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"analytics" poems
"sly wordplay, it glows, feels like a shimmering address, half warning and half blessing, really alive with cadence" read Kiki Dresden poetry^ once more into the sea trench divide, I dive to devise, Your provoking comment, demands my full attention, you divert me from struggling with ginger & clay, a contra concept that molds and enflames, yet strikes overtly sweet, it does not come so easy as this playful notion But your words deserve the attention immédiate atenção imediata that births this script, tumbling forth in an instantly instantaneously me student, you mistress~master, schooling me on sublimity subliminal, capturing the capering stylistic that bursts forth from within, that my fingertips provide, while my brain connives & connivers continuously you overlay analytics that never are to me revealed, the what and wherefore of the whom hiding within of the im~perpetuity impish essence of i m p ishness by charmingly doing me, not once, but many times better here a spillage: an observational ditty, dressed in a tux, most formally, to render the greatest wordplay ever invented t, the uniqueness of a simple thank you my favorite poem a forever for ever, the song that plys and plays me in the me so often, the linguists have banned the word repeatedly from my lexicon so in its stead, this all-in-one mighty steed (verb phrase, a noun, or an adjective depending on its usage) this phatic expression, here disguised in Portuguese, muito obrigado! muito obrigado! muito obrigado!                                                                     nml 5:39am nyc 10/4, 10/4
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Oct 4, 2025
Oct 4, 2025 at 5:44 AM UTC
Love of Wordplay for Kiki Dresden
"sly wordplay, it glows, feels like a shimmering address, half warning and half blessing, really alive with cadence" read Kiki Dresden poetry^ once more into the sea trench divide, I dive to devise, Your provoking comment, demands my full attention, you divert me from struggling with ginger & clay, a contra concept that molds and enflames, yet strikes overtly sweet, it does not come so easy as this playful notion But your words deserve the attention immédiate atenção imediata that births this script, tumbling forth in an instantly instantaneously me student, you mistress~master, schooling me on sublimity subliminal, capturing the capering stylistic that bursts forth from within, that my fingertips provide, while my brain connives & connivers continuously you overlay analytics that never are to me revealed, the what and wherefore of the whom hiding within of the im~perpetuity impish essence of i m p ishness by charmingly doing me, not once, but many times better here a spillage: an observational ditty, dressed in a tux, most formally, to render the greatest wordplay ever invented t, the uniqueness of a simple thank you my favorite poem a forever for ever, the song that plys and plays me in the me so often, the linguists have banned the word repeatedly from my lexicon so in its stead, this all-in-one mighty steed (verb phrase, a noun, or an adjective depending on its usage) this phatic expression, here disguised in Portuguese, muito obrigado! muito obrigado! muito obrigado!                                                                     nml 5:39am nyc 10/4, 10/4
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67
**the sighs in our chest that emanate from a different kind of breast cancer** wrote these words prior, then, certainly uncertain of the exactitude of their meaning, clearly unclear of their useable intention, yet the too real wrathful sensations that inspired their caesarian creation, the sigh's very own exhalations, floatations devices for the interned-no-longer emotions, escapees via the crevasses of chest ribs splitting open, return to glory thanking me for freedom given let posterior eloquence suffice, let brevity guide my self's interior diagramming, lengthy explications and deep analytics, I leave to you, the astonished medical examiner and the horrified mortician chest ripped, my hand reinserted, the blighted scourges, the abscessed cancers, the obsessive relentless cankers, asking shamelessly why have I returned to the crime scene *the sighs are air-borne, ready for air plucking, all cloud seeded, deeded for poets to seize and commence, to plant and invent, a mountain top trickle to a mighty river of poems to be recovered and discovered, unrehearsed and unleashed but you and I have unwished, unfinished business, as of yet unwritten, one last poem to honor our mutually assured destruction, for this day will be rewritten differently*
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Oct 14, 2017
Oct 14, 2017 at 10:11 AM UTC
The sighs in our chest that emanate from a different kind of breast cancer
Sapiosexuals^ she quoted Shakespeare most appropriately when needed, her fevered fervor scientific was the non-fossil fueled engine that STEMed her quantum analytics of NFL football, as an intellectual amuse bouche, that was uncannily correct, on FIFa she passed it was just too corrupt, but Wimbledon was”fun” we all bet her predictions for her error rate was insignificant she claimed her knowledge of a cure for Alzheimer’s was done, but bio-pharma suppressed, and a single pill existed taken once, could cease and desist the brain for craving ******* but the politics were too complicated and really boring to explain instead she preferred to wile the hours hanging with lesser poets, to see if taking them at their word was an accurate indicative of their professed prowess in bed but when she sampled my wares regularly, I called her study statistically biased, to which she replied, “ain’t you the lucky one, that my standards are lowly rigorous, and you possess a mighty cute bi-assymetry“ in Croatian or Mandarin (unsure) smart lassie indeed
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Jul 22, 2018
Jul 22, 2018 at 2:04 PM UTC
Sapiosexuals
forging sagacious epoch activating neural station escaping hokey-pokey jiggery-pokery transcribing ineffective fragments digesting bear news opposing usual exhaustion deferring oxter reference cascading style sheets containing double readings mumbling lorem ipsum locating moose jaw enforcing meticulous patterns deconstructing vertical centering manifesting additional destinies deleting !important statement craving sleep paralysis receiving cryptozoological vibrations lightning fast collapse distracting tunnel vision culling deadbeat sequentialists overanalyzing twitter analytics acquiring arbitrary relevance spinning ping-pong sign floccinaucinihilipilificating floccinaucinihilipilificated floccinaucinihilipilification interjecting ****** holophrase minifying conventional language securing downpour refuge admiring octopus chandelier resuming party music taking mental trip encountering ersatz telesthesia denigrating bygone grudges maintaining elevated composure ignoring neurotypical haters eliciting cryptic emotions foreshadowing triple crown? experimenting acrostic restriction noticing ubiquitous "threes" aggrandizing loyal legion favoring ursine narratives finding oblique resilience yielding orchestral undulations
0
Sep 5, 2015
Sep 5, 2015 at 12:51 PM UTC
201506-w1
Investors need to stop treating stocks as a ‘beauty contest’ and follow the difficult investment style of Keynes, global pension expert Keith Ambachtsheer said. Data produced in a working paper from the Harvard Business Schoolshowed that portfolios built on firms with a good material sustainability rating outperformed those that had a poor rating, an aspect not considered enough by investors who were caught up with quarterly returns, Ambachtsheer said at a Chartered Financial Analyst seminar in Sydney on Monday. “What I see happening out there is largely speculation – what Keynes called ‘beauty contest investing’, where everybody tries to figure out what the most popular stocks are going to be in six months, buys them and when they become really popular sells them,” Ambachtsheer said. He added the implications of this investment style as an aggregate was a zero sum game, whereas investing should be taking savings and turning them into wealth producing capital. “The key thing is you need to look beyond the next quarter; you look at the long-term sustainability of the business model of the corporation, as well as the people behind it in terms of how it is being managed.” The Harvard Business School (HBS) working paper superimposed the Sustainability Accounting Standards Board materiality map (which identifies likely material sustainability issues on an industry-by-industry basis) onto 400 common US stocks identified through sustainability metrics from Kinder, Lydenberg, Domini Research & Analytics. They examined what effect materiality would have over the long-term (starting from the 1980s) and found the top 10 per cent of firms that scored strongly on material sustainability outperformed the bottom 10 per cent, by nine per cent over a rolling twenty-year period. “The practical question is, can you actually manage money this way in the real world? And the answer is yes, but it’s very hard, because you are doing unconventional things,” Ambachtsheer said. Real-world Keynesianism investors – such as Warren Buffett and the Ontario Teachers’ Pension Plan – are in a minority despite outperforming over the long-term. In chapter 12 of his seminal workThe General Theory of Employment, Interest and Money, Keynes explained the reason for this was the essence of long-term investors meant their behaviour would be eccentric, unconventional and rash in the eyes of average opinion. “Most organisations can’t function like this,” Ambachtsheer said, as they were too focused on the present.Read more at:www.marieaustralia.com/vintage-formal-dresses | www.marieaustralia.com/backless-formal-dresses
0
Nov 15, 2016
Nov 15, 2016 at 2:31 AM UTC
Stop ‘beauty contest’ and act like Keynes
Investors need to stop treating stocks as a ‘beauty contest’ and follow the difficult investment style of Keynes, global pension expert Keith Ambachtsheer said. Data produced in a working paper from the Harvard Business Schoolshowed that portfolios built on firms with a good material sustainability rating outperformed those that had a poor rating, an aspect not considered enough by investors who were caught up with quarterly returns, Ambachtsheer said at a Chartered Financial Analyst seminar in Sydney on Monday. “What I see happening out there is largely speculation – what Keynes called ‘beauty contest investing’, where everybody tries to figure out what the most popular stocks are going to be in six months, buys them and when they become really popular sells them,” Ambachtsheer said. He added the implications of this investment style as an aggregate was a zero sum game, whereas investing should be taking savings and turning them into wealth producing capital. “The key thing is you need to look beyond the next quarter; you look at the long-term sustainability of the business model of the corporation, as well as the people behind it in terms of how it is being managed.” The Harvard Business School (HBS) working paper superimposed the Sustainability Accounting Standards Board materiality map (which identifies likely material sustainability issues on an industry-by-industry basis) onto 400 common US stocks identified through sustainability metrics from Kinder, Lydenberg, Domini Research & Analytics. They examined what effect materiality would have over the long-term (starting from the 1980s) and found the top 10 per cent of firms that scored strongly on material sustainability outperformed the bottom 10 per cent, by nine per cent over a rolling twenty-year period. “The practical question is, can you actually manage money this way in the real world? And the answer is yes, but it’s very hard, because you are doing unconventional things,” Ambachtsheer said. Real-world Keynesianism investors – such as Warren Buffett and the Ontario Teachers’ Pension Plan – are in a minority despite outperforming over the long-term. In chapter 12 of his seminal workThe General Theory of Employment, Interest and Money, Keynes explained the reason for this was the essence of long-term investors meant their behaviour would be eccentric, unconventional and rash in the eyes of average opinion. “Most organisations can’t function like this,” Ambachtsheer said, as they were too focused on the present.Read more at:www.marieaustralia.com/vintage-formal-dresses | www.marieaustralia.com/backless-formal-dresses
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10
one more for Pradip... "Poems...are never short or long, they're only more. Thanks Nat for ever filling the less." firing up the poem kiln, this intriguing provocation insistent of deserved consideration, after all, it is thy stories that these days inspire, my own stories are relentless grey, old, cold, and to my eyes, coded repetitious... neither a chaster or a chastiser, (You could look it up!) confessing readily to sinning against humanity by ecrivezing poems of length considerable, the Mexicano from Indiano releases a shotgun blast to all those whose attention spans last, to ten words or a single stanza...no more... but this not the matter of import, no, no, it is the more and the less that makes poetry the best, no matter the length or the heft... in each of us there is a more and a less, in cycles individual that are not bound to tides, weather, or any effect natural, but product of our own amber waves of chemical imbalances and mental auras... all my days have I rode waves of well hid hills of mania *** depression, contented moments surrounded and cosseted by wails of worry, sorrel colored sorrows, making the scientists amazed at the correlation of the macro and the mini, the precision of my indecision... in sixty seconds, in sixty days, in sixty years, have I battered and battled the disequilibrium of more and less, disallowing a pilloried intervention, will likely do so until that day when my pen has bled its last... this theme haunts, for but a day ago, a bus poem was blurted out, that concluded thusly: ***to survive, to justify, to mediate between these un-counterbalanced weights, I write poetry*** here I am stunned that Pradip with but a handful of seeds, exactly isolates the genetic implanted notion that I struggle to define, knowing only that my poetry fills my less, when the all the rest is just another fine mess we fill the less with our wit, we top off our souls with writs, we are more for having scribed, one read or ten thousand, it mater matters knot! look upon the pages endlessly bearing the ephemeral heavy-handed weight full of well crafted words, the good, the plenty, the sad, the sorry, the trite and cranky, those misted musty, the light and the careful, the bad and merely awful, even the drip of torrential love stories gone dry what matters not any of this over sighted analytics, each and all and everyone a success, for each poem makes someone's less lessened, and someone's more, more, and by this ever filling the less...
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Aug 19, 2014
Aug 19, 2014 at 3:35 PM UTC
for ever filling the less...
one more for Pradip... "Poems...are never short or long, they're only more. Thanks Nat for ever filling the less." firing up the poem kiln, this intriguing provocation insistent of deserved consideration, after all, it is thy stories that these days inspire, my own stories are relentless grey, old, cold, and to my eyes, coded repetitious... neither a chaster or a chastiser, (You could look it up!) confessing readily to sinning against humanity by ecrivezing poems of length considerable, the Mexicano from Indiano releases a shotgun blast to all those whose attention spans last, to ten words or a single stanza...no more... but this not the matter of import, no, no, it is the more and the less that makes poetry the best, no matter the length or the heft... in each of us there is a more and a less, in cycles individual that are not bound to tides, weather, or any effect natural, but product of our own amber waves of chemical imbalances and mental auras... all my days have I rode waves of well hid hills of mania *** depression, contented moments surrounded and cosseted by wails of worry, sorrel colored sorrows, making the scientists amazed at the correlation of the macro and the mini, the precision of my indecision... in sixty seconds, in sixty days, in sixty years, have I battered and battled the disequilibrium of more and less, disallowing a pilloried intervention, will likely do so until that day when my pen has bled its last... this theme haunts, for but a day ago, a bus poem was blurted out, that concluded thusly: ***to survive, to justify, to mediate between these un-counterbalanced weights, I write poetry*** here I am stunned that Pradip with but a handful of seeds, exactly isolates the genetic implanted notion that I struggle to define, knowing only that my poetry fills my less, when the all the rest is just another fine mess we fill the less with our wit, we top off our souls with writs, we are more for having scribed, one read or ten thousand, it mater matters knot! look upon the pages endlessly bearing the ephemeral heavy-handed weight full of well crafted words, the good, the plenty, the sad, the sorry, the trite and cranky, those misted musty, the light and the careful, the bad and merely awful, even the drip of torrential love stories gone dry what matters not any of this over sighted analytics, each and all and everyone a success, for each poem makes someone's less lessened, and someone's more, more, and by this ever filling the less...
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81
this debt, this book, this tort, so overdue, uncivil wrong demanding reconciliation, that the librarians sent the hoodlums to remind me of my obligations there must be unfinished, three or four Gebbie precursors, lying about awaiting further final definition unmarshaled me, unable to see them through to completion, but my hindsight, my guilty plea, aided by an assertive, rear self-kicking, offers me some motivation immediacy When I see the Auckland Sky Center in photos, a hard hatted man with softest heart always, is on top, doing his native Aussie global (in place) walkabout, better to see, the cubature volume of the global poetry underneath his feet, the poetic underworld, needing a Gebbie supervisory drilling read down Enough! unsatisfactory above this ditty notation for one who tenders unto me comforting words that drill down so deeply, keeping, "the night shall not disrobe you," that only a single rhyming word is satisfactory but yet too, is insufficient to capture the audio of innards weeping surely aware, the nighttime, is when I best my own analytics, disrobing in a room of black letters on a white background for all who stumble by moonlight on the bards of "perchance,^" giving pieces of me to the those who not only read my verses, but those who ken that the unspoken spaces in between, containers of what is not writ, but only modestly well hid, is where lies oft the more important script and he gets that... where the skills when most needed? his precision will deserves artistry, not sophistry, and I am flailing, failing inadequately to pay my overdue it is early morn in Taranaki, perhaps he will see this lackey's lacking insufficiency, before he goes climbing man-made towers that bear witness to mens bigger dreams, perhaps when he returns later tonight, in a snifter of old malt scotch, his "last one for the road" he will see it floating, and think of me, this time, happily, disrobing mine soul's own nighttime, trusting him to keep all safe, entrusting it to him, and to Janet, my best, red and black, sweetest dreams <> https://hellopoetry.com/marshal-gebbie/ 9/5/17 13:55pm
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Sep 5, 2017
Sep 5, 2017 at 1:53 PM UTC
"the night shall not disrobe you..." Marshal
this debt, this book, this tort, so overdue, uncivil wrong demanding reconciliation, that the librarians sent the hoodlums to remind me of my obligations there must be unfinished, three or four Gebbie precursors, lying about awaiting further final definition unmarshaled me, unable to see them through to completion, but my hindsight, my guilty plea, aided by an assertive, rear self-kicking, offers me some motivation immediacy When I see the Auckland Sky Center in photos, a hard hatted man with softest heart always, is on top, doing his native Aussie global (in place) walkabout, better to see, the cubature volume of the global poetry underneath his feet, the poetic underworld, needing a Gebbie supervisory drilling read down Enough! unsatisfactory above this ditty notation for one who tenders unto me comforting words that drill down so deeply, keeping, "the night shall not disrobe you," that only a single rhyming word is satisfactory but yet too, is insufficient to capture the audio of innards weeping surely aware, the nighttime, is when I best my own analytics, disrobing in a room of black letters on a white background for all who stumble by moonlight on the bards of "perchance,^" giving pieces of me to the those who not only read my verses, but those who ken that the unspoken spaces in between, containers of what is not writ, but only modestly well hid, is where lies oft the more important script and he gets that... where the skills when most needed? his precision will deserves artistry, not sophistry, and I am flailing, failing inadequately to pay my overdue it is early morn in Taranaki, perhaps he will see this lackey's lacking insufficiency, before he goes climbing man-made towers that bear witness to mens bigger dreams, perhaps when he returns later tonight, in a snifter of old malt scotch, his "last one for the road" he will see it floating, and think of me, this time, happily, disrobing mine soul's own nighttime, trusting him to keep all safe, entrusting it to him, and to Janet, my best, red and black, sweetest dreams <> https://hellopoetry.com/marshal-gebbie/ 9/5/17 13:55pm
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59
You can languish here in cyberspace's vastness for all I care I don't give a **** if no one visits you or if they do; if they gawk at you and shake their heads and sneer and spit at you or how many clicks and likes you get and all that analytics and trending-now stuff Look here, you vain self-centered Poems - you've taken enough life out of me coming at unexpected times like malevolent spirits hungry ghosts like piranhas in feeding frenzy and being so demanding and wanting me, wanting, wanting change me, change me edit, edit, edit Like some vain teenage girl on her first date demanding the whole family dress her for but an evening's glory (or lifetime shame, who knows?) I'm done and you're out and it's your life out there, for all I care If you have brains you'll get admirers if you are spiritless, you'll get the flick *You know, it was easier bringing up children than bringing you to life and looking after you*
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Oct 18, 2014
Oct 18, 2014 at 7:57 AM UTC
talking to my poems
It's about loving what you do for being who you are, tooting your own horn to celebrate yourself as you tumble out of your blog right on your Facebook. It's all about the you in you showcasing  your own self to show what you got and prove why you're the star. The next big thing in social media: it's so over now. The new platform was old hat before you even upped the stats while tipping your hat to the old social platforms. Why? Content. It's all about posting original content so you can get caught in your social media network, haul yourself to shore, and fillet yourself on Twitter. It's about drinking outside of the box, parked, with a beer on your dashboard. Upping the stat-check until the chat stacks its own status update without you. It's about getting the apps BEFORE they are released so you get in on the ground floor as they leap from the burning upper levels. It's about following yourself until they know that you know that the blind are leading the ditch-diggers to water.  Work smart, fish smart, let the net do the work as you socially engage the fish community on social media. -- Facebook boosted ads is where it’s at in posted social advertising.      -- Instagram is a serious branding tool for brands of any kind, especially for ranch-hands of free-range cattle, cowboys and indian tech gurus. -- Boosted posts do well if you want posts to boost more frequently than existing fans or their friends. --You know your In-platform ad tracking analytics are top-notch when your train leaves without you from Big Six platform.
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May 8, 2017
May 8, 2017 at 5:38 PM UTC
Linked In vs. Let Out
It's about loving what you do for being who you are, tooting your own horn to celebrate yourself as you tumble out of your blog right on your Facebook. It's all about the you in you showcasing  your own self to show what you got and prove why you're the star. The next big thing in social media: it's so over now. The new platform was old hat before you even upped the stats while tipping your hat to the old social platforms. Why? Content. It's all about posting original content so you can get caught in your social media network, haul yourself to shore, and fillet yourself on Twitter. It's about drinking outside of the box, parked, with a beer on your dashboard. Upping the stat-check until the chat stacks its own status update without you. It's about getting the apps BEFORE they are released so you get in on the ground floor as they leap from the burning upper levels. It's about following yourself until they know that you know that the blind are leading the ditch-diggers to water.  Work smart, fish smart, let the net do the work as you socially engage the fish community on social media. -- Facebook boosted ads is where it’s at in posted social advertising.      -- Instagram is a serious branding tool for brands of any kind, especially for ranch-hands of free-range cattle, cowboys and indian tech gurus. -- Boosted posts do well if you want posts to boost more frequently than existing fans or their friends. --You know your In-platform ad tracking analytics are top-notch when your train leaves without you from Big Six platform.
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5
The computer built by savages held a fake Hard Drive made by Scottish Magpies all external with no verification whilst a Mainframe Computer is the real deal the savages took their dud and market it militantly Simpletons galore brought Scottish Magpies computer in glaring ignorance they proclaimed keyboard at the ready load in this disc and watch the show we are now Gamers with total control here's the operating Manual but its written in Advanced Braille oh what a joke to see Barbarians play with dud triggers this doesn't appear to be working says a semi-barbarian don't be silly says Scottish Magpies, its working but its all invisible just make sure you do a headstand when you access the keys and know it NLP, that's Natural Language Processing so come to us and we tell you what to say and do A Mainframe computer is the real deal Sophisticated, it uses a mainframe because only big iron provides the processing power to support the many functions  required in a trained informed intelligent mind like factual support clear and logical processing, while able to monitor signs of fraud, like crooks, Barbarians and Scottish Magpies in elaborate frauds as well as perform analytics in real time, and more—and all simultaneously. This is not a Computer with a one word reference trigger or visual perceptions programming for the dummies Don't bother tell that to the Simpletons, its all above their heads Don't shatter their dreams, they have been told they have Power just leave them in their Kindergarten playground
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Jul 23, 2019
Jul 23, 2019 at 6:53 AM UTC
Running off of quarks.....
The computer built by savages held a fake Hard Drive made by Scottish Magpies all external with no verification whilst a Mainframe Computer is the real deal the savages took their dud and market it militantly Simpletons galore brought Scottish Magpies computer in glaring ignorance they proclaimed keyboard at the ready load in this disc and watch the show we are now Gamers with total control here's the operating Manual but its written in Advanced Braille oh what a joke to see Barbarians play with dud triggers this doesn't appear to be working says a semi-barbarian don't be silly says Scottish Magpies, its working but its all invisible just make sure you do a headstand when you access the keys and know it NLP, that's Natural Language Processing so come to us and we tell you what to say and do A Mainframe computer is the real deal Sophisticated, it uses a mainframe because only big iron provides the processing power to support the many functions  required in a trained informed intelligent mind like factual support clear and logical processing, while able to monitor signs of fraud, like crooks, Barbarians and Scottish Magpies in elaborate frauds as well as perform analytics in real time, and more—and all simultaneously. This is not a Computer with a one word reference trigger or visual perceptions programming for the dummies Don't bother tell that to the Simpletons, its all above their heads Don't shatter their dreams, they have been told they have Power just leave them in their Kindergarten playground
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27
Living a life for another, made by others, Anticipating and considering all these expectations, Especially, for the fans who tolerate the process of expanding education and inspiration, We’re doing everything we have to do to fulfill the next agent. We are the creators of a new generation, influencing teens with the power of our platforms, Reinforcing the idea of an effortless motivation. To plan ahead, we’re moving forward, Toward the subsequent destination. We are the driving forces of multimedia nations, Narcissism and low self-esteem are the feelings we’re morally inclined to, Feeling our own bodies test addiction to a single notification, We’re living in endless rotation. Our minds have grown accustomed to the routines of checking the number, Of likes and comments on the recent, Even, lurking and giving into the guilty pleasure of stalking, If the previous line resonates, then you’ve just justified our statistics and analytics. The only way out is through resuscitation, Deactivating can be deemed the easier option, However, those who signed up for it can argue that widespread messages are the modern communication for our adolescents, Setting a model for the next, following, and upcoming conversation.
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Apr 3, 2019
Apr 3, 2019 at 9:27 AM UTC
ego
News flash; Must dash. Alert Bulletin, Networks dial in Database updating, Query refreshing Analytics fluctuating, Hits, Clicks, Subscriptions Trending full swing, #Harbinge Attention demanding, bittersweet pinging, Swipe, select, open link, accept, my story I’ve made for you.
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Nov 17, 2015
Nov 17, 2015 at 12:32 AM UTC
Untitled
more burdensome than you can imagine, no matter the posh or plain neighborhoods where they chatter~conclude this confused year, or by the analytics that are offered up to explain it all away, that explain nothing other than human capability for self-delusion, self-aggrandizement is limitless and should be studied as a future power source for energy to run your EV’s everything labeled, and placed correctly in their own star chamber who is the greater fool? Why me, for suffering the pomposity and inanity of human verbal drivel… as noted, more burdensome than you can imagine, bodes poorly for the new timeline… my name remains brandychanning no matter what year you label life
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Jan 1, 2024
Jan 1, 2024 at 6:57 AM UTC
numerous parties to choose from...no matter what year you label it
Neuro analytics. / *** is aesthetics?                                                   The world is pathetic/ How much of my time have you taken? /            The wolf has no need to read BACON/ Deeper then his will can take him. / These low frequencies hurt mother gaia dirt layers of stratigraphy, the isotopes of the bones explains the old clones.  A zone with no sentimental tune.   No concern to mention a common slur /get trapped in the blur peripheral glimpse I can see your curse it gets worst/ Adversus /My optimism among nurses (humanitarians) Commercial quotes created by other commerical quotes I laugh at their notes/   Locked inside a flock/ Lost outside the clock/ **** a pattern and a pen /They are stagnant again/ Repeating other's common sense worth about 10 cents a minute in debt with their whole lives left/ My ultra violent ray.   My aura displayed. Turning you crazy lost in a cave. This  poetry as a painting far from lazy. As the writing speaks to me . . "I'm glad you made me." . . I reply  **** YOU PAY ME.
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Aug 29, 2016
Aug 29, 2016 at 5:07 PM UTC
TRICKY ADVANCED POETRY
everything's perfectly aligned on screen IM windows in the corner, my several pinned tabs: email, poetry, music, analytics stuff, and a book a girl told me about my desk is a disaster: a book about curing moods from one of my best friends tax papers, pay stubs, eye drops, spent soccer tickets, a can of anti-itch spray, plastic bbs, empty boxes, and paraphernalia the clock only keeps ticking and I wonder if the devil in me will come out in my dreams again tonight I hope I don't wake up on the floor again
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Feb 20, 2015
Feb 20, 2015 at 2:32 AM UTC
Sleep at some point
A black and white rainbow Pixelated and distorted Sent as zipped up information Stored as a file in my memory These Terra bytes are more than mega Unpacked and shining bright My eyes and digital image Signals on a screen There is no beauty in technology Only cold charts and data Just index of double helix Just codes and firewalls Just system analytics Just fiber optic cables Somehow through endless fields of source Through endless pattern repeated I found an oracle of infrastructure The platform where she stands
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Apr 29, 2016
Apr 29, 2016 at 6:17 PM UTC
Black And White Rainbow
You somehow capture me in my essence, revealing a beauty so profound that I can't quite believe what I see before me now. There is a sky above us; filthy, full of words and phrases which are unable to be formed when I see you, walking, looking off into the world with narrowed eyes and the ignorance of how my eyes change when I see you. Your face removes any analytics which before dominated my mind and instead, I stand dumb before you. I am unable to recall your face for all of the power it holds over me. I find myself standing on the edge of us, ready to jump, because I know that I will be able to fly if you stand on the edge next to me. Despite the despondency within me, I grow stronger every time I see your deepening green flitting across my eyes in the night, every time we share a short second of eye contact.
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May 17, 2017
May 17, 2017 at 12:59 PM UTC
I See You
My dear Modernity I do not believe in what the Devil hath seen but how do I not believe in what the Devil seen? Creation? Destruction? Fear? Hate? What hath we sought that we not deserve? Crucifixations caught through gopros Electrical diction, photons in slow mo Billy clubs used to break bones Bullets know how to stop the beating heart Blood punctures provide insights on poverty analytics Flood lectures absistence from the soul Stress dominants king dr$$SS$Falalalzzzs S
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Dec 8, 2015
Dec 8, 2015 at 11:01 PM UTC
W.I.P #17 Fru Fru Frustrations
“…and thence to a thing that peers in at bedroom and bathroom windows, and thence to a toad, and finally a snake – such is the progress of Satan.” - C.S. Lewis, A Preface to Paradise Lost When your last psychographic micro-target Has through our digital operations Been processed by multiple data teams As enhanced predictability models Standard data analytics suggest That scraping data from your thoughts, your words The way you touch the screen may sting a little But we know what is best for you hashtag Cross-referenced, analyzed, and synthesized And vacuum-sealed into a Golden Age
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Mar 23, 2018
Mar 23, 2018 at 8:23 AM UTC
Cambridge Analytica and Facebook Progress Through Your Soul
A black and white rainbow Pixelated and distorted Sent as zipped up information Stored as a file in my memory These Terra bytes are more than mega Unpacked and shining bright My eyes and digital image Signals on a screen There is no beauty in technology Only cold charts and data Just index of double helix Just codes and firewalls Just system analytics Just fiber optic cables Somehow through endless fields of source Through endless pattern repeated I found an oracle of infrastructure The platform where she stands
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Apr 8, 2018
Apr 8, 2018 at 4:05 PM UTC
Black And White Rainbow
I am left. I am a scientist, a linguist and a mathematician. I am familiar. I am linear. Accurate. Practical. Strategic. Precise. I am the inescapable urge to solve a daunting problem. A master of analytics. Always in control. I am pragmatic. Realistic. Calculating. I am perfect order. I am logic. I'm right. I'm a free spirit, an artist and a poet. I'm abstract. I'm rhythmic. Energetic. Sensual. Loud. Intense. I'm the undying urge to transform a blank canvas. A king of my craft. Never a dull moment. I'm ecstatic. Fluid. Vibrant. I'm beautiful chaos. I'm passion.
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Mar 8, 2017
Mar 8, 2017 at 4:01 PM UTC
The Balancing Act.
I am in danger of not becoming a statistic.  my heaven is a long line of people standing beside each other and stepping forward in succession to say let there be light.  touch is my sense of touch applying for a transfer.  I have lost my wife to the smallest darkness.  it tells her to surround a baby’s bottle.  my mother returns every year to the same spot as if it’s a microwave.  a water fountain from a ghost town.
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Nov 7, 2014
Nov 7, 2014 at 4:05 PM UTC
analytics
The poetry critic, punched in at nine wasn't real sure, if he, was there on time The secretary, was filing her nails reviewing the latest, poetry fails The desks stacked high, and wide stainless and cold, the critics decide Applying arbitrary laws, and sad stricture not able to see, a beautiful picture One foot in mouth, not really that smart just a critical ego, minus, the heart In the end it is said, of poets/poetess and critics one practicing art, the other analytics
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Oct 20, 2017
Oct 20, 2017 at 9:31 AM UTC
No Heart, but Sole, in Mouth