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Rebecca Gismondi Aug 2014
let me be her
that girl;
the one you have to block from your newsfeed because even the sight of me; even the thought that I still walk around unfazed burns your skin
I wanna be that girl that you see walking on Queen West and think:
“that will be the girl I starve myself for”
I strive to be that girl who tears out all your organs and pickles them in jars,
your kidneys and spleen and gall bladder –
and shelves them on display for all to see
“these are all the hearts I’ve stolen
are you sure you want to climb into my bed?”
I am that girl whose shampoo you buy and sniff in between gulps of Jameson
I am the girl whose grin makes your bones shatter
I am the girl whose eyes make your whole body dissolve into a river,
and then you’re swept away by my laughter
finally I’ll get to be the one who ruins all your favourite places for you
I’ll be the one who makes you put barriers up, guards and gates around your heart to prevent its inevitable breakage
I’ll get to be that girl who makes you weep at the thought of anyone else loving you
I will be her
that is my goal
I don’t want to be that girl who extends her pinky and then her hand and then her arm and then is thrown forward into your arms and is held by no one when you leave
I can’t be that girl who spins tales of you and me and my cousin’s wedding or you and me, doing the lap dance from Death Proof for you, or you and me smiling for a picture in front of an aquarium with the hashtag #thisguy
I am no longer that girl who becomes a ghost when you don’t say a word to me
I am not that girl who tells you how cute you are and how ******* smiley I am when I see you
I am not that girl who gets left
no,
this time:
I get to disappear
I get to walk away and leave you for an Asian guy (girl)
I get to unfollow you on Instagram because looking at pictures of you at the ocean makes me feel guilty
I get to be pretend that I am unharmed;
that I lit the fire but I’m not becoming ashes
I get to have people tell me they want to take me out for coffee, or sit by the water, or hold my hand at that ******* aquarium
I’m that girl now –
her:
the one your fear most
because I am
a caterpillar,
a peacock,
a fox,
and you are the forest floor,
and the desert sand,
and the thinnest branch,
and I will walk all over
and break you.
Rebecca Gismondi Aug 2014
the one thing that really keeps me from being myself is,
well,
me
traits, quirks, moves that are innately built in to my genetic makeup
are also the things that prevent me from who I am
the one thing that really keeps me from being myself is this tight kilted skirt
so tight, in fact, that because I can hardly breathe I find it hard to say what I need to
held in by this waistband that divides me in two
the one thing that really keeps me from being myself is this bottle of wine that I have lost myself in,
one, two, three times
alone,
unfocusing the lens of my present onto a picture of the past,
to recede,
the one thing that really keeps me from being myself is this profile that I hide behind
this picture of me, head cocked, sly smile, eyes wide
is that really me?
the one thing that really keeps me from being myself is my big mouth that drags me into unfortunate situations,
reveals too much or too little,
gossips, quivers, spits fury and turns upward in a forced motion of supposed happiness
am I –
happy?
am I –
myself?
this city keeps me from being myself because I’m afraid that around every corner that I might see the face of someone I long for or long to harm
the subway keeps me from being myself because there are too many bodies pushing against mine that I am afraid if I touch one more person I might mould into them
the sun keeps me from being myself because in its light I shut my eyes so tightly you can’t see into my soul
this stabbing pain in my stomach keeps me because it’s the only thing I feel and it prevents me from ingesting new moments
my mind is the real culprit:
stories,
stuffed to the brim with tales
chock full of figures from back then and now
blurred visions of faces begged to be forgotten
she steals my eyes sometimes,
my mind,
pulls them out of their sockets and reverses them
to see the gears turning
“I can feel you disappearing”
I am gone;
a cyborg,
my body disintegrates but my mind lives on
transhuman;
transcendent
“myself”
is in photographs ,
imprinted in the sand,
(I always look back to where I sat to remind myself that I leave a mark),
and in words
in –
words
yes,
the curvature of my transcribed thoughts
I live in
words
how foolish I am!
they hold me like my favourite old sweater
smell of my skin
breathe with ease
but now: words on page should mimic words from one’s mouth,
no?
I should speak what I write and write what I speak,
should I not?
guard only my deepest secrets, but speak honestly and freely
then, will I be myself?
fine then, the truth:
once, when I was seventeen I grabbed the hand of a boy I liked and held it in mine to know what it felt like to feel another’s warmth,
when I was four, I lost my hearing to a monster that lived in my canal,
and I never speak of it because although I can’t hear well,
I can feel the vibrations of dishonesty and hate
last week, I broke a bag, my headphones, a mug and a chip in half and cried because I literally felt everything around me fall apart
there:
the truth,
now:
can you see me?
or are the pages of my body still slowly filling up with my stories?
perhaps I will never be “myself” until I lie on my back drawing my last breath
and I reread the words on my skin
and finally find
me.
until then, one last truth:
the one thing that really keeps me from being myself and the one thing I fear will continue to do so:
is me.
Rebecca Gismondi Jul 2014
light
this light casts a shadow on me,
one side,
one half,
but I am trapped between the light and the darkness,
this penumbra
a shadow draping itself across my cheek,
cloaking my left arm
and covering my hips
this shadow of the past
from yesterday, last week, last month and beyond
it is so warm and inviting
I feel safe in this cloak of my past
all that has happened up until now
the moment the colour rushed to my cheeks when I saw you
and when I was drained of my blood completely, when I saw you
(with her)
when every meal I ate was a plateful of screws and nuts and bolts and slowly my energy escaped from my shell of a body
when I was pinned up against a wall and swords were thrown at my body by my best companion,
my soul mate,
this blanket of darkness pulls me further back,
it grows arms and legs and claws and grips and seizes me
but I see this light,
this aura,
it is unclear of its shape but I see flashes of myself in the future
in a city where no one knows my name
but where I have found myself
surrounded by faces new and old,
who have lifted me above their heads and are passing me along, in a crowd
until I see you,
whoever you are,
you are so opaque
but I can see your smile from this darkness
and beside you, whoever you are,
stands me:
buoyant, vibrant, clear, strong
my head no longer swivels on my shoulders but is ******* on tight
and my eyes are fixed on one point and breathe life into whatever they are fixated on
I look so sure of myself,
I look like me
and this light brushes my right hand,
and my right temple,
and my right thigh
stroking me gently,
summoning me
she is so vivid and kind
but this darkness,
he is so strong and rough
I have been back to the umbra many times,
****** back into the blackness until the light disappears
it is the only home I’ve known and where my mind wants to go
but this light is so new,
I can stand in front of her,
move into the antumbra,
move in front of the darkness, escape the grasp and shower myself in her
in this new me,
who I want to be,
the struggle persists,
he is my serpent in the garden of Eden,
the Jekyll to my Hyde,
the strongest bottle of absinthe,
and so I am stuck
in this penumbra
shadow clutching; light washing
and I must turn my gaze inward and decide:
which force will I allow to win?
which force will rule me from now on?
Rebecca Gismondi Jul 2014
there you are:
brown mop of hair,
glasses you refuse to keep on,
teal green eyes,
broad smirk,
thin body stretched over 206 bones
a man
not my little brother –
no,
when you were little
you sat in that carriage and I read to you:
hours upon hours of stories you probably don’t remember,
but that I cherish
and when you were little
I would ask if you were a boy or a girl
and because I wanted a sister you would always say the opposite of what you are
and most of all when you were little, I shielded you
I carried you
I picked you up
but now you are a man
trapped inside his head
I see this shell of you, my brother,
but sometimes I can’t find you
sometimes all I see are your teal eyes
and not behind them
and there are moments where I wish I could peel back your skin
layer by layer
and go into your mind and see the chaos
like a busy city,
your mind,
cars honking
smog emanating from the tallest buildings
people milling and shouting and cursing
there is no pause
there is only go
one man in your brain carries in a black briefcase your fears
those worries that stop me from seeing you behind your eyes
and this man with a grey cloud overhead,
cloaked in a hood,
wanders your mind
and passes this fear from one person to the next
until slowly,
and gradually,
your whole brain is filled with grey clouds
and cloaked figures
and black briefcases
and shouting and whispering and laughing
and you disappear
from right here
back into your mind
“come closer”, they say,
“why live in this world when you can live in ours?”
and I hate these men; these people
distributing your fears
when it started, it was simply a fear of food,
but then it was
a fear of the world,
a fear of an illness,
a fear of yourself,
my little brother,
who smiled so brightly and vividly it was distractingly beautiful,
who draws so intensely and maturely and incredibly,
paints pictures of wisdom at sixteen,
who has rules and standards to the depths and validity of music
my little brother is trapped
and my stomach sinks when I ask:
“are you okay?”
and he only replies
“…yeah…”
and I feel so helpless when he looks so tired with his sunken eyes
because those men control him
they take all of him away and leave only a shell of my little brother
my bravest brother
my inspiring brother
my strong brother
whom I wish I could wipe clean of all the briefcases
and cloaked figures
and men
and fill his mind with a string of white lights,
Christmas lights,
and layer it with the smell of brownies baking in the oven,
and screens on which are projected his favourite shows and movies and videos of him,
my little brother,
who fights these men every day
and he deserves a medal of honour
because there is a war in his mind
and he battles incessantly
and I know, very soon,
even if only for a little while,
he’ll get a break from this city of his mind
and he’ll win.
Rebecca Gismondi Jul 2014
today,
while waiting for the 8th Avenue train
a woman with a straw hat and a shopping cart told me:
“Today is going to be a good day for you”
and for once,
in a long time,
I believed her
I believed I no longer had to sit alone with my thoughts in my Davisville apartment
I believed I could walk down 9th to 34th and 35th and 36th and not shatter into a million pieces
I believed I could finally find myself as a whole
and not pieces:
my upper lip on Queens Quay,
or my right elbow on King,
or my grafted skin on College
no,
here, I am one
I am everything that has happened to me
and everything that will happen
I can speak uncensored at the little ******* the train with a yellow sundress
I can leave my laughter echoing across Brooklyn
and my breath floating on my favourite rock in Central Park
I can pass people on Lexington and not break eye contact –
because I want them to look at me
I want them to see me, all of me
and all I am worth
because no one knows me here
and it is so exhilarating to know that they can know me
all of me,
uninhibited
not carrying ten or eleven or twelve bags’ worth of past anguish on all my limbs
they see me here
my soul is alive here
amidst the millions
for too long I have searched for a place of solace and strength
and if you had asked me three years ago if I loved it here
I would rip my hair to shreds and close my eyes and think of home,
Toronto,
but now
if you asked me:
where is home?
if you asked me:
where are you yourself?
if you asked me:
where are you the most happy?
light blue and yellow light streams across my face
and I breath a little easier
and I sit a little taller and I say:
New York City
because on hundred year old streets
clustered with thousands of strangers
surrounded by words from all over the world
I have found myself.
Rebecca Gismondi Jul 2014
a sea of green
and we are swimming in it
some drowning, others floating
this park
full of bright, full and illustrious green
and we are scattered,
finding our way
searching for that one tree that calls us forward
the bench that will cradle us as we cover it in tears
the penumbra in the open space
this park holds us
a hub of nature in a metal box
the centre
surrounded by equal bursts of laughter, a chirp, a ball hitting a mitt, a hush of wind through trees, the rumble of a streetcar
once I believed and wished I could bring someone to this park
like this couple, intertwined on a yellow towel,
hands and feet so tangled it is as if they sit in a cocoon,
I used to wish that I could take someone through the green,
swimming until we find a shore,
a space for us,
instead I watch dark haired men kick a ball
back and forth,
back and forth
under the backdrop of that tower
and I watch five girls in grey and black be immortalized in a camera,
leaning on trees,
and smiling vividly,
and I see a white dog be consumed by the thought of catching this tiny ball,
it is his world
and as I watch these people.
I wonder if they watch me
if they watched me that day I fell
that day I stumbled to that bench by the diamond
two people sit on it now, surrounded by bikes
but they don’t know that I melted there
I dissolved into a pool of salt
I still can’t remember my trajectory through this park, but maybe they do
maybe I should ask that broad shouldered man what my breath sounded like
or that woman with the toddler how I walked
or that purple haired girl what I was doing with my hands
I don’t remember
but I continue to return
this sea of green
is where I drowned
but where, amongst the brush,
I pushed my way through
I dived through those leaves and pushed back those branches and let the thorns scrape my skin
and I emerged
near the marble arch, on the cobbled streets
I rose to the surface of that arch and I floated
and I must remind myself
every time I come through that entry
not to sink
to swim,
to float
in this green
to look up and see the surface, dotted with clouds
painted with blue
and see the yellow smile that brushes its way onto my face
and feel safe
I am found in this sea.
I am me in this sea.
Rebecca Gismondi Jul 2014
I am reflected.
every day, I sit framed
or stand,
or walk past
a frame
reflected,
me
at times I pass this frame and see all of me
other times, I am missing
other times even, I recede
to a former self
I see me at fifteen:
brown haired, blue eyed
starving for love behind the pane of a computer screen
I used to watch myself framed
and dissect every feature
too many hairs out of place,
metal upon metal inside a mouth that either spoke too much or hardly enough
no mind of my own
sometimes I see her,
fifteen,
through the reflection of the subway doors
as a couple tenderly caress each other behind me
fifteen whispers softly through those doors:
“love me too”
as the train pulls into the station
and other times, I see ten reflected
ten,
rabbit teeth and soft hands
a burst of fireworks
disappearing between pages
once I saw her by the harbour
floating on the surface of a body of water holding three islands
the sun was gone
she saw me crying and said:
“don’t leave me”
ten,
and rain fell on her cheeks
I couldn’t tell if they were my tears or the sky’s
and other times,
rarely,
I see five
blunt bangs,
shining smile,
brave spirit,
she was the beginning of my strength
hearing very little but feeling it all,
seeing,
I saw her in a jewelry box,
five,
bold and brass
strands of pearl and gold and emerald might have clouded her otherwise
but she s h o n e
she said, as she always did,
“tell me a story”
I used to tell of a mermaid lost at sea,
or a doll brought to life,
but all I could think of this:
a woman is trapped in a mirror
twenty-two
fixated on this face she has witnessed evolve
she sees the specks of blue laced with green of her eyes
documents the crackled skin on her lips
breathes in the musty and city smell of her hair
she sees the lines and cracks on her hands
and the way she hunches and fidgets
but she cannot move from this mirror,
this frame,
because she is afraid to move forward without looking back
in this mirror lives
twenty-two
fifteen
ten
and
five
and she loses herself in them
trying to lock in all their features
once, before becoming trapped,
this woman walked by the window of a vintage store
and when she turned to catch herself, she saw nothing
she wants to see everything
always
catch glimpses of
twenty-two
fifteen
ten
and
five
everywhere, always
but she wants to be reminded
and not haunted
“show me your teeth”
she wishes,
“let me see you smile”
and now I am – the woman – is coming to realize
that maybe she will never be free from the trap of the mirror
maybe she will always see herself reflected
but that, in itself,
is a gift:
to see oneself reflected
to know where you have come from,
and where you are going.
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