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Edward Coles Jul 2014
for Leo*

I have no words to say today,
I used them all last night.
The city streets
were dark and bleak,
but I kept you in my sight.

We traded cash for hot *******,
we were shooting for the moon.
This force-fed high
of no reply,
always falls apart too soon.

In flame of hair she poured my drinks
and smiled across the bar.
I don't need this drug,
this pollutant fog,
to find a shining star.

I need to walk that nature path
beyond my father's grave.
To find a self
in better health,
in a place I can be brave.

I have no words to say today,
in the sober morning light.
I'll fall to silence,
I'll walk away,
before I talk again,
come night.
c
Edward Coles May 2016
The skin at the bed of her nails shone, tight.
Forever healing, windows that rattle
With the changing of her moods.
Love was a locket, an heirloom
That insisted its presence
Upon her bedside table.
She could turn out every light
And it would still be there.
Steady metronome,
Lifeless thud,
Invasive thought.

The carpet gathered artefacts from late night walks.
Bad habits clung to the walls.
No pillow talk, only muffled strings,
Failed symphonies,
Conversations three years old:
Memories that play Chinese whispers
Across the faces in the ceiling.
Irregularity of breath,
Sleep comes, clothed in Zopiclone;
A mind that never rests.

Narcosis in the morning,
Nausea over dried toast,
Sweet flamenco on the radio,
But there is nothing to calm her bones.

The red wine cast last night’s shadow,
Hollow in the eyes, first hit of daylight,
First hit of nicotine
To prove she is still alive.
Anxiety: the ball and chain,
Always dragging her behind.
Living as a ghost,
The people at the bus-stop stare,
The traffic, the signs, the passers-by,
The doldrums in the headlines,
The rain upon her window;
The heart attack and vine.

Prescription pills in the afternoon
To get her through the day,
Until she can get her fix,
Have her fill,
And finally hide away.

The high-street parade comes alive after dark,
Lanterns on the lake, the fish-bowl
Of a small town, familiar tongues that roll;
Memorised anecdotes across the ashtray,
The lipstick on her teeth.
Clumsy in victory, each stumble confined
To look as if she has walked through life
Without ever missing a stride.

There is nowhere to breathe
But in the solitude of her insanity.
She paints the walls
To the colours of her moods:

Grey in the long, long winter,
Blue in the onset of June.
C
Edward Coles Mar 2017
After a long stay of depression,
he awoke on his motorbike
beneath a searing rainbow sunset.

The mountains arched silhouettes
as he tore through the highway
in the still-image of youth.

Slow evenings spent unwinding,
numbing himself with changes
and the crudeness of a new tongue.

On the shoulder of Kalasin,
in a nowhere-town province,
he had tasted everything.

Ate with his hands
on decorated tables,
trekked the petrified forest

on Christmas Eve;
somewhere between all of this,
he finally learned to live.

After a long stay of depression,
he rolled away the stone.
Found himself six thousand miles

from anyone he had known.
No one can speak English here.
Today, he learned the word for ‘home’.
c
Edward Coles Oct 2013
The blind beggar plays
to the tune of the river,
a Parisian lullaby;
une ode à la Seine
to deliver.

Oh, quickened street,
oh, passing joy;
my concrete slab,
my Helen of Troy.

Please stay with me now,
my dear wine-soaked friend,
do not linger on beginnings;
nor focus upon
the end.

We’ll sing over coffee
just to welcome November,
a Parisian ensemble;
une chanson pour la saison,
dying ember.

Oh, rainy skies,
oh, painted prize;
my lucid dream,
set before my eyes.

Please stay with me now,
my idealised sight,
do not lend to compromise;
in these foreign streets
of no plight.

And the blind beggar still plays
that tune of the river,
a Parisian lullaby;
une ode à la Seine,
et chaleur pour l’hiver.
Edward Coles Mar 2016
Been staring at the screen too long,
Seeing faces in the whitewashed wall.
Been staring at the billboard
Promising a Brand New Freedom
And yet never felt so small.

Been fighting for inner peace,
The war inside my mind.
I find it helps to breathe,
To find that positive energy...
But I tend to just stick to wine.

Been giving up on giving up,
Then, giving up on that...
I’ve been a poet
And a life-long friend,
And I’ve been a selfish ****.

I’ve ****** on a stranger’s garden fence
When I was drunk and high,
I’ve disappeared for weeks on end
And never given a reason why.

I’ve been collecting memories
And turning them to lies,
I’ve become a shoulder
That you can lean on,
But one that you cannot cry.

Went crazy in the hotel sheets,
Took a pill to help me sleep,
The afterglow burned me out,
The after-party was letting out,
Been throwing up for days on end,
The winter blues, the long weekend.

Been falling into old routines,
Been lost inside my absent dreams.
Meditate on the toilet seat
To gain a modicum of sanity
In the caterwaul of the working day,
In the onset of reality.

Been picking fault in every line,
In every footstep, in every rhyme,
In the clumsy way I tie my shoes,
In the way I do not keep up with the news.

Been staring at the screen too long,
Hearing voices in the silence.
Been claiming love and poetry
But I think in *** and violence.

Been fighting for inner peace,
The war inside my mind.
I just find my way
To fill the day
And let the clock unwind.
C
Edward Coles Oct 2013
I hear laughter
filtered as if through a can,
it finds its way through the crack
at the foot of my door.

It sounds false, somehow.
Sharp and jarring, with each bark
an insult, as if their lightness
is mocking me.

Unintelligible sound;
the release of emotion
undefined through language.
I can’t write it, it just is.

A call to arms;
their laughter a catharsis,
a defiance in the knowledge
of their eventual death.

I can’t match it.
The incapable voice in the choir,
my heart soars, aches at their boundless sound,
but only my ears may sing.
Edward Coles Apr 2014
The window rattles
and I wonder how many more butterflies
must stir their wings, before these streets are
torn apart. I wonder where

the homeless are tonight,
where the shopkeeper has retired to
in his now vacant marital bed. There's
sorrow on every doorstep,

there's fatigue of work, of a lazy mind.
It's nothing new, but borrowed and blue;
you must work, work, work to feel empowered,
you must pay, pay, pay for your freedom.

My patience rattles
and I stir wings to leave for Costa Rica,
for anywhere at all than this bleak British land,
torn from me so long ago;
and now is left asunder.
c
Edward Coles Feb 2014
Inspired by Lisa Hannigan*

Love is a gamble
reliant on loaded dice
and polluted drink.

Love is birthing joy
and a mother's surrender
upon your new breath.

Love is Oscar Wilde,
this time loving openly
and openly loved.

Love is detachment
from fairytale promises
and peace in living.

Love is in the talks
we have, endlessly littered
on my lonely walks.

Love is honesty:
I think of you so often,
and live with the cost.
Little Bird - Lisa Hannigan. Incredible song, endless inspiration. https://www.youtube.com/watch?v=GRdj8MRj9Js&feature;=kp
Edward Coles Feb 2018
If all the leaves are gone
Then where’s the story?
If all the money is gone
Then what are you hiding?
If you have been here before
Where do I go from here?

If all disaster falls
At the last leg of home,
If all the thieves are caught
Then why all the cameras?
If even ******* fall in love
Why can’t I?

Saturday and it’s 5a.m.
Saturday and the room starts to spin
Smoke a cigarette and look down
At this grey, grey town.

And they will beat the drum
For any cause
If everything is ******
Then where do we start?
If all the money is gone
How do you manage
To sell out to all your friends and thieves?

If all the leaves are gone
Then what’s the damage
When every country is armed
To their teeth and think-

When the power is gone
What will we feed upon?
Have we reached the end
Or can we start over again?
A song I wrote

https://soundcloud.com/ed-coles-667440414/leaves-demo

C
Edward Coles Sep 2014
Soft-shoe across the dance-floor
at your granddaughter's wedding.
You swallow an anti-inflammatory
with your double whiskey,
and feign living again
until you begin to convince yourself.

You told the college boys not to tell
on you, when they saw you smoking
**** in the old folk's home.
In return you would
throw back their ball
every time it would come past the fence.

“A lifetime is all that you can make it”
was you mantra for living when you died.
From then on I tried to look for
the sunlight in a distant fog of stars.
I looked to capture a moment of permanence,
to remember your name
beyond the need for time at all.
c
Edward Coles Nov 2016
You took me to the Mekong River,
handing my documents over the border,
to the temple of the left-handed Buddha,
in the hope it would all make sense.

You took me to the brink of a stolen calamity,
you stayed with me in poetry; my eventual insanity.
You kept me with your golden voice,
you kept me with your wit.

You lost me with your genius;
how you discarded it.

You drove me to a calling that I could not fulfill,
just make statuettes from the ash that lines my windowsill.
Call it art, or call it a longing,
call it that animal burn for some kind of belonging.

You were a father, you called off the saints,
you cooled my tongue, my off-white yogi;
taught me these songs of pain, these songs of love
were meant to be sung by everyone.

Not the clever mind, nor the metronome heart
that keeps time with this life, that keeps pace from the start,
but for the stumbling folk, the slow off the blocks,
the maladjusted, the criminal; those who only see dark.

That this chip on my shoulder is a flute in which to sing,
that each failure I live, is a story I should bring
to the table of life, to the feast of recovery,
for every impatient soul with a hunger for discovery.

Each broken chord is a chance to sound alive,
amongst the crackle of the static, there is another side.
Another wasteland companion, another strangled voice,
that amongst all this hopelessness; we always have a choice.

To bend or to break in the shatter of our soul,
sometimes the glass must be half-empty in order to feel whole.
That some convenience pleasure is not always enough,
sometimes we must bear the burden;
sometimes we must hang tough.

Because the words will come, the sun will rise,
amongst the debris of yesterday, there is another side.
You took me to the temple and on bended knee I pray,
that I could lift a suicide, with just the words I say.
Written on the day that Leonard Cohen died.



Leonard Cohen tribute:
https://www.youtube.com/watch?v=e01PXY9QYqg&feature;=youtu.be
Edward Coles May 2013
A standardized suit.
A universal fit for
all those
who do not feel the nourishment of food.

A career path
cut
through the hem of childhood
and choked by a cheap thin
patterned tie.

The mothering
of a paranoid system;
“it’s not my fault,
just jump through the hoops.

I get paid to read you this book.
Lend me half your ear
and I will half teach you:

Think.
Don’t think.”

Spot the simile.
Dot the t and circle the i.
And I.

I am all in a room painted
with flyers.

They work like road signs,
luminescent with lasered ink
and ladled with pictures
of success.

You can.
You can’t.
You shall.

They hang
like smiling convicts on the wall.
A warning shot to remember
every time you catch yourself
staring into the sky.
Edward Coles Sep 2012
What rage there is,

In youthful lovers.

The lustful want of incitement,

Excitement.



Passionate energy.

Unreserved and incorrigible resentment

For the men in suits,

Settle down.

Don’t settle down.



The pressure of ***

And the stench of expectation.

Bated breath as I reveal your weak

Underbelly.

Don’t speak, don’t apologise

As I count the freckles across your

Inner thighs.

I need to know I don’t need you.



Let me love you,

Let me.
Edward Coles Sep 2012
The sound of silence
So frequently documented
Resides in my bones.

My restless brain sleeps.
Saved from the wretchedness
Of one million sounds.

And I let myself write.

The din of a stadium
Full of klaxons and canned laughter
Is now but an echo
And it is just Nina and I.

I can stare endlessly out of the window
And not be asked why.
I can sit stubbornly with my mouth taped shut
And not be asked why.
I can sit and strum
Out of time and out of key
And not be asked why.

And I let myself write.

A scattering a books and a half-made bed.
A cooling mug of tea.
I am laid bare afore the eyes of nobody
The fool of the romantics, and the jester of the ghosts.

And I sit here and just sit.
Twitching my lips along the grooves of these words
Stumbling over them in a soundless whisper.

And I let myself write.

This sound of silence,
So fleetingly fair
Will last just moments.

The chimes will soon sound
And one million yawns
Will tremble in the throats of others.

So for now,
I let myself write.
Edward Coles Apr 2013
My inner child,

Recently I have found myself crawling through those hazy archives of my past, when it was only you and the dirt on those endless afternoons. And I wonder to myself how much of these memories truly exist and how many blanks I may have filled in along the way. I try to formulate a hypothesis on this but my mind is preoccupied with the image of the mound of soil at the back of the garden. The one our sister swore was a buried lion – a truth you swallowed so readily. Since then you have moved house and dug a grave for the lion yourself, only this one was your best friend.

We have drifted you and I. I rarely see you. Sometimes in the midst of pills and drink I swear we cross paths but soon my heart thuds heavily and I do my best to just keep my feet and then you’re gone. I am now just a composite of lessons learnt and punishments served. A sum of all the times I broke a heart, failed a class and tripped on a stone. I look ahead to adulthood – I know we never believed we’d get there - we never needed to, but here we are. I don’t wear a suit, I don’t drive a car and I have no money. Beards don’t suit me and as things stand, it is unlikely I will become Batman. I would tell you that we’re not a failure – that I’m not a failure but the world tells us differently. We need a real career.

It is a tired cliché admittedly, but I do miss your innocence – your boundless inquisition into everything about you. The incessant inquisition still remains, but the plague of indoctrination-education and the scorn on your school friends soon puts up borders in your mind. You soon realise which questions are stupid, even if they are right to be asked. Cleverness soon becomes more than being able to tie your shoes. You must be strong, you must be brave, you must be ruthless.

I think back to how much we loved our mother and how it hurts now, to see her ignorance and her emotional frailty for all that it is. The day when your mother becomes human is truthfully one of the most frightening days to experience. Still, for you, those wonderful April shower mornings in the park are a refuge. Feast on those sandwiches, huddle together under the shelter of the slide and listen placidly to the rain hit the metal. Do not think for a moment of what needs to be done or what has been done. Live in the present before you get lost the cogs of causation.

Learn to fall in love. Not just with people but with animals. With words, with pictures, with colours and tones. Textures, sounds and imagery. Please never lose the wonder of lying in the grass and seeing a separate world. I know you don’t understand beauty, perhaps because you are beauty within itself. Perhaps only I can understand beauty because mine has been lost through these fatherless years of self-effacing thoughts and relentless hangovers. Perhaps it is only now that I grasp for beauty, in order to claw back some of what I have lost. Just to taste it again.

I wont keep you for much longer. I know you need to run and yell and play until the sun falls. I simply wanted to tell you that I love you. You are what I love about me, despite what may have been lost in the classrooms. I know now that I should get my head out of the screen and cast my eyes beyond my bank balance, so that I can see you in the distance and greet you as a friend. My old friend. I hope I get to see more of you after writing this, because I miss you and my brain is sometimes just so loud and I think you might be the only thing to quieten it. I am going to fall into bed and sleep dreamlessly under the covers now. If nothing else, I promise you that as you grow older, you will look forward to bed time!

Yours in complete awe,

A very confused person.
Edward Coles Apr 2014
I just want everyone out of this cage,
to feel the ruin of this capricious age,
I want to see the pain as it runs down your face,
as you realise that Earth is our only place.

And we're hearing the artificial joy,
of laminate love and fearful choirboy,
I long to meet the kiss of the sunlight's early rays,
I'm talking with others but my eyes are locked to your gaze.

I'm sipping beer just to get through the day,
I know I'm gone but we've all got to find a way,
so I'll stumble to a falter, each time the world grows colder,
each time I'm left to hike on through the sleet.

But I can be in Paris by dawn
scattering textbooks on the lawn,
calling, calling:
"you must remember how to feel,
before you come to
reinvent the wheel!"


And, this is my heart's disaster,
abandoned building and fading plaster,
the little room inside my head,
I come to scream and scare out the dead,

as shadows lengthen across the room,
disturbing my Atlantean womb,
I think of the drugs, and how I'm starting to fail,
throw the money to the wishing well,
but coming back with an empty pail.
c
Edward Coles May 2014
I am living as your echo.
Lung cancer victim,
Vague pilgrim of kindness,
Tainted by the everyday;
By our suicidal blindness.

Keep the noise low,
As you walk on past the room,
You might hear our quiet love;
Collecting forget-me-nots,
Memorising the feel
Of the hand beneath the glove.

I am living in displacement,
Neither north, nor south,
And soon landlocked in yesterday;
Too many miles from the coastline,
And with too many debts left to pay.

Keep your lips strange
And foreign, as if we’re falling
In love again. Don’t forget this youth
When we leave it,
But let this heartache turn to gains.

There are no decimals to love.
Binary code, you’re either in or you’re out;
You’re either kissing the toad,
Or questing for an actor
To tolerate you;
Without any essence of doubt.

I don’t know where I am, father.
I can’t see the floodlights
That used to beam over the allotments;
Polluting the stars. My bike is chained
In the garage, my legs are tired,
And Cawston Woods only brings me to despair.
I want to claim back my royalties,
I want my piece of the share.

We have all paid our dues now,
We have worked ourselves sore,
For this malnourished freedom;
Of which still lays a cure.

We must see politic as silence,
In its content and fact,
To see the newsreader’s babble,
As one orchestrated act.

We must love for the earthworm,
And for the life-giving bee;
For the nuclei of dead sunlight,
For our brief eternity.
c
Edward Coles Sep 2014
The street-side artist drew your body with
charcoal and claimed the best form of life came
after the forest fire, over a more
fertile land, when the ash-cloud will come to
unsettle your vision from what is laid out
before you. He shaded your ******* in with
his thumb over the blackened lines of hope
that you would come to envisage yourself
in the way each passer-by came to do.
Once you paid up and walked the promenade,
you came to the lighthouse in the distance
as a ship turned to change its course for you.
c
Edward Coles Nov 2014
Pain has ruined my mind
to the point I can only meet
Pleasure behind Pain's back.
C
Edward Coles Sep 2016
The line of freedom was drawn,
fortunate passports found
amongst the rubble of Ground Zero.

The future was not a boot,
more, groping hands through
intimate pockets
and blue light that decimates
the privacy of dreams.

No concentration camps,
Bernays fuelled the fire­
in a wolf's disguise
until the crowd would herd itself.

No Aryan prophecy-
hatred more efficient
when its hands are untied.
Small disparities linger
the stem of deception:

the bottom-feeders are sterilised,
benefits withdrawn, foundations exposed
as ******* palms gather the loot
they lifted through the ceiling.

Sensory comfort provides
the leisure of a clouded mind,
a blood sugar spike,
the Soma of our time.
Under halogen lights
they make love in the high-rise

then labour in sleep
for what love cannot afford.

Continents divide.
Africa: the cold shoulder.
Asia: the factory line.

Oceans swell in neoprene heat
as sling-shots are drawn
beneath a dying star.
Old skull of Palestine,
cross-hairs on the White House
and a contusion in Pakistan.

Doors of perception only open to addiction.
Separate from G-d ,
draw more blood from the ground
like a smoker in the inexhaustible
process of quitting.

A belief in infinity
that will last until the world's end.

The line of freedom was drawn.
Everyone believed that they were on the right side.
C
Edward Coles Aug 2014
I have been trying for that mountain top tranquillity
whilst eating salted dinners and flicking the channels.
The rain stains the plastic patio, looking out onto the
garden fence, the concrete perimeter; the brick wall.
All indoor furniture orientates towards the television,
my family now but fellow spectators, instead of blood.
The fruit bowl holds post-its and tangled earphones
instead of pomegranates, clementines, and apples.
A writer's worst enemy is not her depressive vanity,
more the ivy creep of boredom and lack of taste in life.
We are running out of reality with each passing hedgerow,
through soap operas, wallpaper, and that halogen glow.
c
Edward Coles Aug 2014
There's smoke in your lungs,
and then you breathe it into me.
Set me free from all of this trouble;
trading innocence for mystery.

And there's a time to kick and fight
and struggle. That's not now, or ever
again with me. We could be the next
Hollywood couple,
or else fade off into obscurity.

And those chimes,
they play in early morning,
and they bring
thunder to my dreams.
They sing
'boy, you sure look lonely,
living through your memories;
you're just living through your memories.

There's a place I know where we can go
and get high, then listen to the trains.
When it rains, I'll hold you like a pillow,
when it pours, we'll just get high again.

I'm on the brink of a suicidal cocktail.
Take a drink, then nurse it back in bed.
I lost my pain under the weeping willow,
when I took the pills to numb my sorry head.

Now I'll climb
until the mountain is a spindle,
until the wine
soaks into my blood.
This time
I'll listen to her lecture,
I'll sit and wait until all is understood.

And those chimes,
they play in early morning,
and they bring
thunder to my dreams.
They sing
'boy, you sure look lonely,
living through your memories;
you're just living through your memories.'

There's smoke in my lungs
and you breathe it out of me.
Set me free from all of this trouble,
no longer living through memories,
no longer living as a memory.
A song.
Edward Coles Jun 2014
They smoke a lot of cones by the east-side lobby,
watch the sun come up in a habit-***-hobby.
Sweatshirts line the edge of the high-rise feature,
they pass their smoke through kisses, creature-to-creature.

The weeds hang over their heads in a brick-work reminder,
search-parties comb the woods, but they couldn't find her.
In the murmur of the city, with the street-kids drinking,
cooking up their schemes for a new-wave thinking.

The papers plaster words of in-group fear,
view the class-war that is coming near.
They don't vote for the parties that bring come-downs and blood;
they'd write a sing-song for freedom, if only they could.

They exchange love like high-fives, in teenage abandon,
now in their mid-twenties, still dreaming of Camden.
In the centrifuge of their small-town dissonance,
they toast to their cancer; to their short-lived innocence.
c
Edward Coles Feb 2014
I am not a denominator of original sin,
some remnant or aftermath of fallen grace.
Indeed, I am hardly human at all.

I live in the spaces between breath and mist,
where gravity dares suspend its hold
and all matter slips away until nothing matters.

I pour drinks so I can afford to drink.
It pays my way towards the dead-end
now occluding the avenue that used to stretch

beyond it.

I am not a believer in disorganised action.
Each moment spent in self-destruction
was thoughtfully done to bring about art and demise.

I live in the moment between charm quark and decay,
where gravity falls to weakness
and all that matters slips into temperance.

I eat only to satisfy appetite.
It tastes of nothing but the dead-ends
that now occlude the avenue that used to stretch

far beyond me.
©
On living outside of organised religion, whilst science offers little to describe the self.
Edward Coles Dec 2014
I am humble in my love
and patient in desire,
prepared to submit old selves
to an archived sacrifice
upon your new-age pyre.

Memories turn to fertile ash
and Eden forces a bloom,
with brand new eyes and cheap red wine,
I could crack the shell
to my sun-starved tomb.

These hands have been empty
and turned up to the sky
in some anxious bid for lonesome calm;
a fettered attempt for higher states,
and a fading, sober lullaby.

O come fill them up
with something I can hold,
no dream of love but love itself;
beyond the snare of death
and all of the stories we have been told.
C
Edward Coles Aug 2014
Louis took a cold shower
after sleeping in all afternoon,
thinking about those sweaty
summer bedsheets from last year.
Her skin was always soft
and he used to run his thumb
downward along her hip-bone,
setting vibrations along fault-lines
and stifling any sound with a kiss.

He turned on the radio
and brushed his teeth, removing
the taste of sleeping pills and
last night's cigar.
A mono-brow was forming beautifully
and he had finally grown a beard.
Now it's beer for dinner,
wine for dessert, and John Coltrane
rasping loneliness in stereo.

Louis admired his backside
with the retractable mirror,
reminding himself that old lovers
could never forget that ***.
He reminded himself of his poetry,
his dog; his back-catalogue trivia
of white-boy lyrics was sure
to make him a desired object,
far away from her loving arms.

He turned on the ceiling fan
and dried out to the jingles and adverts
that interceded the music
he'd never cared to listen to before.
The sad guitar and Indonesian flute
spun webs of memories in hypnotic
circles, keeping pace with the motor above.

The picture ran clear in the half-lit room.
Louis burned all his notebooks,
for all the good it would do.
c
Edward Coles May 2014
Glass eyes fit over waxed, jaundice skin.
“I love you,” he whispers to his darling,
Careful not to break her celery fingers;
“just remember that,” he says,
As he kisses her forehead goodnight.
“And if you don’t see me in the morning,
It’s only because I’m finding my way home.”


Her eyes bake briefly in the ceiling light
Before he flicks the switch, and takes
To the carpeted stairs. The house is filled
With photo-frames and still-life happiness.
It causes memories to filter out the reality
Of some former life,
Some weekend spent in the Masif Central.

They say the eyes are windows to the soul,
But Helena’s closed behind Roman blinds long ago.
Black dwarfs are pupils,
Set in the salmonella grey of irises,
That once were stained
In streaks of bottle green and ginger ale.

In death, this was not Helena.
It was a vinegar haze and deflowered carcass,
Preserved within her husband's arms.
As always he tended to her living,
As always he would fall to
violent acts of grateful lust.

The police stormed in
as he was putting on her makeup,
as he dressed in drag
and started howling at the moon.
c
Edward Coles Jan 2017
Left her crying in the driveway
after forcing her way through the window,
feigned a car crash, a sudden death,
so I could sleep alone and warm
without discussion across the pillow.

Drank whiskey and coke,
distant and remote-
noted her painted nails,
her short skirt, her knotted shirt,
shaved legs
in anticipation
for something I could not give her.

Made an excuse to sing the blues
until the pills took their hold
and muffled my strings
in a tranquilised series
of half-toned grins
and yawns that sing
the death of another evening.

Would rather take to art
than any flesh, bone, or heart
that bleeds upon my feeling,
would rather cling to a verse,
a muddied crime, suit, or hearse,
that leaves me high and dry
and staring up at the ceiling.

Left her nursing her wounds
whilst I search for an excuse
why I cannot love without leaving.
Left her alone in her bed
a feast of wine and bread
that has no taste,

that has no rhyme or reason,
for why I keep ploughing the field,
for why I keep moving through the seasons.

There is no meaning to my motion,
no depth to my frantic gathering of breath,
no distilled calm, nor consequence to each brief,
suffering emotion.

I am just a ladder to climb.
I am no stairway to heaven.
C
Edward Coles Nov 2014
You fenced off your eyes
with a charcoal black,
then stranded in snow
and an endless depression,
you painted your death-mask
in venetian ceruse,
hoping that it would be enough
to appease your critics;
to keep away from the sun,
to slip through the seams of time,
and to a place where
the evenings do not seem so long.

You gave your sanity
to a useless drug
and kept your identity
to the picture
within his wallet.
I hope you know your bravery is noticed.
I hope that for once
you can find peace
amongst this constant state of war.
C
Edward Coles Jun 2014
Let's set our minds to a consequential meeting,
a first-hand account of a new lovers' greeting.
In a time span new, fast, and fleeting,
it is to you I gape, with my heart still bleating.

I miss the kiss of 'hi, who are you?'
of a question mark over the ocean view.
My arrow will fall so straight and so true,
once you release me from the binds
that I have long since outgrew.

Will you take me from the taste of beer?
From sensations false, and to paradise near.
I want to greet the daylight without a fear,
to kiss your footprints, to keep you here.

Please reach for the hand inside this glove,
this car park wreckage, this artefact of love.
Will you be the branch beckoning my dove?
Will you separate the seas
from the skies above?

I'm waiting for you beneath the smoke,
mixing whiskey and vanilla coke.
I'm half-drunk and half-missing
in my masterstroke,
of vanishing entirely
within evening's cloak.

Let's set our minds to white wine in the sun,
to tracing the playgrounds where we used to run.
You'll signal to me when you're feeling done,
then I'll wilt in my twilight,
and let breath come undone.
c
Edward Coles Dec 2013
To bed I took, in habitual slumber,
cursive prayers die at my cynical tongue,
all pinned badges of the day cast-off
to the floor, only for my sorry soles to
impale upon, come morn. ‘Come morn!
I called, to the chasted walls;
‘come morn!’ I sang,
hoping to fill the thinned curtains
with a filter of light.

In oil paints, old dreams coloured themselves
in patient, kaleidoscopic hues. Though
withered of form, they delight in me,
promise to deliver in utero joys,
connection to the Great Mother;
all that was lost in the fall.
The fall of man,
so gravely reported, and so
limiting to humankind.

I fell. I fell to sleep as Romans did peace.
With grudge, with dissonance; mind-silence apparent
only upon the death of the day.
With stubborn regard, my ears tarried in vigil,
I awoke to each pine of the hallway,
each tremor of heart, pulse of thought,
and Lord of sound.
‘Come death!’ I sighed,
to my life’s rushing blackness,
‘come death!’ I cried, to my stars.

In cannabis, I attune, only to calm;
to bask in the light of some meadow-less dawn,
and in pains, I pray only for dullen thoughts,
to poison my days in some indolent mess.
And of Ávila, Teresa
shelters my mind. She comes to me
in sorry demise.
‘My child,’ she calls, voice echoed since,
‘fellow child,’ she pines, entrusted sphinx.

Spawn of Thebes, she riddles through centuries,
all panicked pores, all sickening spirals,
forgotten in the present, all-eternal.
A shepherd am I, amongst my thoughts,
she calls thus that I am not my mind,
rather, a chosen observer,
the sum-of-parts;
to be confused not upon the
idiocratics, more, ‘what is.’

A lowing at my window, she calls unto me
in reverberated tongue, nutritious tone,
a cyclone of holistic power.
Bright glimmer of light, she calls once more, ‘my child!’,
she cries, ‘my fellow child of the Lord!
Please, rain unto me your sorry state,
lack of appetite,
cooling plate. Oh, you that live so solemnly,
you who knows not of the arbour of life.’

I call not in terror and I call not in my fright,
upon the window, that ghostly glimmer,
she heals the walls in half-light, swimming
in opal reflections of ripples and chimes.
And, she is calling for beauty,
she is singing unto me,
‘come morn!’ she weeps,
‘come morn, and with it, the tidings,
of your blessed life to be!’

Stumbling, I trip over the apparition’s words,
she speaks not in life’s shadows and sinister plot,
but only in those that speak like a God.
In the awful haze of light-polluted skies,
auspicious streets and government plot,
her prophecies fair, but yet
not practical.
‘Come now!’ I say, in no hope, ‘come
now,’ I say, an adult.

‘There’s no space for me here in this lifetime,
there’s no soil for my roots to embed,
in painful years past, I’ve been in sorrow,
and I’ll be expecting them in all the years, hence.
So what, if I’ll join the army,
or some other capricious,
malicious intent?
All tributaries lead to the river,
as all humans to their torturement.’

Teresa, she radiated with colours,
and Amy, who lived within my chest,
they called out as one in my silence,
as a union, a conquest of the childhood mind,
to abolish the present tense.
As one, they sang unto me,
They sang, ‘be born!’
under the moonlit streets, ‘be born
to all that you are, and ever you could be!’

And from this dream I came out in denial.
From this dream, I appeared to awake. I awoke
to the song of the starlings, and to
the precious pleasure of life’s augment.
With this groggy thought I’ll admit that,
in separation I fell apart,
I call, ‘come out!
‘come out and greet me!
Old Eden, my eternal womb.
The union of mankind and nature,

and the union of our pasts combined.’
Edward Coles Jul 2014
I have been waking to a mouth of feathers,
grinding teeth in my sleep
and dreaming of Luxembourg.

Giants surround me and call me 'friend'.
I can't see the stars
for their mobile phones,

for their fat wallets and career plans.
I have no coastlines to wander;
only old paths I can cross once again.

I have learned to speak in a thousand tongues
and yet still have little to offer.
Let me buy you a drink,

let me adjust awkwardly in your gaze.
I have seen too many wars
pass over my head,

and now I am looking for love once again.
c
Edward Coles Apr 2014
We heard your name across the moor,
some Scottish ghost and fragrant mist
that tangles our lungs,
that promises honesty;
that breaks a stare to fix our drinks.

I lost my focus when it came to dreaming,
when it came to whale serenity
and peace of mind.

I lost my hope in trying to conjure,
praying creation still exists
in these tried and tired limbs.

We saw your face fixed inside the locket,
witnessing the storm, weeping for the aftermath,
scowling in the sun,
scowling through the rain;
yet smiling at the shop-front to cover screams.

I kept you close when it came to winter,
when it came to memories
to disclose warmth.

I kept fall close in the advent of spring,
to remind me of loss;
in the blind love of summer.
c
Edward Coles Jun 2017
I thought of you this evening
heart tethered to the ceiling
fingers teasing the hem of your dress
our stolen names
our clumsy address

Thought of you on Parliament Square
holding a clipboard
and shouting in the rain
tied a ribbon to your hair
with a silver paper crane

Thought of you with innocence
thought of you with ***
all the miserable spaces in between
the collisions we forget

I thought of you this evening
by the milky blindness moon
argued on the cause of death
agreed it came too son

Thought of you this afternoon
thought of leaving too
this artless life
I lie beside
in the wake of you

Thought of you and all the thieves
that chanced upon my way
I never counted you among them
I still love you to this day

I thought of you this evening
eyes tethered to the ceiling
numb and dense with pills and regret
you taught me the art of forgiving
even when I could not forget
C
Edward Coles Feb 2014
Not long ago,
I hurried my heart
to the rhythm of the day.

Each emotion amplified,
each action weary,
I went about business
much as bees tend to honeycomb,
or a great mountain
to the shifting plains
beneath.

In the passing of tomorrow,
lengthened shadows over ground
and years listed in names
rather than digits,
I do well just to venture my brain
so far as homoeostasis,

Scythe in hand,
I would play the cornfields,
cultivate them to size, to clear the path.

Instead,
each year that passes is another just gone.
Each journey home, a false promise
of reunion and return
of function to these bones.
Each year that comes is another false prophet,
each journey home, now a question
of home's definition
and of any possibility of return.
©
Edward Coles Nov 2014
I need to clothe this manic obsession
for acceptance and digital affection.
The mornings turn to midnight
before I have started my day,
and the wind is blowing reminders of Newcastle;
the lack of warmth becoming prominent
in the absence of loving flesh.

There must be a better life somewhere,
beyond uncertainty and marketed freedoms.
Beyond where only question marks
punctuate endless months
of Novembers and displacement;
the chasm between who I am in the doorway,
and who I really mean to be.

I hear you are carving a living
out of the ways you almost died in the past.
You are signing forms for others,
you are making tea for trembling hands,
all the while wondering how it came to be you
sat on the right side of the table,
and away from the wrong side of the bar.

You told me an operator will find me,
a receptive ear to put me through
to someone who will know how to help.
In the meantime, you said, I should love music,
for when the shop-fronts have closed
and friends grow fat and indifferent,
Tom will sing Hold On until I can find sleep,

or at least a viable dream.
C
Edward Coles May 2017
Flies swarm when the floodlights come on.
They **** and they fight, live and die.
In the space of an hour
turf becomes a bed of glass wings-
none are left
straining for the light.
It looks like a mass suicide.
Eggs hatch in the sweat of night.
Tachycardic at birth,
one brief exultation
enough to still the lung,
nullify the heart.
Yawn out of existence,
bullfrogs croak miserably
as bodies fall from the sky.
You ask me why I cannot sleep-
I saw a thousand deaths tonight.
C
Edward Coles Jun 2016
When you walked out the pub doors
On a sea of tears and last embraces,
The town stood still.
You broke my heart,
Set it back into place
So that I could feel again.

I was amongst the grown men
Turning backs on each other,
Wrangling our hair,
Pacing the floor,
Until we could not hold back
The occasion any longer.

I know when my plane comes
There will be brief handshakes,
Warm, worn smiles
Fastened from the heat
You gave so generously
To a town that grew cold
In your departure.

You taught us that kindness is enough.
Now rejoicing in private sobs,
Return of feeling for someone else.
This town we complained about,
Until you moved each man to song.

French lessons over the ashtray,
Anecdotes and private jokes
As far as the ear could hear.
I remember when the chemicals took over
And you danced in the sunglass shade
Of a darkened room.

Your energy bounced off the walls,
A pink-noise that echoed as I came down,
Nestled on my shoulder, totemic,
As I fought the speed, tried to sleep.
Beer bottles remained, the splintered ends
That serve as proof for last night’s fireworks.

You always made sure we were safe.

Our chance encounter,
Brief moments which collide,
Leaving marks,
Etching names
Onto stone that cannot wear away.
You taught me that sea of strangers
Is not a place to drown,
Just an avenue towards new land.

You could drink all the time
And it would not consume you.
Get stuck on a blue mood
And still leave your slumber,
Wide-eyed and hopeful for balance.

You left us standing in the rain
Our minds a roulette wheel,
Scattering between goodbye and farewell.
I guess I did not understand the stakes
Until you walked out of those pub doors.
I guess I had forgotten what loss meant,
Those years running from the blade of love
That cuts so finely the line
Of grief and glory.

I am bleeding here.
I am not sure when it will stop.
I am feeling again.
Thank you, friend.

Thank you.
This is a poem I wrote about a friend I made for half a year or so. She was French, teaching in the UK for around a year before going back. She left at the end of May on a sea of tears and it took me several days before the gloom of her departure left me. This isn't a love poem, more a gushing poem about friends. I have lived a very isolated life in the last couple years, and on her leaving, I re-discovered just how important others are. It really affected me.

Anyway, this is a poem I wrote once I had got home that night. It's not finished and it needs some work.

C
Edward Coles May 2014
I found something akin to a medicine man
in the way he would offer up his philosophy.
Tabby cats lounging on garage roofs
are the ******* icons of Mother Nature.
When he would huff on nitrous oxide,
he'd come to, and say to God:
“Well, now you're just showing off.”

We spent long nights in his high-rise flat,
discussing the nature of our morbid thoughts.
I once told him that I trusted by default,
and to that he said I may as well believe
in the British summer.
He was self-assured and self-involved,
using me as a passive Dictaphone,
as a kind of straw-man audience.

I still think of him sometimes
when my **** is wet and I'm sitting in grass.
It reminds me of that cannabis glow,
and the way we stayed up to watch the cathedral
light up like an old cartoon.
c
Edward Coles Nov 2015
You taught me that mindfulness is staring at the moon
and watching the clouds turn colours like the Caño Cristales;
last year's poetry, last year's demise,
swept to the ocean salt through the river of time.

You taught me the out-breath was the signature of consciousness,
that temples change hands and empires will fall,
but you can forever be in the moment
once you hear waves in the traffic caterwaul.

You taught me that happiness is a working goal
and not the resting-place after a lifetime of grief.
You taught me the in-breath can cut through the static
and give meaning to a life so stretched and so brief.
C
Edward Coles Mar 2015
We were just hanging around.
The car park with a cardboard fence
to separate us from **** Alley,
treble bars playing noise
from speakers that faced the street,
enticing the bingers, the splurgers,
to throw up on their cocktails.

A couple walked past,
talking about the morning after pill.
We listened close from a distance,
eyes reddened in the street-light glow,
crime silent for the night,
only in our eyes,
only in our eyes.

We were just hanging around
in our semi-darkened corner,
beer in the back seats,
a box of superkings,
your queen-size bed
our eventual destination,
after the **** and the rain,
after taxis and broken heels.

The moon shone in malignant pain
through the neon and the stalactites,
traffic fumes and traffic lights;
we leant undisturbed on your car door,
a long journey, no direction,
endless travel without motion,
without emotion.

We were just hanging around.
The misfits in a flat-pack world,
half-functioning lighters,
your lipstick still untouched,
the stain of rain on the cathedral.
We were just hanging around
when I fell in love with you,
the way you remained a stalwart blue,
your happiness, and your sadness too.
C
Edward Coles Apr 2015
We smoke by the canal,
getting high;
lamenting our lack of a decent broken home,
British hip-hop in the static of the upper classes.
They're doing more with their time,
old analogue transmissions, sleep-filled afternoons;
a paperback revolution, a snail's pace progression,
those ancient roads of forgotten travel,
the routes we had given up too soon.

I am too impatient now,
seeking The High
over inner peace, those new-found techniques
in favour of old habits; instantaneous retreat.
It's okay, this interludal existence, high-wire dependency
for a feeling ill-placed in sober routine.
We give up on chasing women
to chase heights we know we can never reach.

We smoke some more,
an artist's tomb;
the coffee table piano, old acoustics
with malformed necks, waning ligament of string.
Let's fill the emptied social scene,
appear red-eyed in the daylight,
pawing for a comfortable release.
We talk about hitting those unsung chords,
then we roll another, another,
until we cannot sing anymore.

Two escapists converge
to hustle the prison;
get high on the prospect
of getting high in the future.
We smoke by the canal,
feeling low, unstrung.
The out-of-tune white man blues,
pleading for acceptance
from the crowds we love to criticise.
C
Edward Coles Mar 2017
She left me white flowers
on the balcony
on the day she stopped trying
to win my love;

the first time I watched her tail-lights
with a crumb of regret.

Used to leave a loaf of bread
on my doorstep
whenever she could not find me,
drunk, alone;

furious in her offer
of easy company.

She left and in her absence
I found little solace
in the poetry I kept from her.
All these pointless words;

another lover lost to meaning,
another lover lost to impossible

dreams of perfection.
All this time afforded to me
to form my words of purpose
and total inaction.
C
Edward Coles Mar 2014
My woman told me that drinking beer increases creativity. Now, I don't know whether that's true or not; but in this case, I'll put my faith in modernity. I'm drinking a can of Holsten Pils (there are other lagers available), and it's safe to say that I've aged a few years, since my uncle was laid out on the table. He drank beer. I remember that clearly. He was the only real person in my family, and for that I held him dearly. We built a bunk-bed for my brothers one summer, and he whistled throughout the day. For that day he was almost a father; for that moment, absence went away.

His death was inevitable, and we knew of its coming for years. It is because of this that I have accepted fate, and an eternity of tears. His muddied grave is a disgrace to his flesh, to the life that he lived, and to the friends he addressed. Now but a rotting Christian symbol, to remember an atheist; now but an unvisited grave, for those he loved dearest. So, I shall drink to my uncle, my makeshift father. For each Christmas he spent, drunk on cheap lager.
c
Edward Coles Nov 2016
Held my breath, took the plunge,
took the flight to the other side of the world.
Disassembled everything.
Started over again.
Still, sadness is the shadow over my shoulder
and Marlboro my one true friend.

The fan fills noise in the corner,
in the space where voices had been.
Still covered in lacerations
from all those who reached out for me.
Keeping busy in the day,
buy and sell in the backwater streets;

if solitude breeds clarity,
then loneliness breeds insanity
and both arrive so rushed and so brief.
No need to lock the door
for no one will ever come.
If I should die, it would take a while
until someone sounds the drum.

I flew so many miles
and still, my sadness has won.
C

There is a companion piece to this poem (http://hellopoetry.com/poem/1807532/miles-song/) it is actually a song I wrote based on the same feeling, sharing the same ending lines but are very different otherwise - at least, lyrically.) There is a youtube video of this song, 08.20 into the video (https://youtu.be/RZRPCtZ_ynw)
Edward Coles Nov 2016
Drunk again, on my own again,
without a friend in sight.
I learned to read just to pass the time,
St. Teresa she tells me:
"Be gentle to all and stem with yourself,"
and you will find the light.
But some of us see only in dark,
and we come alive at night.

Been trying to breathe, been trying to see
what William James told me:
"You can alter your life, if you alter your mind,"
my kaleidoscopic eyes-
and act as if you can make a difference
and "be not afraid of life."
But I've been running scared, darling all of the time,
life chews me up and it spits me out.

I'm tired of words, to see me through,
oh, I need someone tonight,
someone tonight.

Like Carl Rogers says, you gotta hang tough,
"I'm not perfect but I'm enough."
"What is personal, it is universal,"
if you just open up.
But if I should die, it would take a while
until someone beats the drum.
I flew so many miles and still,
and still, my sadness has won.
C

This is a song I wrote based around a poem I had written the night before and posted on here (http://hellopoetry.com/poem/1806946/miles/) they both end on the same few lines but are very different otherwise. There is a recording of the song on this youtube link, 08.20 into the video (https://youtu.be/RZRPCtZ_ynw).
Edward Coles May 2014
"Lets go on a walk, Sam."
Let's go on a walk; go on a walk with Sam.

Mummy is driving, not walking.
She's being quiet;
I want to be quiet, too.

A Ford Escort is going past.
It's blue and the people inside
are laughing at each other.

The two girls in the backseats
have pretty brown hair but
they're too busy laughing to notice.

"Where did you get that hat?"
Where did you get that hat, Sam?
He needed it for the walk.

Laughter is weird. I do it
sometimes, but it's not with
other people. I'm okay with that.

When I laugh, people look scared.
Mummy says it's like a sonic boom,
and that's why people pull faces.

"Where did Jess go?"
Jess went on the walk with Sam!

Sometimes I wish I had a Jess.
Mummy got married at nineteen,
so I only have two months

and twenty-seven days
until I find my Jess.
Until someone loves me.
A bit of an experiment.
c
Edward Coles Jan 2014
In reclamation of a childhood-mind,
I storm my sobriety with a torrent
of half-assed joints and forgotten poets,
until all that is formed is some vital compound
that links intrinsically, possessively, autonomously,
the motion of sound.

From this I'll crack open that nitrous,
in an attempt to leave eternity bare,
within these primitive paws, sweated clutch
and insufficient air,
that filters oxygen as a reluctant fool,
some corporate machine, or human tool.

It is in reclamation I tend to my childhood-mind,
to storm my sobriety in receipt
of half-assed tragedies and rhyme,

'till all that is left is this fragmented page
of that paradise lost,
on minimum wage.
Edward Coles May 2014
I’m filing as a missing person,
For all these months I’ve spent inside.
Despite the pills that I’ve been given,
You can never turn the tide.

All I wanted was some freedom,
A chance to stretch out in the sun,
But I’m having conversations with the streetlights;
Talking to friends where there are none.

This bus is full of lonely people,
Who’ll cry only in the dark;
For all the dreams they’d left in high school,
And the teenage lovers in the park.

We only send out grateful letters
Once old friends have moved address,
And I can’t fight this sleep much longer,
Whilst I am straining to confess.

This life isn’t what I wanted,
Nor can it be what I wish for,
But I will settle for the sound
Of you knocking at my door.
c
Edward Coles Nov 2014
I know how you would shy away from the term 'best friend'. Such a lofty position to hold in one's life – one that, you think, could never be afforded to you and your self-effacing ways.

Never one to gush or to quantify feelings into measurable and incriminating words of affection, or indeed, to impart friendliness through any means other than private jokes and last-minute hugs; I know full well that this enterprise of writing for you is rather trite and pointless. I would be better off wringing my hands and waiting anxiously by your front door.

But I am through with transient sensations of red wine and naked, fictitious, unobtainable women. I am through with curing a world that does not want to be cured. I have drank more than enough coffee, so to write bitterly would only **** all sensations.

In rations of cigarettes and endless walks, you helped to facilitate a recovery that at times I felt was beyond me – and probably was, without you. You and I, experts at self-hate and isolation, found a kindness in the exchange of insults, dead arms, and dreams of an escape from these streets of all-too-familiar names and faces – our unwanted dependence on our mothers and indifferent friends.

There have been times when I have left you behind. It scalds me to think of those years you spent in containment, inside the four walls of your mother's house with only her acid tongue for company. No job, no voice, and only tedious entertainment – those torn nights where you went out of your mind with boredom and hopelessness. All whilst I was too busy and too far-off to take the time to notice.

I discarded you in favour of a love that was always going to lose its charm, lose its patience with my lazy sadness and horrendous monobrow. It was a wretched way to treat a friend, I know, and no silly poem or attempt at prose could come close to bridging the deficit.

There is no ugliness in fragility, but it is gruesome to be lonely. In the cheap affair of swing-side smoke and your father's stolen whiskey, you taught me there is no need for success, if failure is found in good company.

And yet I wish you completion and contentment with a desperate gratitude above that of all others. You have lived too long a life set in compromise with your captors; persistent aches of insufficiency in some form or another, and self-punishment for everything that is out of your control.

In sleepless nights and deathly, early mornings, in which you cannot differentiate between the two, or where dreams begin and end; you are piecing together a life of your own. A brave, painstaking betterment of yourself, after bathing so long in a helpless void. Not once was I there to help you through, to be the voice at the end of the line that I so claim to be.

Despite this, you gave me those late-night vigils, talking between screens, in words that resembled care and concern, regardless of their off-hand and conversational tone.

I know that I have made you cry during the times I have wanted to die. I know I have shut myself from you at times when you needed an open door. So from now on, everything is left on the latch for you. No weather, time, or entity, will prevent me from repaying my debts.

I have found a friend to crawl home to. All of the rest is filler. All of the rest, I can live without.
C
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