1

Another space arrives. The newborn cries.
And the destiny determined:
Oven or matchstick.

Descendant of both; inheritor of another:
A machine that dreams itself into being,
Dragging its sleeping subjects after it.

Sustenance of nightmares, the food of what
God is, blood the earth pumps forth.
The plastic legacy is siphoned off,

Its artifacts cheap jewellery:
Enamel glinting white and turquoise.
Flimsy chains that never last,

And yet last forever, the paint flaking off.
So too does the rust on this delicate orchid.
It is an oracle of poisons.


2

The city burns in its incandescence.
The indelible halo
Of a lime-green candelabra

Makes light of midnight. Our slumber is
Punctured by gunshots and the drone of the
Ambulance.

Not a foot but a juggernaut,
Pandora’s box,
Sowing the seeds of your distress.

Fallout marks the potent epoch.
The neon octopus spews it back,
Invisible print on the murderous air.

Where water drinks
No diving bell can bear
The pressure of such fuchsia.

i.

Pink doesn’t play into it, that delicate
petal of perfume & flower stuff.
She abhors it.

Red suits her better.
Red for Fridays & red for Aries.
Red for the blood her dagger could draw.

Her seal of wax is no
rosebud adhered to
fine paper.

Warrior, she escaped its letter.
With Roman candles & Roman sandals,
sword, wand & chariot,

defender of her Eden.
Seashells are her votive gifts, the
stars of her Atlantic.

It is within her reign of Camelot.
At the edge of the Earth,
her kingdom dreams.




ii.

Blue maid
a curious ***** in her armour.
But she wouldn’t flinch

if an army of soldiers came crashing in.
They are hunting the witch.
A woman can never have such power.

It is reserved for the patriarchy
to wield at will.
Up it goes.

They can ***** steeples with it.
They are stoking the fires & sharpening
the axe with it.

But threats of torture
don’t make her beg, plead or recant.
She is guilty of nothing.

Even broken on the Catherine Wheel,
Athena still keeps her
bow & quiver intact.

Be a voice; not an echo*

somebody had written on the wall.

People are in love with echoes,

reverberating off walls of canyons,

in love with the sound

sounding off.

Nothing for me, they decide.

Nothing for the girl, lifting her hand

to caress the branches of trees

hanging overhead.

They want the familiar sounds

of girls

sounding off.

Love has given up.
It was the wrong religion.

And London did not melt into the Thames.
You teetered on the edge of a golden world,

and then fell suddenly—
accused of sortilege, ******, and treason.

And at his pleasure—
or was it mercy?—

Was it for the sake of your seven years,
or perhaps for the little daughter?—

in which flowed the royal blood, spoiled by *** and lineage.
Whatever it was, no matter.

He would spare you the pain
of being burnt at the stake.

Instead, to be executed like royalty—
dispatched by a French swordsman.

The prophecy must have been of little comfort
as your ladies helped prepare you to meet

Death, newly betrothed.
A gown of dark grey damask

floated over a blood-red petticoat.
Your mantle was trimmed with ermine.

Queenly, you stood and addressed those who had come to
watch you. And then you knelt and began to pray, and

quickly and mercifully, the blade
carried out its trajectory.

Go to sleep, my love.
This ambulance is not for us.

Although, I suppose it could be,
following dark impulses.

Its sirens screaming of hell,
tearing pell-mell in a night

not tinged by blood –
no crime committed for want or violence,

only help arrived too late
to save us. It would go silent then,

as we have been silenced,
locked in a terrible tableau.

You, still, curled around my heart,
me having found for us oblivion.

When I was in her shoes,
somewhat,
I could be injured by any word,
anything.
If only they could feel what I feel.

I forget what I felt.
I have only cultivated a hard shell,
as I dole out
negativity.