Your moth light is supposed to
sustain me.

I am told to discredit
my sun,

its fuel unnecessary,
yours enough.

What do shadows live on,
this light?

I am the keeper of your
caterpillar dreams.

The sting of raindrops,
a thirst for outdoors.
Dusk, and the
whisper of leaves,
a certain silence. The evening hangs
still. I want to observe the
moment of change,
the discovery of strength,
a joining.

Not quite a hurricane
but a wind that still blows,
holding love aloft.
I prefer to be behind the scenes
like god,
observing the audience
through a ***** in the curtain.

I am prophecy self-fulfilled,
but I’ve been before mistaken.

Surprised to learn
that they embrace what they ****.

Be a voice; not an echo*

somebody had written on the wall.

People are in love with echoes,

reverberating off walls of canyons,

in love with the sound

sounding off.

Nothing for me, they decide.

Nothing for the girl, lifting her hand

to caress the branches of trees

hanging overhead.

They want the familiar sounds

of girls

sounding off.

and between you and me is the world

and between you and me is a language

and between you and me is culture

and between you and me is a war

and between you and me is religion

and between you and me is a wall

and between you and me is perception

and between you and me is ourselves

The honey in the lion sounds like a delicious thing––
a gentle balm capable of subduing
the cruellest of monsters.

According to the stars and tattooed,
you fancied yourself king of the jungle––
lazy in hot African afternoons.

Golden and tawn with sleepy sun-gold eyes,
shaggy mane, muzzle red with
the blood of a gazelle.

Did you think me such easy prey?
Or was I so much fermented honey,
only a sweet intoxicant.

Sun warmth seeps from jungles of cold concrete.
I mistook your gargoyle wings
for those of a guardian angel’s.

I overlooked your rough skin, your
crooked hawk nose and your skinny ribs,
and assigned fine things in you that didn’t exist.

So duped, I acquiesced to your slimy kiss.
Your mouth a neglected cemetery,
teeth a row of mossy tombstones.

Vampire. Incubus. Your seduction like grotesque death.
You named me tempest in a teacup,
but I was the eye of the storm.

Until the night the eye was eradicated,
and the storm blew in,
striking me dumb with your sound and fury.

But no spattered blood and no spreading bruise
to be found in the pattern of the kaleidoscope.
No cause for alarm.

Today I am lost in a picture show,
a beautiful world coloured by nostalgic past.
Women’s lips the vivid red print of a velvet valentine.

Head in the Clouds, I fantasize about a certain scene.
Because you think violence is ****––
retaliation – ******* in my dream.

Give me an eye for my eye,
for all the eyes you plucked, from women and breadwinners.
Give me blood running down your back, sweet as honey.

birds of a feather
no one has put

two and two
together

daisies gone
Occam’s razor

and he
our common denominator

no monsters under his bed
but in it

scars ripped open
I thought had healed

hurt to heal
heal to hurt

words I had never spoken
out loud before

hot lava
righteous anger

memory loss &
found negatives

was that a kindness?
to ply me with alcohol so that I wouldn't remember?

two weeks
no sleep no eat

hurt to heal
heal to hurt

a new hurt
to contend with

suddenly ghosted
back in the dark

like all dark
eating away at light

till only the stars remain
maybe signalling

to one another
I see you, I see

you, I
see

When I was in her shoes,
somewhat,
I could be injured by any word,
anything.
If only they could feel what I feel.

I forget what I felt.
I have only cultivated a hard shell,
as I dole out
negativity.

Go to sleep, my love.
This ambulance is not for us.

Although, I suppose it could be,
following dark impulses.

Its sirens screaming of hell,
tearing pell-mell in a night

not tinged by blood –
no crime committed for want or violence,

only help arrived too late
to save us. It would go silent then,

as we have been silenced,
locked in a terrible tableau.

You, still, curled around my heart,
me having found for us oblivion.

i.

Pink doesn’t play into it, that delicate
petal of perfume & flower stuff.
She abhors it.

Red suits her better.
Red for Fridays & red for Aries.
Red for the blood her dagger could draw.

Her seal of wax is no
rosebud adhered to
fine paper.

Warrior, she escaped its letter.
With Roman candles & Roman sandals,
sword, wand & chariot,

defender of her Eden.
Seashells are her votive gifts, the
stars of her Atlantic.

It is within her reign of Camelot.
At the edge of the Earth,
her kingdom dreams.




ii.

Blue maid
a curious ***** in her armour.
But she wouldn’t flinch

if an army of soldiers came crashing in.
They are hunting the witch.
A woman can never have such power.

It is reserved for the patriarchy
to wield at will.
Up it goes.

They can ***** steeples with it.
They are stoking the fires & sharpening
the axe with it.

But threats of torture
don’t make her beg, plead or recant.
She is guilty of nothing.

Even broken on the Catherine Wheel,
Athena still keeps her
bow & quiver intact.

I imagine her night –
her winter, her dark – better
defined your light,
the same way black velvet
offers a showy diamond.

A diamond,
your diamond,
full of beans,
along with mine,
full of shrieks,

seeds we’ve germinated.
Yours is tall and yellow;
mine blue and pensive.
Kindred, we
dream a garden for them.

comely, maybe
but not beautiful
my features are as round as vowels
and I carry the moon in my hips
I am an unpolished beauty
smooth pebbles resting at the bottom
of a cold clear stream
with an empty purse
imagination
my only currency

in this world
I am a shrinking violet
occasionally a rose
february-white
caught in your button-loop
long-stemmed red roses
stalk runways
hollywood bombshells
are bubbly as champagne
and full of flesh and light

but *** sans love
is still an empty bathtub
whatever happened to pin-up girls
long cigarette holders
and muted photographs?
I am distorted
in the fish-eye view
of the modern lens

in my fantasies
I am no longer sand and loam
I glow like a tall slim candle
though I am often numb and dumb
and my girls are as absent
as long lost unicorns
I am the bohemian princess

I travel through foreign lands
clothed in exotic costume
a jewelled headdress, and
indian pyjamas coloured sapphire,
turquoise and cayenne-red
my feet are near bare
and my hippie hair
is a mass of blonde curls

I take a sojourn in
southern california
warm desert air
soft against my skin
I surf in the salty sea
held buoyant by the waves
a sunset stains the sky tangerine
the palm trees
black against the orange light
click teasingly in the breeze

Night lowers its curtain of silence,
my only time to steal away, and
**** the flavour out of every
lovely rind.

It is its lime
bitterness,
mine to enjoy.
If only I could taste it.

1

Another space arrives. The newborn cries.
And the destiny determined:
Oven or matchstick.

Descendant of both; inheritor of another:
A machine that dreams itself into being,
Dragging its sleeping subjects after it.

Sustenance of nightmares, the food of what
God is, blood the earth pumps forth.
The plastic legacy is siphoned off,

Its artifacts cheap jewellery:
Enamel glinting white and turquoise.
Flimsy chains that never last,

And yet last forever, the paint flaking off.
So too does the rust on this delicate orchid.
It is an oracle of poisons.


2

The city burns in its incandescence.
The indelible halo
Of a lime-green candelabra

Makes light of midnight. Our slumber is
Punctured by gunshots and the drone of the
Ambulance.

Not a foot but a juggernaut,
Pandora’s box,
Sowing the seeds of your distress.

Fallout marks the potent epoch.
The neon octopus spews it back,
Invisible print on the murderous air.

Where water drinks
No diving bell can bear
The pressure of such fuchsia.

Stuffed on chicken wire,
no rooster in the yard.

I’m practicing magic
while the lawnmower rides.

Funny that,
said her valentine.

They hadn’t yet learned
there’s so much to know,

her body opening
like a rose.

Her novelty has faded.
The stars hang back, distant ladies-in-waiting.
The night sky, their palace, is eclipsed by cities
Exploding with neon lights and grotesque trees.
She is too romantic.
Inch by inch, the black sheath is drawn back,
Revealing her smiling crescent.
She keeps a faithful orbit, and stirs
Blue oceans with long white fingers.

In her full sphere
She is a perfect spotlight,
Turning quiet snowy fields into
Illuminated empty stages.
She plays peek-a-boo, uncovering lovers
Gleaming whitely in the mouths
Of beds.
The beauty of entwined limbs
Exposed in her milky radiance.

She is the sun’s soft reflection.
He is never dim, and the black
Silk bag, a sort of corset,
Is ready to devour her again.
The wine is drained from the glass.
Her smile has become a slit.
The single pearl
Gulped,
Cloaked in shadow again.

I become gluttonous
on solitude,

the way a person luxuriates
in furs and silk,

Italian leather,
diamond rings.

The finer things.

What can possibly be finer
than silence?

the edges are stained blue

and no matter
that spring is holding out its hand
in a promise,

spring becomes summer,
summer fall,
and winter again,

and the hours and the hours and the hours

and cities rise
and forests fall

once, gods
are now falling into disrepair,
temples on the verge
of imploding.

War paint I always found unnecessary:
Gloss for manicured lipstick commercial princesses
Not of my kind.

And though I walk with shield, I am without armour:
Ramparts mere cheekbones,
Bare skin impressionable as snow.

Boot-print,
The mark I hated. My characters:
Frail tree rings, exposed to the chill night air.

Gold inlay frozen solid.
The fairly bound dream factory
Lies purple with melancholy.



It’s the world’s bruise. It colours sudden,
Shadowing the other side of the room
Where it paused, rare moth

Lighted upon my dark reflection,
A Mona Lisa dressed in black
And reminiscent of bobby sox.

Beauty without fanfare.
Stuff of woods: we do not glitter.
We don’t call out.

Our tongues are both dumbstruck bells.
Shy rabbits, we fold within ourselves
And sequester our secret pulp.

a thousand restless fingers
pluck along my nerves
and crawl swarming bees
over my flesh
******* dry honey
and I as a comb am empty
waiting on the waxing moon
to bring in the tide
exposed and littered
on the cracked seabed
lighting beeswax candles
impromptu runway lights
for those aeroplanes
who always fail to land
and wasted afternoons
fade into wasted nights
tossing to and fro
I sleep
under the cupboards instead

I created the tools.

I carved the stone and strung the bow.

I tracked the animal’s prints

across fresh snow.

I took careful aim,

steady, steady,

and then let go.

I brought you meat,

the liver & the heart,

and yet you

feast on

crumbs.

Cut the limbs
off a boundary

of trees,
and the police come running.

He was more supported--
there was evidence--

twisted branches
on the ground--

video of it
in action.

It took three days
to go from comfort

to sorrow--
she who freed me

also made me
a ghost.

My i
diminished--

blood on all
my four walls.

I'm still
the only one

who sees red.
His wife doesn't seem to care.

She can always deny
everything

and stick her head
in another book.

Love has given up.
It was the wrong religion.

And London did not melt into the Thames.
You teetered on the edge of a golden world,

and then fell suddenly—
accused of sortilege, ******, and treason.

And at his pleasure—
or was it mercy?—

Was it for the sake of your seven years,
or perhaps for the little daughter?—

in which flowed the royal blood, spoiled by *** and lineage.
Whatever it was, no matter.

He would spare you the pain
of being burnt at the stake.

Instead, to be executed like royalty—
dispatched by a French swordsman.

The prophecy must have been of little comfort
as your ladies helped prepare you to meet

Death, newly betrothed.
A gown of dark grey damask

floated over a blood-red petticoat.
Your mantle was trimmed with ermine.

Queenly, you stood and addressed those who had come to
watch you. And then you knelt and began to pray, and

quickly and mercifully, the blade
carried out its trajectory.

Stars of tragedy.
Stories of their untimely demise
Told soberly in newsprint.

Stretching from Africa to Mexico,
Victims of natural disasters, crime,
And of being in the wrong place at the wrong time.

What was here is lost.
What was warm is forever gone.
These envelopes that remain can be stamped with anyone’s address.

In the end, it’s all the same
Dust
That settles in the melting ***:

Empty shells littering beaches,
Dried-out husks,
Vacant houses.

Before that August--

(strange month                                        echo)--

bloomed in the east
sunrise bomb                                           sunset dawn

you sometimes
                                                                   rose
(unbidden)

to the surface
of my mind.

These were some of my triggers:

Calgary                                                     (always Calgary)
me too
Christmastime.

And all the times                                     you attempted
to reach out to me

(sucker punch                                          sleep ****).

And then that August--

(good mornin'                                         bombshell)

the news--
for shame.

For I had fallen for the lie
(while you talked all the while
                                                                 in your human voice).

So you like 'em young.
So you like it rough.

August sun                                            beat me down.

It took this glaring
of a light

to show me
the darkest                                             of men's natures--

and that I knew them
intimately.

The clocks wind down,
and soon the Earth will spin
tightly again.

How many passes do we need
to take a conscious breath?
How many paths?

The curtain lowers
before the curtain rises again.
I find myself staring at the red velvet,

the in between.

History forgets violence, cold-
blooded, the extinguishment,
and if not, the raw,
steadied torture.

This tenderness
rose from a river of blood.
Flowers in the garden,
wafting for no particular reason,
except a calling for bees.

Beauty I pick up on,
beauty like a sunset in the field,
blooming poppies,
just another revolution,
a day on Earth.

What are these bodies, these
limbs, giving up their sap
and heat? Who decides
who dies, who lives?

What is cut down is
cut down, and
bereft children
grow in their place.

Would you leave me lost?
I could use the stars as guides,
and yet I could find
my way
so much better
by the light of the moon.

Would you leave me breadcrumbs?
I hope the birds
would not have picked them clean.
There might be branches broken
through a rough pathway of trees
that I could follow
in hopes of tracking you.

O, but darling,
the darkness is absolute.

You are beautiful and I am not.
We are the habits of our forefathers.

We can choose to forget them, let them
Drain away like sand through glass,

Distant dust of history. As much as we try
To remember, desire is stronger than memory.

Sometimes I turn to sculpt soft clay,
Loose and stark in my hands.

And then I abandon the mess. I should keep
My fingertips stained red for effort.

I remember dreaming a vision:
Heroine of my own story,

Walking the grey beach in winter,
Projected far into the future when I might realize it.

Clay does not sculpt itself.
Prayers go unanswered. Here

I dwell in my own lit house,
Multiple yellow lights

Floating in the dark, mirror for
The starry night that I might see.  

We’re the only species with
Wings on our feet. We’ve molded

Paper into something precious.
Currency of kings. Gold origami.

Honeyed words remain my nectar.
Rome is a daylong process that is for ever.

To shape is a practice
Known by time and being,

That I may become a living embodiment.
That I might find grace in a raised arm, a bent leg.

That I might see myself through a filter of love.
That I might remember there are no

Comparisons.
That we are beautiful for our very selves.

the latitudes of freedom are not hard to measure --
though they can be difficult to achieve.
there are limited means, and a day --
dashed by uncooperative weather, the wind
outside raging like some mythical beast --
blowing the snow sideways, piling the drifts.
and so the day unfolds in the usual way,
and the night -- the foreseen sleep interrupted,
as it has been for years, and the road ahead --
while invisible still -- promises more of the same.

A sky, pale after sunset,
is darker than a blue one at midday.

It’s your light I love,
shining from your smile.

Innocence has such light.
I’ll face it head-on. Sweep away

the shadow of my years
with your golden laughter.

morning bleeds in
then blazes
the sky pierced open by one hot star
night melts away, slinky black cat

Tin man, on the eve of tin,
your apology rings hollow.

I think that you
were only trying to

crack a window,
find a space to crawl back in,

attempt to
erase me some more.

Meanwhile, the police
are off investigating

crimes that happen in
real time. They like

to catch their perps
red-handed. Even with you

cast in the limelight,
confirming that what you did

to me was real,
it was my own nightmare.

I know, we fall into
that grey area.

In a garden of blooms
you walk freely,

inhaling and dreaming
of touching

those yet untouched
pink and yellow buds.

We have the look of another place.
The rain forest dries to deepest desert
where meat is on special.

Politeness grips my hand
in a firm shake.

Could it have happened any differently?
Perhaps. But which fork in the road was it?
Where does the path start to unravel?
A change in the way things are
Would have changed everything else as well.

For all the mistakes bemoaned, lessons
Learned – unless vanity stands in the way –
Or the same error repeated
With different actors playing the same role –
Hero and villain alike.

And the split between people of insignificance and
The people that matter – faces splashed on
Tabloids and magazine covers –
The invisible reduced to mere shadows
Floating on the fringes of light.

Shadows have a way of defining the light.
People have a way of shaping our lives,
Setting in motion our trajectories,
The way banks and boulders guide water in a river –
The wind, a fallen tree.

No absence made a hole in the day of someone
Who was never there.
What’s out of our control – people,
Sequences of events. What’s inevitable –
How we choose to react.

after the ***** red day
her dry tongue bruises
the evening
with burning blue songs

You could never picture me in the pockets of my West Coast.
I flew out of your story and into another, and then
Even into another, always the phoenix.

No longer yours, but his.
No longer his, but mine.
Perhaps I suffered these little deaths to forge a heaven with him.

A king, he’d follow me to the ends of the earth, thrice over.
His queen I’m still too shy to let shine through,
A star stubbornly obscured by cloud.

Though before I complained of rain,
On the Island it never bothered me.
Even in the dead of winter it kept the grass emerald-green.

An emerald city:
Ivy shrouded trees; moss fluorescent.
Our castles were those green giants.

Siamese blue to denim blue.
Betwixt the Spit & Seabroom.
It was all I dreamed and ever wanted.

The only thing missing was the garden, the garden,
Sheltered by walls made of cob.
Or a whole house, the air inside delectable.

Tendril of dream,
Is a cinder girl deserving of bees,
Turning honey into mead, of wild things?

No. Exiled to a foreign land,
A barren land; the ghetto forest.
Those halcyon years now only a memory.

Ridiculous to expect the bald
Rocks to yield to a surfer’s paradise, of
Blue-green ocean. Long hairs cannot thrive under puritans’ eyes.

Green things tremble for sun.
For all the rain, I remember the sun,
Filtering down through the forest canopy,

Upheld by the cathedral’s true pillars
Rather than these thrifty spindles. In reverence of true
Beauty, all is quiet & hushed.

The birth of a princess may bring us back.
Pioneers, we’re still in search of our happy ending,
To live lush in nature’s majesty.

I know the Pacific is still out there
Roaring somewhere,
Crashing itself onto stony beaches.

Mists wreath those mountains.
The drums beat.
That muted boom, my thud of heart.

There is nothing to pinpoint of the strange beast.
Only images,

Blurred and refracted,
Fleeing down a hallway of mirrors.

O maestro of conditions,
It is you they are in love with,

A dark sun unaware of its own orbiting planets.
They are the cause of all of it.

Every comet, every lack
Leaves a trail etched across your sky.

And in their eight eyes
Something seemingly whole becomes distorted,

A piece cut out made separate from the rest.
From this gulf appears a war engine,

A bite of venom,
The desire to **** what they can’t.

Darling of judge and jury,
Blame absolves them of all responsibility.

You are the sole carrier of their weakness.
They fill your skin with their nightmares.

Flesh as fruit
Is strictly poisonous,

Bleaching the sheets of the saints.
Now no more –

Vanished,
Like what was found and then lost.

Like what was married and
Soon divorced.

Still, notoriety is a phantom
Floating in cages,

Star player at a masquerade,
Costumed with your own face.

Sometimes I am more

thorn than flower


*but a rose is a rose is a rose

who told you
you were not beautiful?

does that mean
not worthy of their time?

but anyway
they stated as such

if anything
their actions proved otherwise

but no matter
I’m trying not to mind

that I was never real
figment of imagination

whatever you cast me
I betrayed love

and cast heroes into new moons
beached jellyfish

I’m learning to gather bones
painting a canvas

instead of
reading newsprint

sculpture of messy clay
ultimate opus

good gold
honest trinket

bees’ honey
I recognize my self

ageless blue
flame

in all that is
ugly

small practice
sunburst navel design

A lot of people think
it's shining armour that keeps them strong.

For me, it’s what’s underneath,
the bones of the matter
beneath the skin kite.

Let the wind take me and
watch how high I can fly.

How my disappointments frighten you,
the scalding of hot tea that should be comforting.
Chocolate mint, I’ll tell you this: these are
the virgins I have sacrificed, only to give birth
to two. These are the dreams I have traded
for cold realities. The rain is no longer green
and peaceable. The ocean is a perfect stranger.
Sleep evades me; the pillow is no loving cradle.
I am serenaded nightly by the baby’s wail.
Frozen solid in winter’s cocoon, I long to unfold
my wings. And no matter where I come to stand,
violence permeates every space. There is no escaping
it. It is in the square. It is in the mean people, hard
as glass that does not break, unlike hearts that do.

dense as marble, your body
is something to hold onto

after years of chasing shadows,
thin reedy men whose leavetakings

were their legacies, fashioning
(maybe by accident) crude sharp tools

with which to stab my heart.
look at it today,

made thick by crisscrossing
scar tissue. have you ever seen

anything so beautiful
that was broken but

unbroken? here, feel
the heft of it in your palm.

Once
in the old neighbourhood

I had never felt more beautiful
and unafraid.

But I am afraid now
as you stalk near.

My words are naked babies
and I must run.

Swifter beasts than me
have not survived

the chase
across the savannah.

You too struck
quick as lightning.

Do they willingly give up
their bodies and blood?

Are they all too happy
to submit to death?

But I,
I just wanted to get out alive.

No suits are filed
because the lines were blurred.
**** isn’t ****
when there isn’t a clear no.
**** isn’t ****
when you just lie there
and take it.

Feast or famine.
The dry summer or monsoon season.

It’s not as though he had
murdered me.

That would be easier to
prove. There would be

no hiding
the blood of it.

And how I did bleed—
years later,

red all over it.
Improper.

Fuel for the fire.
Combustible.

But nothing trembles
as I weigh the being

of my existence against
what stoppage.

Order or chaos.
Black or white.

What has been spoilt
rotten can never be

golden. These are
the questions I ask myself:

Am I loved? Do I
love? Can I love?

While there is the story
he tells himself, reassuringly:

It was just ***.
It was just ***.

There are worse places,
little girl. Worse hells.
This isn’t one of them.
There are depths you haven’t yet seen,
where the dive alone
would **** you.
The sea monster of my depths,
curled still, and waiting,
waiting for me.
I imagine his hand on my ***.
I imagine all the trespasses
I would never let happen
(never again).
There is the scene of the crime—
I’ll be there once again—
I’ll take a photograph of it
again—
where he knew,
despite the hand that he let caress
its way downward, despite
his fingers that fumbled
towards ecstasy,
he knew—
he knew
that he never should have touched me.

Do you see what I see?
We have descended into the belly of the beast.

Houses crowd together, their dead eyes staring out.
They’ve sprung up overnight like

Ugly toadstools.
The machines on the hill are busy

Scraping away the old. By that I mean
What was there before,

A forest naturally,
And putting up these monstrosities instead.

It can’t be let well enough alone.
There are too many people and someone’s got to make a buck.

The world burns down to the filter.
We suffer the fevers of the dry needle people,

And are left with what has been
Torn out from under us.

Some privy chair propped us up with potions.
Dutiful pawns, riding the arcs they have fashioned,

They pay us a small ransom
To cull and sell their wares.

Simple sticks and carrots are not enough to wake us.
The damage thus wrought we pay no mind to –

Subdivisions, shopping malls, parking lots.
There are too many people and someone has to pay.