Submit your work, meet writers and drop the ads. Become a member
 
Maple Mathers Jan 2016
In the time you were gone, I found myself filled with extra space. Nothing too obvious; not gaping holes in my stomach, nor chunks from my arm. Rather, they were minute cracks that ensnared me. These unwanted holes appeared at random; when someone spoke of sandwiches, I felt a soft ***** in the back of my mind. When I encountered a full moon, I felt a throb in the tips of my fingers. And sometimes, when I caught sight of a dollar bill, a pang of nostalgia bit me somewhere deep down in my chest. This discomfort never lasted long. These cracks never formed one excruciating pain – the kind that fully consumes, but diminishes over time like a large hole in a wall that will soon be filled in. These cracks I felt, this empty space, it affected me demurely. As some cracks were filled in, new ones spread forth. My disrepair did not increase nor decrease in the years to come, but rather, spread out to different locations, as I patched and filled along the way. My foundation as a person grew perpetually flawed, yet remained stable enough to stay upright. My eventual remedy was to simply remember this; I am a structure made of concrete. Wear me down, and all you get is more concrete. In this way, it was okay that you were gone. In this way, I discovered the weight of time and also, the art of saying goodbye.
(All poems original Copyright of Eva Denali Will © 2015, 2016)
  Jan 2016 Maple Mathers
Kiernan Norman
I try to live Here. Here is humid-sticky-underground-dance-hall hot. I’m caught tight in a mess of limbs- bodies stretch and sway from this to Eden. I have never been more lonely. Together we inhale metallic Old Spice. Together we exhale stale tap water hymns. I am breathing all alone.

My tired tongue kicks awake to cheap nail poison as I tap each fingernail against bottom teeth and lightly push three times.
(Four times or eight times. Ten times in one quick, heart-drop minute but who’s counting?
Me. Of course I’m counting. There’s not a beat, rhyme or giggle that hasn’t busy-bee buzzed around my foggy brain. Each thought its own color, each touching down on a different set of crumb-glazed quilts or a different tower of gutted magazines. Each bee is long and thin, pointy in a terrifying way. Each bloated and dripping with a grand idea- which they leave like droppings and are so specifically intense they will never make any sense a breath apart from this moment and this context which crumpled and blew away while I dully, dutifully checked my pulse. I'm alive but my thoughts took off. I can see their exhaust but they fled fast, like they knew I could only begin to gnaw on them. They were born to quickly, maniacally live and die- in and out and there then off and gone.)

Here. Here the walls are chipping off one hundred years, one hundred lives of lead-based paint and are dripping onto the frayed denim of my ****** cut-offs. Impossibly long hair, absurd to call it mine, hangs heavy and wet. The strands shed drops of atmosphere on my (and their and your and-) bare feet. I’m my own sumi brush- my calligraphy is not words, but a footprint-marked path to treasure. Braided bits cling heavy and soaked to the curve of my neck and then billow like sheets hung out in the wind. My sharp, slick scapula must be the laundry line. It’s one of the good bones. Good bones only exist while jutting. The scapula is the beautiful ******* of my skeleton and we finally have made nice.

Here the music is so loud. The bass ignites my dental cavities. They sting and pierce as a reminder of how terribly I’m taking care. Lights blink, the room quakes and I need water.  I’m throbbing and flickering and faces attached to bones slither between each other and grind up into my own perfect focus. They’re smirking.

One at a time they appear with a warm, grainy hand on the small of my cold-sweat back. Each face of bones lean in close, dry and cracked lips that graze my own fever-hot ears. Goose bumps sling up and down limbs and the lips, all smudgy red lipstick and cigarette breath, whisper something to me that is absolutely crucial. It’s something beautiful or something hilarious or something crude but I can’t hear it. I’ll never hear it. They throw their bones back and cackle-laughing so hard it must be painful. All I can hear is my eardrums cracking and breaking, laying the bass for a high pitched dial tone.

One by one they do this and then, with a huge play-dough smile and eyes as deep as I feel, they slowly back away from my flimsy, electric body. I know they’re relieved they didn’t get stung. This goes on for forty straight hours. I feel like the Queen bored and still as they file through to kiss my ring. I feel like I’m at my own wake. I am beginning to erupt. I am lightly vibrating with the burden of militant creativity. I think I'm melting from the inside out. The bones still laugh and the bees, diving like war missiles, are screaming that it’s time to flesh out that novel, string precise words together in a huge, monumental way down golden strings that will change the world for the better and forever hang on God's graceful neck. It's time to record that beloved lullaby and sculpt that masterpiece or put on black clothes, sneak out and vandalize monuments. It is all absolutely crucial and so very urgent. Everything is wailing and I’m nodding slowly because if I do not do it, ALL OF IT, now- right this instant and quickly- I will die having said nothing. I will have wasted my opportunity to matter.

Here. Here the bone-bodies continue to mock me. The room stays dim and damp and I don’t think I’ll ever get clean. After twenty minutes or seventy years the crowd thins out, lights switch on illuminating exit signs and the room slowly, sadly, empties. I am sticky and aching and have never felt dumber. The bone-bodies left their blurry sweat, their empty bottles and their void inspirations like blank fortunes trailing across the bar top. There’s a real, fur, calf-length coat and a fake Birkin bag in the corner. My feet are filthy.

Here. But I’m not really Here. Here is bougy and exclusive. There’s no list but you probably can’t get in because actually Here is utter *******. Here is the moldy bricks and pre-war ceilings inside my head.
Leaving Here is too easy. You blink and you’re gone. Then I try to remember what party I even went to but I’m sitting Indian style and cramped on rough carpet and my back is in knots and everything I’m thinking is slow, melting taffy lose and inconsistent.

The sun starts to rise up pink through broken bedroom blinds and I know that I went way down deep and danced and gripped tight to flurrying ideas and made a big mess and now I’m stuck ripping papier-mâché, three inches thick, off coat-check walls and trying to read the graffiti-ed bathroom stalls but the Sharpie is dripping and I might be illiterate.

The Somethings I came to flirt with are hiding and won’t answer ‘POLO’ no matter how loudly I scream ‘Marco! ******* Marco!’ I’m reeling and under-breath begging ‘and please come find me and let’s make stuff and we can’t waste this and I can’t be a waste.’ But below all the pacing and knuckle-cracking I know that there are no Somethings listening to my panicky prayers. They sneaked out while I was braiding my hair for the sixth time, humming something old and Johnny Cash-y that I remembered and liked and had to Google and perform eight times for a mirror. I sneeze and I want to cry. I don’t think I know how to read. Edges start to blur and the alphabets a mess.

In defeat I’ll wash my face and slide under one light blanket and quickly sweat through it. I’ll lower my heavy, thick-thought and dizzy head onto a stack of three pillows. My vision will fall away from me and stars will explode in a chatty whisper that has be immobile and straining and sore. I will treat them like a sky full of fireworks blazing just for me. I'll ooh and ahh and my heart will palpitate under the weight of them. (Really I do know they're just amphetamine snowflakes falling slowly and burying my wasted night.  I swear next time I won’t waste it.) But at that moment I'll watch the show and feel safe and small and inconsequential, at last.
Maple Mathers Jan 2016
~-~-~

Promise after promise
Fell into my head
I carried them with me,
I took them to bed

So hopeful, I waited;
To hold your forever
Intentions negated
This jaded endeavor

Yet, lies soon took shape
And doubt would take hold
Your dormant coercion
Cementing the mold.

You never came through
You never came back
The woodchips, they faded
The bracelets, I lacked

Trapped under my instincts
My innocence, vanished
The moon was relinquished
My purity, famished

Young as I was
I’ll never forget
The impact you left me;
Your stark epithet. . .

You took something good,
You found something pure
My will cut in half
Rose white, and demure.


The root of my psyche
You’ve yet to discern,
Who plundered my childhood;
My chastity, burned.

Existence forgotten;
Defined from within
I’ll never evade you
You’re etched in my skin.

Scar after scar
Fell into my arm
Your ink swam my bloodstream
Your slander, your charm

I swindled the rabbit
And powdered my nose
Freefalling in choices
Defining your prose.

With tasty white pills,
A hand in my throat
A liver that’s grilled;
The bible I quote.

With no one on earth
To save me from me
I sampled the bottle
From under our tree.

I cannot begin
Nor pretend to describe
What happened to Maple,
Who am I inside?

The loneliest girl
In the entire world
The events I’d mistaken
The chastity; hurled


All that I know
And all that I think;
Is this monster within me
Was born in a blink

But who’d tune in now?
The opinions are set.
My mind is jay walking
The lines of regret.

The holes in my person
The doubt I can’t sever;
My husk of normalcy
Braving the weather. . .

For what you don’t know
Is what you can’t nurse
Assumptions you draw
Are making me worse.

Conclusions concocted
Your story, enhanced
My path interrupted
Dismissed by a glance.

So I’ll say goodbye;
There’s no seeds to sew
For this is my truth. . .
Confession bestowed.

Still treading his words
That flood to the brink;
Harassed, used, and left
In less than a BLINK.
To Moses,                                                           
When I was fourteen you told me
You’d never leave me.                      
Yet, it’s been twenty years;                 
My pockets are still filled    
With woodchips.                            



All poems original Copyright of Eva Denali Will © 2015, 2016.
Maple Mathers Jan 2016
Welcome to the house of addictions: please, leave your assumptions at the door. . .

             I emptied my pockets
I sorted the change
                My conscience receding
Mentality, deranged

                A straw in my nose
And a blade in my hand
                The velvet of breathing,
Crushed on command

                A line of white rabbit
Appears on my desk
                Clean, and well sorted,
Yet I am a mess

                If a substance is stronger
Than myself, alone,
                Perhaps I should ***** it
Addictively prone

                For, the path of assumptions
Undoubtedly leads
                To the house of addictions
In which you’ll find me. . .
All poems original Copyright of Eva Denali Will © 2015, 2016.
Maple Mathers Jan 2016
I crawled out of bed
Adjusted my thoughts
My heart on my sleeve
And my stomach in knots

I damaged my brain
To powder my nose,
The abyss of my conscience . . .
As the wind blows

I grabbed at my gloves
Pulled on my pretense
Confused and uncertain
Why life felt so dense

The life that I saw
On med after med
Now only exists
Within Maple’s head

In front of you, now
Gift wrapped and retouched
Hope you like what you see
Cause I don’t very much

Dressed and well-practiced
In subtle charade
I’ve nothing but danced
This stark masquerade.
All poems original Copyright of Eva Denali Will © 2015, 2016.
Maple Mathers Jan 2016
Bottle after bottle
Lay under my bed,
An ache in my stomach
A throb in my head

And yet, I won’t cease
This pattern, can’t sever
This alcoholism
Will go on forever.

A problem I have
I’ll gladly admit,
But the concept of stopping?
I'll never commit

Some people want wealth,
Some people want love
My concept of happiness
Lies in the drugs.
All poems original Copyright of Eva Denali Will © 2015, 2016.
Maple Mathers Jan 2016
Your fingers of mesmer
Trace patterns on me,
Your words are the pavement;
Your eyes are the sea

Treading in words
That flood to the brink;
Your presence, my muse
Your essence, my ink.
(The unwavering time/When you hold my gaze/Keeps minutes, sublime -/Internal caches).



All poems original Copyright of Eva Denali Will © 2015, 2016.
Next page