
   and perform something akin to astronomy,
meaning: upon the axis of π.

      you open your hand, and then close it,
      as spring clenches its bud, and subsequently
opens it...
                       so do both wither away.

   but try imagining practicing kabbalah in the kaaba...
     _  _
       |        or         \   /
                                |
   as that, which is in the corner of the cube...
   this kabbalistic interpretation of hebrew is tinged
with roman numerals, which is why this is in latin,
rather than hebrew, and for that reason,
    in this system, gematria is a stupid superstition,
like fortune cookies in a chinese restaurant...
   we have moved toward the basics, matchsticks...
in the tetragrammaton alone, there are only:
  | | |, | | |, | | |, | | | |                  13 matchsticks;
ah, indeed, the greeks called that number
jesus and his disciples, or what the romans later said:
the devil's dozen.

      and how many sides does a cube have?
H, H,             or | _ | + | _ | = 6,
                 six on the inside, six on the outside...
but how many corners? 8...
                                    r, h, g, d, l, m, b, h.

of course the matchsticks become problematic,
      or what was chiselled into stone at the senate,
a V (5) for a U...   so no wonder there exists in
naked english such short-hand as l8er...
                                     so much so, of herbaic
with no UU (ω, w), i.e. ו
         ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ (squiggly squiggly)
     w ~ vav (a poor comparison in spelling
      ha-hara... ha... ha... ha-shem);
    and upon the 24th hour, measured right down
to the letter, a year, prior b.c, now ζηρo (zéro
               in polish)... or...
                       ζερo - in english, i.e. zee-ro(h).

and how did loki fool the hebrew god?
        he pulled his ******* back, and pretended
to be circumcised, and it worked like magic contra
   very ancient history, that always remains,
continually, un-announced in modern discussion
with a sensibility that might compete with
   all modern chit-chat in a soup... sorry, soap opera.

      and already, i said it before, do what nazis
did to the *******, but with the star of david...
rotate it... what do you see?
                i see a square carpet, and an open book,
and someone obviously sitting on the carpet
  with the book open.

    and now: for a larger schematic, givten that
the י is already the kaaba, or as i like to call it,
   the lament configuration...
   but oddly enough... there's something more...
  there's also yah.... known by its place in
  the sefirot, as chokhmah...  only second
   from the crown (keter, otherwise known
   colloquially as kippah)...
             and it means wisdom.
  
   indeed, beauty is in the eye of the beholder...
thus standing inside the kaaba, in one of the corners:

(if eve cotended with lilith, then אדאמ   (adam)
  _ _ _ _ _ _ _ _ _ _ _ _
| \ צ                              \
|    \                          ­      \
|       \                                \
|          \ _ _ _ _ _ _ _ _ _ _ \
|            |                                |                ­        
|            |                                |         ­                 
|            |                                |­
\          |                                |    
    \       |                                |
       \    |                                |
          \ | _ _ _ _ _ _ _ _ _ _ו |   (v)
                                              
              would have to have a shodow counter
part, namely:              צדצם‎.
    in latin geometry, and without the skewed
copernican angle... we receive the geometry of Y
  (i.e. yod);
     but i am but a man, who walked into the kaaba
in mecca... and found not a dust's worth
   of attributing the god allah... with the learnings
os the kabbalah;

    and indeed, why is the concept of infinity,
merely a dot, a big bang, a one-dimensional entity?
why is it not three dimensional?
   ah, the fours numbers,           1808...
perhaps four letters instead?

Γ
     ל‎        ∞       8                       (lamed)

     8                  ג‎         ∞              (gimel)
                                          ­L

Oh Darling, look at what you've done
Believed the tall tails of boys instead of the female at your feet
But why would you when you have an ego that towers over the David?
And you thought it was silly that I gifted you the name Michelangelo
I couldn't have picked more right
You though have forgotten that I am a master piece of my own creation, sculpted by none other but my own hands and never appreciated by yours
And my sweet Michelangelo, if you think to call yourself my muse then you are nothing more than a fool
For everything I have been through has led to my life's legacy
My family chiselled out the shape
My childhood chipped away at the detail
And men like you did nothing more than carve in the finishing touches
I am a beauty in my own right
And as always too much for some to handle, and never fully understood by the rest
But still she will live on through the ages
So the next time darling that you fall confused, I implore you to simply ask the master herself
And you would come to realize that this artist was far too focused on creating to let anyone interfere with her work

And,by the time
I know there's no love defined
Some of you find it in a beautiful face
Some in overwhelming flesh.
And,by the time
I know there's no love defined
Some of you find it in chiselled curves
Some just in alms.
Some of you play with organs
Some of you kind of ruthless heart.
But,I swear;over time time
I really discover
There's no love defined.-17.04.2016

Crooked bones, coal, steel,
clanking and deafened with laboured breath,
that heaves up and hacks out as we crawl
and ache and sort and hunch and collect our
black diamonds, as we mine down,
down the rocks and the darkness until we can erupt into the sun
like worms haggard with dust and rot and breathe. Again.
As each vertebra recoils from being wound tight.

We are the pit.
The ancient shapes in the Davey lamp
chiselled from the coal itself.
And the song in our voice
is hammers and dynamite.
We will be here,
always,
under your feet.

saying ******* seems so much more
easier when you're petting cats....
they just say it for you...
there he is, Quarus,
the operatic singer nearing sunset,
200 variations of a mulling of meow,
i end up calling him Orbison Rufus,
the ginger Roy of Peckham -
he basically meows lazily like Roy
singing... as said / i.d. (id est): the umbras
or umbrellas - counting the shadows'
version of Apache's yawn: ah-woo ah-woo
ah-woo nagging the reflex...
gave them the yawn and gave them 1950s
America... Billy the Kid talking to the king of
Specs... hank marvin.... cheese grater
with those teeth... dozen cows buckling with
the herding in while the dog carved a feel
for religion in the translation of the Vatican
from coliseum into football requirements...
the movies were great in the 1950s, just after
the technicolour... petting cats was never such a thrill...
the operatic meow, onomatopoeia from echo
in a cave to knock-on-wood...
200 variations of the knock
and 12 whiskey shots downed
while playing poker... 12 cowboys
1 Milwaukee and 30 Turks... classic Tarantino...
i said the Apache yawn... i never said giving
out smoke signals...
Quarus my ginger is demanded as having laughed...
he's Roy Orbison with the meow,
pretty much lazy...
looks like a murmur when he tries singing,
pretty woman, trolling down the street,
Gucci, Chanel, and everything in the scrapheap of lobotomy,
as is Paris necessarily mentioned: chiselled
white collars... Roy knew before Elvis...
the trick came with sunglasses,
and the gluttonous slur of the half-opened mouthing
for subsequent mouthing it off...
no amount of cheese in French could ever
charter the success of the cheeses added to cheeseburgers
with the milkshakes, which were plainly Dutch
laughing cows named Novices....
quick-melts and some said:
dreadlocks of string-yellow Gouda pulled
for a hippies' worth of Chinese chugging down
a pint or two, for worth of gag and the slim mascot;
the Chinese never taught Cannes arithmetic
of the thumb through to pinky...
i don't know how they taught counting
with their complex ideograms, they never taught
arithmetic give their encoding...
they taught pure math.. they never taught the simplest
of assurances... meaning so few of them became bankers.

Laid to rest,
stone in place,
legend chiselled
and name
and words
and such,
flowers
in place.

Laid to rest-
but not,
my son,
for us,
the memories too strong,
too recent ,
to put to sleep or rest.

Waves of it rush
against the shores of self,
digging in deep,
pushing heart
and sense aside,
raising the ghostly
images to sight.

Who spoke last?
Who conversed
in final hours?
How dark the ward.
I helped you
best I could.

Unknowing,
promised
of the morrow returning,
but then too late,
just the comatosed you
to greet, the last
drawn out day of demise.

Laid to rest,
stone in place,
words chiselled,
ashes encased,
buried, flowers,
prayers said.

You,
my son,
stoic by nature,
warrior to the core;
why does
the sun rise?
What was
it all for?

I cut my thoughts like diamonds—
Flaws chiselled away,
pure heart exposed.

I cut my thoughts like diamonds—
Facets polished,
clarity revealed.

I cut my thoughts like diamonds—
Inner brilliance reduced
to shadows on the walls.

The males. Dressed in straight shoulder pads and collar bone,
a stretch of bone padded material.
No breathes admitting that they need air.
The females. Seeping ‘S’s’ – here for the same job
some of the actors knowing their lines, others
under the hollow gloom
more honest
about the play.

The training room.
The world made of blue felt and none
of the leaders allow hell to come;
where they lead us.

We know that the statues don’t remember.
We know what the worm knows where (s)he rattles
out, a constant poem that is not afraid.
We know that the sea must dance and lead the statues from their weave.
We are not the names given, but the names heard.
We’re sat in salacious dog eyes in the milking fruit.
We’re vaults on the decaying tongue of sad minstrels.
We’re the same as his battered fingers ******* infinite strings.
We’re infinite style.
We’re the lyre coming from the cocoon
savouring the world;
wings and unheard screams distilled in a womb of immense energy
flowing to the root
Apollo Agoria Abbraxus
is one of the names
releasing the buckle and diving into bed belonging to nothing
just a hearse in a low gear, just the last radio song fulfilling the waves with a
song and video;
where a black woman shakes near a window and smokes
like she does, when she smiles her mind is a knife, more naked
than a training room full of melancholy.

She’s drunk and sober.
She’s more awake than the sadness of mannequin eyes.
She’s the conversation that out lasts the time we have.
She’s every word that holds power and meaning in a den
that’s turning into a heated pile of digital scream.

We’re the first thing chiselled into rock.
We’re dressing our limbs and placing new scents upon our skin.
We’re the night we’re the jazz.
We’re the thrash and the shadow.
We’re the history and the human.

We are the private life of two workers
keeping our puke to a minimum.

Then letting it break out in one sigh of red thought
once we return home.

My weariness is forgotten as heat rolls across my cheap carpet
and you’re already back.
There’s stubble upstairs on my cheap razor.
There’s a small humming bird sat on the fence past my kitchen window.
You’ve already thrown away your office
clothes
as I throw mine away
too.

It’s 10. And the fire is forgotten and new. We don’t own a TV
and the walls are cleaner than a womb made from our own flesh.
Dusky sand blown into our face from a bomb collapsing out and in from the sand.
We’re the particles collecting over the dunes, uniting themselves
in the night – new languages opened in sphinx dreams and sphinx sighs.

All we gotta do is sit back and watch as her paws twitch and she rolls her neck.
It’s tight after a few millennia of sleep.
No one is sat near our place below her chin.
Watching it drink in the murmur of our thumping chests and heat scent.

There’s the sound of flesh ripping from marrow.

There’s the sound of lorn coyote’s mixing in the heavens and the street rain.

The street has a thousand strings combining our arms within itself
knowing that the road rythm is a mime, and that our four paws
are more
and are grace itself. The stage
the gods,
the science,
the electric
breathes
of nature
hungered in the spectacle of sliding shadow
amidst the mood of viperous traffic lights and moans behind sunglasses,
a wolfing flock,
a cavernous look of sacrifice
in the death strike of a swan
protecting its eggs
below the bridge where we once walked.

An absolute, of sheer life.
A universe of sheer decay.
Broken away.
By our song.

You aren’t the only one with secrets. Some secrets will be shared but I imagine most go unspoken, because the best kept secrets are the ones we keep from ourselves, those things we don’t know that we have hidden or forget we ever hid in one of those hiding places we don’t know we have.

She imagines the sound of a spine cracking when she crumples plastic bottles to recycle.
He hates his father and not because he’s an alcoholic with a vicious temper
           but because he gets more attention from the woman he’s married to,
           his mother, than she gives to him.
She doesn’t like his laugh.
He doesn’t like his laugh.
She won’t answer the telephone because she’s afraid of being mistaken for a child.
He won’t answer because he feels sick thinking about all the prints other people
         have left on the receiver.
She has recurring nightmares about her childhood teddy bear and
         she is reaching forty-five years old.
She resents her baby because she has to give up drinking for her pregnancy.
He resents her for being pregnant.
He has never had a dream he can remember so he makes them up.
She makes up anecdotes that bear little importance to make her life seem interesting.
He is planning on killing himself before he is at the age his hair begins to fall out.
He intentionally hold his jaw clenched to make it appear more chiselled.
        He read this in a magazine.
She refuses to take her socks off in bed. She said she read in a magazine
         that *** is better if the socks remain on. She actually hates her feet,  
         and his feet and all feet.
She makes herself ***** more than seven times every day. She has done this  
         for five consecutive years. She is clinically overweight.
His hair is not naturally the colour people think it is.
She has fantasies about her boyfriend’s sister.
He is afraid to go outside or near sharp objects or get in a car because
         of his conviction that he will **** somebody for a reason he can't explain.
He has no idea what he’s talking about.
She has no idea what he’s talking about.
He says he doesn’t believe in love. He believes it, and that he deserves it,
          but has never been shown it or felt it. He hasn’t given up
          but says that he has with a shrug.
She loves the way he shrugs her off. She loves to feel unimportant.
She says she doesn't believe in love and people assume she’s damaged
           after her divorce. She never loved him in the first place.
She spends her time alone splitting open tangerines and picking apart
           the slices one by one and then eats the rind.
He spends his time alone splitting open saturated teabags.
He has been stealing from his mother for five years.
She knows her son steals from her but doesn't want to confront him
          because she knows he has a drug problem and she hates him for it.
He thinks his daughter is weak.
She’s sad her daughter is ugly.
She’s comfortable being ugly because it means she’ll never be touched by a man again.
They tell people they were too busy to make that appointment.
They are alone all the time.

Ting, Tong--ocean is a mason--hear his chisel ring,
deep down, always erasing, with a Tong, Ting.
glassy stone is what his frothy sizzle brings.
anchor lines vibrate like heart strings.

A Ting, and a Pong, no more beloved chiselled font,
those dates gone, because the ocean is a mason,
and when I submerge into his basement,
Tong and a Ting, his craftmanship sings.

and those swings, vibrating anchor strings,
with a pong and ping, bring you to shore
his backswing, causes waves to pour,
bowing prow of windjammer rides contour.

and his distant Ting, commands the wind,
they are bellows for him, but throw your hat,
watch it come back again, a Ping and Tong,
the ocean is a mason, hear his song,
with power to rescind, nothing is gone,
throw your hat to the waves, watch it come back in.
submerge your ears// and hear the Tong and Ting.

Time Volume: 1
I’m eating up the hours
one by one.
Blink.
Click.
Blink.
another screen,
more non-words
Blink.
Click.
Just letters.
Click
9000 more words
blink
and more time.
Click.
To be forgotten.


Learning to forget
The melting *** cast a boy and I ran outside,
A slime soaked goblin, a monster from the pit
Lobbing clods of mud at a harmonic sky
Whirring with dragonflies and lolloping bees.

Sun and rain prepared a day on a different earth
Where there was life in the monkey puzzles,
And scuttling battle grounds that
hid hundred-handers beneath concrete slabs.  
Gravel churned up tiny black dragons,
rotten logs, fortresses of tiny fiends.

I had a sword in my hand, I was noble.
Defender of the realm, scourge until tea,
The hero of worlds
everyone else couldn’t see.


Time volume 2**
Excalibur was stuck fast
When the new branches fell
Click.
the tips of my fingers are beginning to rot.
Blink.
Click.
If only I could
blink
stop the second
click
See the world behind glass.
blink
and dance out of time.
Click.
This snow globe,
Is not the Antarctic.


Artificiality in Imagination
Turning my back on time and space with
Bottled brains, ***** mist, powdered thought
I chiselled into old pathways.
I carved a silk road through synapse and nerve
to return to my monsters.

I saw a sickness of colouration
A lynx effect for the sky
tearing punkish streaks into the atmosphere
that were quickly blinked away.
Sunspots, cloudbursts, tussocks, grass,
Paper squares, green, red, purple, pink, blue,
pungent smoke, bugs, ripples, shivers,
polka dots and blank spots.
A storm-cloudy stomach.

The perspective of a head plastered to the soil again
saw thing for what they were,
a tiny amazon thought lost to rationality.
My heart thumped for a fear and joy
in a way forgotten by time.


Time Volume 3
Why is it called wasted when it is time well spent?
Click.
my god, my eyes hurt.
Click.
Just 9000 more words.
Click.
What would I give for a pretty girl sat under a tree.  
Click.
search * (pretty girl sat under tree)
Click.
She’s hot.
Click.
So is she.
Click.
… could always.
Click.
don’t be stupid.
Click.
Just 9000 more words.


Fantasy for a Counterpoint
I questioned what’s real when she blinked at me
and stopped existing  when she closed her eyes.
No one taught us to write in blood,
Tattoo our names into each other’s skin,
Leaving claw marks for the world not to see.

Whatever you drew was Van Gough
Whatever you said was Keats,
Whatever bruise you left was Tyson’s.

The outer layers of or skin are dead,
It’s funny whatever you touch on a person,
Is already dead.

Just before our love got lost
I noticed a thread break away from the braid
Around your head,
a small incongruity,
That made your hair a mess.

Love became what it was when you said you were
‘as constant as the northern star’,
And I replied, ‘yes - always in the dark’.


Time Volume 4
This is progress for my sake,
Just in time.
Blink.
Time is money.
Click
Time flies.
Blink
A stich in time
Click
This is a paradigm of nothing time.
Click
I’ve got so much time.
Click
And so little time to waste.
Blink
I’m a long time dead.


Hope for a handful of dust
Eventually I will while away these lonely hours.

What black rocks stir while we sleep?
What prayers rumble still, among old stones?
Do they speak the eternal city and glow civilised blue -
Or burn timeless black?

Does the probing ivy find us out
And the blunt head of a worm investigate
our most intimate parts?

Or does a spectre rise from the soil
To live under children’s beds?

When is the point that death
Becomes something breath-taking -
And the brook, my brown blood,
The dead leaves my skin,

Is it fantasy
to put something
where nothing should be?

The soft earth will **** me in
And give my brittle bones
To worms and crows
What stirs beneath the stones,
may always be worms and crows

And Jane held the butterfly
in the palms of her hands
gently opening up
a mere gap
so that you could glimpse it

it tickles
she said
and she laughed
and that aspect of her

thrilled you
the way she held
her head to one side
her eyes in wonderment

of the captured butterfly
her soft hands
as if she were caressing
the head of a first born

see?
she said
see its beautiful colouring
and you glimpsed

the bright colours
it's a Peacock butterfly
she said
and she stood there

on the narrow road
to Diddling Church
in the grey dress
with yellow flowers

and the muddy shoes
and white socks
her hands opening
and you both watched

as the butterfly
fluttered off
across the hedgerow
out of sight

one of God's treasures
my father calls them
she said
still gazing where

the butterfly had been
a butterfly was a butterfly
to you
fresh from London

unused to the country fare
the clean air
the wide expanse of space
did you see many

butterflies in London?
she asked
guess so
you said

can't say I paid them
much mind
you are funny
she said

all this beauty
and it doesn't strike you?  
you stared at her
standing there

her eyes wide open
her hands gesturing
as if to include
all about her

her dark hair
neatly brushed
her dark eyes
focusing on you

getting to me
each time I'm with you
and you explain things
you said

she smiled
and o that
really held you
in a sway that smile

that spread of lips
come on
she said
let's go look

at the gravestones
in the church yard
and so you followed her
up the narrow road

feeling the warm sun
of the Saturday afternoon
wanting to hold her hand
feel her fingers

in yours
sense the smoothness
feel her pulse of life
and you entered

through the wooden gate
along the stones
which made a path
the tombstones

high and low
chiselled names and dates
she stood by the church wall
and stared at the

beyond the hedge
you stood next to her
and touched her hand
with yours

your fingers touching
warm
soft
and she looked at you

and said
you can kiss me
if you like
and stood there waiting

and you unsure
wanting to but shy
not wanting
to mess things

or get it wrong
but you kissed her cheek
and then her lips
holding her

feeling her arms
about you
and you sensed
her waist slim

your fingers touching
and lips to lips
o God
you mused

confused
moved apart
she smiling
you uncertain

and she said
my mother likes you
says you're different
from the local boys

something that sets
you apart
you frowned
and said

am I?
kiss good
she said
not greedy

or too passionate
or too sensuous
but like holding
that butterfly just now

something tickled
inside me
she said
you gazed

into her dark eyes
as a Peacock
butterfly
fluttered overhead.

Over the geyser,on beds of algae they rest.
A  bunch of breeders.
Millions of them.
Bugs and mites that thrive.
Predatory bugs lay scrumptious eggs,
Eggs become grubs, all munch the algae,
Algae is chiselled away, chewed by hungry grubs and mites.
A stream of blistering roasting water, wipes them out again.
The cycle of life resumed!

Yes, there were flowers and wreaths,
Black dresses, suits, and ties,
And you were shown the place
Where she would lie beside those
She never knew, beneath a stone
Like so many others, the words
Would be chiselled, the flowers placed,

The prayers said, the visitations frequent,
At least at first, but there was that element
Of unrealness of it all, like a surreal painting
Or play, as if all were small bit actors
In some awkward part, genuine in their grief,
In the hurt and loss felt, in the agony
Of the one lost, but feeling it odd,

That she, whom all had loved,
And seemingly blessed by her God,
Should be one moment here and full of life
And laughter, but then be silenced,
Struck dumb, have eyes closed, ears sealed
And stuffed, her limbs stiffened, her hands
Cold and still no longer to hold or bless

Or caress or heal, her heart no more to beat
Or feel, her brain no more to think
Or be the home of thought, and those
Features that all remembered well
In her face, should be gone, and only
Memories left to fill some small part
Of that emptiness within, that huge dark space.

we break into the graveyard after hours. no purpose, but it's just there, down the road. and it's nice the way it overlooks the ocean.
   climbing over the hedges, we see a middle-aged couple already there, blasting dixieland on a portable radio. we share a confused look, and just leave again, a tad indignantly. it's the kinda thing that's ruined if someone else's doing it.

                                                  summer drags on,


the sound of trucks. bubbled wallpaper in pavement creaks.
wonder with the directed slice of soft fallen pillow lumps.

we
          round the way to the two parks, one with the children mewling on the wooden
stumps and the other with the cigarette butts, sports grounds, snubbed out sunday radio. the wind make a steady jaunt down the long
forgotten corridors. there's little to see here, but it's an easy place to make home. the trees sway something rotten that would make a newcomer uncomfortable, but you learn to shut it out.

we're
standing in the road, hands in pockets, against the chill. no one's sure what to say. not sure if saying anything really helps the fact. it just embroids the situation with complexity, detracting from an otherwise pure, if unpleasant, tone. we settle for a 'see you around.' the claim, if it is a claim, is false. the movers come early the next morning. and the house down the way stands vacant. the boards rot away. a year later the building is knocked down. rebuilt. craftsmen and diggers. but the same lot. same dirt. chewed up and digested. every winter the worms die. are replaced. tendrils expanding and contracting. sit down. it becomes so wearisome, but sometimes the sun's mild presence  makes it okay. the boards buckle in the damp morning light. the
  water filtration system hums down the road. the neighbour's kid crosses the road to the other park. kicks a soccer-ball for a few hours, gets dejected, and returns home, is reswallowed by the painted timber.  


the bible pushers did the usual rounds on wednesday. Mrs. Grensten would always let them in for tea. we'd watch from the other window, and imagine infidelities, convoluted fetish play that they'd get up to. a game of enticing disgust. eyes on the window in the hope they'd slip up, and we'd see a shot of tired flesh among the drawn curtains. a vacant voyeurism. laugh in the boredom of a dreary sin.
       they haven't visited for some years. after Mrs Grensten died, the next time they came Mr Grensten chased them away with his walking stick among coarse shouts and tears. the downstairs windows and now left open, but there's nothing inside


your pen-pal in Romania sent a postcard. they didn't write anything, but there was an old chapel in a field on it


some days the sea is quiet. generally in the early morning, during lowtide. under the moon the sand takes on this expansive pale blue luminescence  
        usually it's either too crowded, or the waves make up for the lull in people. i thought i had a point here, but i didn't


  she stands in cotton robes, stained and dyed with gin. mother says to ignore her. she rings a small ornamental bell. you don't really get it. you ask why she's ringing it. with a finger to the mouth she shushes you. you look offended. as you 're about to persist in demanding explanation, she steps out into the road, just as a courier van speeds round the corner. she wears a soft smile. the tiremarks on the cotton makes a pattern that reminds you of something, but you're not really sure what.


a humming light on an old oak table. there's a peacefulness here. you loose tempo, and the crowding figures look at you with irritation. you feel small and wish to melt, to become liquid and drain away, move in motions already dictated, they ask the next question. Who are you? Why? Justify your reasoning.
       a half ****** caramel drop. sticky.
       pavement grit. coarse.
   they
                closed the walkway due to wasp nests.
you're not sure which route to take. you pass
     by the graveyard instead, and look out to sea. there's a gentleness here. it reminds you of something, but you're not sure what


   we used to find bugs at the pond edge. the area had a piercing smell, but that was part of the charm. it meant we'd never dare enter the water, though. one day in teenage bravado, we did. it was slimy in texture. suddenly, you pushed my head down among the green folds. there was something there. a soft, but solid texture, like jelly. electric scatterings. old tire tracks folding out, like a deconstructed rubiks cube. i shoved your head in as well. we laughed and splashed in viscera.  wye's spoke in empty folds and promised us the world in reassuring tones. the warmth of a log fire on a winter eve, crackling sparks glowing in undulation. the muffled tones of a showerhead, blanketed in feathers. a mellow smile of the certainty of an inviting future. we lay on our backs and the sun shone down through the trees. as it passed the yardarm we headed back to shore, lost rapture of the soft kisses of meadow-banks. you grabbed a rock and bashed me in the head. a solid but glancing blow. this too, was fine. no fear, just laughter. i grabbed one too. with blunt instruments, we chiselled skin and bone. small enfolds of the rising moon. we stretched out, fingers entwined. no fear. possibly regret? but a soft regret, the kind that tracks the passing of time, that lets you register the ceaseless withering of the past, and hopefully, see beyond. rivulets of blood. i breathe in your gaze, and melt into grass. just laughter.


the stitches in the corner of your mouth are rotten. that's good, that means the healing is done. flesh reunited with flesh. you feel it with your finger. there's a bumpiness, but little sign of much else