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elh Dec 2019
i lay with my head in the sand and my legs in the water
and i put my hand at the base of my neck.
i could feel my heartbeat rising up and sinking down
between the curve of my collarbone and the softness of my skin
fingernails glazed with sand, i came to a full, startling realization that i was alive.
my heart beat.
my nails grew.
my eyelashes dropped like paper from a printer.
i could think. i could breathe, and i could think about breathing far too much and then forget how to do either for a moment.
i was alive- a dry ham sandwich of an existence.
nothing.
debilitating existential awareness.
nothing again when i was gone.
my heart beat.
and i realized with profound horror that it was entirely up to me what to do next.
Av Dec 2019
stuck in an hourglass of identity,
muffled hustling around my eyelids
head buried deep in the shifting sand,
my body wrestles with the happening

stiff legs pulled by horizontal gravity,
brain soaking, turning into electric mush
my eyes bleeding in black as it is
only in my dreams, that I can feel alive

lied naked on the slippery floor of reality,
dipped in and out of the pool of mind
fractals slowly falling off from my vision,
then swaying freely in the air

freed by a different form of mortality,
face sinking, melting into familiar figures
what's hidden below and behind evaporates
to every corner of my shut, rapid eyes

I feel every fibre of peace,
every time the world disentangles from its name
knowing they are all but shapes projected
for the hazy buzzing screen,
that is my present
Hypnagogia - a condition characterised by dreamlike auditory, visual, or tactile sensations when half-awake.
Av Dec 2019
There is freedom in isolation,
in being idle and invisible,
where one could sit in muteness,
swim widely in dusk and ask,
"Am I really here,
if no one is around to see?"
A different kind of suicide

There is pleasure in being a shadow,
in pretending you don't exist,
to avoid acting like you do

Solitude isn't a time for me
to let myself free
but rather a time to free myself
from who I am

Outside the confinement of company,
I am anyone and anything,
I am someone else, somewhere else
I am alive,
but I am no one
I am alone

a.r.
MisfitOfSociety Dec 2019
The night is going to come,
To take your light away.
You will set with the sun,
And you won’t rise with the day.

It doesn’t care who you are.
It doesn’t care about the colour of your skin,
It doesn’t care about your ***.
It doesn’t care if you are rich and famous,
It doesn’t care what you do.
Death will be the end of you.

In the end it doesn’t care.
It doesn’t care.

You can be anything:
A president,
A successful businessman,
A celebrity,
A beautiful person.
It will make you into nothing!

You are all specks,
Stuck to a spinning ball,
Your life means nothing,
Nothing at all!

From nothing you came,
And to nothing you will return.
You were snatched from the darkness,
By the hands of the selfish.
They’ve put you through this life sentence!

Conscious of your birth and impending death,
Unaware of what came before or what’s to come.
The Gods you created cannot save you,
When death comes to pull you down.
Watching as your fleeting life passes you by.
We are all going to be delivered back to the darkness we came from!
It is inevitable, everything will die!

It doesn’t care who you are!
Whether your rich or poor,
Death will make us equal!
This is a dark poem. It does not reflect my actual beliefs, but rather the beliefs of most.
Am I meant to do this? Will this
Be my
Career? I've wanted to
Do this my
Entire life. Writing has
Fulfilled me since I
Gave it a try. But it's
Hard,
Isn't it? To
Justify yourself to the world, to
Kick down the doors, to say,
"Listen to
Me!" and to
Not give up
On the way.
Popularity and success won't come as
Quickly as I want it to. It's not a
Right, not
Something to expect because I
Tried my hardest. Though it seems
Unfair, it
Very well may never make its
Way towards me, especially not if I
'Xpect it to. Not
Yet. Maybe not ever. But I hope I will reach the
Zenith someday.
I dunno, I was just feeling it.
Undead Nomad Dec 2019
Tonight I ponder purpose,
a reason for existance,
the force to my resistance,
and food for my superstitions.

What am I, a producer or consumer?
who am I, the savior or the ender?

I live to wonder why and how to compromise these feelings
deep inside this organic device.

Icll pay the price to my destiny lender
while waiting still for my untimely surrender but first a question to the future:

where is your expectation
under examination?
I need some inclination,
a simple indication,
perspiration of inspiration.

The sun could shine through
yet my space is always shaded.
I'll try to block my eyes
to the half that's always jaded;
make tribulations no longer be berated.

Someone give me the weight
I've waited to feel for so long
because my body aches
for a chance to grow strong.
Meh... I realize this one seems unfinished (it is) but I don't have anything else to add.
Undead Nomad Dec 2019
I make no more assertions the world,
as a whole, will ever adequately define its morality.
People fluctuate in their ideal
too much.
We often try to make them concrete
from a spectrum of principles.
We may even reach an agreement;
a certain stalemate to an issue.
Though I know there will always be
opposition, it is an unavoidable constant.
And so, in the end, every debate is
nothing more than a lasso to a cyclone.
I am no poet nor elysian saint.
I am nothing more than a
living record of transgressions:
odes and testaments of
tarnished gold intentions.

it is for naught: sincere
folly to search for an
elusive inner meaning.
I cannot ascertain if
any exist. take heed to
proceed with caution

there are years which
answer; providing insight,
clarity, a gateway to serenity.

yet there are the years
yielding naught but
empty questions

   e  
  c 
    h
    o  
   i    
n  
   g

soundlessly across
the starless horizon.

these hands are riddled
with memories of all
that I burnt, broke
and dismantled.

scorch marks
embellish my skin:
lamenting cries tasting
of ashes and insidious intent.

whenever home is no longer
hospitable; the foundation
crumbling under derelict
decay and dilapidated
compassion. empathy
common sense.
boundaries.

where does one begin
unravelling the shards of
broken bonds, presuming
to eradicate the distorted
fragments of fermented
claws, kisses, and teeth?

I am a storm with skin:
volatile, tempestuous,
forever untamed by
human hands.

do not misinterpret
the agelessness of
my Soul as a catalyst
for destruction.
chaos is no longer the
joy in my heart.
June 22nd, 2019

I never meant to hurt you.
please know this.

© kalica calliope delphine
Ksh Nov 2019
In high school, I'd wear Converses.
Or Chuck Taylors, whatever you called 'em.
I'd remember going to a new school, proudly wearing
a pair of Converses with the same blue shade
as my new school's uniform skirts;
how I'd attend Phys Ed with the same trainers,
even though it wasn't a good idea to use them
for physical activity.
I remember riding in the back
of my father's motorcycle as we
did errands around the town,
and he'd indulge me by parking near
a road chock full of thrift stores --
and we'd go in, under a false pretense of
"just checking, just a quick look-around"
and my father would surprise me
by buying me a thrifted pair.
They were either pink, or magenta,
and I was at that age of rebellion --
"no girly colors", I'd shout --
but I'd always wear them out,
and it always made my dad smile.
I once came home with my friends
without telling my father,
and he was out in the front porch,
half-naked as all Asian dads are,
and he was clipping some brand new Converses
on the wash line to dry.
I had been so embarrassed, because this
was the first time that my friends
had seen my father, had seen my house
but all they could see was how kind he was
by surprising me with a new pair.
I had a total of seven pairs of Converses,
one of them he paid his sister to buy for me
from the United States.
I keep them in a box, under the sink,
because even though my feet have grown,
I'm still unable to sell them nor give them away.

In college, I wore Palladiums --
big, thick, chunky lace-up boots
that looked out of place in a college freshman's closet
and more at home tied by the shoelaces to a soldier's bag.
I've moved to the capital city,
away from my little brother, away from my father.
I lived with my mother, who worked and moved
until her body gave out and she'd have to take some days to rest.
She bought me my first pair when I asked;
because she told me that
"first impressions last; but shoes are always what stays in a person's mind",
which was funny seeing as how
Palladium was, first and foremost,
a company from the age of the Great Wars
that manufactured the tires fitted for airplanes;
and that now, decades later, rebranded themselves
as a company with a recognizable design --
channeling urban life, heavy endurance,
and the soul of recreating one's image,
rising from the ashes of the past like some sort of phoenix.
My mother had wanted me to fit in,
yet be unique at the same time,
in a world that moved so fast that I had to run just to keep up.
And she'd buy me pairs not as often as my father did,
but it was always in celebration.
Either for a job well done, a reward for good grades,
or simple because it was my birthday.
Those Palladiums became my signature shoes,
and I was the only one to wear them
inside the university.
At one point, I was recognizable because
of a particularly special pair --
Palladiums that were bright, firetruck red
and had the material of raincoats --
that people would know it was me
even from far away, just by the color of my boots.
I had six pairs in total; all heavy, all colorful,
with different textures and different price points,
and my mother bought me these special shoeboxes
which we stacked til the ceiling, right beside
her own tower of heels for special occasions,
because that was what defined us.

I've started buying my own shoes,
and I'm not as brand-exclusive as I was before.
There's a pair of no-names, some banged up Filas,
even a pair of Doc Martens I'm too afraid to bust out.
They're also not as colorful; because I know that
black pairs and white pairs are easier to style
in any day, in any weather, with any color or material.
Most of them were for everyday use, and it required
a certain level of comfort, a certain level of durability,
that was worthy of that certain retail price.

I look at my shoe rack, and realize
that I am not as colorful as I once was.
I do not have that sense
of colorful, wild, down-on-my-luck rebellion
that my father put up with in my adolescent years.
I lost my drive of being
a colorful, unique, instantly recognizable upstart
as my mother had taught me to be.
My shoes have no stories to tell,
no personality to express --
a row of blacks and whites, the occasional greys.
And when I look internally,
it's the same, monochromatic expanse staring back at me.

I am in a place where
I am everywhere and nowhere at once.
I can't tell whether my feet
are solidly on the ground,
or pointed to the sky, toes wriggling in the clouds.

In an ever-growing shoe rack
filled with old, ***** Converses,
and heavy, attention-seeking Palladiums,
I choose a comfortable pair of plain, white sneakers
and head out in the open,
paving my own way.
I take comfort in the fact
that it's just the beginning.
That I am at the start
of my designated brick road,
an endless expanse before me.
My shoes will acquire color,
my designs will develop taste,
my soul will be injected into the soles of my feet
with every step I take --
forward, backward, it doesn't matter
so long as I keep moving.
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