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"armchairs" poems
In frames as large as rooms that face all ways And block the ends of streets with giant loaves, Screen graves with custard, cover slums with praise Of motor-oil and cuts of salmon, shine Perpetually these sharply-pictured groves Of how life should be. High above the gutter A silver knife sinks into golden butter, A glass of milk stands in a meadow, and Well-balanced families, in fine Midsummer weather, owe their smiles, their cars, Even their youth, to that small cube each hand Stretches towards. These, and the deep armchairs Aligned to cups at bedtime, radiant bars (Gas or electric), quarter-profile cats By slippers on warm mats, Reflect none of the rained-on streets and squares They dominate outdoors. Rather, they rise Serenely to proclaim pure crust, pure foam, Pure coldness to our live imperfect eyes That stare beyond this world, where nothing's made As new or washed quite clean, seeking the home All such inhabit. There, dark raftered pubs Are filled with white-clothed ones from tennis-clubs, And the boy puking his heart out in the Gents Just missed them, as the pensioner paid A halfpenny more for Granny Graveclothes' Tea To taste old age, and dying smokers sense Walking towards them through some dappled park As if on water that unfocused she No match lit up, nor drag ever brought near, Who now stands newly clear, Smiling, and recognising, and going dark.
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18k
Essential Beauty
Nima showed me her aunt's apartment in London. Posh place, up market. She had her own key to get in, and once we entered, she closed the door behind us and leaned against it like one having found the Promised Land. So what do you think? She asked. Lovely place. Does she live here alone? No, she has a daughter; moody ***** has her own crowd, sort of in-lot. We wandered around, room to room and stood at last in the kitchen. Coffee? Tea? She asked. Tea, please, two sugars, little milk, I replied. Take a seat in the lounge, I'll bring it through. I went in the lounge; posh place, a settee of white soft material, chairs brown, aged, but antique and fragile looking. There were paintings on the walls, water colours, rural, country scenes, horses, fox hunts, red coated hunters, hedges, trees. There was a large table, armchairs, lovely carpet, and a lampshade in one corner. Nima came in carrying a tray with two cups in saucers, spoons, sugar bowl, jug of milk. She put it down on a small coffee table by the settee. She sat down next to me and kissed my cheek. At last,she said, just us, alone, no nosey parkers, no nurses or medical quacks to interfere or spoil our fun or lives. I sat gazing around the room. You been here before? Of course, as a child I often came and stayed if my parents were too busy with their careers or away on the matters medical. I smelt her perfume, sensed her thigh touch mine, soft, moving against mine. Why were you sectioned? I asked, looking at her. Drugs and a sudden mental breakdown and attempts on my life by me, she said. I see, I said, studying her closer, each aspect of her features. Forget that, she said, lets drink up our drinks and get to bed and have *** Whose bed? The spare, not Aunt's, she said, smiling. Is it a single or double bed? Double with silk sheets, so watch out you don't slip out of bed while having it away. We drank our drinks quickly, then she showed me the bath and the toilet and the bedroom. What if your aunt returns? She's in Ireland with her moody daughter, won't be back until Monday week, Nima said. First a bath together, then hot ***** *** in bed, she said.
0
Nov 29, 2015
Nov 29, 2015 at 2:21 AM UTC
HOT AND ***** 1967.
Nima showed me her aunt's apartment in London. Posh place, up market. She had her own key to get in, and once we entered, she closed the door behind us and leaned against it like one having found the Promised Land. So what do you think? She asked. Lovely place. Does she live here alone? No, she has a daughter; moody ***** has her own crowd, sort of in-lot. We wandered around, room to room and stood at last in the kitchen. Coffee? Tea? She asked. Tea, please, two sugars, little milk, I replied. Take a seat in the lounge, I'll bring it through. I went in the lounge; posh place, a settee of white soft material, chairs brown, aged, but antique and fragile looking. There were paintings on the walls, water colours, rural, country scenes, horses, fox hunts, red coated hunters, hedges, trees. There was a large table, armchairs, lovely carpet, and a lampshade in one corner. Nima came in carrying a tray with two cups in saucers, spoons, sugar bowl, jug of milk. She put it down on a small coffee table by the settee. She sat down next to me and kissed my cheek. At last,she said, just us, alone, no nosey parkers, no nurses or medical quacks to interfere or spoil our fun or lives. I sat gazing around the room. You been here before? Of course, as a child I often came and stayed if my parents were too busy with their careers or away on the matters medical. I smelt her perfume, sensed her thigh touch mine, soft, moving against mine. Why were you sectioned? I asked, looking at her. Drugs and a sudden mental breakdown and attempts on my life by me, she said. I see, I said, studying her closer, each aspect of her features. Forget that, she said, lets drink up our drinks and get to bed and have *** Whose bed? The spare, not Aunt's, she said, smiling. Is it a single or double bed? Double with silk sheets, so watch out you don't slip out of bed while having it away. We drank our drinks quickly, then she showed me the bath and the toilet and the bedroom. What if your aunt returns? She's in Ireland with her moody daughter, won't be back until Monday week, Nima said. First a bath together, then hot ***** *** in bed, she said.
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87
The decaying mansions of English language Rot and recede into teenage grasses with each unspoken year The hired help have left their hair unmown and surrendered their uniform dress Content with the neglect of nature taking its timely course When the architects and master masons of linguistics Survey their forgotten plans in the heaven of English literature They are not dismayed but patiently sit and sit The pristine edifices of the classics Once grand and clad in deferential brick Stand scaffolded and unread The doors unlocked, ajar and hopelessly inviting Into the library of the English canon The dusty cloak on the carpets of grammar Sheets thrown over the disused armchairs of archaic words Echoing the plink of the out-of-tune pianoforte of the perfectly crafted short story Bathrooms of formal poetry With the rusty plumbing of metre and rhyme Whereas the temporary outhouses, hastily arranged huts of slang and idiom are adorned by the living grasses of new forms, creepers of half remembered dreams mulching leaves of half formed thoughts forests of half forgotten loves writhing in living incompleteness Which will in turn harden and fossilize And we can then rue the passing of our once organic lingo
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Dec 14, 2009
Dec 14, 2009 at 10:18 AM UTC
the decaying mansions of the english language
Under a large, round, yellow Full November moon The chill of the cold, dark night Slips in through my window It fights against the heating To send a shuddering shiver down my spine Under the full November moon People spill out of noisy pubs Leaving heat, light, music A false, inebriated happiness To stagger, swirling home To warm beds of love Or cold, empty houses And late night T.V. Under the full November moon Teenager's breath leaves clouds in the air Hanging heavy and mingling with smoke From spliffs secretly held in cupped hands Hanging around shops, parks Even the disappearing phone boxes Feeling the arrogance of youth Course through their veins Under the full November moon The middle aged sit In armchairs with tea mugs T.V. droning as they dream of their youth When they were slim and **** Or hungry and virile Before it all slipped so quickly away Under the full November moon Swingers swap flesh and fluids In hotels and motels With no more passion or emotion Than passing the salt Under the full November moon Prostitutes haul their tired, aching bodies From car to car for the price of a hit The dealers swagger, stoked full of ******* With the power and arrogance of mediaeval lords Under the full November moon People sweat in police cells Under grey, itchy blankets On blue rubber mattresses In a white - tiled nightmare Under the full November moon I think of them all As I sir writing ideas In a cheap, lined pad Then turn off the lights As the full November moon Bids goodnight To us all
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Nov 25, 2017
Nov 25, 2017 at 4:06 PM UTC
Under The Full November Moon
Under a large, round, yellow Full November moon The chill of the cold, dark night Slips in through my window It fights against the heating To send a shuddering shiver down my spine Under the full November moon People spill out of noisy pubs Leaving heat, light, music A false, inebriated happiness To stagger, swirling home To warm beds of love Or cold, empty houses And late night T.V. Under the full November moon Teenager's breath leaves clouds in the air Hanging heavy and mingling with smoke From spliffs secretly held in cupped hands Hanging around shops, parks Even the disappearing phone boxes Feeling the arrogance of youth Course through their veins Under the full November moon The middle aged sit In armchairs with tea mugs T.V. droning as they dream of their youth When they were slim and **** Or hungry and virile Before it all slipped so quickly away Under the full November moon Swingers swap flesh and fluids In hotels and motels With no more passion or emotion Than passing the salt Under the full November moon Prostitutes haul their tired, aching bodies From car to car for the price of a hit The dealers swagger, stoked full of ******* With the power and arrogance of mediaeval lords Under the full November moon People sweat in police cells Under grey, itchy blankets On blue rubber mattresses In a white - tiled nightmare Under the full November moon I think of them all As I sir writing ideas In a cheap, lined pad Then turn off the lights As the full November moon Bids goodnight To us all
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52
Creased lines in your cancer bed sheets and red wine spills still remain from that time you celebrated your chemotherapy success. Drug-blue cocktails were swapped for beers from cans, needles for straws and hospital-stock- comfortable-armchairs for the advertised sofa in your part furnished floor. Friends came with warm welcomes prepared in the back of taxis coming from the city, they came in wide eyed staring, holding wine bottles remembering your once real wig of hair.
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Jan 29, 2014
Jan 29, 2014 at 9:50 AM UTC
Red Wine Cancer
Do you solemnly swear or affirm that you will faithfully execute your role as a citizen in this democracy, and will to the best of your ability, preserve, protect and defend the constitution of the United States? Do you expect your president to? Your congress? You don't have to believe in politics because even if you don't they will still exist. They will still make decisions that effect your livelihood. You could move away, sure, but if you lived here long enough, you're an American. And wherever you go, they will see you as your country. They'll hear it when you speak. You could refuse to preach for a country you're not proud of, that's fine. But the grumblings often heard from these masses, the complaints, the horrified hushed whispers and the disdain, those shouldn't be uttered either. Those masses were the students in school who never received awards for participation, they're embarrassed by their government but have never stepped foot in a polling booth, better yet, never even registered to vote. I know, because I was one of them. We know the arguments. We all fear that our vote wont matter. I'm part of a generation where it seems that giving a **** isn't cool anyway. Dank memes are meant to be liked and not followed up on. Armchairs are in every home and those who sit in it keep it warm. But there's more on our heads, guys. And even more in our hands. They can blame us left and right for the indifference we practice, but we'll only justify it in our silence. Give a **** Give two. Sitting around in echo chambers only results in deafening noise. And you can't run away if you can't hear them coming. And the voices, they sometimes make me sick to my stomach. but I'm stronger than fear mongered puke. And though it's "cooler" to bask in your sickness amongst my peers, It doesn't move anything. I don't need to know or be a minority personally to know that they're being hunted. To believe their stories, that have been proven countless times anyway. And I strongly believe that neither does anyone else. Bystanding up to the man will result in blame games. Do something. Even if it's not much. There's promise out there. You just have to make an oath to find it.
0
Mar 22, 2016
Mar 22, 2016 at 3:49 PM UTC
Believe in Something
Do you solemnly swear or affirm that you will faithfully execute your role as a citizen in this democracy, and will to the best of your ability, preserve, protect and defend the constitution of the United States? Do you expect your president to? Your congress? You don't have to believe in politics because even if you don't they will still exist. They will still make decisions that effect your livelihood. You could move away, sure, but if you lived here long enough, you're an American. And wherever you go, they will see you as your country. They'll hear it when you speak. You could refuse to preach for a country you're not proud of, that's fine. But the grumblings often heard from these masses, the complaints, the horrified hushed whispers and the disdain, those shouldn't be uttered either. Those masses were the students in school who never received awards for participation, they're embarrassed by their government but have never stepped foot in a polling booth, better yet, never even registered to vote. I know, because I was one of them. We know the arguments. We all fear that our vote wont matter. I'm part of a generation where it seems that giving a **** isn't cool anyway. Dank memes are meant to be liked and not followed up on. Armchairs are in every home and those who sit in it keep it warm. But there's more on our heads, guys. And even more in our hands. They can blame us left and right for the indifference we practice, but we'll only justify it in our silence. Give a **** Give two. Sitting around in echo chambers only results in deafening noise. And you can't run away if you can't hear them coming. And the voices, they sometimes make me sick to my stomach. but I'm stronger than fear mongered puke. And though it's "cooler" to bask in your sickness amongst my peers, It doesn't move anything. I don't need to know or be a minority personally to know that they're being hunted. To believe their stories, that have been proven countless times anyway. And I strongly believe that neither does anyone else. Bystanding up to the man will result in blame games. Do something. Even if it's not much. There's promise out there. You just have to make an oath to find it.
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43
i. We've seen armchairs yarned in factories as they take away great grandmother with cancer of the lungs, a string of long fluid woven into her assembly apt for a tapestry, a long room that is woven of her memorized thread of choice. A Volta television swamp floats until breath emerges gentleman like, heated from its length of rope nerve. Six looping pythons in one belt 4:44, a tilted mirror and a bookshelf.
0
Feb 25, 2012
Feb 25, 2012 at 10:28 PM UTC
Cur.tain
Bukowski, Cash and Dylan Whiskey, twisted cigarettes and Thai take away. How much can fit inside a room? Boxes, armchairs, carpets and glasses. I count them on my fingers, weight them, bump into them. All based in the laws of physics, - space and volume. The sheets on which you laid upon. The mirrors that showed you forms and figures -forms that meant to replace emotional loss. The lips of glasses you used to bite. -body movements as the expression of an inner void. Repeated patterns of disorders - food for my poetry. The plumes of countless cigarettes, that offered the necessary filling for my insides. Background noise that comes from the TV Content: Chlamydia and young people in excitement -reality show for cowards. Your manhood spread all over like an octopus expanding his 8 legs. Open legs, so that your testosterone can take some air. A packet of cigarettes, a mobile phone, lighter and a cotton swab. All in line: from the largest to the smallest object. Absolute symmetry of declining placement. I walk naked to the shower, Winking to your manhood While you remain looking at me with your legs wide open. I pass through you like a ghost ghosts as you are. Just like if I never existed -just like you never existed too.
0
Jan 26, 2019
Jan 26, 2019 at 5:05 AM UTC
Numbering objects
Melancholy, I stay behind these guarded windows Staring out at all the commercials And noisy car horns And people That covet and pervert with their greedy, grasping eyes- That revel in their desire and need to possess everything new And exciting. They slowly peel away their humanity Like expired bananas, Left on the table too long, Exposing the rotten fruits of their labors That haunts them in their dreams. I have no need of phones, Or appliances, Or whatever they're selling At sales where everyone is Shopping Pushing Stepping Shoving Grasping Stealing- Where everyone is lying to themselves. I'm not a crazed housewife, Or a greedy collector, Or a corporate sales exec; I'm just a quiet observer, Hiding from the spiraled descent of mankind. I'm just thankful that these events, That these sad, depraved people are can't touch me in my quiet corner of heaven. They are unimportant, And in their chaotic rush for power and possession, They've forgotten the reason we draw close around the fire, Why we share food and drink and memories; Why we celebrate the sacred bonds of friendship And family. They've forgotten the smell of cider, Boiling on the stove, The taste of roast turkey, watched and checked with patience absolute, The comfy armchairs next to the window That looks out on the freshly fallen snow. They can't remember the warmth of a house On a bitter cold night, filled with laughter and love, Where stories and tales spring from lips to ear, Recounting the years long past. They can't stand still to cherish the beauty in the simple moments, The richness of the holidays, when the only thing you want to possess Is a wide smile, And a special hand to hold. Yes indeed, I look out my window at this day, a day so dark it deserves is nickname, And I pity then- The sad souls that have forgotten why this holiday is called Thanksgiving.
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Dec 3, 2015
Dec 3, 2015 at 4:16 PM UTC
The Holiday Everyone Forgot
Melancholy, I stay behind these guarded windows Staring out at all the commercials And noisy car horns And people That covet and pervert with their greedy, grasping eyes- That revel in their desire and need to possess everything new And exciting. They slowly peel away their humanity Like expired bananas, Left on the table too long, Exposing the rotten fruits of their labors That haunts them in their dreams. I have no need of phones, Or appliances, Or whatever they're selling At sales where everyone is Shopping Pushing Stepping Shoving Grasping Stealing- Where everyone is lying to themselves. I'm not a crazed housewife, Or a greedy collector, Or a corporate sales exec; I'm just a quiet observer, Hiding from the spiraled descent of mankind. I'm just thankful that these events, That these sad, depraved people are can't touch me in my quiet corner of heaven. They are unimportant, And in their chaotic rush for power and possession, They've forgotten the reason we draw close around the fire, Why we share food and drink and memories; Why we celebrate the sacred bonds of friendship And family. They've forgotten the smell of cider, Boiling on the stove, The taste of roast turkey, watched and checked with patience absolute, The comfy armchairs next to the window That looks out on the freshly fallen snow. They can't remember the warmth of a house On a bitter cold night, filled with laughter and love, Where stories and tales spring from lips to ear, Recounting the years long past. They can't stand still to cherish the beauty in the simple moments, The richness of the holidays, when the only thing you want to possess Is a wide smile, And a special hand to hold. Yes indeed, I look out my window at this day, a day so dark it deserves is nickname, And I pity then- The sad souls that have forgotten why this holiday is called Thanksgiving.
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64
your poetry is the timid surgeon's blade your brainwashed disfigured filth posing as poetry, glitter sprinkled over horse **** parasitic eager beavers rattling off hollow sanitary words from suburban armchairs when you speak of passion... I want the ivory joy of licking teeth in black cold nights of February grabbing fistfuls of flesh and desire not your stiff ******** advertisement, marketing zombie climaxes and red roses of compulsion when you speak of loss... I want the acrid smell of burnt hair, a scene of cinder and ashes, a house of dreams smoked by the arsons of addiction and stupidity not your camouflaged metaphors of two dollar sunrises and legislated loneliness, echoing off the empty walls of narcissism when you speak of hate... I want cold bacon grease and blood stuck to my tongue and dripping from my mouth, to become a carnivore of ****** and liberated violence not your confused assault of cheap mouthwashed words spat in basins of shallow ************ ah, **** it, write what you will but give more poetry should
0
Dec 27, 2018
Dec 27, 2018 at 2:42 PM UTC
Why your poetry *****
In our subset of society we worship sweet caramel syrup and double tall soy lattes with extra foam and extra shots of whatever can keep us pumping through marathon long meetings where we meddle in our market’s perception of health savings accounts, a muddle of mindless power point presentations and persistent pencil tapping on a cold granite table top. We cannot blame the young baristas with tattooed arms and early morning smiles for simply slipping us the goods- we must blame the comfortable coffee pushing peddlers with heavy pockets, the evil executives who sit in their soft leather armchairs and export expensive beans from South America. They empty our leather wallets but fill our bladders; offer less calories for a slightly heavier price- only $4.15 for a Grande Caramel Frapuccino Light, so many in our stomach that we undoubtedly will email ourselves into a caffeine induced coma. If we could see the constant account debiting that swarms cyberspace- millions of dollars transferring between molecules- we would drown in the onslaught of dollar bills into the hungry Starbucks black hole that is never full.
0
Mar 31, 2010
Mar 31, 2010 at 12:27 PM UTC
Coffee Worship
and that shadow passes like shadows do and i drift awake to find your smile waiting for me grab up whats left of our castle of sand and explode onto the road cause tomorrow never shines as bright as that special yesterday like a penny that gets tossed like a shinny piece of rain it just keeps fallin and flying keeps the heart going and your smile is all i really need don't know where we going but we going in style you wrapped in your Tye-dye blanket and me in my Walt Whitman hat we gonna dance on distant beaches we gonna tickle eachother on far off mountain tops we gonna cheer the world on from our armchairs and smile for all the beautiful things we can find cause shadows always come to an end and that shadow has nearly passed us by so lets grab up our bits and pieces and see where that road takes us see who we can find baby lets dance on distant beaches tickle each-other on far away mountaintops and sleep in the forgiving arms of foreign lush forest there is some nineteen twenty's blues playin far too loud on the turntable and there in the distance a train horn lends itself to the moment i run off a few lines that are just as empty looks like heaven but its not the world is no different here than it is in your silent room i would give anything to be there in your room perhaps we could talk till dawn bout George Sanders Charles Butterworth and all the big ones pills he shot himself pills car accident pills jez left this morning she said she needed some time that relationships are too complex and she needs to think and didn't like the idea that i don't want to marry her i think i just no longer have enough faith that she or anyone could stay not trade me in for a needle full of drugs not trade me in for something faster newer a better model there is no magic left i can still dance on the sand till the tide comes in but there's no magic shopping carts chase but its just a lone set of strings played slow and deep like tears there is some nineteen twenty's blues playing far too loud on the turntable but even the five bottles of wine haven't set the past out to sea think i should go now before i say something foolish
0
Sep 22, 2013
Sep 22, 2013 at 5:24 PM UTC
castle of sand
and that shadow passes like shadows do and i drift awake to find your smile waiting for me grab up whats left of our castle of sand and explode onto the road cause tomorrow never shines as bright as that special yesterday like a penny that gets tossed like a shinny piece of rain it just keeps fallin and flying keeps the heart going and your smile is all i really need don't know where we going but we going in style you wrapped in your Tye-dye blanket and me in my Walt Whitman hat we gonna dance on distant beaches we gonna tickle eachother on far off mountain tops we gonna cheer the world on from our armchairs and smile for all the beautiful things we can find cause shadows always come to an end and that shadow has nearly passed us by so lets grab up our bits and pieces and see where that road takes us see who we can find baby lets dance on distant beaches tickle each-other on far away mountaintops and sleep in the forgiving arms of foreign lush forest there is some nineteen twenty's blues playin far too loud on the turntable and there in the distance a train horn lends itself to the moment i run off a few lines that are just as empty looks like heaven but its not the world is no different here than it is in your silent room i would give anything to be there in your room perhaps we could talk till dawn bout George Sanders Charles Butterworth and all the big ones pills he shot himself pills car accident pills jez left this morning she said she needed some time that relationships are too complex and she needs to think and didn't like the idea that i don't want to marry her i think i just no longer have enough faith that she or anyone could stay not trade me in for a needle full of drugs not trade me in for something faster newer a better model there is no magic left i can still dance on the sand till the tide comes in but there's no magic shopping carts chase but its just a lone set of strings played slow and deep like tears there is some nineteen twenty's blues playing far too loud on the turntable but even the five bottles of wine haven't set the past out to sea think i should go now before i say something foolish
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76
All shrubbery around is shaken by the wind As smoking grey clouds threaten rain. But I sit snugly in my lounge Idly contemplating a chicken-breast tea. The long heatwave is over For now. Atlantic air has swept the mugginess Aside. Thermometers have settled down While cooler moisture sooths our very souls. This lounge of mine presents a landscape too: Of settee, armchairs and table Along with dining chairs and TV: Mountains over carpet savannas. But the kitchen calls me from next door So no matter how lazy I feel I really have to eat now. This interlude must end So very soon. Paul Butters © PB 29/7/2018.
0
Jul 29, 2018
Jul 29, 2018 at 12:45 PM UTC
Sunday Teatime
Armchair and arms up. Bottle on the side table. Eyes open wide, unable to sleep. Thoughts creep into a shaking skull. Hands shake and grip the bow. He pulls his scream across a string, because his throat won't voice his weariness. The sound's more than just pain, and it tells more of his aching bones than it should. He plays the tears he can't show, and it's understood as the instrument moans. That's all he needs to show a world that doesn't know what his pain sounds like. He'd talk about it if he could. Rachmaninov understood.
0
Oct 9, 2015
Oct 9, 2015 at 10:09 PM UTC
Vocalise from Closed Throats
(はっけよい)* HAKKEYOI ! two stout armchairs squat like Sumo wrestlers the room holds its breath *  "PUT SOME SPIRIT IN IT!" The phrase shouted by a sumo referee during a bout, specifically when the action has stalled and the wrestlers have reached a stand-off.
0
Dec 2, 2015
Dec 2, 2015 at 1:49 PM UTC
(はっけよい)* HAKKEYOI !
She was little, smart and brave. Barely five her thoughts reflected an older woman. My sister looking at me to survive, Her silly smile asking me this question… Whatcha  gonna do when the day turns blue? When the sky fills with the many lonely tears, You ask and beg then nobody comes through. You're left soaked to the bone when no one hears. The day becomes all time, slowly filling with blue. Overwhelming and contagious. You can’t stop it, but you are not trying. That’s what you have to do, fly when wingless. Not because you can, but because you must. Fill the world with the light inside your soul. This is what I told her, and I began to tell her of how a mare loves her foal. The honey smell of thunder clouds, the feel of a dog’s soft wet tongue rinsing your cares down the drain. Every wound can start to heal. Of sitting by a fire in big armchairs. These are feelings she has yet to know. Soon she will touch the velvet of a lambs ear. My wise butterfly leaving her cocoon. Of all I wish for you, one thing is clear. Never feel the blue, and think no one will break through.  Because you will be forever laughing in sun. At last your worries still. I will always be there your one anchor
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Jan 7, 2013
Jan 7, 2013 at 9:28 PM UTC
Blue
the sky was purple tonight. i thought that maybe you'd littered the clouds with the parma violets you never used to be without. i remember how you always tasted like them and i'd occasionally find one under your tongue, and you'd say you were saving it, just for me. our song started playing today in that little cafe you used to take me to, the one with the soft wooden tables and those armchairs that seemed perfectly made for me and you. do you remember all the times we went? sat together and hummed the tune to that song. and you never looked more beautiful than when that milkshake was pressed against your lips, and the bright red cherry tickled your delicate skin. the sky was purple tonight and i miss you.
0
Jan 28, 2016
Jan 28, 2016 at 3:49 PM UTC
parma violet
the only book you can plagiarise from is the dictionary; enter plagiarism: platonic definitions of a single sound. spa spa spawn a spandex bubble on the rims for elongating width in french inches of the waist. but i liked my walk, took the scenic: empty street, night, solo, solo, night, empty street - not many donkeys sweating tears - not many relations to see: i understand money in the manual labour professions, but outside of manual professions? don't have a clue... have a poker though for a ***** you randomise whatever you want in that: never read a philosophy book that utilised grammatical categorisation efficiently: aristotle started it all off with nouns (proper names), naming and layering as i might call it: but who the hell needs plato these days given television: oh right, that's why: shout into a cave the worded nuance... what do you get? ecce echo. i appreciate god as an omni-relevant vocabulary / shouting into plato's cave provided me with thus: noun, plural i's or is, i's or is. 1. the ninth letter of the english alphabet, a vowel. 2. any spoken sound represented by the letter i or i, as in big, nice, orski. 3. something having the shape of an i (floating head on a total amputee). 4. a written or printed representation of the letter (sound) i or i. 5. a device, as a printer's type, for reproducing the letter i or i. well so much for those paper folding idiots of shadow: i shout i into plato's cave the idiots are still talking in sign language having been fed images throughout and no phonetic symbols of breaking knuckles. pronoun, nominative i, possessive my or mine, objective me; plural nominative we, possessive our or ours, objective us. 1. the nominative singular pronoun, used by a speaker in referring to himself or herself. noun, plural i's. 2. (used to denote the narrator of a literary work written in the first person singular). 3. metaphysics. the ego. that's many more echoes to come - plato was ridiculous counting six fingers on the shadow hand doing all the masturbatory talking into rabbit population truths in australia. oh **** i just shouted red into plato's cave and i heard synonymity come out! what's crimson? words with many meanings have rats in the armpits of armchairs, those eager dental riggers of bucktooth chew made fudge into glue within dental analysis conclusive in lance stance of a knight in rusty armour wishing it was oiled up copper.
0
Sep 16, 2015
Sep 16, 2015 at 7:56 PM UTC
ecce echo
the only book you can plagiarise from is the dictionary; enter plagiarism: platonic definitions of a single sound. spa spa spawn a spandex bubble on the rims for elongating width in french inches of the waist. but i liked my walk, took the scenic: empty street, night, solo, solo, night, empty street - not many donkeys sweating tears - not many relations to see: i understand money in the manual labour professions, but outside of manual professions? don't have a clue... have a poker though for a ***** you randomise whatever you want in that: never read a philosophy book that utilised grammatical categorisation efficiently: aristotle started it all off with nouns (proper names), naming and layering as i might call it: but who the hell needs plato these days given television: oh right, that's why: shout into a cave the worded nuance... what do you get? ecce echo. i appreciate god as an omni-relevant vocabulary / shouting into plato's cave provided me with thus: noun, plural i's or is, i's or is. 1. the ninth letter of the english alphabet, a vowel. 2. any spoken sound represented by the letter i or i, as in big, nice, orski. 3. something having the shape of an i (floating head on a total amputee). 4. a written or printed representation of the letter (sound) i or i. 5. a device, as a printer's type, for reproducing the letter i or i. well so much for those paper folding idiots of shadow: i shout i into plato's cave the idiots are still talking in sign language having been fed images throughout and no phonetic symbols of breaking knuckles. pronoun, nominative i, possessive my or mine, objective me; plural nominative we, possessive our or ours, objective us. 1. the nominative singular pronoun, used by a speaker in referring to himself or herself. noun, plural i's. 2. (used to denote the narrator of a literary work written in the first person singular). 3. metaphysics. the ego. that's many more echoes to come - plato was ridiculous counting six fingers on the shadow hand doing all the masturbatory talking into rabbit population truths in australia. oh **** i just shouted red into plato's cave and i heard synonymity come out! what's crimson? words with many meanings have rats in the armpits of armchairs, those eager dental riggers of bucktooth chew made fudge into glue within dental analysis conclusive in lance stance of a knight in rusty armour wishing it was oiled up copper.
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42
I read it once; I wonder if they'll ever know, the hell where youth and laughter go I've seen it. In soft armchairs. And plastic tabletops. And bibs so the food doesn't get on the clothes. Stripped to your skin and exposed to the world, You'll say nothing. Stand and let yourself be cleaned. You hadn't noticed the wet between your legs. Or the smell. Sit calmly, placid. Watch as one bites another, Scrapes at a neck, Screams for them to go away - visible to no one else. She will kick and grab and pull and cry. But alone she cannot stand. She will crumble to the ground, Fall into your arms, Tell you "Really, I've had enough this time." But such notions soon fade. Back to the hatred. The little one in the corner cries for a mother she buried years before, mama, where are you? And someone removes their top, throws it to the ground. This one here will follow you. He's a lost soul. And he wonders, Could you find it? These were once fresh and young. These shriveled and confused faces before you. Their youth and identity and sanity, vanished to unknown depths Decayed with their minds into a lifeless state of living.
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Dec 28, 2011
Dec 28, 2011 at 5:36 AM UTC
A Lifeless State of Living
It's all I've ever wanted. A 50 year, deep and true love. A sweet, romantic old style courtship. A walk to my front door and a lingering kiss goodnight. I wish for a beautiful, love filled wedding. A porch swing hung under the shaded awning of our charming home. A slow dance to a Frank Sinatra in our kitchen while making dinner. Two aged and worn armchairs in our cozy living room. The idea of it all clouds my head with the sweet and heady haze of a fairy tale romance. And yet, I will admit, I am the first to scoff at the very thought.
0
Sep 5, 2013
Sep 5, 2013 at 6:24 PM UTC
golden love
You've finally got the life you always wanted, but never had. And now you're apparently happy and I believe you. Happy, but without us. We don't mention the times when you were with us any more, the times when you held our hands, whispered goodnight to us, tucked us in. The easy times when you laughed at something funny, sitting there in the living room or standing in the kitchen. We thought you were happy, but behind the gentle warm smile and pool of blue eyes that reflected our own back at yours, you were harbouring a secret. A secret you'd likely held onto for a good, long and 'apparent' 17 years, possibly more. Who knows. It's hard to mention you at home now, because it's always met with a stone cold silence or, even worse, a harsh, bitter remark, that can render itself so easily from the one man you thought you loved's lips. But how easy it is to remember. To remember you before the outbreak of change, of a new life. Easy to remember you lounging on the armchairs watching television in the evenings, to hear you talking and laughing on the telephone out in the hallway, back in those days when landlines were the norm, as if nothing was wrong, as if you were happy. Now, I see you in the brief few minutes of the mornings, when you drop me off to college. A snatching of an encounter, and even then it's in secrecy. But it's nice to have that private time with you; it's even more special. Our time. But I'm really glad you're happy, and that you're able to live life free. I'm glad you've got the life you wanted. Maybe, one day, he will too.
0
Jan 25, 2013
Jan 25, 2013 at 2:39 PM UTC
It was what you wanted
You've finally got the life you always wanted, but never had. And now you're apparently happy and I believe you. Happy, but without us. We don't mention the times when you were with us any more, the times when you held our hands, whispered goodnight to us, tucked us in. The easy times when you laughed at something funny, sitting there in the living room or standing in the kitchen. We thought you were happy, but behind the gentle warm smile and pool of blue eyes that reflected our own back at yours, you were harbouring a secret. A secret you'd likely held onto for a good, long and 'apparent' 17 years, possibly more. Who knows. It's hard to mention you at home now, because it's always met with a stone cold silence or, even worse, a harsh, bitter remark, that can render itself so easily from the one man you thought you loved's lips. But how easy it is to remember. To remember you before the outbreak of change, of a new life. Easy to remember you lounging on the armchairs watching television in the evenings, to hear you talking and laughing on the telephone out in the hallway, back in those days when landlines were the norm, as if nothing was wrong, as if you were happy. Now, I see you in the brief few minutes of the mornings, when you drop me off to college. A snatching of an encounter, and even then it's in secrecy. But it's nice to have that private time with you; it's even more special. Our time. But I'm really glad you're happy, and that you're able to live life free. I'm glad you've got the life you wanted. Maybe, one day, he will too.
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31
CHRISTMAS TODAY Christmas comes gently to our mountain town,      As softly drifting snow draws a glimmering veil Across our forests, slopes and valleys. Festive lights of blue, green, gold and purple     Cast a magic spell on our streets and promenades Where neighbors bustle about in search     Of the perfect toy or sweater   For a friend or cherished aunt or cousin. The sound of bells cuts the December chill     Rung by a volunteer Santa at his kettle Or pealing from a steeple across the valley. Christmas is here and the time is nigh     To celebrate the advent of a sacred child With joyous songs of hope and gratitude. MEMORIES Let us journey back to a time when we      Curled up in the safety of our parents’ arms. We remember The aromas of holiday meals that filled our homes      With the promise of the grand feast soon to come. We remember Aunts and uncles poured into sofas and armchairs      Recounting slightly embellished tales of family lore While we children dashed about the yard      Heaving snow bombs and building the grandest snowman ever. We remember it all - The sounds, the scents and faces of our kin      That taught us how to love and be loved - For after all, memories are the sacred shrines      Of our origins, our present and our future lives. MOVING INTO THE LIGHT Christmas illuminates our souls and transfigures us.      Lost hopes are re-found and promises renewed. A better world seems once again within our grasp    As we bathe in the glow of fresh new possibilities. This is a golden healing time when     Disagreements are ushered off our stages And supplanted by beacons of filial gratitude. In that hallowed night of silence,      God whispered his plan for us And we listen in wonder as we treasure      That miraculous night we call Christmas. Robert Charles Howard - 2022
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Nov 19, 2022
Nov 19, 2022 at 3:09 AM UTC
Holiday Triptych
CHRISTMAS TODAY Christmas comes gently to our mountain town,      As softly drifting snow draws a glimmering veil Across our forests, slopes and valleys. Festive lights of blue, green, gold and purple     Cast a magic spell on our streets and promenades Where neighbors bustle about in search     Of the perfect toy or sweater   For a friend or cherished aunt or cousin. The sound of bells cuts the December chill     Rung by a volunteer Santa at his kettle Or pealing from a steeple across the valley. Christmas is here and the time is nigh     To celebrate the advent of a sacred child With joyous songs of hope and gratitude. MEMORIES Let us journey back to a time when we      Curled up in the safety of our parents’ arms. We remember The aromas of holiday meals that filled our homes      With the promise of the grand feast soon to come. We remember Aunts and uncles poured into sofas and armchairs      Recounting slightly embellished tales of family lore While we children dashed about the yard      Heaving snow bombs and building the grandest snowman ever. We remember it all - The sounds, the scents and faces of our kin      That taught us how to love and be loved - For after all, memories are the sacred shrines      Of our origins, our present and our future lives. MOVING INTO THE LIGHT Christmas illuminates our souls and transfigures us.      Lost hopes are re-found and promises renewed. A better world seems once again within our grasp    As we bathe in the glow of fresh new possibilities. This is a golden healing time when     Disagreements are ushered off our stages And supplanted by beacons of filial gratitude. In that hallowed night of silence,      God whispered his plan for us And we listen in wonder as we treasure      That miraculous night we call Christmas. Robert Charles Howard - 2022
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44
In times of drought, you tend to forget that your conscience was once as cautious as a crow’s wings upon landing. But now your armada sleeps, and your oaken hallways stained in crimson, are tucked in and snoring a gluttonous ignorance.   Things that make you think— the men who built this house meant for better things. So strange the ways we cannot see, we’re running out of everything.   Drunk on wine and mead, waking memories rising from the time we crossed the Arctic Sea; The ice, the earth, the sky, this land— the vastness that spins under God’s listless hands, as we walked on water above abyssal planes as dark as space.   We never quite perfected our escape, in the end— always the frigid indifference in how the man becomes a gentleman, then a caveman, and, perhaps, a gentle caveman, and at times, a barbarian, ever thus the everyman.   But on this night, the captains rest in armchairs, if they can, and the cupbearer’s hungry looks and filthy rags, make every dying toes even colder.   And you’re terrified by the thought— the dread that rests on the precipice; there won’t be enough in your cup to help you forget the city is burning tonight.
0
Aug 15, 2015
Aug 15, 2015 at 8:26 PM UTC
Untitled
I was in the hospital on Sunday, I had stayed there overnight, and I was in a room with big armchairs and low lighting, which was very strange for a hospital. I was sure I could leave whenever I want, so I don't know why I stayed. They took my blood and I don't know where they took it. I don't even know if they needed it. All I had to do was smile at the psychiatrists and they believed me. But nobody wanted to see the poisoned hole that had begun to infect my insides, so I let my hands lie limp and gave my mind to the stars.
0
May 30, 2014
May 30, 2014 at 2:55 AM UTC
cords