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"brighton" poems
Some say love's a little boy, And some say it's a bird, Some say it makes the world go around, Some say that's absurd, And when I asked the man next-door, Who looked as if he knew, His wife got very cross indeed, And said it wouldn't do. Does it look like a pair of pyjamas, Or the ham in a temperance hotel? Does its odour remind one of llamas, Or has it a comforting smell? Is it prickly to touch as a hedge is, Or soft as eiderdown fluff? Is it sharp or quite smooth at the edges? O tell me the truth about love. Our history books refer to it In cryptic little notes, It's quite a common topic on The Transatlantic boats; I've found the subject mentioned in Accounts of suicides, And even seen it scribbled on The backs of railway guides. Does it howl like a hungry Alsatian, Or boom like a military band? Could one give a first-rate imitation On a saw or a Steinway Grand? Is its singing at parties a riot? Does it only like Classical stuff? Will it stop when one wants to be quiet? O tell me the truth about love. I looked inside the summer-house; It wasn't over there; I tried the Thames at Maidenhead, And Brighton's bracing air. I don't know what the blackbird sang, Or what the tulip said; But it wasn't in the chicken-run, Or underneath the bed. Can it pull extraordinary faces? Is it usually sick on a swing? Does it spend all its time at the races, or fiddling with pieces of string? Has it views of its own about money? Does it think Patriotism enough? Are its stories ****** but funny? O tell me the truth about love. When it comes, will it come without warning Just as I'm picking my nose? Will it knock on my door in the morning, Or tread in the bus on my toes? Will it come like a change in the weather? Will its greeting be courteous or rough? Will it alter my life altogether? O tell me the truth about love.
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43.4k
O Tell Me The Truth About Love
Some say love's a little boy, And some say it's a bird, Some say it makes the world go around, Some say that's absurd, And when I asked the man next-door, Who looked as if he knew, His wife got very cross indeed, And said it wouldn't do. Does it look like a pair of pyjamas, Or the ham in a temperance hotel? Does its odour remind one of llamas, Or has it a comforting smell? Is it prickly to touch as a hedge is, Or soft as eiderdown fluff? Is it sharp or quite smooth at the edges? O tell me the truth about love. Our history books refer to it In cryptic little notes, It's quite a common topic on The Transatlantic boats; I've found the subject mentioned in Accounts of suicides, And even seen it scribbled on The backs of railway guides. Does it howl like a hungry Alsatian, Or boom like a military band? Could one give a first-rate imitation On a saw or a Steinway Grand? Is its singing at parties a riot? Does it only like Classical stuff? Will it stop when one wants to be quiet? O tell me the truth about love. I looked inside the summer-house; It wasn't over there; I tried the Thames at Maidenhead, And Brighton's bracing air. I don't know what the blackbird sang, Or what the tulip said; But it wasn't in the chicken-run, Or underneath the bed. Can it pull extraordinary faces? Is it usually sick on a swing? Does it spend all its time at the races, or fiddling with pieces of string? Has it views of its own about money? Does it think Patriotism enough? Are its stories ****** but funny? O tell me the truth about love. When it comes, will it come without warning Just as I'm picking my nose? Will it knock on my door in the morning, Or tread in the bus on my toes? Will it come like a change in the weather? Will its greeting be courteous or rough? Will it alter my life altogether? O tell me the truth about love.
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56
The air is perfumed with fresh rosemary's And the wild springs with lush berries Their presence colours the nursery with a sweet loom It bleeds into the forecast for tomorrow's gloom Nostalgia hits hard, heartbreaking and eerie For a day when I wasn't paranoid and weary Well, I'll be down by the Brighton pier Watching birds float past in lonely fear I'd love to turn away The pristine sun shines like Hades The outside scent is yellow, maybe Little daises laugh in the foreground Gardens sow a loving sound Once I could see hope in the trees And the love that whispered on the breeze Now the trees foreshadow longing And the gale howls with wronging I'd love to turn away The intimacy in my yellow tinted flowers seems to have faded And the soft orchards have been invaded My words burnt in a smouldering pile of dust And steaming with the heat of my lust I told a crowd I had something to say But the people turned away away away...
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Jun 14, 2018
Jun 14, 2018 at 1:12 PM UTC
Yellow Tinted Flowers
These oceans are named Between. Yes, I know them all. They've separated me before By water's solid wall. *But I imagine when I Jump and make a splash At my local Brighton beach That ripple travels To your shore so You're never out of reach!* And at these rugged shores That ripple reaches land. As good as any letter penned, A wave; an outstretched hand. *Like a message in a bottle I hope it reaches you Every nuance of my love and care Dripped in oceans blue* Much more comfort in that Bottle, than the one before Me now. Its insides shared With me; still I am emptier ...somehow. *Well you can't run on empty So let me fill your cup With seashells whispers Wisdom pearls And jellied joy to Fill you up* A whispered wish An uttered prayer. That space that pushes Here from there to Disappear; give room for Place to share as lair, There's places everywhere...
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Jul 27, 2014
Jul 27, 2014 at 3:48 PM UTC
The Ripple (by Sverre G Holter and Petal Pie)
With each CLICK Our breath is held Will he,won't he Will he, won't he The suspense is killing me And....SHIT Door left open still Pestered by the plebeian chill In this gay little coffee shop Surrounded by the unrecognised talent of Brighton:sketch artist staring at me, writer on his laptop, songwriter etching vigorously with his pencil. All of which aren't closing the door. The eyes roll. Labouring my body up, hammering my legs across the floor, turning the factory handle. All is ask is for some carrot cake,filtrate water,polo jumpers, avocado salads,tiger bread, slimmer trousers, slipper sock , a toyger. Click And then images of Kim Jong un pass through my head. If I ruled you'd all be dead Firing squad for an open door, Loud music on the train'll be no more. Stop the screaming misbehaving brats The rabble of Spanish students All this PC stuff on the news, train seats filled with cans of ***** Suddenly The artist strolls up Let's down his cup. Closes the door swiftly And slips back in his chair Oh, so there is a god. I guess Jesus didn't lie.
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Oct 21, 2017
Oct 21, 2017 at 12:15 PM UTC
Cake and Class
.#metoboot. X   O   X O   X   O X   X   O            who the **** was i supposed to be calling? #: but there's no phone-number and there's no              telephone... let me just call up a trend...    a meme...            funny funny... not so funny... it's still amazing how existence drags essence along with itself... and that essence is neither a priori, nor a posteriori, to compensate existence, being neither of the two. since why should    existence be a priori to essence,    or why essence should be a posteriori to existence... oh... wait... why essence should be a posteriori to existence? that part... so why does the notion of knowledge exist, or the fact that some 100 year old old **** gives life advice about how he has a 20 year old lover, and he shoots a down trip of ***** of 1cl each day? it's still a drag experience, no, not Brighton drag queens... existence drags essence into its ontological conclusion...     mors mater... muttertod...    matka śmierć...                      mother death; and? last time i heard? she's the ultimus virgo, she's the (do you couple adverbs with verbs, or verbs with nouns in german? can you couple adverbs with verbs? ah... ad- Latin prefix: toward... sure... an adverb + a verb sounds better than an adverb + noun) hence? letzemaljungfrau, ostatnia niewiasta, the last (or the lasting) ****** she can't exactly fake ******* over someone to a dead pulp of prior to tadpole whipped / egg white cream. *
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Nov 2, 2018
Nov 2, 2018 at 12:27 PM UTC
telephone call: matka śmierć
.#metoboot. X   O   X O   X   O X   X   O            who the **** was i supposed to be calling? #: but there's no phone-number and there's no              telephone... let me just call up a trend...    a meme...            funny funny... not so funny... it's still amazing how existence drags essence along with itself... and that essence is neither a priori, nor a posteriori, to compensate existence, being neither of the two. since why should    existence be a priori to essence,    or why essence should be a posteriori to existence... oh... wait... why essence should be a posteriori to existence? that part... so why does the notion of knowledge exist, or the fact that some 100 year old old **** gives life advice about how he has a 20 year old lover, and he shoots a down trip of ***** of 1cl each day? it's still a drag experience, no, not Brighton drag queens... existence drags essence into its ontological conclusion...     mors mater... muttertod...    matka śmierć...                      mother death; and? last time i heard? she's the ultimus virgo, she's the (do you couple adverbs with verbs, or verbs with nouns in german? can you couple adverbs with verbs? ah... ad- Latin prefix: toward... sure... an adverb + a verb sounds better than an adverb + noun) hence? letzemaljungfrau, ostatnia niewiasta, the last (or the lasting) ****** she can't exactly fake ******* over someone to a dead pulp of prior to tadpole whipped / egg white cream. *
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73
+ A bed-sits high and dry,marooned on a sandbank of night. As radio 4-casts its nets to isolated ships like me that rudderless drift on into the light. Still dark outside,no sounds,save the distant echoing bark of a hungry fox ----streets away. Another dawn ripped blackbin bag of a day creeps and ouzes in Heavy unfocused lids fogged in the steamy smokeyness of tea and a first fag plenty of time plenty of time. Time before the world wakes to the morning pips and its flushing, brushing, rushing sounds A greyness gathers just beyound my pained curtains, as with a silent sigh a roosted blackbird clears its fasted throat. Then as if by magic I 'm carried, scimming high above and beyound this mooring set in a silvered sea,on a welcomed mantra known to all. As if a calling pray at day break,following each word in a moment subline Un angle vole un angle vole. Rockall - Malin - Hebrides Humber - Fisher - German bight Thames - Dover - Wight. Each single secert understood and noted only by a few as I glide over in paced, pausey surf rolling words North northeast - 994 - Falling slowly - Low pressure moving away - Gales 8 very poor - Backing 3-4 later - Mainly good - Becoming variable - Syclonic later - Increasing 6-7 mainly west - Swally showers for a time - Fair - Good. Oh so good, each pure English comforting sounds heard over lapping waves of air. The bushy wet nosed fox sulks and cowers away from the breaking sun, as the blackbird draws a dewdropped breath though golden nib and tapping gently, call a hidden choir into song just for me. Reminding me of the things I'd for gotten I care about. Sharp timed unwelcomed pips flood the ears to prise open sticky eyes from promised dreams and spoon-cuddles warm As I set forth on wetted pavements, ready to decline into my charted day. Yet smiling as if blessed and no longer alone But filled with early morning salty thoughts of strangers I have yet to meet
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Feb 24, 2011
Feb 24, 2011 at 7:47 AM UTC
Brighton Early
+ A bed-sits high and dry,marooned on a sandbank of night. As radio 4-casts its nets to isolated ships like me that rudderless drift on into the light. Still dark outside,no sounds,save the distant echoing bark of a hungry fox ----streets away. Another dawn ripped blackbin bag of a day creeps and ouzes in Heavy unfocused lids fogged in the steamy smokeyness of tea and a first fag plenty of time plenty of time. Time before the world wakes to the morning pips and its flushing, brushing, rushing sounds A greyness gathers just beyound my pained curtains, as with a silent sigh a roosted blackbird clears its fasted throat. Then as if by magic I 'm carried, scimming high above and beyound this mooring set in a silvered sea,on a welcomed mantra known to all. As if a calling pray at day break,following each word in a moment subline Un angle vole un angle vole. Rockall - Malin - Hebrides Humber - Fisher - German bight Thames - Dover - Wight. Each single secert understood and noted only by a few as I glide over in paced, pausey surf rolling words North northeast - 994 - Falling slowly - Low pressure moving away - Gales 8 very poor - Backing 3-4 later - Mainly good - Becoming variable - Syclonic later - Increasing 6-7 mainly west - Swally showers for a time - Fair - Good. Oh so good, each pure English comforting sounds heard over lapping waves of air. The bushy wet nosed fox sulks and cowers away from the breaking sun, as the blackbird draws a dewdropped breath though golden nib and tapping gently, call a hidden choir into song just for me. Reminding me of the things I'd for gotten I care about. Sharp timed unwelcomed pips flood the ears to prise open sticky eyes from promised dreams and spoon-cuddles warm As I set forth on wetted pavements, ready to decline into my charted day. Yet smiling as if blessed and no longer alone But filled with early morning salty thoughts of strangers I have yet to meet
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30
When I saw you and our eyes met, Something sort of sparked, You had me lost, captivated, Our talking didn't stop, You took my hand and showed me, The world in another light, Held me on the beach, To keep me warm that night. The night was over way to fast, I wish it never stopped, I lost my heart on Brighton beach, It's a stone there being washed. I took a train to see you, And you made time for me, I fell for you deeper and you told me you loved me, My stomach did somersaults, My heart could of stopped, You actually took my breath away as you tied my throat in knots. The magic didn't last though, Off course it never does, If you believe in fairy tales, You're in for a shock. I saw the way he looked at me, He passed it into her, His time for me grew smaller and I knew it was lost. I asked what was happening, He lied for a week, Too coward to break the heart of a girl like me. He told me I was crazy, I made the whole thing up, All the while that ***** was gargling on his **** I hope to never fall in love, For my soul mate I've lost, I don't want to be ripped up again, For paper I am not.
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Jan 12, 2015
Jan 12, 2015 at 9:05 PM UTC
Brighton Beach
I arrive at the barbers for my weekly, my usual, and you are there, sitting in my seat crying. I lift you up, cape and all, take you round the corner, where you tell me you are sorry but we have to go to Brighton now, even though it is 6pm on a Friday and we won’t be done until 2pm tomorrow. Is it a ruse? I think so, because suddenly we are in a part of London that looks like Montmartre (or it could be Richmond masquerading as Venice) and we meet a man called Tricks who says he’s the new chief now because he knows the location of all the bones. And then there are scanners at airports, walk-in health centres, families in North Carolina with names like Kayleigh and Shauna. And when we are done meeting them we are back, you in the chair, glowing blue under barbicide lights.
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Dec 1, 2010
Dec 1, 2010 at 4:10 AM UTC
Barbicide lights
I met Netanya at the rail station it was January and cold and she was dressed up in the blue overcoat and headscarf and I was in my combat style overcoat and hat you made it ok? I said yes he asked where I was going and I said for a walk to get him out of my head she said we got tickets and boarded a train and off we went to Brighton the carriage was crowded but we seemed alone or so it felt to me will he imagine you going to Brighton? no he won't think anything too busy watching TV and drinking his beer she said she held my hand and talked of her kids and her father who wasn't well and looking forward to meeting you she added I looked at her as she spoke her hair dark and curled her eyes bright as stars we made it to Brighton and got off the train and walked down to the seafront hand in hand the sky dark stars moon and lights from shops and pier and somewhere out there I thought another life another world buzzes on while here we walked on along the seafront taking in the scene the smell of salt and sound of sea crashing on the shore and her hand small warm in mine and the sense of life going on around and I feeling (oh)so fine.
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Aug 16, 2014
Aug 16, 2014 at 4:47 AM UTC
BRIGHTON 1975.
That last time in Brighton Back in 1980 was a dead Lost. The old haunts seemed Changed, the restaurants Closed or changed hands, The seafront less friendly, Less romantic, the glamour Gone, all high dreams spent. Pity really we ever went. But we did, you at least, Trying to bring it back to life That old love, that closeness, That cold-night rush-to-coast By train romance, that last Time just memory, being put To rest, I guess. Even that crap Hotel had closed down where We made love on those ***** Weekends, where one midday, We unconcerned about that Office block across the way, With office workers, maybe Spying, as we had *** that day. Yes, the last time in Brighton Was a lost cause; even the sad Photographs we had taken there Showed the dead love in faces And eyes. The clicking camera, Someone once said, never lies.
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May 5, 2013
May 5, 2013 at 2:48 PM UTC
THAT LAST TIME IN BRIGHTON.
Gazing south as if some wise, well worn fisherman,leaning against the wroughted railed pier in all its victorian, gordy, standing, splendor. Warmed and held by the summer sun as close as shared spoon-cuddled arms. On thermal  air, calls and laughter rise from towelled steaked plots blinding and shading the razor sharp hungry sea-gulls eye from flakey white flesh in all its golden battered salt-shuck sharpness, competeing on the nose with hand-held melting creamyness, as they waft and weave gently by. Below the slatted sound , the magic hypnotic spell of lapping waves lift and tilt me on a day dream of youthful lost love. To a day we made our sun run in all its lazyness, dimming the enviour moon in its wake and kissing still the hands on the pasty-face black towering clock                                           As time slipped way and was some where else. With worn drift wood and tingleling toes you defaced the sand with a graphity the council tryed but couldn't erace. And there it lies still, benieth the smooth pebbled shore,                                                                                                                      kissed each day with salty tears and remembered sighs. A fearful screaming siren pieces the soft English air, Its doppled blast, chilling,  pushing, demanding its screeching way through the brain, to some others pained, tear filled day,                                                                                             then fades on the breeze. A sun blushed child frowns through pink Brighton rock lips and eyes as blue as the sea, a secert smile is shared as if in that innocence I knew  that one magic day she will run on skipping painted toes and giggles sweet to etch for him in soft blank sand her love on this dreamy day beach. So off the sea and off the pier I strole, absorbed and lost among the tripping faced crowd,into the sun dipped west and home alone. Yet knowing you will remain forever mine, held in crystal dimonded grains, whilst around the bitter -sweet changing tides ebb and flow                                down                                        through                                                           the                                                                      years.
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Feb 25, 2011
Feb 25, 2011 at 1:41 AM UTC
Pink Brighton Rock
Gazing south as if some wise, well worn fisherman,leaning against the wroughted railed pier in all its victorian, gordy, standing, splendor. Warmed and held by the summer sun as close as shared spoon-cuddled arms. On thermal  air, calls and laughter rise from towelled steaked plots blinding and shading the razor sharp hungry sea-gulls eye from flakey white flesh in all its golden battered salt-shuck sharpness, competeing on the nose with hand-held melting creamyness, as they waft and weave gently by. Below the slatted sound , the magic hypnotic spell of lapping waves lift and tilt me on a day dream of youthful lost love. To a day we made our sun run in all its lazyness, dimming the enviour moon in its wake and kissing still the hands on the pasty-face black towering clock                                           As time slipped way and was some where else. With worn drift wood and tingleling toes you defaced the sand with a graphity the council tryed but couldn't erace. And there it lies still, benieth the smooth pebbled shore,                                                                                                                      kissed each day with salty tears and remembered sighs. A fearful screaming siren pieces the soft English air, Its doppled blast, chilling,  pushing, demanding its screeching way through the brain, to some others pained, tear filled day,                                                                                             then fades on the breeze. A sun blushed child frowns through pink Brighton rock lips and eyes as blue as the sea, a secert smile is shared as if in that innocence I knew  that one magic day she will run on skipping painted toes and giggles sweet to etch for him in soft blank sand her love on this dreamy day beach. So off the sea and off the pier I strole, absorbed and lost among the tripping faced crowd,into the sun dipped west and home alone. Yet knowing you will remain forever mine, held in crystal dimonded grains, whilst around the bitter -sweet changing tides ebb and flow                                down                                        through                                                           the                                                                      years.
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20
I'll go along with the thought, 'work makes you strong' just as long as I can but, sometimes, I feel pooped and can't jump through the hoops and that's when the dreaming kicks in for this man. I spin in the frame of life's arcade type game and I'm lost in the wheels, it feels like, riding a bike and not watching the street but meeting the idols I'd most like to meet, like, Gulliver,Gilbert and Sullivan,Jimmy Durante,Popeye the sailor and the Tailor of Gloucester, lost in the throng and unaware of time carrying on,I get older,no wiser,no miser am I, I give my dreams freely to those I love dearly. This arcade game plays on though the moment is lost, and reality arrives if only to remind me, that life goes along and in it you'll find me,playing the machines,winning more dreams,sailing through the streams of unconsciousness.
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Jan 1, 2014
Jan 1, 2014 at 5:00 AM UTC
Under Brighton pier.
I'm Bored in Brighton Can't you see? I'm locked here in this mansion with just my family. I'm Bored in Brighton Yes, I've traipsed the streets From Church to Bay to Hampton I've jogged along the beach! I'm Bored of Brighton The Daimler's in the drive The staff? Well they've just up and gone All this to stay alive? I'm Bored of Brighton The twins are going mad. And Rupert? Rupert's all a-moan It's just so terribly sad! I'm Bored of Brighton The cavoodle looks a fright! O heck! O no! It can't be so! My Lulu's ...they're slightly tight! I'm Bored with Brighton You people are the pitts! Try Lockdown in a high rise And don't give us the pip!
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Jul 20, 2020
Jul 20, 2020 at 7:30 PM UTC
Bored in Brighton
I tip my hat to Kierkegaard Who was there when things were hard, To Mr. Hofstadter Loading my cannon with fodder, To Willie Yeats Who showed me my poetic cognates, To the Buddha Who, mentally being a barracuda, Illuminated what patience really means, To Graham Greene's "Brighton Rock"'s influence on Morrissey, Which made me smile at the sea And recognize "in my own life What Robert Browning meant By an old hunter talking with Gods; But I am not content."
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Jun 24, 2014
Jun 24, 2014 at 1:26 AM UTC
I tip my hat to Kierkegaard
By Petal Pie and Sverre G. Holter. These oceans are named Between. Yes, I know them all. They've separated me before By water's solid wall. *But I imagine when I Jump and make a splash At my local Brighton beach That ripple travels To your shore so You're never out of reach!* And at these rugged shores That ripple reaches land. As good as any letter penned, A wave; an outstretched hand. *Like a message in a bottle I hope it reaches you Every nuance of my love and care Dripped in oceans blue* Much more comfort in that Bottle, than the one before Me now. Its insides shared With me; still I am emptier ...somehow. *Well you can't run on empty So let me fill your cup With seashells whispers Wisdom pearls And jellied joy to Fill you up* A whispered wish An uttered prayer. That space that pushes Here from there to Disappear; give room for Place to share as lair, There's places everywhere...
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Jul 26, 2014
Jul 26, 2014 at 7:29 PM UTC
That Ripple
Brighton that last time late August 1980 treading the familiar streets looking for the lost love you drained looking for the way out she holding on to what was left walking along by the beach remembering old times especially the first time in evening’s glow of moon’s light and heart’s hold knowing all that is bereft even the old restaurants have gone or closed their doors you sensing the emptiness the slipping away of the love she clutching at straws of familiar places and old time memories even places where once you’d stood embracing and kissing now hollow with that secret love missing street after street passing hotels you’d made love in and slept the night and laid in bed now shallow palaces with empty rooms instead she thinking something could be saved you knowing all is dead.
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Dec 19, 2012
Dec 19, 2012 at 3:12 AM UTC
BRIGHTON THAT LAST TIME.
her endless summer dream gathers dust on its sand encrusted photo of beach blanket love affairs jet planes departing for distant lands she had her five and dime sunglasses and a transistor radio tuned to the cheerful forever summer song still has that picture of her in the fall of 66 hamming it up for the camera with her Stanley he passed a while back now she shuffles up along the seawall with her big hat and her bags candy for little ones a kiss on the cheek for the nice young man who brings the paper its miami in febuary its endless summer its brighton beach's southside and i know ill have to stay
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Jan 15, 2016
Jan 15, 2016 at 3:50 PM UTC
endless summer
Even in the train it is cold. Netanya snuggles closer to me, her eyes searching me, her hand clutching mine. Had a job getting out, she says. Does he know where you are going? No, I just said I was going out. Was he suspicious. Who cares? She breathes out, her breath like smoke; it fills our area of the carriage. Why Brighton? I like it there; it reminds me of my childhood. She lays her head on my shoulder, her hand holding mine; warmth moving through mine. Outside it is dark; evening sky menacing. How are things? We rowed, we always row. I look at her hair on my shoulder, dark, wavy. Won't going out for so long make things worse? I hope so; I hope he moves out, hope he moves away. What about the kids? They'll understand, kids do; they like you. I look out at the passing view, lights in the distance from passing villages or towns, trees swimming past. We arrive at Brighton rail station, get out the train and walk into the town hand in hand. We must come here and stay the weekend. When? When we can. I look at her beside me. She's serious. What would he say? He'll say nothing. He thinks it's just a mid-life crisis and I’ll get over it. We walk down to the seafront; the wind and cold biting at us. The sea's rough. I like it rough, I like to sense nature's power, she says, snuggling close to me. We go into a shelter and sit down in the semi-dark. We kiss and embrace. No one is about. It seems far from my usual world, kind of surreal. Her lips are on mine. Feel her pulse. Her living through me and I through her; I feel along her back, feeling the smooth coat she is wearing; my fingers sensing and imaging what ever is beneath. We sit there for what seems hours, kissing, holding, looking out at the rough sea. Was I being someone else or was I just being me?
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Dec 6, 2014
Dec 6, 2014 at 3:37 AM UTC
NETANYA AND BRIGHTON.
Even in the train it is cold. Netanya snuggles closer to me, her eyes searching me, her hand clutching mine. Had a job getting out, she says. Does he know where you are going? No, I just said I was going out. Was he suspicious. Who cares? She breathes out, her breath like smoke; it fills our area of the carriage. Why Brighton? I like it there; it reminds me of my childhood. She lays her head on my shoulder, her hand holding mine; warmth moving through mine. Outside it is dark; evening sky menacing. How are things? We rowed, we always row. I look at her hair on my shoulder, dark, wavy. Won't going out for so long make things worse? I hope so; I hope he moves out, hope he moves away. What about the kids? They'll understand, kids do; they like you. I look out at the passing view, lights in the distance from passing villages or towns, trees swimming past. We arrive at Brighton rail station, get out the train and walk into the town hand in hand. We must come here and stay the weekend. When? When we can. I look at her beside me. She's serious. What would he say? He'll say nothing. He thinks it's just a mid-life crisis and I’ll get over it. We walk down to the seafront; the wind and cold biting at us. The sea's rough. I like it rough, I like to sense nature's power, she says, snuggling close to me. We go into a shelter and sit down in the semi-dark. We kiss and embrace. No one is about. It seems far from my usual world, kind of surreal. Her lips are on mine. Feel her pulse. Her living through me and I through her; I feel along her back, feeling the smooth coat she is wearing; my fingers sensing and imaging what ever is beneath. We sit there for what seems hours, kissing, holding, looking out at the rough sea. Was I being someone else or was I just being me?
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102
Occhi verdi come il silenzio, ostinati nel vuoto di forme angeliche e trasparenti. Finti giroscopici frammenti moltiplicati a dare geometrica forma al mare. Bianchi cristalli fragili ed invisibili. Osservo le onde, le persone e la musica. Ubriaco di volti e suoni. Incastonati nella mia storia. Semplici ed incomprensibili.
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Jan 27, 2013
Jan 27, 2013 at 4:13 PM UTC
Brighton
I walk in splendid isolation along the tops of My south country hills As usual the Mollie dog at my side The lashing rain has kept all but the most intrepid Sitting in the cosy warmth of their homes They're happy to breath warm stale air But what I'm breathing is cold and fresh To my right the tourist traps of Brighton and Worthing To my left the beautiful expance of the Sussex Weald Would I want to be somewhere else? NO
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Nov 23, 2014
Nov 23, 2014 at 1:54 PM UTC
Splendid Isolation
Look upon the shanty town of plenty town where 'those' people live and those who have will seldom give, In shanty town we barely survive on humbleness and outright lies. Look, now comes the infantry, marching three by three. What is it that they see ? but more and more, they've seen it all a thousand times before, poverty in every doorway. No gay hussars ,these infantry, they come not to set 'those' people free but to shoot them down. The don in his board and gown may be bright and know a deal but this is the place where his hypothesis is real and lives are at stake. In Oxford where they take a break from studies which the privileged make their own,then go home and make some English tea, I guess that's being free, for a fee, but we don't want no chi We Just want a chance to fly as high as others ,who in shanty town would want to do the same? From Belize or from Tobruk,Brighton,Glasgow we don't give a flying... tuck your wings in guys and watch the bullets fly, watch your dreams die hear your kids cry nothing's changed except the rules.
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Oct 19, 2014
Oct 19, 2014 at 11:38 AM UTC
The ruins.
brighton, you made me feel like less of a cage for one night my bars were branches i have since, however, thrown away the key. you, wore your heart on your knee we spent three months in bed until i found you washing your sheets of me. 11am, you made me impulsive i knew nothing but your name we shared our skin for three & a half hours until i faked a text and rushed to leave. one night stand, and sit, and all fours, we were eachothers last resort it seemed the whole time i felt like the aftermath of a catherine wheel all my charred skin wanted was to find something for breakfast. we found comfort together 2-3 nights a week only, momentary comfort left me with uncomfortable shame maybe that's why i never said your name always tried to hide my face. promised land, your arms were meant to be a haven i was supposed to find god in you we ought to have been scripture but i am not a holy temple and i stopped praying years ago. october you made me shine from across the bar it didn't take you long to get me into a taxi didn't take you long to stain my skin didn't take me long to let you in now every time i see you i know i'll never be clean again.
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Dec 10, 2013
Dec 10, 2013 at 12:18 PM UTC
brighton; aka, a complete history of my ****** failures
Where the sea-gulls hang in the sea and chatter always Where the water is fresh enough to thump in your heart like a new body shaking when you leave Where they still sing and wait for your return where we find life and shape and humour in this life like a hand in the dark that’s a friend guiding your palms over your work in the different homes that guide you in and away as green life shatters against the waves And jack-knifes when you take your eyes off for just one second or ounce of time of all the pearls that have been found by the men and women who know how to dive down of the cost we hang around them when polished and no longer wet of the joy carrying of them to the person you found them for A gift rolls back to the waves to where it was taken in the smile upon the neck of that person Looking good enough to dive back for and eat on a perfect neck anytime they’re worn and seen by the warm hands that placed them just there
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Mar 13, 2013
Mar 13, 2013 at 9:18 PM UTC
Brighton's Heels
Brighton on the seafront is shining like a silver dollar in the sun And she is dancing to the rhythm of the seagulls and imaginary bass drums It is winter, should be colder but the gentle breeze is warm All around her is her own hair like the breakers of some pre-raphaelite storm I see Bassie Gracie, Brighton by the sea, hey Gracie She plays reggae, she plays ska, she plays jazz, she loves them all, hey Gracie I am walking back along the sea front, back the way we've come The sun's kiss grows weaker and I miss her but that doesn’t get me down For the rhythm of her baselines entwine the ripped fabric of my mind And every time I see those breakers I'll remember that pre-raphaelite storm I saw Bassie Gracie, Brighton by the sea, hey Gracie She plays reggae, she plays ska, she plays jazz, she loves them all, hey Gracie
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Jan 9, 2019
Jan 9, 2019 at 5:23 AM UTC
Gracie land