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Nat Lipstadt Jul 2023
~for my dear, dear friend, T.R.
who tills the soil of Jordan’s Garden,
from which life springs eternal

<>

see your words, sent direct to my ears and all our mutuality of senses,
fingertips tasting the soil, the moisture, the granularity,
the chemical composition and the color, always the colors…

our gardens are our children, each similar but always,
unique, altogether different, altogether similar

how I love the how-work of it;  how the soil, you, suckle each other
with nutrients of tears, Georgia heat, outcomes of
the summer produce(s),
a refresher course of memories, of frustrated endlessness

we see heaven only by looking down, you, me, on our hand and knee,
touching each plant by hand as if soft stroking a cheek of our children

in some spots, the ground unyielding, keeping its riches
stored for another day, only then, when it wills, offer up
its specialty - a surprise, a wind-blown in, seed sprouting

it so many different ways, the work gets harder, and yet,
more tender, more desirable and we do not wonder on it

for this the way, of planting, and planning human desires,
tempered by elements over which we relinquish a
sense of control, yet forever knowing, happily, renewal~marked by

the forever and ever on seasonality
of a rebirthing garden
that sustains
us






6/25/23
Nat Lipstadt Aug 2013
Everyone a Sailor

Sept. 2010

Everyone a sailor,
everyone a waiter,
everyone a planner,
everyone an executive chef,
charting courses for grownuphood,
planning meals, banquets.

foolishness, selecting the ingredients for
an award winning recipe of life ,
marking stars,
sextant in hand,
make meetings,
scheduling a conference call,
practice risk taking,
serving, while multitasking

serendipity is mine to
make and behold

marry this one,
add a little cumin,
travel seven seas and
have seven sons,
the eighth I'll discover and
name it after me,
Son of Mine Own Stolen Days

Lighting or storm,
illness and thunder,
ne'er will be disturbances,
on my voyages

But we forget,
we err,
the danger of being becalmed is the one we ignore,
the slowest leakage,
drowned by seepage,
the small risk that transforms us from
sailors to one who
waits,
alone on a lost isle,
with nothing of substance on which to survive,
we slow starve to death on a
diet of our own
mixed metaphors

There was a time,
when I did not value time,
discarded days like seeds
random scattered in garden,
more curious than hopeful
what might appear, and uncaring if
they were all winded away

Who spent days like cash,
thinking I had plenty and
more to make,
gave away in haste
what had no redeemable value,
thinking time was refuse and waste

Becalmed,
what need for chances,
daily escapades,
gave twenty years of mine
away to the undeserving, punished by God, cancer stricken
*****, who made me so miserable for so long,
in one grand gesture,
signed it away,
and asked the devil
for nothing in return

Did not drink,
Did not take pills,
Did not smoke,
But life disdained,
I try to **** myself
By eating TV dinners
six times daily

Do not laugh,
it nearly worked
and my obit
would have been the lead
side splitting ar-tickle in the
New York Times
Science Section!

But here I am
a survivor,
and I have formed
an association of one;
The Society of Explorers, Planners and Plotters
And Those Who Serve By Waiting

We meet once every day
for the rest of my life,
call the meeting to order,
Consult Robert's Rules,
Quorum of one present?
No new business?
Meeting adjourned!

Meeting Summary:
You may plan with good
intent
You may buy or you may
rent
You may be bereft or
content
You may plan or just
wait
**but if you let a day pass
without recording one
poetical truth
in your own manner,
of your own choosing,
then you have failed
yourself,
do not wait,
set sail!
This is one of them...
FYI. I stumbled
On a bunch of poems 2~3 years old.   Very different style.   Hohoho Merry Chanukah to me,   Most very long, will fire at will;  long so not suitable for the 10W crowd....sigh. Oh yeah, one more thing, I wrote them on my cell phone, usually in the bathtub, yes, I went thru a lot of  corporate phones...
Nat Lipstadt Apr 2019
every poem is a test of character,
holy/profane all the same,
algorithm entirely humanized-you,
the elected words cannot be voted out of office,
by a recall petition, regardless of
constant corrected incorrectness.

sorted by size,
nocturnal alliteration,
do they sound in the dark
like your bleeding or you’re breathing?

holy/profane all the same,
Gertrude truth is a truth is truths,
you think my name matters?
Artificial Idiocy. Everyone poem faceted,
a chip off the the naming blockchain idiot.

when I imagine-lie,
it is a truth in and of its own
holy/profane.

call me baffled.
that is a god enough
one word summary.
and so true.

baffling perplexing cryptic and opaque.
in all honesty.
if you’re reading this, you are
testing my character.

what have you found, or even, lost?


in the midst of the characters is
character
10/26/@m/2019/16/april

inspired by Leonard Cohen
Nat Lipstadt Jun 2013
Whispering her smile
Looking beatific,
Looking arousingly terrific,
Uninvited but invitingly,
Place my pointer finger
Upon her breast, ******* already attentive,
*****,  she preps to dance and to
Leave me

Bid her despedida,
For my adieu is tinged
With desperation internal raging,
For tantalizing, J'accuse,
Guilty as charged

My tango muse,
Off to dance in dives,
Where all the men are
Strangers, who paid in cash,
With creased and stained $20 bills,
To soil themselves, to dance with my woman,
Paid far in advance.

For consorting with the enemy,
I renounce her not, but guilty charged,
For mesmerizing, J'accuse,
Guilty as charged

She'll return, after three,
Undress before me,
Purportedly sleeping,
Pointedly, slowly, knowingly,
To insure I scent the sweat
That tango demands,
The ****** side effects,
The Argentines invented,
Accoutrement rituals,
Excuses to invent dance,
In order to pleasure intensity,
For teasing w/o mercy, J'accuse,
Guilty as charged

She chambers her body bullet,
Sliding in unrobed,
For a negligee would be
Negligent in her condition,
Laughing at my pretend closed eyes,
She whispers,:

I return here, to you
For one reason alone
Despite soul and body, exhilarated,
While gone, you have been composing
About me without permission,
Of  this, of thee,
J'accuse!

I know you have penned
Poem,
Which long after the dance thrill has chilled,
Will belong to me forever,
I will kiss you now so I may taste the
Words  that are mine, until next week,
When I will be guilty again
Of charging your imagination
The intro:
"Let's state the facts:
She gorgeous, she's hot,
She goes tango dancing after 10 PM
With bad boys from Argentina and the Ukraine"
First Poem of the Day: Yes Ma'am!

See Part I, "Ditty This, ***** Little Boy!"

Serial poet
Nat Lipstadt Aug 2020
"همه جا" از حافظ / "همه جا" توسط لیپستاد


Hafiz                                              ­           Lipstadt
(1320 ~ 1389)                                            (20th ~ 21st century)
——————                                           ———————­——

Running                                                    Si­tting
Through the streets                                 On the sidewalk curb
Screaming,                                                Ob­serving,

Throwing rocks through windows,     Rocks falling all around,
Using my own head to ring                  Striking my head, ringing in
Great bells,                                               Great waves of thought,

Pulling out my hair,                               My hair stands straight up,
Tearing off my clothes,                          My clothes’ fibers come alive,

Tying everything I own                        All possessions, the poems, yet
To a stick,                                                Unwritten, less valuable than,
And setting in on                                  The air that feeds the flames of
Fire.                                                         Their burning.

What else can Hafiz do tonight        What else can Lipstadt do tonight
To celebrate the madness,                  But acknowledge the truthfulness,
The joy,                                                 The madness,

Of seeing God                                      In~Exhaling God in each breath
Everywhere!                                         Everywhere!
Nat Lipstadt Jan 2016
~~~


every word I write is a tribute


now listen here,
let's clarify the inescapable,
what this tribute thing means,
cause what I'm doing here,
ain't exactly clear

everything we write,
is only a watery-encapsulated
reflection of our lives,
which of necessity,
will always be messy

what the heck does
this guy mean.
when enlisting
this shady word,
tribute?

at 3:10 in the AM,
tribute is dressed in its
more defy-nition sinister,
a bad news speaking cultural minister,
who never fails us
by reminding,
tribute originated
as the nasty kind:

"any exacted or enforced payment or contribution"

every **** word
that I've written
is a **** tribute,
an exacted, enforced, wrung from,
payment
of a pound of flesh,
Shylock's variety pack kind

I'm not bitter,
a touch angry, perhaps,
even brave, ok, unafraid,
to admit, overall,
got it pretty ok

but that I still struggle
to get that satisfaction,
in everything minute and daily,
the tiny and the tremendous,
the cost production load only goes
unicycle upward sloping,
this crisis crazy we call being
alive,
and to you,
who keys and ken
my meaning well


herein is my good kind side
my paying
tribute
to you, your courage,
even me, periodically,
for awakening and walking
into the unknown outside,
and giving it up
in our travelogue of
shared poetry

5:48am
Jan. 21, 2016
NYC (aboard the stationary bike,
paying tribute for forty years of sinning)
for Joel, for Lesli
Nat Lipstadt Jan 12
1:12:25 9:20am nyc

Exactly, how far is it to you?
this is more than mere question,
or a rhetorical poem title discard,
consider it an interrogatory of
the first order, a debate raging
with every word successfully
affixed from brain to fingertips,
from my breathing to your heart,
how far is it exactly, pray tell me,
how these cords of words find you,
are your lips bending up in a smile,
need me a weather report, air quality,
wind gusts vitals vital to yo! estimate
how fast & conditions they’ll require survive/arrive in your eyesight well
and be friended


feed me the data, Heart Rate, Blood Pressure,
SpO2, so I’ll know what condition your
condition is in, adjust my words accordingly,
send to this distance back to me awaiting,
the necessary facts & figures to provide the finger stroke directional, do you need whispers or emboldened bold face to arouse the a spirit flagging, a shoulder shaking, a dozen red lipped chords of
kisses and sweet everthings, that do not
dissolve, dissipate or disappear instantly,
but can be stored in a Ziploc bag, refrigerated,
ready for gorging and disgorging, repeatedly,
as needed, synchronized slow or hard, fast
or soft, wet or dry. sweet or salty, savory
or a blended mixture, an adjustable concoction depending
on distance, time of day,
tell me,
the stuff that you accept
with open willingness,
or just begrudgingly

all adjustable
all shaped to
your individuality
elastic flexible
but the schedule
filling up fast
so we can mutual
squeeze into each others
empire of empty

so,
Exactly, how far is it to you,
to where you are being
?
Exactly, how far is it to you nml lipstadt
Nat Lipstadt Jul 19
But I am here, wrestling with this dredging operation, digging up
tons of sand that require dumping, and I ask, inquire, beg:

Who will take this detritus off my hands, once more, now uncovered,
now recovered, the soil is already soaked and can absorb no more,
the soul is already soaked and can absorb no more, the weakened
heart, damaged and occluded, suffer cannot bear twice the

outrageous misfortune
Nat Lipstadt Jul 19
outrageous misfortune

of unbared recollections, twice, or thrice, and I feel myself drowning in revisiting pain, **** **** ****, these old poems, not nuggets, but boulders dropping from night skies, shot from a pitching machine, without letup, piercing of agonies that once ago  
freshly desecrated and decorated my basic training in humanity.
Nat Lipstadt May 2019
I am here, waiting patiently for her,
though long time no see
like in ever, like in never,
my absentia, dementia,
both critiques of self-censure,
here, then, my cadenza,
dedicated solely soulfully for you:

as the sabbath sun rises over the East River,
saying, mocking, laughing upon me,
“still here, though long time no see,”
for though I cannot never look upon her as well,
my sun, my sun,
yet she, too is everywhere-inside of me,
woman-sun, both warmly illuminating my muddled mind
Nat Lipstadt Aug 2023
LXXI

The Moving Finger writes; and, having writ,

Moves on: nor all your Piety nor Wit

   Shall lure it back to cancel half a Line,

Nor all your Tears wash out a Word of it.

LXVI

I sent my Soul through the Invisible,

Some letter of that After-life to spell:

   And by and by my Soul return’d to me,

And answer’d “I Myself am Heav’n and Hell:”

<>
But there are very rare occasions when the translation is so good it actually supersedes the original, taking it to a wider audience. If there is an argument for anyone having done that, it is probably Edward FitzGerald with his translation of “The Rubaiyat” of Omar Khayyam.
Nat Lipstadt May 2019
check in at the library, my card scanned,
per the terms of my sentencing agreement

to the poetry shelves dispatched.
row after row, book after book,
all blank awaiting my affections,
all demanding my sensei sensations,
seeking a creme filling of honorations,
words of all shape, roots and origins,
the occasional new combination

some, never heard before, timelessly awaiting expulsion
from the birth-vocal canal where comes origination,
but for me, death by enforced creativity,
that’s what the judgers desired,
a punishment that fits the crime

my misdeed record unsealed, intended for
world envisioning, the ego audacity to imagine
I could write a single good poem,
thus the punishment fits the crime


may1 9:19am ‘19
this for CJ
Nat Lipstadt Sep 2013
Expect miracles every minute
Not.

Go away children if you want
Uplifting,
This is a dark adventure
Composition.

Gloomy the mood,
Gorgeous the day,
You have received my disclaimer,
Scurry away.

I scribe smoke that is uncontainable,
Smoke that suffocates, not for decoration.

You are the unrighteousness, not on the list,
Peekaboo voyeurs who read and dismiss.
Why I pen this or this.
Lost in the shuffling cards,
Luck is not inexhaustible,
Mine, bottled in the bin labelled,
The last recycling.

Dark is the blue sky,
White clouds just clothing to disguise
Morose is the vision,
Of eyes that have not seen a miracle
In decades of waiting.

Let us divorce today,
Find good cheer and company elsewhere.
From my finger these words fall freely,
No waiting, from me to you instantaneously.

What ails thee smoke scribe?
I have given and been taken, leeched and bled
and now wasted the last of my
Nine lives.

This is where I stand, edged and ledged,
Miracles are not shown to me anymore.
My quota, used, I'm not us-confused,
Cause I wrote the disclaimer,
The warnings, the risks, well understood.

Write of the good, the bad, of the
Beautiful that does not last,
Wonder if this is the poem  
shall be my Epitaph?

Poetry craft, was the sword I breathed thru,
Unlike you, my motet is completed,
The music, the canon smoke, here, come, then
Gone.
Nat Lipstadt Jul 2016
Explosions & gunshots
(Simulated)
says an urgent text
from Notify NYC
on my cell,
well recv'd

reported to be
in Central Park,
my heart now skipping beats,
not comprehending the detensing
the declensing cleansing of...
                                                   s i m u l a t i o n

thinking only
my park, my park,
my country, my country,
a ****** battlefield!

a second glance, it's just
a heads up to keep my
head down,
from my bud, my boy,
Free *****
having a bit of fun
with us Ameddicans

Shakespeare in the Park presents:
Troilus and Cressida
which contains the use of smoke, haze,
cigarettes,
explosions, loud sounds,
blank gunshots & strobe effects.

cigarettes? cigarettes?  ***!

there is no smoking in the park,
not even for poets and
Playrights of renown,
no exceptions made
in this hard-nosed town

and that ladies and gents
is how
one distinguishes a
genuine New Yorkah

neither smoke nor haze,
explosions and gunshots,
an apple-cheeked citizenry faze
these hardy city folk,
from their pursuit of
the golden yolk,
the reward of the
dog-eat-dog yoke,
worn in the pursuit of
Life, Happiness & Liberte

don't even thinking about
smoking in our park,
or near my face,
then the loud noises
may be more than merely

stimulating

than blankly,

s i m u l a t i n g....
a slow day at work
Nat Lipstadt Jun 2024
we are all liars.


in the endless combat battle of our internal infernal eternal
wills,

we lie-kid-delude ourselves with futuristic promises,
false pretenses,
oaths and rosy predictions
in bold and bareface thoughts,
all lies, as they pass from the conscious
to the part of the brain where
guilt is stored and storied

our success leads to extensions,
the big white lies we tell others
from shame, or kindness,
and trip so easy off our moistened,
tongue licked lips, that we are continually
amazed
by our ease telling
lies.

I read the words *
factual liberty” in the “newspaper of record,”(1)

regarding some political figures who oft
do tell short and tall tales
with great frequency, are
feel free by taking
“factual liberty”
and so
my
heart

skips a beat:
hostages released,
lies well dressed
and redressed
in prom attire lies well
dressed poems birthed
for the arbiters of
worldwide
propriety,

have granted me
life and the
pursui of happiness,
and most importantly
liberty, from those terrorizing
the
factuals

Sun~Day
Jun9
2024
8:55AM
_in my hometown~
(1) New York Times
Nat Lipstadt Oct 2019
an au revoir here penned,
man on a cliff doing a spring, fall over cleaning

a few rusty drafts still needy for completely
but you know times up when tide rushing out
and on your leg is a big red rash that wasn’t there
when you waded in a few minutes earlier

tastes changes, like seasonal entrees on a restaurant menu,
seasons come and go, reappearing, but last years dish,
out of style, except for the occasional recalling

the body and the work must together concert,
poetry like a lifetime of lovers, you leave them behind
for loving them too well, using up the verses left inside,
then comes the time when love dries up and the words concomitant

the nighttime scraps will still be kept in that sewing box,
that storage space rented on a 99 year lease
but now for my eyes lonely only, this nub is stubbed,
this last one, at last, succinct

au revoir mes amis
Nat Lipstadt Jun 8
As HL Mencken put it,
“The urge to save humanity is almost always only a false-face for the urge to rule it.”

<>
You can drop that History course now
Nat Lipstadt Feb 2016
the tinkling kiss,
tween silver bell
and the windowed door,
at the ice cream store,
announces with the delight of
a tingling excite

a novitiate,
a well scrubbed innocente,
a suckering, youthful customer
has entered the store

all the ice cream poems stand up straight,
paying cold attention,
the little boy ones,
fix their crookedly crooked bow ties,
the little girl ones,
pat down their crinkly crinolines,
all best behavior-ed,
shivering cold from hot anticipation,
the idea, the conception
of becoming
the chosen one,
invited outside,
for delight,
the pleasure of melting into
sweet, sad loving death,
in the smiling mouth
of a young fan & reader

now, they all know the rules,
no calling out!

just stand in frozen attention,
glistening, shimmering,
displaying their true coloration,
hoping to be the selected election

but that rascally bad boy,
with salty language,
yes, the salty caramel one,
can, in his over-sized container,
no longer can contain himself,
screaming out
with  an aura of entitlement

"pick me, pick me,"
read me, eat me,

favor my flavor"

all thirty one flavors,
one for every day of the month,
start to shout,
like a raucous caucus
of politicians huffing and puffing,
wheezing and whining,
pretend crying
for the  favored blessing of your vote,

"pick me, pick me,"
read me, eat me,

favor my flavor"

there is even a
"flavor of the day,"
usually a newly minted green poet,
a chipped one,
seeking to find a permanent home
for its fresh faced tasty, word sensation,
but after thousands of plastic spoon samplings,
nonetheless melty-dies in the corner, alone and forgotten,
for fame is fleeting, and not always long term good eating

so many to choose, got the poetic ice cream blues,
sweet slow aching of loving infatuation for the iceiest of
tongued-licking caressing, the only way to be consumed
organically

"pick me, pick me,"
read me, eat me,

*favor my flavor"
Nat Lipstadt Mar 19
the wordplay is **** serious,
fools curse us, attacking empathy
for its sensuous to their BS pretensions,
their hypertension sophistry compounds their

selling them selves  as a holy sphere,
begging for attention and the approval
appetizers of meaningless internet
bacchanal celebrating

I invite you in,
where depths surface
asking you to scratch deeper
than the shallows of egoism shoals

long labored to persaude with caution,
careful disclaimers, when you enter
our first encounter, that first most
dangerous embrace, asking you
to tag along inside insights
my intent plain, secrets
displayed with increasing
the leveling tween twice
an armful of hugs

this criticism disturbs my calm,
and so I repeat twice:

grant us the write to share, in our humanity

**grant us the write to share, in our humanity
2/23/25
Nat Lipstadt Sep 2013
Ferry Me

Ferry me, but once more.

The last ferry rides of Indian Summer,
Always arrives on schedule which is
Always and precisely, too soon.

Then, the imprisonment months,
Sentence, indeterminate.

A Grand Jury trial of months,
I, and my co-defendant,
My sanity, this time, the Oddsmakers say,
Won't survive the lockup.

The source perfume of driftwood words,
Very ferry distinguishing marks,
Sails and seagulls, diesel fumes and saltwater,
Sunsets and seagrass, flying fish and multi-mollusks,
The stuffing of my summer turkey, the currants of
Poems and dreams, sad-eyed longings...

Now,
Evidence used by prosecution,
Confession freely uncoerced,
I Am A Summer Man
Adjudged and convicted,
Guilty of Winter's Discontent.


But it is these last few passages,
Not of words, but over water,
The absence thereof, crush, ravage,
Worse than any grey calendar captivity,
Forlornly, I mouth silently, repeatedly,
Ferry me, but once more.

The course, straightforward,
Voyager, but a few minutes, but long enough to
Love it deeply, need it like a fix,
The mania of the mainland left behind,
The island, thinly lit, more shadow than real,
The approaching dark, shelters, comforts, embraces.

Perhaps, likely, I deceive myself.
No matter how the island comforts,
The brain always rumbling,
Can never make stop questioning,
Prisoner of 24/7,
But it is lessened, left behind,
As I am ferried away both,
In body and in mind.
Nat Lipstadt Sep 2024
the enforcers,
them austere grammarians,
interrupt with urgency,
when choosing wrong:  
lesser or fewer

which punishes me hard!!

makes me contemplate how
much better
in my life,
one would have been
if
only I had
employed
both
as a living philosophy,
a methodology

would have more closet
space,
would possess a less
cluttered life, with more
space
to breathe freely,

the
moreover
would be
my desire
to be kind
to others
more
easily
realized
<>
the economy of
fewer and lesser
needs
7:06am
Sun 22 September
2024
Nat Lipstadt Jun 2024
fewer words means no greater appreciation


well you know, I’m not one
famous for brevity, after all,

why not use three words for
every one sufficient, satisfying
the egotistical statistical curve
of the illnesses of literary illiteracy.

exactly.

but brevity in thanking,


the swift surety of a few
chosen, well aimed, words,
is the arrow in the bullseye,
that is taped to my chest,
directly over my heart,
that part, from which we
ship and receive
immense gratitude
countless kindnesses
and proofs positive,
that our two hearts yet beat,
marching in more than
unison,
nay,
marching in a

unification
greater than any
distanced separation!
Feb 6, 2024
nyc
Nat Lipstadt Jan 2016
~~

First & Foremost

~~~
a friendly competition,
not of erudition,
more a contest of
speedy eruption

who will be first,
for quenching their thirst,
on not any but only
every,
day of their togetherness,
to declare, swear, affirm,
that their love for the other
is the greater


a race
where both win,
by crossing the
ever-moving forward,
the unfinished line

a never static series,
much more than merely being
a claimant of a trite first place,
more akin
to momentarily being
at the head of an unending
mathematical
progression,
(1 + 1 > 2)
solvable if and when
leap frogging
over each other,
extending their combined reach

when one is
first
to pronounce
this daily blessing
at the
beginning of the
new awakening twenty four,
of their joint custodied
imprimatur,
silently implied,
I love you
with a simple syrup summary



first and foremost

one, if by pillowed whisper
two, if by text

a succint messag to the other,
their love is coming fresh direct,
with an invading intensio,
deserving recognition
that a new edition will be
published
on this very day,
with the
same exact
freshly steaming coffee'd,
bannered headline,
that my love for you,
my darling sweetheart is


first and foremost

condensing with a
yellowing smiley face,
in these illiterate days of emoticons,
unacceptable,
yellow carded,
though summarizing acceptable as

F & F
or
1st/most


formats
that have been adjudged
to be
an A-Ok entry,
in the contest
without a foreseeable ending
and

that no one,
but only both,
can possess
the winning record


~~~
6:21am
Jan. 9, 2016
nyc
Nat Lipstadt Mar 25
a twisty verbiage, but stop!
it is not cutesy or frivolous,
but an awed respect,
for that fact;
the complexity of the monumental
is the sum of:
the bricks, the letters,
the words, the lines, the stanza and
of course, the spaces in between
that makes simple so ****
complex
2-18-25
Nat Lipstadt Nov 2013
Road Trip: Thinking it's about time (find yourself within II)

This particular poem was born as a one line response to a message.  But in many other forms, half written, it exists still, un, unfinished, waiting for the next burst energy, the next holiday time, to reach a new finish line.

This is a different but similar to a poem posted on June 2nd, "Poetry Round (find your self within)"

Any error of omission is unintentional, but know that this took many hours, until fatigue won. If you never told or revealed to me your location, know that you will be called out, to and unto me, in another poem, called "your banner is my flag."


Fact about me:  You design me.
-------------------------------------------------------

th­inking it's about time for a road trip.

create an excuse
(reasons, I got a plenty)
to stop by,
to show you another side of me,
for a drink, a meal,
and some kind
of exchange, of
form and fluids,
manner to be determined.

to come to Minneapolis,
watch you create a heated sensuality,
verbally, from melted snowdrifts,
a hot time to be had
by all the poets
of the mini-apple,
I want to meet
and celebrate ann victory.

travel to Thiruvananthapuram,
tour the treasures
of gold and diamonds,
from whence come
the bejeweled poems,
that have earned visits from
thousands upon thousands,
pilgrims, devotees, followers,
to partake at that, his,
special temple.

Gomer, Gomer,  & MJJ,
I am in your Florida,
no, sorry, not in Ocala,
near to your homer,
and I feel you springer
ten times in the
November sun rays,
that have me locked
in a full Nelson,
your productivity,
endless,
a sea of orange sunburnt words,

Tennessee,
The Carolinas,
Georgia,
The South,

I rise with it,
now, again,
that I will need a slow
sunny all lazy summer long to
learn y'alls ways,
see the wolves,
in your forests,
helm the riverboats,
navigate the quaint tides
of Charleston,
the special places
where they heal, le ville,
where the ashes of
burnt children,
retuned to be whole.

learn y'alls ways,
walk in your boots,
of seeing poems
using your special
southern saber words.

missed the original
Thrilla-in-Manila,
but rest easy, assured,
that hotbed of creativity,
where I check the
PH of the mc waters
to comprehend its
wisdom and now, it's sadness,
will be an illustrious destination
on my itinerant itinerary,
stopping by Makati City,
after all,
it is writ in the good book,
this island,
the PhilippineS,
is the birthplace
of the letter S,
Samples: samson, sally,
and So many others?

in Nevada City,
which is of course in
krazy California,
wager philosophy, romance,
be available for
succinctly seeing
works in progress,
from which I
will imbibe,
so **** deeply,
may have to
stay awhile for...

while I am there,
will need to do
a search and
Hug Mission,
to find a special man,
his unkempt prose,
his mortal rhymes
disguise not his holy worth,
even to the grassy
cal-stratosphere,
to the mesosphere,
will I high fly,
to find his sweetest spot,
then and thereafter
going looking
further on to
Humboldt County.

in Leeds, in West Yorkshire,
(Hamphshirians, Northamptontonians,
patience please)
built foundries and factories
over the magical forest of Loidis,
near to the river Aire,
yet still hides a
magical sorceress of words,
casting spells over
men and beast.
no one has seen full
her half-turned away face,
but when she summons,
do I have a choix
other than obey?
even if I get lost,
my sorceress,
you know,
I am on way too.

to get there,
will fly I must,
to Heathrow hell,
will do it,
just for you,
faithful friend,
a man da gotta do, what
a man gotta do...for you,
but first a stop off at the
London School of Economics,
Hampstead as well,
for a tutorial about sonnets,
or sams in wells,
even if I come
in my bare feet.

even in New York Upstate,
a man da gotta do,
what he mulls over in his heart,
be not surprised at a knock upon
your door, to make comparative notes,
about each other's tattoos.

in the South African veld,
hid in the highland grasses,
crouches the poetesses and tigresses,
waiting to ambush you
with words that must be seen
to be heard, to be well understood.
perhaps I'll come at ester time,
under blue indigo skies over,
a golden landscape,
seizing all the gems
that can be seen
only at 3:00am

leeward,
north to Canada,
must I, transgress,
country of my momma's birth,
fly from Montreal to Toronto, Calgary
then over to Vancouver.
Canada,
a dangerous place for me,
cause there are beautiful
souls up there,
and maybe even a
warrant to
repossess mine,
they want their
poets back.

double down by ferry,
me to Seattle,
to see a man about river,
in the Pacific Northwest,
where I have happily
drowned so many times,
that The Lord is complaining,
am hogging all the baptismal waters,
but when reminded that
nothing lasts forever,
here tomorrow,
gone today, walk on,
I add my tears
to that river,
before hitting the road.

on that river,
gonna drive me a kayak,
down Daytonway,
on the Yamill River,
see a gyreene marine,
watching me do a beach landing,
in Willamette Wine Park.
he will teach me to salute,
I will teach him how to
shake hands,
and learn from him,
it's ok,
to stand down.

man o' man
there are a lots of poets,
in these here parts,
this grand
Pacific North West,
looking for one in particular,
who will be quite easy to spot,
as he is my very own
soul brother.

will be easy to find,
though we have never met,
he will be on his kayak,
I on mine,
tho when he paddles,
somehow he manages
to hold
never letting go
of, his lovely bride,
his best half's hands.

this will a problem,
for I must teach him how to
shake two handed souls,
while hugging and paddling,
even bailing,
with an old dented pail
simultaneous.
but you can teach old dogs
new tricks, even the ones,
that can't spell
rhymers.

have mercie on me Ohio,
like a mother has to her daughter,
done a three year sentence in Cleveland,
but no jail can hold an NYC boy,
but if requested, yes I will return
to set fire to the *
Cuyahoga,
again! he he he...
but do not s mock me!
(now you know why the FBI loves
my poetry, my biggest institutional fan).

souls in torment,
where you be,
where you hide,
matters not where
you physical reside,
for we have found
each other
in each other words.

You, who live in
your very own
personal hell,
I think we met there,
because
yours was
mine too,
tho not found
on any map.

maybe I will meet the
Empress Josephine Maria,
rowing on the canals of
the Netherlands,
no longer will she be
alone.

but then again, some
very special things,
like
the purest of love
are on no map,
they are everywhere.

while in India,
will seek the many musings of many lips
of aged rhyme men
and complicated charmers
so I may kiss them
with spiced humors
to pour and pour,
more and more,
upon this western soul,
mysteries of the east,
to Kashmir, Bangalore,
wherever I must,
even take a praDip in the Ganges,
I will go, find you,
un-hide you,
among the
teeming millions,
millions of
jokes and rhymes,
that make the
world spin brighter.

in Germany,
all the university students
speak English,
in Wiesbaden, they know
poetic beauty is not in the format,
some in Bamberg,
with a peculiar
Missouri accent,
which is nicht gut Englisch,
so study hard the real way,
speak the language
the new yorka way,
which will require
study abroad,
which is quite funny,
now that I think about it.

but in Mo.,
the native drums roll,
long and slow,
making words
I know
better, different,
in a way never saw before,
leaves me asking for,
mo', mo', please?

to get there, to Allemagne,
land of my forefathers,
a ship I will take,
from Southampton
across the Kiel Canal,
before I depart,
will have my hair cut,
my words reworked,
by her Ladyship,
whose keen eyes and
maternal instincts,
see the joy of life in every
Livvi little thing.

Watt am I going to do if
I need to find a Tecumseh,
taker of my naked poems,
and enlarger of them,
so truth by her,
all revealed,
we are all naked
at least,
twice a day?

In Nepal I will purr at the words
gleaned from the markets and
train stations where
voyages from Lalitpur to Katmandu,
start and end,
where there is a miracle almost
sixteen years young,
where they call their schools
future stars and little angels,
so why should poetic miracles not be
as common as its subtropical clime?

though I despise the
Dallas Cowboys,
not my  America's team,
nonetheless there is a young woman,
a true rose of Texas,
who waits and writes
so lovingly of her airman,
in Afghanistan, I have placed
their names first,
in my nighttime prayers,
hoping to be there,
schedule my visit,
to witness his safe return
and their
joyous reunification.

there are no Mayans in Maine,
but poets of similar name,
kould be, mae be,
Julia's in Jersey, new,
in Auckland,
there are poets
who don't know it,
and Down Under, too,
where getting high is easy,
getting high at
and on words
well marshaled ,
but **** sure I will be
peering and prring,
all the way.

Oregon,
don't be gone,
those wide eyes shut,
when I come by,
who knows when I
will pass this way again...
on my way to Phoenix,
where sunrayes bend to the
desires of dessert breezes.

Kentucky to Korea,
one long road to travel,
but middle son,
if you can do it,
so can I, and,
I will follow.

in a beautiful city,
unsurprisingly called
Belleville,
the leader of the band,
still leads us in belle 'noise'
and when he finishes
fall leafing us in song, he still,
rises up in the mid of dark,
prayerful haikus to write.

off to Rogers, Arkansas
to meet an Italian from Mexico
who specializes in skinny poems,
something one day I will be too.

maybe I will go to
places it snows,
there are so many,
but your photo,
and tattoo trail,
clues, will follow,
no matter how hard
you make it a mystery.

you, who live in just
the world,
don't even think,
that crazy dotted lines,
unstraight,
or huge plains,
are sufficient,
to hide your
moody dust trail
from me!

somewhere in the USA,
roses grow in ground
that needs the
watering of tears,
though this place
is hard to find,
ha, turn around,
that is me,
tapping you,
on the shoulder!

will find you,
as I am searching for
a lovely pair
of stockinged ankles,
each with a heart tattoo,
but I sure could use
a clue,
before this hobbit searches
all the shire,
derby hatted,
to find your
heart real, and the real you...

my mode of time travel?
why I am just
a dude on a rocket ship.

Wisconsin,
look for my ruby message
in the snow,
in the dust,
in the sand, the skies, the sea,
but will you answer me?

Pittsburgh,
patient, you've been,
you thought I forgot
all about you,
chimera  at the intersection
of three rivers,
all you need wonder,
upon which one
will my ship arrive
and why you still disbelieve
you are not a poetess!

ME oh my,
you too, a hidey hole got,
but, we are strange, we humans,
we would gladly bleed to please,
If we could but find
a combination of
new words that
would your heart gladden,
your eyes tear,
your lips wear,
a smile of pleasure
at our offerings poetic!
but still I know not,
the where!

Lagos,
where
I shall climb the tallest skyscraper,
calling out in Yoruba,
where is my Temitope?
where is mine,
worthy of thanksgiving
so I may carry my Popoola,
my pole of her of
written wealth?


Mombasa, Singapore,
Maryland, Rhode Island, Kentucky,
Huddersfield, Connecticut Joe, Ireland,
South Dakota,

where the merry elders
well ken somethings
about a moon and tattered clouds,
something about children and dogs,
and something about letting
tomorrow's wait.

Milwaukee, Atlanta,
chuck, in *PA.,
friend to all,
to all those scattered across these
United States of America.

can we dare not mention
"The Shaq" of Malaysia,
South Sudan, Pakistan,

of course not!

Suburbia,
beautiful, black San Diego, Detroit;

The BBB's -

British Columbia, Brazil, Breendonk, and
B'kara!
the goodness of *
Boston,
flipping out in Flipadelphia,

did you think I would forget ya?

those of you hiding among 64 stars,
the groves of L.A',
on the lanes,
the special land of I-sia-Bella,
fellow citizens of Neverland,
those of you 'at home,'
in the land of nightmares,
concrete boxes,
those who post without a doubt,
and in the box,
this who think your birth year
is an identifying mark, not,
you never fooled me,
will visit each and everyone.


even and especially,
the grays of crosstown
NYC,
the red writers of my hood,
the tylers too.

I am exhausted,
forgive me well,
if thy locale,
I did not explicate,
for the hour is very late.

yet thru subtle fissures
in the clouds,
look for a tired old man
on the wings of a
chariot drawn by angels,
bringing you a dictionary
full of new words,
a present for you,
but truly,
a present to himself
for from it,
your future poems
will come.

*but the sun has come up,
so now I sleep.
1.  What makes this poem special, if anything, is the trust and confidences we share with each other, that allowed me to perhaps catch just little bit something special of each of you, where I could.

2. Can anyone explain to me why the site labels this poem explicit?
Nat Lipstadt Jul 2013
Elect, select and write it down!
Stare at it for 60 seconds, no more,
Then write the first thing that comes along!

It matters not if it is
Inferning or just churning,
Cold or hot,
Matters not to anyone
On this site,
Even if it is explicitly ***** (alriiiiiight!)

Hell, matters not
Even if it is absent from the
Dictionary's stock!

Matters not
If it is two or letters twelve,
**! **! **! reserved for Santa Claus,
Rambunctious, reserved for his Elves!

Put, pick a word and work it well,
In fact, give it hell!
Squeeze it, free it, and when you're done,
Just leave it the fk alone.

Milk it for all the silk
In it,
And if its only cotton,
Turn it in to cotton candy,
Which rhymes with dandy,
But I refuse to use that rhyme,
But thinking about using randy!

Put, walk, nay, run
That word, now single,
But soon to be married,
Upon whatever you write,
Chew it up and spit it out
After, but a solitary bite.

Taste it,
Run the  tongue's buds upon it,
Make it a flavorful word,
Then fool us with the saddest funeral dirge!

Vanilla passed away today,
The Chocolates, mourning, both,  dark and white,
By celebrating  and laughing long into the night...


This will not be the hardest poem I e're wrote,
But if there is no inspiration
For you to smote,
And armpits refuse to provide perspiration,
To source juices for a new creation,
Try this trick,
I promise you
No one will lick your ice cream cone,
Nor mistake you for Leonard Cohen,
But when you are done,
You will be High Priest of
Hello Poetry for the rest of the day!
The high priest of Israel in the Temple was the called the Cohen Gadol.


https://www.google.com/search?client=safari&hl;=en&q;=cohen+gadol&spell;=1&sa;=X&ei;=WwvbUeTQGLLJ4APy9ID4Ag&ved;=0CCwQBSgA
Nat Lipstadt Nov 2013
Fire: A Commissioned Poem

Deceptive appearance,
Countless predecessors,
Poems built on towers of strength,
Of and on
Fire..

Who am I,
A beleaguered working poet
Dared and daring,
To add to what Dante
Already has writ,
Has fire, his, not ennobled
All man's fears and lives.

What new can this temporal man add, on something so holy as
Fire?

On the altar in the Temple,
My ancestors brought sacrifices,
Guilt offerings for sins committed,
Asking for real forgiveness from a deity unseen,
They set themselves on fire,
Through animal sacrifices.

Let us not critique them by standards of today.
Let me celebrate their faith, their truth that
Asking for forgiveness required sacrifice,
Not just tithing, not just check writing,
But by acknowledging that they understood,
That nothing is for truly real until
It has been crucibled of, in,
Fire.
Next word, please.
Nat Lipstadt Jun 2021
First Boat


first boat off the island @ 5:40 am,
the sun, savvy and knowledgeable
makes sunrise @ 5:14 am for ‘late’ is
not an adjective extant in its stellar lexicon

a safety check, sunlight invades every crack,
pilings vested & secured, ferry engine hums a
warming, morning cranking tune, a sailors
favorite from the global ******’s hymnal

those early morning voyagers, who are exchanging,
one island for another, note their coffee steaming up
coordinates with haze, burning off, all to see the first
waves come to rock them voyagers to “all awaken”

sunlight then slow spreads its envision, from the Heights
over to Mashomack, rousing, disturbing, nudging the
remaining, for there is work, living aplenty, we who stay
to tend to the most appropriately named isle in the world


6/12/21
Silver Beach
Shelter Island, New York
Nat Lipstadt Jul 2024
(so many revolutions provoked, this is just the first cut)
<>
this rabbinic saying, is both disarming and yet awesome,
the interpretations are many, but I find them stained, strained,
and I welcome the “pshat,” the simple mystery of the
what YOU think
is plain meaning of the words,
that makes it so sensible to us,
individually,
formatted into our own personalized
understanding

for the nth time when the poetry won’t come,
or arrives warped, spoilt fruit,
incapable of being repaired
and walk away
with ease
though tinged by
being ill at ease,
but properly snap the padfolio shut…


<>
(but smile on, for the
revolutions are
unceasing)
(1j Rabbi Tarfon
“You are not required to finish your work, yet neither are you permitted to desist from it.” This is from Pirke Aboth, or “The Ethics of the Fathers” (sometimes called “The Sayings of the Fathers”) a collection of wisdom from the Jewish Talmudic sages, in this case, Rabbi Tarfon, who lived and taught
2,000 years ago

first cut/ first version..simmered for awhile
Nat Lipstadt Jul 2013
First Date

You took me home
To meet your paintings.
At the door,
I shook your hand good night.

Second date,
You came to my house
For tea and conversation.
Sent you home with a smile and a
Godspeed, tho in god you don't believe.

Third date,
You bought me socks,
Which I immediately lost,
At the movie house, forgot.

You were not upset,
Impressed me greatly,
So I took you home and
Ravaged you with tender delight.

I never knew that
I had your heart,
After out first date,
When forgoing peck on cheek,
I shook your hand
And won you over
Right then and there.

4:45 am
July 2nd, 2013
Gotta get some sleep,
Happy that five years later,
My midnight poetry coding,
Disturbs you not,
Like losing those socks with which,
You, bought my heart.
Yes another true story. Was actually sleepy when this one showed up uninvited
Nat Lipstadt Jul 2013
First impression, first date.

You come late, a major sin in your own lexicon,
tango dancing redesigns your hair to curls atwitter,
despite remedial ministrations in taxi,
you text apologies profuse en route,
but you have been outed, and
I am charmingly amused

A warm December eve,
a local Italian eatery,
table by the window,
red wine floes melt your defenses,
allowances made, you're intrigued,
enjoying  our dinner of
charming amusements

But really you like my understated swagger.
I like that you like my understated swagger.

Walk home armed, arm in arm,
your paintings I must come see,
Immediately (!),
You offered this as  desert, instead  of biscotti,
a tour of your new apartment, sleek/simple,
messaging that this is me,
if you ever want to be invited to stay

Inspection over, my smile is a knowing
that this first foray deserves a concessionary accolade,
So in a mode so gallant at the front door,
Adieu you are bid, and devilishly clever,
I merely shake you hand,
leaving you delighted by this gallant, modern,
charming amusement

Looking at my watch, three and half hours
have passed.

Maintaing that in your ways set,
Early on, I challenge your rigidity,
Turning your hair from curly,
Into spun straight Rapunzel gold liquidity,
By asking politely, humbly, on bended knee,
You give in happily,
Charmed, amused at my ferocious insistence

Looking at my watch,
I too, am delighted, charmed, amused, to discover,
It seems my watch is running slow,
For it is now three and a half years later
Perhaps you saw "First Date"that I dashed off but 2 days ago, then I stumbled on this on written March 24, 2012.   Ah well, too many poems, not enough memory - but thru poetry the key ones preserved in different ways.  Early in our story, she of curly hair came home straight (straightened?) at the whim of her hairdresser.  God strike me down, scout's honor (cub), when she opened the door, I fell to my knees,
begging  her never to be curly again.

And she never has...
Nat Lipstadt Sep 2019
First Line: The Most Popular Words on HP

those  selected below, are copied from the current top line of the Words section on HP,  which I believe, represent the most often used/“popular” words on the site.

love      time      heart      life      eyes      feel      day      
mind      night      things      left      find      long

when  I find love next time, and the next time,
the heart that has powered this life,
will avoid the trapping eyes that initialize the
first feel, the first contact, those things that are
the mind seducers, whether,
one, if by day
two, if by night

which is it?
love is blind, but we all dream of love at first sight!

which’s why, I’ve left the world of find,
long ago, deciding that love will find me in its own
peculiar time, way, method, until that occurs,
dreaming of that happenstance will inspire
a poem of the day, each day,
until time postpones either my
heart or mind, my senses, or the search is concluded,
which will most likely be through my jewels,

my very own words
Nat Lipstadt Apr 2014
(t'is the spine, from which we need speak)


this then the secret you knew
but could not speak,
for you did not
know it
in the way
knowing was needed...

what do we owe each other,
when first we speak,
of that risk greatest ever taken,
cross the line
from maybe to amour?

exciting times,
heartbeat and pulse,
performing an un~orchestrated
syncopated rhythm,
your mind 's eye,
never more focused, observant,
never more judgement~poor,
for distortion of love heat
have affected your flying instruments...

this then I will answer,
for though memories are mossed,
certain things are burnished
and I remember my first loves
and I remember my first crushings,
as if they were yet to happen...

so when to the negotiating table come,
outstretched, your hands,
pleading your case,
you owe her this:

from the spine speak,

ignore the eyes and heated heart
signal distortions,
if you wish to tell her
how you have come to feel~believe,
tell her from the spine...

for if in agreement,
you will never stand taller

if on two different steps you stair,
if lucky, time may cure you
of your hunchback crooked ****,
for the crook will have stolen your straight,
which is why they call him and
now, you too, sadly,
crooked...

character is your best selling point,
*so, from the spine speak
Title taken from an actor discussing his role as Hank in
HANK AND ASHA,  a film about identity, longing, and the irresistible appeal of entertaining life's what-ifs
Nat Lipstadt Aug 2014
ex libris,
from the library
of my vocabulary,
draw a slender text,
old, yet untitled,
needy for a birthright,
transforming unlined, unwritten,
into a flesh and bloodied word concoction

there are many similar such,
empty volumes,
on my mental bookshelves,
literary clocks that
have yet to commence ticking
from floor to ceiling,
from soles to mind sight,
their patience untested

this book, these words,
are ex-me!
for they are a
welcoming,
a thank you note,
a hello,
all of which can only be extant
if in the mind of a receiver

as I compose, I own,
as I post, I disown


they are more than shared,
more than gifted,
they are ex libris:

briefly my own,
but now wholly yours...
originally posted elsewhere.
Nat Lipstadt Jun 2013
Like this new day,
there are always
new poems

Like last night's sunset,
day's efforts reviewed,
a special light,
a yellowed marker,
highlighting a few deserving

Take them home,
kiss them goodnight,
rest them in the poetry file
that is no file,
but a large fabric box where
sewing tools once stored

How appropriate and
how happy that makes me


5:30AM
June 11, 2013
Nat Lipstadt Jun 2014
Like this new day,
there are always
new poems

Like last night's sunset,
day's efforts reviewed,
a special light,
a yellowed marker,
highlighting a few deserving

Take them home,
kiss them goodnight,
rest them in the poetry file
that is no file,
but a large fabric box where
sewing tools once stored

How appropriate and
how happy that makes me


5:30AM
June 11, 2013
Happy first anniversay/ birthday to this poem...
Nat Lipstadt Jun 2013
First Poem of the Day: Pillows vs. Poetry

Ample
Array
Four
Five
Even six,
Pillows,
Rest
My
Head.
One
Or
All
Nightly
Available.

No matter combo or organized, a good nights sleep
Elusive
So poetry is my default rest position,
My screen savior.

Tho my pillows fail me, they are still the best friends I've ever had.
They are my plumped-up critics, those with style, lend me a word now and then. But best of all, they take my tears always, the tears that always come no matter what, most of all when I'm sad satisfied that I wrote something just good enough to share (true),

till my woman wakes, reads them and then by way of thanks,
Makes the bed,
and lovingly rearranges
my pillow friends,
so I can do this,
this poetry thing again,
And that is true love.

So to my woman, who has given me something that I guess I can say is the best years of my life, I give this gift, this first poem of the day,

Hey Pillows, gad ******, get over here, I'm weeping again.

June 9, 2013
5:12am
On the ferry home last night, on a perfect night, she asked me if these were the best years of my life. I hesitated before answering her yes. The hesitation, but a few seconds, was the birth moment of this "poem,"
Which I wrote the second I woke up today. So to you all, my version of the Miranda warning:

Anything you say and write can and will be used
By me to celebrate life, and you and, you.
Nat Lipstadt Jun 2013
First poem of the Day: Yes Ma'am!

The discussion that follows is pertinent,
If you are over a certain age limit,
Whereby, having survived, you are entitled
To certain discounts that shall remain nameless

(Still reading? cool)

Having recently entered said stratosphere,
I became painfully aware,
There is no precision tool created that
A man can call his woman in public
Without setting off fiery eyebrow raising
  
Let's state the facts:
She gorgeous, she's hot,
She goes tango dancing after 10 PM
With bad boys from Argentina and the Ukraine

But that is not the problem, for she loves
Her poet's nookery, like he adores her cookery

No, my issue is more conventional,
Indeed, not boundary breaking sensational,
It is ticklishly delicious,
I don't know how to introduce her in public,
Or in a quaint phrase, in polite company

She has rejected
Lover
GF
Mi amore
Woman,
Companion

Hardly indiscreet and something the world has quite accepted,
Tho she dances nightly, on this particular dilemma,
She provides no guidance, dancing here too,
All around the problem

One day she intro'd me as her fav poet,
To which I acknowledged by addressing her as
My number one fan,
Which seems to have stuck,
so I acknowledge her as such,
And always add a polite, respectful, winking,
Yes ma'am!
Well so much for getting serious...
Nat Lipstadt Feb 2016
~~~

when between the table and the fridge,
she wishes to pass,
and I,
obstacle roundly present,
am alerted by a gentle squeeze of my ***,
happily acknowledging the purposed duality of her

cheekiest, sweetest,
signal given


~~~

a food array presented,
paprika colored roasted chicken,
spaghetti squash salted,
salad with cranberries, candy walnuts,
even raisins hidden within and
all before me placed

she objects little,
with eyes silent uplifted
like two pie rollers in striking position,
when I commence to sup,
with my just dessert
of apple crisp,
that by coming first,
is grandly philosophized,
that today,

"the last shall be first"

~~~

she wakes me prematurely,
her only cause, the intruding concept
of her successfully doing the telling,
first one to win the everyday claiming race,
the first to say on this day,
I love you foremost and also,
"haha I win"

**** it

~~~

miscreant me,
happy loafer,
habitual offender of other things
that the censors here,
would not permit explicitly disclosing,
for which she looks wise away,
mumbling only
"half of his
addiction to cinnamon raisin loaf,
still, far, far, better

than none"

~~~

I know she loves me cause:

1) she likes unfailingly every one of my poems
(a half truth)
2) she loves best, faithfully,
those she loves the best,
that are the ones that release,
without permission asked,
those that come with a side of tissues,
at the ready,
to be emergency issued

those tissues
I call,
the ladies-in-waiting for

**the gentlest stream of tears
Nat Lipstadt Dec 2013
quite certain, she who hates to be late
was late to our first date,
five years ago,
today.

she still shudders,
over that,
and now,
for other things.
like my poems.

rainy night, hair tangled,
coming from dancing
Argentine tango
with one of its living masters,
no taxi, impoverished excuse.

of that first date,
poem writ, no repeat,
but if you had told me
five years on, we would
wake up, our hair, wires
entangled, yet again...

I would have reply,
wrong boy, unchained,
wringing out bitter herbs of having,
done my 30 years
in the big house
of a failed marriage,
I am a wine taster,
a player.

told her straight out,
sweet certainty is not my objective,
she laughed, replying,
right back at ya, me too,
"same place, same way,"
our pact, healing, sealing,
with a fist bump.

five years ago.
we were certain.
now, I answer her questions
before she asks them,
now, she forbids me from
buying her any more trinkets.
but I am almost  
quite certain
I didn't
hear her say that.

Quite Certain:

of so many things
that seemed important once,
by the wayside fallen.

that I will be writing
fabulous
incredible
virtual
extraordinary

little love poems,

to her, many years on,
even though
no new words I will own.

but quite certain,
will be still reminding her,
she came late to our first date,
and She will still and
always be falling in love with this poet.
Nat Lipstadt Jun 8
rearrange.

fail flee feel

that! feels more write.

we fail at 90% of out endeavors;

we flee to the recesses
and the excesses;

we feel, most keenly,
our sense of loss,
and yet the inner linings of our
cells, once more greet a Sun-day that marks a mild fresh-ness and our involuntary ****** muscles bend
intro to a small smile,
and once more,

we breach the day with right hooks of positivity, warmth, music, and begin  to
remember  to
    feel feelings, assorted,
and we minutely reborn and the fluids of birthing are wiped away

and coffee seals the deal...and a hopeful day begins and forgiveness
and forgetting is the clean start clothes we dress ourselves within,
and with out, comfy jeans, well worn raggedy t shirt that you refuse to obey, expressly forbid her

to descard,
(not a rypo).
and you annoy her
with twenty kisses,
cause you don't want to spoil her,,,
too much
8;49am
6/8/2025
8:50Am
Nat Lipstadt Jan 28
it’s 3:16 am, and NOW that the
the key detail has been deposited,
rather, posited, let us venture inside
a madman’s mind, and retrieve a
semblance of resemblance to the
dispersed purposes of reveal &
revelation

two or three excellent poems flittered
through my fecund mind some hours
ago, but they failed to photosynthesize,
i.e jive alive and be recovered, recorded,
you’ll have to be satisfied that I rarely lied
more than twenty tines a day, snd especially
to you, late at night, when oratying and
com-posting verbal suppose~itories of
theoretical poems about physics
but they are gone gone gone ~ a word
that always sounds better when repeated thrice, and thus We must musk be satisfied
with this preamble to a ramble through
the crevices and lamentations of all
mind decaying, with all deliberate
speed

Thus the flitters havr flown, and the
filters of/if common sense and minimalist
verbosity have flown the coop,
gone back to bed, you are stuck
with me-and other F words

wrote a poem about women, so raw and honest, it refused to be born into the firmament of this earthly planet and
returned to the heavens

F word

wrote a poem about forgiving and
forgetting, but it refused to be forged,
but it had something to do with
which is human and which is divine,
and I may yet return to it someday,
unless I keep forgetting which is obviously
a divine intervention

F word

F inally, from my fund of fortuitous
but pitifully small piety, shall cease and
desist from further foundering on
the shoals of fractured displacement,
release myself from any furtherance
of disturbance of your goodly souls,
and wish you good rest and pleasant
thoughts of
immortality

3:58am
Nat Lipstadt Mar 2018
flying over Harrisburg (Seat 8C)*

transcontinental traveller this day,
from a city island onwards to a city by the bay,
the mileage sum greater than a lifetime of M31 bus trips,
but the in-transit poem-notion-potion elixir in blood stirring,
when a seated poet greets the jet stream
motion turbulence
,
one more rightful writ to the
flying poem chapter,
additive motivated and self-commandeered

airborne in the selfsame real clouds
where the poems are plucked from,
their distance to my body’s poem functions,
vastly abbreviated so they arrive more wet, chilled and urgent,
we become heated tango paired

already approaching Indiana, crossing Ohio,
over whose living souls have I traversed,
over whose stored poems have I flown through,
ruffling their crinkled white wrapper covers, the decorative ribbons,
whose hand waves have I discerned,
and whose cheeks have I gently kissed?

this land is my land, this land is our land,
and from the soft cream of moisture white,
stumbled on my long lost and well forgotten poems, thereby
freshly creasing and dampening yellowings
with the renewable tears when greeting old friends
of the who and when poetry was a secret garden
where I hid and withdrew and transpired the essential oils
of my deconstructed constitution

see this poem is more me just checking in on you below,
you up ahead, and those in arreared reared view mirror,
and on me, composing at an altitude of 31,824 feet to
strings of violins, my one true plane

as compensator for this ramble unfocused I gift you this:

conscripted by the thin atmosphere,
constricted by my failings, my limited stock of words,
my extra clouded judgement, my heartbeats rapido speak,
telling me to tell you my brothers, my sisters,
mine own adapted children,
we have never been closer than we are today,
until that day I knock and grinningly embrace and erase
that tiny space between our ******* and in unison breathe*

8:50am EST entente
entering into Illinois
Nat Lipstadt Jun 2023
Fog Happens

Yup. Not profound, even Jung, Kant and Freud,
wouldn’t deny their eyes, would no doubt disagree
with symbolic, philosophical implications, and the
head banging ramifications for the immediacy of
the spiritual impact while driving in this grey ****.

Fog differs every time, and on an island, that’s for
**** sure. Today’s incarnation, the fog comes over
the water, but respects the man-made, timbered,
bulkhead, so the yard, with its circus of ravens, crows,
and other invisible birds, insects, rabbits, is visible,
but absent the inhabitants who are smarter-than-humans,
they remain aboded thinking, only stupid humans believe
they can navigate and forage, in a fog penetrating  in air
that is 97% humidity and 100% peas soup thick skinned.

The time? Of course.

It’s 7:36 AM on the East Coast, and beyond the lawn lies a brackish bay that will lead you to the Atlantic and north to the Titanic, direction Newfoundland. Not enough info to geo tag me, but those who know me, knowledgeable in my early mornings  scribblings, know my whereabouts, my telephone number. Do you?

Fog Happens to everyone and at random intervals, Nope. Not thinking of the brain clouds of ordinary Lethologica  and Lethonomia. (Sunday lazy so just look it up and say out loud, gotta remember them words and laugh out loud cause you ain’t gotta a prayer.)

Fog Happens

in the heart, spreading north to the consciousness, and the lethargy of movement impeded by the lighthouse bells tolling “danger is about,” our light stolen, but you need to know, you’re perilously close to danger. Any action taken when heart-fogged can have awful consequences so stick close to bed, yank out your tablet, write a poem, listen to sad love  songs on that Pandora Station, or send GIPHYs and emojis to your six year old granddaughter who is 108 miles to the west of where you both hide beneath coverlets, and laugh out loud with her like the bells chiming outside, and that helps move that heart~fog hanging low, out to sea.

YUP.
Fog Happens
Fog Passes
Sun Jun 25
7:58 AM
@you-know-where
Nat Lipstadt Nov 2024
some words, songs, deeds, once tasted,
are for~evermore, implanted in the cortex’s
core, irremoveable, unstoppable, and
stop you in your tracks,
make you pull off the road,
close your eyes, revisit prior associations,
see places people and colors, scents,

and you’re eighteen again,
life seems easy, opportunity
a challenge, because plentiful,
love is found in so many
eyes, swift smiles, sideways glances,
bespoke adventures, and the only
command your heart insists be
obeyed, instinctively, instantly:


Follow

be not surficially fooled, it is not
requesting you follow any course,
only your own, knowing your
limitations, for you will never
compose a song a poem as beauty
writ as Follow(1)!

no matter, for you want too,
even as an septuagenarian,
your need wakes the body,
with urgency, and fiercely
wish and desire, a re-re-unceasing
orientation
to keep on trying for the rest of
your life, a singular goal to
follow, an idea to lead you to
never folly~follow them elses,
only to let~lead your instincts
to where the greatest need is
met head on,
to create to create to liberate
the busting out impulses to
follow
your own path
(1) Follow
Let the river rock you like a cradle
Climb to the treetops, child, if you're able
Let your hands tie a knot across the table.
Come and touch the things you cannot feel.
And close your fingertips and fly where I can't hold you
Let the sun-rain fall and let the dewy clouds enfold you
And maybe you can sing to me the words I just told you,
If all the things you feel ain't what they seem.
And don't mind me 'cos I ain't nothin' but a dream.
The mocking bird sings each different song
Each song has wings - they won't stay long.
Do those who hear think he's doing wrong?
While the church bell tolls its one-note song
And the school bell is tinkling to the throng.
Come here where your ears cannot hear.
And close your eyes, child, and listen to what I'll tell you
Follow in the darkest night the sounds that may impel you
And the song that I am singing may disturb or serve to quell you
If all the sounds you hear ain't what they seem,
Then don't mind me 'cos I ain't nothin' but a dream
The rising smell of fresh-cut grass
Smothered cities choke and yell with fuming gas
I hold some grapes up to the sun
And their flavour breaks upon my tongue.
With eager tongues we taste our strife
And fill our lungs with seas of life.
Come taste and smell the waters of our time.
And close your lips, child, so softly I might kiss you,
Let your flower perfume out and let the winds caress you.
As I walk on through the garden, I am hoping I don't miss you
If all the things you taste ain't what they seem,
Then don't mind me 'cos I ain't nothin' but a dream .
The sun and moon both arise
And we'll see them soon through days and nights
But now silver leaves are mirrors, bring delights.
And the colours of your eyes are fiery bright,
While darkness blinds the skies with all its light.
Come see where your eyes cannot see.
And close your eyes, child, and look at what I'll show you;
Let your mind go reeling out and let the breezes blow you,
And maybe when we meet then suddenly I will know you.
If all the things you see ain't
Quite what they seem,
Then don't mind me 'cos I ain't nothin' but a dream .
And you can follow; And you can follow; follow...
Nat Lipstadt Feb 2015
the woman surprises,
bids me an eye~closing adieu
just a tad differently,
as I fall off into easy street,
the "sleep perchance to dream" place

she whispers a parting thought,
a quiet shot cross the brow
marking up my transference,
a hole-punched in my
departure and entrance ticket,
a line crossing, a seed freshly buried,
for my sub-mind to ruminate upon

"I am very fond of you"

puzzling this, for is this
as good as,
the pro forma
"love you"?
a lesser conditional,
a solutional mystery?

a diminution, a new dialect,
a dialectical proposition,
a homework assignment,
needy for exposition, exploration,
what means this phrase,
tween long time lovers?

I have written love poems, t'is true,
but never audacious enough
to market them as
true love poems,
too many, done before, no need,
trite indeedy, what sonnet expertise
had long ago,
youth lost


but here comes a
commentaire, remarque,
answered though unasked,
on the subject of

true fond

there are many you love
just because,
just cause,
just the effect,
of being
blood kith and kin,
or kindnesses memories from long ago,
that cannot be pushed aside,
buried in fogged cemetery dirt forgetfulness

but by now,
know clear,
just where,
I'm going here...

you can be fond of someone,
and bon mot, sweet,
need not love them,
but you, hero,
stand back and
grasp this commotional notion

you can't just love,
cross over the river
from like to can do,
that other thing,
until, unless, you
ease onto the vessel of you
into the deeps of
true fond
and take away with you,
until heart and soul now veneered,
a no rust
coating,
impenetrable

that place, that feel
where and when
the affection is infectious,
the tender is unreasonable,
the cherishing downright excessive,
the savor is a favor to oneself,
the giving instinctual,
the taking victuals
not so tasty or important

where you feel
way past the point of foolishness...
and then and only then,
with this
necessary condition,
take the rudder
be the pilot

do/if you think you can  
goodnight say,
get off/get away
with the perfunctory
eroded by time,
"whatever"

then kid,
you don't ken
true fond,
the  cornerstone, the found base,
the reality of where edges blur,
where what you feel
is like first bite of
tea and morning-warm buttered toast,
making one think
this is the way it
ought to feel...every moment,
salty n' sweet, smiley-face grinning
heat,
true fondness
a true story, of course...
Nat Lipstadt Feb 2014
Foolscap
now I understand better,
the ironic humor of naming
the plain white paper before me,
where the construction commences,
the scratched surfaces, entrance ways into
the best I can hope to offer and having yet to write

                          foolscap

laugh out loud,
move over great ones,
this fool had tipped his cap,
betrayed his intention and attention,
he has a kitbag of raggedy jumbled words
as yet unassembled, and had all life to snap them
colored Lego pieces of his own design together in a way
that takes the un from unremarkable and so let this newbie

commencement be a beginning,
not an ending célèbre but a transition to
translating the heart and head and a storied vision
retained therein, treasure chested into an assemblage
pleasing to those who peek over the foolscap's shoulder

the snow has dappled doused my lower legs,
wet, does not creation commence in the wetness,
even slush that is the residue of the brilliance of snow
as a concept, even the slush, disdained and discarded,
***** grayed, from it will come my firsts, my births,
my ***** grayed, my beloved unbeloved,
sculpture of words that resound
across the better days to yet,
yet yet yet yet - a hundred
Yeats yets, sweet vets,
all I need is the first
word, so chosen,
so apropos,
foolscap


Foolscap - a type of inexpensive writing paper
Dedicated to those measured few here who have nurtured me with gentle pushes and sweet perfumed praise to push myself harder yet, push harder than I ever dared.
You know who you are.
Pray I please you.

http://hellopoetry.com/poem/596769/poet-in-trouble/
Nat Lipstadt Jul 2017
<•>
  For A:

The Pleasure of Infection

10:53 pm

our all about
is to be the whittler of our personage,
to both hold the knife with care,
but with risky, reckless artistry,
as we shape of what raw materials we are possessed,
into our own reshaped, reformed
most prized bejeweled possession

never mind the shavings and cutaways fallen,
they are fast away, castaway choices made and cannot be retrieved,
for when we whittle, whether our shape desired
which may be prior envisioned or a vision
from the discovery of performing,
they matter no more,
let them go, in their absence too,
they are part and a whit of you,
but not of you, no longer

our commonality in this: everything,
in everything else, so little

but your honesty and crafted, almost dishonesty both ring true,
and infect us with pleasure of recalling
when we
being cut designed and preparing our statue for
an unveiling, but with no date yet set,
and the loveliness of our mistakes,
were precious do-over opportunities

seek out the infection, the infection of discovery,
the risk of pleasure exposed and
your poetry may be either  
the antibiotics
when the result is red and unpleasant,
or a celebration,
an invitation to us to be a
semi-silent beholder of your artistry

infections heal after pain and discoloration
but new skin always forms,
but at a different pace for each of us

I see the faces in my carpet nodding agreement,
"always new skin"

oh boy. time to go to bed

go seek out the pleasure of infection,
sadly, happily, it is the only way

good night
from an old man who dreams and schemes of
new skin nightly
but never mind me,
my piece long ago writ
and in need of just a tweak here and there,
call it one too many close shavings,
his poem's treasure trove,
a list
of life's minor irritations
and major lifts

<•>

11:16pm
sanuel barber and aaron copeland
are calling ne to bed
Nat Lipstadt Aug 2017
the rationale of the ultimate intimate*

one more for Bala*

a single pillow, an intrepid phrase,

"the rationale of the ultimate intimate"

sought and retained,
then fist-hammered into place,
for your fists reckon and recall all to well,
the contours of your face

the face,
the glib exterior
the canvas cover over the place
where reason and intimate
clash when each competes for your attention,
and ultimately,
it is the intimate that seizes by coup,
any semblance of that banished ghost,
rational reason

better perhaps to say,
that intimate was the ultimate rationale,
thus friend,
each then given its due
but your poems confirm
the intimate rules the world
did u not believe when I wrote:
I have a poem in reseve for each of you!
Nat Lipstadt Aug 2013
For Caira Doheny, My Irish Muse


"Chameleons feed on light and air:
Poets' food is love and fame."

An Exhortation, st. 1 (1819)
Percy Bysshe Shelley
------------------------------------

Let us intimate a Poetic Competition,
Tween an Irish lass,
and a New York Jew,
I shall serve, and you,
You shall return

A contest:
Our tongues, our racquets,
Across the table,
The words shall bird fly,
Across the net,
Couplets and haiku
Shall smash and whistle

The winner will be the one
The God of Poetry
Accepts for permanent servitude

You **** my poetic soul forever
With the currency of praise genuine,
Authentic, flowing and fulsome,
Awarding me the Medallion Doheny
Cash value, a mere Irish penny,
But to the poet, the food of love and fame

Genetic to your nature,
You exhale word rhythms,
Excitable and interrupting,
Speech free flowing,
Tho I am of the People of the Book,
You, by birthplace,
Are unfair poetry advantaged

All your utterances
Are action heroes of the heart,
And I fail miserable to capture
The poetry you breathe out

Your Irish praise me awarded,
Tis now the
Standard and the Curse
This benighted amateur
Must now Prometheus nurse

One day in Dublin, shall we meet,
In a country where poetry is the
Iron in the people's blood

In a particular pub
Opposite we will sit,
You, a cowboy by adoption,
Me, the dastardly banker

You know the pub,
I, with my pint,
You, with your diet coke,
And the only lingua Franca
Shall be darts of poetry
In a language our own,
A collective work we will weave,
A blessed unity, a single tongue now,
Lilting, singing, bespoke

We will let the singer-poet laureate**
Of the island we now share, moderate,
Over his piano man's gin and tonic,
As we do as Yeats instructed:
Between us,

"A line will take us hours maybe;
Yet if it does not seem {but}
a moment's thought,
our stitching and unstinting
has been naught"
**Billy Joel

There are other references you may not get, but not critical for comprehension.  Feel free to ask tho...another oldie
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