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Thou ill-formed offspring of my feeble brain,
Who after birth didst by my side remain,
Till snatched from thence by friends, less wise than true,
Who thee abroad, exposed to public view,
Made thee in rags, halting to th’ press to trudge,
Where errors were not lessened (all may judge).
At thy return my blushing was not small,
My rambling brat (in print) should mother call,
I cast thee by as one unfit for light,
The visage was so irksome in my sight;
Yet being mine own, at length affection would
Thy blemishes amend, if so I could.
I washed thy face, but more defects I saw,
And rubbing off a spot still made a flaw.
I stretched thy joints to make thee even feet,
Yet still thou run’st more hobbling than is meet;
In better dress to trim thee was my mind,
But nought save homespun cloth i’ th’ house I find.
In this array ‘mongst vulgars may’st thou roam.
In critic’s hands beware thou dost not come,
And take thy way where yet thou art not known;
If for thy father asked, say thou hadst none;
And for thy mother, she alas is poor,
Which caused her thus to send thee out of door.

ደራሲዋ ለመጽሐፋ

ስትፀነስ ጀምሮ የቅርፅ ህፀፅ
የሚስተዋልብህ አንተ የአይምሮዪ ክፋይ፣
"ሀ" ብለህ ይህን ዓለም ስታይ፣
ታማኝነት በጎደላቸው ጓደኞቼ
እስክትውል አደባባይ ፣
ያልሻትከው እንዳንለያይ፣
ቡትቶ ደርበህ ፣
የህትመት ብርሀን አየህ
ስህተት ተብጠርጥሮ፣  
ለጀማ ሂስ የሚጋለጥበት አድሮ!

አንተ መልቲ (በህትመት)
ተመልሰህ መጥተህ
እናቴ  ስትለኝ
ቀላል ሀፍረት አላገኘኝ!
አይን ስለምትጎረብጥ  በእይታ ማእዘን፣
ገሸሽ  ማረግ  መርጬ ነበር አንተን፣
ግና የእኔ ስለሆንክ ስሱነት፣
ከቻልኩ እንዳርቅህ ገፋፋኝ፣ በሂደት፣  
ፊትህን ሳጥበው ወጡ  ህፀጾች ጎልተው ፣
ዝም ብያ  ሳፀዳ  ብቅ አለ ሌላ ህፀጽ እንግዳ
መገጣጠሚያህን ጎትቼ
እግር ልሰራልህ ስጥር፣
አካሄድህ ፋይዳ ቢስ የሚያሽቀነጥር!

እኔማ  በልክህ  ጨርቅ ቆርጬ
ልቀይርልህ ነበር ያን ቡትቶ፣
ግና ቤት የተፈተለ ሸማ
ላገኝ አልቻልኩም ከቶ፣
እናም ለብሰህ ይህን ድሪቶ፣
ከወፍ ዘራሾች ጋር ዙር ተደብልቀህ፣
ሃያሲዎች እንዳያገኙህ ሸሽተህ !

ስለአባትህ ከተጠየክ
ንገራቸው እንደሌለህ
ካስጨነቁህ ስለእናትህ ማንነት
"ልጅዋን የሽኘች በምስኪንነት !”
ተናገር   በድፍረት

አኒ ብራንድስተር


ትርጉም ዓለም ሃይሉ
ደራሲዎች አንዳንዴ ህቡ በሆነው የሰው ልጅ አይምሮ የሚንቀሳቀስን እንደነውር የሚታይ ሃሳብን በፈጠራ ስራ ይገልጻሉ። ስራው ቢታይብን ብለው ይፈራሉ ! /

Anne Bradstreet

Anne Bradstreet wrote in the Elizabethan literary tradition and became one of the first poets to write English verse in the American colonies
Writers and poets sometimes pen down what lurks in their subconscious and become afraid the vulnerability of print.I think most of us share this.I experienced this fact after I wrote my poem No ****** no ***!
why do some poems enjoy a mammoth hit but no comment?I think even if readers appreciate some poems they become afraid to associate themselves with the theme,which may be considered as a taboo .I also wonder why some poems are treated with a cold shoulder in some blogs and enjoy appreciation in others.Is it because a difference of taste?
Anyway the aforementioned poem has given me a good lesson; what about you?If you are interested on this issue goggle and read about psychoanalytical criticism and reader response criticism.Thank you for your patience
Nico Reznick Mar 2016
I recently had the great privilege of editing Mike Essig's latest poetry collection, THE BIOLOGY OF STRANGENESS, and I'm honoured to have been entrusted with such fantastic material. Putting together a book like this is every poetry geek's dream.

It's a beautifully textured assortment of poems, earthy yet lyrical, narrated by a voice that's uniquely grained with experience. There are pieces that will make you smile, think, wince; there are pieces that hit you in the gut out of nowhere; there are pieces that welcome you into them like old, worn-in shoes; there are pieces you will remember late some night when you're by yourself, and remembering them will make you feel less alone.

This collection of poetry makes you look at the banal and the everyday afresh; it finds magic and mystery in the mundane, and even Hawaiian shirts are poem-worthy when Mike Essig's writing about them.

The Kindle version is already available through Amazon.

A paperback edition is due out next month, and I can't wait to have a copy of this book on my shelf as well as on my e-reader.

Mike's previous poetry books, Never Forgotten and Huck Finn Is Dead are also available through Amazon and are excellent.  

From his author profile on B Star Kitty Press:

"Mike Essig is a veteran of Vietnam and a retired English teacher. He’s also been recruited by the muse as a poet, like he hadn’t already been through enough."

Sample poems, links to sales pages and more info can be found at the B Star Kitty Press website.  www(dot)bstarkittypress(dot)com.

Please do support this very talented indie author.
Ignatius Hosiana Mar 2016
There'll come days when you'll have nothing to write
and trust me even that nothing will be enough
you'll try to embrace the hollow of deficiency
but choke in the dark fumes of attempting to put up a fight
against the void whilst you search for your efficiency
you will scratch your mind for just a word but in vain
shake you will the trees and nothing will fall,it will pain
no single leaf will, not even a dry little twig
you'll wander all over the gardens of creativity
but find no soft alluviums,not a single spot to dig
it will feel an unfair election that fate is going to rig
yet your petition will yield no fruit, not an apple,nor a fig
your fingers will itch worse than infestation by a jigger
with the enema of motivation present but meagre
you'll miss the days whence it rained rhymes
oh! how much you'll long for those flooding times
like a pauper loitering the streets hopelessly thirsty for dimes
and the bells of your emotions will ring melancholic chimes
as you remember that sweet piece that got many hailing your prowess
and like a snail, return will your abilities in
an unbearable wait, call it a steady progress
you will be an active volcano whose vent's blocked from within
forced to abide by the nonentity blank of where to begin
unlike the usual floret and bombastic sweet nothings
you'll draw the fly speck in ink of unclear etchings
to give definition to the infinity of your nullity
and the insubstantiality of the ink sprayed
will be tattered clothes that patch your mental ******
you won't be satiated, but you'll survive the monsters of obsession that hide
in the furthest corners of your psychomotor, deep inside
and you'll appreciate the philosophy, sometimes obstacle's the path
for the scratch and naught from your struggle'll bear worth
so never take shelter under the sunless tree of the writers block
the wave of emotions poets command can break any stumbling block
not in the best writing moods
Damian Murphy Mar 2016
Of all the chances that I ever took
The best by far was to open a book.
For I quickly discovered that to read
Is the most rewarding pastime indeed.

Then reading in me a spark did ignite
To a burning desire one day to write.
Thankfully though, that what writers most need
Is other books, other authors to read
Damian Murphy Mar 2016
Books are like flowers
Their words pollen seeds,
Carried far and wide
By all those who read.
With other words merge
To new life ignite
In the fertile minds
Of all those who write.
There tended, nourished
For hour after hour.
Encouraged to grow,
To once more flower.
Nico Reznick Mar 2016
Apologies, as this is not in fact a poem.  It is, however, a link to a whole bunch of poems.  
Between now and Tuesday, my first poetry collection, "Over Glassy Horizon", is free to download on Kindle.

US link: tinyurl.com/usd-ogh
UK link: tinyurl.com/ukd-ogh  
(Elsewhere in the world, just hop onto Amazon and look up the book.  The offer is worldwide.)

Hope you enjoy this freebie.  All reviews are much appreciated.
What worlds of wonders are our books
As one opens them and looks,
new ideas and people rise
In our fancies and our eyes
The room we sit in melts away,
And we find ourselves at play
With someone who before the end,
May become our chosen friend
We sail along the page
To some other land or age.
Here is our body in the chair
But our mind is over there.
Each book is a magic box
Which with a touch
A child unlocks.
In between their outside cover
Books held all things, for their lover

መፃሕፍት

ገልፆ ለሚያያቸው
መሕፍት ምንኛ
ድንቅ ዓለሞች ናቸው፣
በምናባችን በዓይኖቻችን ማእዘን
ይከስታሉ አዳዲስ ሓሳቦች፣
እንዲሁም ልዩ ልዩ ሰዎች!
የተቀመጥንበት ክፍል ድንገት
ጅረት ይሆንና
ይዞን ሲነጉድ
እስከጥግ ሳንዘልቅ ገና
እንተዋወቃለን ሠዎች ደና
የሚያደርጉን ዘና፣
ምናልባትም ለዘልቄታው
የሚሆኑን የኛ
ምርጥ ጓደኛ!
አሊያም ገጾቹን ቀዝፈን
ራሳቸንን ናገኛለን
ወደሌላ ያለም ማዘን
ወይ ዘመን ተጓጉዘን
‘ዚህ ወንበር ላይ
በአካል ተቀምጠን
በምናብ ተሻግረን ዛነን፡፡

‘ያንዳንዱ መፅፍ
የድንቃድንቅ ማህደር ነው
‘ያንዳንዱ ህፃን ይዞ
ሚከፍተው ቁልፉን ጠምዞ፡፡
አጥብቆ ለሚሻቸው
በውጪ ልባሶቻቸው
መፃሕፍት ሸክፈዋል
ሁሉን አቅፈው!
(ኢሌኖር ፍራጂዮን) //
Yes it with wings of books we navigate ages and places
Lark Train Jan 2016
Six lines can say more than six pages.
But authors and poets have dissimilar wages.
Why?
Why are the vast majority of poems about love
What, in this emotion, this feeling is so special, so unique
That whenever it is felt in the slightest a beautiful, elegant piece of work is created
To tell you the truth these types of writings I hate
I hate because I envy the happiness of it and even the sorrow without it
I believe them to be sappy fellows without any problems in the world
I presume that those who are in love think these to be the greatest writers
And I think those who write of pain, sorrow, and struggle to be the greatest
But the ones who feel opposite might suspect them to be miserable fellows rambling on and complaining about their sadness

So I guess it depends on your perception and your mood and situation to distinguish the truly talented
The ones to whom you can relate to and fully comprehend
Ray Zimmerman Jun 2015
An old black vulture landed in a tree
overlooking Chickamauga Creek;
gave me a sidelong glance.

I thought of Edward Abbey,
critic of government agencies,
professor and park ranger.

Abbey is buried in an illegal grave;
a cairn of stones covers
his remains.

His friends saw to his request,
wrote on one stone,
“Edward Abbey, no comment.”

The nemesis of Glen Canyon Dam
desired no memorial,
got one anyway.

He always said he’d come back
as a vulture next time,
just seemed fitting.

I looked up into the oak,
said, “Hey there Ed,
looks like a good day for flying.”

Abbey didn’t say a word
just gave me that sidelong look,
the old buzzard.
Included in Southern Light: Twelve Contemporary Southern Authors.
Recorded here: https://www.youtube.com/watch?v=CFwG7ICi6AI
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