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Rebecca Gismondi Jul 2014
unfortunately for you,
this poem is based off of real events, places and people
for you: D.H.
to look at your name makes me sick
physically incapable of breathing
keeping down the rise of poison in my lungs
infiltrating my veins,
slowly cracking my bones
this poison is a gnarly concoction of anger and guilt and hurt
for you, D.H.
of which all of this should not be wasted on
but alas, such is love right?
love is willingly letting someone wait for you as you walk the streets of this city with another
that’s love, right?
love is letting someone waste away, miss meals, sleep for days and never have a dry face
that’s love, right?
love is sitting not a month later with someone else on a streetcar while I watch you hold her hand
that’s love, right?
if that is love, then so must be
promising not to hurt someone
telling someone to stay when all they want to do is go
cooking too many meals for that person
too many salty meals
I never told you this, D.H.,
but your first potatoes were too salty
as was that coq au vin
and so are you:
too salty
not enough sweet
I have never wished ill will on anyone
but I wish that for you
I hope one day that you see someone that you believed you might have loved,
if given the chance,
walking down the street with someone else
not a month later
and your heart stops
and you try to breathe
and calm
but your left side goes numb,
as did mine,
and your heart hurts,
as did mine,
and I hope that you fall over
and you gasp and you clutch the Queen West sidewalk
and you look for help
but no one rescues you
no one saves you
because if you don’t use your heart,
why should you have one?
if you don’t love anyone, why should you still have that what makes you love?
that what skips two extra beats when you run a hand down a spine?
that what aches when that person is gone?
that what stops when it’s over?
if all you do is keep and gather and amalgamate secrets that others give you
willingly
and all you do is store them on your hard drive to save
but you give nothing in return,
why should you have a heart?
truthfully, it makes me sad to see you without one
falling from one person into the next,
slipping slowly but gaining nothing but secrets
and giving nothing
but I give e v e r y t h i n g, D.H.
I never forget what is said to me
I never forget what your touch feels like
I never make promises I can’t keep
but evidently:
you can
and if that makes you happy
(which is ******)
and if you can continue on as such
(which is ******)
and if you can live with yourself
(which is ******)
then good riddance
because although an earthquake erupted in my chest
and black crows swarmed into my eyes
and I tasted nothing but too much salt
and I almost fell back into the arms of my former pitied self
I remembered something:
one was that your tattoos are stupid,
two was that I missed your cat more than I missed you
but three was this:
I may love too easily,
but at least I love
at least I let my heart shine through my chest and beam
at least I let it be ripped out again only to build the muscle around it stronger
at least I can say I have loved and I am loved
maybe not by you, Dylan Hopman,
but you missed out on this insanely resilient
and endlessly beating heart of mine.
Rebecca Gismondi Jun 2014
hands
clasp
grasp
yours, mine or a stranger's
line of life, line of head, line of heart
it is said that the hand is the map, and the heart is the guide
but how come whenever it is that you hold my hand you also hold my heart?
(in your hands)
feeling the strength of your hold
on my heart
and my hands
letting go
of my heart
but please,
not my hands
I need to keep that clasp
and grasp
and hold I have on you
I need to feel your roughness
and clamminess
and softness
between my fingers
yours fit so perfectly
what if I never find another fit?
what if the next fingers are too short, too long, too bristly, too smooth?
I only remember yours
and what if their lines tell too different a story?
what if they crossed an ocean to find me,
or have never picked up a knife,
or have never lost themselves in another?
and I am left holding my own hands
too familiar
when all I yearn for are yours
I should have never let go of yours
even that one morning when you said it was too cold to hold mine
I should have locked yours between mine and assured you that I would make you warm
now I am grabbing for something in the dark,
a phantom limb; your hands
I wish I had clawed up your wrist to your elbow to your shoulder to your neck
and held on
because my hands are empty
nothing I hold bears weight
nothing I touch, feels
nothing I stroke shudders
nothing I scrape bleeds
my hands hold nothing
my lines of mind, head and heart have blurred
I can feel the reverb of my heart's beat as it left my hands and fell into yours
they are bony and frail and stained and drained of colour
what do I do with my hands?
Rebecca Gismondi Jun 2014
I dreamt of you last night
my room was bright, bursting with sunshine
my window open, letting in sounds of a match outside
strangers in my room
but you called
"I have to tell you something
I think you're my soulmate
we were meant to meet
that sticky summer
when I burned at the sun's touch
and you beamed with your bright eyes
and I love you
and I want all of you."
and stunned I only said
"you are the same for me."
I asked how you were
and barely made out your response because the noises outside drowned you out
and I tried to find somewhere quiet
because I haven't heard your voice in three years
I haven't placed my hand in yours for three years
I haven't felt you near for three years
it feels like eternity
like time was stretched over the miles and ocean and land that have separated us for three years
and how often do I think of you
the hint of home in your voice
the tightness of your hold
you, leaning across a table to kiss every feature on my face
I was becoming myself
three years
both gaining and losing control
both seeing and shielding my reality
running to and from myself
and you were there
and I became yours
and I was safe,
finally
and sometimes when I walk
without purpose
down College
or Bathurst
or King
or Richmond
I see you
hovering in doorsteps
and watching on corners
and I hear your roots in your voice
your roundedness
and I am safe
and how I wish you could ground me now
my roots are pulling themselves from the earth
my trunk is decaying
and my leaves fall dead on the ground
I am no longer safe from being cut
all I want is for you to plant me again
as you did three years ago
and water
and feed
and shed light on me
because you were a time when I was happy
you were the broadest smile on my face
you were the lightest air that brushed past me
so when the noise from outside my window masked your voice
I ran to the closet and closed the door
because you are my reminder
that I am loved
that I am thought of
that I am whole.
Rebecca Gismondi Jun 2014
I want you to consume me as I do you
put me in your mouth
chew me up
swallow me to be absorbed in your system
because you have been drained of me

the smell of cooked meat is
too strong in my nostrils to ignore
the sizzle of oil in the pan is
your fingers running across my stomach
the steam from that *** is
the way my heart flurries when you look at me
I can’t consume anything
because I want to consume you

and you can control the temperature of the pan
and you can check the doneness of the meat
and you can whisk the homemade gravy until it thickens
but can you find me hidden in your meal?

we marry together
like pork and apples
like steak and potatoes
like crepes and dulce de leche
but my shell is cracking
and my form is melting
and my alcohol is evaporating
I am being sautéed, julienned and sous-vided by you
I am losing my flavour

do you promise your pigs you won’t hurt them
before you carve the meat off their bones?
I don’t wish to be hung in a cellar with all the other carcasses you’ve left
hanging by a hook and swinging,
the blood draining from their bodies

I can’t cook
but I would cook you:
reheat your stock,
and rehydrate your fruit,
and flash fry your heart
so your colour returned
and you were mine,
on my plate,
at my table,
holding my hand,
and I could consume the only thing I want:
you
yes, chef
you.
Rebecca Gismondi May 2014
a letter to myself:
(a reminder, rather),
I know it feels as though you are now in the trenches
the mud clinging between your toes,
the walls too inevitably high to scale,
the rain beating and pouring down on your body,
and you see everyone above the surface hovering,
watching you as you try and clasp the sides of this hollow grave, frantically trying to escape
and you want to just lie in the mud and have the rain drown you until you are nothing
but you must remember this:
you will be fine.
And I know it feels as though you have been butchered, gutted and cleaned
ready to be thrown on the grill by he who so carefully flayed you open over time and space
only to have all your guts and bones trailing behind you, and thrown into a stock *** to boil away
and I know you miss his furrowed brow
and his incessant organization
and his frigid room
and you want him to call and say
"go to where we met and I will hold you and not say anything more than I'm sorry and I want you and you're all I see"
but remember this:
you will be fine.
And right now, I know you want to cover yourself in paint
all colours, but especially red; Tabasco to be certain
and slather it on until all the marks and scuffs disappear
until you disappear
and you want to refuse to let it dry; apply layer upon layer of every shade of blue from sky to navy;
from lime to forest green,
from sunshine to mustard yellow
and all variations of pink,
and your brush becomes heavy because this paint is caking your skin,
a cast of plaster holding your true self in
until you are as frigid as a statue; you are clad in stone
immovable and impenetrable;
your shield
but please remember this:
you will be fine.
One day someone will see your statue in a square or a park,
the sunlight beaming off your sheen,
and will see past that paint:
the layers of Tabasco
and emerald
and ocean
and canary
and pink
and see you
because you are a light
you are the last piece of pie that you know you shouldn't have, but take anyway
you are a phosphene that never disappears, even when their eyes are open
and he or she will approach your statue,
in a stance of utter uncertainty and self-doubt
shoulders hunched, spine pulled in and face blank and wanting
and will see you
and will take a chisel to your stone
and break off the layers
reduce them to dust, surrounding your pedestal
brush, blow and wipe it clean
and they will suffer from the heat and labour
but they will see you
and they will chip until finally you emerge
that light
and all will be gathered in that square or park
and as you look around you realize that they are the people you love the most
and the person who has broken your mould, your shell
is the one you love most of all: you.
Because you look in the mirror and you love you
you want you
you need you
and I know it's dark
and I know there are drills and hammers and saws
and I know when you sleep you are erased
but remember this:
you will be fine.
you are alive.
you are here.
you are better.
you will rise.
Rebecca Gismondi May 2014
possesses a stillness I am jealous of
it is, simply
no questions or concerns as to how or why it came to be
it breathes freely,
"here I am, take me or leave me"

if only I could be what water is:
rapid, brave, moving with purpose
most times I sit between states of movement and stillness
and even as it changes, water,
it does so unapologetically
it is so sure of itself
as it transforms to snow
or boils under pressure
it makes the choice to move
to constantly transform and shift

I want to be as clear as water:
open and vulnerable
not vapid and transparent
when people see water they can see what’s beneath the surface,
but not far enough to the bottom
leaving the sand or swamp or pool tiles to conceal the truth
I wish when I held water between my hands
that the truth would stay behind
everything else would fall away
and I would hold that small piece of truth in my hands

water is cleansing and pure and uninhibited
and so I want to be the same
smelling like rain and winter simultaneously
to burn and yet also wash
to freeze time and space
to fill every vessel I inhabit and be safe

now I feel as though I am a
waterfall,
a riptide,
a tsunami,
raging and wrecking,
unable to contain my shape
I want to be a spring,
a stream,
or a fountain,
where people look for solace and don’t run in fear
where I am admired and gathered around
and not avoided for fear of drowning
I want to catch sunlight on the surface of my skin and reflect a prism of colours,
not a shadow of darkness and doubt
I want someone to drink me in and consume me,
and not boil me in a *** to evaporate

let me flow
let me course
let me land
watch me transform
but don’t let me freeze.
Rebecca Gismondi Apr 2014
sweater
sweet
"you taste it"
sweet
I feel it with you
as I am enveloped in this sweater that
smells
feels
tastes
breathes
like you
comforting and warm, like you
woven and fragile, like you
itchy and scratchy, like you
like
you
if I could wear this sweater forever I would
to be held by the very fabric that has hugged your person that has hugged me
that I long for
that I think of as I remember that this is the first thing I put on after you felt me
all of me, with you
that this was the first thing you let me have, and take
that this was what you trusted me with
your Christmas sweater
what I put on for reassurance
that you want me and need me
what I put on for safety
when I feel like I'm losing it
I'm falling now though
in this sweater
backwards into that ocean
and I'm scared, sweater
that as days pass he loses me
that his image of me fades and drifts away
that he forgets the sound of my voice
that my touch on his body has evaporated
sweater, I want to hold him as he does me
this image in my mind of his smirk
his lanky but grand stature
his sturdy hands and brittle nails
his smell of Old Spice
his blonde bed head
I want to hold it all
and I want to hear it all, sweater
how he used to light everything in his path on fire as a child
how he owns a mug with his face on it as a little boy
how he lost it all to one person, like me
sweater I can feel myself falling
I'm losing my balance
I can't stand
I'm trying to protect my heart because I'm afraid to let it go
but a part of me fears I already have
and it's lost
in his arms
bare and bleeding
and yet here I am
wearing his sweater
alone and yearning.
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