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"thoroughbred" poems
So he threw all his chips on red Thought only of what was in his head Which turned out to be shots of dread For his seeds planted in young women's garden bed Without nary water or breaking bread Or nary knowing the breaches of his and her homestead So he rushed down stranger's alley shed On a runaway, wrongheaded cocky sled Through her banks, he crashed her spread Like a raging, raging thoroughbred Nary was a thought of a rubber glove on his dragonhead For the buried absence of love was in his heart of lead There's his wife at home tucking their kids in their bunkbed While he flirted with the forbidden apple instead It was this night that lives in infamy for others to read this dread For the news broke of a married man impregnating a young coed Accosting such teen to what now proves to be his deathbed Yet if he unwinds his c(l)ock and placed his chips on black he wouldn't have bled Petering out the ills in his marriage he would have been freed Now he shrivels in a shameful battle of what went through his head Logan Robertson 10/05/2018
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Oct 5, 2018
Oct 5, 2018 at 10:10 AM UTC
Infidelity Blew His Life Away
Oh there once was a swagman camped in the billabong, Under the shade of a Coolabah tree; And he sang as he looked at his old billy boiling "Who'll come a-waltzing Matilda with me." Who'll come a-waltzing Matilda, my darling. Who'll come a-waltzing Matilda with me. Waltzing Matilda and leading a water-bag — Who'll come a-waltzing Matilda with me. Down came a jumbuck to drink at the waterhole, Up jumped the swagman and grabbed him in glee; And he sang as he stowed him away in his tucker-bag, "You'll come a-waltzing Matilda with me." Who'll come a-waltzing Matilda, my darling. Who'll come a-waltzing Matilda with me. Waltzing Matilda and leading a water-bag — Who'll come a-waltzing Matilda with me. Down came the squatter a-riding his thoroughbred; Down came policemen — one, two, and three. "Whose is the jumbuck you've got in the tucker-bag? You'll come a-waltzing Matilda with we." Who'll come a-waltzing Matilda, my darling. Who'll come a-waltzing Matilda with me. Waltzing Matilda and leading a water-bag — Who'll come a-waltzing Matilda with me. But the swagman, he up and he jumped in the waterhole, Drowning himself by the Coolabah tree; And his ghost may be heard as it sings in the billabong "Who'll come a-waltzing Matilda with me?" Who'll come a-waltzing Matilda, my darling. Who'll come a-waltzing Matilda with me. Waltzing Matilda and leading a water-bag. Who'll come a-waltzing Matilda with me
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5.2k
Waltzing Matilda
She's thoroughbred hunger From her double shift mom to her deadbeat dad She tiptoes through junkyard junglegyms Collecting alleyway beach glass She learned to swindle Haggled survival with the big guy Big sisters traded on corners She was one Karma mustve forgotten While doing rounds She's got an invincible soul Stitched of disappointments Wrapped in sorrow Hope as a bow He's thoroughbred gluttony From mommas limelight jewels to daddy's sin-shined shoes He learned to swindle To thrive Wall street walk on the 99% Politician promises To impermanent faces Costly trips To extravagant places Mixing up "enough" With "more" Looking for happiness In a store Though it seems to me Whats made of life Is what makes life worth living for
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Feb 24, 2015
Feb 24, 2015 at 4:34 AM UTC
Two sides to a story
If I had last words they would be… Well… I mean… I see in those streams of invectives I see especially people who drink, eat, sleep, who make all human functions Which are quite rather ****** And I shall say that they’re heavy It never stopped being heavy I noticed I’ve read so many verses and particularly verses from the 17th century Verses, so-called courteous verses I found 3 or 4 good ones in thousands of them There’s little lightness in man He’s heavy... isn’t he And nowadays he’s extraordinary in heaviness Since automobiles, alcohol, ambition, politics make him heavy Even heavier It’s mostly like that, he’s extremely heavy Maybe one day shall we see a mind rebellion against the weight But it isn’t for tomorrow For now... we’re heavy So I’d say indeed If I had to die I’d say Man is heavy That’s all Oh! They were mean but... Because they were heavy They were heavy They were heavy… jealous of a certain lightness Jealous... jealous like a woman who wears a clothing burlap instead of another who wears lace Like someone who owns a workhorse instead of a thoroughbred Jealous... Jealous of being heavy... that’s all Crippled... They weigh... they're crippled Heaviness makes them ******* Therefore we can beware of them They’re ready to do anything Oh sure They’re ready to do anything And to activate heaviness They drink, aren’t they So when they drink, they turn into sledgehammers It’s frightening, isn’t it Sledgehammers without control Yes, they’re especially like this They activate... increase their weight Instead of making themselves lighter Oh! They’re not in Ariel’s side They’re more like Caliban More and more
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Apr 18, 2018
Apr 18, 2018 at 1:49 AM UTC
Louis-Ferdinand Céline interview
If I had last words they would be… Well… I mean… I see in those streams of invectives I see especially people who drink, eat, sleep, who make all human functions Which are quite rather ****** And I shall say that they’re heavy It never stopped being heavy I noticed I’ve read so many verses and particularly verses from the 17th century Verses, so-called courteous verses I found 3 or 4 good ones in thousands of them There’s little lightness in man He’s heavy... isn’t he And nowadays he’s extraordinary in heaviness Since automobiles, alcohol, ambition, politics make him heavy Even heavier It’s mostly like that, he’s extremely heavy Maybe one day shall we see a mind rebellion against the weight But it isn’t for tomorrow For now... we’re heavy So I’d say indeed If I had to die I’d say Man is heavy That’s all Oh! They were mean but... Because they were heavy They were heavy They were heavy… jealous of a certain lightness Jealous... jealous like a woman who wears a clothing burlap instead of another who wears lace Like someone who owns a workhorse instead of a thoroughbred Jealous... Jealous of being heavy... that’s all Crippled... They weigh... they're crippled Heaviness makes them ******* Therefore we can beware of them They’re ready to do anything Oh sure They’re ready to do anything And to activate heaviness They drink, aren’t they So when they drink, they turn into sledgehammers It’s frightening, isn’t it Sledgehammers without control Yes, they’re especially like this They activate... increase their weight Instead of making themselves lighter Oh! They’re not in Ariel’s side They’re more like Caliban More and more
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54
"He ought to be home," said the old man, "without there's something amiss. He only went to the Two-mile — he ought to be back by this. He would ride the Reckless filly, he would have his wilful way; And, here, he's not back at sundown — and what will his mother say? "He was always his mother's idol, since ever his father died; And there isn't a horse on the station that he isn't game to ride. But that Reckless mare is vicious, and if once she gets away He hasn't got strength to hold her — and what will his mother say?" The old man walked to the sliprail, and peered up the dark'ning track, And looked and longed for the rider that would never more come back; And the mother came and clutched him, with sudden, spasmodic fright: "What has become of my Willie? Why isn't he home tonight?" Away in the gloomy ranges, at the foot of an ironbark, The bonnie, winsome laddie was lying stiff and stark; For the Reckless mare had smashed him against a leaning limb, And his comely face was battered, and his merry eyes were dim. And the thoroughbred chestnut filly, the saddle beneath her flanks, Was away like fire through the ranges to join the wild mob's ranks; And a broken-hearted woman and an old man worn and grey Were searching all night in the ranges till the sunrise brought the day. And the mother kept feebly calling, with a hope that would not die, "Willie! where are you, Willie?" But how can the dead reply; And hope died out with the daylight, and the darkness brought despair, God pity the stricken mother, and answer the widow's prayer! Though far and wide they sought him, they found not where he fell; For the ranges held him precious, and guarded their treasure well. The wattle blooms above him, and the bluebells blow close by, And the brown bees buzz the secret, and the wild birds sing reply. But the mother pined and faded, and cried, and took no rest, And rode each day to the ranges on her hopeless, weary quest. Seeking her loved one ever, she faded and pined away, But with strength of her great affection she still sought every day. "I know that sooner or later I shall find my boy," she said. But she came not home one evening, and they found her lying dead. And stamped on the poor pale features, as the spirit homeward pass'd, Was an angel smile of gladness — she had found the boy at last.
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2.8k
Lost
"He ought to be home," said the old man, "without there's something amiss. He only went to the Two-mile — he ought to be back by this. He would ride the Reckless filly, he would have his wilful way; And, here, he's not back at sundown — and what will his mother say? "He was always his mother's idol, since ever his father died; And there isn't a horse on the station that he isn't game to ride. But that Reckless mare is vicious, and if once she gets away He hasn't got strength to hold her — and what will his mother say?" The old man walked to the sliprail, and peered up the dark'ning track, And looked and longed for the rider that would never more come back; And the mother came and clutched him, with sudden, spasmodic fright: "What has become of my Willie? Why isn't he home tonight?" Away in the gloomy ranges, at the foot of an ironbark, The bonnie, winsome laddie was lying stiff and stark; For the Reckless mare had smashed him against a leaning limb, And his comely face was battered, and his merry eyes were dim. And the thoroughbred chestnut filly, the saddle beneath her flanks, Was away like fire through the ranges to join the wild mob's ranks; And a broken-hearted woman and an old man worn and grey Were searching all night in the ranges till the sunrise brought the day. And the mother kept feebly calling, with a hope that would not die, "Willie! where are you, Willie?" But how can the dead reply; And hope died out with the daylight, and the darkness brought despair, God pity the stricken mother, and answer the widow's prayer! Though far and wide they sought him, they found not where he fell; For the ranges held him precious, and guarded their treasure well. The wattle blooms above him, and the bluebells blow close by, And the brown bees buzz the secret, and the wild birds sing reply. But the mother pined and faded, and cried, and took no rest, And rode each day to the ranges on her hopeless, weary quest. Seeking her loved one ever, she faded and pined away, But with strength of her great affection she still sought every day. "I know that sooner or later I shall find my boy," she said. But she came not home one evening, and they found her lying dead. And stamped on the poor pale features, as the spirit homeward pass'd, Was an angel smile of gladness — she had found the boy at last.
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36
# *You make yourself easy to be seen..     by someone like me. The only  thing I would think you would  find   as surprising Is why it has taken this  long for a beautiful Thoroughbred in Spirit such as you to finally be seen for exactly who it is that you are Free from assessment or judgement, I would venture so far to say   that the greater  central part of who it is that you are,   is (sadly so)  tremendously lonely. Again, not a judgement  at all, but an assessment of life in general. A lover like me would be perfect, but I am  (as you could guess) spiritually volatile in how deeply I push-- ..Even within the normal  give and take of everyday things. Sometimes  even one well placed  word  can bring one off-center and into  (and towards) an even deeper part  of their own journey. Most gorgeously-luscious Thoroughbreds such as yourself usually  pick less 'challenging' partners in order to have a somewhat more 'stable' home life.. ..But sadly with that also,  develops a relationship where the deeper,    more exctasy-based and driven       parts  of  you    are left with no choice    but to become, dormant.. in order to protect the 'beautiful-luscious' within you from slipping into despair --Until one day, what you have been avoiding    (longing for)  most, shows his ******* unorthodoxically-untethered, brazen attitude (and perfectly clear eyesight)    and suddenly you become seen. There is absolutely no way with some one like me  that you.. (within all of your Wondreous,    Deep-feeling Glory) would not eventually be seen. I urge you to take  every single part of it all,  in.. (the very thing you were "built" to do).. Even if in doing so, you were almost continually brought right up  to (and so very often, "over")  the edge Gifted fingers, helping the body  find its own form of release, when the pressings of Spirit,  mixed with the deeply-Penetrating View  that Love carries within every single  part   of itself.. ..Those gracious fingers are not 'up to no good'..    but instead.. (by the very Deeply-Understanding nature of Love itself)..     both they..  and the  whole   beautiful process of Release..       is deemed, Holy. The physical human body  becomes pushed way too far  within its limited ability to contain,  the Wholly uncontainable Ectsatic Pulsings   of Love's true Agenda. Perfection knows that and says       (so do I)..      "How could she not?" Be gracious to yourself, girl. You have wanted to live within the Beautiful Realms,   worthy of your calling.*    Welcome Home ❤ #
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Aug 17, 2023
Aug 17, 2023 at 12:59 PM UTC
The Fine Art of Perfection
# *You make yourself easy to be seen..     by someone like me. The only  thing I would think you would  find   as surprising Is why it has taken this  long for a beautiful Thoroughbred in Spirit such as you to finally be seen for exactly who it is that you are Free from assessment or judgement, I would venture so far to say   that the greater  central part of who it is that you are,   is (sadly so)  tremendously lonely. Again, not a judgement  at all, but an assessment of life in general. A lover like me would be perfect, but I am  (as you could guess) spiritually volatile in how deeply I push-- ..Even within the normal  give and take of everyday things. Sometimes  even one well placed  word  can bring one off-center and into  (and towards) an even deeper part  of their own journey. Most gorgeously-luscious Thoroughbreds such as yourself usually  pick less 'challenging' partners in order to have a somewhat more 'stable' home life.. ..But sadly with that also,  develops a relationship where the deeper,    more exctasy-based and driven       parts  of  you    are left with no choice    but to become, dormant.. in order to protect the 'beautiful-luscious' within you from slipping into despair --Until one day, what you have been avoiding    (longing for)  most, shows his ******* unorthodoxically-untethered, brazen attitude (and perfectly clear eyesight)    and suddenly you become seen. There is absolutely no way with some one like me  that you.. (within all of your Wondreous,    Deep-feeling Glory) would not eventually be seen. I urge you to take  every single part of it all,  in.. (the very thing you were "built" to do).. Even if in doing so, you were almost continually brought right up  to (and so very often, "over")  the edge Gifted fingers, helping the body  find its own form of release, when the pressings of Spirit,  mixed with the deeply-Penetrating View  that Love carries within every single  part   of itself.. ..Those gracious fingers are not 'up to no good'..    but instead.. (by the very Deeply-Understanding nature of Love itself)..     both they..  and the  whole   beautiful process of Release..       is deemed, Holy. The physical human body  becomes pushed way too far  within its limited ability to contain,  the Wholly uncontainable Ectsatic Pulsings   of Love's true Agenda. Perfection knows that and says       (so do I)..      "How could she not?" Be gracious to yourself, girl. You have wanted to live within the Beautiful Realms,   worthy of your calling.*    Welcome Home ❤ #
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82
Am I a man, or a liability Visioning myself out of home All my walls taller than me And the unescaped feeling of being alone I sit there like a garden gnome Staring my fate right into its soul Thinking I’ll start sipping that Styrofoam Cos it’s home where I bear the insult “It won’t work out, it never does” So much for your encouragement Wish I was with the clever ones Running free like a thoroughbred Preaching at me about having patience Look at you, you’re full of it What’s that word you’ve never experienced? Another one comes to mind, cough cough ‘hypocrite’! I can’t move on from your effluences I’m reminded each time I try to forget Back engaged within those experiences Then you go and ask why I’m upset? Wish you could see what I wish That age doesn’t define anything The opportunities that went with the mist When all my friends had everything Seems like my words make a stain All I ever do is to be wanted I have the strength of an aeroplane That goes towards the wind and not with it Tonight I’m lonely I can almost cry In the wake of my very absence But around you, I keep my cheeks dry For the sake of your obedience
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Nov 22, 2018
Nov 22, 2018 at 10:27 PM UTC
For the Sake of Obedience
Wake up to reality Seems like I’ve got an affinity For playing with your center of gravity Can I paint your mental walls red? Hop on a plane just to find myself in your bed Possible.... Some might even say probable But only if you bow down To worship my invisible crown Misled, misread but still a thoroughbred Undeniably ready to be ridden There are no misgivings You want vivd? Tie me up in ribbons Enjoy my only submission © 2014 Peach
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Aug 9, 2014
Aug 9, 2014 at 5:14 AM UTC
I've Got X's, Give Me O's
I GRANDFATHER sang it under the gallows: " Hear, gentlemen, ladies, and all mankind: Money is good and a girl might be better. But good strong blows are delights to the mind.' There, standing on the catt, He sang it from his heart. Those fanatics all that we do would undo; Down the fanatic, down the clown; Down, down, hammer them down, Down to the tune of O'Donnell Abu. "A girl I had, but she followed another, Money I had, and it went in the night, Strong drink I had, and it brought me to sorrow, But a good strong cause and blows are delight.' All there caught up the tune: "On, on, my darling man'. Those fanatics all that we do would undo; Down the fanatic, down the clown; Down, down, hammer them down, Down to the tune of O'Donnell Abu. "Money is good and a girl might be better, No matter what happens and who takes the fall, But a good strong cause' -- the rope gave a **** there, No more sang he, for his throat was too small; But he kicked before he died, He did it out of pride. Those fanatics all that we do would undo; Down the fanatic, down the clown; Down, down, hammer them down, Down to the tune of O'Donnell Abu. II Justify all those renowned generations; They left their bodies to fatten the wolves, They left their homesteads to fatten the foxes, Fled to far countries, or sheltered themselves In cavem, crevice, hole, Defending Ireland's soul. "Drown all the dogs,' said the fierce young woman, "They killed my goose and a cat. Drown, drown in the water-but, <1Drown all the dogs,' said the fierce young woman. Justify all those renowned generations, Justify all that have sunk in their blood, Justify all that have died on the scaffold, Justify all that have fled, that have stood, Stood or have marched the night long Singing, singing a song. "Drown all the dogs,' said the fierce young woman. "They killed my goose and a cat. Drown, drown in the water-butt, Drown all the dogs,' said the fierce young woman. Fail, and that history turns into ******* All that great past to a trouble of fools; Those that come after shall mock at O'Donnell, Mock at the memory of both O'Neills, Mock Emmet, mock Parnell: All the renown that fell. "Drown all the dogs,' said the fierce young woman, "They killed my goose and a cat. Drown, drown in the water-butt, Drown all the dogs,' said the fierce young woman. III The soldier takes pride in saluting his Captain, The devotee proffers a knee to his Lord, Some back a mare thrown from a thoroughbred, Troy backed its Helen; Troy died and adored; Great nations blossom above; A slave bows down to a slave. Who'd care to dig em,' said the old, old man, "Those six feet marked in chalk? Much I talk, more I walk; Time I were buried,' said the old, old man. When nations are empty up there at the top, When order has weakened or faction is strong, Time for us all to pick out a good tune, Take to the roads and go marching along. March, march -- How does it run? -- O any old words to a tune. "Who'd care to dig 'em,' said the old, old man, 'Those six feet marked in chalk? Much I talk, more I walk; Time I were buried,' said the old, old man. Soldiers take pride in saluting their Captain, Where are the captains that govetn mankind? What happens a tree that has nothing within it? O marching wind, O a blast of the wind. Marching, marching along. March, march, lift up the song: "Who'd care to dig 'em,' said the old, old man. "Those six feet marked in chalk? Much I talk, more I walk; Time I were buried,' said the old, old man.
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1.8k
Three Songs To The Same Tune
I GRANDFATHER sang it under the gallows: " Hear, gentlemen, ladies, and all mankind: Money is good and a girl might be better. But good strong blows are delights to the mind.' There, standing on the catt, He sang it from his heart. Those fanatics all that we do would undo; Down the fanatic, down the clown; Down, down, hammer them down, Down to the tune of O'Donnell Abu. "A girl I had, but she followed another, Money I had, and it went in the night, Strong drink I had, and it brought me to sorrow, But a good strong cause and blows are delight.' All there caught up the tune: "On, on, my darling man'. Those fanatics all that we do would undo; Down the fanatic, down the clown; Down, down, hammer them down, Down to the tune of O'Donnell Abu. "Money is good and a girl might be better, No matter what happens and who takes the fall, But a good strong cause' -- the rope gave a **** there, No more sang he, for his throat was too small; But he kicked before he died, He did it out of pride. Those fanatics all that we do would undo; Down the fanatic, down the clown; Down, down, hammer them down, Down to the tune of O'Donnell Abu. II Justify all those renowned generations; They left their bodies to fatten the wolves, They left their homesteads to fatten the foxes, Fled to far countries, or sheltered themselves In cavem, crevice, hole, Defending Ireland's soul. "Drown all the dogs,' said the fierce young woman, "They killed my goose and a cat. Drown, drown in the water-but, <1Drown all the dogs,' said the fierce young woman. Justify all those renowned generations, Justify all that have sunk in their blood, Justify all that have died on the scaffold, Justify all that have fled, that have stood, Stood or have marched the night long Singing, singing a song. "Drown all the dogs,' said the fierce young woman. "They killed my goose and a cat. Drown, drown in the water-butt, Drown all the dogs,' said the fierce young woman. Fail, and that history turns into ******* All that great past to a trouble of fools; Those that come after shall mock at O'Donnell, Mock at the memory of both O'Neills, Mock Emmet, mock Parnell: All the renown that fell. "Drown all the dogs,' said the fierce young woman, "They killed my goose and a cat. Drown, drown in the water-butt, Drown all the dogs,' said the fierce young woman. III The soldier takes pride in saluting his Captain, The devotee proffers a knee to his Lord, Some back a mare thrown from a thoroughbred, Troy backed its Helen; Troy died and adored; Great nations blossom above; A slave bows down to a slave. Who'd care to dig em,' said the old, old man, "Those six feet marked in chalk? Much I talk, more I walk; Time I were buried,' said the old, old man. When nations are empty up there at the top, When order has weakened or faction is strong, Time for us all to pick out a good tune, Take to the roads and go marching along. March, march -- How does it run? -- O any old words to a tune. "Who'd care to dig 'em,' said the old, old man, 'Those six feet marked in chalk? Much I talk, more I walk; Time I were buried,' said the old, old man. Soldiers take pride in saluting their Captain, Where are the captains that govetn mankind? What happens a tree that has nothing within it? O marching wind, O a blast of the wind. Marching, marching along. March, march, lift up the song: "Who'd care to dig 'em,' said the old, old man. "Those six feet marked in chalk? Much I talk, more I walk; Time I were buried,' said the old, old man.
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93
filed in the most deviant chambers of my memory bank is a summer of bliss in a breezy city of blue lakes, buxom blondes and ***** near the baltic sea eva's skin-tight ****** white jeans were the envy of my roving eye "hi" she replied to my transparent thought and I bought her a screwdriver with a twist of jive we sat poolside chatting about this and that and after the 5th ***** driver that is, we both knew 'twas time for some intercontinental ********** she was curious and excited to sample the coffee in my african skin and her talented slavic tongue stirred me gently from gdansk all the way down to krakow I took eva for a long wild ride over the serengeti on my faithful thoroughbred johnson together we climbed the rugged hills of lust to passion's prurient peak, a blissful journey that left us gasping breathlessly we embraced under a fountain of rapture as words hung dry in our throats we would wear them later... ~ P (7/21/2013)
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Jul 21, 2013
Jul 21, 2013 at 10:39 PM UTC
A Summer of Bliss...
REMEMBER all those renowned generations, They left their bodies to fatten the wolves, They left their homesteads to fatten the foxes, Fled to far countries, or sheltered themselves In cavern, crevice, or hole, Defending Ireland's soul. Be still, be still, what can be said? My father sang that song, But time amends old wrong, All that is finished, let it fade. Remember all those renowned generations, Remember all that have sunk in their blood, Remember all that have died on the scaffold, Remember all that have fled, that have stood, Stood, took death like a tune On an old,tambourine. Be still, be still, what can be said? My father sang that song, But time amends old wrong, And all that's finished, let it fade. Fail, and that history turns into ******* All that great past to a trouble of fools; Those that come after shall mock at O'Donnell, Mock at the memory of both O'Neills, Mock Emmet, mock Parnell, All the renown that fell. Be still, be still, what can be said? My father sang that song, but time amends old wrong, And all that's finished, let it fade. The soldier takes pride in saluting his Captain, The devotee proffers a knee to his Lord, Some back a mare thrown from a thoroughbred,, Troy backed its Helen; Troy died and adored; Great nations blossom above; A slave bows down to a slave. What marches through the mountain pass? No, no, my son, not yet; That is an airy spot, And no man knows what treads the grass. We know what rascal might has defiled, The lofty innocence that it has slain, Were we not born in the peasant's cot Where men forgive if the belly gain? More dread the life that we live, How can the mind forgive? What marches down the mountain pass? No, no, my son, not yet; That is an airy spot, And no man knows what treads the grass. What if there's nothing up there at the top? Where are the captains that govern mankind? What tears down a tree that has nothing within it? A blast of the wind, O a marching wind, March wind, and any old tune. March, march, and how does it run? What marches down the mountain pass? No, no, my son, not yet; That is an airy spot, And no man knows what treads the grass. III Grandfather sang it under the gallows: "Hear, gentlemen, ladies, and all mankind: Money is good and a girl might be better, But good strong blows are delights to the mind.' There, standing on the cart, He sang it from his heart. 1 "A girl I had, but she followed another, Money I had, and it went in the night, Strong drink I had, and it brought me to sorrow, But a good strong cause and blows are delight.' All there caught up the tune: "Oh, on, my darling man.' 1 Robbers had taken his old tambourine. "Money is good and a girl might be better, No matter what happens and who takes the fall, But a good strong cause' -- the rope gave a **** there, No more sang he, for his throat was too small; But he kicked before he died, He did it out of pride. 1
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Three Marching Songs
REMEMBER all those renowned generations, They left their bodies to fatten the wolves, They left their homesteads to fatten the foxes, Fled to far countries, or sheltered themselves In cavern, crevice, or hole, Defending Ireland's soul. Be still, be still, what can be said? My father sang that song, But time amends old wrong, All that is finished, let it fade. Remember all those renowned generations, Remember all that have sunk in their blood, Remember all that have died on the scaffold, Remember all that have fled, that have stood, Stood, took death like a tune On an old,tambourine. Be still, be still, what can be said? My father sang that song, But time amends old wrong, And all that's finished, let it fade. Fail, and that history turns into ******* All that great past to a trouble of fools; Those that come after shall mock at O'Donnell, Mock at the memory of both O'Neills, Mock Emmet, mock Parnell, All the renown that fell. Be still, be still, what can be said? My father sang that song, but time amends old wrong, And all that's finished, let it fade. The soldier takes pride in saluting his Captain, The devotee proffers a knee to his Lord, Some back a mare thrown from a thoroughbred,, Troy backed its Helen; Troy died and adored; Great nations blossom above; A slave bows down to a slave. What marches through the mountain pass? No, no, my son, not yet; That is an airy spot, And no man knows what treads the grass. We know what rascal might has defiled, The lofty innocence that it has slain, Were we not born in the peasant's cot Where men forgive if the belly gain? More dread the life that we live, How can the mind forgive? What marches down the mountain pass? No, no, my son, not yet; That is an airy spot, And no man knows what treads the grass. What if there's nothing up there at the top? Where are the captains that govern mankind? What tears down a tree that has nothing within it? A blast of the wind, O a marching wind, March wind, and any old tune. March, march, and how does it run? What marches down the mountain pass? No, no, my son, not yet; That is an airy spot, And no man knows what treads the grass. III Grandfather sang it under the gallows: "Hear, gentlemen, ladies, and all mankind: Money is good and a girl might be better, But good strong blows are delights to the mind.' There, standing on the cart, He sang it from his heart. 1 "A girl I had, but she followed another, Money I had, and it went in the night, Strong drink I had, and it brought me to sorrow, But a good strong cause and blows are delight.' All there caught up the tune: "Oh, on, my darling man.' 1 Robbers had taken his old tambourine. "Money is good and a girl might be better, No matter what happens and who takes the fall, But a good strong cause' -- the rope gave a **** there, No more sang he, for his throat was too small; But he kicked before he died, He did it out of pride. 1
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83
With the ever increasing tempo of time sprinting forward, like a thoroughbred gone frantic down the course, the years of yesterday dress in both the most alluring colours and the most heart-rending sorrows.
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Oct 27, 2010
Oct 27, 2010 at 6:57 PM UTC
With the ever increasing tempo
like a hot-wheel guided by a holy hand above, he makes impossible feats as if the car creates the road, his free hand is just as busy making fanatic gestures to guide scrambled linguistics or it rests out the window seeking a courtship with the wind clasping the door handle, wide-eyed the passenger rides safely adjacent to Fear, but at every turn Momentum carries Fear deep into the heart where its is pumped via veins, icing the body with awe inspiring visions. Visions controlled by the last true American Driver. He drives like only a thief can, poised by paranoia, pure thrill achieved only through the drive, race or getaway. in a past life, Neal was a great Outlaw outrunning potbelly sheriffs to plump on the saddle to rival the great horsemen of their day he’d chase trains down, taming and taunting them with speed and skill. or perhaps he was a horse himself. a terrific thoroughbred bluegrass fed. tritting trotting his way to a Triple Crown. trainers fed him Benzedrine to gage the beast. they feared he would run through the finish line and straight across the country like a maniacal madman looking for the last true road
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Mar 12, 2013
Mar 12, 2013 at 9:22 PM UTC
Ode to Neal Cassady
Thank you for visiting this page. Please press 5 on your keyboard to proceed. Thank you for pressing 5. That was just to ensure you are alert and active and doing something instead of falling asleep as you read this poem. Press 4. Press 2. And 6. And 8. And 9. See, that keeps you awake. As we were saying: Welcome. And to read the poem please press 8. Did you? No, you didn’t! We didn’t even feel a thing! Please note your reading and responses may be recorded by a mind-reader and your feelings as you read this poem will be e-captured by a soul-reader. If you do not wish to be recorded please press 9. And 10. And 2534. And 6. And 8. Now, please be informed you’ll still be recorded anyway for training purposes as this ****** poet here has no idea what poetry is. Press 7 for fun. And now press 229 for distraction. Good. Your pressing skills have improved since we started. Now, you may read the poem: “Jack and Jill went up the hill and Jack came running back to mummy: ‘Mummy! Mummy!’ said Jack ‘Jill pulled my pants down and poured ice-cold water on either side of my bottom!’” When you finish reading please press 23567876549807975987 and just for the heck of it press 8. Wow, that feels nice. Thank you. Now, that you have read the poem and pressed a few numbers like a thoroughbred idiot we are processing our reading of your responses as you read the poem. Please hold on; this may take a few seconds; you may hug the computer screen while you wait; and please minimize that **** page immediately. And for the fun of it, we suggest you press 13. And here is the result of your reading this idiotic poem as revealed by our recordings of your responses and feelings: You blady isdizot! You &&&***%%$$^# !!!!! You hate this poem! You think this is 67757***####! Get out of here, you nicmo9088768! Never ever come back here to this page! Now if you like – you may press 9… Now you may hang up and return to that **** page you minimized. Please call again – no, not at the **** page but here at the Idiot Writes Idiot Poems Page… Thank you. Please press 5 before you hang up. Oh, that feels so good…could you press – hey! Come back here!
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Sep 29, 2010
Sep 29, 2010 at 5:35 AM UTC
Please press 7 on your keyboard
Thank you for visiting this page. Please press 5 on your keyboard to proceed. Thank you for pressing 5. That was just to ensure you are alert and active and doing something instead of falling asleep as you read this poem. Press 4. Press 2. And 6. And 8. And 9. See, that keeps you awake. As we were saying: Welcome. And to read the poem please press 8. Did you? No, you didn’t! We didn’t even feel a thing! Please note your reading and responses may be recorded by a mind-reader and your feelings as you read this poem will be e-captured by a soul-reader. If you do not wish to be recorded please press 9. And 10. And 2534. And 6. And 8. Now, please be informed you’ll still be recorded anyway for training purposes as this ****** poet here has no idea what poetry is. Press 7 for fun. And now press 229 for distraction. Good. Your pressing skills have improved since we started. Now, you may read the poem: “Jack and Jill went up the hill and Jack came running back to mummy: ‘Mummy! Mummy!’ said Jack ‘Jill pulled my pants down and poured ice-cold water on either side of my bottom!’” When you finish reading please press 23567876549807975987 and just for the heck of it press 8. Wow, that feels nice. Thank you. Now, that you have read the poem and pressed a few numbers like a thoroughbred idiot we are processing our reading of your responses as you read the poem. Please hold on; this may take a few seconds; you may hug the computer screen while you wait; and please minimize that **** page immediately. And for the fun of it, we suggest you press 13. And here is the result of your reading this idiotic poem as revealed by our recordings of your responses and feelings: You blady isdizot! You &&&***%%$$^# !!!!! You hate this poem! You think this is 67757***####! Get out of here, you nicmo9088768! Never ever come back here to this page! Now if you like – you may press 9… Now you may hang up and return to that **** page you minimized. Please call again – no, not at the **** page but here at the Idiot Writes Idiot Poems Page… Thank you. Please press 5 before you hang up. Oh, that feels so good…could you press – hey! Come back here!
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74
Luscious red, Breaks me into some sweat, Oh, no, she's not a threat, More than...she's a hot, **** thoroughbred.
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Mar 23, 2013
Mar 23, 2013 at 5:22 PM UTC
Aduke Orosun.
She rides a thoroughbred perfectly like a man does, that in no way makes her look less than a lass, how does the horse feel, being in this rough and tumble dance see the reason for his pride, it's deeper than what one thinks, she makes him feel loved, he obeys every word of command, not a mistress and slave, two beings benign, in sync right then, my heart dictates,"Make this lovely Cavalry woman your own", as the crowning moment dawns, I wave to Esther, from among the motley crowd. Still in gallop her eyes caught my eyes from that far, what makes her look at me straight, later I would ask, "Being the first, near the finishing line, the crowd was just a haze, to my watery eyes, colors seemed blurred, but you stood out the crowed simply cheered, but you! you were in such an awe."
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Oct 13, 2014
Oct 13, 2014 at 9:36 AM UTC
How the Cavalry Woman has Stolen my Heart
Some things come naturally, like breathing or crying; they are embedded into us. Other traits we seem to acquire over time -- like a carefully raised Thoroughbred, being taught to clear the steepest jumps. Some things come naturally, like sleeping or eating; we're born with the urges. But others will fall into cyclical habits slowly -- like a filly taking her first shaking step, I place a pen to paper.
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May 5, 2012
May 5, 2012 at 1:56 PM UTC
Born and Raised.
I walked down for my daily meal, probably spinach salad and yesterdays pork in a soup and flesh on the brain stopped me dead in my pace when I saw this striated sack of bones a greyhound, kept thin as ribs by the genes she was bred to express collapsed on the end of chain, tail-tucked dead weight where once was thoroughbred speed built for speed, life on the fast-track chasing a mechanical sheep a lure she’ll never catch kept hungry for the good chance she’d run faster winning some beer-belly’s bets but at least she was given a wage— a crate, and all the food she’d need to stay thin. when genes turned her speed to the slip and sag of age one ******* was human enough instead of a quick slug pulling out her brain through a new hole and pinning it to the dirt behind the trailers, Beer-bellied ******* let her retire to an old-dog’s crate plastic walls and one gate Isn’t she beautiful?? I raise my gaze from the hound’s caramel eye and find the thing clutching the chain, grinning like hooks pulling cheeks far too wide, with too much skin on her thighs, a squat pile of woman bred on fatty beef and pecan pies We rescued her, she’s our mascot! and she hands me a flyer: EDUCATION INTERNSHIPS PUT YOUR LIFE ON THE FAST-TRACK!!
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Dec 13, 2011
Dec 13, 2011 at 6:41 AM UTC
The Fast-Track
A wind cold and bitter blows in from the west and stirs up old storms in you.  May we suggest one cure for the lonely most highly regard - a tour of the local relation-shipyard. Our newer relation-ships being built daily can catch the wind nicely, their sails snapping gaily. But others we've built have met rougher sailing; our flagship line shows up a few of our failings. The first liner christened, the R.S. Obsession, sank during a storm in the Sea of Depression. The Intimate's hull you'll see later today aground on the shoals of Old Fantasy Bay. The pilot of Dreamboat just plain lost his sense; ran full speed ahead through the Reef of Defense. Only one came back whole, the relation-ship Reason; she's in dry-dock now after only one season. We're taking the trouble to change her design and model her after our new Friendship line. Our new Friendships are (if you'll pardon the gloating) the match of any relation-ship floating. We've shaken her down and worked her way up to running through trials for the Real Lover's Cup. Though she'll take on a gale yet be pushed by a breeze, we're not really sure how she'll handle those seas. Whatever the outcome, we'll learn even more and strive to build better than ever before. Cleaner, more streamlined, a true thoroughbred; let form follow function, with no figurehead. The storms are subsiding, the wind's dying down; you're welcome whenever you're this side of town. And what's more, you're welcome whenever you're ready to work on this Friendship we've started already.
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Jan 7, 2011
Jan 7, 2011 at 6:29 AM UTC
Yarn From an Old Hand
A wind cold and bitter blows in from the west and stirs up old storms in you.  May we suggest one cure for the lonely most highly regard - a tour of the local relation-shipyard. Our newer relation-ships being built daily can catch the wind nicely, their sails snapping gaily. But others we've built have met rougher sailing; our flagship line shows up a few of our failings. The first liner christened, the R.S. Obsession, sank during a storm in the Sea of Depression. The Intimate's hull you'll see later today aground on the shoals of Old Fantasy Bay. The pilot of Dreamboat just plain lost his sense; ran full speed ahead through the Reef of Defense. Only one came back whole, the relation-ship Reason; she's in dry-dock now after only one season. We're taking the trouble to change her design and model her after our new Friendship line. Our new Friendships are (if you'll pardon the gloating) the match of any relation-ship floating. We've shaken her down and worked her way up to running through trials for the Real Lover's Cup. Though she'll take on a gale yet be pushed by a breeze, we're not really sure how she'll handle those seas. Whatever the outcome, we'll learn even more and strive to build better than ever before. Cleaner, more streamlined, a true thoroughbred; let form follow function, with no figurehead. The storms are subsiding, the wind's dying down; you're welcome whenever you're this side of town. And what's more, you're welcome whenever you're ready to work on this Friendship we've started already.
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#Don't you understand? --The back-pasture fences, lay down Opening up to more back-pasture, grasses u n c o n t a in e d, by fences,  laid down..      only to be surrounded  in the distance                  by more, back-pasture grasses.. And yes.. my beautiful Beloved--        with its fences  also, laid down You are a Thoroughbred, love. Within your  gorgeous succulence lies the open-field,   of  beautifully-unending grasses,   succulent. #
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Feb 3, 2022
Feb 3, 2022 at 5:20 PM UTC
it never ends..
Your Levi's beat all I have seen Your ancestors had some good genes I love your good roots Your fine attributes From your head to your toes and between It's all very clear to me You're certified, high pedigree It so plainly shows There's some blue blood I know I hope that you'll share it with me LADY, IT'S ALL IN YOUR GENES YOU MAKE MY RED CORPUSCLES DREAM SINCE YOU CAME BY OUR CHEMISTRY'S SO HIGH LADY, IT'S ALL IN YOUR GENES Your figure is full thoroughbred You could raise up a man that was dead I want to be part Of your love from the start I can't get you out of my head
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Apr 28, 2015
Apr 28, 2015 at 10:26 AM UTC
ALL IN YOUR GENES
He remembers his son's young eyes, clear and brown as marbles, And when laughter made the boy's face light up with joy. He remembers his step, like a thoroughbred's, galloping through the dust, And his enormous kites soaring into the unknown. A boy in cowboy boots, exploring the jungle. A boy enchanted with frogs and the graceful flight of birds. *** His father tries to find him now in this other jungle, sinking into the quicksand of another world, And he still remembers those eyes - still young, still clear and brown as marbles.
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Jul 8, 2015
Jul 8, 2015 at 1:18 PM UTC
To His ******** Son
Corners, crystals. midnight delight. Will this flight get off tonight? Turning corners on straight *** lines. **** its nice to be out of line. Turn it up and lets see who blows. Its funny to watch the freak show. As long as I'm not starring in the one horse show. I think that's a thoroughbred her to be fed. You know their the fucken craziest their fucken em bred. Feed them the lion and they go for the head
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May 17, 2015
May 17, 2015 at 9:41 PM UTC
Laughter fills the ice cream line
Better duck the Stuka dive bombers if you want to still paint like Rothko. I can no more steal your last breath than exhibit prostrate in your sky, we all have our crosses to bear but I am confidently on a fool's errant searching another thoroughbred obligation with my paraplastic factory vision, currently stranded in Haifa night goggles on!
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Dec 18, 2012
Dec 18, 2012 at 2:57 PM UTC
Never holding.
My motor skills are failing The pen wobbles in my hand and fights the flow I'm making co2 deposits and having oxygen withdrawals Hazy thoughts like incense smoke expand my skull and coat my brain in a diaphanous fog My heart is a thoroughbred careering for it's life Pleas tease my tongue behind clenched teeth as my eyes brew storms never to cascade Moisture develops in my shivering palms though my throat has become a desolate desert scape
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Nov 29, 2014
Nov 29, 2014 at 11:19 AM UTC
Panic Attacks