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fray narte Jul 2020
i have sealed all the papercuts on my skin;
they have become unmarked,
untended graves
and the willows have long learned
to do their weeping in the dark;
and now,
there can never be enough tears,
never enough mourners
dressed in all the shades of black
to share all this grief
in its most abstract form.

oh, to hear the farewells,
to feel the poems,
to see the wreaths
tossed all over the place
and yet, there can never be enough flowers in the world
to hide these wrists —
all scars and lines for everyone to see
and everyone to read
as if epitaphs to a gravestone;

these wrists —
all scratches from a girl buried by mistake;
the casket, the ground
can only do so much.

oh, such
morbid
thoughts
from such
a morbid
girl;

little one,
you write way too much about death
and his earthly belongings.


maybe one day he'll do the same.
fray narte Jul 2020
i wanna dive head first
into a map of the night skies
trapped inside our four-walled room;
maybe this is where black holes go to die
and they can all stare back at me —
swallowing a chaos of sobs
and a chaos of all your favorite songs;
regardless, i’ll dive into the night skies,
or what it used to be
and name these stars – the ones that remain anyway,
after you.
after me.
after us;
at least they take a long time to die –
long enough for flowers to droop and fall apart
on weeds and lonely epitaphs.

and dear, i hope heaven is holding you closer than i could ever had;
tell me, did you, like sylvia
write suicide notes and call them poetry?

and god do i hope that heaven is holding you so close,
you forget all of the world’s sadness
you once took for your own.

out here, the calendula falls and
my eyes mourn over petal-covered graves
poems cannot hope to beautify.
and i still wish this is something i can wake up from
poetry,
records of my thoughts,
my emotions, its a personal history,
but not my everything
https://www.youtube.com/watch?v=tAvhRAAusPg&t=263s
Dante Rocío Jul 2020
A proof of truthful reading.
That it’s still of me and that I live:
Left out of and in crying,
Its [story’s] departure by pain of death trespassing.
Justly, so.

Every ending sentence of a subchapter
was here a melancholy more punctuating
Than all the statuses of things
Coming and leaving, explaining better
Than silence.

Lace in eyes/meshes of the numbers,
In God’s notebook.
Miracles of joy, of enigmas from Poetry
Poured had been into the study
In navy blue of mathematics.

The beige of rain of each dot
At the end of each subchapter.

Now I know what the blank pages are for:
Literature is a person,
At their death you don’t leave them
without a word, a touch.
You leave, at least, an epitaph,
with beloving or not.
For at one time you both decided
to bear with each other as one.
You let each letter have and bear
its part in your mind’s eye.

Every time you read:
“My memory lasts 80 minutes.”
Ellipsis.

Thank you
ありがとう
Of Yōko Ogawa’s “The Professor’s Beloved Equation”.
I couldn’t let go of all that love in mathematics,
That devotion for the child.
The legacy.
Apprehension in realisation.

We just take it all from God’s notebook.
Thank you Yōko.
Thank you to that bookseller of Toruń
who recommended it to my uncle
for my birthday present.
ありがとう
to live first,
everything else is optional,
besides consequences
https://www.youtube.com/watch?v=UQHfemAzABk&t=2s
in the city of souls
i drowned
right in front of
all the killing stares

right before i
gasped for air
i never thought that
silence could ****
so much
than
swears
created a isolated world
than plucked
myself into reality,
for impulsive reasons.
https://www.youtube.com/watch?v=oRLQpHsItTI
Coleen Mzarriz Jun 2020
Darkness.

It was a surly heart
that I received through
the facades of this place
where I could no longer
feel the intensity
or the port thins
in Hummingbird.

The pavement.

From where I reach
the households that were lively
as it is,
now is just a muffled
lullaby, not wanting to be heard.

For once, I knew,
we are the shambles
we let them in
we let them see
until now we follow
I could not find the dimmer.

The light.

Has gone through
the running walls of this world
the pit was so deep
ghosts passing
tireless and ageless
lost for once again.

Ghosts.

From where they are reborn
into the blackness
where the void remains
an imagination
a fantasy where the minds
tackle for the parallel,
from which they waver and perish,
an ambush.

Singularity.

Now I drift and ramble
till I picked up the ticking second
falling from the top
from when it lost me,
'tis now the moment to be created again.
When a soul is fallen,
that is when he is found.

Vigorous colors.

Memories of warmth colors
bringing back the place
of yearning,
back then is only a muffled lullaby,
now is a peeking peekaboo!
If uniqueness as it is
and that later than mortal
is now a vital colors
glowing as it is —
in the pavement of Hummingbird.
My last piece was a wreck and I am quite satisfied from this poem! :)
Dante Rocío Jun 2020
A gun came up along the way.
Marrying you with the grave prematurely.
However, all that was needless,
As your father had already engaged you two before,
You’d been dead inside for oh so long.

Todd was right about that all along,
More perceptive than the rest.

How ironic and grotesque:
a fire burning so truly and strongly was put out
with a single blow,
How the greatest few hours of your life were made gradually
into your worst and, eventually, your end.

And how is that fair?

The curtains have been drawn,
The audience is long gone,
Yet your act won’t be in vain,
Not if I have something to say.
No, most certainly not!

You’ve become the greatest proof for all those fools
Of the power of the living word,
Of the power of a rebelled voice,
Of the immortal art of a being of poetry,
who’s the true soul of the universe.
Keating’s work became fulfilled in your choices,
The very fruit of his teachings.
You showed those mortals, that no matter
what they claim, do or inflict on you,
they could never **** you.
Neither rules, nor words nor the trigger.
You’re the champion, you’re the winner.

Altogether, we became Poetry ourselves.
No quills, paper or audience were needed,
just the world around us, our voices and passion in our eyes.
We gained the upper hand in the process of the withering,
Weaving ourselves into the tether of all the matters.
Now, no grave or unwritten memories shall restrict us or make us perish.
Never more, as art has no rules.

With all due respect, I give you back
your rightful laurel wreath.
With all your greatness you deserved that prize,
of meaning greater than just a crown of an actor;
The victory over others’ power,
Over fear to speak,
Over fear to sing,
Over fear to be.

You were a misunderstood artist, though not like those, that are many of them.
Your amalgamation of all that you were,
Though so harshly interrupted on that fateful night,
made the authorities and that cold academy see,
That it is them who let you down, not you,
That they can never quench
the call of the Life,
the truth whispered up there
among the trees,
A soul’s thriving beauty, in all the madness of the existence

The curtain’s fallen,
The audience is long gone,
But I shall commemorate you forevermore,
As a poet and artist of the Life owes it
to another of their kin.
With all the pride, honour and bitterness,
You are more than welcome,
as a true member,
in the Dead Poets Society.
- - -
As I let quote myself
in this gender observation,
based on the B. Sáenz work:
“Por eso lloramos,
Por eso reímos,
Por eso se alborota
nuestro corazón,
Y por eso vivimos”
An elaborated epitaph for the person of Neil Perry from the cinematic masterpiece “Dead Poets Society”
A minute of silence for all that perishes with one’s world’s departure.
I thank that story for rejuvenating my battle for the freedom and actual breathing, seeing and “poetising”.
Gather ye rosebuds while you may
under escort, visiting life,
I'm unable to command modern times,
at least here I can be god of words.
https://www.youtube.com/watch?v=tAvhRAAusPg&t=213s
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