The horizon lies asleep in a grey blanket
In a sea of myriad figures,
And an unimaginable silhouette.
The engineering of black feathers,
Sets ablaze hazy azure weathers.
The Art Decorates Towers,
Like giants with arms outstretched,
Look down commanding superiority
Over the volatile beauty of the wretched.
Who branded this Pandora’s Box to be garbage?
Stop turning your faces away
Like this is some butchery,
Or an abhorable carnage.
The dogs have repeatedly protested against the injustice
The heavy wind suppresses their voices and entices
A seduction of inarticulate silence.
Brothers who embrace us,
Have known nothing of such malices’.
Only the birds are left unenchanted;
Because they fly too high to be pervaded.
I hear children’s voices
And mothers’ too,
And taste the flies and insects,
And all the devils they shoo;
Because they understand not the complexities of a civilization,
They have never rendered their thoughts,
Never undergone no filtration.
The unconquerable spirit of this world,
Has made them savage,
Their claws curled.
In the heat, in the light,
In the plight
Which brings the cold night.
The sunlight here is too dense to penetrate,
Therefore it unabashedly spills over,
No opening,
Just a gateless emptiness on which to concentrate,
Lives and lives here,
Forever proliferate.
With none to remember their faces,
And no mortal soul to commemorate.
Dust settles upon the fingertips which talk.
This place is deemed unfit,
Unsuitable for a walk.
Yet birds, animals and humans alike,
Have stated their preference of what they like.
This land is perpetually theirs to ****.
Passion resides here,
In this unintended landfill.
This poem is based on the encroachment of spaces by informal settlements. This is also a testament to how the organisms which by virtue of their illegitimate occupation transmute themselves into rightful owners of space.
