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Brooke hit it off with Edric from the moment they met.

The dangerously ****, tattooed ex-SEAL and always a poet, Detective for the LAPD, remains as one of the best friends she’s ever had, the main star in her wildest fantasies.
When they met he did not see her that way. And she would have died of embarrassment if he found out she was still a ******. And he was about to stake his claim, struggling to keep his attraction to the beautiful, blond dancer a secret.
He was not good enough for her; that is what he thought. On a day when an attacker targeted Brooke, Edric’s protective instincts went into overdrive.
With the attraction between them burning like a torch flame, he would do whatever it took to protect her and tell her they were meant to be together.  
One evening, deciding to express her love for her, Edric waited outside the door, keeping watch over the woman he loved secretly. Then he saw her through the curtain, dressed in her black fur coat.
Not realizing that she was being watched, yet fantasizing about the man of her dreams, Brooke lowered her fur coat standing in front of her mirror.
Her soft ******* protruding out from her black lace bra, in her mind waiting for Edric’s hands to touch her love her, want her like she wanted him... As the coat slipped down her black lace skimpy ******* seemed so inviting. Her dreams of him were getting so vivid. She would imagine him standing over her, kneeling, as he slipped his hand under the cover, exploring her body, wanting her, making her desire so real. Seeing Brooke in her lingerie, he was awestruck by her beauty and wondered what to do next.
Hesitatingly, he moved towards the door and to his shock saw a shadow, moving slowly, stealthily, trying to pry the windows. Failing to open the window, he moved towards the door. He pulled out a bunch of keys trying out one by one. Edric’s first response was to call for backup. He called leading detective Donovan Mallow his partner. Then the shadow opened Brooke’s door and started creeping in, Edric wasting no time, Edric charged to stop him. Suddenly he heard a shot that rang out into the night. There was Brooke standing in her black lace bra and *******, holding a gun and the intruder lay dead on the floor.

“Brooke drop the gun, please Brooke drop the gun.” Brooke was shaking… “Brooke, sweetheart, drop the gun. “She looked at Edric and let the gun fall to the floor softly.  On the verge of tears, petrified out of her wits since she had never used a gun before,  and to **** a man, she shook violently. Edric walked over to her and picks her and covered her half naked body with his coat.
When Detective Donovan showed up, Edric held her close while the former checked  the body and called for the paramedics and further back up. When the police came, CIS took finger prints, investigating the crime scene.
Edric found Brooke some clothes and dressed her, escorting her to the precinct for recording of her statement. She was questioned and released.
With Edric’s story and Detective Donovan backing her up, she was released. Not wanting to disturb the crime scene, Edric escorted her to his home and put her in bed. Brooke, I need to tell you something, is what he said.
“I am listening”…Brooke was shivering after having gone through the trauma, yet attentive listening to the man that she had secretly admired. “I want you to know, I love you”.  “You love me? I love you too. I always have.” Brooke looked at Edric with an adulation emanating from her very soul.
As an instinctive response, shivering, she let her head lean on his shoulder. “Edric then please make love to me. I have yearned for you so long”.
As the sun slipped from its perch in the sky slowly, drawing well into the darkness, the shores where the waves would roll and sigh, Edric slowly undressed Brooke, one piece at a time. As he took off her blouse admiring her beautiful soft protruding ******* with each moment her ******* getting hard. Taking  off her pants and there were the black lace ******* he had seen from the window. Her firm and tight stomach and legs, she looked so delectably **** and beautiful. She was lying with a look of anticipation on her face. He enveloped her with his arms and kissed her softly, passionately. He didn’t want to scare her.
“Edric, I have to tell you.” Brooke whispered in his ear. “Later Brooke, you can tell me later.” He was so aroused and was getting so hard. “No, Edric now.. I have to tell you now.” Edric stopped and looked at her, “What is it darling?”
“Edric I am a ******. You are my first man. I have never been with another man.” Edric sat there and couldn’t believe what he was hearing. He knew then that he had to be gentle. A wrong step and he would scare Brooke. He held her hand and kissed it.
"I kind of suspected but am surprised. You always had a naïve gentleness and girlishness about you. You always seemed so vulnerable that I always wanted to protect. You always had affected me in a way that I couldn't explain; no other woman has ever done that to me.”

Saying that he helped her dress and holding her hand led her towards the ****** beach outside his cottage. Wrapping her in his arms, they watched the beautiful glow of the stars, eyes aglow with passion of locked hands. Edric spoke his favorite lyrics, into her mouth as he started kissing her.
What a poet was he!! Impatience getting the better of her, “Edric, please make love to me… Oh! how I want you.”
His kisses were soft but passionate; they started at her lips to the base of her neck sliding down to her *******. When they got to her stomach her breath trembled, yearning for more.
Electric shocks ran down her spine. She almost screamed. The winds gently swirled, dancing to their rhythm of their passion. A girl, morphed that sweet evening, as Edric make sweet passionate love to her and made her into a blossoming woman.
Guess, there is nothing in the world that matched the feeling of eclectic emotions that were born that night. When a tired sun finally arose as a grim reminder of the end of an ethereal night, it sighed endlessly, spreading a gentle caress across Brooke’s cheek, pledging that she was bound to Eric for eternity.

Debbie Brooks 2014 -
Frisk Jan 2016
“Big change, huh? Bet you could take some awesome shots here, Max.”

Max nodded, only hearing the last part of Warren’s sentence. Truth was, she was distracted by how beautiful this place was. If Max stood at the end of the street, she could get a killer depth-of-field perceptive image by aiming towards the long and skinny winding roads being enveloped by the building’s shadows. San Diego seemed to flourish with art and photography culture, and great opportune shots to shoot photographs.

“Earth to Max.” That seemed to knock her out of her thoughts. *****, focus.
“Are you going to go swimming with me and Brooke?”

From the look on Brooke’s face, she was hoping to God that Max said no. Brooke is the relationship equivalent of a boa constrictor, and she wasn’t sure how this hasn’t dawned on Warren yet. “I’m not sure. Maybe. Let me unpack first.”

After Kate dropped out of going to San Diego Comic Con last second, Max was nearly going to join her when Warren practically begged her to come. Coming back to the present - equipped with her suitcase and messenger bag - Max lingered behind the couple by several feet. This was her way of trying to avoid the reminder that she was third-wheeling with a boy who used to have a very awkward crush on her and his salty girlfriend.

“I’m going to go down to the pool.” Warren said, sliding his key card into room #228, turning his head to face Max before opening the door. “Maximillian, are you sure you don’t want to join us?”

“Like I said, I’ll think about it.”

The moment the three of them walked in, Brooke and Warren beelined for the restroom with their bathing suits in hand. Once they came out, Warren had a blue and black plaid board short swimsuit on whereas Brooke came out with a highlighter-colored graffiti two piece.  “Alright, Mad Max. We’re out of this joint. Catch us at the pool if you need something or want to swim. If not, we’ll be back in an hour.”

Max waved them off, digging through her bag for that bathing suit. The crimson colored ruched one-piece vintage bathing suit sat abandoned at the bottom of her matching vermillion suitcase. Down below at the pool area, she could hear screaming and laughing and splashing of the pool water. Max got up from her suitcase, and opened the curtain enough to look out at the hotel pool. Several other people were down there, pushing the time limit very close to closing in an hour from now. Come on, Max, you’re really going to let your whole adventure be ruined by the usual high-strung Brooke?

**** it.

Max nabbed the swimsuit from the hidden corners of her suitcase, stripping herself down to pull the swimsuit onto her body. Once the swimsuit was on, she turned her waist feeling the soft fabric conform to her small but still vaguely prominent curves. Max can remember Mom always saying that she looked good in red, so she recommended a red one-piece since Max doesn't have the confidence to show her stomach to anyone.

Well, except her best friend Chloe. They used to take bubble baths together as toddlers so it used to be the most natural thing in the world to get dressed in the same room together. It must have been a better time, where there were no insecurities. Now Max has trouble calling her up without her finger freezing up as she attempts to type the very last digit of Chloe’s phone number into her phone.

As Max turned around in the mirror, she noticed how her lack of a rear end was a lot more distinguishable in red. Wowser, Max thought, this looks really good on me.

“Wowser.” Max said aloud to her reflection, and threw on a bathrobe.

It must have been ten minutes into Warren and Brooke swimming when Max opened up the pool gate, entering the vast perimeter of the pool area. There were significantly less people around the pool, where most of the people still inside the pool area were kids our age. “Max, you’re here!”  

This made two teenagers stop in their tracks as they were opening up the pool gate at the other end of the pool to leave. One of them whipped around so fast that it was a blur of blue hair.  “Wait…”

“Is that…Max Caulfield? It looks a lot like her.” Rachel asked to Chloe, who hung her jaw open in disbelief. No ******* way.

Furrowing her eyebrows, she watched Max drop the robe on a nearby chair. Like an awkward penguin, Chloe watched her best friend waddle up to the pool edge & cannonball into the waters below oblivious to the two girls standing at the gate watching her. “You’re going to wake up the neighbors and the owner of this hotel's parents forty miles away, Warren!”

“Do you want to go say hi to her?” Rachel asked Chloe.

As Chloe decided on actually going to surprise her, Max's friend said something that made Chloe change her mind in a split second.

“How would you know? Besides, you’ll eventually forgive me for that once you meet the entire cast of Star Trek tomorrow, Max.” Warren yelled at Max, and Chloe did a small grin as she turned away from her best friend, closing the gate on both of the girls.

“No. Guess the oblivious nerd is going to Comic Con too.“ Chloe took one last look at Max before going back inside the hotel with Rachel Amber at her tail. "Do you think she'll recognize me in cosplay?"

"Probably not. Unless I drop the bomb on you guys."

“Shhh. I don’t need you ruining my surprise party, *******.”

Max, Brooke, and Warren weren’t in the pool for long, since Warren bumped his head into the side of the pool while doing laps with Brooke. They had to get out, and put an ice pack on Warren’s sore bump on his head. “Now how am I going to cosplay the 11th Doctor? I need to gel my hair back, but I have this gargantuan bump on my head.”

“We’ll figure it out, sweetie.” Brooke said, and Max nearly gagged.

Max went back to the hotel room first, since being around Brooke made her want to strangle her.  This whole third-wheeling thing was annoying, and Max was regretting coming alone without Kate as her faithful chauffeur. Nonetheless, she wasn’t going to let that ruin her trip. She was here to have fun. And to take a bunch of photographs, of course.

The next morning around 4:00 am, Max was rudely awoken by Brooke who shoved her in her shoulder. “Get up, Max. We’re leaving in thirty minutes from now.”

Was that necessary? Max thought, crawling out of bed. From the bathroom, she could hear Warren fretting over the mammoth-sized bump on his head as both of them got dressed in their cosplay outfits. “Okay. That hurt a lot. Ow, ow, ow.”

“Oh, is there anything I can do to help?”

“Shut up, guys.”

Feeling slightly irritable from the loud ruckus Brooke and Warren were making in the other room Max rolled out of bed. She rustled through her suitcase for a pair of skinny jeans and a white t-shirt with the print of a doe on the front. Once she had her clothes, she stood up to walk into the restroom to change when she noticed the ending result of both of her companions.

Brooke’s multicolored dark hair was pulled down in waves framing the scarlet dress with a black belt fastened around her waist. As for Warren, his usually shaggy brown hair was gelled back for his cosplay. She had to admit, he looked handsome in his mahogany jacket, red bow-tie and matching suspenders, and the cotton collared button-up he wore underneath. For a cosplay of The Eleventh Doctor and Clara Oswald, it was quite impressive how close they looked like the actual characters of the TV show Doctor Who.

“Take a picture of us, Max!” Warren said in a chirpy voice.

“On it.”

Max pulled out her camera, and pointed it at the couple who held up peace signs together. Once the picture rolled out, the couple split apart to put on the finishing touches of their cosplay.  As for Max, all she had to do was throw on her clothes. There wasn’t a lot of work in dressing up like normal people. Besides, she’s never really been a fan of cosplay.

If you want to count dressing up as pirates with her best friend Chloe on Halloween five years ago cosplay, then yeah, Max has cosplayed several times before.

“Max, hurry your *** up. It looks like the amphitheater is getting crowded from here.” Warren yelled from outside the bathroom door towards Max, who sloppily tied her shoes.

As they exited out of the large double doors of the four star hotel, Warren and Brooke took the crosswalk, pointing out people cosplaying as characters from TV shows or video games. They were smiling and laughing, leaving Max to third-wheel again. Instead of lingering on it, Max put in her headphones and turned on Crosses by José González tuning them out.

“Where is the line?” Max asked Warren as they approached the crowded complex filled with restaurants on one side and the amphitheater on the other side. Tents were set up here, even.

“This is what I call natural selection. If you come prepared with prior knowledge on how this works, you can conquer this haphazard looking line.” Warren spread his arms out, motioning towards the crowd that was rapidly growing in size.

“Let’s go, Warren.”

“Wait!”

Like an octopus, Brooke latched onto Warren dragging him into the depths of the growing sea of people. After three painful hours of waiting, Max felt the crowd start to lighten up around her as excited but deafening chatter filled the air of the surrounding herd of people. Everyone was clamoring loudly, quickly rushing into the open doors with their San Diego Comic Con day pass thrown around their neck.

As soon as Max received hers, she eagerly threw her day pass around her neck. After buying a small breakfast sandwich from a booth, Max decided to start people watching. Some of the cosplays made her laugh like the Darth Vader cosplayer leading a conga line of faithful storm troopers, taking long confident strides.

Max took several photographs of several different cosplayers, ranging from Doctor Who, Scott Pilgrim vs The World, The X-Files, Breaking Bad, Undertale, Magic: The Gathering, and Family Guy. When it started getting crowded, she got up from her chair and entered the large archway into the convention center filled with colorful tents and cosplay galore.

Wielding her camera bag close to her waist, Max carefully maneuvered her way through the sea of people as she took a look at the booths. Suddenly, the throng of people became too much for Max. An elbow into Max's side pushed her into the left side of her waist, throwing her into a booth.

“Hey, are you alright?”

Max’s eyes glanced up towards a blue-haired girl cosplaying as Pris from Blade Runner, who had grabbed her waist. Something about her was actually kind of familiar, however, Max couldn’t tell. “You hit that table pretty hard.”

Max felt the warmth from her waist leave slowly. “This crowd is suffocating. I need a place to breathe around here. It’s too claustrophobic for my liking.”

“Are you alone or something? Because I could always use company in my tent. It gets hella boring inside this tent sometimes.”

“Do you say that to all of your customers?” Max asked, chuckling nervously at the blue-haired cosplayer’s comment.

“No.” She mumbled something under her breath that Max didn’t quite catch. “I mean – unless you’re uncomfortable with it. I’ve seen people faint multiple times from claustrophobia here.”

Since her head was bent down over a sketch she was doing in a journal, the only way Max could tell that the girl was blushing was by how red her ears had gotten. The realization that the girl became a nervous wreck all of a sudden after that comment had made Max’s day already.

“Maybe you’re right. I should just sit down. There’s no places to sit around here, though.”

The blue-haired girl patted the armrest of the empty fold-out chair behind the table. “This is Rachel’s chair, but Rachel is helping out with the convention rave for later. She’s on the committee or some ****.”

“Coworker?”

“And an annoyance at times.” Max went around the table, taking a seat in the chair the girl patted. It was itching at her brain that there is something about this girl that is so nostalgic.

Suddenly, a long brunette-haired girl billowed through the back curtains of the booth, where Max saw a tattoo chair in the back along with an extended table with clutter everywhere. “Chloe, do you have my phone? I really need it right now.”

Wait a second. “Chloe?”

“Great. Thanks a lot, Rachel. You ruined the element of surprise.”

"No ******* way!"

After Chloe handed the phone to Rachel, Max followed with her first impulse, throwing her arms around Chloe. Immediately, Chloe laughed as Max nuzzled her head into Chloe's shoulder blade. Max could feel the initial excitement pounding in her chest as Chloe tightened her grip on her as well. “Get a room, Chloe.”

“I will shove this combat boot so far up your *** –”

“Okay, I’m leaving. I need to call Frank and see when he was going to get here.” Rachel stated matter-of-factly, then added as she was leaving, “Hope you have a fun reunion.”

Once Chloe let go of Max, she held onto her arms staring into her face. “Wowser. This is crazy. You’re dressed as Pris from Blade Runner. That is definitely my ****.”

“I hope so. Someone asked me if I’m cosplaying Ramona Flowers from Scott Pilgrim vs. The World. Now I will accept that misunderstanding because Ramona Flowers is my woman crush.” Chloe glanced over at Max, changing the mood merely by narrowing her eyes at the brunette. “Alright, are you going to explain why you didn’t call or text me for five years?”

It was so sudden that Max suddenly felt inferior to Chloe. "I'm sorry. My parent's decision to suddenly move to Seattle wasn't my choice."

"That's not a good enough reason." Chloe attempted to change the tone of the mood lighter, since this wasn't exactly the place to discuss that. "So what's up with you? Living it up here in San Diego or something?"

"I - uh - moved back to Arcadia Bay. Two months ago."

"Without a phone call, telling me that you moved back." Chloe pressed her lips together, annoyed. "Nice one, Caulfield. That's just ******* peachy."

Max started to get a little irritated herself. "Look, I'm sorry. Can we just drop it?"

"I’m sorry, Max. I don’t want to be the ******* to ruin your day. In fact, this was the complete opposite impression I was going for. If you want to punch me for being such an annoying rat, go right on ahead.” Chloe pointed at the bicep of her left arm.

I shook my head – chuckling as Chloe kicked back her chair – propping her feet onto the table cluttered with various types of artwork. There was a dozen pieces of art here, but I noticed Chloe was really into abstract watercolor paintings. Mostly Chloe did sketches of characters from TV shows and video games and painted it in watercolor. One of the paintings in particular caught my eye.

Of course – like all of Chloe’s paintings – it was strikingly beautiful: In front of an obsidian background was a butterfly with eye-popping azure wings. One of the wings seemed to be slightly blurred to give more definition to the closest wing. “Wow, you’re a real artist.”

“I’m also a tattoo artist. If you want to get a tattoo, just hit your girl up. It’s on the house for you.” Chloe said, holding out her arm to show me. “Rachel helped me with both designs.”

Chloe had a beautiful sleeve on her arm and a tattoo on the top of her hand of a red chrysanthemum. Max traced the red ribbon detail on her arm tattoo with one finger, making Chloe shiver. “Dude, you can look, but you can’t touch the tats.”

“Sorry, it’s beautiful.”

“Hopefully it will still look beautiful when I look like the human equivalent of a raisin when I’m 80.” Chloe joked, holding out her arm in front of her face. “How about it, Max? Wanna get tatted up by your best friend Chloe? It might be a great experience for you, hippie. No gang related tattoos, though.”

“Yeah, because I’m totally a part of a gang.”

The smile that lit up Chloe’s face sent Max into a comatose state of delirium. Her eyes focused in on Chloe like a lens, taking shots in her head so she didn’t forget this moment with her best friend. For once, Max was having fun. “You’re still a ******* geek. That’s good news.”

“Always.”

Chloe shook her head before getting up. “Alright, so do you want a tattoo or not? This is your final offer, Max. Don’t let it go to waste.”

“I don’t know. You know I’m scared of needles.”

“Still?” Chloe grabbed Max’s shoulders. “Come o
gurthbruins Nov 2015
Tiare Tahiti

MAMUA, when our laughter ends,
And hearts and bodies, brown as white,
Are dust about the doors of friends,
Or scent ablowing down the night,
Then, oh! then, the wise agree,
Comes our immortality.
Mamua, there waits a land
Hard for us to understand.
Out of time, beyond the sun,
All are one in Paradise,
You and Pupure are one,
And Tau, and the ungainly wise.
There the Eternals are, and there
The Good, the Lovely, and the True,
And Types, whose earthly copies were
The foolish broken things we knew;
There is the Face, whose ghosts we are;
The real, the never-setting Star;
And the Flower, of which we love
Faint and fading shadows here;
Never a tear, but only Grief;
Dance, but not the limbs that move;
Songs in Song shall disappear;
Instead of lovers, Love shall be;
For hearts, Immutability;
And there, on the Ideal Reef,
Thunders the Everlasting Sea!
And my laughter, and my pain,
Shall home to the Eternal Brain.
And all lovely things, they say,
Meet in Loveliness again;
Miri's laugh, Teipo's feet,
And the hands of Matua,
Stars and sunlight there shall meet,
Coral's hues and rainbows there,
And Teura's braided hair;
And with the starred 'tiare's' white,
And white birds in the dark ravine,
And 'flamboyants' ablaze at night,
And jewels, and evening's after-green,
And dawns of pearl and gold and red,
Mamua, your lovelier head!
And there'll no more be one who dreams
Under the ferns, of crumbling stuff,
Eyes of illusion, mouth that seems,
All time-entangled human love.
And you'll no longer swing and sway
Divinely down the scented shade,
Where feet to Ambulation fade,
And moons are lost in endless Day.
How shall we wind these wreaths of ours,
Where there are neither heads nor flowers?
Oh, Heaven's Heaven! -- - but we'll be missing
The palms, and sunlight, and the south;
And there's an end, I think, of kissing,
When our mouths are one with Mouth. . . .
'Tau here', Mamua,
Crown the hair, and come away!
Hear the calling of the moon,
And the whispering scents that stray
About the idle warm lagoon.
Hasten, hand in human hand,
Down the dark, the flowered way,
Along the whiteness of the sand,
And in the water's soft caress,
Wash the mind of foolishness,
Mamua, until the day.
Spend the glittering moonlight there
Pursuing down the soundless deep
Limbs that gleam and shadowy hair,
Or floating lazy, half-asleep.
Dive and double and follow after,
Snare in flowers, and kiss, and call,
With lips that fade, and human laughter
And faces individual,
Well this side of Paradise! . . .
There's little comfort in the wise.

Rupert Brooke, Papeete, February 1914


. The Great Lover

I HAVE been so great a lover: filled my days
So proudly with the splendour of Love's praise,
The pain, the calm, and the astonishment,
Desire illimitable, and still content,
And all dear names men use, to cheat despair,
For the perplexed and viewless streams that bear
Our hearts at random down the dark of life.
Now, ere the unthinking silence on that strife
Steals down, I would cheat drowsy Death so far,
My night shall be remembered for a star
That outshone all the suns of all men's days.
Shall I not crown them with immortal praise
Whom I have loved, who have given me, dared with me
High secrets, and in darkness knelt to see
The inenarrable godhead of delight?
Love is a flame; -- - we have beaconed the world's night.
A city: -- - and we have built it, these and I.
An emperor: -- - we have taught the world to die.
So, for their sakes I loved, ere I go hence,
And the high cause of Love's magnificence,
And to keep loyalties young, I'll write those names
Golden for ever, eagles, crying flames,
And set them as a banner, that men may know,
To dare the generations, burn, and blow
Out on the wind of Time, shining and streaming. . . .
These I have loved:
                            White plates and cups, clean-gleaming,
Ringed with blue lines; and feathery, færy dust;
Wet roofs, beneath the lamp-light; the strong crust
Of friendly bread; and many-tasting food;
Rainbows; and the blue bitter smoke of wood;
And radiant raindrops couching in cool flowers;
And flowers themselves, that sway through sunny hours,
Dreaming of moths that drink them under the moon;
Then, the cool kindliness of sheets, that soon
Smooth away trouble; and the rough male kiss
Of blankets; grainy wood; live hair that is
Shining and free; blue-massing clouds; the keen
Unpassioned beauty of a great machine;
The benison of hot water; furs to touch;
The good smell of old clothes; and other such -- -
The comfortable smell of friendly fingers,
Hair's fragrance, and the musty reek that lingers
About dead leaves and last year's ferns. . . .
                            Dear names,
And thousand other throng to me! Royal flames;
Sweet water's dimpling laugh from tap or spring;
Holes in the ground; and voices that do sing;
Voices in laughter, too; and body's pain,
Soon turned to peace; and the deep-panting train;
Firm sands; the little dulling edge of foam
That browns and dwindles as the wave goes home;
And washen stones, gay for an hour; the cold
Graveness of iron; moist black earthen mould;
Sleep; and high places; footprints in the dew;
And oaks; and brown horse-chestnuts, glossy-new;
And new-peeled sticks; and shining pools on grass; -- -
All these have been my loves. And these shall pass,
Whatever passes not, in the great hour,
Nor all my passion, all my prayers, have power
To hold them with me through the gate of Death.
They'll play deserter, turn with the traitor breath,
Break the high bond we made, and sell Love's trust
And sacramented covenant to the dust.
---- Oh, never a doubt but, somewhere, I shall wake,
And give what's left of love again, and make
New friends, now strangers. . . .
                            But the best I've known,
Stays here, and changes, breaks, grows old, is blown
About the winds of the world, and fades from brains
Of living men, and dies.
                            Nothing remains.
O dear my loves, O faithless, once again
This one last gift I give: that after men
Shall know, and later lovers, far-removed,
Praise you, "All these were lovely"; say, "He loved."

Rupert Brooke, Mataiea, 1914


. Heaven

FISH (fly-replete, in depth of June,
Dawdling away their wat'ry noon)
Ponder deep wisdom, dark or clear,
Each secret fishy hope or fear.
Fish say, they have their Stream and Pond;
But is there anything Beyond?
This life cannot be All, they swear,
For how unpleasant, if it were!
One may not doubt that, somehow, Good
Shall come of Water and of Mud;
And, sure, the reverent eye must see
A Purpose in Liquidity.
We darkly know, by Faith we cry,
The future is not Wholly Dry.
Mud unto mud! -- - Death eddies near -- -
Not here the appointed End, not here!
But somewhere, beyond Space and Time.
Is wetter water, slimier slime!
And there (they trust) there swimmeth One
Who swam ere rivers were begun,
Immense, of fishy form and mind,
Squamous, omnipotent, and kind;
And under that Almighty Fin,
The littlest fish may enter in.
Oh! never fly conceals a hook,
Fish say, in the Eternal Brook,
But more than mundane weeds are there,
And mud, celestially fair;
Fat caterpillars drift around,
And Paradisal grubs are found;
Unfading moths, immortal flies,
And the worm that never dies.
And in that Heaven of all their wish,
There shall be no more land, say fish.


. There's Wisdom in Women

"OH LOVE is fair, and love is rare;" my dear one she said,
"But love goes lightly over." I bowed her foolish head,
And kissed her hair and laughed at her. Such a child was she;
So new to love, so true to love, and she spoke so bitterly.
But there's wisdom in women, of more than they have known,
And thoughts go blowing through them, are wiser than their own,
Or how should my dear one, being ignorant and young,
Have cried on love so bitterly, with so true a tongue?


. A Memory (From a sonnet-sequence)

SOMEWHILE before the dawn I rose, and stept
Softly along the dim way to your room,
And found you sleeping in the quiet gloom,
And holiness about you as you slept.
I knelt there; till your waking fingers crept
About my head, and held it. I had rest
Unhoped this side of Heaven, beneath your breast.
I knelt a long time, still; nor even wept.
It was great wrong you did me; and for gain
Of that poor moment's kindliness, and ease,
And sleepy mother-comfort!
                            Child, you know
How easily love leaps out to dreams like these,
Who has seen them true. And love that's wakened so
Takes all too long to lay asleep again.

Rupert Brooke, Waikiki, October 1913


. One Day

TODAY I have been happy. All the day
I held the memory of you, and wove
Its laughter with the dancing light o' the spray,
And sowed the sky with tiny clouds of love,
And sent you following the white waves of sea,
And crowned your head with fancies, nothing worth,
Stray buds from that old dust of misery,
Being glad with a new foolish quiet mirth.
So lightly I played with those dark memories,
Just as a child, beneath the summer skies,
Plays hour by hour with a strange shining stone,
For which (he knows not) towns were fire of old,
And love has been betrayed, and ****** done,
And great kings turned to a little bitter mould.

Rupert Brooke, The Pacific, October 1913


. Waikiki

WARM perfumes like a breath from vine and tree
      Drift down the darkness. Plangent, hidden from eyes
      Somewhere an 'eukaleli' thrills and cries
And stabs with pain the night's brown savagery.
And dark scents whisper; and dim waves creep to me,
      Gleam like a woman's hair, stretch out, and rise;
      And new stars burn into the ancient skies,
Over the murmurous soft Hawaian sea.
And I recall, lose, grasp, forget again,
      And still remember, a tale I have heard, or known,
An empty tale, of idleness and pain,
      Of two that loved -- - or did not love -- - and one
Whose perplexed heart did evil, foolishly,
A long while since, and by some other sea.

Rupert Brooke, Waikiki, 1913



OTHER POEMS

The Busy Heart

NOW that we've done our best and worst, and parted,
      I would fill my mind with thoughts that will not rend.
(O heart, I do not dare go empty-hearted)
      I'll think of Love in books, Love without end;
Women with child, content; and old men sleeping;
      And wet strong ploughlands, scarred for certain grain;
And babes that weep, and so forget their weeping;
      And the young heavens, forgetful after rain;
And evening hush, broken by homing wings;
      And Song's nobility, and Wisdom holy,
That live, we dead. I would think of a thousand things,
      Lovely and durable, and taste them slowly,
One after one, like tasting a sweet food.
I have need to busy my heart with quietude.


. Love

LOVE is a breach in the walls, a broken gate,
      Where that comes in that shall not go again;
Love sells the proud heart's citadel to Fate.
      They have known shame, who love unloved. Even then,
When two mouths, thirsty each for each, find slaking,
      And agony's forgot, and hushed the crying
Of credulous hearts, in heaven -- - such are but taking
      Their own poor dreams within their arms, and lying
Each in his lonely night, each with a ghost.
      Some share that night. But they know love grows colder,
Grows false and dull, that was sweet lies at most.
      Astonishment is no more in hand or shoulder,
But darkens, and dies out from kiss to kiss.
All this is love; and all love is but this.


. Unfortunate

HEART, you are restless as a paper scrap
      That's tossed down dusty pavements by the wind;
      Saying, "She is most wise, patient and kind.
Between the small hands folded in her lap
Surely a shamed head may bow down at length,
      And find forgiveness where the shadows stir
About her lips, and wisdom in her strength,
      Peace in her peace. Come to her, come to her!" . . .
She will not care. She'll smile to see me come,
      So that I think all Heaven in flower to fold me.
      She'll give me all I ask, kiss me and hold me,
           And open wide upon that holy air
The gates of peace, and take my tiredness home,
           Kinder than God. But, heart, she will not care.


. The Chilterns

YOUR hands, my dear, adorable,
      Your lips of tenderness
-- Oh, I've loved you faithfully and well,
      Three years, or a bit less.
      It wasn't a success.
Thank God, that's done! and I'll take the road,
      Quit of my youth and you,
The Roman road to Wendover
      By Tring and Lilley Hoo,
      As a free man may do.
For youth goes over, the joys that fly,
      The tears that follow fast;
And the dirtiest things we do must lie
      Forgotten at the last;
      Even Love goes past.
What's left behind I shall not find,
      The splendour and the pain;
The splash of sun, the shouting wind,
      And the brave sting of rain,
      I may not meet again.
But the years, that take the best away,
      Give something in the end;
And a better friend than love have they,
      For none to mar or mend,
      That have themselves to friend.
I shall desire and I shall find
      The best of my desires;
The autumn road, the mellow wind
      That soothes the darkening shires.
      And laughter, and inn-fires.
White mist about the black hedgerows,
      The slumbering Midland plain,
The silence where the clover grows,
      And the dead leaves in the lane,
      Certainly, these remain.
And I shall find some girl perhaps,
      And a better one than you,
With eyes as wise, but kindlier,
      And lips as soft, but true.
      And I daresay she will do.


. Home

I CAME back late and tired last night
      Into my little room,
To the long chair and the firelight
      And comfortable gloom.
But as I entered softly in
      I saw a woman there,
The line of neck and cheek and chin,
      The darkness of her hair,
The form of one I did not know
      Sitting in my chair.
I stood a moment fierce and still,
      Watching her neck and hair.
I made a step to her; and saw
      That there was no one there.
It was some trick of the firelight
      That made me see her there.
It was a chance of shade and light
      And the cushion in the chair.
Oh, all you happy over the earth,
      That night, how could I sleep?
I lay and watched the lonely gloom;
      And watched the moonlight creep
From wall to basin, round the room,
      All night I could not sleep.



. Beauty and Beauty

WHEN Beauty and Beauty meet
      All naked, fair to fair,
The earth is crying-sweet,
      And scattering-bright the air,
Eddying, dizzying, closing round,
      With soft and drunken laughter;
Veiling all that may befall
      After -- - after -- -
Where Beauty and Beauty met,
      Earth's still a-tremble there,
And winds are scented yet,
      And memory-soft the air,
Bosoming, folding glints of light,
      And shreds of shadowy laughter;
Not the tears that fill the years
      After -- - after -- -


. The Way That Lovers Use

THE way that lovers use is this;
      They bow, catch hands, with never a word,
And their lips meet, and they do kiss,
      -- - So I have heard.
They queerly find some healing so,
      And strange attainment in the touch;
There is a secret lovers know,
      -- - I have read as much.
And theirs no longer joy nor smart,
      Changing or ending, night or day;
But mouth to mouth, and heart on heart,
      -- - So lovers say.


1908 - 1911

Sonnet: "Oh! Death will find me, long before I tire"

OH! DEATH will find me, long before I tire
Of watching you; and swing me suddenly
Into the shade and loneliness and mire
Of the last land! There, waiting patiently,
One day, I think, I'll feel a cool wind blowing,
See a slow light across the Stygian tide,
And hear the Dead about me stir, unknowing,
And tremble. And I shall know that you have died,
And watch you, a broad-browed and smiling dream,
Pass, light as ever, through the lightless host,
Quietly ponder, start, and sway, and gleam -- -
Most individual and bewildering ghost! -- -
And turn, and toss your brown delightful head
Amusedly, among the ancient Dead.


. Sonnet: "I said I splendidly loved you; it's not true"

I SAID I splendidly loved you; it's not true.
Such long swift tides stir not a land-locked sea.
On gods or fools the high risk falls -- - on you -- -
The clean clear bitter-sweet that's not for me.
Love soars from earth to ecstasies unwist.
Love is flung Lucifer-like from Heaven to Hell.
But -- - there are wanderers in the middle mist,
Who cry for sh
Jessica Lima Mar 2017
30 YEARS AGO
*******************­*****

He could no longer smell lead in the air when he opened his eyes. He had somehow survived the war, but couldn't tell how long he had been passed out for. "Long enough I bet" He said to himself on a tone so low, he wondered if he had truly spoken or just imagined it. Doing a quick assessment of his surroundings his heart grew sad. Nothing moved. His friends, his foes... all dead, piled on top of each other.

Oscar slowly moved the weight of his body onto his forearms, trying to get a better view of the carnage that surrounded him. His body hurt quite a lot, but his legs, stretched out before him didn't. Not at all. For a second he allowed himself to smile. He would be able to walk out of there and get help. He moved the bodies that lay on top of his lower body to assess the real damage on his legs but nothing could have prepared him for what he saw. Oscar had lost both legs from the knee down, and rats ate at what was left of his upper leg. He screamed and his eco was heard across the field.

*****************­******

The next time Oscar opened his eyes he lay on a hospital bed. His mother sat next to him, holding his hand; Her small face puffed up from crying.

"My son" She tried to speak further but her tears threaten to drown her.

"Mother" Oscar calmed his voice, trying to comfort the sobbing woman "I am alright" He smiled at her but it did not reach his eyes.

"They say they can fix you" she said rapidly, barely stopping to breathe. "They say they can make you whole again! Give you back your legs, and full function of your body. They even said they can make you stronger. Better. Smarter." She stopped then. Let go of her son's hand, and started to pace the room. "Not that I think you aren't fine as you are" she added.

"They? Who are you talking about mother?

"The doctor. We are in the military hospital. You have been honorably discharged due to the nature of your injuries. If you refuse the deal, you'll be moved to a civilian hospital next week. If you accept, then you'll undergo the enhancement right away."

The door opened, and a  young man walked in. His intelligent, metallic gray eyes scanned the room, till they landed on Oscar.

"Hello Oscar" He paused as if expecting a reply. Upon receiving none, he continued. " I am Michael Black-Hunter"

"Mr. Black-Hunter is the doctor I've been telling you about son" Oscar's eyes met his mother's. He saw hope there.

"Please Ellen, call me Mike"

Oscar cleared his throat. "I'll do it." Startled by the notion that he would not have to do any persuasion that particular day Mike grinned to himself.

"Very good, very good. First things first. I must rid you of any weakness" Mike quickly  snapped his fingers and mumbled in a language unknown to anyone else in the room. A second goes by, then a minute. Suddenly time had lost its grip on Oscar and Ellen.

"Ellen dear" Mike approached the woman, turned her body to face Oscar "Can you tell me who the gentleman on the hospital bed is?"

Ellen seem puzzled by the question, but she replied regardless. "Mr. Black-Hunter why do you mock me? You are well aware I do not know this man."

"And you Oscar? Who is Ellen to you?"

Oscar made an impatient sound. "I have no time for this Mike, the woman said we don't know each other!"

"How perfect." Pleased with his work, Michael Black-Hunter walked a confused Ellen out of the hospital room.

******************­******
                                        PRESENT DAY

Brooke faced Oscar. Anger radiated from her tiny frame like angry ocean waves during a storm.

"I don't need you. I can do this on my own, I always have." Brooke proceeded to step away from Mike, unaware of a new agent charging with intent towards her. Within seconds the agent's knife made contact with Brooke's skull. She collapsed on Oscar's arms.

"I thought she would dodge that" The agent screamed as Oscar held her up by the throat with one hand. "Its part of the training to go against one of the best, you know that." Tears fell from her eyes but Oscar could not find a **** to give. He broke the agents neck. Her name tag fell from her breast at the same time life left her body. Oscar caught the tag in his hand then read the name out loud. 'Ellen' it said. That made him feel funny, but he couldn't be sure why.

"You failed" Oscar dumped her body on the ground. Then carried Brooke inside to get patched up. "You can't die Brooke. I actually need you" He whispered to her passed out form. After dropping her off with the nurse he went back outside to light the cigarette he had been craving. The new agent's body was gone.




to be continued....
Brooke Oct 2013
you say it's up to me
to do the talking,
you get a phone call from school.
you answer,
nothing but silence at the other end.

"hello, i have your daughter in the
counselors office.
may i speak to brooke's mother?"


you take your finger
and wrap it around the phone wire.

"yes, this is her speaking."

you take a deep breath.

"hello how are you? i have brooke here in the counselors office, i'm sorry to bother you at work today, i'm sure you are busy. but do you have a few minutes to talk with me? i am very concerned about brooke today, her teacher says she wrote her persuasive paper on.."

-she pauses-

"cutting herself,"

you stare at the blank computer screen in front of you, frozen.

"i am very worried about Brooke, she says you knew about her harming her self-"

she stops speaking, waiting on a response.

you take a deep breath, scared, hurt and confused.

"i don't know if you would possibly agree with this, but i think Brooke needs counseling."

you drop the phone, in tears.
little did you know,
that your daughter
was fighting her own demons.
little did you know,
that the little brown and white
snakes tattooed on her wrist,
were a cry for help.
little did you know,
that she wanted
to be saved from herself.

-b.m
I went to stay with an old schoolmate
In the village of Rushing Brooke,
I thought there wouldn’t be much to do
So I took a favourite book,
He said he’d only been there a while
For the cottage rent was cheap,
He’d needed to get away, he said,
But never could get to sleep.

His face was haggard, his eyes bloodshot
His hands would tremble and shake,
He said it was close to a fortnight since
He’d started to lie awake,
‘I get to the point I’m drifting off
When I hear that terrible knell,
A long slow tolling invades my sleep
From the church that has no bell.’

We sat up talking ‘til one o’clock
Then I made my way to bed,
But nothing invaded my sleep that night,
‘It won’t at first,’ he said.
‘There’s something wanders the street outside
In the hours before the dawn,
Clad in a cowl, or a hooded cloak
But it’s gone before the morn.’

From all that I saw of Rushing Brooke
The cottages were quaint,
They certainly had a timeless look,
Could do with a coat of paint.
The roads were rough with a pebbled look
But I saw no folk about,
I passed the Smithy and Fodder store
But the Blacksmith, he was out.

We walked on over to see the church
That was grim, and overgrown,
There’d not been a single service there
Since the Roundheads stormed the town,
But weeds grew up in the vestry, there
Were signs of an ancient fire,
And looking up we could see a space
Right under the old church spire.

‘That was the space they hung the bell
But the bell has long been gone,
The Roundheads carried it off, they say,
So it couldn’t toll for Rome.
The bell had tolled for the death of Charles
As his head fell under the axe,
The soldiers came for revenge in force
In one of their brute attacks.’

I kept him company every night
But I had to get some sleep,
For days I’d wake and I’d find him still
Awake in a crumpled heap.
I woke one time and I saw him stare
Through the window, into the night,
For there was a ghostly cloak and cowl,
It gave me a sudden fright.

And that’s when I heard the tolling bell
For the first time, that he’d said,
The bell from the church, that wasn’t there
Was tolling in my head,
I lay awake ‘til the sun came up,
Went out to greet the day,
But there the village had tumbled down,
Had long since gone away.

Only the marks of ancient roads,
Foundations that had stood,
There wasn’t a cottage left out there
Just an encroaching wood,
The church was standing among the trees
And our cottage, cracked and scarred,
Half of the roof was missing, and
The chimney lay in the yard.

We hurried away to the nearest town
And found an old-style Inn,
My friend had fallen asleep within
A moment of checking in,
He slept and he slept for two whole days
While I asked about the town,
‘What of the village of Rushing Brooke?’
But all that they did was frown.

The wife of the keeper of the Inn
Was tidying my room,
I asked her the same old question as
She worked there in the gloom,
‘I wouldn’t go near to Rushing Brooke
Not now, for a thousand pound,
That’s where the soldiers stole the bell
And mowed the villagers down.’

‘They say as the place is haunted by
The figure of a monk,
They burnt him alive inside the church
As he tolled the bell by the font.
He lived in a little cottage there,
The only one that stands,
I’ve heard some tell that they’ve heard the bell
And seen him, walk in the grounds.’

David Lewis Paget
Shauna Oct 2014
I've always been told
That you should never let go
Of a person
Who can see the sadness
Behind your smile
And hear your screams
When you are silent

Three years it has been
Since I was introduced
To a person
Who rapidly became
My other half,
My panda child,
My best friend.
Up until then,
I was forever surrounded
By small talk
And friends without meaning

Through all the
*******
And
Heartbreaks,
She had been there
Along with
All the petty
Events inbetween
And
I know
In my coffee
And
Cacti
Scented soul
That she will
Continue to do so
For a very,
Very,
Long time.

And one day,
She is going to arrive home
To a place and a person
She loves
And then she will understand
That dying
Isn't necessary
In order to
Go to heaven.
And
If a boy ever
Borrows her heart
And returns it infected
I will personally
Destroy
What's left
Of his sad
Little
Life.
Because
Knowing her,
She will give him everything
And he **** well
Better do the same.

Brooke Roman,
You are beautiful
And I hope you enjoy this poem
That doesn't really make much sense
But
I thought it was necessary
Because
You mean the world to me
And
I would not be here
If you had not come
And saved me
And
You can truly say
You appreciate beauty
Because
You've continously stopped
To pick up the pieces
Of my insecurities
That self-identify
To a beer bottle
Smashed onto a rock
Probably by my father

You are perfect
And
I love you
More than I love coffee
And pizza
And that's saying something.
Words cannot describe my love for her, but I had to at least attempt a poem.
Tarry, the Heroine's Right Friend-in-Bond
After months of Letters un-comprehend
I should have noticed your Living Response
But my Character has long been pretend
Forgive my English, Naiad of the Plym
Your Side-Family has offered Remorse
I mean no Blood; Just a Puff and a Whim
To show you I am honest in my Course
And yet, these are just Words; And in your Kind
Physics is the Path most will understand
Yet given this Map which I cannot find
I Support you in the Best Way I can.
Once the Flame lights in this Kingdom's Great Hill
I bid my Salute whilst my Feet stand still.
#brookegraddon
Firefly Jan 2016
A forgotten poem by Henry Brooke ( Irish Dramatist/Novelist)

Taken from poetrynook.com http://www.poetrynook.com/poem/universal-beauty-book-3-lines-301%C3%B4%C3%A7%C3%B4400

Or cool recess of odoriferous shade,
And fan the peasant in the panting glade;
Or lace the coverture of painted bower,
While from the enamell'd roof the sweet profusions shower.
Here duplicate, the range divides beneath,
Above united in a mantling wreath;
With continuity protracts delight,
Imbrown'd in umbrage of ambiguous night;
Perspicuous the vista charms our eye,
And opens, Janus like, to either sky;
Or stills attention to the feather'd song,
While echo doubles from the warbling throng.

Here, winding to the sun's magnetic ray,
The solar plants adore the lord of day,
With Persian rites idolatrous incline,
And worship towards his consecrated shrine;
By south from east to west obsequious turn,
And moved with sympathetic ardours burn.
To these adverse, the lunar sects dissent,
With convolution of opposed bent;
From west to east by equal influence tend,
And towards the moon's attractive crescence bend;
There, nightly worship with Sidonian zeal,
And queen of heaven Astarte's idol hail.

" O Nature , whom the song aspires to scan!
" O B EAUTY , trod by proud insulting man,
" This boasted tyrant of thy wondrous ball,
" This mighty, haughty, little lord of all;
" This king o'er reason, but this slave to sense,
" Of wisdom careless, but of whim immense;
" Towards T HEE ! incurious, ignorant, profane,
" But of his own, dear, strange, productions vain!
" Then, with this champion let the field be fought,
" And nature's simplest arts 'gainst human wisdom brought:
" Let elegance and bounty here unite —
" There kings beneficent, and courts polite;
" Here nature's wealth — there chymist's golden dreams;
" Her texture here — and there the statesman's schemes;
" Conspicuous here let Sacred Truth appear —
" The courtier's word, and lordling's honour there;
" Here native sweets in boon profusion flow —
" There smells that scented nothing of a beau;
" Let justice here unequal combat wage —
" Nor poise the judgment of the law-learn'd sage;
" Tho' all-proportion'd with exactest skill,
" Yet gay as woman's wish, and various as her will. "

O say, ye pitied, envied, wretched great,
Who veil pernicion with the mask of state!
Whence are those domes that reach the mocking skies,
And vainly emulous of nature rise?
Behold the swain projected o'er the vale!
See slumbering peace his rural eyelids seal;
Earth's flowery lap supports his vacant head;
Beneath his limbs her broider'd garment's spread;
Aloft her elegant pavilion bends,
And living shade of vegetation lends,
With ever propagated bounty blest,
And hospitably spread for every guest:
No tinsel here adorns a taudry woof,
Nor lying wash besmears a varnish'd roof;
With native mode the vivid colours shine,
And heaven's own loom has wrought the weft divine,
Where art veils art; and beauties beauties close,
While central grace diffused throughout the system flows.
The fibres, matchless by expressive line,
Arachne's cable, or aetherial twine,
Continuous, with direct ascension rise,
And lift the trunk, to prop the neighbouring skies.
Collateral tubes with respiration play,
And winding in aerial mazes stray.
These as the woof, while warping, and athwart
The exterior cortical insertions dart
Transverse, with cone of equidistant rays,
Whose geometric form the F ORMING H AND displays.
Recluse, the interior sap and vapour dwells
In nice transparence of minutest cells;
From whence, thro' pores or transmigrating veins
Sublimed the liquid correspondence drains,
Their pithy mansions quit, the neighbouring chuse,
And subtile thro' the adjacent pouches ooze;
Refined, expansive, or regressive pass,
Transmitted thro' the horizontal mass;
Compress'd the lignous fibres now assail,
And entering thence the essential sap exhale;
Or lively with effusive vigour spring,
And form the circle of the annual ring,
The branch implicit of embowering trees,
And foliage whispering to the vernal breeze;
While Zephyr tuned, with gentle cadence blows,
And lull'd to rest consenting eyelids close.
Ah! how unlike those sad imperial beds,
Which care within the gorgeous prison spreads;
Where tedious nights are sunk in sleepless down,
And pillows vainly soft, to ease the thorny crown!

Nor blush thou rose, tho' bashful thy array,
Transplanted chaste within the raptured lay;
Thro' every bush, and warbled spray we sing,
And with the linnet gratulate the spring;
Sweep o'er the lawn, or revel on the plain,
Or gaze the florid, or the fragrant scene;
I know its haughty, but please read!:) its one of my favorites!
Ye learnèd sisters, which have oftentimes
Beene to me ayding, others to adorne,
Whom ye thought worthy of your gracefull rymes,
That even the greatest did not greatly scorne
To heare theyr names sung in your simple layes,
But joyèd in theyr praise;
And when ye list your owne mishaps to mourne,
Which death, or love, or fortunes wreck did rayse,
Your string could soone to sadder tenor turne,
And teach the woods and waters to lament
Your dolefull dreriment:
Now lay those sorrowfull complaints aside;
And, having all your heads with girlands crownd,
Helpe me mine owne loves prayses to resound;
Ne let the same of any be envide:
So Orpheus did for his owne bride!
So I unto my selfe alone will sing;
The woods shall to me answer, and my Eccho ring.

Early, before the worlds light-giving lampe
His golden beame upon the hils doth spred,
Having disperst the nights unchearefull dampe,
Doe ye awake; and, with fresh *****-hed,
Go to the bowre of my belovèd love,
My truest turtle dove;
Bid her awake; for ***** is awake,
And long since ready forth his maske to move,
With his bright Tead that flames with many a flake,
And many a bachelor to waite on him,
In theyr fresh garments trim.
Bid her awake therefore, and soone her dight,
For lo! the wishèd day is come at last,
That shall, for all the paynes and sorrowes past,
Pay to her usury of long delight:
And, whylest she doth her dight,
Doe ye to her of joy and solace sing,
That all the woods may answer, and your eccho ring.

Bring with you all the Nymphes that you can heare
Both of the rivers and the forrests greene,
And of the sea that neighbours to her neare:
Al with gay girlands goodly wel beseene.
And let them also with them bring in hand
Another gay girland
For my fayre love, of lillyes and of roses,
Bound truelove wize, with a blew silke riband.
And let them make great store of bridale poses,
And let them eeke bring store of other flowers,
To deck the bridale bowers.
And let the ground whereas her foot shall tread,
For feare the stones her tender foot should wrong,
Be strewed with fragrant flowers all along,
And diapred lyke the discolored mead.
Which done, doe at her chamber dore awayt,
For she will waken strayt;
The whiles doe ye this song unto her sing,
The woods shall to you answer, and your Eccho ring.

Ye Nymphes of Mulla, which with carefull heed
The silver scaly trouts doe tend full well,
And greedy pikes which use therein to feed;
(Those trouts and pikes all others doo excell;)
And ye likewise, which keepe the rushy lake,
Where none doo fishes take;
Bynd up the locks the which hang scatterd light,
And in his waters, which your mirror make,
Behold your faces as the christall bright,
That when you come whereas my love doth lie,
No blemish she may spie.
And eke, ye lightfoot mayds, which keepe the deere,
That on the hoary mountayne used to towre;
And the wylde wolves, which seeke them to devoure,
With your steele darts doo chace from comming neer;
Be also present heere,
To helpe to decke her, and to help to sing,
That all the woods may answer, and your eccho ring.

Wake now, my love, awake! for it is time;
The Rosy Morne long since left Tithones bed,
All ready to her silver coche to clyme;
And Phoebus gins to shew his glorious hed.
Hark! how the cheerefull birds do chaunt theyr laies
And carroll of Loves praise.
The merry Larke hir mattins sings aloft;
The Thrush replyes; the Mavis descant playes;
The Ouzell shrills; the Ruddock warbles soft;
So goodly all agree, with sweet consent,
To this dayes merriment.
Ah! my deere love, why doe ye sleepe thus long?
When meeter were that ye should now awake,
T’ awayt the comming of your joyous make,
And hearken to the birds love-learnèd song,
The deawy leaves among!
Nor they of joy and pleasance to you sing,
That all the woods them answer, and theyr eccho ring.

My love is now awake out of her dreames,
And her fayre eyes, like stars that dimmèd were
With darksome cloud, now shew theyr goodly beams
More bright then Hesperus his head doth rere.
Come now, ye damzels, daughters of delight,
Helpe quickly her to dight:
But first come ye fayre houres, which were begot
In Joves sweet paradice of Day and Night;
Which doe the seasons of the yeare allot,
And al, that ever in this world is fayre,
Doe make and still repayre:
And ye three handmayds of the Cyprian Queene,
The which doe still adorne her beauties pride,
Helpe to addorne my beautifullest bride:
And, as ye her array, still throw betweene
Some graces to be seene;
And, as ye use to Venus, to her sing,
The whiles the woods shal answer, and your eccho ring.

Now is my love all ready forth to come:
Let all the virgins therefore well awayt:
And ye fresh boyes, that tend upon her groome,
Prepare your selves; for he is comming strayt.
Set all your things in seemely good aray,
Fit for so joyfull day:
The joyfulst day that ever sunne did see.
Faire Sun! shew forth thy favourable ray,
And let thy lifull heat not fervent be,
For feare of burning her sunshyny face,
Her beauty to disgrace.
O fayrest Phoebus! father of the Muse!
If ever I did honour thee aright,
Or sing the thing that mote thy mind delight,
Doe not thy servants simple boone refuse;
But let this day, let this one day, be myne;
Let all the rest be thine.
Then I thy soverayne prayses loud wil sing,
That all the woods shal answer, and theyr eccho ring.

Harke! how the Minstrils gin to shrill aloud
Their merry Musick that resounds from far,
The pipe, the tabor, and the trembling Croud,
That well agree withouten breach or jar.
But, most of all, the Damzels doe delite
When they their tymbrels smyte,
And thereunto doe daunce and carrol sweet,
That all the sences they doe ravish quite;
The whyles the boyes run up and downe the street,
Crying aloud with strong confusèd noyce,
As if it were one voyce,
*****, iö *****, *****, they do shout;
That even to the heavens theyr shouting shrill
Doth reach, and all the firmament doth fill;
To which the people standing all about,
As in approvance, doe thereto applaud,
And loud advaunce her laud;
And evermore they *****, ***** sing,
That al the woods them answer, and theyr eccho ring.

Loe! where she comes along with portly pace,
Lyke Phoebe, from her chamber of the East,
Arysing forth to run her mighty race,
Clad all in white, that seemes a ****** best.
So well it her beseemes, that ye would weene
Some angell she had beene.
Her long loose yellow locks lyke golden wyre,
Sprinckled with perle, and perling flowres atweene,
Doe lyke a golden mantle her attyre;
And, being crownèd with a girland greene,
Seeme lyke some mayden Queene.
Her modest eyes, abashèd to behold
So many gazers as on her do stare,
Upon the lowly ground affixèd are;
Ne dare lift up her countenance too bold,
But blush to heare her prayses sung so loud,
So farre from being proud.
Nathlesse doe ye still loud her prayses sing,
That all the woods may answer, and your eccho ring.

Tell me, ye merchants daughters, did ye see
So fayre a creature in your towne before;
So sweet, so lovely, and so mild as she,
Adornd with beautyes grace and vertues store?
Her goodly eyes lyke Saphyres shining bright,
Her forehead yvory white,
Her cheekes lyke apples which the sun hath rudded,
Her lips lyke cherryes charming men to byte,
Her brest like to a bowle of creame uncrudded,
Her paps lyke lyllies budded,
Her snowie necke lyke to a marble towre;
And all her body like a pallace fayre,
Ascending up, with many a stately stayre,
To honors seat and chastities sweet bowre.
Why stand ye still ye virgins in amaze,
Upon her so to gaze,
Whiles ye forget your former lay to sing,
To which the woods did answer, and your eccho ring?

But if ye saw that which no eyes can see,
The inward beauty of her lively spright,
Garnisht with heavenly guifts of high degree,
Much more then would ye wonder at that sight,
And stand astonisht lyke to those which red
Medusaes mazeful hed.
There dwels sweet love, and constant chastity,
Unspotted fayth, and comely womanhood,
Regard of honour, and mild modesty;
There vertue raynes as Queene in royal throne,
And giveth lawes alone,
The which the base affections doe obay,
And yeeld theyr services unto her will;
Ne thought of thing uncomely ever may
Thereto approch to tempt her mind to ill.
Had ye once seene these her celestial threasures,
And unrevealèd pleasures,
Then would ye wonder, and her prayses sing,
That al the woods should answer, and your echo ring.

Open the temple gates unto my love,
Open them wide that she may enter in,
And all the postes adorne as doth behove,
And all the pillours deck with girlands trim,
For to receyve this Saynt with honour dew,
That commeth in to you.
With trembling steps, and humble reverence,
She commeth in, before th’ Almighties view;
Of her ye virgins learne obedience,
When so ye come into those holy places,
To humble your proud faces:
Bring her up to th’ high altar, that she may
The sacred ceremonies there partake,
The which do endlesse matrimony make;
And let the roring Organs loudly play
The praises of the Lord in lively notes;
The whiles, with hollow throates,
The Choristers the joyous Antheme sing,
That al the woods may answere, and their eccho ring.

Behold, whiles she before the altar stands,
Hearing the holy priest that to her speakes,
And blesseth her with his two happy hands,
How the red roses flush up in her cheekes,
And the pure snow, with goodly vermill stayne
Like crimsin dyde in grayne:
That even th’ Angels, which continually
About the sacred Altare doe remaine,
Forget their service and about her fly,
Ofte peeping in her face, that seems more fayre,
The more they on it stare.
But her sad eyes, still fastened on the ground,
Are governèd with goodly modesty,
That suffers not one looke to glaunce awry,
Which may let in a little thought unsownd.
Why blush ye, love, to give to me your hand,
The pledge of all our band!
Sing, ye sweet Angels, Alleluya sing,
That all the woods may answere, and your eccho ring.

Now al is done: bring home the bride againe;
Bring home the triumph of our victory:
Bring home with you the glory of her gaine;
With joyance bring her and with jollity.
Never had man more joyfull day then this,
Whom heaven would heape with blis,
Make feast therefore now all this live-long day;
This day for ever to me holy is.
Poure out the wine without restraint or stay,
Poure not by cups, but by the belly full,
Poure out to all that wull,
And sprinkle all the postes and wals with wine,
That they may sweat, and drunken be withall.
Crowne ye God Bacchus with a coronall,
And ***** also crowne with wreathes of vine;
And let the Graces daunce unto the rest,
For they can doo it best:
The whiles the maydens doe theyr carroll sing,
To which the woods shall answer, and theyr eccho ring.

Ring ye the bels, ye yong men of the towne,
And leave your wonted labors for this day:
This day is holy; doe ye write it downe,
That ye for ever it remember may.
This day the sunne is in his chiefest hight,
With Barnaby the bright,
From whence declining daily by degrees,
He somewhat loseth of his heat and light,
When once the Crab behind his back he sees.
But for this time it ill ordainèd was,
To chose the longest day in all the yeare,
And shortest night, when longest fitter weare:
Yet never day so long, but late would passe.
Ring ye the bels, to make it weare away,
And bonefiers make all day;
And daunce about them, and about them sing,
That all the woods may answer, and your eccho ring.

Ah! when will this long weary day have end,
And lende me leave to come unto my love?
How slowly do the houres theyr numbers spend?
How slowly does sad Time his feathers move?
Hast thee, O fayrest Planet, to thy home,
Within the Westerne fome:
Thy tyrèd steedes long since have need of rest.
Long though it be, at last I see it gloome,
And the bright evening-star with golden creast
Appeare out of the East.
Fayre childe of beauty! glorious lampe of love!
That all the host of heaven in rankes doost lead,
And guydest lovers through the nights sad dread,
How chearefully thou lookest from above,
And seemst to laugh atweene thy twinkling light,
As joying in the sight
Of these glad many, which for joy doe sing,
That all the woods them answer, and their echo ring!

Now ceasse, ye damsels, your delights fore-past;
Enough it is that all the day was youres:
Now day is doen, and night is nighing fast,
Now bring the Bryde into the brydall boures.
The night is come, now soon her disaray,
And in her bed her lay;
Lay her in lillies and in violets,
And silken courteins over her display,
And odourd sheetes, and Arras coverlets.
Behold how goodly my faire love does ly,
In proud humility!
Like unto Maia, when as Jove her took
In Tempe, lying on the flowry gras,
Twixt sleepe and wake, after she weary was,
With bathing in the Acidalian brooke.
Now it is night, ye damsels may be gon,
And leave my love alone,
And leave likewise your former lay to sing:
The woods no more shall answere, nor your echo ring.

Now welcome, night! thou night so long expected,
That long daies labour doest at last defray,
And all my cares, which cruell Love collected,
Hast sumd in one, and cancellèd for aye:
Spread thy broad wing over my love and me,
That no man may us see;
And in thy sable mantle us enwrap,
From feare of perrill and foule horror free.
Let no false treason seeke us to entrap,
Nor any dread disquiet once annoy
The safety of our joy;
But let the night be calme, and quietsome,
Without tempestuous storms or sad afray:
Lyke as when Jove with fayre Alcmena lay,
When he begot the great Tirynthian groome:
Or lyke as when he with thy selfe did lie
And begot Majesty.
And let the mayds and yong men cease to sing;
Ne let the woods them answer nor theyr eccho ring.

Let no lamenting cryes, nor dolefull teares,
Be heard all night within, nor yet without:
Ne let false whispers, breeding hidden feares,
Breake gentle sleepe with misconceivèd dout.
Let no deluding dreames, nor dreadfull sights,
Make sudden sad affrights;
Ne let house-fyres, nor lightnings helpelesse harmes,
Ne let the Pouke, nor other evill sprights,
Ne let mischivous witches with theyr charmes,
Ne let hob Goblins, names whose sence we see not,
Fray us with things that be not:
Let not the shriech Oule nor the Storke be heard,
Nor the night Raven, that still deadly yels;
Nor damnèd ghosts, cald up with mighty spels,
Nor griesly vultures, make us once affeard:
Ne let th’ unpleasant Quyre of Frogs still croking
Make us to wish theyr choking.
Let none of these theyr drery accents sing;
Ne let the woods them answer, nor theyr eccho ring.

But let stil Silence trew night-watches keepe,
That sacred Peace may in assurance rayne,
And tymely Sleep, when it is tyme to sleepe,
May poure his limbs forth on your pleasant playne;
The whiles an hundred little wingèd loves,
Like divers-fethered doves,
Shall fly and flutter round about your bed,
And in the secret darke, that none reproves,
Their prety stealthes shal worke, and snares shal spread
To filch away sweet snatches of delight,
Conceald through covert night.
Ye sonnes of Venus, play your sports at will!
For greedy pleasure, carelesse of your toyes,
Thinks more upon her paradise of joyes,
Then what ye do, albe it good or ill.
All night therefore attend your merry play,
For it will soone be day:
Now none doth hinder you, that say or sing;
Ne will the woods now answer, nor your Eccho ring.

Who is the same, which at my window peepes?
Or whose is that faire face that shines so bright?
Is it not Cinthia, she that never sleepes,
But walkes about high heaven al the night?
O! fayrest goddesse, do thou not envy
My love with me to spy:
For thou likewise didst love, though now unthought,
And for a fleece of wooll, which privily
The Latmian shepherd once unto thee brought,
His pleasures with thee wrought.
Therefore to us be favorable now;
And sith of wemens labours thou hast charge,
And generation goodly dost enlarge,
Encline thy will t’effect our wishfull vow,
And the chast wombe informe with timely seed
That may our comfort breed:
Till which we cease our hopefull hap to sing;
Ne let the woods us answere, nor our Eccho ring.

And thou, great Juno! which with awful might
The lawes of wedlock still dost patronize;
And the religion of the faith first plight
With sacred rites hast taught to solemnize;
And eeke for comfort often callèd art
Of women in their smart;
Eternally bind thou this lovely band,
And all thy blessings unto us impart.
And thou, glad
L Aug 2018
Meticulous and true. They are so careful. So skilled. Deftly and with a swift and sure hand, the words,    
Oh the words, they flow like a brooke. The one in the forest, you know the one. The one out there, out far. In the deep of the wood, over root, under canopy. Through the branches you have to look real hard. And the hard part is not knowing at all what youre looking for. And then there,    
After an eternity and in an instant it is there infront of you. What you have been looking for. A vast clearing. Wide and open. The sun glints through the salt-and-peppered leaf roof. It crawls and stretches and lightly caresses everything you lay your eyes upon. Even matte mossy rocks, they seem to shine. You look down and it caresses you as well. Gentle and warm the embrace that you cant quite put your finger on. The location. The origin. It is everywhere, it surrounds you. Close your eyes. Embrace the sun back. But i digress my digression. The brook. It flows over, around, through. There is no stopping the water. It is relentless, it WILL get to its destination. You cannot change its mind. It is immovable.

That is what it is. It is beauty.

I know i should not compare. There is beauty in it all. But, goodness, the feelings invoked when reading others' poetry in admiration.
Brooke brook, glints?
Yeah my grammar. I break the rules sometimes. But im allowed to because i have learned them.
brooke Aug 2013
My first love was not a first love
because the first thing he was interested in
was being around me with his shirt off so
I could admire how toned he was for a
freshman.

He chose my best friend over me first
and I let him in anyway, he called me a
**** fiend and I took that as a compliment
even though i had no idea what I was doing.

He told me, Brooke, when people love each other
they have ***, and I knew that part of that was true
that I wanted to equate love with making love because
why else would it be called that? But he wasn't my first love
and the first thing he was interested in was eating me out.

Fifteen year olds are too dumb to make any rational decisions
when they have overbearing honey-tongued devils in their lives.
I was so scared but I did want to, so he planned it out and he had
me on bare mattress in his room in broad daylight, no sheets, no blankets
and my socks were still on, I wasn't even sweaty and my hair stayed perfect.
He wasn't my first love because the first thing he thought of was grabbing my
breast under the elementary school awning.

We had no ****, no privacy, no rules. And I gave it to him willingly even though
I was paralyzed right down to my toenails, a cold highway of veins in my jar of
jelly muscle, the mornings were hot and every time he laid on me I felt like a
shower was the only cure to feeling this *****, should I FEEL this d i r t y?

My morals were rupturing like aneurisms, and everyone thought it was
so ridiculous that I was breaking down under their sunlight, burning up
under their words? It shouldn't matter, this much, brooke. It SHOULD NOT
matter this much. His dad, drove me to the jiu jitsu tournament and told me
he didn't understand why my dad thought it was so necessary to keep me
safe why he shouldn't be buying his son condoms because this is
what
teenagers
do.

My incessant nagging drove him away and I have thought this to be my
fault. This was not my fault.  

My second love may have been my first love.
because the first thing he was interested in was waiting
till our friendship bloomed and then I could come over to his house.

He didn't write off his feelings for me when I said I needed time. And maybe
he did go back to his ex, but I needed time and he gave me time. I wasn't sure
if I loved him but I kissed him and the first time he touched me he told me
to ask him to, to make sure it was okay.

I remember what I was wearing, acid wash shorts and a tanktop
that apparently saved darfur.  His breath was warm and the evening was dim
but his desk-light shone over our legs and his worn skinny jeans.

He told me, Brooke, all I want to do is make you breakfast. And I read
that in his diary. And my second love was my first love because the first
thing he wanted to do was draw me while I slept. He did.

Seventeen year olds are swept away easily and refuse to work
on old feelings. They are damaged because of their first loves who
weren't first loves and are afraid to let go because there will never
be anyone better than this.  My second love was my first
love because he never held *** over my head like a trophy
and we rolled over each other in the sheets and my parents
were never worried.

We had no ****, we had privacy, we had rules. I was not scared
after I realized there were no threats. I thawed and was sweet like
a ripe strawberry. He said he loved me and I felt clean, sweaty but
there was no need for a shower, my hair was always frizzy and he
laughed about it.

my morals were tall mortar walls. And I told him there were rules
for wanting to be with me, and my walls loomed over him. He tried and promised
but we were both fools.  I made mistakes twice over and took advantage of his love.

my incessant nagging, indecision, and rudeness drove him away. This was my fault.
This was all of our faults.
(c) Brooke Otto

This is so cliche it hurts.   I've been increasingly inspired by slam poetry. I actually don't like long poems, but the idea of reading it out loud is why I wanted to give it a try.  Sorry if there are any typos.
Thomas Thurman Nov 2010
For Pennsylvania is the Land
Where Men with Hearts may Understand,
And much the nicest part must be
The County of Montgomery.
And in that district I most like
The town that ends the Pottstown Pike.
For heaven's blessings rarely stick
to folk who live in Limerick,
and you would be the worse to know
the crimes that they commit in Stowe,
and heaven's wrath comes raining down
on men who live in Boyertown,
where sins are strange, and stranger still
are secrets hid in Douglasville;
they'd slit your throat for twenty pence
in frightful Lower Providence
and rumour tells me true that no men
are virtuous in Perkiomen.
But Pottstown, oh, but dear Pottstown!
Why, there a person may lie down
upon its riverbanks so stony,
or paddle in the Manatawny.
They laugh and love their life so well
They're purchasing a carousel.
(And when they get to feeling old,
A thousand senior Cokes are sold
with super fries and apple pie:
McDonalds, Hanover and High.)
This was fun to write.
i Mar 2014
out of the blue you came,
and for that i was the blame.

the house was too crowded,
sweaty bodies and red cups enshrouded.

i looked and looked around,
but you didn't want to be found.

and then in the backyard i saw you,
noticed you right through.

i asked you 'what's the matter',
you said 'i would rather'.

i gave you a questioning look,
you asked, 'are you Brooke'.

i chuckled at you guess,
and straightened my dress.

you got up,
and pushed the red cup.

i opened my mouth to talk,
but further you walked.

you cupped my neck,
and gave me a peck.

i gasped for air,
and ran my hands through your hair.

your lips connected to mine again,
and realization hit me then.

i was too good for you,
and you were too good for me.

we didn't match,
we were a mismatch.

but just so you know,
i loved you all along.
even though we both said no,
we were wrong.

you were such a party destroyer,
you destroyed me, completely,
mind and body.
brooke Aug 2013
You spent nearly a year
toiling over my love and
I was cooking an omelet
down in the kitchen just
now when the coconut
oil reached up and bit
my hand, when I realized
that maybe it was my turn
maybe it is my turn. I am
not quite so sure what It is that
I
deserve.
(c) Brooke Otto
Maisie Jul 2020
Narrator 1: Sweet children of pure honesty, Hansel and Gretel
Narrator 2: Really aren’t nice ones, they’re weeds like stinging nettles
Narrator 1: And that evil little missus
Cooked that poor witch, and that does not distress us
Narrator 2: So here is our story
And perhaps, purposefully, it’s a little bit gory
Both: Of Hansel and Gretel,
The annoying children like stinging nettles…

Narrator 1: There was a family of four
Who lived in a house with a rotting floor
In the middle of the woods,
With no money for basic goods
Narrator 2: A little boy lived there, his name
was Hansel
He was always forcing his father to cancel
His trips to the village in effort of food
Which did no good
Narrator 1: Then there was his sister, her name was Gretel
Always mistaken for being gentle
Rather, though, she was a spoilt brat
Always scoffing any food and becoming fat
Narrator 2: Their father, desperately weak,
Told by his children he was a freak
Narrator 1: Married a woman, perfectly strict,
Who had perfect legs for a mean kick
Both: You must remember now, these children are brats,
And need to have their heads chopped off with an axe
Narrator 1: Of course as you would expect,
Their step-mother wanted their severed necks
She taught them well, and she tried hard,
But their minds always seemed afar
Narrator 2: One day, she had had enough
Sent them off into the woods, she felt rough
But she told herself, you to me
This had to be done to the banshees
Narrator 1: The children, chubby and rude
Were sent off into the wood
Narrator 2:After a while, Gretel moaned
Gretel: ‘Where is all the food?’
Narrator 2: she groaned
Narrator 1: Of course you see she was greedy
So didn’t care about the needy
Both: And…...****! Just like that
A gingerbread house appeared with a snap
Narrator 1: Gretel always wanted to boast
And she felt she was the foodie host
Narrator 2: Hansel ran forward, teeth sunk into the ginger
No idea of the injure
He was causing to the house
And the occupant; a little mouse
Narrator 1: The mouse came out, shaking with fear
And said to the boy
Mouse: “Now look ‘ere!
You have no right to come bargin’ in
I just finished decoratin’!”
Narrator 1: Gretel sniggered, and winked at her brother
Narrator 2: Something that would’ve scared off their mother
Both: The turned their bottoms to the mouse
And let rip a **** that blew her back to the house!
Now these atrocious children
Needed to learn a very good lesson
Narrator 1: The mouse scampered away and awoke the witch
Who for some strange reason loved to stitch
Narrator 2:The witch was kind, her name was Brooke,
As you can see she loved to cook
Narrator 1: She loved gingerbread, for her village was made of it
If anyone ate her houses then she would throw a fit
Both: These children were no exception,
And Brooke was a witch of deception
Narrator 1:She lay on the floor in a fit of temper
The mouse feared she could not help her
Narrator 2: Brooke got up and slowly grinned
Witch: ‘I’ve a plan, it’ll make them run out of wind!’
Narrator 2: She whispered carefully to the mouse
Witch: ‘Bring them in the house,
I’ll give them lots of food,
And teach those brats for being rude!’
Narrator 1: The two children continued to munch,
The mouse came out and said
Mouse: ‘Come in! Have some sweets for lunch!’
Narrator 2: As soon as they were in, the trap fell
Trapping young Hansel, but it was too small for Gretel
Witch: Nevermind,
We’ll make a maid out of the girl with a big behind!
Narrator 1: Gretel slaved around, but slowly began to eat the walls
The mouse knew this but only said,
Mouse: ‘The fools!’
Narrator 2: After a while Hansel also got big,
He, like Gretel, was such a pig
Both: The children simply got fatter and fatter
Whilst the witch continued making her batter
Narrator 1: One day Gretel awoke to the smell of delicious food,
And rolled over to find she couldn’t move!
Narrator 2: Hansel was in a similar position
But still the witch hadn’t completed her mission
Both: She brought the greedy children more food so sweet
Which Hansel and Gretel couldn’t help but eat
Narrator 1: The witch wandered down the steps and whispered to the mouse
Witch: ‘Quick! Evacuate the house!’
Narrator 1: The witch and the mouse ran far away,
knowing about the end of the children’s days
Narrator 2: The children munched on and on
But at one point on the beds where they lay upon,
Narrator 1: Gretel moaned,
Gretel: I’m so full I could pop!
Narrator 1: And pop she did! There was no stop
Narrator 2: Hansel followed not long after
Both: And that is their Happy Ever After
That is the true story of Hansel and Gretel
The incredibly annoying and greedy children like stinging nettles.
This is a script I wrote for drama project about twisted tales. For this I never truly liked Hansel and Gretel, it was disappointing that children who grew fat never got punished for being greedy. So i decided to change that ;)
judy smith Nov 2015
Remini also reveals in the book that Nicole Kidman’s adopted children Bella and Connor only spoke to their Australian mother when forced to.

The New York Daily Newsobtained a copy of Remini’s exposé, Troublemaker: Surviving Hollywood and Scientology. In the book, Remini claims that Suri, who was then seven months old, could be heard crying throughout the pre-wedding dinner.

Remini writes she went to see what was going on, only to find Cruise’s sister and an assistant staring at the child as she screamed on the floor.

Remini says the women were staring at the child as if she was [Scientology founder] “L. Ron Hubbard incarnate”.

Remini also writes about Bella and Connor Cruise’s strained relationship with Nicole Kidman. Sharing a ride to the airport with the then-teenagers after Cruise and Holmes’ wedding, Remini asked the two if they’d seen Kidman.

“Not if I have a choice,” said Bella, according to the book. “Our mom is a f*ing SP.”

(Within Scientology, SP is reportedly a Suppressed Person and designated enemy.)

Remini says that Cruise and Holmes’ lavish nuptials at Odescalchi Castle in Italy was the beginning of the end of her involvement in Scientology. Prior to the 2006 ceremony, Remini — whose mother and stepfather were Scientologists — spent 30 years in the controversial religion and donated US$2.5 million ($3.5 million).

But Cruise and Holmes’ wedding reportedly pushed the actor over the edge.

In the book, Remini recounts how she finally convinced the women in the bathroom to pick up Suri and give her a bottle of warm milk.

Remini reckons her actions infuriated Cruise, and she was then treated like an outcast for speaking up. Tensions reportedly flared as church workers tried to separate Remini from close friend, Jennifer Lopez. Lopez was the daughter of a Scientologist, and the church hoped to use the Cruise wedding to recruit her to the cause. According to the book, Cruise reportedly even pressured Remini to invite longtime friend Lopez and husband Marc Anthony.

When Remini failed to co-operate, she writes that she was very publicly snubbed in the reception line by the famous couple as punishment.

The actor also describes in the book how Cruise was left at the altar for 20 minutes, waiting for Homes to show up.

As the 150 guests grew increasingly uncomfortable, Lopez whispered to Remini, “Do you think Katie is coming?”

Remini recalled the reception as being like a high school dance filled with amorous teenagers.

She writes that Norman Starkey, the Scientologist who performed the wedding ceremony, was “******* Brooke Shields on the dance floor”.

Remini was also outraged to see Scientology’s married Chairman David Miscavige treating his assistant as if they were on a date.

And she reported the high-level Scientologists attached to Cruise and Holmes, Tommy Davis and Jessica Feshbach, “were all over each other” at the festivities.

The two later divorced their spouses and married.

Remini also revealed that Cruise had seemingly replaced Hubbard as the church’s new figurehead. “Tom Cruise seems to be running our church,” she said.

After the event, Remini was summoned to appear at Scientology headquarters in Clearwater, Florida, to explain her wedding behaviour, with the most damning accusation made by Holmes herself.

In a report so punctuated with exclamation marks that it looked liked it was “written by a seventh grader,” Holmes contended that Remini’s wedding behaviour “disturbed me greatly. [She] made the party all about herself.”

Holmes recently apologised to Remini in a statement saying: “I regret having upset Leah in the past and wish her only the best in the future.”

After months of interrogation and a US$300,000 ($420,000) bill for the “auditing,” Remini was forced to launch an apology campaign.

She sent expensive gifts to all the important guests, including director JJ Abrams, who were reportedly upset by her attitude.

Remini also apologised to Kevin Huvane, Cruise’s powerful agent who also represents the likes of Julia Roberts, Meryl Streep and Jennifer Aniston.

She called to personally apologise after hearing that he was telling others how “disgusting” her behaviour was.

Remini considered leaving Scientology at the time, but didn’t as it would have meant cutting ties with her mother, stepfather and the many friends central to her life since joining the church as a teenager. Ultimately, Remini’s family would also leave the church alongside her.

After Holmes left Cruise in 2012, Remini aggressively ended her relationship with Scientology a year later by filing a missing persons report on Scientology boss David Miscavige’s wife.

In Going Clear, Lawrence Wright’s damning HBO documentary on Scientology, he dates Shelley Miscavige’s disappearance from public view to 2006.

Los Angeles police closed the case with a statement that Remini’s report was “unfounded”.

read more:www.marieaustralia.com/formal-dresses

www.marieaustralia.com/short-formal-dresses
Edward Coles Mar 2014
Rugby town, of landlocked streets,
of wasted field and barefaced retreat;
I miss you now, in absence of a friend,
I miss you now, in the verse that I lend.

Suburb grove, of sleepy mist,
oh, battered housewife, oh blastocyst;
you will remain in place forevermore,
and forevermore, you'll become a bore.

Holding cell, of sporting fame,
you stole my dreams but gave me my name;
I think of you: a multi-storey view,
of happy faces, of which there is few.

Still, my town, in debt's nightgown,
the shop-fronts vacate, we're feeling down;
these streets are poisoned with names of the past,
each memoir to teach: nothing's built to last

Rugby town, of weary folk,
the private school is a private joke;
I miss you now, as I sleep through the day,
I miss the old walks, and all that you'd say.

Old market town, the aftermath,
of British summer, suicide bath;
of open mics and closing the shutters,
of waking graveyards, sleeping in gutters.

Hopeless climbs, of dreary times,
of childhood state and nursery rhymes;
each time that I come home, I know you less,
becoming a stranger in my redress.

Clock tower, chiming, chiming loud,
singing for history long and proud;
of Rupert Brooke and the question: “what if?”
What if I was born to some lover's tiff?

To some large and friendless town,
to some body of land, which I drown;
to some active place of pain unknown,
to some place that I'll not gauge that I've grown,

oh Rugby dear, stay with me,
let  me live on the periphery;
and although this town seems terribly dull,
it could be worse – I could live in Hull.
c
Lamar Cole Oct 2019
Brooke slips quietly into the night.
Looking for a little peace.
In pink shawl, she looks so small.
While the moon and night creatures call.

Brooke bends her ear to the wind.
And she lets all of the night sounds flow in.
In this moment, she is one with the night.
And her soul floats lightly like a kite.
August Mar 2013
It's a permanent solution for a temporary problem
I wish you could breathe another breath
But, for some reason, instead of that,
You chose death.
And I'd love to hold you tight, shake your insides soft
As if filled by a million crashing waves
Every friend would whisper in your ear,
That you could live a million days.
*And that it wouldn't, couldn't, be bad all the time
© Amara Pendergraft

It's so sad to see you go,
Edward Coles Apr 2014
I have seen this town grow
through the tides of my time,
to the low and call of the market men,
to all of my drinks laced with lime.

The cracks form in concrete,
as they do to my aging face,
but never are the streets unrecognisable.
No, here, I can always find a place.

And the clock tower calls,
just to signify the passing day,
oh, all of life’s sorrow falls
to the saying: “come what may.”

I know you all, I’ve seen you crawl
through these jobs; waiting tables,
pouring wine, and shooting pool
in the stagnant afternoons;
claiming your past as part of mine.

Rupert Brooke is now but a name,
some archaic poet of yesterday.
His name now naught but of drinking fame,
as all the customers line up to pay.

Oh, I miss my childhood, old friends now past,
only stark reminders that nothing is built to last.
I need you now, my lifelong friend;

to my soul, give warmth,
to my heart, please mend.
c
brooke Apr 2017
i finally told him
I want to try.
with you.
I want to try, with you.
I want to be with you.
I want to be with you.
because it's been there
at the forefront of everything
Waiting to be said
okay. okay.  like a sigh--
I had been trying all night
From the moment he threatened
To drive away, standing insolently
In front of his headlights--
but he was quiet and
all i could do was smile
and say, but that's not
enough anymore, is it?

no, it's not.
but I know why it isn't,
and why this poem is
short with so very
few
words.
because decisions are
yes or no, but some yes'
are too
late and
some no's
follow in suit.
(c) Brooke Otto 2017

was too late.
imperfectwords Jan 2018
Where is that little girl I used to know?
The one that helped me make faces in the half melting snow?
The child that would spend hours on the battered couch with me,
Wasting precious time trying to find our show on TV.
What ever happened to my first
best friend?
Oh the seconds, minutes, hours we would spend-
Laughing
Chasing
Walking
Talking
Running
then
Tripping
and
Falling,
all before more devilish
Door-bell Ringing
followed by rapid
Sprinting back
to your house
on the end of
the cul-de-sac
to find your angry mother,
whom later we'd
secretly laugh at...
So many memories,
Jumping fences,
Kicking soccer *****,
Washing sand from my eyes,
Ignoring the teacher to
make faces and laugh,
which we then disguised
as coughing so the fun
could carry on,
throughout kindergarten,
first, second, third,
and so on.
So many days spent crying over how you left me...
Now, my dear Brooke, I just think of you fondly.
Hopefully the next time I pass you
in the hallway,
you'll lift your head and look at me with those eyes I once adored,
which are now full of such
sadness and worry.
I yearn for those glory days, those beautiful times
I will never get back...
but maybe one day, I'll see a glimpse
of that silly little girl I once loved
who lived at the end
of the cul-de-sac.
brooke Sep 2013
the last time we
spoke with our
voices, i asked you
why won't you sleep
with me on skype?
and
you nervously smiled, played
with something between your
fingers. i asked again, why?
I felt you aimlessly search my
face before you said, I don't
want you to see what I've done
if i accidentally roll over.


I hid beneath the covers and cried.
you said
[                          ]
(c) Brooke Otto

more stuff.
hayley Mar 2014
I wish i had a daddy .
I wish i was the little princess of a daddy.
I wish i had a daddy to take me shoping
I wish i had a daddy to come in my bedroom why im
laying in my bed in tell funny storys then cover me up in give me a good night kiss on the check. Their was this one man how i realy look up to as my daddy he treated me like i was his own in like a princess in would sit in listen to how i felt in everthing eles he was the only man how i have ever look up to as my daddy in now i wont ever get to see him ever again he loved me as his daughter he would alwhys say how he more then a daddy then what jay is cause he dose more for me then what that jay guy has ever did 4 me . in his name was rohn he was gonna be my step dad in 2 moths but my mom in him brooke up now i am never ever oloud to see im again now so i am sad but maybe one day i will get to him again sincarly love me hayley >3
Alive.
Dancing in the wind
Perfect image of grace
Like a frolicking maiden
With rippling, velvet skirts of azure
Caring not,
Thinking not,
Only dancing
To the melody of nature.
Flowing,
Careening,
Waltzing
With a gentle zephyr
To the smooth legato
Of the wild.
I see the cracks in
your porcelain skin.
You're frail figure
Swaying under the weight
Of things.

I remember when
We were younger
And the only worry we had
Was our curfews.
What happened?

Sadness should not equal
Blood.
Or loss of life,
Because the gravity in that
Is enough to **** us both.

Consider me your sentinel.
Silently watching and loving
From a distance in order to keep you
Safe.

Always remember my love,
I'm always here
When you need me.
Anais Vionet May 2023
Slang..
Chick-fil-a = the best place ever
jade = *****
brooke = gorgeous
mishin = the boss, as in “You aren’t the boss of me.”

We’re on vaycay. School is OVER, COVID is over. We’re in New York City and we’re doin’ the town this time. Lisa told me, “You showed me Paris last summer, now I’m going to show you New York City.” Her mom, Karen, smiled and gave a little sideways, “Yes, yes we ARE’ nod.

Leong and Sunny, two of my Yale roommates, and my BF Peter are staying in Lisa’s (parent’s) 50th floor Manhattan apartment for the week. The apartment is singularly stunning, with its all-glass views of Central Park and the city, but it only has five bedrooms - so we’re doubled up a bit.

One of the things that makes Manhattan chick-fil-a, is that the Broadway theaters are 15 minutes from Lisa’s door. You step out, whirl around Columbus Circle and you’re on Broadway! Minutes later, you’re in your seat, Oh, and don’t forget to get the cinnamon crusted almonds.

We saw ‘Bad Cinderella’ the night before last - that was only a ‘West End’ show (I’m learning to be a Broadway snob). Tonight, we’re going to see Hamilton. Last night, we saw ‘Hadestown.’ I didn’t know anything about ‘Hadestown,’ but Leeza (Lisa’s 13 year old sister) has seen it three times now.

We’d just finished lunch and Lisa started off a debate. “Is Orpheus (one of Hadestown’s leading characters, played by Reeve Carney) superhot - the hottest man alive - or is he the littlest jade ever?
“He’s brooke,” Leeza swooned dreamily, fanning her face as if it’s hot, “I’d definitely hit that.”
Lisa gasped, “shutUP, you aren’t “hitting” anyone.
Leeza’s been driving Lisa up-the-wall all morning. We had Pancakes and bacon for breakfast and Leeza’s been all rude and maple sugar buzzed ever since.
“You aren’t mushin,” Leeza snorted, and as Lisa gave her a threat-laden look, Leeza finished with, “that man can get it.”
I’ve seen this before - and these sisters are heading for it.

Leong adds “Orpheus sees a submissive woman in distress. What he thinks he sees, is a typically beautiful woman, by societal standards, who he knows nothing about - and he’s like, ‘I want to marry you.”
Sunny leaned into the conversation fiercely, saying, “He doesn’t KNOW her! Wouldn’t you just punch that guy in the face?”
“Probably,” I answered, laughing, “if he weren’t in a frigging MUSICAL!”

“Excuse me,” Lisa interrupts, “you’re telling me that this scene doesn’t perpetuate the idea that only looks matter?” As one of the most beautiful women in the WORLD, Lisa is sensitive to objectification.

Sunny adds, “One reason to cancel him - I assume we’re trying to cancel him now - is that he sees a woman in distress and says ‘that’s the one, the love of my life,’ - a beautiful woman who can’t survive on her own.”

“She didn’t need him,” I suggested, “he was a burden on her.”    
Peter, who’s been working away on his laptop, looked up and said, “I can’t tell if you’re joking.”

Leeza, snarked, “Then go back to your little coding.”
I think I gasped and Peter looked a little shocked.

When Lisa, who’d gotten up to get some ice, heard that comment from Leeza, she said, “THAT’S IT,” in a steely voice.

Leeza, who was sitting with her back to the kitchen on the huge white sectional, had a millisecond to look over before Lisa pounced on her. She came in from her backside rolling over onto Leeza, trying to cover her mouth.

Leong, and Sunny, who’d never seen these to wildcats at it before, squealed and flinched out of the way. Peter, an only child, found this delightful and hilarious. He burst out laughing with glee, as he too, cleared some space.

“You’re trying to silence me!” Leeza yelled, giggling and grabbing Lisa’s arms as they got into a full, sister wrestling, flailing ball of hair and arms. Rolling off the couch and onto the floor. “SHUT UP,” Lisa demanded at the top of her voice.
“She’s trying to silence me!” Leeza howled again, “I will not be silenced!” This match continued for a hot minute until Lisa got Leeza’s arms pinned with her knees.
“Apologize!” Lisa said, out of breath, as she began to ponytail her hair.

“Excuse me,” Leeza yelled, herself gasping for breath but trying to blow strands of her red hair out of her face and wiggle free. “I’d like my lawyer - get OFF me - you ******* Karen!”

When that doesn’t work Leeza starts yelling, “HELP, MOM, ****!!” at the top of her lungs.

Karen, on a laptop in a glass walled alcove just off the living room, had seen the whole everything. Folding down her laptop lid, she stuck her head out and said, “Girls.”

Then Michel, their dad, is in the doorway, “What are you two doing?” He asked softly.

The fight immediately broke up, Lisa and Leeza sheepishly disengaging. “Nothing,” they said, together in near perfect union. Lisa gave Leeza a wide-eyed, tilted head look and Leeza said, “I’m sorry Peter, I was only foolin’ around.”
“I know,” Peter replied, chuckling, “but it was worth it.”

Sunday - drum roll please - this Sunday (Mother’s day), we’re going to see Taylor Swift in concert.
On Monday, Peter and I jet off to Paris (and Saint-Tropez) for 10 days. He’ll get to meet my Grandmère and Uncle Remy - I’m SO hyped.

I’m squeezing a lot into the first three weeks of summer. My fellowship starts June 1st, and that’ll take all of June and July. I can’t wrap my head around being a junior next year. Where’s the time GONE?
BLT Marriam Webster word of the day challenge: Laden: something heavily loaded with something, literally or figuratively.
Jessica Partin Oct 2014
I feel like we're all navigating blind. (Saving the World)
I'm thriving on my self-sufficiency. (Still in Love)
Doubt comes to lie at the back of my mind. (Arithmetic)
I've heard rumors of true reality. (Shadowfeet)
I wave my arms ‘round about me and blow. (Faithful)
In the shadows it's easier to stay, (Shadowfeet)
A question like a shame no one will show.   (Hosea’s Wife)
I'll shout and rebuke it, away, away. (Love, Where is your Fire?)
Spoke silence with the seeker next to me.   (Hosea’s Wife)
Temperate, lukewarm will never do. (Love, Where is your Fire?)
[I’m] on a plane across a distant sea. (Albertine)
I'm head over heels over feet for you. (Reverie)
          Watching the water, quietly willing, (Reverie)
          I [will] shout aloud what I [am] feeling. (Flags)
Nameless Oct 2015
Love is some
peoples favorite
four letter word
and the Topic
of a major poets mind
but
love can be
guilt,
happiness,
and dread,
it can make you feel powerful
but even worthless.
when you lose it,
its a feeling you cant describe
with mere words
let alone a get well card
And when you
love someone
REALLY love someone
with all of your being
and when that's lost
You feel the whole world
weighing down on you
maybe you find another
eventually
but you're scared
scared that you'll butcher it
and wind up some
Play-thing
that is tossed away
when they find
a shiny new toy
but I'm not her toy,
Maybe I was to Brooke,
But Brenna is different.
She has so much love
in her heart
she tries more than anything
just to hear my voice
she takes care of me
I don't feel like a pawn
Or a second choice
to her I come first
Her love is real
Not that Brooke's wasn't
But Brenna's doesn't
cause me pain
or panic attacks
She is a rush of everything
she makes me calm....
Just a random trail of thoughts,
I started typing.
I barely know you that well
But would you like to take some time away
Throw pennies down a well
And make wishes that we'd never tell?
When it comes to being confident
I'm lacking in the subject but it
Doesn't mean that I don't know how to love
If there's something beautiful in this rotten world it's a dove
Who flies through the day and the night
With wings ******* white
Trying to find the one to who will make him stay
And make a nest with eggs
Feed his children on the off days
So if it's something like that you're looking for
I'll have introduce you too the door
Only after we've had our fun
Because I really want to know you
But it's hard for me to show you
Everything that I'd want to give
It's not what I'd suggest but it's the way some like to live
So take your coat
and hang it up
Or throw down your purse and lay with me till the sun comes up
Either way it doesn't matter to me
It's just another thing to lose
Something I'd rather not choose
But it's something that people live for

Whatever happened to the christian girl
Who took a solemn pledge
To remain pure like silver
And to never go up against
The devil and his drones
To become a mindless clone
To the alcohol and green
She says she feels all in between
I think she left home way too soon
Like some modernized sixties cartoon
Well I know that a man ***** you
****** is a real shame
But that doesn't mean you can take good friends
And make them feel the same
Hate isn't something I'd wish upon another
So please just stay out of it
And avoid all the clutter

So drink all the wine in my simplistic home
Don't worry about the time we've got a loan
It is just another thing to lose
Don't think about tomorrow I'll take your shoes
I know I'll wake up the next morning
And know i'll never get to see those hazel browns again
Because you like to your eyes closed when you sin
It helps you not remember what you did
I'm not really one to talk
But I think we should take a walk
And get the help that we deserve
because even god can't help us when we refuse to learn
And you'll try to look both ways
Before crossing the busy street
At least that’s what it'll say
On your suicide note to me
I'll miss you very dearly
If only you could see clearly
And not through that red eyed whiskey glare
It's yet another thing I refuse to share

You know which way to go about it
You say that you can live without it
But when it comes to being a good son
You have eleven bottles down at a quarter to one
Now your beating your mother
And cursing the only other
Person that wants you to live
I really wish you had something more to give
Than a sly remark and a troubled slur
Like a baker who let his workplace burn
You'll get back everything you lost
You can't even get better
So just take up that sweater
And go sit in the backyard and slit your wrists
The police are knocking at your door they're coming in
Only three days in prison
And your back to the same old ****
I bet you had a life
That was relatively good
Although I know nothing about your wife
Everything seemed to be where it should
Can you count the fingers
On my left hand?
You just want shove it in my face
And kick my *** where I stand
Your sisters don't care
And your father is barely breathing on his bed
You niece is in denial
And your nephew wants you dead
Can I ask a question?
Have you learned your lesson?
You better hope to god you'll never hear this poem
Because let me tell you
I want you gone

The couple that's not a couple broke up last week
The girl was a bit troubled
And the boy just smokes his ****
While another girl doesn't eat
And another man can barely sleep
Because there is really too much on their minds
Like the french man and his muse
They are all compromised
And the kids that drop their acid
Before they're thirteen
And the parents who keep the knives at bay
Cry in disbelief
The girls who's actually eighteen
Is mentally ten
No one knows what’s happening with her mother
She might be dead
In a few months time
They won't know if she’s fine
The father takes his pleasure
In being philosophically confusing
And the son lies about his drug use
Its all a bit soothing
To think they all started out
In the same old place
Naked as a jaybird
With their mothers to thank
How they all have changed
Moderation is key
It really shouldn't be
Be I'll talk about me

I'm an eighteen year old ******
Just trying to find some love
Not someone to ****
Just to think fondly of
My uncle is a drunk
And my mother might die
My grandfather doesn't remember me
And my sister can't even try
To be a normal kid
Like her younger brother
While my father scolds me
About the **** like its another
Faithless crime
Like he did when he was a kid he
Sipped his wine
And now my fathers’ father
Can barely think
He just gargles down his mouthwash
And spits into the sink
His heads makes up theories
About the president
And we are all communists
Its real complicated
And here I am at two AM
Just trying to deal
With all of these thoughts
It really can’t be real
I think sometimes it's easier just not to feel
I've had a few girls I've thought fondly of
With each of them in different ways, I fell in love
One was a pure christian girl
Who left me for jesus
Another was deep into drugs
She overdosed and now I never see her
There was one who lived in Chicago
She was full of hope
One who took pills for pleasure
But now only smokes dope
Another who takes photos
Who only dreams in black and white
We are just best friends
I hope one day I
Well one day I'll take the train
To somewhere new
With my guitar and my ripped up shoes
I think I'd really love to start again
With a new name, a new life
Some new friends

I'll write you all letters
Explaining my guilt
I'll never forget you
I promise you all that I will
Try to visit again
On a warm summer day
My hair will be past my shoulders
And my heart taken away
By someone who is as close to perfect
As the word itself
And when I look into their eyes
My brain would start to melt
Like the eagle and the poacher
It's just a kind of game
You never know who's gonna win
And what’s to blame
Is it because we live in a land that land makes medicine illegal
Or the fact that we deny any form of help to the most vulnerable of people
We think we own the world
When we are really just a race
Who took the fact that we have thumbs
As the right to claim first place

Take this message in a bottle
And throw it out to sea
Hopefully through all the pollution
They'll find me
With a joint in my hand
And my guitar in the other
I'll tell them I've quit cigarettes
And this is just another
Way to cope
With the every day life
I know they won't believe me
I'm a criminal in their eyes
I'll fight for all my friends
That have been taken down
By wars or drugs or policeman
Their souls I never found
I guess it's time to move on
A new chapter will begin
Maybe this time I'll let the light
Come shining on in
I know I've let my mother down
She probably hates me
The feeling might be mutual
But that doesn't even phase me

For me there's just so many things to say
I can't even wrap my head around
What happened new years day
I was alone in the bathroom
Drunk beyond belief
Taking a drag off a cigarette
And then a hit of ****
It was me and three of my friends
Two were having ***
The other had a friend over
The were on the couch touching lips
I called up a friend
He said he wasn't busy
He said I should hang up
He knew I was way past tipsy
We talked for hours
then I went back to the room
The reeked of smoke and ****
With a hint of the blues
I called up a friend of mine she paid me a visit
She gave me a big hug
I really, really miss it
When I saw her face
I almost started to cry
She left, I love her
She's the best friend that I
Have ever had in this world
She knows about me
She helped me off the drugs
And my dependencies
When it was again just us four
I played them all a song
The tears all just came up again
I played along
We all went outside
And smoked the last cigarette
Smoke the rest of my ****
And went off to bed
It was a sad night
But I had things to learn
Like who will go out of their way
To help me reconfirm

My identity that had been lost
About two years ago
I don't think I'll ever find it
To whoever cares you should know
I'll miss you
When I'm nearly dead
Whenever that is
Remember what I've said
You can't love another
Without mending a broken heart
It's something I wish I'd known
Right from the very start
It would have helped me out a lot
Way back then
With my insecurities
That I can throw into the wind

Wish oh wish upon a star
Wake up where the days are close
Behind you
Maybe one day they'll get the message
That everything I do depends on them
Return to where it all began
Try to wake the dead and frolic now and then
Stay up in the fields and take a look
A flower floating through the forest
Floating in a bubbling Brooke
I guess that's where I started
My old friend
I hope I get to see you
One day before the end
brooke Jul 2013
lightening out, a thin
blue flash and I can
feel your arm around
my shoulder and your
kiss on my forehead.
It's true I try to forget
but you still permeate
my scenarios with each
rumble, it's true

it's true
it's true.
(c) Brooke Otto
brooke May 2013
once you wrote me a letter on your
typewriter with a quote from the little
prince (which took me only an hour
to read)

because it is she that I have listened
to when she grumbled, or boasted or
even sometimes when she said nothing.
she is my rose.


perhaps then, I was thankful for all the
times when I was angry, naive or
mean in which you only smiled and
tried to hold me. Maybe we really
did love each other.

I am painfully grateful, if that is
even possible.
(c) Brooke Otto

— The End —