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Mateuš Conrad Mar 2016
i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.

verboclasm is real,
in england it's basically
f@!& etc., and in america
it's ****** (n@!
i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.

verboclasm is real,
in england it's basically
f@!& etc., and in america
it's ****** (n@!'m not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.


verboclasm is real,
in england it's basically
f@!& etc., and in america
it's ****** (n@!i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.

verboclasm is real,
in england it's basically
f@!& etc., and in america
it's ****** (n@!i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.

verboclasm is real,
in england it's basically
f@!& etc., and in america
it's ****** (n@!'m not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.

verboclasm is real,
in england it's basically
f@!& etc., and in america
it's ****** (n@!'m not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.


verboclasm is real,
in england it's basically
f@!& etc., and in america
it's ****** (n@!i'm not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.

verboclasm is real,
in england it's basically
f@!& etc., and in america
it's ****** (n@!'m not moralising, i see the toilet as the throne for the trinity of my excavations, like a coal-miner, i have my **** (the helmet and light bulb), i have my urinary duct (my chisel)... and i have my testicular duct (my shovel)... well... can't miss out on all the fun you peeps are having and not join in.*

verboclasm is real,
in england it's basically
f@!& etc., and in america
it's ****** (n@!&#£
if you prefer political
sensitivity and a blanket
and a ***** and a nanny);
unlike germ- -any (+)-
where they love to **** on each
other in the shadow
of the crucifix procreating for films,
while in england they're
into children;
owning a use of a word,
venerating its usage:
where's the Schengen vocabulary?
i want to be there -
free flow of words like spotting
a kestrel in my garden one time,
while the traffic shovels hours
into comparison with sea waves
and a traffic-jam becomes a static tsunami
for the eyes.
Steven Osborne Oct 2015
I've gone and laid it out as perfectly as I can
And we've both heard them all say it so many times before
I swear it I never have and never will be keeping score
Because if you where the one with me
I'd show you everything there is to see

I've always been here and could never sway
I could not beguine to imagine it any other way
I've always lifted you up when you are down
I'll chisel out a smile of every frown
You've always been there and could never sway
You said that you couldn't imagine it any other way
You've always lifted me up when I am down
Even managed to chisel a smirk of every frown
How could I picture it any other way?

Never have I ever believed in fate
  I could never seem to relate
Until the day I came into the sight of it all

Passing through the rear view
I'm plagued with these ghosts of you
You always seem to just barley slip through my grip
But could I ever catch you in time?

I've always been here and could never sway
I could not beguine to imagine it any other way
I've always lifted you up when you are down
I'll chisel out a smile of every frown
You've always been there and could never sway
You said that you couldn't imagine it any other way
You've always lifted me up when I am down
Even managed to chisel a smirk of every frown
How could I picture it any other way?

I may never come to know
When we stopped seeing things eye to eye
And I may never stop wondering why
But I'll go and find the strength to move on
If that's what you really want

I could never bur the bridge on which you stand
Believe me I've gone and already tried that hand
Doused it in accelerant and dropped my cigarette
The flames grew as did my regret
Playing with fire you are bound to get burned
The scars are markings of lessons learned
I've found my own way to move on
Without letting go of the past
But I can't promise this moment will last

I've always been here and could never sway
I could not beguine to imagine it any other way
I've always lifted you up when you are down
I'll chisel out a smile of every frown
You've always been there and could never sway
You said that you couldn't imagine it any other way
You've always lifted me up when I am down
Even managed to chisel a smirk of every frown
How could you picture it any other way

At times the world may come to seem so bitterly cold
I've felt the weight and the pressure grows bridle and old
Maybe it is just the price of starting a life
To anguish and make it through the thicket of strife
But with another shoulder you can make it another mile
Don't worry you'll make it after a while
It gets so much harder from here
With a will you'll find the right path to steer

If the years pass and you feel you where wrong
Listening back through the lines of every old song
I'll pick you up until the very end
But you swore only as a friend
I held on to the time as long as I could
Still you swore you never would
So I told myself to let go of the past
If not now it would never last

I've always been here and could never sway
I could not beguine to imagine it any other way
I've always lifted you up when you are down
I'll chisel out a smile of every frown
You've always been there and could never sway
You said that you couldn't imagine it any other way
You've always lifted me up when I am down
Even managed to chisel a smirk of every frown
How could we picture it any other way?
Jeff Leslie May 2011
I have longed to be like Jesus since the day I was reborn
With a heart formed by the Father, by His hands so strong and warm
For although my soul was perfect, this old heart had far to go
It was lofty and self serving; never broken, hard as stone

But the only way to change my heart was not to mold like clay
He must carve it with a chisel that would break the stone away
So pain became my teacher and its lessons I learned well
As every trial would test me with each wounding swing that fell

One day I asked my Father as He formed His shapeless art
"Where did You find that chisel, Lord, that breaks so hard my heart?"
He took me to a village, somewhere, long before my time
And showed me where a blacksmith, there, was working near his mine

The local king had ordered that some special spikes be made
To perform a certain service later on that ancient day
The smith stoked up his furnace till it singed his heavy beard
And the strikes that made his hammer ring were heard by every ear

Then he spun the massive whetstone, pressed each spike against its edge
And the sparks shot out like lightening as he sharpened up the ends
The spikes, still warm from grinding, then were gathered in a cloth
And delivered to the mountain with the prisoner and the cross

Instantly I understood just what he made them for
The chisels used to shape my heart first crucified my Lord
Now every stroke that life will bring I'll welcome like a prize
For every chip that falls away will make me more like Christ
J Harris Jun 2015
With chisel and hammer
I carve the length of your legs
and the width of your waists
and the bend of your arms
and the ***** of your shoulders
until I arrive at your brain
where I reach with chisel and hammer
until I come across your spring
of wisdom and knowledge
your fountain of thought and belief.
I am not used to taking risks. Many barriers tend to block my train of thought and my decision-making. Now that I was lying at the bottom of the trash, I could talk; I could think straight. I had no distractions or punishments, even though there was no need for deciding anything. I felt free because I knew he had given up on me. I felt like a meaningless particle of the planet when I was under Master’s control. At least plastic was used to create something else. But not me! No! I could not be used for anything else; I just got thrown away. I couldn’t say I was completely oblivious towards my lifespan. I had an idea of what was going to happen. There I was at the bottom of the trash; knowing that my master’s next victim had already been chosen to take my former position in his soaking, swampy hand. Master acted like he worked so hard; he should have been ashamed of himself. Because lying crippled within those dark suffocating walls of that garbage basket was HIS doing. I do not take risks. Those crumpled up papers began to fall upon me like rain and it felt like I was being buried alive.
I don’t remember my birth or the first few years of my life. My psychology teacher told me about how you cannot remember the first 2-3 years because of the brain’s progression in growth. The first thing I remembered was waking up in a box, locked in place by my neck and feet. My family was nowhere to be found. I did not even remember being apart of one. There were four others enslaved with me at the time. They were not my family, but they dressed like me, which scared me a little. The loud noise of slicing scissors pierced my ears and a small stream of light entered the cardboard box when the top was cracked open. The first sight of the Master’s obese fleshy hand brought motion to my bowels as a feeling of failed screams collapsed around my throat. I had no voice, I had no mouth. Was it welded shut or was I created incorrectly? Watching the way Master’s large hand devoured the poor ******* next to me and yanked him out of the box brought an immediate knowledge of trouble upon me. I was frightened because my opinions were insignificant and I didn’t know what to do to gain control.
We were transferred from our holding shackles to a less-captivated holding system. I don’t know what it was, but we were with many others; lost and stupid. The light blinded me at first, it was more open and I could see clearer. I would have gotten myself into trouble… or maybe not. The sight was horrifying because it enabled me to witness it all. Master was unfair and he had no patience, like me. When a victim needed a break or was tired, he banged its head on the desk (or the paper) or threw it across the room. When the victim was not meeting the Master’s needs, he squeezed it harder and harder while banging its tip more. If a victim was useless to Master, he threw it away without a care. That same poor ******* that was next to me ended up in the trash after a day and a half because it couldn’t finish transcribing Master’s C’s or A’s. I would’ve transcribed his C’s and A’s; and his M, O, T, R, F, K, R’S too! I hope master sweats himself to death. I knew my time would come. I knew I would end up just like the rest of the poor and helpless. When my juice ran out, the five of us from the box would be back together- empty and cold.
I sometimes wished I was not smarter than Master. I didn’t have a mouth, but my narrow cap surely consisted of a larger brain, I’ll tell you that. I sure wished I could have taught him; him and those sweaty palms, a thing or two about our existence! He should have been grateful I was there and he should have given the respect he did not deserve to get. He probably didn’t know that he would’ve been using a chisel and a rock if it wasn’t for me! I sure as hell was saving Master a lot of time. If my uniqueness was not available, Master would have been wasting hours of his time to create one word. I wonder if the chisel used to say the same things I said during those horrible events of slavery and cruelty. Chisel probably never received punishment. It was probably buffed and puffed and sharpened and cared for. So why couldn’t I just get a re-fill?! But still, Master didn’t care. He wouldn’t have sharpened my tip if I were a chisel. He’d let me rot and throw me away because it was all in the same to him. Master wouldn’t have cared if I informed him about the chisel. I probably would’ve received more of a punishment if I was able to speak.
After my ink ran out, there I was within the bottom of the garbage basket. This was exactly what I expected. I couldn’t lie, I was kind of glad it was all over. I was so sick of Master’s crap by then. Those sweaty palms got the best of me and that impatient anger caused my juices to run fast. I was developing a realization about Master’s endeavor. He threw me away too early. Usually, our species would be thrown away when death occurred. I was lying in that trash very much alive when I began to glance at my previous struggle. Those papers devoured my appearance while they exposed every waking memory that my hard work had created. When the papers stopped falling, there was nothing else to think about. The memories began to fade away after every word I read. I couldn’t help but recognize the mistakes that Master forced me to make. At that instant, I only wanted to go back and edit the foolishness that was transcribed onto those papers. I wanted an opinion. I simply desired to have my voice heard; I wish I had one. As free as I was, I still couldn’t make that happen; even after I was hurled into the trash- as if I was some useless implement. This was like being under some Calvinistic rule. My fate had been an adversarial predetermination, no matter how much I followed the rules.
It was a sensible act to throw me out. Master appropriately responded when I was of no use for him. He should have thrown me out when he snatched me out of the box like a piece of paper towel entangled within the roll. I was useless from the beginning. I couldn’t stand up to myself and I couldn’t make a difference whatsoever. I collapsed within myself when the words on the paper began to fade as I scanned each line. The scriptures came to a halt; I realized I was as dead as any other useless implement that previously suffered within these very same haunting walls. There was nothing else I could do. I was banished to freedom. I achieved the freedom to originate nothing. So that’s what I did… nothing. I wished I could speak; at least I would’ve gotten something in before I became the excrement that master walked upon. I closed my eyes and patiently waited for death to overwhelm me as I listened to Master’s distant grunting in silence.
© Christopher Rossi, 2010
Synne Sep 2012
I wanna sit you down on a stool and chisel you out.
Start at the top, and work my way down.
I’ll be careful around your curves, your edges.
I’ll keep your stature in tact.
I’ll let the scraps fall to the floor,
The pieces of your innocence you insist we believe.
I’ll hold you still, with a firm hand.
I’ll whisper names of deities for you,
I’ll open our windows and let the songs of birds flutter
And echo in your eardrums.
I’ll make sure you aren’t lonely,
Once I leave for the day and put my chisel away.
I’ll gather the pieces that have fallen,
I’ll collect them,
Treasure them,
Bury them,
Remember them.
I just wanna sit you down on a stool and chisel you out.
Start at the top and work your way down.
Let all your falsity fall to the floor,
And watch as your alleged ferocity escapes through the door.  

*March 2010
Coop Lee Jun 2014
to the young privateer.
the captain kidd & his bought n’ taut gang of holy bluffs.
they bribe and imbibe and swoon on the dock-way looking for a quest or two or three
to dream and bury their doubloons in island guts like little mysteries. little sundowns
over a rixdollar indian ocean.
let them take a turn.
destined to mutate from private to pirate, the kidd, like blackened rotten wood.
******* frigates.

the ship:
with her bob and sway. she is, the adventure.
& her song is calling out for a rapturous few,
for men ready to die on the highwater mark by glory or fire or dead glorious sun.
so they put her brass and bough to seafaring days,
the sweet galleon, barely wet, yet
completely riffed to voyage.
she is
from the shores of london. built. designed to kick 14 knots under a full sail blast.
& she will bite.

she’s in calm waters.
the kidd savvy toothed and butterscotched, he awaits the big show,
engorged to set forth the play like wily ocean dervish &
they do.
they do proceed with benefactors coined and crunched on postulations of pirate death &
pirate gold. reclaimed honor as they say. the hunt for pirate teeth.

& with official pass and parchment, high-throne approved,
king ***** III stamp & sealed,
this voyage is.
this voyage is and forever was, hereby charted, to recover said stolen goods.
to reclaim thy warrior vanity &/or vengeance.
to noble this **** with pinched loaf, like now.
set sail. now.
1696.

“**** them navy yachts at greenwich, the thames be ours, boys.”
slap *** and flick thumb toward those armada sons,
& as tribute
smoke balsam herbs on the starboard side for the mother she and the father be.
but for this slight,
this dishonorable silly ****,
one third of adventure’s men are pressed into service of the crown.

[continue.]

the adventuresome few, petty crew and crows.
steal the heart and mother-meat of a french ship. steal everything onboard.
steal the ship itself.
& on her way to new york, new boon, pure and entered into the new world.  
there are new men bought in the american port,
good men and odd men of long criminal legacy.
a small black vicious quartermaster. he’ll do.
a murderous preacher gripped by stars and celestial patterns. he speaks spanish. he’ll do.
another type of holy man and a wild drinker too, embattled by demons on the port side. sure.
plus the dock-boys destined to **** for fruits of exploration.
this is the way of the son of a gun.

the boatmen jockeyed. she is
the adventure
prancing the vertebrae of atlantic and beyond. cape of good hope, she
breathes easy out here on the wide tide and float.
out here on the vast blue this. she
evolves
out here. loves out here.

pirates.
the hunt for pirates or the lack thereof. she leaks.
she rasps into the years on. and on.
the kaleidoscope hallucinations of sun and moon, sun and moon, and moon and sun
forever.
the strait of bab-el-mandeb.
& there
she plunges into darkness, into the stars seen from and through a periscope formed
by ancient hominid lineage.
seen but untouched,
in dreams. the kidd, reluctantly lime, admits to his madness.
madagascar.

malaria and cholera and hell break the boat by the throat.
& thrash.
to be organic is to be ruled by a shadow, or entropy.
the mouth of a red sea.
one third of the men will die here.
simply as insects crushed and brushed off deck and into to her great spate of agua,
the mother gush.
her earth.
body.
father,
hear his whispers in the mirage.
the ancient mariner, the ancient holy ghost riming down there.

in destitution.
in a rough and soggy life squeezed and making men weird or violent or both be ******.
the kidd goes cold to hot sweating noxious.
turns pirate himself
out of sheer hunger.
out of sheer need to eat.
sets the boys like dogs upon a frigate of east india company men,
or french *****. either/or/or/either/or.
he & the boys are in a madness swirl of sun and heavy guts.
cuts to spill blood
or gold. this tender bit.
lip bit
& tested.

captain kidd fractures the skull of a deckhand named moore,
for bad attitude and giggles. moore gets death.
chisel on the deck.
& to think we are all troubled by some primal trauma.
some dumb thing called death, that is.
men starving, men dying, men falling in the vast black that is that eternal void.
dream of women and riches in the meantime.
fortunes.
1698.

savage kidd, cool kidd, cool spit
off the edge. to think of the once soulful idea of these paradise days
& trip.
savage to cool.
the two divine modes of a survived man.
a ghoul man, or aging man.
& to keep control of his crew kidd sets them upon the quedagh merchant;
a 400 ton armenian hulk chalk full of gold, silver, satins, and muslin. ‘tis *****.
renames her: the adventure prize.

madness quenched for now.
charmed for now
& on the horizon are fragrant times. blissful distance.
but robert culliford,
with his mocha frigate. this man, this suave pirate lord, his vengeance act.
he had stolen kidd’s ship years back, &
the captain opts to cut his throat.
take the mocha.
keep calm & carry on.
to paradise.
to dream of her cool warm beaches and fruit forever, peacefully thinking.
so that night they two drink together in good health, and in the morning
most of the men defect to this other man, this other ship, culliford.
other dream,
other captain of true buccaneer effect.
act 3:

13 remain in the galley firm.
this is the house adventure.
& she is burnt alive three days later for rot and ill repair.
but she was fun,
& a *****.
a stitch of old woodwork given-in
& crackling with the eyes of her crew seen in fire.

kidd steps the pond to caribbean times with the adventure prize, toad toxins
& high on the jungled shore.
he trades that colossus, flips her for a sloop and seven little chests of gold.
little bellies.
the island-gut doubloons to bury.
dream, remember?

but the men-of-war are after him now. the privateers & hunters & devil’s dogs.
the men he once was.
men of marked death.
& he is now some pirate, some forthright bandit
settled to **** or be killed.
some sad kid.

first: buries that treasure up the coast of america.
oak island rig.
cherry rocks of the maine bank and *****-trapped pit.
the hunted.
they catch him on an inlet ****, and sail back
to london to be tried for crimes against the crown.
the high court of admirality.
1701.

they hoist and gibbet his body with worn chains above the river.
not for piracy, but for ******.
the ****** of that strange deckhand moore and his giggle.
kidd’s bones
suspended there for three or more years at the mouth of the thames,
as warning
to the perverse travails of a criminal lifestyle on the highwater pond.
Mateuš Conrad Aug 2018
.ludo savis... play nice... ludo savis... play nice:

i knew the relationship was over when i encountered her ex-boyfriend sitting in her st. petersburg flat drinking ***** with me, no, wait, it was when she started questionning me using cosmopolitan magazine quiz about perfect girlfriends on our way from st. petersburg to moscow to see metallica, while all i wanted was to listen to bob dylan and appreciate whatever rural russia had to offer... beside that? it took me quiet a time to fiddle through and find the glagolitic alphabet, the slavic alphabet before the learned greek came across "my" people, given the romans never venture that far... good luck finding an african phonetic encoding system, beside the hieroglyphs... i won't bother looking right now... not to insult, though: so much for a large phallus megalomania contra envy... Ⰶ: życie (life) is not the half of the caron ž in the form of: the acute... (ź): ździra (don't ask, seriously, the word implies worse than ***** / szmata)... źródło (source)... eh... the one-armed caron (ž)... ź... i can't explain it any further: you need to speak the lingo to keep the "nuance" alive... southern slavs treat the caron akin to ž = ż... how beautiful... given the english language has no diacritical marker application: can't exactly claim diacritical markers using only the automated hovering decapitated heads above ι & ȷ... i'm not english i'm tired of looking up h'america's *******! i don't need not fancy pants to debrief the people i'm concerned with to mind, not giving a **** about them... thanks for your jeans: subtitle made in canada... beside the whole mao shitshow of: made in china.... back in the 1990s! *******... even in terms of music h'america isn't really relevant.. it just is... and "whatever" this "is" is to be, will remain... but only as an r.e.m. ref. pointer, that requires the physical translation of the lyrics: the one i love... a simple prop: to occupy my mind.... fire! the silesian vampire... because... said so... learning about monsters is what i could only fathom, which included me... but, sorry... the glagolithic script... ⰄⰀⰏ: dam... i.e. i will give... fun fact: r.e.m. didn't sell their: it's the end of the world as we know it (and i feel fine) to microsoft for a commercial break.. glagolitic script... where are the africans? oh, right, nowhere when phonetic encoding is turning heads... **** me... even the blind are onto the affair...  i went as far back as the glagolithic script: pre cyrillic, about the same time that the latins incorporated the northern "savages" with applying the chisel to the ᚱ / R... ᚠ / F... copernican "up-side down": why do all tree (beside the pines) resemble a Y shape, a gamma? why did god compensate his existence with opiates?! refresh my memory, though, why am i drawing blanks at african phonetic encoding? **** me, the blind drew something, the deaf too... if you played the guitar, forget about reading braille... you need tender, french, fingertips.... you can't play the guitasr and read braille... mind you... encoding morse overshadows braille... but even the european blindman overcomes the fully ****-naked butter-cup sprinting *** of a black man every day of the week: i'm not here to compensate for a leprechaun's sized *****: mind you... in the hands of a porcelain ***- beauty? everything looks like a hiroshima... i just started to entertain an asian fetish... 4th knuckle mizzing... missing... the most ****** aspect of a female aesthetic? her hand... when *** & the city cited trimming ***** hair (no circumsion, really?), so no asian porcelain hands, no 4th knuckle missing?! i hate what the anglo-speaking world has become, it's this, this, this quasi-Islam.... at least i respect the Quran... but 1984, by the secular prophet of the western world? why do people still calling it: silicon vallyey... it's a ******* curtain, smart-you not seeing the replacement mechanisms of the silicon curtain: now wow... ******, where you're getting-to-go get from? any ideas?! a tehran baza?! ******. 1960s homosexuals fiddling their way past the tunis police, happy? loitering sucker-****** pansie? again... entertain me... where is the african phonetic encoding system... this is my "i.q." avenue masterpiece... i don't care about i.q. but a ******* blind man beat the african at phonetic encoding... personally?


one just simply falls, tired of the right-wing momentum regarding beauty, it's such a bothersome crtique of its generic foundation if beauty..... i hate it, this objective classicism: back to the future take no, 4; *******...

             again, where were the africans sorting
out their invetement in the slave trade...
ONLY WHITE PEOPLE
WERE BAD, CONCERNING BLACK PEOPLE...
Idi Amin... Idi Amin Idi Amin Idi Amin Idi Amin
Idi Amin... Idi Amin Idi Amin Idi Amin Idi Amin ....
******! please!
ever see an african-h'american in africa?
   ******! please!
ever see an african-h'american in africa?
i said: ******! please!
ever see an african-h'american in africa?
i'd love to see an african-h'american
in africa... mouthin-off their stature...

                   african phonetic encoding....

debussy                                       chopin




satie                                              schumannn...

­and?
              there's too much of loon'don....
                   had enough of it, ****'s....
too much ***-kissing,
too much of the h'american swindle...
carelesss buggers; these brits...
******* ****** jolly-tribe
               ****-ups....
  
i drink and relax solving a sudoku -
i'm not doing it to compete -
   just having a conversation with
my neighbor about the difference
between Alzheimer's
and dementia brought back memories
of what i negated for some time...

it's only when someone else tells
you of their elder relative's dementia
you muster the courage to
spot the same symptoms in
your relative...

         my grandfather has dementia...
my early teenage years,
every summer visiting him,
traveling to Krakow,
     going fishing,
riding our bicycles in the afternoon...
he feeding my what books
i should read...
      i still visit,
  spend about a month,
say, keep him company,
   fix up the kitchen...

  but it's such an exhausting disease...
not so much for the sufferer -
this mild form of Alzheimer -
no killer proteins eating away at
the brain cells -
   dementia?
the ontological nadir of old age...
then again, perhaps the zenith...

a closure...
   the long term memory opens,
while the short term memory
closes -
   he still can solve a crossword
puzzle like a mad genius...
but he lapses into what is
the cinema of mortality...
                 he remembers things
like the two SS-men
   posted in my home town,
running up to them
and saying -
herr bitte bon-bon!...
  the raven black of the uniform
and the glaring *******...

    i blocked the fact that it was
dementia, when my grandmother
thought it was wise to scare all
of us, uncle, mother and father
into thinking it could degenerate
into Alzheimer's...
        he still recognizes me!
Alzheimer's sufferers can't
even muster that!

   at best... dementia couples itself up
with melancholia,
  the natural melancholia
akin to the sadness expressed by
Nietzsche: only when the house
has been completed,
but never during the construction...

dementia is just an endless memory
loop...
   when man is allowed to finally
put down the hammer, the sickle...
and retire?
  he's standing on the precipices of mortality...
on a dam about to crack open,
and release a surge of the sea
of memory...
   why wouldn't he take the time
to remember?
  to remember himself?
        
the tedium comes when the same
persons implores others to listen to them...
when memories become less
of the old man's cinema and more
affairs of an oral culture -
our culture has lost the point
of oral transmission -
  hence dementia sufferers have
to evolve -
                  into not talking so much...
not as a mean spirited conviction -
why? i do the same -
   i have about 10 focal memories
that constant revive me -
               and i'm only 32...
          but i don't talk about them...
hell, i won't write them...
   it's my own, private cinema -
but my grandfather comes from
a time before the optical explosion
of television...

         i don't need to hear what he saw -
all i need is to tattoo his mannerisms
and face onto my psyche...

   but dementia, thank god,
is a listening tedium...
                     point being...
a life opens up,
   but any immediacy of life disappears...
hence his persistent ability
to solve crossword puzzles,
enjoy reading the newspaper -
but the significance of remembering
yesterday is missing...
    
he's an old man...
   he has no obligations in terms of
duty in a professional arena of
the metalwork factory...
why wouldn't he attempt to push death
aside and not linger on
the memory of his, magnum opus -
his life sigma oeuvre?

     me?
  some would call this music neo-**** skinhead
****...
   wumpscut, two songs...
   thorns & wreath of barbs,
     bunkertor sieben (reprise)...
but it relaxes me when sitting on a sudoku,
drinking Bacardi cola and lime...
      enjoying the cool August air
after just enough rain
that manages to exfoliates the flowers
with refreshed sensuality...

  sudoku no. 10101...
    after enough numbers pop up,
the tactic is to hone in on one number
in each of the 9 squares and 9 vertical
and 9 linear line...
for sudoku no. 10101 in the Friday's
edition of the times?

   it went something akin to this

[8, 5] - [3] - [1] - [9] - [7] - [2, 6] - [4]

that's the closest schematic
i'll have for you,
   with regards to how the grid is filled.

i drink and relax solving a sudoku -
i'm not doing it to compete -
   just having a conversation with
my neighbor about the difference
between Alzheimer's
and dementia brought back memories
of what i negated for some time...

it's only when someone else tells
you of their elder relative's dementia
you muster the courage to
spot the same symptoms in
your relative...

         my grandfather has dementia...
my early teenage years,
every summer visiting him,
traveling to Krakow,
     going fishing,
riding our bicycles in the afternoon...
he feeding my what books
i should read...
      i still visit,
  spend about a month,
say, keep him company,
   fix up the kitchen...

  but it's such an exhausting disease...
not so much for the sufferer -
this mild form of Alzheimer -
no killer proteins eating away at
the brain cells -
   dementia?
the ontological nadir of old age...
then again, perhaps the zenith...

a closure...
   the long term memory opens,
while the short term memory
closes -
   he still can solve a crossword
puzzle like a mad genius...
but he lapses into what is
the cinema of mortality...
                 he remembers things
like the two SS-men
   posted in my home town,
running up to them
and saying -
herr bitte bon-bon!...
  the raven black of the uniform
and the glaring *******...

    i blocked the fact that it was
dementia, when my grandmother
thought it was wise to scare all
of us, uncle, mother and father
into thinking it could degenerate
into Alzheimer's...
        he still recognizes me!
Alzheimer's sufferers can't
even muster that!

   at best... dementia couples itself up
with melancholia,
  the natural melancholia
akin to the sadness expressed by
Nietzsche: only when the house
has been completed,
but never during the construction...

dementia is just an endless memory
loop...
   when man is allowed to finally
put down the hammer, the sickle...
and retire?
  he's standing on the precipices of mortality...
on a dam about to crack open,
and release a surge of the sea
of memory...
   why wouldn't he take the time
to remember?
  to remember himself?
        
the tedium comes when the same
persons implores others to listen to them...
when memories become less
of the old man's cinema and more
affairs of an oral culture -
our culture has lost the point
of oral transmission -
  hence dementia sufferers have
to evolve -
                  into not talking so much...
not as a mean spirited conviction -
why? i do the same -
   i have about 10 focal memories
that constant revive me -
               and i'm only 32...
          but i don't talk about them...
hell, i won't write them...
   it's my own, private cinema -
but my grandfather comes from
a time before the optical explosion
of television...

         i don't need to hear what he saw -
all i need is to tattoo his mannerisms
and face onto my psyche...

   but dementia, thank god,
is a listening tedium...
                     point being...
a life opens up,
   but any immediacy of life disappears...
hence his persistent ability
to solve crossword puzzles,
enjoy reading the newspaper -
but the significance of remembering
yesterday is missing...
    
he's an old man...
   he has no obligations in terms of
duty in a professional arena of
the metalwork factory...
why wouldn't he attempt to push death
aside and not linger on
the memory of his, magnum opus -
his life sigma oeuvre?

     me?
  some would call this music neo-**** skinhead
****...
   wumpscut, two songs...
   thorns & wreath of barbs,
     bunkertor sieben (reprise)...
but it relaxes me when sitting on a sudoku,
drinking Bacardi cola and lime...
      enjoying the cool August air
after just enough rain
that manages to exfoliates the flowers
with refreshed sensuality...

  sudoku no. 10101...
    after enough numbers pop up,
the tactic is to hone in on one number
in each of the 9 squares and 9 vertical
and 9 linear line...
for sudoku no. 10101 in the Friday's
edition of the times?

   it went something akin to this

[8, 5] - [3] - [1] - [9] - [7] - [2, 6] - [4]

that's the closest schematic
i'll have for you,
   with regards to how the grid is filled.

oh sure sure, the uncircumcised man,
crucified when all the orthodox were
drunk,
                   פור day,
       drunk cruxion?!
                 lovey purin "misgivings";
what's next?

   oh sure sure, the jews would hav e crucified
me on the hill of: tel megiddo
****-heads throwing up their kippahs
into the air in some skewed form
of celebration...
       like bacchus entering
Valhalla asking: where's the mead?
    i've had too much wine...
where'y the whiskey?

   i'll keep repeating...
              talk about jews among the polonaiase?
hush hush: ****, dont want to bring
bad luck... jews in poland are very much akin
to roma gypsies: lucky charms...
but... do you see any ******* leprechauns
around? look at me: i see none...
  let's tell the joke in verse,
not the stadard: a priest a rabbi and an imam
walk into a bar...
****... is that even a joke?! muslims don't drink!
what's the imam having; cranberry juice?!

and englishman a scot and an irish walk
into a bar... the three of them walk
out on stag-duty with inflanted sheep and
speaking cymcru... terrible joke...
as all my jokes were to begin with...

         i am currently navigating,
my uncle's ex girlfriend is sleeping downstairs
on the couch,
blah blah Tuscany... blah blah prosecco...
i'm becoming suspect: she's a gemini,
isn't she? all the geminis i ever met where
extroverted self-absorbed louis XIV types...
they need to, they need to self-absorb themselves
in order to extract the sort of energy
associate with rhetoric,
   and how they constantly digress,
there's always a sub-plot to the plot... nay,
there are always sub-plots...
          great company, i mean...
when a person speaks all the time there are
no awkward moments of silence,
until the said person tells the "eager" listener...
play some music...
she's a warsaw girl, so she's a pretty learned
in the ways of the world,
i'm just an ostrowiec commoner...

    oy vey! oy vey: she'***** 40 and lamenting...
i too complain about my uncle...
she had an abortion with him...
i once talked with my uncle about music
while he surfaced at mrs. roshandler's back garabe...
we ate sri lankan fried chicken wings and
chips and listened to californication
for the very first time...

   abundance of hope in Tuscany...
"apparently"... but if you have ever watched
a woman, borderline on asylum incarceration?
i was looking at one just example...
  it's not a pretty sight...
even when she asked: how's *** and business?
i'm a monk...
          or at least i tend to...
even if she came from a stock of
failed relationships: fine fine...
            now?

i served up decent food,
a malvani and a tikka masala curry...
          naan bread,
     turmeric infused rice,
vanilla cheese cake with strawberries...
she enjoyed it,
i like to please people...
    mind you: ever see a slim chef?
i wouldn't trust a slim chef,
i never have, i never will,
you need some chubby chub chub rounding-offs...
mind you: i much prefer cooking
food than eating it,
but i would never trust a chef associated
with a c.o.d. associated with counting calories...
never have, never will...
two noteworthy proverbs:
1. too many cooks in one kitchen =
no decent meal is being made...
  one cook, one couldron, that's your best bet...
2. never trust a slim, athletic cook...
those ******* can shove their kale
       smoothies....
they can slurp up those smoothies
turning their ***** in straw ******* vortexes!
i'll cook on lard trimmings,

em....
  [9] - [2] - [6] - [3] - [8] - [1] - [4] - [5, 7]?
that's when the sudoku puzzle was filled...
all the nines... all the twos... etc. became filled
in the 9 grids...

well...
     "apart" from: my uncle's girlfriend:
i've been living in englamd
for nearly 30 yeasrs...
i've dated a french girl,
an australian, a russian....
but u've never dated an english
girl: i guess they much prefer
aged pakistani grooming gang
members....
            i guess:
**** gasoline on them,
they're all readied and geared up!

braille contra morse?
if you want to play the guitar?
forget the braille....
you need tender fingertips
to read braille...
morse? nit so much...
here's a comparison...
i see!

    a.:   ⠓⠑   ⠺⠓⠕
                       ⠎⠑⠑⠎
    ⠊⠎       ⠁⠃⠇⠑
                   ⠞⠕
                                     ­   ⠗⠑⠁⠙

b. play the guitar and learn to....
read finger tip braille, ******....

· · · ·  ·         
· − −  · · · ·  − − − 
· · ·  ·  ·  · · · :
                  · ·  · · · 
▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄▄▄▄▄ · − · ·  ·  (a / b)
      −  − − − 
                   · − ·  · ▄▄▄▄▄▄▄ − · ·  (a)

(he who sees: is able to read)...

           i can attest...
             i would find myself readily reading
morse in braille,
than braille by itself...
                far more easier.

finger-tips... i'd sooner read your morse
as braille, than braille as morse..
Mateuš Conrad Apr 2016
perchance an epic was necessary, to consolidate the scattered thinking, and indeed, once a certain life, and was lived with a cherishing heart, the heart broke, and life turned from adventures to a more studious approach, and in here, a comfort was found, never before imagined explorations - of course sometime a tourist in the arts does come, but such tourists quickly fade, and the pursuit becomes more enshrined - to levitated towards epics is perhaps the sole reason for the cherished memory of some - and how quickly all can revolve around a searched for theme, after many incorporations were minded - as one to have travelled the Mediterranean, another to have been eaten by the great mandarin silkworm of the library of Kangxi - heading along the silk route with spices - indeed the great mandarin silkworm of the library of emperor Kangxi; as i too needed a bearing - to inspect the trickster of lore and the godly blacksmith of the north.

by instruction - an accumulation of the the zephyrs
into a vector, headed north,
toward the gluttonous murk of ice, jesting
with aches to the bulging and mesmerised crescendo
of adrift stars captured in the tilting away -
to think of an epic, to keep out-of-time of
spontaneity and thistle like swiftness in the last
days of summer, that Mercury brings the new
tides of the tetravivaldis -
   brought by the λoγος of a γoλας -
for reasons that satisfy the suntan copper of
the ***** - the λoγος of a γoλας - yet not toward
Monte Carlo or any hideout of money well invested
and greedily spent for a charm -
no, north bids me welcome from afar -
this norðri fløkja, this    ᚾᛟᚱᛞᚱᛁ       ᚠᛚᚢᚲᛃᚨ -
by my estimate, i could not take the nonsense
of numerology of a certain specialisation,
i took what was necessary, i pillaged the temple
of Solomon, perhaps that the dome of the rock
might stand - with its glistening dome and
its sapphire mosaics - i don't belong among
palm trees and date trees - hence i turned to
deciphering and subsequently encrypting -
as i have already with *ᚱᚨᛒᛖ
:
the journey of an Æsir through a birch forest
on a horse.
                    with this method in mind:
(a) ᚾᛟᚱᛞᚱᛁ       (b) ᚠᛚᚢᚲᛃᚨ:

(a)
the need to acquire possessions accumulating
into an estate, is a journey encountered
day by day, although a journey on ice

(b)
cattle only thrive near water,
auruchs did not, and hence illuminated
their way to extinction,
         by way of the Æsirs' harvest
(to eat up diversity of life, and create
a godless world of man).

my escape route came from ᚠ - mirroring שִׂ
although the former standing, the latter sitting
down, although the former fathomable
to my pleasure, the latter unfathomable
to ascribe numbers to letters for patterns -
i seek no patterns, hence my sight turned to
the northern sights, and meanings amplified.
                
the greeks were intended to explore abstracts,
having stated a triangle
they invented the ² symbol and what not,
it was because
they didn't bother extracting a phonetic unit
from something definite,
they classified such endeavours barbarian,
what reasonable greek of 13% reason and
87% reality would extract alpha from
the sound you made when
saying ansur (ᚨᚾᛋᚢᚱ) - i.e. attention -
i.e. deriving a definite sound differentiation
for alphabetical rubrics from a definite thing
(in whatever classification that might be)?
the greeks used the alphabetical rubric of
crafting a definite sound from an indefinite thing,
so they said: acronym, aardvark, assumption,
                       α                 α      α     α,
then they said α² - there are no antonyms -
but indeed there were, hence the Trojan nation
settling in the boot, that's Italy,
the Romans escalated the greek theory
beyond taking out a definite sound distinguished
from other distinguishable sounds,
abstracting what the alphabetic sound assured
a list under alpha: assumption, advantage,
acorn, etc. -
the latins were the first atomist after the greeks,
the greeks believed in atoms, but had no
microscopes to prove atoms existed,
such scientific faith found no parallel;
the latins ensured this was true,
ending with castrato sing-along -
the latins furthered abstracting sounds from
definite orientation which the greeks did
working from ice into iota,
the latins just sang i, i, i -
of course chiral behaviourism of such dissection
emerged - hatch a plan, plan a chisel -
it's very piquant i mind to let you know -
the greeks abstracted nouns in order to create
the alphabet, the barbarians still used
proper nouns to speak proper, the greeks
thus created synonyms and antonyms to add
to the spice of life - after all,
not deriving definite alphas from
cursors that acknowledged points of origins
created diacritical stressing like comma and
semis of colon and macron, not deriving them
from definite things, shunning a helpful
vocabulary bank to an unhelpful vocabulary
banked: synonyms and antonyms the Gemini's
birth of rhetoric;
but the latins were rejected with their atomic theory
of pronunciation, since they became laden
with diacritics - punctuation marks of a different sort,
you can measure a man sprint one hundred metres,
but is that also measuring a man to say
mān or män or mán? i know that the slavic ó = u
given the scalpel opening the ensō to craft a parabola -
but it's not necessarily an accent debate
but a punctuation debate... the emergence of
the diacritic symbols above the letters is due
partly to their joy of the popes listening to
castrato operas and the fact that the romans
went too far... hence the chiral nature of certain
symbols when dittoing - the barbarians used
definite things to assert definite sounds -
the greeks used indefinite things to assert definite
sounds - mind you, if the romans became too
abstract with their little units that became engraved
with punctual accenting, then the greek letters
became laden with scientific constants as necessarily
fathered, unchanging in the pursuit of Heraclitus' flux -
for example... Pythagoras and the hypotenuse:
                            σ / κ² = α² + β² -
           or?
                             c² (ć) = a² (ą) + b² / š (bubble beep
                                                           bop barman backup hop
                                                           of shackled kakah
                                                           or systematic oscillation
                                                           for bzz via burp);
πρ² is still more stable
                                 than what the latin alphabet allows -
hence why greek phonetic encoding was used in
science, and latin phonetic encoding was used in music,
can't be one or the other - added to the fact that
latin encoding had too many spare holes with
the evolution of numbers, and greek didn't have them,
hence β-reduction in lambda calculus and F-dur and A#

the one variant of the grapheme (æ) they didn't include
among expressions: graphite and grapheme
was the variant - gravitating to an entombing
of the excess aesthetic - geresh stress -
somehow the twins match-up to a single womb:
àé vs. áè: V vs. Λ - Copernicus wrote over all
of this with the flat earth uselessness
in terms of navigation - flat earth is useless...
huh? flat earth is the only system that gave
Columbus the chance to explore the new world -
no flat earth no Columbus -
that satellite named Luna was no tool
in navigating across the Atlantic - believe me
i'm sure -
                  or that grapheme (æ) varied like statistics
or like the characters in the book of genesis
that famous adam und eve (kim and kanye):
chances came, chances went:
it was still a draw on the tongue tied decipher:
àè and áé proved another notation for plurality
was necessary, not at the beginning of the word,
but after, hence the possessive article 's,
we could have parallelism, there was a crux,
how once the chiselling of letters came about,
more economic to chisel in a V than a U,
both the same, much easier though...
almost barbaric i might say...
sigma (Σ) enigma rune e (ᛖ) - this compass
is a ******* berserker, god knows if it's
mount Everest or the Bermuda Δ

but one thing is for certain, never you mind how
a language is taught unless you mind it,
not that conversational athenian is really what
i'm aiming at - but a lesson is a lesson nonetheless,
out of interest something new,
richard von Coudenhove-Kalergi,
and what preceded him, namely pan-slavism,
just when the polish-lithuanian commonwealth
did a little Judaic trick of its own,
although snorkelling in the waters of not writing
history for less a time than israel -
you can't beat ~2000 under water - although
you could if your little tribe had an einstein
among them, or proust or spinoza, then
you could effectively become a whale, popping
an individual out from the rubble to say a polite
'hello' and 'when will the dessert be served?'
but indeed, learning a language on your own,
how to learn from scratch, the greek orthography,
and why omicron and not omega,
the give-away? sigma - purely aesthetic reason,
                             νoμισματων

                             nomismaton

omicron                                                 omega

                 you write omicron at the front
                 and omega at the back
                 pivot letter? two: σ     μ &
                 νoμι-                                -ατων
                      ­                     |
                 anything here  
                 will use o            and anything
                                              here uses ω

alike to sigma:
                          χωρας (choras, i.e. country)

sigma (ς) not sigma (σ), i.e. digitalising languages
without a clear connectivity of letters,
block-a-brick-block-a-brick-digit-digit-digit
you learn that handwriting is gone,
two options, your own aesthetic reasons now,
remember, some paired for the ease of handwritten
flow - digitalised language changes the aesthetics,
you make your own rules (considering exceptions
of oh mega mega, ergo revision -

                                       χoρας,

but still the sigma rule, others esp. o mega
you stamp on them like βλαττια, i.e. cockroaches -
κατσαρίδα                 not         κατςαρίδα

all perfectly clear when you explore plato's
dialogue from the book Θηαετητυς (as you might
have noticed, the epsilon-eta project is still
in the storage room of my imagination) -
but indeed in the dialogue, between socrates
and the "hero" of the book theaetetus -
a sample, without an essay on the theory
of knowledge -
socrates: ...'tell me theaetesus, what is Σ O?'
theaetetus: yes, my reply would be that it is
                    Σ and O.
socrates: so there's your account of the syllable,
                isn't it?
theaetetus: yes.
socrates: all right, then: tell me also what your
                  account of Σ is.
                                                             ­   (etc.
or as some might say, a shrug of the shoulders,
a hmmpf huff puff of hot air, impractical interests
and concerns - well, better the impractical
problems than practical problems, less feet
shuffling and nail-biting moments with your
tail between your legs and an army of
intellectuals working out what went wrong
and how history will solve everything by
the practical problems repeating themselves) -
you know that inane reaction - others would just say
Humphrey Bogart and nonetheless get on with it.

some would claim i was begot a second time,
not in the sixth month period of the aqua-flesh,
how did i actually related to the life aquatic,
for nine months i was taught to hold my breath,
however did this happen?
a miracle of birth? ah indeed the miracle of
a crutch for a woman - spinal deformities -
9 months, sort to speak, in water or some other
fluid - merman - a beastly innovation -
next you'll be telling me beyond this life
we turn into centaurs, given the Koran's promise -
you'd need the appetite of a breeding horse
to satiate the 72 - or thereabouts - martyr or
no martyr - 72? that's pushing it -
or as they say among children - a chance playground
without swings or sandpits, but very careless
gravitational pulling toward a certain direction;
nonetheless, they might have that i did indeed
settle of a sáttmáli                  ᛋᚨᛏᛏᛗᚨᛚᛁ
                  við         ­                  Vᛁᛞ
                  tann                         ᛏᚨᚾᚾ
                  djevul                      ᛞᛃᛖVᚢᛚ -
the hands you see, fidgety -
     hond handa grammur burtur    úr   steðgur
     ᚻᛟᚾᛞ  ᚻᚨᚾᛞᚨ  ᚷᚱᚨᛗᛗᚢᚱ   ᛒᚢᚱᛏᚢᚱ  ᚢᚱ   ᛋᛏᛖᛞᚷᚢᚱ
         the hands give an ardent pursuit
                                                 away from rest -
well not that my poems will ever reach
the islands in question - and indeed an
uneducated guess propels me - what does it matter,
λαλος babbler meant anything, indeed λαλος,
language as my own, is a language that i can
understand - and should anyone omit
disparities - a welcome revision would never tease
nor burn my eyes - but the phonetic omission
peeved me off: woad in water, ventricles in a
variety of entanglements - it's just not there -
and indeed, orthographically, if there are no more
optometric involvements of omicron's twin -
then the stance is with you to use whichever pleases,
i can't tell the difference, unless i was a pedantic
student, aged 70, with a granddaughter i wanted
to be wed teasing a millimetre's worth of
phonetic differentiation between the two -
POTATO PA'H'TAYTOE TOMATO TA'H'MAYTOE -
linguistically one's american and the other
is british, which looks like greek and latin
upside-down and in a mirror: pəˈteɪtəʊ, təˈmɑːtəʊ;
or as the spaghetti gobblers would put it:
the tetragrammaton is working on their
texan drawl (dwah! ripples in china) -
or the high-society new england ******* *******
coo with a cuckoo's load of clocks -
before being sent off to england for a respectable
education, something en route Sylvia Plath -
but not to ol' wee scoot land - ah nay - well
perhaps for a year and then talk of north european
barbarism of a deep friend pizza and mars bar.

and when descartes finished with christina
queen of sweden, she became an animate portrait
of feminine attempts at philosophising,
she was basically ostracised from society,
well, not society per se, she didn't become a stray
dog, but she forgot certain functions of
the upper tier - lazily modern man decides
to hide phenomena from understanding
individual instances, with the kantian guise
of a noumenon, hence cutting his efforts short -
indeed queen christina of sweden was ostracised
by society - only after descartes finished educating her;
and indeed to most people a little bit of sloth
equates to an amputation of some sort -
yet only with the x-files' season 2 episode 2
i've learned of the effects of prolonged alcohol
"misuse", that little boxing match in my liver?
it's not a pain as such, it's actually a hardening
of soft tissue - with prolonged alcohol exposure
soft tissue organs harden, notably the liver -
and it's not a pain, it's a hardening.
but indeed queen christina of sweden was ostracised
by her tier of socialites - i'm glad diogenes
didn't get to her, but then again a bit of cloth
goes a long way this far north -
yet unlike the encounter with napoleon by hegel
diogenes' encounter with alexander lasted longer -
which tells you the old method does no service
to a little bit of material accumulation -
but perhaps the acumen was briefer when you were
ably living in a barrel - and to think, as only
that being the sole expression, not so much
a body without organs as stated in the thesis
of anti-oedipus by deleuze and guattari -
a consideration for a body without limbs - prior
to a footprint an imprint on the mind -
carelessly now, a diarrhoea of narration -
how rare to find it - perhaps this idea of epic
poetry is a default of writing per se -
with this my whatever numbered entry i seize
to find escape in it - a lack of ambition -
a loss of spontaneity that's a demanded mechanisation -
by volume, by inaneness - to reach a single
technique accumulative zenith, and then back
into the ploughing, rustic scenery and the
never-bored animals - i rather forget such escapades -
and there i was dreaming of a grand
runic exploration - some imitable game -
some scenic routes - yet again -
Back out of all this now too much for us,
Back in a time made simple by the loss
Of detail, burned, dissolved, and broken off
Like graveyard marble sculpture in the weather,
There is a house that is no more a house
Upon a farm that is no more a farm
And in a town that is no more a town.
The road there, if you’ll let a guide direct you
Who only has at heart your getting lost,
May seem as if it should have been a quarry—
Great monolithic knees the former town
Long since gave up pretense of keeping covered.
And there’s a story in a book about it:
Besides the wear of iron wagon wheels
The ledges show lines ruled southeast-northwest,
The chisel work of an enormous Glacier
That braced his feet against the Arctic Pole.
You must not mind a certain coolness from him
Still said to haunt this side of Panther Mountain.
Nor need you mind the serial ordeal
Of being watched from forty cellar holes
As if by eye pairs out of forty firkins.
As for the woods’ excitement over you
That sends light rustle rushes to their leaves,
Charge that to upstart inexperience.
Where were they all not twenty years ago?
They think too much of having shaded out
A few old pecker-fretted apple trees.
Make yourself up a cheering song of how
Someone’s road home from work this once was,
Who may be just ahead of you on foot
Or creaking with a buggy load of grain.
The height of the adventure is the height
Of country where two village cultures faded
Into each other. Both of them are lost.
And if you’re lost enough to find yourself
By now, pull in your ladder road behind you
And put a sign up CLOSED to all but me.
Then make yourself at home. The only field
Now left’s no bigger than a harness gall.
First there’s the children’s house of make-believe,
Some shattered dishes underneath a pine,
The playthings in the playhouse of the children.
Weep for what little things could make them glad.
Then for the house that is no more a house,
But only a belilaced cellar hole,
Now slowly closing like a dent in dough.
This was no playhouse but a house in earnest.
Your destination and your destiny’s
A brook that was the water of the house,
Cold as a spring as yet so near its source,
Too lofty and original to rage.
(We know the valley streams that when aroused
Will leave their tatters hung on barb and thorn.)
I have kept hidden in the instep arch
Of an old cedar at the waterside
A broken drinking goblet like the Grail
Under a spell so the wrong ones can’t find it,
So can’t get saved, as Saint Mark says they mustn’t.
(I stole the goblet from the children’s playhouse.)
Here are your waters and your watering place.
Drink and be whole again beyond confusion.
Paul Hansford Jul 2016
The gardener
This is my garden; my apple tree
has over-reached itself.  The branches,
weighed down with fruit, threaten to break.
If I had read the signs, thinned out when it was time,
the crop would be less heavy, the fruit less small.
And what there is, is damaged.  If it’s not birds
it’s caterpillar, wasp, or earwig.
It will all be rotten soon.  I don’t know why I bother.


The blackbird
This is my garden; this tree I sat in
and proclaimed my own when it was full of blossom
with war-cry love-call song.
Then mating, nesting, bringing up the brood.
The days were scarcely long enough, but that
was long ago.  My children gone,
there’s time now for myself, time for a treat.
My yellow chisel bill breaks in the flesh
of these fine apples. Delicious. This is the life.


The wasps
This is our garden – insects do not have time
for individuality.  We built the colony, us lads,
chewed wood to make our paper nest, and now
we work to feed the grubs.
“Lads”, that is, using the word loosely – for us
gender is not important; that’s for the queen,
and, as it may be, the ones who service her,
none of our business.
But we need food too,
and if sustenance gives pleasure,
so much the better.  When we find a fruit
where blackbird’s chisel bill has broken in,
we eat our way inside, till only skin and core
encase our private eating/drinking den.
So what if it’s fermenting?  If we get tiddly,
and roll about, and buzz a drunken hum,
then who’s to care?  And if they do, we’ll sting ’em
.
Inspired by finding a completely hollow apple skin (with the core in place) under a tree in my garden, thoroughly cleaned out by wasps.
Joe Cole Sep 2014
I saw the old man circling the tree trunk
Weather beaten skin, bent gnarled hands
and piercing blue eyes

He seemed to study every knot and crack
in that ancient timber

Then without a word turned and picked up hammer and chisel

The wood chips then began to fly and like confetti on the ground lie soon in heaps some ankle high

Occasionally he would stand back and look but never once a rest he took

Mallet strokes both hard and soft some from under some aloft fell there with unerring skill always busy never still

Long into the night he worked now by the light of an oil lamp and so the tree stump 'neath his hand then became a work of art

At long last he stood and turned to me and said three words " that'll do lad"

I approached to see just what he'd done and there I saw the perfect rose every petal and leaf in place the slender stems in the breeze did sway

With no plan or picture he had made the start
And created the perfect work of art.


So what is creativity? Well that's your next challenge.

No love poems because they've been done a million times. This time something unique
I decided to repost this after reading it, was going to change a few things but decided that its fine as it is
Will Creech Sep 2015
Chisel the stones down
Breathe deep and let it all out
An air of lightness

Don't care to go down
Into the well and water
Splash'd hair covers eyes

The fall breeze leaves here
When the clock ceases ticking
Feeling nothing now

Come here again dear
Bless green the haze in the air
Spark again in me
9/20/15
PrttyBrd Feb 2015
In the silence of a day like today
In the wake of yesterday's dreams
Forgetfulness feels like noncompliance
In a world where defiance still seems
Like a benign inaction of innocence
Though it feels like a stabbing of spite
Willing to kneel to your Goddess
Yet unable to yeild to Her might
There is no weakness to worship at Her altar
It takes strength to relinquish control
Relax and trust in the knowledge
Acquiesce and watch it unfold
There is freedom in the smile of an angel
There is love to be had all around
There is power in making Her smile
Don't be the sadness beind every frown
Inaction, as innocent as it seems
Breeds disappointment that infects every smile
And all those little requests
Will stop being wanted after awhile
See, for all the deeds left unfinished
And all those tiny tasks left undone
Will chisel away Her hearts desire
Leaving Her another invisible no one
An empty shell of a Goddess
Whose glory, in your heart will remain
While She curses her very existence
Languishing in true-love's refrain
21515
Mateuš Conrad Oct 2016
concentrate on the symbols... the narrative style is that of being pedantically excited, it's put together haphazardly for a reason... the point being to concentrate on the symbols, most notably in the title, by suggesting that returning to letters, there's an opposite to Copernicus' compass, not regarding north and south, east and west... whether it's heliocentric of geocentric, the compass concerning letters and how they revolve and transform, akin to the later stages of summer and the earliest signs of autumn - or the nomadic paths of man, but simply, on a page.

indeed mathematics breeds a different
type of genius,
                                                  as i already said
mathematicians resound to agree:
we're not drafted to do arithmetic -
                we're not sprinters
   or the world's fastest at: 1 + 2 + 47 - 90 + 1056...
because our phonetic encoding
is overburdening and too much
akin to mathematical symbols -
              B and 8
                                     l or I and 1
             6 and b
                                            3 and E
              S and 5
                                           0 and O
   if the Greeks built and Empire
that spanned into England
                               the Barbarians
would have never adopted the Greek
alphabet -
                          but since it was the Romans
that did so... the Barbarians exploited
the latin alphabet -
      as they did...
                                    it takes a different
way of thinking, we're not talking
etymology, we're talking things like:
organic chemistry's electron movement
   diagrams... what is positive in Latin
  and negative in Rune? or... what is missing
in Latin and necessary to remember Rune?
             in between the disparity between
  >                     and                )
or (                    and              >
               we have the resurrected sharpening
of encoding reminders: accents,
              namely called diacritical marks...
         or a game of matchsticks...
from the barbarian crude or chequered
flints in terms of chipped away curving-edges
into talking smoothed-marble buttocks of statues...
   Bukowski was wrong... Caesar won
in the end...
                     Caesar cared less for world
power, his ultimate maxim was:
a sudden death...
                              and he won... he got
the sudden death...
                                 he didn't say: death in
my sleep, but: sudden death...
                  he won, in the end.
         i never stick to rules, me? a minor
anarchist, in terms of the Nato alphabet,
it's Rome rather than Romeo,
perhaps even Rodeo...
             and it's Jules instead of Juliet...
   Aardvark rather than Alpha
         etc.,
                                 or like refining crude oil...
the crude version is written as
     ᚱ but the civilisation of the times wrote
R...                 odd.. they kept only
               U    in crude form          , they actually invited these
northern conquerors because, as one
chisel-labourer said:
                           the elder alchemist
seeking a golden fern leaf
             to turn stone into papyrus
and a chisel into a quill...
              for all the shortcuts i could
have written, i was told that only U as in V
                      was the only available
aesthetic pardon...
                                      thanks to bureaucracy
so many wars were waged,
because they were expected to not be
overly-eager in their duty,
   but make shortcuts, which they didn't exhibit
because they ****** the thumb of power
till the bones appeared... bones i.e. runes...
    all but a little empowerment
                            and the dictator complex
              comes without armies
but pages of paper, and filofax dilemmas
              of schedule;
             and what became a revelation
of excess shortcuts: ᚱ into R
                    ᚹ into P
              ᚾ into ł (orthodox Christians
make the sign of the cross: forehead,
           chest, right shoulder, left shoulder
amen, or: the glue of the trinity -
         liberal Christians make the sing of
the cross: forehead, chest, left shoulder,
right shoulder, amen; the orthodox
wear their marriage ring on their right hand
the liberal on the left hand, as with the
wristwatch... monogamy is so time consuming)
           nonetheless adapting shortcut
chiselling in either stone or wood
                     and the need for the Roman term
beauty: curvature... invited
                       the barbarian adaptation
to the alphabet... as i already said,
had the Greeks moved that far north,
the Greek alphabet would have been erased...
            primarily the problem of ᚦ  and  θ
          ᚠ and φ         (or the liturgy behind
           the silent twins of the tetragrammaton)
                                                 cut each letter
open... entry point of later adaptation of
what the barbarians said: but we also have
crude elementary accenting of the approximates...
   evolving the > into a ) will not do enough
justice!             how easily F can be translated
   and poured into the eyes...
the mystery lies in something that has no
archaeological prospect of artefact...
            mentality lost in how phonetic encoding
evolved is what modernity calls:
                  concerns for mental health...
we can't simply resurrect the mentalities of
the fathers who revised runes into
                                 Latin appropriation
                 by saying: we're ill because this
was never recorded, or that they were ill
because they were ferocious at the time
   and spilt blood...
                                 these hysterics trying
to see how one came into being from the other
is impossible... i just know that
    it took a lot of straight lines
                       curvatures of similarity in Latin
and the ****** of chisel-worked in Rome
who said: quicker zigzag the runic R like
our pedantic variation of U in V
                    but what if i had to chisel in
the word pulverise? V L V?
                                            comes out in
arithmetic - there are idiots either side:
    I + IV + V = X...
                                   i.e. ᛞ, Norse for day,
    or simply d.
                           idiots either side...
oh just because the Arabs gave us numbers
we have saintly camel jockeys?
                                       idiots either side...
some things correlate, some things don't...
             but nonetheless Greek empire building
would have failed had it reached even Gaul...
        let alone Britain...
     i start my history here...
not with the big bang, not with Darwinism and
the monkey... here... among *these
skeletons...
                           it was always going to be a collective
project...
                          which resulted in
revising the Rune ᛟ                         from the Latin o
                         but also adding the marriage
with ö...                  among other examples
come to think of it... looks like a crude upside-down
version of ω                       - of north
             and the hardened determination
(in intellectual pursuits) -
          of the south and beauty, of papyrus
                                   and the awe-ratio
                                                                    composed
of ?                                   as that case
              for democratically asking,
democratically not solving, and passing on
              intellectual inspiration
                        &n
Megan Jan 2014
the cold is exhausting
i want to huddle up and freeze
maybe my body as a sculpture
forever frozen as ice
would be more beautiful than wandering in
pink faced with teared up eyes
hair a mess.
maybe once a sculpture
someone could chisel me
form my features
maybe i would
reduce to a swan.
simple.
beautiful.
nearer:breath of my breath:take not they tingling
limbs from me:make my pain their crazy meal
letting they tigers of smooth sweetness steal
slowly in dumb blossoms of new mingling:
deeper:blood of my blood:with upwardcringing
swiftness plunge these leopards of white ream
this pith of darkness:carve an evilfringing
flower of madness on gritted lips
and on sprawled eyes squirming with light insane
chisel the killing flame that dizzily grips.

Querying greys between mouthed houses curl

thirstily.  Dead stars stink.  dawn.  Inane,

the poetic carcass of a girl
TWO fishes swimming in the sea,
Two birds flying in the air,
Two chisels on an anvil-maybe.
Beaten, hammered, laughing blue steel to each other-maybe.
Sure I would rather be a chisel with you than a fish.
Sure I would rather be a chisel with you than a bird.
Take these two chisel-pals, O God.
Take 'em and beat 'em, hammer 'em, hear 'em laugh.
Ambika Jois Nov 2015
All these days
I thought I was fated
Challenged against my will
To gain the trust of strangers
Strangers who turn into friends
Friends who turn into lovers
Lovers who turn heartbroken

I don’t bow my head to their feet
I bow down way beneath
To offer this trust
In desperation to be trusted
With the impression that trust happens on the outside.

While I feed my soul to the world outside
While I feed myself an understanding
That strangers turn into friends,
I am blinded away from my world on the inside.
Those I always know are my own
Become more transparent than invisibility
Those I take for granted as my own,
Become the strangest of strangers.

While I chisel and chisel away
I shape strangers into friends
Friends into lovers
Until I carve a bit too deep into the stone
Realizing a little too late its fragility
Lovers turn broken hearted
And I fall

And there they appear all over again
My very own strangers
They reappear
With love
They disappear again
With strangeness
Yet only they appear again
And again

Godsend, these strangers are
They let me walk away from them
They let me befriend
They let me love
They let me hurt and get hurt
They let me fall
They watch me fall

Yet they appear,
Only to pick me up again
To hold me with grip
To be my crutch, my wheel and my horn
To be the strangers I first opened my eyes to
To be the strangers who showed me friendship
To be the strangers who taught me love
To be the strangers whose hearts are too strong to break
To be the strangers I call,
My family.
tranquil Nov 2013
once upon a stolen time
skies swore love to the earth
in a sight where all flew past
the splendor of a sailing romance

a passion so pristine

ever gentle as morning dew
which surrenders to the first rays
of a yawning sun toddling into
the laziest hour of day's fabric

when hope glittered as stars

and as formless light of souls relieved to be
strewn into the lap of merciful
enchantress content with her creation
whose world shone inspired on its own

an era where people breathed felicity

where foamy seas bent into a restless
swell of dreamy clouds
and smiling rainbows melted into perfume
drops of silver rain

when a grand pearl was born

the child of deepest seas
a gleaming myth so pure and unreal
born in nethers of the grand ocean
a spheric orb of life itself

whom the heavens embraced

as a savior of those lost within
the fading embers of abstraction
frolicking amidst solemn tranquil stars
shiny bright on the celestial parapet

the mortals named her moon

and furnished their barren lives with
colorless spread of her golden hair
traced along the milky laugh of joy
kissing tender skins of lovers asleep

but pinched upon by shores of neglect

lay the boiling heart of a forgotten god
leaning into the envious whispers of venomous deceit
sprung out of flaming ego of the great sun
overpowered by hate for his adversary

and the grand ocean who birthed her

so he raged upon like a nebulous explosion
drying up colossal seas and rivulets alike
while mortals bore the brunt of a deity
beneath all fiery blunders of infernal damnation

they all gazed in horror

to what became of once cerulean infinite ocean
now a volatile geyser of bloodied soup
a serene cradle of life incinerated by jealousy
amidst the dying cries of mercy

laid upon the ears of great mother

who rushed to her frightened children like
an avalanche of uplifting spells
as solace from the obliviating torrents of heat
above a crumbling earth

veiled in her merciful majesty

she called upon a parliament of beasts and men
starry denizens of the shivery black sky
ghostly natives of burning forests
restless roses of ashen hearts

as so were they all summoned

"for all ye did defile
with strength i lend to thee
reduce to shadow dust
spread thy cruelty
dispel a coat of fire
upon my hallowed sea
betray the rule of stars
but so mercilessly

for 'gainst the eye of war
ye sinned with hateful fright
and shall be doomed to hell
till life's last surmise
but if there be some more
ye need to speak awhile
speak aloud thee must
for this be thy time"

and so the mighty sun bared his heart

"for if i had a choice
sin i shall again
to breathe a demon's soul
engrossed with deathly pain

as when i saw her first
the light of purest love
allure of million songs
beaming anthems of

poetry set in sight
in fountains of her sleep
amid the faintest wish
of day we two shall meet

i ran and ran across
the length of starlit skies
in search of moon again
her burnished sheeny smile

only to learn the sea
would mask her in the day
in frigid soundless depths
until i fade away

spiralled across the space
i burnt to nothingness
a billion years in wait
perished to longingness

for choice was what i had
i chose to hate the world
one that does have no heart
one that does know no love

for if i had a choice
sin i shall again
just as the ocean sinned
and bring my soul this pain"

seeking out for the shattered cascades of his mind

the great mother did reach to the floundering soul
of a sun craving for one more sight of his beloved
all so distant as a tale of treasures lost
to the perpetual labyrinth of time

"of what shall thus be named
the blush of myriad glows
beneath the noble day
before the nights of pure

let there be a spell
where sun may see the moon
chisel his heart through clouds
scroll upon his tune

a time where them two shall
be one as dew and morn
ripple across as love
through dusky silhouettes long"

sweet scents of eager hope resurfaced

followed by the serene lush of a green symphony once more
while the sun bent down to touch the topaz glint of water
his beloved emerged riding upon whistling winds from east
once more piercing the restless swell of dreamy clouds

and just as day sank below a border of horizon
two lovers soared into the dreamy sight of each other
for hues of their daring glances tinge every twilight
again with a dream to have their love fulfilled

every day until the end of time.
Then a lawyer said, "But what of our Laws, master?"
And he answered:

You delight in laying down laws,
Yet you delight more in breaking them.
Like children playing by the ocean who build sand-towers with
  constancy and then destroy them with laughter.
But while you build your sand-towers the ocean brings more sand to the shore,
And when you destroy them, the ocean laughs with you.
Verily the ocean laughs always with the innocent.

But what of those to whom life is not an ocean, and man-made laws are
  not sand-towers,
But to whom life is a rock, and the law a chisel with which they
  would carve it in their own likeness?
What of the ******* who hates dancers?
What of the ox who loves his yoke and deems the elk and deer of the
  forest stray and vagrant things?
What of the old serpent who cannot shed his skin, and calls all
  others naked and shameless?
And of him who comes early to the wedding-feast, and when over-fed
  and tired goes his way saying that all feasts are violation and all
  feasters law-breakers?

What shall I say of these save that they too stand in the sunlight,
  but with their backs to the sun?
They see only their shadows, and their shadows are their laws.
And what is the sun to them but a caster of shadows?
And what is it to acknowledge the laws but to stoop down and trace
  their shadows upon the earth?

But you who walk facing the sun, what images drawn on the earth can hold you?
You who travel with the wind, what weathervane shall direct your course?
What man's law shall bind you if you break your yoke but upon no
  man's prison door?
What laws shall you fear if you dance but stumble against no man's
  iron chains?
And who is he that shall bring you to judgment if you tear off your
  garment yet leave it in no man's path?
People of Orphalese, you can muffle the drum, and you can loosen the
  strings of the lyre, but who shall command the skylark not to sing?
King Panda Mar 2016
Rodin: My love, I am on my knees facing your beautiful body. My mouth is drinking your fire. I ***** us in stone. We are indissoluble.

Camille: I am heaven and hell. I am goddess and fire. You are my chauvinistic art-boy concubine.

Rodin: My dear Camille, can you not see my love for you is rooted in passion not stone or clay or bronze? Can you not feel my tongue lapping at your feet?

Camille: Foolish man. My feet are broken. I walk over you on stumps.

Camille leaves for England. Rodin follows.

Camille: You are boring.

Rodin: My love, can you not see that I am in a depressed mood. Can you not see that your capriciousness plagues me?

Camille: I love another.

Rodin: How can you say these things to me? I give you my heart. I give you my soul. I give you my artistic genius!

Camille: You’re right. You are a genius.

Rodin: Shall I write us up a contract?

Camille: As long as you don’t touch me.

Camille and Rodin return to Paris separately.

Rodin: It has been written. I will mentor you, write you in newspapers, place you in museums, and find you buyers.

Camille: You will not love another? You will spurn all but my art?

Rodin: I will. And you will marry me in return.

Camille: …

Rodin: Is there something wrong, my love?

Camille: Can you not see I am being facetious?

Rodin: My dear, you are my flora and gaiety. You are my chisel and stone. You are my breath and lungs.

Camille: Learn how to breathe without me.

Camille exits. Rodin crumples at the feet of Eternelle Idole.

Rodin: What have I done wrong?

Camille re-enters, her hands caked in clay.

Camille: A bird in the hand is worth two in the bush.

Rodin: Shall I get the handcuffs?

Camille: No. The lion’s cage.

*Strong tides and wet fuchsias. Camille enters the cage forever.
Broadsky Jan 2018
She sat there on her mountain top pleased with where she found herself. Yet each day she would chisel where she sat, "a chisel each day" she thought "won't do any harm." So each day she would awl where she rested maybe to see if one day she'd have nothing left to chisel, maybe the mountain would swallow her whole for destroying its wonderous peak, maybe nothing would happen- maybe nothing at all. So she persisted til one day there was nothing left to chisel, and she went tumbling down.
I'm falling in a downwards spiral off a cliff and I was the one who pushed me.
Sofia Von Jul 2014
Suicidal serial killer bashes the bones hoping to feel nothing
because that would be something
A Swelling self-image pops in the distance
is chewed,
then inflated over and over
this routine never fails to cycle, disappoint, and please
Ethanol injections cuz oral doesn't do ****
give it to me *******
***** I'll munch your muffin just fo nuthin like I'm ****** with y'all
Cuz I surf to fall and smoke to die
In the high where life is inconsequential
to question and I feel less than short
Of supernatural

Who are these new kids?
They dress in tights and pick fights
I can't see your face but I trust the feeling
Damsel's are rescued
blood is spewed
Yet insanity is gushing
The drugs are running out
We might just be super
We might just be heroes

Entropy enters me ripping the glamour and with a stammer I know
This isn't a comic book
Marvel
In awe at these elaborately induced fabrications
and schemes to change the pecking order or chisel
the universe to perfection

The line of schizophrenic and degenerate flees
for the hills
that now have eyes
Mateuš Conrad Jan 2017
i once loved, and it's a shame to
agree to: better have loved and lost,
than to have not loved at all.
and as i browse the pages of
a saturday newspaper article
i like to think about virology applied
to mental illness...
and how they: life is ****
   story could really be a viral infection...
i don't know, it's not exactly
h.i.v.,
                oh i can contain my own
*******, i'm writing it on the flag
of colour white,
next time you get a brain haemorrhage
and then get diagnoses as schizophrenic:
i'll take you the crucifix on golgotha:
and imbed your head into
the cross... silent anger, contained:
and all the more concern for inhibited
humour... because as Borat said: jak sie mash:
i like. so please, don't tell me
you weren't gagging for the new golgotha...
because i wasn't...
         and i know, most of the time i have
my mouth attached to a head of a struś
gagging himself in a pit of sand...
yes an ostrich, the grand inspiration for
francis bacon attempts to redefine geometry...
oh coming out of communism and into
capitalism, for a kid?, can be a rough ride...
you don't know what ideology to appease
and what ideology to dictate...
         but i'm wondering whether or not
mental illness can have the potency to
        become virus-like...
     and drain,
and i mean: drain the soul out of you...
or whether man as mammal ever did exist...
or whether this new fashion of
feline existentialism can ever take off,
narratives about spending time with your
bonsai tiger... you'd really think japan was
a bit freakish... but it just has a large
ageing population and no one thinks
that euthanasia is a standard of humanism,
unlike ******* ***** into a face of
a woman... because right there, no
one died... if had any of those anemic
tadpoles actually lived...
    which brings this about to concern me:
so... we live for nine months, in, let's
basically say: in an environment without
oxygen, you got gills stashed in there
with that umbilical chord...
how can it ever be a miracle of birth...
that's what a god might say...
a human would look at it and say:
huh? you joking? i'm part of this horror?
     but not until you have a brain
haemorrhage and get diagnosed as schizoid
and then you think: so what was the point
of forgiving your enemies come into this?
      i can't believe it has become so, so personal,
to actually have this nagging, decapitated
doll-head on your shoulder telling you to:
repeat! repeat!
       i could literally be writing this in
Auschwitz and be like: Neddy needs a jumper
and a diaper... cos like that really needs
you to fathom the logic of assembling an
Ikea chair...
                          i mean, talking in the west
is a bit like farting into a hippotamous' nostril
for a ******* jackuzi effect...
  jack! i said ***! what's with this jacuzzi?
English, mein gott... confusion everywhere
you pigeon **** onto a top-hat.
by the way: everyone becomes
dyslexic on the word hippopotamus -
there's a reason why hippos exist...
        you want acronyms, you get shortening...
and yes, since english society has abolished
asylums, the society has become a breeding
ground for asylum instigators,
rich russians, bewildered chienese...
it's en masse, one, massive, cesspit...
   i mean the part where you don't get the brown
steamturd floating about like some
  celebrity you'd love to slap with much
more than mere paparazzi epilepsy...
because violence matters, esp into language games...
i was just asking, because there i was,
working on a roof on some construction site,
and she calls me up and says that
she hears voices...
          that's what i mean certain mental
delinquents and their choice of Samaritan...
  what does a roofer know about "voices"
if it doesn't equate to a bad conscience?
    that's why i'm wondering whether certain mental
illnesses have a virus-like profanity attached to them...
oh yes yes, the unison: bob marley: we're one
type of ******* to boot, like i'm supposed to get
a hardy and a 'ard on about it...
               ******* spoof of a light-bulb moment: PING!
and there... ain't that just dazzling?
phantasmagorical blurp at the feet of
Eros at Piccadilly Circus... my ego is a canon
that just simply shoots out viagras! and questions.
and yes... that's what we call being part
of the clown...
    and if there's a lord of flies...
what's the guy mentioned by beelzebub drunk
doing about the mosquitos?
           ah... boundless at the crucix, once more!
i'm just wondering where
does mental illness become solipsism,
  and when in fact it becomes a sort of virology...
   i can romanticise mental illness as a type
of solipsism, that it has a cage, that it can be contained...
but when mental illness goes outside of the novel,
strolls outside its cage and becomes
something akin to kissing a *****,
     i want to know.... because i swear i have been
affected by someone's mental illness being
hidden in the shadow of taboo...
   look... i'm ******* exfoliating with vocab!
        how can you become normal after someone
exposes you the symptom of "voices"...
that's demeaning given the past history of
having relationships with angels and demons,
that's like a neuter noun.... voices brings up
more concern for a pronoun-****-up than
a clear, noun association... angels, sure,
i could start looking more closely at pigeons...
demons, doubly sure, i could start
chasing bats...
              but i need to know whether mental
illness is worthy of taboo, i.e. it's worth
the category of being physical, in that it can be
contagious... whether it can act like a virus....
whether it can become an epidemic...
    and to be honest, i think it can,
but that seems pointless, since western society
has exchanged asylums for taboo...
                  look at me now,
a once budding roofer, reduced to writing poetry,
i might as well be an ******...
            safe-guarding king Solomon's harem...
oh sure, eunuchs were able to **** his *** slaves...
they were slaves themselves,
what they weren't allowed is to usurp
    the ******* crown of the king passing his
d.n.a., mind the frivolity, never the seriousness
of geneticist, yawning when their genesis was to come...
    i'd love to see hans andersen on the trail of
dolly... the sheep... and dolly really does become
a trinity of animal prior to human in the out-reaches...
what with laika (man's best friend)
and later fiztgerald... oh wait (man's worst enemy,
the money) Baker....
   thanks to de Sade and baron Sacher-Masoch
we could truly begin the orthodox occult of science...
   how the two patron "saints"
interpolate... it really is a dualism worthy of
dangling a crucifix... shame the first monkey in
space wasn't called Brian...
    i don't know, then, perhaps, the Caesars at
the coliseum wouldn't boast so much about
   the: lacking the ambidable thumb
(yes!) googlewhack no. 4 / 5 -
mandible thumb you idiot! d'uh...
but still, a googlewhack at the end of it...
type in: lacking the ambidable thumb
and, yes = 1 result in the google algorithm...
http://www.experienceproject.com/stories/Have-Thumb-Deformity/728760,
i call this the alternative version of, or rather,
the digital version of fishing...
     a tail like a thumb, the grip baron...
   but my peacocking the tongue shouldn't
be deemed as: straitjacket panic button prone...
  why would it?
****! he used the colour azure in his blue period,
that picasso did! chain him! gag him!
stash him in a kitchen stove!
i mean the inspection of genuine viriology
dynamic concerning mental illness,
the anti-thesis of solipsism, as the proper counter...
or should i say: membrane / barrier?
    can mental illness make ranks, i.e. spread?
like a virus can?
            well, if you take to explaining a zeitgeist...
ideology akin to communism and ****** can
become virus-akin... so i guess... yes...
it had to become a self-serving question easily
answered... mental illness can be very much
akin to a common cold... it's not really a case of taboo
being the lock-and-key to contain it...
nor the asylum... i suppose the best prescription
is the idea of solipsism...
              but isn't this grand,
i'm actually lethargic, coinciding with
    a tax on robots... and the French slashing
their 35 hour working weeks to 32 hours...
    and the Finns paying their unemployed
    (2K, placebo dosage for the actual
   237,000 unemployed) - a random €560 a month...
such are the times...
           it really has become a sort of
year 0 orientation lesson... because it's just
gagging for a guillotine to snap it awake,
so a decapitated head of Charles I at Whitehall might
say it's final farewell...
              and is mental illness capable of
being akin to a viral infection...
     it probably can... you probe the waters in an
environment of poets... they're good enough
to succumb to a white rabbit experiment...
              question is: do you apply the rule
of solipsism or an actual asylum? in a post-asylum
society, i don't think there's an option
whether solipsism should, or shouldn't be used
to counter the more serious form of the flu...
   but, as ever, it comes down to the age-old
cartesian model of dualism... or as any siamese twin
might attest: i'm not that further away from
my sister as you might think...
  the dualism that served so well for so many years
to appear "peaceful" became a real dichotomy...
  the ergo suddenly failed... when people realised
that the fact "i think" didn't necessarily
precipiate into "i am"... given what the media is
interested in, and how many people become missing
and all that... the numbers were too much
for player uno to simply give up the canvas
of newspapers and t.v. to some poor schmuck
trying to impregnate his canvas on which he worked
his paint-brush (power) and paint (wealth) onto...
   the cartesian ergo simply failed...
    oh sure, the other two facts worked... but they
didn't necessarily congregate universally
in the crux of ergo,
        i was told it would be a monsoon of thought
established on earth... instead i got a light-shower
   and the Gobi desert.
in the same way the subconscious exists
as a fake of the trinity...
           to me it has no need for a chisel...
as a realm... treat the conscious as a realm
akin to Hades, and it becomes wholly
de-personalised... there's not individual in it
that might require it... it's a covert mechanism
of subterfuge... but if we're talking
making rabbit heads with our hands
   in the shadow form... we're talking
nothing but puppeteering...
   or like saying, let's create an evolved
version of the definite (the) and the indefinite (a)
article...
                      well... there must be
a direct and an indirect article...
                well there is...
con                                 and sub-con,
       un-con is an indiscriminate article...
meaning: what are the evolutionary gains
of dreaming, given the cinema?
VENUS62 Jun 2014
Cast me not
in any mold
of your preconceived
ideas and notions

For I am
A woman
With my own
Intelligence and Intentions

Contained
I shall be not
In contours
Predefined


I morph,
I change,
As I evolve
Not in any orbit will I revolve


Chisel me not like
Some statue fine
For I am neither divine
Nor a concubine


Label me not as
Fertile or fallow
Or simply
as shallow


I am not
just a mother
sister or wife
I am a woman dignifed


At times
whimsical
at times
emotional

I can be spiritual
Or plain evil
I am but a woman
Individual!
Even today in many parts of the world, women are stereotyped and expected to behave in a certain way!
Mateuš Conrad Mar 2021
beginning with a title... the transcendent bicycle...
because it really is just that...
if you have walked as much as i have:
a marathon from Romford
to St. Paul's and back...
a marathon from Romford to Epping
and back...
       i don't know but i do know that
i might have been aiming for: flesh of my flesh...
aged 34... but i'm still "trapped" inside
the dimension of the bicycle like
i'm ******* quicksilver / the flash...
i haven't ridden a bicycle in well over a decade...
today i found out i have ghost muscles...
the bicycle became the antithesis of
prosthetic limbs...
   it's hardly a Descartes contemplating
a desk and / or van Gogh's chair...
beauty in pickling... depths of thought in:
picking, juices...
how a second birth happens with
the advent of thought...
when... penetrating inanimate things...
to think about objects is to...
become more objective?
         it's not like i'll summon...
a Freudian complex...
using a bicycle... as a Deleuze
did when ushering in the bicycle from
a Beckett's perspective...
  beside the "village bicycle" i hardly
want to give sway to some ******* metaphor...

the bicycle is more than a chair
a chair is such a fermentation process
since you can sit on it...
but can hardly concern yourself
with making a ******* gallop on it...
but a bicycle is not a horse...
but a bicycle is not a horse...
writes the man that...
yes... i have ridden horses...
all the equestrian clubs in Essex can shy away
from the detail of...
i have allowed myself to ride a horse
to a gallop... neck, sore... entangled in:
want of massage... yes...
but a bicycle is not a horse!
it's a dog... at best... it goes where you want
it to go...
the leash of gears the muzzle of the breaks...

the **** i need a car for?
in London... even if it's outskirts /
kilt Loon'don?
     ha ha FARKER TARTAN WILLIAMSSON...
blah!
enriched with hidden energies of
newly discovered... otherwise plainly
shelved sensations of motion...
there's nothing new about a bicycle...
said the man who withheld a smirk
when attesting...
a gap... the same centre of gravity... though...
almost like the buoyancy arrived at
when swimming...

oh how my father tried to teach me...
how peer pressure taught me instead...
it's this exasperating O oh and ah...
that's not really becoming of adding any more
detail to a rekindled love for life...

notably concerning England...
and outer-suburbia...
- when you have been walking these
labyrinth streets for months...
to be suddenly injected with
a very new, but at the same time:
a very old concept... dimension: which sharpens
the genesis of thinking about the sentence...
a new dimension of... speed...
time, space are their own affairs...
invoked for a day by a day...
walking is merely movement...
cycling? that's not merely movement...
that's...             speed...
because... there's a whole chi focus
of X yes precisely X...
        only half an hour's worth of cycling
and i covered the whole peninsula of the area...
unbelievable the detail of acquiring
traffic coordination...
a shared responsibility that a mere
pedestrian might take for granted...
      
tomorrow's a Sunday and i'm supposing
come circa 7am the
traffic should be "slim"...
having tested the breaks and the gears
somewhat proper...

bicycle bicycle... where have you been
all my past decade...
bicycle: grandfather Joseph...
death toll murk... fill the bells!
let them not resound in the night
while i reclaim the wind for my own...

- that i sometimes drift in and out
of solipsism...
yes... that solipsism is
laboratory minded experimentation
with states of autism...
but you're given the excuse
of riding a bicycle...

i wonder what wings might feel like....
a bicycle is not a horse...
a bicycle is more or less a dog...
it's certainly not a cat... meow...
if there was an advent of wind to harness...
but there's me... merely pulverising forward...
the leash the muzzle
all that's frame and the breaks:
downhill...

the lullaby of emotions intrinsic in:
blocking all rancid thinking... all thinking
like so...
Zen by ***... it's not that i know more...
i know... different... but first you have to walk
said distances... before loopholes...
wormholes appear gesticulating the mind
with a provided for, otherwise...

i'm 34 and i feel like i've just...
accomplished more than
having shed feather of my virginity...
never make me feel so entrusting...
never make me feel so demanding "x"...
peddle ******* peddle...
tread-water.... in your pyjamas...
i do remember, like an elephant's cranium
might... details of a historical tattoo...

philosophy books are...
paupers of metaphor...
language is ever hardly elevated into
a bouquet...
i don't want to be in love again...
i don't want to be such an...
undemanding... lack of ambition...
lack of sacrifice...

take me into the woods
and shoot me in the back of the head...
but before you do...
i'll merely ask...
take me into the sort of woods
where the deed be done...
but appreciate walking me so far
off the well trodden path
that you might not remember
how to retrieve a safe-footing back...
take me into the woods of no known
horizon...

guarded by a strict wall of a mile of trees
that block out the otherwise pleasant
azure of the sky come hiding the sun
at sunset... or sunrise...
in that zenith of immobile grey
between the hours of commotion
when nothing is to be salvaged as one's
own... but... abhorred as it too must be...
somehow... shared...

some privy in on England... a land
of fertile imaginings...
when Descartes had his table, and chair...
to fist & fester on...
i'll lay clamour to the debris of alt...

yes: an overbearing load of sensation:
delusional.. let's put him in his "right"
place... let him believe the sole provided
the psychiatric source of angst
no purpose = no posit of transcendence...
no bicycle...
   custard... pie-load...
angst...
               jerking off from "excess" libido...
well... exercise the "excesses" of libido elsewhere...
exert well squid parallels
and more: firm grasp... "tentacles"...
see the same within the confines
of an "elsewhere"...

how ***** i became being so...
muscular abiding... simultaneously... docile... too...
it's not a Lamborghini it's not
a British T... triumph motorcycle...
it's a peddling ingenuity of
somewhat self-origin...

i could have eaten up a Solomon's share
of ****** and *******
that same of wisdom...
should i, could i, would i have
demanded less than was already left available
from the Tetragrammaton...

how did "we" ever learn to laugh...
how was HA... the hebrew definite article spawned
those biggest,
no... those grieving questions...
how a monotheistic deity might be all
good... yet somehow not all powerful...
yet all powerful but not all good...
bling alley... cul-de-sac view:

the algebra not solved: attempted by
numbers...
letters later sieved...
and more letters sieved...
played the party pooper with membrane knowledge
of katakana and Hangul...
because... Latin script does slip...

chi-focus?
the multiplication ascend of:
what was walked prior...
can now be cycled... shortened because no
"lost" time was ever to be grieved...
although... the front suspension is...
an unwelcome addition...
ha ha... privy me on details
like... excesses that are there...
21 gears and when there was a rigid frame
throughout and rising up from
a sitting position is not necessary...

no... i'm not gearing up for motorcycles...
i like the idea...
but also... subsequently... the experience...
of a double-decker... bus...
of a bus of being the transit mahjong skeleton...
pieces... mein alles!

mein alles!             gott, mit... uns!

yes... unbelievable... the demands for yachts...
for ******... diminished into a fizzle....
when a Beijing demand for bicycles
skyrocketed... and all that was left to salvage
was... promises of a Sunday,
circa 7am...

hidden gems of plied-play-dough-esque:
sort of truths...
sort of beefing up... doubting pork...
within the confines of chops...
between me and a prisoner...
between me an a prisoner...
it's hardly the yacht...
the hardly any nuance of bother...
believe the existence of hierarchy...
because the Bolsheviks didn't
come about the first time around...
second try...
escape the English cwown they said...
escape the litany of squares
they-void-thought... "said"...
herr omar bin sa-id...
conquest of the Hey-Brews... "said"...

don't undermine the intricate
tribal workings of...
half-possessed...
half truant... thereby almost totally... true...
associates of Casimir the Great...
there be a god of wisdom
and there be a god of fire...
there be a god of letters...
if so...

the same god will be inclined
to mind...
an apostrophe as much as a surd (letter)
in Ęgli-sh...
when not minding... "it"..
lay an Ę to the side to wreck havoc with...
ha ha!    Щ...

  Ę / Щ... the **** are you looking
at me... like i were the one
who killed your mother with a *******
harmonica / what have these galoshes to do with
"these" galoshes...
what has this pumpernickel to do with
this windmill... "this" is an obstruction...
the proverb states...
what has a pumpernickel to do with
a windmill?

exactly... ****-all!

two-riddle *******' worth... worth of...
newly ******* jargon... and crust of...
for the load that might be minded
invigorating life... as life in prospect...
re-orientating man toward the clamour
of detailing sky...
not on foot...
not on horse...
not via car... will you...
to hell with running down...
a stampede of perspective...

planet... luancy? is that where we are all,
from?
i am born of madness...
i am this salty precursor of i think...
clearly i first arrived...
later... i somehow managed to "think"...
i didn't think first
but i certainly didn't either:
i think therefore i am therefore i think...

i was more on the lines of...
from the lineage of:
trouble...
i am therefore i think therefore i am...
i am not a spider i'm not all emptying and detailing
the filling of gob-***** with
i am hungry i am vector...
i am therefore i think therefore i am...
but this... ****** of french...
premature *******....
of i think therefore i am... therefore i think:

honestly? thinking is sometimes not...
necessary...
sometimes water needs no... glue, metaphor...

Amsterdam's open mouth darkseid
apocalypse abode...
le trio joubran - masar.... a finite quest...
primo.... detailing conquest...
handling crux....

            the cat's in the riddle...
the yard is in a mile...
scrutiny of the Levant...
           leverage of hark... -ing
denote: closure... of "ambition":
this lesser "king"...
brow of the most dignified...

                   keeping with allowance
(an)
  justly, met...
  
give me wind:
   give me... air...
not... hair... i laugh... i laugh too little...
i chisel my teeth...
i scream: nothing primo!
my life but q.
there are more lived importances
that matter, thus...
cradle... diamonds...

"the end".
Rob Sandman Mar 2016
The Ballad Of Jack Hammer (Concept by Jay Byrne)
=========================
Jack Hammer-Jay Byrne Black Fang Rob Sandman aka Schizophrenic.

Listen up I got a tale to tell.
About a black jack rabbit known for raisin' hell.
Jack Hammer's his name. Retribution the game.
Out on the plain with his kinfolk he did dwell.
Til that fateful day. No forgettin it.
Loss so painful. Jack was but a leveret.
While playin' out back.
Along the track came Black Fang and the Red River Pack.
And they were lookin, for blood.
Notorious outlaws up to no good.
In the low sun and The Pack started gunnin'.
So Jack started runnin'. The damage was done and it was over.
No time for goodbye. He just stood there.
Lookin' the Devil in the eye.
While his Momma bled.
The wolf walked up and this is what he said.

Are you sore that the Fang took away your Paw?
and the River Run's red with the blood o' your Maw?,
well hop away little blackjack eyes red raw,
-tell the rest o' the prairie what you done saw,
Red River is the Pack,I'm the one with the crown,
I'm the big bad wolf who blew your whole life down!
so cower and quiver little wabbit,have a cry...
you little ******* you took my **** eye!


From out me back pocket, pulled out me slingshot..
..I'm a real crack-shot when it comes to bringin' pain across lots.
Ya never saw it quicker.
Lickety-split I skedaddle into the thicket.
Then he was gone...

Spent the next few years wanderin'. Ponderin' recompense.
Lived paw to mouth honing his defense..
..and offense. Hell bent on atonement.
Twin six-guns blazin', layin' judgement.
While The Pack kept killin'.
Full split, full chisel, goin' the big figure.
Black Fang said it himself.

none bigger none badder than the Pack I'm with,
spit venom that hisses,hogleg never misses,
no-one messes with the red river,do and you die,
cry wolf-get engulfed,leave your colt lie,
whole pack'll rip lead to your head if you try,
but-one thing niggles while I sup down Rye
is to **** that rabbit that took my **** eye,
heard he built some fame,got himself a name,
Jackhammer IS MINE I STAKED MY CLAIM
.


Like a freight train runnin' on collision course.
Jacks fate's been comin' like an iron horse.
Tour de force, pent up, fired up ready to blow.
On a stormy night into town he did stroll.


Jack walked into the saloon.
Black as all hell, no light from the moon.
Fang at a table playin' poker.
Soon to be Dead Mans Hand for that joker.
The pack'll pay.
I'll put the red in your river bringin' Judgement Day.
Stormbringer I'll deliver. Got an itchy trigger-finger..
..cos I'm quicker and fitter. Juiced up, not goosed up on hard liquor.
Then he catches me eye.
Takes a sip of his rye and says..

if it ain't the **** nipper that took the fang's eye,
waited all these years to come here and die,
no odds no winnin' no end to my sinnin' ,
Pack back up,fair game fangs winnin
last chance saloon,I'm too old for you,
ain't no-one ever outdrew me and old blue,
Navy Colt revolver,dead problem solver
so 'ware this wolf,you couldn't **** with silver


Black Fang, I've come to collect.
Anybody that don't wanna die better mosey outback.
But the pack can stay.
For what ya done did you're dyin' this day.

as I opened my mouth and slid my paw to old blue,
twas like the heavens opened up on my whole **** crew,
twin revolvers spitting,splittin' open my pack,
last shot ripped ripper my lieutenant in the back

cause I dragged him over me,hit the deck too,
little rabbit thinks its,over cause I  was hit too,
then I let rip,aiming straight for the head,
coulda sworn that shot left Jackhammer dead
... (but did it?)
Another unfinished track by myself and Jay Byrne... give us a few likes to hear the end(lol cliffhanger style!)
Mateuš Conrad Feb 2020
you can undercook pork - a little bit of pink
is rather - favourable -
you can undercook beef - a little bit...
let's go full bleu: which has a name... pittsburg
blue...
but please don't slaughter the cow,
send it to the butchers for the cuts...
and then shame it by cooking it well done...
thrice the cow thus dies...
aside from... fish...
well...
i was never a fan of chicken *******...
because whenever someone cooked them:
i.e. my mother - they tended to be... dry...
chicken drum-sticks and the almost grey area
of muscle flesh close to the bone -
these days? the former schnitzel fan has
become a chicken roulade fan...
because the stress for 165°F - and 5 minutes
worth of rest... for the cooked meat...

Ciara - another daughter of U Kʼux Kaj -
she can still be felt in the early night
when walking the streets...
some storms never reach essex -
and that's probably why i decided to grow
my beard long - to feel it combed
by the wind... this elongating chin to match
the moon's scythe -

point being... cooking chicken is unlike cooking
beef or pork... because...
well beef is born from blood -
in the body of another -
the mother - the pork is born from blood -
in the body of another - the mother...
you can undercook it... most certainly:
esp. the beef...
trouble with chicken: is the trouble
with undercooking fish...

to perfect the cooking of chicken meat...
is very much like cooking the perfect
soft-boiled egg...
you want the yoke to be runny...
and the white to be a: ścięte białko...
a coagulated white...
it's quiet amazing how chicken meat
behaves like the egg - the protein
in the atom -
how you have to mind cooking chicken:
for that juicy chicken breast roulade -
in the same way as minding a soft-boiled
egg...

i've never noticed this...
apparently that's the glaring obvious...
it always was!
beef you can undercook: cook it perfectly:
overcook it...
pork you can undercook: cook it perfectly:
overcook it...
chicken? you can only cook it perfectly
or overcook it...
undercooked chicken is a bit like...
finding a raw scallop nugget kiev-esque
in your chicken -

perhaps because: we can eat a poultry abortion:
the egg -
that i forgot or never minded to think:
the meat will behave like the egg -
the protein is borderline with seafood...
after all.. the birds are fish with wings...
that we managed to domesticate
a wolf and breed it with a dingo
and give it a bark...
how did we pluck the hawk from the sky
and gave it marching orders among
the strutting gehenna-game of the wehrmacht
with the geese...

i have no "beef" with the british and their past...
how many zulus became slaves?
hot topic...
if only a people were as fortunate -
not to be landlocked -
the last known invasion dates back to
1066 - nothing is spoken about the ottoman
empire or the mongol empire at the gates...
perhaps other people too...
could have their idle -
and been left to their own devices...
their high tea and all sort of *******...
but i'll still bemoan that...
this language does not have any orthography...
but it does have: n'dubz...
and a york-shyre from peckham and the rest...

- you simply can't undercook chicken...
you can either cook it to perfection...
or overcook... anything undercook is not going
to be eaten!
an undercooked chicken breast roulade?
that's scallop nugget in a kiev-esque chicken..
but why didn't i see it sooner...
how chicken meat would behave like
the egg when it was being cooked?
after all... what becomes of the yoke
when translated into the full-grown chicken?
the internal organs? the bones?
i'm pretty sure the egg-white translates into
the skeleton...
and the bones? it's not like the egg-shell
implodes...

in my hand i hold a chicken's egg:
a poultry abortion...
in my hand, also... a babushka doll...
this: little matron... бaбушкa...
because who would have thought that...
cooking the perfect chicken roulade...
would be akin to... 15 minutes extra...
when working from a soft-boiled egg...
oven-baked of course...
prior to the skin needs to be butter-fried...
and you can't enjoy
a chicken's neck... if it's not poached...
too many bones: not enough meat...
the neck of the chicken needs to poached...

again: one feels inclined to stress the importance
of curating the meat: curing it is one "thing"...
but it's almost an art...
as long as you respect the meat...
i find that most vegeterians or vegans
become thus...
because they have not learned to respect
the meat they're about to eat...

beef you can undercook... the sooner you do so...
the less chance that you'll butcher a second time
with a well-done: eating sand...
wishing it was poppy-seeds itching at the gums
between your teeth...

to respect the meat is to also bite off the heads
of the bones... for the over-cooked marrow...
i once held 30 or so poultry hearts in a cusp of hands...
hands prior to romeo & juliet's amen and kiss...
before i imagined what 30 hearts would otherwise
look like: if i was given the remaining body parts...

or 30 poultry stomachs readied for the broth...
with groats...
i too would become a vegeterian...
if the only chicken ******* i ate in my life
were: usually over-cooked...
dry... simulating imitation cheese
and chalk... the sort of meat: overcooked...
whereby your teeth start to experience
protein glue... and it's hard to pull the jaw
from the skull apart...

i have mentioned pittsburg blue, haven't i?
you can undercook beef and pork...
but you can't undercook chicken...
now unless you want to encounter
a pocket of a raw scallop sensation...
a chicken has to be treated as well as an egg...

most of the time you need to undercook
beef and pork...
but chicken requires...
oh glory be to the poached egg on toast...
the scrambled eggs undisturbed fried on
some pork dewlap...
when you can tell the difference between
the yoke and the whites...

such a versitile creature - this domesticated
hawk... this chicken marshal...
this would be cannibal... i've seen how one
becomes butchered with an axe -
one chicken, one axe - on stump of wood...
the rolling eyes of the decapitated...
the other chickens didn't mind...
they'd run up to the altar with the running
blood of rivers making letter markings
on the woody crumble...
and drink the blood... peck at left-over
flesh from the decapitation...

"gender expressions"... and... what's that?
leftover grammar from french...
translated from inanimate objects:
as being either endowed with a phallus
or a floral pattern -
but in english almost all objects of worded
interaction are gender-neutral!

native tongue "endowement"...
słońce - sun - is feminine...
księżyc - moon - is masculine -
krzesło - chair - i'm siding with masculine...
stół - table - that's clearly "gender neutral" /
alias: hermaphrodite... alias for the *******...
son / daughter of Aphrodite...
kamień - stone - masculine...
góra - mountain - feminine...

and so the heavens opened and became:
short on breath and soul...
the groundwork of earth...
the earth itself... started to nibble
on the delicacy of feet - the wind whispered...
and the echo: and the footsteps...
and the dutch clank convened and called it:
marriage!

how grammar transcended casual english
usage... how it bypassed orthography...
how it never attained orthography...
oh yes... the russian have it...
but... who would have expected it...

n'est ce pas?

what was once the gestalt primer...
that became a rorschach test...
i say: it's either a ink-blotch of a pelvis or a moth...
but with regards to the selfie:
i always require two mirrors...
i still remember the days when someone
would take a photograph of you being:
oblivious...
as if god: the narrator...
convened and descended upon the scene
and imposed directions of keen: montage...

the basis of gender neutrality of nouns...
it can't be extended to encompass verbs...
an oak: dąb - is male...
but a pine - sosna - is female...
all fruit bearing trees are female connotations...

whatever sheryl crow's debut album was...
wasn't alanaise morissette's jagged little pill -
however the conundrum spins with no
favor for the electric currents passing via
Ariel... give me the wind god...
the daughters and barons of: the lesser involved!

because i'm a far cry the alpha...
kindred of the omega... and all that alphabet
of meaning behind letters...
"self-imposed"... less a ******* and more...
feeble guide of watching others get
pleasured by the mantis
and the black widows of tomorrow...

a cactus would grow in my palm should
i witness germany re-united:
at least that's how the proverb stood its ground...
before common or passed on "wisdom"
learned to gravitate toward...
soap bubbles pop... charcoals smoke...
ms amber becomes a river
when there was no river expected...

the tides are hardly shy: they're buying time...
this one last commodity of the rotten mind
of the gambler...
puny prophet - of fate -
alongside the weathermen of a forgotten
afternoon: come birthday prior to noon...
and the fungus umbrellas chat
among themselves in a premature autumn
cascade...

fungus or just... lungs... devoid of a body?

my god: the kids are going after the grammar
that has already absolved them...
knitting mosquitos and lambasting
gherkins' worth of would-be:
pickled cucumbers...

that herring tartar... with dill and juices...
that baltic sushi never to arrive
at the cusp of the Caspian sea...
Molotov shots;
the Russians will always bring glasses
and ***** with them...
because... they somehow can...

- and that's because...
sheryl crow's debut album wasn't
alanaise morissette's...
but never makes the cards of a...
poker-match-up to better not earn
money if all that money is a gambler's
Eden...

- there are better ways to get away with
cooking an egg...
there's this entire myth of...
no poultry sushi...
mein gott! how the meat agrees with
abortions...
you can undercook beef,
you can undercook pork...
but when there are poultry standards...
they're just as risk-aversive as when...
a soft-boiled egg is required...
same with meat...

this direct translation of the atomised meat
in an egg white...
how it needs to coagulate to pristine juice
and all that perfect *******...
and... ****** via the runny yoke...
because i believe there's a puritanical
aspect of all life in general...
when hard-ons are sold
within the quarantine confines
of a viagara episode of: ***** into a hard-on...

chuckles and whittle charlie chaser says:
no man was ever ***** into a hard-on...
no?!
when charlie met chuckles and chuckie
and charles...
it must be a russian "thing"...
they have them... and hide them better...
there's nothing to hide in english...
just bad grammar and trans-grammar....

i.e. чa-чa-чa
            believe me... they managed to fold...
hide the caron in that alice through the looking-glass
of greek mu: μ - or (h)atches open!
how about hiding...  (letovers: č              č
the caron, in russian?          č č             č č         č)
or the H and the Z in english and polish
respective - whole - attached to the S?

epsilon lying back... the toil
of Sysiphus is a bore: шit...
****... and... шarp...
and... mateuш...
    
maybe people... or so we at least,
have inkling to hope to be receptive of...

щ: twice the hiding caron...
it's not that the russians don't use diacritical
markers - they just hide them differently...
the self-exposed vowels...
last of the reminders...
because there's the carpenter's obligation
to chisel a Y into an I...
or at least a J...

to add this currency of momentum is...
to... leave without a memory spare...
whipped along the trail via
a maine ****'s finicky worship of
air that will never translate itself
as being: breathed...

and yes: i drink... i drink to relax
my lexicon from the everyday strict: rules
and obligation of formal mr and mrs
and what doesn't fit into
a metaphor tuxedo...

over-cook pasta: we'll never talk again...
over-cook beef or pork: ditto...

it's an art to treat cooking poultry meat
with a quasi seafood status of scallops...
to curate a soft-boiled egg -
not quiet the abortion portioned
within the confines of a lost shell when
thrown into the dead-bath of
a lobster's litany when the neither alive
nor dead is cooked...

some bloos is necessary when it comes
to either beef or pork...
but you can't just have undercooked
poultry...
the grounded clipped wing marshall:
the decency of cooking poultry has
to be equated with cooking
a soft-boiled egg...

otherwise the common saying:
one apple a day... keeps the doctor away...
well...
one poem a day... keeps the psychiatrist away...
no? who are the circus freaks
the pseudos and the quasis of what...
has to be compensated by mr. rather dr.
surgeons and... the better half of whatever
becomes the butchering degree:
a degree in: what's not to be eaten...
but what has to be left intact
and reused?

less the homosexual yet still la la land...
not quiet cuck...
but still... every time i visited...
and never managed to peer at
the sort of first-person doom shooter experience
that otherwise third party sources would
allow me when...
the best fallatio is done in third-person...
talk about having someone to sit
on your face like...
never the literal metaphor translation
of ****** acts...
face-grubber from alien and...
performing oral *** on a woman...
no... none of it is true!
******* and winding archaic clocks...

some would even call it electricity should
it come from a burning candle!
K Balachandran Aug 2016
You tenderly carve, day and night
my heart with your chisel, sharp, incisive
as if it's a block of alabaster, at your disposal
chosen to create your one true masterpiece.
I believe in you,and submit, why? I can't really tell
Isn't it true love, that transcends limits of thought?

I let you do it as I can see  it pleases you the most,
after the moment your eyes had fallen on mine first
and stood still; I saw a divine  excitement on your face.

Is it pleasure or pain?I can't answer that question
I love you, and want you to do what pleases you the most.
My muse said, "Don't let her do this, she doesn't know
it's true worth, she'll ruin it in her, enthusiasm without limits"
I said in a whisper "I've hopelessly fallen in love, for ever"

I'd be your monument of whatever, success or failure,
I feel  the forces of nature that decide what it turns out, at last
and I listen to the sound of hammer on the chisel and patiently wait.
Where does this love lead me...I'd trust this love and follow...
Hic. On the grey sand beside the shallow stream
Under your old wind-beaten tower, where still
A lamp burns on beside the open book
That Michael Robartes left, you walk in the moon,
And, though you have passed the best of life, still trace,
Enthralled by the unconquerable delusion,
Magical shapes.
Ille. By the help of an image
I call to my own opposite, summon all
That I have handled least, least looked upon.
Hic. And I would find myself and not an image.
Ille. That is our modern hope, and by its light
We have lit upon the gentle, sensitive mind
And lost the old nonchalance of the hand;
Whether we have chosen chisel, pen or brush,
We are but critics, or but half create,
Timid, entangled, empty and abashed,
Lacking the countenance of our friends.
Hic. And yet
The chief imagination of Christendom,
Dante Alighieri, so utterly found himself
That he has made that hollow face of his
More plain to the mind's eye than any face
But that of Christ.
Ille. And did he find himself
Or was the hunger that had made it hollow
A hunger for the apple on the bough
Most out of reach? and is that spectral image
The man that Lapo and that ***** knew?
I think he fashioned from his opposite
An image that might have been a stony face
Staring upon a Bedouin's horse-hair roof
From doored and windowed cliff, or half upturned
Among the coarse grass and the camel-dung.
He set his chisel to the hardest stone.
Being mocked by ***** for his lecherous life,
Derided and deriding, driven out
To climb that stair and eat that bitter bread,
He found the unpersuadable justice, he found
The most exalted lady loved by a man.
Hic. Yet surely there are men who have made their art
Out of no tragic war, lovers of life,
Impulsive men that look for happiness
And sing when t"hey have found it.
Ille. No, not sing,
For those that love the world serve it in action,
Grow rich, popular and full of influence,
And should they paint or write, still it is action:
The struggle of the fly in marmalade.
The rhetorician would deceive his neighbours,
The sentimentalist himself; while art
Is but a vision of reality.
What portion in the world can the artist have
Who has awakened from the common dream
But dissipation and despair?
Hic. And yet
No one denies to Keats love of the world;
Remember his deliberate happiness.
Ille. His art is happy, but who knows his mind?
I see a schoolboy when I think of him,
With face and nose pressed to a sweet-shop window,
For certainly he sank into his grave
His senses and his heart unsatisfied,
And made -- being poor, ailing and ignorant,
Shut out from all the luxury of the world,
The coarse-bred son of a livery-stable keeper --
Luxuriant song.
Hic. Why should you leave the lamp
Burning alone beside an open book,
And trace these characters upon the sands?
A style is found by sedentary toil
And by the imitation of great masters.
Zlle. Because I seek an image, n-ot a book.
Those men that in their writings are most wise,
Own nothing but their blind, stupefied hearts.
I call to the mysterious one who yet
Shall walk the wet sands by the edge of the stream
And look most like me, being indeed my double,
And prove of all imaginable things
The most unlike, being my anti-self,
And, standing by these characters, disclose
All that I seek; and whisper it as though
He were afraid the birds, who cry aloud
Their momentary cries before it is dawn,
Would carry it away to blasphemous men.
Rebecca Gismondi May 2014
a letter to myself:
(a reminder, rather),
I know it feels as though you are now in the trenches
the mud clinging between your toes,
the walls too inevitably high to scale,
the rain beating and pouring down on your body,
and you see everyone above the surface hovering,
watching you as you try and clasp the sides of this hollow grave, frantically trying to escape
and you want to just lie in the mud and have the rain drown you until you are nothing
but you must remember this:
you will be fine.
And I know it feels as though you have been butchered, gutted and cleaned
ready to be thrown on the grill by he who so carefully flayed you open over time and space
only to have all your guts and bones trailing behind you, and thrown into a stock *** to boil away
and I know you miss his furrowed brow
and his incessant organization
and his frigid room
and you want him to call and say
"go to where we met and I will hold you and not say anything more than I'm sorry and I want you and you're all I see"
but remember this:
you will be fine.
And right now, I know you want to cover yourself in paint
all colours, but especially red; Tabasco to be certain
and slather it on until all the marks and scuffs disappear
until you disappear
and you want to refuse to let it dry; apply layer upon layer of every shade of blue from sky to navy;
from lime to forest green,
from sunshine to mustard yellow
and all variations of pink,
and your brush becomes heavy because this paint is caking your skin,
a cast of plaster holding your true self in
until you are as frigid as a statue; you are clad in stone
immovable and impenetrable;
your shield
but please remember this:
you will be fine.
One day someone will see your statue in a square or a park,
the sunlight beaming off your sheen,
and will see past that paint:
the layers of Tabasco
and emerald
and ocean
and canary
and pink
and see you
because you are a light
you are the last piece of pie that you know you shouldn't have, but take anyway
you are a phosphene that never disappears, even when their eyes are open
and he or she will approach your statue,
in a stance of utter uncertainty and self-doubt
shoulders hunched, spine pulled in and face blank and wanting
and will see you
and will take a chisel to your stone
and break off the layers
reduce them to dust, surrounding your pedestal
brush, blow and wipe it clean
and they will suffer from the heat and labour
but they will see you
and they will chip until finally you emerge
that light
and all will be gathered in that square or park
and as you look around you realize that they are the people you love the most
and the person who has broken your mould, your shell
is the one you love most of all: you.
Because you look in the mirror and you love you
you want you
you need you
and I know it's dark
and I know there are drills and hammers and saws
and I know when you sleep you are erased
but remember this:
you will be fine.
you are alive.
you are here.
you are better.
you will rise.
Rj Oct 2014
I need to try and stop saying discouraging words when I look in the mirror
I need to stop wincing at reflections in the buildings windows
I need to purposely not look at my reflections to spare the pain anymore
People can't believe I hate myself when it comes to physical appearance
But the small jokes I make are as serious as my outlook on myself
And walking down the hallways is an effort to mask my face and body
And I'm desperately trying to patch the holes in myself
The holes that allowed my self confidence to leak from me in the first place
The holes drilled over and over by the repeated words that weren't meant to hurt
But I knew the hidden meaning, I knew the real thoughts underneath
And as people constantly hammer in to me you are beautiful
It becomes a familiar sound, a phrase more cliché to me than yolo
And as the dark cloud of self hatred looms ominously overhead,
It is only visible to those who truly know me, those who see the thunderstorm
It's funny how the people who try and lift you up end up slamming you to the ground
And when you hit rock bottom you stop trying to disguise the rocks that are ugly
You stop trying to cover them with make up, you stop trying
Because a rock is a rock no matter the cover up, and it'll be ugly no matter what
And if I'm a rock someone hand me a chisel so I can carve myself down
And shape myself into the girl in the ******* magazine,
Because who could ever be a attracted to a girl who wouldn't date herself
Who would love someone trying to make up for their lack of love for themselves
By loving everyone else, and patching their holes leaving myself empty
It's funny how the people who say I'm beautiful would never date me
It's funny how my mother will not utter the words that would save her drowning child
Yes honey, you  are  beautiful
But instead I have sunk to the pit of the ocean, who cares about trying to hold my breath
at the end of the ticking time that rushing ..
i contemplate the expanse of despair that has passed ..
at the junction of desire that embroider serene ...
my hopes are pinned hard petrified ..

as i trudged up the ladder of life ..
you bolster me in order to stay ahead ..
when i am tired to hit hardest desire ..
you wash my sweat with exuberant embrace..
when i get wounded by the sharp of blade  of era ..
you wrapped me with sincerity ..

there's no string of words that look beautiful to me,
i spit all over the rhymester while reading pen script from your conscience ..
there's no shade of voice that sounded good to me,
i throw up the whole commercial hypocritical preacher when  hear advice  from your sincerely ..

if the shape of the grateful is exist,
then i will chisel your figure in a stretch of horizon ..
if a form of sincerity can be visible to the eye,
then i will paint your smile in the court of canvas twilight ..

my polite to my friend my angel,
i ask god,  salvation for you ..
i ask the cause of prime  substance , health for you..
because your happiness is an honor for me ..*

-the poetry is dedicated to a sincere friend of mine, Ha-

┈┈┈┈┈»̶·̵̭̌✽✽·̵̭̌«̶  ƦУ  »̶·̵̭̌✽✽·̵̭̌«̶┈┈┈┈┈┈┈┈


sahaba­tku malaikatku

dipenghujung waktu yang berdetak laju..
kurenungkan hamparan asa yang telah berlalu..
dipersimpangan keinginan yang menyulam syahdu...
kusematkan harapan yang keras membatu..

saatku tertatih menapaki tangga kehidupan..
engkau papah aku agar selalu terdepan..
saatku lelah menghantam kerasnya keinginan..
engkau basuh peluhku dengan rimbunnya dekapan..
saatku terluka terhunus tajamnya pedang roda jaman..
engkau balur perihku dengan sejuknya ketulusan..

tiada untaian kata yang terlihat  indah bagiku,
kuludahi seluruh pujangga  saat membaca  torehan pena aksara nuranimu..
tiada keteduhan suara yang terdengar merdu bagiku,
kumuntahi seluruh pendakwah komersial nan fasik saat mendengar tausyah tulus darimu..

apabila bentuk dari  bersykur itu ada,
maka akan kupahat figurmu dihamparan cakrawala..
apabila wujud ketulusan itu dapat terlihat mata,
maka akan kulukis senyummu dipelataran kanvas senja..

santunku untuk sahabatku malaikatku,
keselamatan bagimu kupintakan pada Penciptaku ..
kesehatan bagimu kumohonkan pada Dzat penguasaku
karena kebahagianmu merupakan kehormatan bagiku..
there's no sincerity that can be buried by the time and circumstances..
Samuel Feb 2011
The room
Halogen bulb
Clinging to a wire
Flickers
As if to illuminate the
Thick fog of desire
In the air
The wire
Frayed but sound
A conductor
Of forces far beyond its comprehension
A helping hand

We stare at the wall
Sturdy beyond imagination
A goliath of brick and mortar
And contemplate its destruction
2011 Sam Dickinson
Hammer and chisel
Dust and spittle
Break and feel free
To remake me

Hammer and chisel
Dust and spittle
Take down the walls
And relight my halls

Hammer and chisel
Dust and spittle
Repair with care
And I’ll get there

Hammer and chisel
Dust and spittle
Repaint the blue
Make me feel new

Hammer and chisel
Dust and spittle
Nail up a sign
That reads I’m fine
Kristo Frost Mar 2013
how could You know
as You are walking down the sidewalk
           around a corner       wherever You want
that the world is not assembling itself
atom by sticky atom
from the blueprints
piled in piles (like so many piles of newspaper)
in (the rooms in) the back rooms of Your mind
particles rushing and streaming, fluttering
together with the ebb of Your consciousness?
-
the World blurs fuzzily into shape
before snapping
(snappily)
into focus

just as You enter the room
blending pixilated reality smoothly
into an orchestrated Existence
-
the next time You      reach
for the doorknob on
the door to
the waiting room
-
give
pause
listen            
carefully
-
can’t You hear the anxious atoms
           scraping
sliding
           shoving past each other?
-
they                jockey
       jumping into
the eye of
       the image of
the woman on
       the screen of
the television in
       the corner of
the ceiling where
       it hangs
-
she wants to know
why we divide
Them              from Us
-
so clearly
so readily
-
she wants to know
why our countries
are bordered
-
by an indifference to equality
by a contempt for disillusionment
-
A dispute broke out between two
atoms on the table this morning;
a tiny china teapot was broken.
-
how would You know?
people are no more
then elaborate pieces of Your own mind
now once You hang up the phone
e v a p o r a t e d  
                        into no more than
                                           an afterthought
                                                    ­     of empty space
                                                           ­         -
                                             the smell of burnt matches
                             -                                      -
                You think that
everything You imagine is beautiful
                    even death
                             -
               but in an ugly way
-                            -
the man on the
                                edge
of the third chair
from the door
has no face
(none of Them do)
all of Them don’t
(have faces)
-
until They speak or You look Them in the eye
-
until They do something       Wrong
which is why They look                  down
when They walk down the sidewalk
-
They are afraid
-
to live
  as a tree
    in the park
-
where a pillar of
angry
           energy
                       falling
failing
           the
                       pessimistic
sky
might strike
Them
(older than You
yet born
just this moment)
making the ground
around
Them steam
with the sweat
of a silent room
waiting
for the
            door to
                        swing open
                                      and tell
                                                   him
                             -               -
                she’s going to be all right
              it was close there for a while
                        but she’s strong
                      she pulled through
                                      -
                              in the end
-                                     -
the pressure
of the years
of the rings
(which promise to
grow tighter
as time leaves us)
is heated
squeezed
left sitting in
flesh
turned to char
ash and smoke gently
cradling a tiny newborn
diamond
-
perfect           (silence)
-
broken
down the middle-
                      aged
                             flawed
-                                -
You should be perfect by now
You should have a face by now
-
speak           look Yourself in the eye
-
see Your own          Face
stop looking                down
when You walk down the sidewalk
-
don’t be afraid
-
to live
  as a tree
    in the park
-          -
They say don’t talk             to strangers
and You’re a strange one            indeed
how can You see the glamour
where Others            cannot
see that laughing quietly to themselves
can (You) set the expressions on their faces
to joy
     to pain
           to fear
                to apathy
                     to peace?
                              -
              yeah, she likes him
                and she likes him
                        to know
               that she likes him
                              -
                      in the end
-                             -
she wants to know
why our countries
are bordered
-
to keep Them      out
and Us       in
-                                   -
           this is Mine                  and that is Yours
-                                   -
You see
what You want to see (without)
-
(knowing what You want)
the sticker
       on the bumper
              of the car
                     rolling past reads:
                           “jesus is coming,
                                  hide the ****”
-                                          -
in its green lettering
and its largely silent voice
-
if You listen             carefully
You can almost hear Them
-                  -
              giggling
                ­   -                       -
              please do not think about green elephants
-                                          -
(a student just snuck in
and sat down as
the professor was writing
on the board)
-                                       -
             please do not feed the green elephants
-                                       -
I
Myself
have a strong suspicion
that Your mind is
as You read this
(hidden in a carefully cupped notebook)
spilling
black ink particles into
existence
on the very next          page
-                              -
             ­       You write that
You imagine everything is beautiful
                    except for death
                                 -
                   it is an ugly thing
                                    -
               yet still the chisel gouges
                  -               -
  “i whistle a catcall
at my blushing bride”
      llac ot eltsihw i”
  “edis ym ot god ym
                  -        -
        through the crumbling protests
         of the reluctant stone
                               -    -
                     ­               each new line
                                    tampers with space
                                    holds suspect time
                                    postpones the end
                                    and evades death
-                                  -
You breathe
               You write
You sing
                You live
                       -
You casually craft causality
         -             -
         yet craft on
         surely You are not yet done
         You may never be
         at this rate but
         but
         STOP
-        -
the World reblurs then blows away
listen closely here I say
all things must come to end one day
-                                       -
You
Yourself

have tasted the                     hunger
                        of Greed
seen the                                 wealth
                       of Hatred
heard the                               stories
          ­             of Genocide
felt the                                    loss
                     ­  of War
and smelled the                    decay
                       of Truth
-                      -
                      this        ­     is Mine
                                 what’s Mine, is Yours...
This poem was originally inspired by the Russell's Teapot analogy.
King Panda Nov 2017
tenderness leaves
my eyes in capillary ribbons.
your diamond lips are chalked,
released from rock.
your head, a knot of angel pine—
a dark-brown blooming
sticky and lucked to the back
of my throat.
it is in this moment that
I hear a wisp of rapture
blowing through the oak overhead.
my heart’s motor cranked
like October’s last churning
bumble bee.
pollination
susurration
be gone…

you kept looking past me,
your hand on my shoulder.
the precious gauze of your profile
mixed porcelain doll and found a
chisel to perfect your nose.
I feel the love of everything and
you—so unaware of your
beautiful.

— The End —