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One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
nearer:breath of my breath:take not they tingling
limbs from me:make my pain their crazy meal
letting they tigers of smooth sweetness steal
slowly in dumb blossoms of new mingling:
deeper:blood of my blood:with upwardcringing
swiftness plunge these leopards of white ream
this pith of darkness:carve an evilfringing
flower of madness on gritted lips
and on sprawled eyes squirming with light insane
chisel the killing flame that dizzily grips.

Querying greys between mouthed houses curl

thirstily.  Dead stars stink.  dawn.  Inane,

the poetic carcass of a girl
The stars still shone last night, and tasted pretty like my last sonnet;
And I still loved thee; and imagined thee 'fore I retreated to bed.
Ah, but thou know not-thou wert envied by t'at squeaking trivial moon;
It seduced and befriended thee; but took away thy sickly love too soon.
Ah, t'at moon which was burnt by jealousy, and still perhaps is,
Took away thy love-which, if only willing to grow; couldst be dearer than his.
But too thy love, which hath-since the very outset, been mostly repulsive and arduous;
And loving thee was but altogether too customary, and at gullible times, odious.
Ah, but how I was too innocent-far too innocent, was I!
Why didst I stupidly keepeth loving thee-whose soul was but too sore, and intense-with lies?
And at t'is very moment, every purse of stale dejection leapt away from me;
Within t'eir private grounds of madness; but evaporating accusations.
Ah, so t'at thou desired me not-and thus art deserving not of me;
But why didst I resist not still-thy awkwardness, and glittering sensations?
Oh, I feeleth uncivil now-for I should hath been too mad not at the moon;
For taking away thy petty threads, and curdling winds, out of me-too soon.
And for robbing my gusts, and winds, and pale storms of bewitching-yet baffling, affection;
But in fact thrusting me no more, into the realms of death; and t'eir vain alteration.
Ah, thee, so how I couldst once have awaited thee, I never knoweth;
For perhaps I shall be consumed, and consequently greeteth immediate death; within the fatal blushes of tomorrow.
But still-nothing of me shall ever objecteth to t'is tale of blue horror, and chooseth to remain;
And I shall distracteth thee not; and bindeth my path into t'at one of thy feet-all over again.
Once more, I shall be dimmed by my mirthlessness and catastrophes and sorrow;
Yet thankfully I canst becometh glad, for all my due virtues, and philanthropic woes.

I shall be wholly pale, and unspeaking all over me-just like someone dead;
And out of my mouth wouldst emergeth just tears-and perhaps little useless, dusty starlings;
I shall hath no more pools or fits or even filths of healthy blood, nor breath;
I shall remembereth not, the enormous fondness, and overpowering passions; for our future little darlings.
For my love used to be chilly, but warm-like t'ose intuitive layers behind the sky;
But thou insisted on keeping silent and uncharmed-a frightfulness of sight; I never knew why.
Now t'at I hath returned everything-and every single terseness to my heart;
I shall no more wanteth thee to pierce me, and breaketh my gathered pride, and toil, apart.
For I am no more of a loving soul, and my whole fate is bottomless and tragic;
I canst only be a lover for thee, whenst I am endorsed; whenst I feeleth poetic.
I shall drowneth myself deep into the very whinings of my misery;
I shall curseth but then lift myself again-into the airs of my own poetry.
For the airs of whom might only be the sources of love I hath,
For t'is real world of thine, containeth nothing for me but wrath;
Ah, and those skies still screameth towards me, for angering whose ****** foliage;
Whenst t'ose lilies and grapes of my soul are but mercifully asleep on my part.
I wanteth to be mad; but not any careless want now I feeleth-of cherishing such rage;
For I believeth not in ferocity; but forgiveness alone-which rudely shineth on me, but easeth my painful heart.
I hath ceased to believe in my own hand; now furnished with discomfort;
But still I hath to fade away, and thus cut t'is supposedly long story short.
I hath been burned by thee, and flown wistfully into thy Hell;
But so wisheth me all goodness; and that I shall surviveth well.
And just now-at t'is very moment of gloom; I entreateth t'at thou returneth to her, and fasteneth yon adored golden ring;
For it bringst thee gladness, which is to me still sadly too dear, everything.

Ah! Look! Look still-at t'ose streaks of blueness-which are still within my poetry on thee;
But I shall removeth them, and blesseth them with deadness; so that thou shalt once more be young, and free.
For what doth thee want from me-aside from unguarded liberty, and unintimate-yet wondrous, freedom?
For thou might as well never thinketh of me during thy escape;
And forever considereth me but an insipid flying parachute-to thy wide stardom;
Which deserveth not one single stare; as thou journeyeth upon whose dutiful circular shape.
And a maidservant; a wretched ale *****-within thy inglorious kingdom;
Which serveth but soft butter and cakes, to her-thy beloved, as she peacefully completeth her poem.
The poem she shall forceth to buy from me-with a few stones of emerald;
To which I shall sternly refuseth-and on which my hands receiveth t'ose climactic bruises.
For she, in her reproof-shall hit me thereof, a t'ousand times; and a harlot me, she shall calleth;
And storm away within t'at frock of endless purpleness; and a staggering laugh on her cheeks.
And I-I shall be thy anonymous poet, whose phrases thou at times acquireth, at nighttime-but never read;
A bedroom bard, in whose poetry thou shalt not findeth pleasures, and to which thou shalt never sit.
A jolly wish thou shalt never, in thy lifetime, cometh anyhow-to comprehend-nor appreciate;
But should I still continueth my futility; for poetry is my only diligent haven, and mate.
In which I shall never be bound to doubteth, much less hesitateth;
For in poetry t'ere only is brilliance; and embrace in its workings of fate.
And sadly, a servant as I am-on her vanity should I needst to forever wait, and flourish;
To whom my importance, either dire profoundness-is no more t'an a tasty evening dish.
And my presence by thee is perhaps something she cannot relish;
I know not how thou couldst fall for a dame-so disregarded and coquettish!
To whom all the world is but hers; and everything else is thus virtual;
So t'at hypocrisy is accepted, as how glory is thus defined as refusal.
But sometimes I cometh to regret thy befallen line of glory, and untoward destiny;
I shall, like ever, upon which remembrance, desireth to save thee, and bringst thee safely, to eternity.
But even t'is thought of thee shall maketh me twitch with burning disgust;
For I hath gradually lost my affection for thee; either any passion t'at canst tumultously last.
And shall I never giveth myself up to any further fatigue-nor let thy future charms drag me away;
For I hath spent my abundant time on thy poetry-and all t'ose useless nights and days;
As thou shalt regard me not-for my whole cautiousness, nor dear perseverance-and patience;
Thou shalt, like ever, stay exuberant, but thinketh me a profound distress-a wild and furious, impediment.
Thou hath denied me but my most exciting-and courteous nights;
And upon which-I shall announce not; any sighs of willingness-to maketh thee again right;
nor to helpeth thee see, and obediently capture, thy very own eager light.

And when thy idiocy shall bringst thee the most secure-yet most amatory of disgrace, turn to me not;
I hath refused any of thine, and wisheth to, perfunctorily-kisseth thee away from my lot,
I shall writeth no more on thy eloquence-for thou hath not any,
As nothing hath thou shown; nothing but falsehood-hath thou performed, to me.
Thou hath given none of those which is to me but virulent-and vital;
Thou art not eternal like I hath expected-nor thy bitter soul is immortal.
Thou art mortal-and when in thy deft last seconds returneth death;
Thou, in remorse, shalt forever be spurned by thy own deceit, and dizzily-spinning breath,
And after which, there shall indeed be no more seconds of thine-ah, truly no more;
Thou shalt be all gone and ended, just like hath thou once ended mine-one moment before.
All t'at was once unfair shall turneth just, and accordingly, fair;
For God Himself is fair-and only to the honest offereth His chairs;
But the limbs of Heaven shall not be pictured, nor endowed in thee;
To thee shall be opened the gate of fires, as how thou hath impetuously incarnated in me.
No matter how beautiful they might be-still thy bliss shall flawlessly be gone,
Thou shalt be tortured and left to thy own disclosure, and mock discourses-all alone.
For no mortality shall be ensured foreverness-much less undead togetherness;
As how such a tale of thy dull, and perhaps-incomprehensible worldliness.
By t'at time thou shalt hath grown mature, but sadly 'tis all too late;
For thou hath mocked, and chastised away brutally-all the truthful, dearest workings of fate.
And neither shalt thou be able to enjoy-the merriments of even yon most distant poetry;
For unable shalt thou be-to devour any more astonishment; at least those of glory.
And thus the clear songs of my soul shall not be any of thy desired company;
Thy shall liveth and surviveth thy very own abuse; for I shall wisheth not to be with thee;
For as thou said, to life thou, by her being, art the frequented life itself;
Thus thou needst no more soul; nor being bound to another physical self;
And t'is shall be the enjoyment thou hath so indolently, yet factually pursued-in Hell;
I hope thou shalt be safe and free from hunger-and t'at she, after all, shall attendeth to thee well.

And who said t'at joys are forbidden, and adamantly perilous?
For t'ose which are perilous are still the one lamented over earth;
For in t'ose divine delights nothing shall be too stressful, nor by any means-studious;
For virtues are pure, and the walls of our future delights are brighter t'an yon grey hearth;
And be my soul happy, for I hath not been blind; nor hath I misunderstood;
I hath always been useful-by my writing, and my sickened womanhood;
Though I hath never possessed-and perhaps shall never own, any truthful promise, nor marriage bliss;
Still I longeth selfishly to hear stories-of eternal dainty happiness, for the dainty secret peace.
Ah, thee, for after thee-there shall perhaps no being to be written on-in yon garden;
A thought t'at filleth me not with peace, but shaketh my whole entity with a new burden.
Oh, my thee, who hath left me so heartlessly, but the one whom I hath never regarded as my enemy-
The one I hath loved so politely, tenderly, and all the way charmingly.
Ah! Ah! Ah! But why, my love, why didst thou turn t'is pretty love so ugly?
I demandeth not any kind purity, nor any insincere pious beauty,
But couldst thou heareth not t'is heart-which had longed for the one of thine-so subserviently and purely?
For I am certainly the one most passionately-and indeed devotedly-loving thee,
For I am adorable only so long as thou sleepeth, and breatheth, beside me,
For I am admired only by the west winds of thy laugh, and the east winds of thy poetry!
Ah, but why-why hath thou stormed away so mercilessly like t'is;
And leaving me alone to the misery of this world, and my indefinite past tears?
Ah, thee, as how prohibited by the laws of my secret heaven,
Thus I shall painteth thee no more in my poesies, nor any related pattern;
There, in t'is holy dusk's name, shall be spoiled only by the waves of God's upcoming winters,
In the shapes of rain, and its grotesque, ye' tenacious-and horrifying eternal thunders.
And thus t'ese lovesick pains shall be blurred into nothingness-and existeth no more,
But so shall thy image-shall withereth away, and reeketh of death, like never before.
For I shall never be good enough to afford thee any vintage love-not even tragedy,
For in thy minds I am but a piece of disfigured silver; with a heart of unmerited, and immature glory;
Ah, pitiful, pitiful me! For my whole life hath been black and dark with loneliness' solitary ritual,
And so shall it always be-until I catch death about; so grey and white behind t'ose unknown halls.
And shall perhaps no-one, but the earth itself-mourneth over my fading of breath,
They shall cheereth more-upon knowing t'at I am resting eternally now, in the hands of death.
And no more comical beat shall be detected, likewise, within my poet's wise chest;
For everything hath gone to t'eir own abode, to t'eir unbending rest.
But I indeed shall be great-and like an angel, be given a provisionary wing;
By t'is poetry on thee-the last words of mouth I speaketh; the final sonata I singeth.

Thus thou art wicked, wicked, wicked-and shall forever be wicked;
Thou art human, but at heart inhuman-and blessed indeed, with no charming mortal aura;
Thou wert once enriched indeed-by my blood, but thy soul itself is demented;
And halved by its own wronged purity, thou thus art like a villainous persona;
Thou art still charmed but made unseeing, and chiefly-invisible;
Unfortunately thou loathe scrutiny, and any sort of mad poetry;
Knowing not that poetry is forever harmless, and on the whole-irresistible;
And its tiny soul is on its own forgiving, estimable, and irredeemable.
Ah, thee, whose soul hath but such a great appeal;
But inanely strained by thy greed-which is like a harm, but to thee an infallible, faithful devil.
Thou art forever a son of night, yet a corpse of morn;
For darkness thriveth and conquereth thy soul-and not reality;
Just like her heart which is tainted with tantrum, and scorn;
Unsweet in her glory, and thy being-but strangely too strong to resist-to thee.
Ah, and so t'at from my human realms thou dwelleth immorally too far;
As art thou unjust-for t'is imagination of thine hath left nothing, but a wealth of scars;
I used to recklessly idoliseth thee, and findeth in thy impure soul-the purest idyll;
But still thou listened not; and rejected to understandeth not, what I wouldst inside, feel.
After all, though t'ese disclaimers, and against prayers-hath I designated for thee;
On my virtues-shall I still loyally supplicate; t'at thou be forgiven, and be permitted-to yon veritable, eternity.
zebra Jun 2017
I can be so tender with you, but then the monster emerges like guano out of a bats *** my precious and hes so hungry for your blood
He wants to take a razor to you . He loves your crying. He's excited by your sunken brooding face, sheet white flesh and sallow eyes.  
She gets down on her knees holding her self pert and brave for love's cruelty knowingly she is his play dough blood **** doll in a white death gown of weeping lacerations, his sweet blood blossom splashing
Her splayed pose tells him she's made to cut like red plush butter, her flesh his pull apart pastry, her bones his marrow.

He slowly works her down from merciless blood letting and bludgeoned raw piercing .
But the part that excites him the most  is when she sneers at him hissing, the blade to her throat as she lifts her head high exposing her throat without hesitation
His panicked hungry kisses and bites unceasing as she smiles and suffers knowing her twisted dream of living deaths dark labyrinth is near. Her **** gapes wet, leaking with blood and dark waters from being sodomized cruelly.  Her **** a drooling tortured swollen mouth, a river of blood
His bubble of poison in her, ruptures deep.
Both hyena feral ... He knows she's ready and holds her head down, a wooden block shoved between the back of her neck forcing her chin to jut out and exposing her swan throat .
He pulls out a box cutter
Is this what you need my darling ?
Is it you sweet **** ?
She smiles eagerly, eyes glaring, poised, noble, legs spread wide, back arched, soaking with crimson copper sweat
Watch me writhe you *******, unwind the little *****, she demands, grinning like a hell cat on drugs she holds fast ready for her departure to some crepuscular eternal afterlife

dark cupid witch
legs tied to throat
devil ***** twitch
******* in a mote
i've got the itch
feet scorched in rope
hot ******* *****
hells dark pope

oh dragon man
take my life
unwind me slow
i'm summer ripe
DO IT,,, DO IT... DO IT.... she screamed like a wind whipped howling tree in a blaze of flames.

Very well and as he slipped his long arterial sheath deep up in side her womb and stroked tenderly
He called oh my sweet darling pressing that blade deep through her soft buttery skin...Splitting arteries, sinews and flesh recklessly as she shuttered, her face a wild eyed Hiroshima convulsing in heaping waves, bloated with the filthy viscous red **** of Dragool
His blood a drug venomous, hallucinogenic and ecstatic

She spiraled dizzily into a primeval black watery abyss.
In a fury, he slit his **** wide, and engorged her raw shapeless mouth with his dreadful Scorpius elixir, door way to the dark life.
He raged at her, drink you sweet hell *****, **** pie, fat blister, and i make you my ***** consort for all eternity, loving you under black winged cape, sweet princess of death unpeeled.
Come he said, we are night storms of hell...We **** for love and you will die a thousand deaths my delicious blood bell I shall **** your soul away and turn you to the darkest midnight

vampiress *****
dark girl feeding
the sun is no more
loves the bleeding
Melanie Melon Mar 2013
It was the time of summer where every kid had silently realized that it was ending,
No longer halfway through, no longer half full
Leaking and spilling out,
like the gas in my twenty two year old car
We couldn’t stop it,
And the moments of high school summertime
The moments that supposedly turn into stories we tell forever
Hadn’t seemed to have happened.

Both of us on the swing lazily swung
Dizzily from side to side.
Climbing forward, falling in reverse
Our combined bodyweight shifting back and forth
Tanned legs kicking up in an attempt at unison on every backwards glide.
Gravity hung us there,
Pulling the swing toward the ground no matter the rotation.

I sat on top.
I wore bleached shorts and bleached hair.
I worried that gravity or more so my value to it
would crush him.


At the same time, I felt unbelievably small.


The air pressed in on me from all angles,
it touched my bare legs
it easily waffled my shirt.

“Mel, if you were squishing me, I would let you know”,
he assured with a cocky tone of his very own that somehow made me feel special.
I couldn’t help but think he was only trying to be tough
Attempting to let sheer willpower overweigh my well earned quads,
My six foot frame.
The awkward body I never quite grew into
Never knew how to masterfully control
Never knew how to fill.
Though I secretly (wanted to) truly believe him

On this humid night I felt like the ball was in my court,
Like I could do anything and everything.
That nothing could go wrong
That the boy that I was sitting on was genuine
And that I could simply drive off to wherever.

(I had a full tank of gas and enough money to get me to Alabama).

I felt small in this,
in this infinity of possibility all around me.
Like a weight was pushing into me
Putting on pressure that couldn’t be ignored
That shrunk me just enough.
I felt powerless to fate
Powerless to this planet
To this grand, glorified hunk of earth which was so much greater than me
(and surely my insignificant weight anxieties).

I felt like the gas was leaking out faster than I could use it.
I felt like my infinity was disappearing as I swung within it.


Just like that, I let the ball drop and the gas leak out.
We just kept swinging.
Laughing,
Wasting,
Talking,

Dying.
Terrin Leigh Aug 2015
chaos dances dizzily within her head
grand plié, her countenance dips
spotting her lover, pursed lips
gracefully swirls 'cross the way, smile filled with dread

maintaining composure, her sentiment bled
eyes that hide a story, emoting only through her hips
chaos dances dizzily within her head
grand plié, her countenance dips

spotting her pirouettes, instead of tears shed
her mind wanders and reality slips
bold persona assumes her person, off the scripts
quasi-confident, the stage she tread
chaos dances dizzily within her head
rondel
Kathleen Oct 2010
rescinding messages of longing and lust
cast off to the wind like a broken record
skittering, twisting down the street in early morn'
your laying to rest your tired conscience on me
like one of those lovers in a movie theater
brushed off like salt on a shoulder
twirled like a young girls hair mid flirtation giggle
i think we're dancing in the streets now
scuffing shoes against concrete
mind-melding as we soft shoe across the yellow lines
i'm kicking you to the curb
like a rock into a gutter
your blowing through me like a chilled breeze
shuffling past me hurriedly to another time
like a scarf mid swing o're a cold shoulder
i turn 'round swiftly to meet you
dizzily.
creative commons
The room is full of you!—As I came in
And closed the door behind me, all at once
A something in the air, intangible,
Yet stiff with meaning, struck my senses sick!—

Sharp, unfamiliar odors have destroyed
Each other room’s dear personality.
The heavy scent of damp, funereal flowers,—
The very essence, hush-distilled, of Death—
Has strangled that habitual breath of home
Whose expiration leaves all houses dead;
And wheresoe’er I look is hideous change.
Save here.  Here ’twas as if a ****-choked gate
Had opened at my touch, and I had stepped
Into some long-forgot, enchanted, strange,
Sweet garden of a thousand years ago
And suddenly thought, “I have been here before!”

You are not here.  I know that you are gone,
And will not ever enter here again.
And yet it seems to me, if I should speak,
Your silent step must wake across the hall;
If I should turn my head, that your sweet eyes
Would kiss me from the door.—So short a time
To teach my life its transposition to
This difficult and unaccustomed key!—
The room is as you left it; your last touch—
A thoughtless pressure, knowing not itself
As saintly—hallows now each simple thing;
Hallows and glorifies, and glows between
The dust’s grey fingers like a shielded light.

There is your book, just as you laid it down,
Face to the table,—I cannot believe
That you are gone!—Just then it seemed to me
You must be here.  I almost laughed to think
How like reality the dream had been;
Yet knew before I laughed, and so was still.
That book, outspread, just as you laid it down!
Perhaps you thought, “I wonder what comes next,
And whether this or this will be the end”;
So rose, and left it, thinking to return.

Perhaps that chair, when you arose and passed
Out of the room, rocked silently a while
Ere it again was still. When you were gone
Forever from the room, perhaps that chair,
Stirred by your movement, rocked a little while,
Silently, to and fro. . .

And here are the last words your fingers wrote,
Scrawled in broad characters across a page
In this brown book I gave you. Here your hand,
Guiding your rapid pen, moved up and down.
Here with a looping knot you crossed a “t”,
And here another like it, just beyond
These two eccentric “e’s”.  You were so small,
And wrote so brave a hand!
                         How strange it seems
That of all words these are the words you chose!
And yet a simple choice; you did not know
You would not write again.  If you had known—
But then, it does not matter,—and indeed
If you had known there was so little time
You would have dropped your pen and come to me
And this page would be empty, and some phrase
Other than this would hold my wonder now.
Yet, since you could not know, and it befell
That these are the last words your fingers wrote,
There is a dignity some might not see
In this, “I picked the first sweet-pea to-day.”
To-day!  Was there an opening bud beside it
You left until to-morrow?—O my love,
The things that withered,—and you came not back!
That day you filled this circle of my arms
That now is empty.  (O my empty life!)
That day—that day you picked the first sweet-pea,—
And brought it in to show me!  I recall
With terrible distinctness how the smell
Of your cool gardens drifted in with you.
I know, you held it up for me to see
And flushed because I looked not at the flower,
But at your face; and when behind my look
You saw such unmistakable intent
You laughed and brushed your flower against my lips.
(You were the fairest thing God ever made,
I think.)  And then your hands above my heart
Drew down its stem into a fastening,
And while your head was bent I kissed your hair.
I wonder if you knew.  (Beloved hands!
Somehow I cannot seem to see them still.
Somehow I cannot seem to see the dust
In your bright hair.)  What is the need of Heaven
When earth can be so sweet?—If only God
Had let us love,—and show the world the way!
Strange cancellings must ink th’ eternal books
When love-crossed-out will bring the answer right!
That first sweet-pea!  I wonder where it is.
It seems to me I laid it down somewhere,
And yet,—I am not sure. I am not sure,
Even, if it was white or pink; for then
’Twas much like any other flower to me,
Save that it was the first.  I did not know,
Then, that it was the last.  If I had known—
But then, it does not matter.  Strange how few,
After all’s said and done, the things that are
Of moment.
     Few indeed!  When I can make
Of ten small words a rope to hang the world!
“I had you and I have you now no more.”
There, there it dangles,—where’s the little truth
That can for long keep footing under that
When its slack syllables tighten to a thought?
Here, let me write it down!  I wish to see
Just how a thing like that will look on paper!

“I had you and I have you now no more.”

O little words, how can you run so straight
Across the page, beneath the weight you bear?
How can you fall apart, whom such a theme
Has bound together, and hereafter aid
In trivial expression, that have been
So hideously dignified?—Would God
That tearing you apart would tear the thread
I strung you on!  Would God—O God, my mind
Stretches asunder on this merciless rack
Of imagery!  O, let me sleep a while!
Would I could sleep, and wake to find me back
In that sweet summer afternoon with you.
Summer?  ’Tis summer still by the calendar!
How easily could God, if He so willed,
Set back the world a little turn or two!
Correct its griefs, and bring its joys again!

We were so wholly one I had not thought
That we could die apart.  I had not thought
That I could move,—and you be stiff and still!
That I could speak,—and you perforce be dumb!
I think our heart-strings were, like warp and woof
In some firm fabric, woven in and out;
Your golden filaments in fair design
Across my duller fibre.  And to-day
The shining strip is rent; the exquisite
Fine pattern is destroyed; part of your heart
Aches in my breast; part of my heart lies chilled
In the damp earth with you.  I have been torn
In two, and suffer for the rest of me.
What is my life to me?  And what am I
To life,—a ship whose star has guttered out?
A Fear that in the deep night starts awake
Perpetually, to find its senses strained
Against the taut strings of the quivering air,
Awaiting the return of some dread chord?

Dark, Dark, is all I find for metaphor;
All else were contrast,—save that contrast’s wall
Is down, and all opposed things flow together
Into a vast monotony, where night
And day, and frost and thaw, and death and life,
Are synonyms.  What now—what now to me
Are all the jabbering birds and foolish flowers
That clutter up the world?  You were my song!
Now, let discord scream!  You were my flower!
Now let the world grow weeds!  For I shall not
Plant things above your grave—(the common balm
Of the conventional woe for its own wound!)
Amid sensations rendered negative
By your elimination stands to-day,
Certain, unmixed, the element of grief;
I sorrow; and I shall not mock my truth
With travesties of suffering, nor seek
To effigy its incorporeal bulk
In little wry-faced images of woe.

I cannot call you back; and I desire
No utterance of my immaterial voice.
I cannot even turn my face this way
Or that, and say, “My face is turned to you”;
I know not where you are, I do not know
If Heaven hold you or if earth transmute,
Body and soul, you into earth again;
But this I know:—not for one second’s space
Shall I insult my sight with visionings
Such as the credulous crowd so eager-eyed
Beholds, self-conjured, in the empty air.
Let the world wail!  Let drip its easy tears!
My sorrow shall be dumb!

—What do I say?
God! God!—God pity me!  Am I gone mad
That I should spit upon a rosary?
Am I become so shrunken?  Would to God
I too might feel that frenzied faith whose touch
Makes temporal the most enduring grief;
Though it must walk a while, as is its wont,
With wild lamenting!  Would I too might weep
Where weeps the world and hangs its piteous wreaths
For its new dead!  Not Truth, but Faith, it is
That keeps the world alive.  If all at once
Faith were to slacken,—that unconscious faith
Which must, I know, yet be the corner-stone
Of all believing,—birds now flying fearless
Across would drop in terror to the earth;
Fishes would drown; and the all-governing reins
Would tangle in the frantic hands of God
And the worlds gallop headlong to destruction!

O God, I see it now, and my sick brain
Staggers and swoons!  How often over me
Flashes this breathlessness of sudden sight
In which I see the universe unrolled
Before me like a scroll and read thereon
Chaos and Doom, where helpless planets whirl
Dizzily round and round and round and round,
Like tops across a table, gathering speed
With every spin, to waver on the edge
One instant—looking over—and the next
To shudder and lurch forward out of sight—

                     *

Ah, I am worn out—I am wearied out—
It is too much—I am but flesh and blood,
And I must sleep.  Though you were dead again,
I am but flesh and blood and I must sleep.
Rangzeb Hussain Mar 2010
Long ago in shadows when the world was in magic robed,
Thus begins this tragic tale from times old,
A Mother and a bright girl did have a cottage near a hill,
On the edge of a creeping forest did they live.

Poor they were yet happy too with songs at dawn,
Nor did their stomachs in hunger churn or yawn,
Life was hard but they got by with chickens hatching hatching,
Eyes in the night always watching watching.

The Mother did always caution her delightful daughter,
“Freia, don’t be a lamb to the slaughter,
Wrap your apple blossom face from the dead eyes of dogs,
Beware the men who haunt the forest fog.”

The bright days were dreamed away in peace and solitude,
No neighbours did intrude,
Time slipped away over the misty mountains and innocent lambs,
The years ran on, so silently they ran.

One day in late autumn when Freia had maidenhood reached,
She was asked to gather wood for heat,
The days were getting shorter and the spiked nights were colder,
Shadows scratched by their door.

“Give me my red scarf quick for I want to be a girl good!
For you I will get sticks of tinder wood!”
But before she let go her dancing daughter dear
The Mother did speak of fear.

“Freia, hush and listen! Return quickly for I am in fear soaking,
Watch out for the wet croaking Water-Goblin
Who reigns and dines beneath the river and hides in woodbine,
Take heed, Lady Night upon the sky shows her signs.”

“Never fear, dear Mother wise of mine,” said Freia,
“Blind Mistress Night, ha!
She will never ever catch or lay her black claws upon me,
Just wait and see! Back I will be.”

Freia skipped and slipped into the forest loud with sound,
She was collecting wood from the ground
When an idea came darting and burrowed into her curious mind,
“There’s no Water-Goblin! It’s a tale to scare and blind.”

And to prove her Mother wrong about tales tall and long
She went to the riverbank to sing a song,
The place was dark and no bird sang in the gloomy twilight,
Bright bones upon the bank caught her sight.

A frosty wind licked her and goose-pimples did appear,
Her spine chilled and shivered,
She tried to brush off the terror in which she was crippled,
Upon the river her eyes spied a ripple.

Something was swimming and straight to her heading!
Her legs grew heavy and she stopped humming,
She stayed rooted as up her legs crawled spidery lice,
She stood like a statue carved out of ice.

Bubbles were breaking above the tar-like water ring,
The gap closing between her and the thing,
“O, why did I to this dead river come running and singing?
How I wish I was at home skipping!”

It was as if some magic older than time kept her frozen,
Freia had thus been chosen,
The gap between her and the creature was fast closing,
If only she was at home safely dozing!

She tried to shout but only dry silence puffed out,
Her eyes bulged, she was clouded in doubt,
Tears fell upon her cheeks but she still could not scream,
Cruel, O how wrong everything now seemed!

Something dark, something bleeding green greed
Crept from the water with fluid speed,
The creature from the river wrapped a long strong arm
And held Freia’s gentle palms.

“Mine!” it gurgled through gnashing sharp teeth.
“Please, no!” spoke Freia in fever’s heat.
“Bride you will be!” the scaly creature hugged and hissed,
With jagged lips he did upon Freia plant a kiss.

The Water-Goblin, for indeed it was he,
Dragged away Freia by the knee,
Into the cold and dank river he waded,
O, how his touch she hated!

“I’ll drown!” Freia screamed, “To the shore take me!”
“Please, no!” she tried to sense make him see,
“I’m sure to slip and sink and in the water drown and weep!”
“Will not,” spoke he, “Magic bubble I shall for you weave!”

He spun his murky magic and just as he had promised and hissed,
A large air bubble circled Freia’s body and hips,
He lowered her ever deeper into his Netherworld Kingdom,
Up above the sun into the horizon did drown.

The green-eyed Water-Goblin a wedding banquet did hold,
It was a hideous party truth be told,
The guests he had invited made Freia’s skin crawl,
Demons of all kinds smiled and prowled.

The poor girl dizzily danced with the greedy groom,
Her speech slurred and darkness loomed,
Her pulse quickened and her breath came in bursts short,
Her husband’s nails did pinch and hurt.

A year and a day passed away like a carnivorous nightmare
And Freia birthed a baby golden haired,
“Pretty child,” grunted the Water-Goblin, “Is it a boy?”
“No, it’s a girl,” spoke Freia with joy.

Freia enjoyed the happiness by and by tick,
But soon she became homesick,
She wished to see her Mother and to her show the baby,
In that watery Kingdom she was but a trophy.

“Please let me visit my mother?” she kept pleading.
“Never!” he kept repeating.
“Please?” Freia was all honey, clever and charming.
“Never ever!” he was no more laughing.

And so it went on, and on, each and every day,
The Water-Goblin did for an end pray,
“Wife go then,” he one day gave in and readily flipped,
“Back you must come!” he spat through rotted lips.  

“Go now,” he gestured with claws ******
And at the child in the crib he pointed,
“The baby tender and sweet will with me stay,
Come back or else she pays.”

Freia begged, “To my dear Mother I want to baby display.”
“Hark and hear!” he kicked the cot of clay,
“Listen to my dread law. The child here plays.
Return to me by dark of this day.”

He took her to the surface and released her from the spell
Which kept her prisoner in the river red,
She went away yet still she heard a warning burning in her ears,
“Be back before dark or else they be tears!”

When to the old cottage she arrived she wiped her tears,
Her Mother was sitting in the rocking chair,
In the very air floated cobwebs, dust and impending doom,
The room was cloaked in layers of grainy gloom.

Freia rushed to her Mother feeling sad and weak,
It had been a year since they last did speak,
Mother and daughter warmly hugged and held each other fast,
“O, my doll, you return at last from the past!”

Freia did to her Mother tell her tale from beginning to end,
She was broken and needed to mend,
To her Mother she told about her beautiful baby,
Outside, the light was fast fading.

“I must now go back to my darling child before dark
Or else my dread lord will bark
And wreck vengeance most sharp upon my precious pearl,
O, how I miss my darling girl!”

“But don’t you see?” began the wise Mother true,
“The Water-Goblin has no magic over you.
It is said that whosoever returns to dry land can the spell break
If they keep the Water-Goblin at bay till daybreak.”

“Will the vile Water-Goblin free me and my child sweet?
And will he shift this curse? O, do speak!”
“Yes! You and the baby will be safe,” the Mother explained,
“The Water-Goblin will crack and be in pain.”

“Now we wait for the night of shadows long,” said the Mother poor
As she bolted the door,
“Go and bar the kitchen windows, I begin to feel sick,
Lock also the house on this side, be quick!”

No sooner had they barred the door of the cottage old
When the wind howled down the valley cold,
Night shrouded the land and black things moved outside,
They heard the rain pelting the hillside.

The storm with titanic volcanic fury spoke,
Everything fled even hope,
The cottage door with demonic force did vibrate,
Something was tearing the cottage.

“Has he come for me?” Freia shook in her Mother’s arms,
“Has my Master come to inflict harm?”
“No!” shouted her Mother over the thunderclaps,
“It’s the storm perhaps.”

Scratching was heard and they began to fearfully pray,
The panel above the doorway shattered,
Sharp shards of glass everywhere cascaded and scattered,
“Come back!” the thing outside banged and battered.

“It’s the wind. Only the wind, darling dear,” the Mother cleared
Her frightened daughter’s eyes full of fear,
The noise and the angry threats of the unseen creature
Drove darts of icy terror into their features.

“When will this nightmare end?” asked Freia with concern.
Replied the Mother, “Dawn is about to be born.
This Water-Goblin has to go back to his Kingdom before sunrise
Or else he will lose his life and prize.”

Crash! Something broke, splinters of wood in the air flew,
Cracked claws clawed across morning dew,
A hairy paw with nails long and sharp shot through the opening
Above the door and for the lock began searching.

A heartrending howl of frustration then was heard,
Without warning the probing fist did disappear
And there was an unnatural silence in the morning land,
The Hour of the dead Wolf was at hand.

Bang! Something outside the door had horribly burst,
Something had been flung with frightful force
But the cottage door was strong and held firm and fast
The Mother dryly spoke, “The terror has passed.”

“Has it?” said Freia as she with caution went to unhook the lock,
The handle was cold and her heart still in shock,
Her brow and hands wet with the nightmare’s perspiration,
She paused before the door in desperation.

Something lay on the ground before the door all blood and bone,
The sight would bring tears even to a stone,
Freia saw what the Water-Goblin had used to batter the door with,
O, how she wished to stitch her eyelids!

For there lay the lifeless body of her baby on the earth,
This was the baby to whom she had given birth,
Only a small finger remained of the golden curled girl,
The Water-Goblin’s curse had done the worst.



©Rangzeb Hussain
l{one}l{I}ness
hurts like
one
e   m   p   t   y
cup of coffee while another sits
cold in the late afternoon light
full and a little bitter
like your stomach
it stings
like
too much wine -- or *****--
against chapped lips
at 10:45p.m.
finding a ****** wrapper under your bed
of trapped in the corners of your sheets
or cigarette cherries falling onto fuzzy
knee
caps
while Johny Cash
sings you into drunken sleep
al{one}
at
11:30 p.m.
it throbs like heads
and unanswered text messages
and bruises on your knees
the day
after
blinking dizzily into grey-morning-afternoon-night
waking up in a single bed
when the fires have gone out
makeup is smeared
and you realize you forgot to put on socks
it feels like that look on your face
when calls go unanswered
and pretty lingerie makes your skin look
bruised
when a dress meant for a party lies
crumpled in the corner of your bed
or your bathroom
damp and wrinkled
from showers taken at
3.am.
to burn out the lonely that
clings
like
your hands in his when you stop
being alone
or like perfume on a
black tee-shirt that you
borrowed months ago
it is comforting like cheap coffee
and relaxed smiles
of an entire box
of off-brand reeses cocoa puffs
with almond milk
of the taste of peach cigarillos
it is sweet like sweet red and dark chocolate
on a tuesday night
when you are in your underwear
or like listening to sad music
while shaving your legs
and buying a bottle of nail polish
because of the pun in the name on its
bottom
it is also addicting like
the smell of their sweat or
seeing their car parked at the gas station
and holding your breath
to see them
or counting the *******
band stickers on their bumper
to the beats of your heart
untill the lights turn green
it is like listening to ingrid michaelson
in a cold car or sitting
in a cheap orange chair in a coffeeshop
by yourself.
it is like drinking a bottle of wine before
5 p.m.
or watching the sun rise
over naked
january trees
when you haven't slept the night before
or the night before that
or the night before
or the night
before
Casey Carter Feb 2015
Control
Like love
Is indifferent
To race, color or age

I see upright monkeys
With honed, lunatic, pestilent
Expressions
Around endless corners
living out-
and hosing down somberly-
Frequency dreams
Battery life sputter drains
that whip with sardonic torment-
Beat with blood-bathed smiles
Laughing to slow vertiginous rhythm
in captivating faces

Take, take, take-
To receive such
an empty promise

And I've lost interest
in this silent war
We've constructed
so dizzily
Currents © 2009, Casey Carter
Jellyfish Oct 2014
Acidic fury is exactly what I'm feeling, towards you.
The tactics that you've caused me to go through are so painful
I do not understand why you would be so untruthful.
It's almost as if I am floating upon this drift that is full of words you had said in the sweetest of voices.
"I love you."
"You're my stars, my suns, my galaxies."
I keep repeating these sentences thoroughly through-out my mind, every single night.
Remembering the tone, the beat, the eye contact you had made.
Trying to take in the truth, that it was always fake.
Your undying ability to lie straight to my face, was so horrid.
I am feeling betrayed as this 'Caraphernelia' settles in.
I am unaware of the day when my memory of you will fade away.
I hope it's soon.

Your voice is still ringing in my ears as I am dizzily spinning around in my mind,
Trying and trying to just get by this heart breaking of stages.
If only it were easier to forget your name.
Your name.
I will not repeat.
I do not want to say it, I will not cry screaming for you again.
I cannot.
There it is.
The words that you had said to me.
"I love you."
"You are my stars, my suns, my galaxies."
Now I'm crying.
I keep repeating these sentences thoroughly through-out my mind, every single night.
Remembering the tone, the beat, the eye contact you had made.
Trying to take in the truth, that it was fake.
This poem of mine specifically means a lot to me.
Connor Mar 2015
Cardinal sun rose
blooming as the
budding flower.
Buddha chants in the
chimes of birds
ethereal caught in gradual hot wind,
Darjeeling tea steam rises on tabletop my
mind is waking over Indonesian morning.
Foreign babel as hours draw even
cacophony of hurricane horns
the Denpasar traffic drumming
chorus midst markets where
radio emitting Li Zengguang
dizi dizzily prancing into the
assortments of spice and coiling fabrics
patterns potent azure and golden
royalty brass clatter caged noise
boiling *** cries the Orient!

Overgrowth spots the charring temples
in majesty and abundance cradling the narrow
Balinese streets while tropic palm
and orchid spring swells the soils.
Ardent sun sheaths eastern archipelagos,
religious offerings canvas sidewalks
incense burning in overwhelming
bouquets of efflorescence smelling
daedal tapestries within the paradise.
Sun goes on setting the jewel easing
underneath the horizon,
butterflies sway in rest
hearts on fire
the ceremonies have finished.
Thunder shrieks against the sea
torrential rain firing on villa ceilings.
My eyes set to sleep
consciousness transitioning
between two dreams.
nikki armstrong Nov 2015
there is some kindness in the way
the earth is suspended on gravity's back.
how it
rotates on it's axis,
bound by the sacred trust
that space won't bottom out &
shake us all from the earth
like crumbs in the bed.

there is little kindness in the way
the earth is suspended
in war, in turmoil;
with handguns & machine guns
& bombs strapped to civilians-
tied to the greater majority
with the intentions of a few.

there is little kindness
in fighting fire with fire-
when our own backyards are burning
&
our neighbors are to blame.

there is little kindness in the fear
of what lies beneath a burka,
a niqab,
a turban-
a police uniform,
a trench coat
or a white robe
&
a
pointed
white
hood.

there is little kindness in the terror
that sleeps in the backs of our minds
and sets up shop in our beds
& lays low
while we condemn the third world,
the local news just confirms
and confirms
and confirms-
we were killing each other first.

there is little kindness in seeing humanity
as this side of the border
or that.
the world is more of a revolving door
that spins you dizzily
& spits you back out.

there is some kindness in the way
gravity still holds the earth
like some sick, sad science fair project;
like some ****** consolation prize.

humanity is
a bed of crumbs
clinging
thanklessly
to
sheets.
She's got roses in her hair
And* mud over her heels
Her
sun kissed skin shines
As she
dances in the meadow

Her brash laughter sings
Throughout the cornfield
The breeze twirling her; dizzily
As if in a ballroom; 
like a lover

Eccentric* is what she seems
But really she's a girl
A girl who is free
To spend her days frolicking
In *nature's company
Why, don't we all long to be free!
Seán Mac Falls Jan 2014
Dressing the day,
Beaming purely, on bankers
Hours, spinning such fine, spine
Wheel ways, painting the stones
Of grey, never so faraway, showing
Mighty, mirth in maddest Midgard,
Bearing blooms dizzily, trailing
All the new, children who play,
Pick and count, humming with faces
Bright as the late bedding stars
Joyous in the offered cheers
Of the crowning sun, gifts
All, in endless amount.
David Hall Dec 2016
a poem for the perturbed
partially peeved
marginally miffed
indirectly disturbed

not for those in love
not for loss or for longing
not for the haughty highbrow
half hazardly happy saps
that drown you in their
dizzily delerious
words about joy and wonder

this poem is for the average joe
joe sixpac joe normal
kicked back, laid back
ignoble informal

working class
pain in the ***
foul mouthed, burnout
college drop out
that doesn't have two
sweet words to rub together

this poem is for me

and you... if you want it.
was just reading through all the happy sappy poems on hear and not really feeling those emotions right now, but wanted to write something anyways
Connor Mar 2015
Eight months limp in a guilty repose,
Waking with no intent.
Clouds eclipse the routine rooms,
Societies dynamic continues
directionless I spin dizzily within it,
Cycle on high.
my eyes hold their listless weight.
But here ends the night, intermittent,
Cease the unconscious days!
Sun soon glazes the archaic temples,
February becomes July.
Tryst Sep 2015
Do you remember when love was uncomplicated
Hand-holding, lonely fingers grasping,
Longingly, perfecting their grip?

And do you remember the honeymoon
Highs, up and up, dizzily clambering up,
Exploring new horizons?

And do you remember, precisely, when love emerged,
From clouds of chalked up experiences,
Foreboding as a mountain,
Where lonely fingers grasped,
Longingly, for fresh hand-holds?

The quest for loves summit rises,
Peak to higher peak,
Each conquered height unveiling a new vista,
Revealing loves perilous truth,
That each peak is surpassed by two more
And the summit remains elusive.

The fool will climb up and up,
Leaving a devastated trail of overlooks,
Ever unsated,
Ever yearning,
Ever lonely.

The sage will make camp behind a large rock,
Still aware of the mountains hidden presence,
But settled with a lightness of heart,
To enjoy just one wonderful view.
Being the second ...
K G Jan 2017
You're like a necessary drug
Repeatedly pumping in my veins
Occupying your borrowed space
I embrace, I cage myself within
Vowing never to drift out & in
After the moment with you
Stepping on your toes
My feet are dizzily heaving
Squeaky clean denim jeans
Become filthy wet strings
Even though I aim to please
I just mess up these things
KG
Greg Obrecht Mar 2015
I'm surrounded by demons, butchers, and ******;
menacing, chopping, and down on all fours.
They're trying to take away what is rightfully mine;
by enticing with goodies that are tasty and fine.

My will is weakening, breaking, and now shattered;
their voices cajole, promise, and flatter.
Dizzily I stumble towards a celebratory fire;
and happily climb to the top of my funeral pyre.

The flames danced, engulfed, and burned my shell; a
s the ancients danced, laughed, and dragged me to hell.
My voice grew hoarse from the incessant screaming;
as I tried to pinch myself as I knew I was dreaming.

Now I'm surrounded by the wretched, weak, and insane;
begging for a drink, ice, or a drop of cooling rain.
Was it worth falling prey to all those earthly treasures?
It depends on your definition of pain and pleasure .

For I quite enjoy the brimstone, inferno, and heat;
as the Devil chuckles, tortures, and eats ****** meat.
A ******* I am, and a ******* I'll remain;
I believe I've finally found my heavenly domain.
Brent Kincaid Jul 2016
You dissolute deputation
Of disparate dipsomaniacs
Disparately determined
To drive me, distance me
Definitely, diametrically
Dizzily daft, daily.
Ditzy, I determined to
Deftly divide them;
I defy them, deny them,
Don't deify them
But deride them
Stand beside them
And guide them
To wander away
Until some other day
Some other fool
Who, as a rule
Digs abuse and misuse.

It's not a truce
But an absolute demand
For their total surrender
So they remember
From December to December
I am not a lifetime member
Of the “Beat Me” club.
Aye, there's the rub
You thought I liked it
So you could spike it
Like a basketball.
But, my soul is not at all
Into anything you could call
Masochism or submission.
So, if your mission is
To collect acolytes and slaves
You'd just better save that
For someone sicker than I
And bid me a fond goodbye.
Natasha Apr 2018
I could feel it coming
Like a bird can feel the pressure change
Just before a hurricane
And instinctively flies
Away.

But I flew to you.
I wanted to play god.
I clung to memories,
Clung to your flannel sleeves
Blindfolded myself with them
Dizzily,
I walked in circles.

You didn’t say anything
But I know you so well I could read
Every line—
Every crevice in your forehead
Another word.

My lips clung to yours
Begging them to smile.
My fingers danced on yours
Tightroping
One degree from tipping over.

You didn’t kiss back.
Your lips a marble statue,
My fingers fell off the wire.

You gazed through me like glass
And I knew it was
Our last.
Nida Mahmoed Mar 2022
I am a Woman:

My skin melted in moonlight into grim of the darkness of night,
My hair sewed a meadow’s wildflowers,
That's how a woman created in me'
with blood divine,

I am a woman' strong and at the same time soft,
I am more like a pure wine of heaven,

Through dew, the spark of life arrowed in,
Giving birth to the wildwood adored skin,

Delphinium vivid petals of spring late,
With flagrant red roses; coloring my lips,

My eyes carry the dreams of poetry,
hopes of songs,
and music of joy,

An existence where I would live with pure me,
Where I would dance with my **** truths,
Play the drama of mystery,
And audience and stage all are for me,

Gathered to listen to me,
To see me play all drama and dance in between of drama,

I wrought the hair of my drenched in the psalm,
Enchanting with dark godly melodies of mine,
Braiding light with sorrows that, there, were.

The breeze from the voided air,
To embroider something, while reciting a prayer,
And dizzily, I fabricated a soul for the mud,

I inhaled, in awe and feel the life,
I am the words in a poem, ready to rhyme,

Yes, I am a woman,
Enough to feel the entire universe within the word of Woman,

My light reflected on my broken pieces,
The rays shaped a tree of wicked caprices,
Where my fantasies grow,

However, I am my own little beautiful creation,
And this reality is my hunger’s innovation.
The reality we all share,
Yet what deep is, makes my reality whole.
We stood on the shores of forever.
The transient waves
lapping at the Cliffside
Grinding granite
to bare sand and
granting mysticism to
           Perception.

Grand piano typebars snicking
to the roar of bonfires
burning the taste buds off our fingers
            Our tongues busy in rituals
          gifting freedom from base function
              to commune with Passion.

Newfound Oldschoolism
        stuttering confidence
                and alcohol imbibed clarity
screaming Ginsberg at Apathy so that sand might best stone

                  Spinning dizzily
in Rockland in Moloch in Purgatory
Dying vicariously under the table
while illiterate Jazz read
our right accusatory
                                 for falsifying veracity

Sitting in jail cells in
San Francisco for setting
         the sky aflame.
        And it is aflame.

Inmates burning with
unspoken tomes spoken
Who in madness spun truth
        in whipped tongues, begging
        for something worthy of Censure.
Who Rapture took under wing
        and proclaimed “Child!”
Who ripped open the sky
        to play with father time
        while mother earth ran green
                   in envy.
Who were acquitted on appeal
        to dance in the moonlight on the
        shore once more together,

        Who found lust skipping stones alone
and welcomed her to join us
Hedonists wearing it like a
badge on bare underbellies
rubbing orgied in reverence
       Running fingers through coarse
hair windblown and sparking
with electric sensation.
       Exploring, pioneering
quivering legs and chests
beneath and atop us.
       Inventing love while sinking
quickly in slow sands
while smooth hands grasped
for the fleeting finite
      Whispering sweet everythings
without words for they
would be wasted here.
      Pulling needy lips away
to idealize Communism
as Bourgeois swine wallowing
in prosperity and sweat
of our nightly deeds.
      Complaining of lost chances
and brevity of copulation
when we’ve defeated the bedsprings
      and Fantasizing of the bed, car,
floor, park, studio, and once
on the hood for good measure
      Forsaking sleep to defy
the mandate of the setting moon
      Praising the glinting ******
of Adonis and Aphrodite
in mutual longing
as the sun blinked into
existence through the window
until in merry acquiescence we
     dozed, dreaming
we had set San Francisco aflame
and lit our cigarettes on its
                embers,
While we slipped little squares
under our tongues and GoldenGatePark
turned alive and welcoming;
Gleeful mourning at the loss of self
        at the University
Rambling on about enlightenment
        full of pretentious humility
Establishing Anarchy in our veins
        so we might be closer to god

               And god lives right there
               in the shack atop that
               hill, handing out nature
               to the masses
sitting on benches, fried to comprehension.
       Proclaiming that the world
was bleeding glory to bewildered
               passers-by.
       Breathing in fog and smoke
to join oblivion quickly
       Bumping Kerouac’s ashes in
the selfsame alley
       Piling intoxicants to run sleepless
through the streets
                                       wild-eyed

Dragged out of gutters
        covered in nothing
               the morning after
                     finding our clothes
                          draping streetlamps
                     and leaving them
               in testament.

Yearning for that heavenly connection
         and finding it
             together.
Scaling the walls of
        the mind to
find mountains at
        the summit and
        climbed those too
and clamored past
        the clouds
and the stars until
       We found worth at the edge
of the universe.

                                             20 September 2010
Copyright 2010 @ Tyler Ryan Rodriguez
Seán Mac Falls Feb 2015
.
Dressing the day,
Beaming purely, on bankers
Hours, spinning such fine, spine
Wheel ways, painting the stones
Of grey, never so faraway, showing
Mighty, mirth in maddest Midgard,
Bearing blooms dizzily, trailing
All the new, children who play,
Pick and count, humming with faces
Bright as the late bedding stars
Joyous in the offered cheers
Of the crowning sun, gifts
All, in endless amount.
C Davis Feb 2015
Forbidden fruit hung on the tree in such a fashion that I could not grab it.
I watched the forest fever grow hot near you. Untastable, you hung just so.
Just so.
High on the branch but low to the ground, like an earthbound deity, you swung humbly.
I watched you.
Three thousand happenstances, coordinating dizzily, dropped you in my lap.
How could I not lap you up?
You tasted me
on your way down.
Sifting through me filtered, your poison seeps out my pores.
Last week of ripeness go slow,
I cannot get the taste off my tongue
acacia Aug 2020
let this view be for him: how it must—
the echo draws the lingering soul out of me
but it stays for it whirls and it makes me cry
but the hour of the day to impress you sings the joy
of the One —he stops and I come towards the rain,
and an impressionable glow of horn creeps into the sauna,
and it lowers my body, giving me the “immeasurable” chills:
but still these are words: god is in here, yes, god is in here—
god is way inside the violins and the dreams of these chords
he hits these notes and these horns play as if it was a cliched night
my aching god, my body falls in line with his movements on the drum roll; my neck moves, my hips sway, my waist penetrates the other day into the next morning for it is ephemeral :
the little windows of babes that twirl in these sounds in this rhymes in sight of his horns—filled with city nights

they sound like city nights like lurking blackness over trees and buildings lit up with windows of orange-yellow-opaque and she dances in the background—
this trumpet-woman: she dances, she does a spin she is trying to get her spin; she is trying to get her tap, she is trying to get in the door—she is stuck in the door
the key, she is fumbling with her key—little flails, a higher flail, she flails, she heightens—
she is close to opening the door
she sticks the key, jamming it in there— she turns she turns, she twists she twists: the keys
she takes a breath. — . she turns, she twists, she turns, she twists—
she walks away from the door, the key stuck in there
she staggers trying to learn how to walk again; drunken, she blares out, she blares out in the city coughing and her saxophone belting—she squeaks, she slurs, she blares, she whirs, she slurs, she blares, she sings, she screeches, she whistles through the day and the night

:four trees breeze by her, black skirt flow and taxis pass by her:

lame sounds into the wind, she keeps going. lame sounds into the world—she turns, she twists, she falls slightly, she skips and steps and she turns the key! she inhales [ ] ankle twist her arm trips,
her wrist squeezes into her pocket; clad all black—the stars join her and she sings lamely into the night, her voice reverberating throughout the leaves
a car yells as she repeats the night:
she sings out lamely, blares and twists and turns and she walks to the door—crickets pray, the car yells—she rests her head against the door—cars yell and honk, driving through her door: the door is open: the walls talk to her, the stars all watch her—she limps through the halls, the trumpet, the saxophone limps; the doors watch underneath: peering into the skirt of the trumpet: the hosiery adorned legs cramped and relaxed: tension jarred and stirred, wiggling free: peeking at the shiny bronze in between the bridge the way the air flexes around her

it changes shape towards her daily repeat nightly motion of monitoring the trapeze\

the sky gives atmosphere and volume into her hair—the realm
of being stuck, she is stuck and repeats: she is stuck and repeats
the lame song and blares into the ceiling: the empty missing ceiling—she blares and croaks and lamely walks to the steps of the day. it is night.
her eyes follow the trail up their Stare, and as she goes up each stair she feels despair pouring out of her porous eye’s pores that are open, and eyes closed to the velvet touching her uvula-*****. . . she drowns on these stairs and stains . .  .
cannot make it up—lame song— cannot —blaring —despair
exhale ][ inhale [] exhale ][ inhale [] prana ... lame .. . prana ... prana ... sati ... samadhi... liberate citta ... drop the poor chord: lame, lame song . . .

she limps up the stairs, each foot hitting each stair twice:
up down down down down up up up stagnant stagnate up down down stagnate — up down stagnate stagnate — blaring blare — loud: cranky! — she drunkenly sings, sways up the handrail, pours out her drink down the roof, and watches it fall:

the doors open, all simultaneously, whilst she looks down the stairwell pouring her drink down there for all to have: "Share joy, turn the key! Share, it is stuck! Get it out of the door! Open the door..." she shouts, she blares, she levels out. she yells.
lame song, limping . . . drunkenly dressed. Sloppy. utterance, muttering, low voice, trembling, yet now repeat the motion of the night. — realistic night days of the sophened mind, she blares, she cuts, she blares, she lowers— accelerationist accrucianado — "Dressing me out : the worst way to die go figure:! The constellation shows you!" lame song, blare, drift, loud lame limp. she walks further up the steps—the same song repeat, quivering now, more gusto, more braggadocio: "drawers long. inhale. prana. paroksha. indirectly." she opened once  again: concerto opus *****: quiver, blare, blossom: the stars shine now, and she sings while they fall around her—

she refrains, they fall, glidely, she refrains. she refrains. they fall, glidely, she refrains. she refrains. they fall, glidely, they drop, lively. swiftly. sprightly, brightly—she drinks in her own drinks of drown, she goes down the octave. down. there, the sky changes waving around: now over the highway, she blares loud, floating in the sky, floating above cars, and the traffic below her . . . she blares out croaks: she croons to them the same truth of the heavens they couldn’t see and she refrains loudly, glidely:
whizzling up there—her drool drizzles down there—inside and outside—pumping in, the throbbing joy: thrusting divine, thrusting angels—hayorically she moves dizzily over cities—oceans above her—traffic below her—she cramps up, the stars guide her

her more sing move; she waves more,
to the passerby, the clouds drift by for love/ no love /she drinks more love/ to the god where she blares, she croaks, she wheels out there, into the world cries of a never harmed One:
of a One never divided into Many: and she and the ones in a 50 foot radius are hit with atomic blasts the size: bruised and battered flesh, heart is black and body is blue, but the spirit is incorruptible and the spirit remains when the body burns when the sun dies lamely flying, limply stars guiding—
drool stuttering from each pore on her, she drives away in her no-more vehicle: this is the last body, and she knows this: and she accepts this is her last body, as she flies over New York City,
drifting with the race cars, absorbing each and every person and being: crossing roads that never existed, singing songs to nobody
city noir -
Anais Vionet May 2023
last winter break*

I woke up abruptly, my chest gripped and tight. My face felt hot but my arms stung as if frostbitten. I gasped for air that wouldn’t come, like I had a plastic bag over my head.

If I’d had a bad dream, in waking, it had become a collection of vague, menacing shadows, not memories.

I hadn’t had a panic attack in ages, but you never forget the feeling. I reached dizzily for my backpack, beside the bed, which contained an albuterol inhaler. I managed, between gasps, and a puff, to turn on a small bedside light.

It was an indecent hour but between jerky breaths, and a second puff, I performed the series of flicks and touches that initiated a FaceTime call. My brother Brice is in med-school at Johns Hopkins University. He studies a thousand hours a week, I doubt he actually sleeps at all.

Brice answered on the second ring, his gnarled, blonde, wheatfield of hair was unmistakable, even in the dim street light. One glance at me was all he needed. “Breathe,” he said, “just breathe,” his deep, warm voice was as reassuring now as it had been when I was a child.

He made a dismissive motion to whomever he was with, indicating he was leaving and they should go on. “Ok,” a guy said, “Sure.” A  girl's voice said, “tomorrow,” but those voices faded as they were left behind.

“Did you use your inhaler?” He asked, when I nodded yes, he began our old routine, “Alright,” he said, “name things you can see.”
“My.. phone,” I said, haltingly. A moment later I added, “my iPad,” I gasped, “my purse.”
“Oh, your favorite things,” he whispered and when I honked a coughing laugh he said, “sorry.”

After some brisk walking, on his end, I heard the distinct beep of an access-point card-reader.

“The sky,” I added. The sky looked dark, jam-like and starless from Lisa’s 50th floor windows but there was a blurry line of blinking lights - jets queued for landing at Newark Liberty, or Teterboro airports. Life was going to go on, it seemed, even if I couldn’t breathe.

“Uh huh,” he said, in affirmation. His camera went dark and I could tell he was climbing stairs.
My body wanted a full breath, or three and was in a full water-boarding like panic.

I continued with my herky-jerky naming, “my suitcase, a ceiling fan.” He was in his room now.

“Good,” he murmured. “Now focus on 4 things you can touch.” I slowly and purposefully touched my backpack, water bottle, phone and bedside table as Brice quietly watched and waited. I’d stopped hyperventilating and I could feel my eyes relaxing and the room coming into focus (a symptom of anxiety is tunnel vision).

Brice knows me, maybe better than anyone. We finish each other’s sentences, we’re steeped in intimacy and knowing. We watched each other silently for a minute or two as my breathing became normal. His stupid, brotherly face was reassuring. He seemed in no rush, and finally asked, “What brought this on?”

“I’m not sure,” I said, hesitantly, but I had my suspicions. I was on vacation, having a terrific  time with Lisa and her family, and I’d made the honor roll, so my anxiety wasn’t school related.

“Mom left me a Christmas message,” I began, “and there was an explosion in the background, I think. I played it over and over,” I said, frustratedly, “was it thunder - or something else? I played it for Lisa - over and over. She said she thought it was thunder, but Lisa’s not a good liar.”

Feelings are never simple, they're multilayered, strip some off the top and they’re others underneath. If my parents' (Doctors without Borders) Ukraine war work was the stressor, there was little we could do about it.

Brice reminded me that the background noise was equivocal - it could have been thunder - and since this panic was an isolated event, we decided to keep it to ourselves.

As the call wrapped up, he made me promise to stop playing that message and avoid war news. We agreed to stay in closer touch (knowing that, with our schedules, it probably wasn’t going to happen.)
Still, I like knowing he’s out there - like a rescue inhaler - just a few button clicks away.
Julie Butler May 2016
I imagine outer space to feel like this.
like;
no matter what, I can't lie down.
seeing a star that close made
all else seem
so much less bright.
I'm unimpressed.
I just want to love again but, you left that spell on me.
my eyes don't see color anymore,
my arms aren't reaching.
you printed poems onto my bones.
my mouth won't let me say marvelous and my hands quit thinking.
I'll turn to dust like this darling.
I'll be a little sandstorm on your
shore for awhile and
dizzily dissolve into your
winsome crashing.
Kassiani May 2011
We’re a disaster, you and I
An explosion waiting to happen
The beginnings of a nuclear meltdown
A finger hovering over a trigger

Dangerous

That’s what you called me
Dangerous
Threw the word into the air to hover dizzily between us
So I laughed it off
Recognizing that it’s you who’s trouble for me
And grasping at your hand regardless

It shouldn’t have been this easy for you
Not after all that time I spent tripping after you
For I taught myself not to crave you
I’d known that you’re no good for me
Playing games back and forth
Cat and mouse
Chasing and pouncing and running away again
Leaving me to think I’d made it all up in my head
Breathless and crazy and so, so tired
Too tired to keep wanting this

But like an open flame and a tank of gasoline
Despite my best intentions
You came too close and set the world on fire

Maybe I hadn’t really learned my lesson
Or maybe it was the way you looked at me
Or maybe I’m just a pyromaniac
Because I danced determinedly into the flames
And there, in the blaze, we collided

Disaster

The explosion, the meltdown, the flying bullet
All the destruction I’d tried to guard against
Ripped the brain from my head and the heart from my chest
And left me to burn
Feverish and desperate and stumbling for more
Hanging onto slurred confessions and pinky promises
And the thought that
Once
This was all that I’d wanted

But I don’t want to stand here burning anymore
I don’t want to feel the skin melting from my bones
Until there’s nothing left to hide behind
I am sick of cat and mouse
And I’m on my last life
And I don’t need to get caught in a wildfire
Because I told myself that I don’t want you anymore
And I’m already in over my head
And I can tell that you are, too

It’s a mess
And we both know it

You had thought that our respective messes could spill into each other
But that would be mixing bleach and ammonia
Toxic
Dangerous
Because it’s like we’re each trying to save the other from drowning
While struggling to keep our own heads above the water
And if you fell beneath the surface I wouldn’t hold it against you
Because I can’t save you
I can’t get tangled in nets and arms and seaweed
And the thought that you might actually want me
Because my scorched bones can’t take anymore
So despite my best intentions
I’d only end up sinking with you

I’m sorry
But I can’t handle any more disaster
I need rescuing and dry land
No flames, no games
And no dizzy decisions made too late
You were right calling me dangerous
Because I will always be volatile
And you the spark to set me off

We burn sweetly, you and I
But I can’t spend my life on fire
Written 5/14/11
James Gable Jun 2016
‘OLD AGE is a SHIPWRECK’
Charles de Gaulle

Some boats sink themselves slightly in order to
sleep—they awake with grog hangovers, leaning against

rocks, tillers askew as sea is softened by golden dawn.
The boom swung, tipsily; when the drowsy sail

was hoisted it groaned: *auxiliary!
Poking its prow
through the greybeards, the cutter then gathered pace,

parting plungers and apologetic waves as it cast off,
taking leave of the harbour in a cloud of spindrift.

The sail was slumped dizzily on the once-strong
shoulders of the mast—it sighs for its sorry spar and

state, remembering arduous journeys on seas of glass,
but no one dares say how conifer bark rains down in

flakes when it sleeps. The signal lamp, once brilliantly
bright, fraternising with the stars each night, is now

outshone by the eyes of abyssal creatures; see it
wrapped up in a pea jacket, perched on the yardarm.

On the weatherdeck mop and bucket are talking
scuttlebutt and canonising shipwreckless legends of the

past—when the laughter stops, and the deployment of
nets, perhaps they stop to think why, and sloppy work

and holystone and, sky…



Kittee-wa-aaake, kitte-wa-aaake—looking for a
school of fish whilst, in their numbers, orbiting the

vessel in an ellipsis; suspicious eyes on our walty
cutter and its measly midday catch. Tragic wrecks of

birds and ships alike, who is to say—to draw the lines
and make divisions of sea and bird and wood? Birds in

their collective strength move like waves, how they
could carry ships! This one is anchored fast, riding it

out as if a storm. But this collective strength, these
birds with villainous intent nip at the weather-worn

fishing nets and lines and a few ***** are lifted. The
barnacles sleep, nightmare visions of keelhauling—who

knew they had such wounds to heal?—forgotten
underneath in the darkness, they are plucked from their

shells by beaks regardless.

Back at the harbour the boat and its weary flanks and
planks and parts and hollow and hull are comfortably

submerged and sleep. The sun is sinking too it seems,
melting on the tongue of the sea. The broken-backed

vessel, dead doors shut, sail folded, mast
unencumbered. The signal lamp, intimidated and

outnumbered by the many who are brighter in the sky
with light years in their eyes, it decides to sleep out

and keep check for the night for the crows in their
murders covet nesting spots on board.


Splinters and vibrating minutes and the bitter end,
perturbed by the day of eddies and unseen internal

waves, nipped by the endless Kittiwake, they are
consulting compasses for the correct hour—

but no response, just the obviousness of the moon,
even from fathoms down and not a whisper.


As in every dark night here there is no silence for the
utterance of water and rustling of stars. You can hear

Sargasso **** dreaming, after hundreds of years afloat
without making root, dreaming of something better or

at last nothing at all. And in every creak of wood there
is a year of bad weather. And within the strength of

every bird is an empty stomach and a restlessness of
wings. In every decomposing fishing net there’s an

echo of vengeance, heard beneath the ringing of a bell
on the harbour. And in every compass there is a needle

tirelessly at work, endlessly referring to the stars—

The red-tipped needle in its binnacle tower
—confused it still spins and swirls

and in every skiff, freshly built or sea-worn and sore,
there is always a desire it will never speak of:


   to
   dive
   for
   pearls


                                     on the ocean floor.
Part Eight of The Man Who Longed to be an Oyster (see collections)
A M Ryder Dec 2019
As our pale blue presence
Dizzily dances
In the same single sunbeam
Restless over how alone
We really are

So sing at the finish line
Sing that sweet swan song
Because all shall become nothing
And in the nothingness
We are lost

The totality of time
With every moment spent
But that was then
And now it's gone
Im not sure where it went
Helen Feb 2012
The rising sun sets on a brand old day.

We dance to broken hearts, summertime, and parallels.

Onward, flags flying, to the beat of enterprise and the smell of ***.

While swirls of blue and yellow skate dizzily behind us.

I collapse on a mirror flecked with drops of blood and stickers.

Here above the truth is peace and quiet and clarity and numb.

Because tomorrow, again, the setting dust will rise behind the hills.
Bragi Jul 2018
Busy mind, busy me.
Busy me minding my busy.
Busy, you see, minding me.
I’m busy all the time and we
Remind me of how busy
My mind used to be
For you.
Busy you, minding me
Busily rushing through, dizzy.
Dizzily stumbling around the truth
Hoping we wouldn’t be
Too busy minded to see
Still Polaroid’s in all the scenes.
Images golden and sweet
Nostalgically tasting honey
These funny memories made by Bees
Busy Bees
Like you and me.

— The End —