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Phil Lindsey Feb 2015
Precious Metals

She’s got steel-blue eyes and an iron will
A lead-foot when she’s driving
A silver tongue but she never lies,
Brassy bold when she’s conniving.
She’s precious metals all mixed up
And I’ll love her till she’s old….
Cause the precious metal I love best
Is her heart made out of gold.

She’s got a smile that turns me upside down,
Inside out and every which way
And I hope I’ll get to see that smile
Every morning, every new day.
When she laughs the world’s ecstatic
When she’s angry they look out,
Cause she’s precious metals all mixed up
And here’s what she’s about:

She’s got steel-blue eyes and an iron will
A lead-foot when she’s driving
A silver tongue but she never lies,
Brassy bold when she’s conniving.
She’s precious metals all mixed up
And I’ll love her till she’s old….
Cause the precious metal I love best
Is her heart made out of gold.

She’s got a dynamite body that’ll knock you out
Sometimes she says things without thinkin’
And she likes a good martini,
So she’s fun to take out drinkin’.
She sets her goals and standards high,
Not afraid to chase her dreams
She’s precious metals all mixed up
And this is how she seems:

She’s got steel-blue eyes and an iron will
A lead-foot when she’s driving
A silver tongue but she never lies,
Brassy bold when she’s conniving.
She’s precious metals all mixed up
And I’ll love her till she’s old….
Cause the precious metal I love best
Is her heart made out of gold.

Yeah, She’s precious metals all mixed up
And I’ll love her till she’s old….
Cause the precious metal I love best
Is her heart made out of gold.

PwL 12/06
In Nero’s private stage,
Disaster was
His audience. Rome mimics fallen Troy in play.
What was reflected in Nero’s eyes
when he sang of the swirling patterns
of fire? When Rome was caught burning;
When conspiring led to its fall.

Fire engulfed Rome with fiery teeth.
The clouds hide or faint into black smoke.
The skies bleed heavily with rust
Its brassy color mixing with the
*** of burning seas, like oceans melting

Could you not feel the sun’s weight?
Now it is incomparable to
Molten seas and softened lead!

Blood spilt from sea-point, waves wallow the cries
Of the fallen. Like a bellowing sound marching
Against caverns of ears, Copper soldiers
Melt into clouds oozing with emotion,
Shattering their now empty metal hearts,
Hollow hearts that outlive the muteness.

It is awakened when
Spark and light is absent.

(Paolo Jerome D. Cristobal / June 26, 2009 - Alabang)
2nd Prize Winner - POETRY CATEGORY - Cesar S. Tiangco Literary Awards 2010
This is winter, this is night, small love --
A sort of black horsehair,
A rough, dumb country stuff
Steeled with the sheen
Of what green stars can make it to our gate.
I hold you on my arm.
It is very late.
The dull bells tongue the hour.
The mirror floats us at one candle power.

This is the fluid in which we meet each other,
This haloey radiance that seems to breathe
And lets our shadows wither
Only to blow
Them huge again, violent giants on the wall.
One match scratch makes you real.

At first the candle will not bloom at all --
It snuffs its bud
To almost nothing, to a dull blue dud.

I hold my breath until you creak to life,
Balled hedgehog,
Small and cross. The yellow knife
Grows tall. You clutch your bars.
My singing makes you roar.
I rock you like a boat
Across the Indian carpet, the cold floor,
While the brass man
Kneels, back bent, as best he can

Hefting his white pillar with the light
That keeps the sky at bay,
The sack of black! It is everywhere, tight, tight!
He is yours, the little brassy Atlas --
Poor heirloom, all you have,
At his heels a pile of five brass cannonballs,
No child, no wife.
Five *****! Five bright brass *****!
To juggle with, my love, when the sky falls.
I

Out of the little chapel I burst
Into the fresh night-air again.
Five minutes full, I waited first
In the doorway, to escape the rain
That drove in gusts down the common’s centre
At the edge of which the chapel stands,
Before I plucked up heart to enter.
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Six feet long by three feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving.
They eyed me much as some wild beast,
That congregation, still arriving,
Some of them by the main road, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self through the paling-gaps,
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion” with Love-lane at the back of it,
They front you as little disconcerted
As, bound for the hills, her fate averted,
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.

II

Well, from the road, the lanes or the common,
In came the flock: the fat weary woman,
Panting and bewildered, down-clapping
Her umbrella with a mighty report,
Grounded it by me, wry and flapping,
A wreck of whalebones; then, with a snort,
Like a startled horse, at the interloper
(Who humbly knew himself improper,
But could not shrink up small enough)
—Round to the door, and in,—the gruff
Hinge’s invariable scold
Making my very blood run cold.
Prompt in the wake of her, up-pattered
On broken clogs, the many-tattered
Little old-faced peaking sister-turned-mother
Of the sickly babe she tried to smother
Somehow up, with its spotted face,
From the cold, on her breast, the one warm place;
She too must stop, wring the poor ends dry
Of a draggled shawl, and add thereby
Her tribute to the door-mat, sopping
Already from my own clothes’ dropping,
Which yet she seemed to grudge I should stand on:
Then, stooping down to take off her pattens,
She bore them defiantly, in each hand one,
Planted together before her breast
And its babe, as good as a lance in rest.
Close on her heels, the dingy satins
Of a female something past me flitted,
With lips as much too white, as a streak
Lay far too red on each hollow cheek;
And it seemed the very door-hinge pitied
All that was left of a woman once,
Holding at least its tongue for the *****.
Then a tall yellow man, like the Penitent Thief,
With his jaw bound up in a handkerchief,
And eyelids ******* together tight,
Led himself in by some inner light.
And, except from him, from each that entered,
I got the same interrogation—
“What, you the alien, you have ventured
To take with us, the elect, your station?
A carer for none of it, a Gallio!”—
Thus, plain as print, I read the glance
At a common prey, in each countenance
As of huntsman giving his hounds the tallyho.
And, when the door’s cry drowned their wonder,
The draught, it always sent in shutting,
Made the flame of the single tallow candle
In the cracked square lantern I stood under,
Shoot its blue lip at me, rebutting
As it were, the luckless cause of scandal:
I verily fancied the zealous light
(In the chapel’s secret, too!) for spite
Would shudder itself clean off the wick,
With the airs of a Saint John’s Candlestick.
There was no standing it much longer.
“Good folks,” thought I, as resolve grew stronger,
“This way you perform the Grand-Inquisitor
When the weather sends you a chance visitor?
You are the men, and wisdom shall die with you,
And none of the old Seven Churches vie with you!
But still, despite the pretty perfection
To which you carry your trick of exclusiveness,
And, taking God’s word under wise protection,
Correct its tendency to diffusiveness,
And bid one reach it over hot ploughshares,—
Still, as I say, though you’ve found salvation,
If I should choose to cry, as now, ‘Shares!’—
See if the best of you bars me my ration!
I prefer, if you please, for my expounder
Of the laws of the feast, the feast’s own Founder;
Mine’s the same right with your poorest and sickliest,
Supposing I don the marriage vestiment:
So, shut your mouth and open your Testament,
And carve me my portion at your quickliest!”
Accordingly, as a shoemaker’s lad
With wizened face in want of soap,
And wet apron wound round his waist like a rope,
(After stopping outside, for his cough was bad,
To get the fit over, poor gentle creature
And so avoid distrubing the preacher)
—Passed in, I sent my elbow spikewise
At the shutting door, and entered likewise,
Received the hinge’s accustomed greeting,
And crossed the threshold’s magic pentacle,
And found myself in full conventicle,
—To wit, in Zion Chapel Meeting,
On the Christmas-Eve of ‘Forty-nine,
Which, calling its flock to their special clover,
Found all assembled and one sheep over,
Whose lot, as the weather pleased, was mine.

III

I very soon had enough of it.
The hot smell and the human noises,
And my neighbor’s coat, the greasy cuff of it,
Were a pebble-stone that a child’s hand poises,
Compared with the pig-of-lead-like pressure
Of the preaching man’s immense stupidity,
As he poured his doctrine forth, full measure,
To meet his audience’s avidity.
You needed not the wit of the Sibyl
To guess the cause of it all, in a twinkling:
No sooner our friend had got an inkling
Of treasure hid in the Holy Bible,
(Whene’er ‘t was the thought first struck him,
How death, at unawares, might duck him
Deeper than the grave, and quench
The gin-shop’s light in hell’s grim drench)
Than he handled it so, in fine irreverence,
As to hug the book of books to pieces:
And, a patchwork of chapters and texts in severance,
Not improved by the private dog’s-ears and creases,
Having clothed his own soul with, he’d fain see equipt yours,—
So tossed you again your Holy Scriptures.
And you picked them up, in a sense, no doubt:
Nay, had but a single face of my neighbors
Appeared to suspect that the preacher’s labors
Were help which the world could be saved without,
‘T is odds but I might have borne in quiet
A qualm or two at my spiritual diet,
Or (who can tell?) perchance even mustered
Somewhat to urge in behalf of the sermon:
But the flock sat on, divinely flustered,
Sniffing, methought, its dew of Hermon
With such content in every snuffle,
As the devil inside us loves to ruffle.
My old fat woman purred with pleasure,
And thumb round thumb went twirling faster,
While she, to his periods keeping measure,
Maternally devoured the pastor.
The man with the handkerchief untied it,
Showed us a horrible wen inside it,
Gave his eyelids yet another *******,
And rocked himself as the woman was doing.
The shoemaker’s lad, discreetly choking,
Kept down his cough. ‘T was too provoking!
My gorge rose at the nonsense and stuff of it;
So, saying like Eve when she plucked the apple,
“I wanted a taste, and now there’s enough of it,”
I flung out of the little chapel.

IV

There was a lull in the rain, a lull
In the wind too; the moon was risen,
And would have shone out pure and full,
But for the ramparted cloud-prison,
Block on block built up in the West,
For what purpose the wind knows best,
Who changes his mind continually.
And the empty other half of the sky
Seemed in its silence as if it knew
What, any moment, might look through
A chance gap in that fortress massy:—
Through its fissures you got hints
Of the flying moon, by the shifting tints,
Now, a dull lion-color, now, brassy
Burning to yellow, and whitest yellow,
Like furnace-smoke just ere flames bellow,
All a-simmer with intense strain
To let her through,—then blank again,
At the hope of her appearance failing.
Just by the chapel a break in the railing
Shows a narrow path directly across;
‘T is ever dry walking there, on the moss—
Besides, you go gently all the way up-hill.
I stooped under and soon felt better;
My head grew lighter, my limbs more supple,
As I walked on, glad to have slipt the fetter.
My mind was full of the scene I had left,
That placid flock, that pastor vociferant,
—How this outside was pure and different!
The sermon, now—what a mingled weft
Of good and ill! Were either less,
Its fellow had colored the whole distinctly;
But alas for the excellent earnestness,
And the truths, quite true if stated succinctly,
But as surely false, in their quaint presentment,
However to pastor and flock’s contentment!
Say rather, such truths looked false to your eyes,
With his provings and parallels twisted and twined,
Till how could you know them, grown double their size
In the natural fog of the good man’s mind,
Like yonder spots of our roadside lamps,
Haloed about with the common’s damps?
Truth remains true, the fault’s in the prover;
The zeal was good, and the aspiration;
And yet, and yet, yet, fifty times over,
Pharaoh received no demonstration,
By his Baker’s dream of Baskets Three,
Of the doctrine of the Trinity,—
Although, as our preacher thus embellished it,
Apparently his hearers relished it
With so unfeigned a gust—who knows if
They did not prefer our friend to Joseph?
But so it is everywhere, one way with all of them!
These people have really felt, no doubt,
A something, the motion they style the Call of them;
And this is their method of bringing about,
By a mechanism of words and tones,
(So many texts in so many groans)
A sort of reviving and reproducing,
More or less perfectly, (who can tell?)
The mood itself, which strengthens by using;
And how that happens, I understand well.
A tune was born in my head last week,
Out of the thump-thump and shriek-shriek
Of the train, as I came by it, up from Manchester;
And when, next week, I take it back again,
My head will sing to the engine’s clack again,
While it only makes my neighbor’s haunches stir,
—Finding no dormant musical sprout
In him, as in me, to be jolted out.
‘T is the taught already that profits by teaching;
He gets no more from the railway’s preaching
Than, from this preacher who does the rail’s officer, I:
Whom therefore the flock cast a jealous eye on.
Still, why paint over their door “Mount Zion,”
To which all flesh shall come, saith the pro phecy?

V

But wherefore be harsh on a single case?
After how many modes, this Christmas-Eve,
Does the self-same weary thing take place?
The same endeavor to make you believe,
And with much the same effect, no more:
Each method abundantly convincing,
As I say, to those convinced before,
But scarce to be swallowed without wincing
By the not-as-yet-convinced. For me,
I have my own church equally:
And in this church my faith sprang first!
(I said, as I reached the rising ground,
And the wind began again, with a burst
Of rain in my face, and a glad rebound
From the heart beneath, as if, God speeding me,
I entered his church-door, nature leading me)
—In youth I looked to these very skies,
And probing their immensities,
I found God there, his visible power;
Yet felt in my heart, amid all its sense
Of the power, an equal evidence
That his love, there too, was the nobler dower.
For the loving worm within its clod
Were diviner than a loveless god
Amid his worlds, I will dare to say.
You know what I mean: God’s all man’s naught:
But also, God, whose pleasure brought
Man into being, stands away
As it were a handbreadth off, to give
Room for the newly-made to live,
And look at him from a place apart,
And use his gifts of brain and heart,
Given, indeed, but to keep forever.
Who speaks of man, then, must not sever
Man’s very elements from man,
Saying, “But all is God’s”—whose plan
Was to create man and then leave him
Able, his own word saith, to grieve him,
But able to glorify him too,
As a mere machine could never do,
That prayed or praised, all unaware
Of its fitness for aught but praise and prayer,
Made perfect as a thing of course.
Man, therefore, stands on his own stock
Of love and power as a pin-point rock:
And, looking to God who ordained divorce
Of the rock from his boundless continent,
Sees, in his power made evident,
Only excess by a million-fold
O’er the power God gave man in the mould.
For, note: man’s hand, first formed to carry
A few pounds’ weight, when taught to marry
Its strength with an engine’s, lifts a mountain,
—Advancing in power by one degree;
And why count steps through eternity?
But love is the ever-springing fountain:
Man may enlarge or narrow his bed
For the water’s play, but the water-head—
How can he multiply or reduce it?
As easy create it, as cause it to cease;
He may profit by it, or abuse it,
But ‘t is not a thing to bear increase
As power does: be love less or more
In the heart of man, he keeps it shut
Or opes it wide, as he pleases, but
Love’s sum remains what it was before.
So, gazing up, in my youth, at love
As seen through power, ever above
All modes which make it manifest,
My soul brought all to a single test—
That he, the Eternal First and Last,
Who, in his power, had so surpassed
All man conceives of what is might,—
Whose wisdom, too, showed infinite,
—Would prove as infinitely good;
Would never, (my soul understood,)
With power to work all love desires,
Bestow e’en less than man requires;
That he who endlessly was teaching,
Above my spirit’s utmost reaching,
What love can do in the leaf or stone,
(So that to master this alone,
This done in the stone or leaf for me,
I must go on learning endlessly)
Would never need that I, in turn,
Should point him out defect unheeded,
And show that God had yet to learn
What the meanest human creature needed,
—Not life, to wit, for a few short years,
Tracking his way through doubts and fears,
While the stupid earth on which I stay
Suffers no change, but passive adds
Its myriad years to myriads,
Though I, he gave it to, decay,
Seeing death come and choose about me,
And my dearest ones depart without me.
No: love which, on earth, amid all the shows of it,
Has ever been seen the sole good of life in it,
The love, ever growing there, spite of the strife in it,
Shall arise, made perfect, from death’s repose of it.
And I shall behold thee, face to face,
O God, and in thy light retrace
How in all I loved here, still wast thou!
Whom pressing to, then, as I fain would now,
I shall find as able to satiate
The love, thy gift, as my spirit’s wonder
Thou art able to quicken and sublimate,
With this sky of thine, that I now walk under
And glory in thee for, as I gaze
Thus, thus! Oh, let men keep their ways
Of seeking thee in a narrow shrine—
Be this my way! And this is mine!

VI

For lo, what think you? suddenly
The rain and the wind ceased, and the sky
Received at once the full fruition
Of the moon’s consummate apparition.
The black cloud-barricade was riven,
Ruined beneath her feet, and driven
Deep in the West; while, bare and breathless,
North and South and East lay ready
For a glorious thing that, dauntless, deathless,
Sprang across them and stood steady.
‘T was a moon-rainbow, vast and perfect,
From heaven to heaven extending, perfect
As the mother-moon’s self, full in face.
It rose, distinctly at the base
With its seven proper colors chorded,
Which still, in the rising, were compressed,
Until at last they coalesced,
And supreme the spectral creature lorded
In a triumph of whitest white,—
Above which intervened the night.
But above night too, like only the next,
The second of a wondrous sequence,
Reaching in rare and rarer frequence,
Till the heaven of heavens were circumflexed
Another rainbow rose, a mightier,
Fainter, flushier and flightier,—
Rapture dying along its verge.
Oh, whose foot shall I see emerge,
Whose, from the straining topmost dark,
On to the keystone of that are?

VII

This sight was shown me, there and then,—
Me, one out of a world of men,
Singled forth, as the chance might hap
To another if, in a thu
Steele Nov 2015
My caressing hands have stopped trying to tame the strings.
They move now more to harmony than to melodious things.
Brassy bands, drunk sailors and the sound of laughter.
The D string, the rough bar-stool clamp and clatter.
The sound of voices, raucous and hoarse with song.
The sound of voices, laughing as they all yell along.

It's a barstool anthem;
It's great and it's loud.
There're no classics here...
but Bach would be proud.
I've recently let go of my classical training (just a little bit) in favor of jigs.
Boston is a magical city, and it has pubs and sessions and fiddlers to rival any other city I know. Immensely enjoying my stay here, and immensely looking forward to the day I return. Tonight I raise a cold one to great performers, and an even better audience. So happy.
At the money table, Cain and Abel, Abraham and Isaac,

And neither one cares how you’ll pay as long as it is not a check,

Brassy appendages obversely curl to abruptly angular truncated legs-upon-his-lek,

And the proof of who he represents hangs weightily about his Plouton neck,

See the cotton-wafer stacks shuffled as bricks in rows to the translucent deck,

The waiver now giving its woe whence once wished-for upon the Great Molech?

Mr. crooked hook-nose at his compose will take on any bet,

As Sheol will have it, many lament, being in his debt,

A Canaan cursed and tribal descendant, the relative of Set.

For with misery and suffering well you get what you beget!
A "lek," is a Phoenician word for a table at which a collector stands. Like a modern-day podium...but more than a collector, an administrator for god as the Egyptians saw it.
With the frailty of a butterfly

Books for warmth, fading out like old photographs

Antique white skin

Brassy bloodied cheeks

A swarm of dragonflies laces  my face

Ancestry nightfall, ghosts of the drowned

Faded gnarled patchwork, eating away my  mind

Limbs of the tree growing out of me

Divided from everyone else

Inside the pinwheel blindfolded
  
Wading through hours and days

A slave to this disease

It's the only one that I breathe
dana green Aug 2013
Three years ago four words crossed the threshold of my ear lobes and hypnotized me into a comatose state. only to be awaken by the sound of their sweet puncturing i rewinded these words with hungry haste
rewind rewind
play
these words swan through my canals
  relaxed as they finally found a home once more;
a home they might have already unpacked in,
                                                            p­erhaps in another life.

As they peeled their cloaks and unfolded into the folds of my lobes they sighed with content,
for my revelation was their new beginning
finally finding meaning once again in a universe where you cant live if you don’t have money,
  a sick sweet sour fabricated fact that penetrates the core of their solar plexis
                                leaving them unholy when the money structure takes over
                                holy when thought towers once again

With the ability of a person to move forward these words do no harm inflated with hope perfection honesty, embracing a utopia,
a now reality that you cant find on your starched TV.

Three years ago four words locked in a brassy compass whispered to me change the way you dream the way you perceive and what you do everyday and make sure you let your feet drag the mud behind you as you tow through the thick swamps of hate on the uprising paddleboat plays of justice.

Without her stark voice without The wandering jewess, Jesus-like Judith playing spells on my ears life would not have found a place where it holds comfort in the tempest.
These words like a shelter are my umbrella
but no ordinary umbrella covers here no,
no this umbrella knows when to open its arms to pour oms down my neck when drops are warm like skin on skin
and sunshine is bold like in black and white stills.

When wine is under trees these words will reflect in the crystalline stream I found in my inner cosmos when I was fourteen.

The people will have risen and Cain will have been banished and lovers will still lie limpid and hungry for the words of the storm eyed woman to ring like bells in towers above their heads again.

They are looking for paradise but they don’t know they are already in paradise, paradise now, paradise is now
They are searching for the words they have already heard they just don’t know what has occurred and sweat drips down their stems as they run in their minds to the revolution that has already freed us from the legacy of Cain.
Not for all,
But for us.
      A revolution of the mind.

These words will wake up sleepers and make the banks run after the money no one cares about.
These words are almost too holy for me to say out loud in only one voice they play and in one voice they say,
“TO DO USEFUL WORK”
Those words sing like they are of the angels like they have wings
Those words take their homes not only in my folds by in the white blood cell donuts of my fingertips, defending me from the ****** that say art cannot be my food.

The wandering jewess, Jesus-like Judith carved those words out of freshwater pears for me to drape around my neck like the arms of an infant crossed over the nursing chest.
My fingers wrap around those words like they are the scripture they are the word of my god cleansed by the salt water winds of wooden ships rummaging for rapture and something more than themselves.


Sometimes, wanderers find a home when alphabet fingerprints find a match to their long lost story

And sometimes, the UV rays hit your lens just right so that you can pass through a prism and come out a rainbow

And sometimes, gumballs come out the color you want,

the one that you patiently cranked for.
Sally Tsoutas Nov 2017
It's that time again.
When rangey youth
in wounded utes
are sent to pick up tin.
Eyes peeled for
shiny mangled bikes
and steely bits
of thing.
I want to see
the crucible
they put it in.
Behold the pearly
metallurgic
mess unfold.
A gleaming steaming
mass of brassy storm
So cooked
and cooled
and coaxed
and clicked
and jewelled
into mercurial form
Then moulded
bright and fine
once more.
This is the
Copper loop
of life we mine.
Eternal
Circulated
Alchemy
Divine.
Council cleanup in my neighbourhood this week. A scavenger's delight.
Roxanne Pepin Jun 2010
You, the best of my friends,
are the definition of audacious.
Be bold, take risks, you might take notice..
Yet again maybe not.
Willing, I am, to show you love,
But would you ever really know?
Brash, you may be.
I feel for you more than you surmise.
Tell me again you love me.
Tell me again you hate me.
I'd like to say I only want to you to be happy,
But would that be in true honesty?
© Roxanne Pepin 2010
Sydney Ranson Sep 2013
Amber drips from the 60’s-style lamps
on two end tables.
Brassy-orange and bulbous,
they illuminate the tangled tracks.

The light spills onto the floor
like heavy freight abandoning its car.
It spawns the locomotive shadow
cast by my grandmother’s sunken-in couch.

I nestle myself snug between the pillows,
dense and flattened by years of Sundays.
Sundays that bring my father
close to his brother, not a brother at all.

I peer over the edge
and heave a hushed “all aboard.”
Grandma sleeps to unwind
the day’s knot of exhaustion.

Each bone-bleach white fiber frays
from the chemotherapy that robs
her gnarled hands of their strength.
This one-way ticket marks the end of a journey
of a once well-oiled machine.

The exhales of a CSX
spout its peppery breath out in opaque puffs.
I am a conductor, tearing the ticket
of tonight’s traveler.

Rising to my bare feet now,
I sink into the cushion like wet sand.
The train thrusts and in a single bound,
I leap from the ledge and leave my lone passenger.

The cars whir and hum alongside me.
Deafening metallic wind rusts the edge of the rug.
I’m still waiting for her return,
and in denial that it was her last train.
I

All all and all the dry worlds lever,
Stage of the ice, the solid ocean,
All from the oil, the pound of lava.
City of spring, the governed flower,
Turns in the earth that turns the ashen
Towns around on a wheel of fire.

How now my flesh, my naked fellow,
Dug of the sea, the glanded morrow,
Worm in the scalp, the staked and fallow.
All all and all, the corpse's lover,
Skinny as sin, the foaming marrow,
All of the flesh, the dry worlds lever.

            II

Fear not the waking world, my mortal,
Fear not the flat, synthetic blood,
Nor the heart in the ribbing metal.
Fear not the tread, the seeded milling,
The trigger and scythe, the bridal blade,
Nor the flint in the lover's mauling.

Man of my flesh, the jawbone riven,
Know now the flesh's lock and vice,
And the cage for the scythe-eyed raver.
Know, O my bone, the jointed lever,
Fear not the screws that turn the voice,
And the face to the driven lover.

            III

All all and all the dry worlds couple,
Ghost with her ghost, contagious man
With the womb of his shapeless people.
All that shapes from the caul and suckle,
Stroke of mechanical flesh on mine,
Square in these worlds the mortal circle.

Flower, flower the people's fusion,
O light in zenith, the coupled bud,
And the flame in the flesh's vision.
Out of the sea, the drive of oil,
Socket and grave, the brassy blood,
Flower, flower, all all and all.
Jeff Stier May 2016
SUMMER MARCHES IN
(Movement no. 1)

It comes crashing down
like doom.
A martial fanfare
begins a long conversation
questioning fate,
arguing for the human condition,
and for death's open invitation,
which we dare not deny.

WHAT THE MEADOW FLOWERS TELL ME
(Movement no. 2)

Their blooming voices
are oboes and lush violins.
The sun is surely brassy bright
in the sky above.
Radiant alpine flowers
and woodwinds
from deep within their burrows
make the case
for a music well tended
and serenely fed
by sweet springs emerging from the depths
here below.

WHAT THE CREATURES OF THE FOREST TELL ME
(Movement no. 3)

The life force
tends to run amok.
Yet things do not fall apart,
the center still holds.

And though it is mundane -
pedestrian, at times -
we cannot deny the joy in this life,
nor do we wish to.

But know, traveler,
that submerged in every caldron of joy
is a small *** of darkness.
And it will find you
or you will find it -
not only because it is fated,
but for the sake of your sanity.

WHAT MAN TELLS ME
(Movement no. 4)

Here darkness sings.
Again the plucked string.
O Mensch!
You tell the tale!
You take this story
back to the mountain.

A woeful tale you bring,
but it is gilded with joy.

A chorus exalts your condition.
Deep is its grief,
but joy is deeper still.

WHAT THE ANGELS TELL ME
(Movement no. 5)

Bimm Bamm
Bimm Bamm
the children's choir
sweetly intones.
And what, pray tell,
do Angels have to say to us?

I've heard about love
I've heard about emptiness
I've heard about absence
without presence,
about nothingness and the void.

But I have never heard such singing!

WHAT LOVE TELLS ME
(Movement no. 6)

Sweet the air we breathe.
Pleasant the sights before us.
Words are stilled,
anxious thoughts banished.

There is nothing on Earth
or in Heaven
that disputes this sweet resolution
all the parts made whole
Nothing that could possibly
speak against it
(though French Horns will have
their interests heard).

But here it is.
The end.

O Mensch
come to your last and best
resting place.

Also sprach Gustav Mahler.
The lines "words are stilled, anxious thoughts banished" are borrowed from Bruno Walter's description of this movement. Herr Walter was as we know a great conductor and student of Mahler's.
I

I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.

Beginning with doom in the bulb, the spring unravels,
Bright as her spinning-wheels, the colic season
Worked on a world of petals;
She threads off the sap and needles, blood and bubble
Casts to the pine roots, raising man like a mountain
Out of the naked entrail.

Beginning with doom in the ghost, and the springing marvels,
Image of images, my metal phantom
Forcing forth through the harebell,
My man of leaves and the bronze root, mortal, unmortal,
I, in my fusion of rose and male motion,
Create this twin miracle.

This is the fortune of manhood: the natural peril,
A steeplejack tower, bonerailed and masterless,
No death more natural;
Thus the shadowless man or ox, and the pictured devil,
In seizure of silence commit the dead nuisance.
The natural parallel.

My images stalk the trees and the slant sap's tunnel,
No tread more perilous, the green steps and spire
Mount on man's footfall,
I with the wooden insect in the tree of nettles,
In the glass bed of grapes with snail and flower,
Hearing the weather fall.

Intricate manhood of ending, the invalid rivals,
Voyaging clockwise off the symboled harbour,
Finding the water final,
On the consumptives' terrace taking their two farewells,
Sail on the level, the departing adventure,
To the sea-blown arrival.

II

They climb the country pinnacle,
Twelve winds encounter by the white host at pasture,
Corner the mounted meadows in the hill corral;
They see the squirrel stumble,
The haring snail go giddily round the flower,
A quarrel of weathers and trees in the windy spiral.

As they dive, the dust settles,
The cadaverous gravels, falls thick and steadily,
The highroad of water where the seabear and mackerel
Turn the long sea arterial
Turning a petrol face blind to the enemy
Turning the riderless dead by the channel wall.

(Death instrumental,
Splitting the long eye open, and the spiral turnkey,
Your corkscrew grave centred in navel and ******,
The neck of the nostril,
Under the mask and the ether, they making ******
The tray of knives, the antiseptic funeral;

Bring out the black patrol,
Your monstrous officers and the decaying army,
The sexton sentinel, garrisoned under thistles,
A ****-on-a-dunghill
Crowing to Lazarus the morning is vanity,
Dust be your saviour under the conjured soil.)

As they drown, the chime travels,
Sweetly the diver's bell in the steeple of spindrift
Rings out the Dead Sea scale;
And, clapped in water till the triton dangles,
Strung by the flaxen whale-****, from the hangman's raft,
Hear they the salt glass breakers and the tongues of burial.

(Turn the sea-spindle lateral,
The grooved land rotating, that the stylus of lightning
Dazzle this face of voices on the moon-turned table,
Let the wax disk babble
Shames and the damp dishonours, the relic scraping.
These are your years' recorders. The circular world stands still.)

III

They suffer the undead water where the turtle nibbles,
Come unto sea-stuck towers, at the fibre scaling,
The flight of the carnal skull
And the cell-stepped thimble;
Suffer, my topsy-turvies, that a double angel
Sprout from the stony lockers like a tree on Aran.

Be by your one ghost pierced, his pointed ferrule,
Brass and the bodiless image, on a stick of folly
Star-set at Jacob's angle,
Smoke hill and hophead's valley,
And the five-fathomed Hamlet on his father's coral
Thrusting the tom-thumb vision up the iron mile.

Suffer the slash of vision by the fin-green stubble,
Be by the ships' sea broken at the manstring anchored
The stoved bones' voyage downward
In the shipwreck of muscle;
Give over, lovers, locking, and the seawax struggle,
Love like a mist or fire through the bed of eels.

And in the pincers of the boiling circle,
The sea and instrument, nicked in the locks of time,
My great blood's iron single
In the pouring town,
I, in a wind on fire, from green Adam's cradle,
No man more magical, clawed out the crocodile.

Man was the scales, the death birds on enamel,
Tail, Nile, and snout, a saddler of the rushes,
Time in the hourless houses
Shaking the sea-hatched skull,
And, as for oils and ointments on the flying grail,
All-hollowed man wept for his white apparel.

Man was Cadaver's masker, the harnessing mantle,
Windily master of man was the rotten fathom,
My ghost in his metal neptune
Forged in man's mineral.
This was the god of beginning in the intricate seawhirl,
And my images roared and rose on heaven's hill.
Marie-Chantal Jan 2015
Ink
I have developed a twitch in my body-brain.
It jerks at my organs and my violet thoughts.
I can control it to make it work,
Use it to dance on your rusted metal cogs.
It's like a spinning tree,
With interwinding pine cones of
Gold that hang from satin branches
He is perched up there again!
Tall and proud.
Not a bird like other animals.
Not an animal like other animals.

I know your most shameful thoughts,
Let me tease out the guilt and despair
Pull it out in worm string from your
Bloodied Guts,
Your gilded towers where you lock them away
Shame on you.
Bell chimes three times: Death call
But blue tears still cling like sharp thorns to brassy plumage
plumes plumes plumes

Frère Jaques, Frère Jaques, Dormez-vous? Dormez-vous?

Slumber not next to the satin tree,
Layered under the shrieks of your old loves
Where they suffer timeless tortures that make your tongue
Taste like fish feed.
Poppy breathed inside his beak-jaw, mongrel!
White faeces stain the satin branches again.
Bloodied, bloodied, bloodied.
Pandora makes you bleed
White faeces.
Leech, your brain is a leech-vampire.
White faeces.

Quick, walk around the tree three times in clockwise motions,
Not like a tick-tock more like the flap of a wing.
Do not forget the tear ink,
Her tears were ink,
they were ink,
ink, ink, ink.
Sink into the poppy field!
Churn in your toxic nutrition
Choke on your reflux
Do not taste.
Do not see.
Do not smell.
Do not touch.
yikes no idea where this came from.
I
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark
Encroachment of that old catastrophe,
As a calm darkens among water-lights.
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
The day is like wide water, without sound,
Stilled for the passing of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre.

       II
Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in comforts of the sun,
In pungent fruit and bright, green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch.
These are the measures destined for her soul.

       III
Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind.
He moved among us, as a muttering king,
Magnificent, would move among his hinds,
Until our blood, commingling, virginal,
With heaven, brought such requital to desire
The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be
The blood of paradise? And shall the earth
Seem all of paradise that we shall know?
The sky will be much friendlier then than now,
A part of labor and a part of pain,
And next in glory to enduring love,
Not this dividing and indifferent blue.

       IV
She says, "I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?-"
There is not any haunt of prophesy,
Nor any old chimera of the grave,
Neither the golden underground, nor isle
Melodious, where spirits gat them home,
Nor visionary south, nor cloudy palm
Remote on heaven's hill, that has endured
As April's green endures; or will endure
Like her remembrance of awakened birds,
Or her desire for June and evening, tipped
By the consummation of the swallow's wings.

       V
She says, "But in contentment I still feel
The need of some imperishable bliss.-"
Death is the mother of beauty; hence from her,
Alone, shall come fulfilment to our dreams
And our desires. Although she strews the leaves
Of sure obliteration on our paths,
The path sick sorrow took, the many paths
Where triumph rang its brassy phrase, or love
Whispered a little out of tenderness,
She makes the willow shiver in the sun
For maidens who were wont to sit and gaze
Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears
On disregarded plate. The maidens taste
And stray impassioned in the littering leaves.

       VI
Is there no change of death in paradise?
Does ripe fruit never fall? Or do the boughs
Hang always heavy in that perfect sky,
Unchanging, yet so like our perishing earth,
With rivers like our own that seek for seas
They never find, the same receding shores
That never touch with inarticulate pang?
Why set the pear upon those river banks
Alas, that they should wear our colors there,
The silken weavings of our afternoons,
And pick the strings of our insipid lutes!
Death is the mother of beauty, mystical,
Within whose burning ***** we devise
Our earthly mothers waiting, sleeplessly.

       VII
Supple and turbulent, a ring of men
Shall chant in **** on a summer morn
Their boisterous devotion to the sun,
Not as a god, but as a god might be,
Naked among them, like a savage source.
Their chant shall be a chant of paradise,
Out of their blood, returning to the sky;
And in their chant shall enter, voice by voice,
The windy lake wherein their lord delights,
The trees, like serafin, and echoing hills,
That choir among themselves long afterward.
They shall know well the heavenly fellowship
Of men that perish and of summer morn.
And whence they came and whither they shall go
The dew upon their feet shall manifest.

       VIII
She hears, upon that water without sound,
A voice that cries, "The tomb in Palestine
Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay.-"
We live in an old chaos of the sun,
Or old dependency of day and night,
Or island solitude, unsponsored, free,
Of that wide water, inescapable.
Deer walk upon our mountains, and the quail
Whistle about us their spontaneous cries;
Sweet berries ripen in the wilderness;
And, in the isolation of the sky,
At evening, casual flocks of pigeons make
Ambiguous undulations as they sink,
Downward to darkness, on extended wings.
Jenny Miller Nov 2011
Don't discard
mismatched pieces
of your life
Let your colors
speak proudly
whisper pinks
brassy reds
gritty blacks and
soulful sapphires

Live wisely
but love foolishly
Kiss morning dew
Smell golden sunshine
Drink summer breezes
Embrace the heavens
Inhale ocean depths and
exhale life

Until each piece
of your life
is stitched
with tender memories
to warm loved ones
on cold winter nights
Bailey B Aug 2010
My grandfather's not dead
but you act like he is

the way you tiptoe around the closed oak door
way you whisper in a scratchy voice
when you talk about the future

way you pop in your
set of pearly whites
and bare your teeth too easily
when he asks you for a glass of water
and your brassy trumpet tells him

of course, dear, are you feeling okay?

You think that I've caught on
and know better than to trade him secrets
beneath the cracked door to your bedroom
like copper pennies for freedom

and that I don't remember him
throwing diving sticks at the bottom of the pool
then snatching them up and waving them above his head
far from my six-year-old reach

or when sitting upon his knee as a child
I would pick at the edges of the sepia photos
as he traced the veins of our family
back to seventy-second great-aunts
and royalty

I help you count the red pills
as I recall my favorite hiding place
(your fireplace)
and you shake your head and scold me

that was an awful place to hide
what if there had been cinders?

I tell you

we live in Texas

and tuck my wishes back into my pocket
and mention that Granddad thought it was
a fantastic place to visit
and that I would sit there for hours
and pretend I was a phoenix
from the old mythology books
in the musty back of your closet

You laugh as you slip him his pills

you can't possibly remember that

But I remember and
I insist on discussing college while he's in the room
his wrinkly eyes smile when I plot out my dreams
and he knows that I know
but I keep our secret anyway

you simper at my mother

oh, isn't she precious
hopeful and hoping a cure will be found

but you don't realize I've already discovered it:

Pretend like nothing has happened
Don't let them see the ticking hours on the mantelpiece
As long as we know that we're not older
beneath these transcripts and chemotherapies
the real world doesn't matter
not really, not at all

My grandfather's alive
even if you think he isn't
but he is
and he's sitting in your drawing room
so why don't you pop by for a visit?

we're only pretending, anyway.
Mel Harcum Feb 2015
I have an old farmhouse inside my chest,
wooden siding rotten in places and windows
fractured from too many winters,
the roof of which sags near the chimney--
faint smoke-clouds rising, and a light
glowing yellow inside the kitchen, a beckoning

invitation into the faded blue walls
full with portraits of four--my mother, father,
and little sister--brassy frames hung close
together above the wooden table,
nicks and scratches connecting each placemat
like dots of the coloring book page left
magnet-stuck to the refrigerator.

The countertops have grown dusty.
fruit-bowl collecting gnats and mold,
but the zinnias over the sink flourish, replaced
daily and blooming red as the teakettle
rusting on the only remaining stove-top burner,
the others broken, tossed into the garbage
beside the back door, which leads to a forest--

rib-like oaks bent and bowed
over the farmhouse, ivy vines coiled ‘round
each trunk, stretching limb to limb, weaving
webs tangled as the unruly branches from which
they hang, caressing the slumped rooftop
as if to remind the battered, tired building how,
despite everything, the hearth still smolders.
Gary Gibbens Nov 2011
His hair is poofed, 8 out of ten
Teeth polished soft white
Back is naired, nails all clipped
Underwear still clean
He is bouncy and blathy
A brassy baritone rips across the set
Co-anchor all Xanaxed and blonded
Can’t feel her glowing red mouth

About to show their favourite clips
Starving umber skinned babies
Distended bellies, chopstick arms
Fly clouded eyes, light fading
Mothers with vacant grey faces

Collapsed buildings, bodies sprawled
Terrified animals dying

Video Head man turns to the camera
Mouths the teleprompter tales
Without meaning
Can’t feel his heartbeat

He’s thinking about his *******
Of 17 year old Crack babes locked in his suite
‘N Just as he starts to get jazzed up

The lights go down and he knows
He knows
He’s just a digital clown
FFFTTT…
The electrons are gone.

Songs of the Illustrated Zombies 2010
JB Claywell Jun 2016
We marvel at
the smell of the white clover.

It is a baked in smell right now,
the heat is oppressive, crushing

The smell of the clover, and this
cigarette are the only reason we’re
out here.

Smarter, healthier people are inside,
in the air-conditioning, nursing a beer or
a lemonade, watching whatever might be on
HBO.

Returning to our respective homes,
we rejoin their much more comfortable
ranks.

(I’m curious what’s on HBO anyway.)


When the need for nicotine rises again;
cigarette in hand, opening the door, seeing
the pavement has darkened with rain.

The smell of the clover has been muted,
replaced with the brassy, metallic breeze
that rises like steam from the hot driveway,
lingering under the nose like a warm childhood
sip from the spigot.

That steam has its own odor,
rich and febrile,
rising from the superheated
surfaces of our cars.

It smells like squirt-gun suicide,
a child’s drink from the barrel of
plastic ordinance.

(Do you remember doing that?  
I do.)

How terrifying that must’ve been to parents;
to see their children, in swimwear or skivvies,
******* on the end of a gun.

Perhaps they gave it less of a thought
than I do now.

I’d wager they were inside,
in the air-conditioning, nursing a beer or
a lemonade, watching whatever might be on
HBO.

Out of the early summer heat.

*

-JBClaywell

©P&ZPublications; 2016
Summer heat, smoking, and free previews of premium channels.
phil roberts May 2016
The priest puts his trust
In martyrs and miracles
Clutching his rosary and his celibacy
To his bursting breast
And humanity walks
Through a series of cages
Every day

The ***** puts her trust
In bordellos and bodies
Clutching her money and her condoms
To her brassy breast
And humanity walks
Through a series of cages
Every day

The lawyer puts his trust
In regulations and rules
Clutching his charters and his decrees
To his dusty breast
And humanity walks
Through a series of cages
Every day

We each put our trust
In roles and rituals
Clutching convention and convenience
To our timid *******
So humanity continues to walk
Through a series of self-made cages
Every day

                 By Phil Roberts
Thomas Alan May 2016
explore the forest of my eyes
understand my bones
study my body
all my brassy undertones
surf through my skin
where the ocean ripple
like an overflowing river
and you've had more than a tipple
learn all my head
like I'm your mother tongue
as though you're addicted to venom
and you've just been stung
Kate W Feb 2012
cobwebbed coffee mind, my cacophonous current,
oh, rusty heart you have played too long,
again to fall down the rabbit hole
in search of that brassy circumference
that governs your life and every breath that escapes your lips
propelled into the deep, dilation of your synaptic being.
I watched him hop down the cobbled streets
that young brassy robin of mine, I wanted to keep
with his wings all a fluttering he cheeped
his voice called his freedom, that one day all will repeat

To see him dance by the Vale Green pond
to see with his beak, did a worm he pronged
some sorrow it will be and some joy
when I have to say goodbye to my boy

I had found him in the gutter
all muddy and tattered
I stayed with him day and night
just so death he could fight

My heart is so full of joy
beating so hard ,I fear of it stopping
for it's all for him to be free
as I bid farewell to my little **** robin


By Christos Andreas Kourtis aka NeonSolaris
By NeonSolaris

© 2013 NeonSolaris (All rights reserved)
Kaitie Dec 2012
This glass with a stem, filled with brassy liquid, sloshing
It's sweating and dripping down the stem
I imagine a summer day--opposed to a late fall evening
Where this sweating would be more appropriate.

I lift the glass after wiping away the condensation
and tip it elegantly to my lips.
I imagine the glass slipping from my hands and shattering on the floor...
I cringe.

The wine is sweet and feels like a headache,
It warms my throat and stomach.
I look at it in the light and drink again, finishing it.

I will drink five more glasses then run home downhill.
I will wake with aches and bruises and a ****** lip.
I will cry for the mistakes i have made,
although i had a blast making them.

But right now i am enjoying the second glass, and the shape of it.
I can feel a pimple on my chin, and then i can feel the warmth and rush of DRUNK

I stand up after glass 3 and fall into the bathroom door.
I crash on the toilet and laugh at the cold porcelain.
I fall after glass 4 and knock over a chair.
I pick it up quickly and ask for glass number 5.

I don't remember drink number 6,
but the pains in my body say it was not worth remembering.
netanya janel Apr 2015
I spilled open my heart
Dug a blade through bone to find you
Blood and fury spilled out and
I screamed your name into the dark
Brassy glow of the light in the next room
Reflected off the burgundy
Pooling around my toes
I splashed it aside
Searched for your name
But the thick hot mess
Started to disappear
Vision blurred
And finally I saw your name
But it wasn't within me
And frankly
It never was
I spilled for you and now I'm through
No goodbye
Just empty and alone
loggi Jan 2018
My mother likes to hang bells
On the front door,
And I always wondered
What they were for.

They would jingle
Whenever someone
made entry,
and glitter
With the light
from the lamppost
On the street.

But they became dull
Hanging all day,
And the giggling clatter
Mulled and dulled
to a brassy bray.

Mom has a small wedding bell
Of a silver boy
Holding flowers
With a smiling grin.
He’s asking her to ring him
And bring back memories.

But father’s guitar glistens
Whilst the sun lays low.
With one pluck
The vibration hums
Smooth and mellow.

But can you hear it
Sitting on the steps?
This house is so large
But there still lays unrest.

And through The corridor
Clacks the patter
Of greyed canine feet.
But some of us
Lay silent
And reap the past
From the sounds
That do dare speak.

the living room clock
Drones with That of a distant chime,
Because the living arrangements
Have changed overtime.
Marshal Gebbie Feb 2010
What would it be to be a soldierTo seek the God of war,To make your mind a death machineTo long for peace no more.To make your sinew hard as ironYour muscle ripcord tough,To bend your thinking mercy freeYour soul enshrined in rough.Conformity in dress attireMeticulous black shine,The gun oil on your sidearmThat rigid stance in line.The taughtness when you march en massThe crunch of boots on stone,The flash of steel with bayonet thrustThat splash of blood on bone. Your hatred for the enemyA lust for ****** war,Abhorrence for a personal styleJust compliance with the corps.The stare that sees a thousand yardsThe spines are ramrod straight,The disciplined magnificenceThe Corps d’Esprit is great! Afghanistan & GazaMogadishu and TehranThe terror strips are globalAnd they’re hell for beast and man.To imagine you’ll enjoy yourselfIs madness to extreme.If you’ve seen a man's face liquefyIn a flailing shrapnel stream.If you’ve felt the fear of God nearbyWhen tribals mount a charge,With the shriek of “Allah Ahkbar”And the stench of death at large. “See The World”, the poster said“Free Training for a Trade”,Develop stiffness in your spineWith the army you’ll be made.Comradeship, companionshipIs the essence of the force,A fast, pack march of twenty clicksAnd chanting till you’re hoarse.The Sergeant kicks your backsideThe corporal licks your boots,Lieutenant has you dodging leadWhist digging trenching routes.The Major trims his moustacheThe General drives right past,Dismissing all the riffraffWho are well beneath his class. This-is-the-Army All khaki and brassy shine,You get to brandish riflesAnd wear berets when in line.So pull that chin in soldierKeep the thumbs straight when you march,Or we’ll have you peeling spuds or worse,...We’ll ream your young white ****. You wanted to be manlyYou longed to make your mark,You signed up  to be countedNow you're Army, hard and stark.So give it all you’ve got young manBend your back and be a knave,the alternative is purgatoryEngulfed, consumed, enslaved.Now you're in for the durationMake the most of what you’ve gotOr they’ll Court Marshal you tomorrowAnd with pageantry.. YOU'LL BE SHOT!MarshalgMangere Bridge27th April 2008
Third Eye Candy Mar 2014
she sat like old smoke on the back of an elephant in the room.
like a dead wreath, breathing a pure circle
of hell. she broke a tambourine over the head
of a homeless man made of diamonds.
she broke his hardness with a constant sigh of sorrows
and chose to do violence upon her last smile
clutching the bitter rings in a porcelain
tub. brassy lion's paw
resting too heavy now on a cracked linoleum
floor.

with her eyes
open.
Geno Cattouse Nov 2012
Touchy.Cant handle the heat                                          Raucous. Banging loud in the sink

Brassy. Calling the kettle black                                       Vain.Thinking your **** dont stink

Moody.Goes from simmer to burn.                                Nasty. A little green on the bottom  

Anxious.Cant sit and wait for  your turn.                       Reckless. Smokem if you got-em.
From that moment the mouthy man in the middle,
top hat in hand, barks and waves our three floodlit rings
into motion with a flourish of brassy blasts,
the big top gets turvy and my stomach's all nerves
making the bushel of peanuts I just munched feel
like broken glass chewed by my friend the tattooed geek.

Martha says, Elephants are supposed to be more
dignified... don't mope! It is hard to grasp for her
tail day after daisy-chained day when I'm holding
this bouquet of forget-me-nots rubber-banded
by a grudge. I tell her, The real indignity's
being dressed in a rhinestone-studded satin cape.
This work is licensed under a Creative Commons Attribution 3.0 License.
Kiernan Norman Mar 2016
Shut off the sky if I ask you to-
grab my world so brassy boring
between its battles and its courage.
I’ll arrive with cold hands and you
can bring the ghosts.

I smell dirt in the day and undo
things as I roam.
I don’t listen when logic roars,
but let it loosen in the sun
and sing my prayers through its marrow
like I’m blowing glass,
like I’m hatching galaxies.
June can wait a bit,
verses still spin sad
where you used
your knees on the good nights.

I tried the dancing.
I tried bleaching the blackened veins
and rusting ribs that held me together
with a smile brighter and stiffer than ever before.
It took a mirror and a shiner to remind me that was pointless.

Before was fumes.
Before was whiplash.
Before was my chattering teeth learning to limber over the back fence then dive into the novels
of your hands.

Before knew my night skin was something to flee and
that all betrayal
starts with moonlight,
isn’t that right?
Before knew that travelers
and wanderers
were taught to survey treetops and look to their shins,
but now I just jump.

You said you’d return with a body that wasn’t mine.
It’s okay if you lied.
I’ve tried to swallow the world between sheets
with a thawing mouth and sinking hips.
I’ve tried to whittle the scenery down to bad habits
and foxes tucked into the hills,
Illuminated just when you thought they were gone.
I’ve found a geography where our jokes are meaningless,
where our hearts are no longer the same,
and it is too gorgeous for words.
Thank you for allowing it.
Thank you for avoiding it.

— The End —