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kiran goswami May 2020
I posted a picture on the internet today,
after handpicking the best of all.
While she is left with no choices,
so she walks on the roads that burn
carrying herself upon her feet that bleed.

I took my camera and checked up the lighting,
as I wanted the picture to look 'natural' and 'candid'.
A cameraman rushes to her to click a picture
as he is a magazine photographer searching for stories real.

I sweated and protested about the scorching heat
while I set up my camera.
She wipes the sweat off her father's forehead
on which the glabellar lines cease to exist,
while hers is carrying the roots and branches of it.

I held books in my hand to strike a pose
as my fingers laid in front,
whose nails I painted yellow for this summer.
She holds the handlebars of her bicycle she can no more hold or paddle,
her nails have painted themselves with the colour of mud.

I clicked too many pictures for me to count or recall.
Even after thousands, she remembered how many miles is home.


I captioned my picture
'No more lonely quarantine',
She hardly knows alphabets or words to even ask for help.

I swiped from filter to filter
selecting an 'aesthetic' one.
She drinks the pitch-black liquid,
they tell her is water,
without even demanding for 'cleaner' one.

I finally edited and made a perfect picture,
with my wide grin sealed with a gloss,
And the cameraman too asks for her to smile for once.
She with her deserted lips forms a curve that makes the cameraman frown.

He deletes the picture from his camera
as it would be disliked by all,
It got 1.9k likes,
The picture I posted on the internet today.
kiran goswami May 2020
They tell me to stick to my roots
because roots lead up to shoots.
They tell me to stick to my origin
unaware of how it acts as a prison,
My roots are Draupadi's hair that was twisted and lugged,
my roots are Panchali's saree that was tugged.
My roots are Sita's wrist Ravana wrested,
my roots are where Ahalya's chastity rested.
My roots are parasites that eat up its own herb and ****,
my roots are rat snakes that eat up its own tissue and meat.
My roots are flames of fire that created and watered the plant of Sati,
my roots are pools of blood and long ropes that drowned and hanged LaxmiBai and Moolmati.
My roots are the dish misogyny flavoured with patriarchy,
my roots are naked streams of Ganga washing off their lynching and anarchy.
My roots are all the poison Shiva drank during the churning of the sea,
my roots are Dhritrashtra's aspirations and ambiguity.
My roots are its own herbivore,
my roots are the lava that burns its own floor.
And my roots are my flesh and bone,
so I am stitched to my roots altogether, all alone.
So as I cut my own roots, my roots chop me,
hence I stick to my roots while my roots remain free.
kiran goswami May 2020
Next doors, on the next floor,
I see a woman, everyday.
On some days, she looks at me with her eyes lifting off the newly mopped floor
On other days I find her staring blankly at the cloudless sky.

Her eyes, some days kaleidoscopic,
Some days achromatic,
A blank verse.


Her eyes hold her summertime sadness
And her happiness as capricious as melting snow,
While she stretches herself between her found past and lost future.
She ends up falling,
Softly,
From her core,
Like dough being stretched from both sides.
She picks herself up again,
And folds herself in her kitchen,
Like dough that fell while stretching.
She sways but never falls,
like a bobo doll


She always plucks a flower from her garden,
A rose.
Like it was given by her first love,
Or, by no one.

Her lips, scarlet yet pale,
She speaks three lines a day, a haiku.
But I hear three hundred sixty-nine, an epic.

Every fortnight, when the moon faces the west,
She picks a few sheets, thumbed and joint together,
called 'Cinderella'.
She reads to herself,
In a melancholic tone.
Just like her grandmother did.
She too was like Cinderella,
But Cinderella never mopped the prince's floor.

She smiles slightly,
when she looks at the new frame,
that embraces her old photograph.
And both smiles find similes between each other,
They look similar and are yet different.
She smiles again to drop the previous one,
like a wisteria that sheds its mauves.


She wears her enigma and dances with the moonlight,
While she talks of the days she loved.

She looks at the calendar and finds her birthday marked.
She knows again,
she will shed another part.

These parts first emerged when this glass doll fell
and
smashed into pieces.

Like a snake, she performs ecdysis
and every year a part of her is gone
until there is no more left to lose.
Thirty-nine years, and she lost herself twenty-nine times since she was ten.


Age Ten:
Her Barbie doll was thrown,
She had to ‘grow up’.
She was ten after all.
But when she tried to pick up a sword,
They told her ‘no’
She was a ‘girl’ after all.

Age Twelve:
Dad no more played ‘throw me up’ with her,
She could no more touch the sky,
She looked up in envy,
While the sky stared back with prejudice.

Age Fourteen:
Crimson and scarlet defined her now,
Every statement carried a clause,
and every clause a red stain.
Her calendar started being marked with red pen.

Age sixteen:
She was praised five times,
Her achievements were twenty-five,
While her brother was cheered a hundred times
But his achievements were ten.
During all her math classes she used to question
When did her parents’ ‘half love’ for each turn into one fourth for her.

Age seventeen:
The playground and the streets only heard the voices of boys
And never her laughter and cries.
‘Do not go outside; it is unsafe,' she was told
Her mother constantly reminded
‘Darling the world outside is dark,
Keep the doors of the heart closed'
She finally learnt a hundred such phrases.

Age eighteen:
She got a rose for the first time,
A fallen one.
She knew another first love was rejected,
like her.
Alas! she lost a love.

Age nineteen:
Her best friend changed from her mother to a collection of papers.
Her secrets changed from new toys to young boys,
She lost the pages of her heart with each rejected letter
She lost her mirror friend, who she thought was no better.

Age twenty:
The kid was lost,
She finally grew up,
But her feet told a different story
When they swung in the air to
‘If you are happy and you know it…’

Age twenty-two:
Pale, wan
Lean body wrapped in red
Her hands painted with heena.
And her lips sealed with lipstick.
The artist yesterday became a canvas today.
Age Twenty-three:
The chaste woman,
Now belonged to a man.
She used to scream out her insecurities,
He used to burn her purity.

Age Twenty-four:
Cradles,
Milk,
laughter and shrieks.
She left her cries in the tears of a child’s eyes.

Age Twenty-nine:
Wrinkles and stretch marks
Loose skin and spots so dark.
She was ageing,
Losing her clear young skin.
But a mother of two, didn’t care for such petty matters,
She didn’t give a lark.

Age Thirty-five:
‘Study well, be polite’
She told her children.
‘We will, we will’
Was all she heard.
‘Spend less, listen to me’
She pleaded with her husband.
‘I will, I will’
Was all she got.
She did not know when she had lost the respect for which she had always fought.

Age Thirty-nine:
Words left unheard.
Prayers left unheeded.
Shrieks lost in vacuum.
And she in her gloom.

She reminisces about the old,
While she loses the new.

As the day begins she collects her scattered words,
And tries to string them together with each chore.

Every Sunday she watches 'Roman Holiday'
Maybe she too wants her freedom,
Maybe she too wants to go back.
But like a 'macaw' that gently leaves her feather,
She too leaves her free past.

And when she blinks every three seconds,
I find the colour of her eyes changing.
From the darkest oceans,
To the lightest lilacs.
From the tiniest saplings,
To the tallest leaves.
From the withered clematis,
To the blooming arabella.
From the roses that she never got
To the blood she always bled.
From the dying dandelions,
To the fresh fallen snow.
And from the lightest night sky,
To her dark black eyes.
I find stories in her,
Unwritten so far.

Every 30 hours she drops an eyelash ,
Just like she dropped her dreams and hopes,
While she was busy becoming
A daughter,
A woman,
A wife
And then
A mother.
She is an ode to herself,
And a ballad to others.


And by the end of the day,
She becomes a poem.
A poem that is never written or read.
kiran goswami May 2020
There was a ****** in my nation today,
There was a ****** in my nation yesterday.
But unlike the other time, my nation did not cry.
It did not bang the doors of justice,
My nation did not try.
The criminals sat on thrones and proved themselves innocent.
The innocent became guilty as they had only a few pennies and no more cent.
I did not see people cry,
I did not hear the pain
I did read the news where they said, 'The murderer fled by a train.'
I could not see the people hugging,
I could not see love,
but in my nation, I saw a dead, white-feathered dove.
The peace in my nation died,
the girl in my nation died.
The people in power laughed while the nation cried.
I saw the flag of my nation but all I saw was white.
I saw my nation's condition
but all I could do was to write.
So, I will tell you how there was a ****** in my nation yesterday,
and there was a ****** in my nation today.
kiran goswami May 2020
That is what makes legends interesting,
They either tell good stories
Or hear good histories.
kiran goswami May 2020
As I am done with another poem,
I put my pen’s tip to rest
on the white chest of my paper,
and look at the clock
that runs from its own shadows
and chases its own reflection,
While it reaches the unanticipated.

Terrified, I close my eyes
and think of a moment
when the close does not matter,
when it grows so tired of running and chasing itself
that it stops.

Now as the clock has been silenced
And I can no more hear it shrieking,
I hear her voice.

Her voice, calling my name
like a leaf gently lying on a pond surface
that had been mute for too long.

Her lullaby, ringing like a wind charm
that has been touched by a raindrop,
makes me sleep in my thoughts.

Her hands, holding me into her arms
like the sunlight embraced tightly by
a droughted land.

Her fingers, feeding me food of thought
like a drop of ink that falls the pen
and fills the paper.

Her eyes, looking at me with love
like mine looking at the clock
that has stopped moving while
my pen at rest has not.

Her smile, that she throws at me
like the dandelion which throws
her children away to be free,

Her tears, that slide down
From her eyes to her lips
like the rocks on the mountains
that cause avalanche.

Her food, that she cooks
While she burns in and out
like the cells of the body that
die out quickly
for the new ones to be born.

Her stories, that she teaches me about
the world around
like the wind that whistles to the
water that never stops flowing.

Her lessons, that she wants me
to learn and remember
like a book that turns to the right page
with every command the wind makes.

Her love, that keeps me alive while
she is dead,
like the earth that gives birth
to her new ones from the womb
she no longer owns.

I think of her as I realize
How the clock has paused
I now know, she and her thoughts
stop time.
My mother, stops time.

So, I lift up my empty pen
from the ‘just blue turned’ chest of my paper
and look at the clock
that is again chasing its own shadows
and running from its own reflection.
I am done with another poem.
kiran goswami Aug 2019
We search for better stories
while writing about how our's is the best.
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